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ABIBLIOGRAPHYOFLITERARYTHEORY,CRITICISMANDPHILOLOGY

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

byJosngelGARCALANDA
(UniversityofZaragoza,Spain)

IDEOLOGYANDFILM
Baudry, JeanLouis. "Ideological Effects of the Basic
CinematographicApparatus." 1970.Trans.AlanWilliams.In
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PhilipRosen.NewYork:ColumbiaUP,1970.
_____."IdeologicalEffectsoftheBasicCinematographicApparatus."
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UP,1999.34555.*(Thesubject;identification).
_____."TheApparatus."Cameraobscura1(Fall1976).
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ImpressionofRealityinCinema."1975.In FilmTheoryand
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MarshallCohen.NewYork:OxfordUP,1999.76077.*
Bernstein, Matthew, and Gaylyn Studlar, eds. Visions of the East:
OrientalisminFilm.1997.
Carroll, Nol. Mystifying Movies: Fads and Fallacies in
ContemporaryFilmTheory.NewYork:ColumbiaUP,1988.
_____. From Mystifying Movies ("JeanLouis Baudry and 'The
Apparatus'"). In Film Theory and Criticism: Introductory
Readings. 5thed.Ed.LeoBraudyandMarshallCohen.New
York:OxfordUP,1999.77894.*
Comolli,JeanLouis."TechniqueandIdeology:Camera,Perspective,
Depth of Field." In Movies and Methods. Vol. 2. Ed. Bill
Nichols.London:UofCaliforniaP,1985.
_____."Techniqueetidologie."CahiersduCinma229(1971)241.
_____. "Technique and Ideology: Camera, Perspective, Depth of
Field."FilmReader2(1977):1328.Trans.ofthefirstpartof
"Techniqueetidologie."

_____."MachinesoftheVisible."In TheCinematicApparatus. Ed.


Teresa de Lauretis and Stephen Heath. London: Macmillan;
NewYork:StMartin's,1980.
Comolli, JeanLuc, and Jean Narboni. "Cinema / Ideology /
Criticism."1969.In FilmTheoryandCriticism:Introductory
Readings. 5thed.Ed.LeoBraudyandMarshallCohen.New
York:OxfordUP,1999.75259.*
CornutGentille d'Arcy, Chantal. "Iconography and Ideology in
TwentiethCenturyFilmAdaptationsofDickens'sNovels."In
Memory, Imagination and Desire in Contemporary Anglo
AmericanLiteratureandFilm. Ed.ConstanzadelRolvaro
and Luis Miguel GarcaMainar. Heidelberg: Winter, 2004.
14560.*
de Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema.
Bloomington:IndianaUP,1984.
_____."ThroughtheLookingGlass."In TheCinematicApparatus.
Ed. Teresa de Lauretis and Stephen Heath. New York; St.
Martin's,1980.
de Lauretis, Teresa, and Stephen Heath, eds. The Cinematic
Apparatus.London:Macmillan;NewYork:StMartin's,1980.
Deleyto,Celestino. ngelesydemonios:Representacineideologa
en el cine contemporneo de Hollywood. Barcelona: Paids,
2003. (Cowinner of the Enrique Garca Dez AEDEAN
researchprize2003).
Deleyto, Celestino, Chantal CornutGentille D'Arcy, Luis Miguel
GarcaMainar,MonicaStacconi,JuanA.TarancnandMara
delMarAzcona."'ForgetYourTroublesandBeHappy':Una
aproximacinetnogrficaalaideologadelentretenimientoen
el cine estadounidense contemporneo." Atlantis 24.2
(December2002):5972.*
Friedberg, Anne. "Cinema and the Postmodern Condition." In
Viewing Positions. Ed. Linda Williams. New Brunswick:
RutgersUP,1995.5986.*
Fuery,Patrick."TheIdeologyofLove:FilmandCulture."InFuery,
New Developments in Film Theory. Houndmills: Macmillan,
2000.
Galvnlvarez,Enrique."EpistemicViolenceandRetaliation:The
Issue of Knowledges in Mother India." Atlantis 32.2 (Dec.
2010):1126.*(MehboobKhan,1957).
GarcaLanda,Josngel."Adaptation,Appropriation,Retroaction:
Symbolic Interaction with Henry V." In Books in Motion:

Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay.


(Contemporary Cinema, 2). Amsterdam and New York:
Rodopi,2005.18199.*
http://www.rodopi.nl/functions/search.asp?BookId=COCI+2
OnlinePDF:
http://www.unizar.es/departamentos/filologia_inglesa/garciala/p
ublicaciones/Adaptation.pdf
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Onlinetextofthebook(GooglePreviewWizard):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/p
ublicaciones/booksinmotion.html
2008
_____."Adaptation,Appropriation,Retroaction:SymbolicInteraction
withHenryV."OnlinePDFatZagun6Feb.2009.*
http://zaguan.unizar.es/record/1988
2009
_____."Adaptation,Appropriation,Retroaction:SymbolicInteraction
withHenryV."OnlinePDFatAcademia25April2009.*
http://unizar.academia.edu/Jos%C3%A9AngelGarc
%C3%ADaLanda/Papers/93073/AdaptationAppropriation
RetroactionSymbolicinteractionwithHENRYV
2009
_____."Adaptation,Appropriation,Retroaction:SymbolicInteraction
with Henry V." Online PDF at Social Science Research
Network4June2010.*
http://ssrn.com/abstract=1620234
2010
Gidal,Peter."TechnologyandIdeologyin/through/andAvantGarde
Film:AnInstance."InTheCinematicApparatus.Ed.Teresade
LauretisandStephenHeath.
Gledhill, Christine. "Recent Developments in Feminist Criticism."
Quarterly Review of Film Studies 3.4 (1978): 45793.
(Representation, realism, ideology, Barthes, Althusser, myth,
psychoanalysis,Lacan).
_____."RecentDevelopmentsinFeministCriticism."1978.In Film
TheoryandCriticism:IntroductoryReadings. 5thed.Ed.Leo
BraudyandMarshallCohen.NewYork:OxfordUP,1999.251
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Grieveson,Lee."FightingFilms:Race,MoralityandtheGoverningof
Cinema,19121915."CinemaJournal38.1(Fall1998):4072.
Hall, Stuart. "The Rediscovery of Ideology: The Return of the
Repressed in Media Studies." In Subjectivity and Social
Relations. Ed. Veronica Beechey and James Donald. Milton
Keynes:OpenUP,1985.
Heath, Stephen. "Jaws, Ideology and Film Theory." Times Higher
EducationSupplement26March1976.
IglesiasTurrin,Pablo.Maquiavelofrentealagranpantalla:Ciney
poltica.Madrid:Akal,2014.*
Jameson,Fredric.SignaturesoftheVisible.London:Routledge,1991.
1993.
Kinder,Marsha.PlayingwithPowerinMovies,Television,andVideo
Games:FromMuppetBabiestoTeenageMutantNinjaTurtles.
Berkeley:UofCaliforniaP,1991.
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GermanFilm.Princeton:PrincetonUP,1947.
_____."MattersofContent."InKracauer, TheoryofFilm.Princeton
(NJ):PrincetonUP,1997.26282.*
Martn,Sara."Depadreahijo:latransmisindeldiscursopatriarcal
en el cine de Hollywood (19772007)." In Gnero y cultura
popular.EdIsabelCla.Bellaterra:EdicionsUAB,2008.
MartnezLucena,Jorge.LosantifacesdeDory:Retratoencollagedel
sujetoposmoderno.2008.
Nichols,Bill. IdeologyandtheImage:SocialRepresentationinthe
CinemaandOtherMedia.Bloomington:IndianaUP,1985.
Oudart,JeanPierre."CinemaandSuture."Screen18.4(19778):35
47.
Pendakur,Manjunath.IndianPopularCinema.Industry,Ideologyand
Consciousness.NewJersey:HamptonPress,Inc.,2003.
RodrguezSerrano,Aarn."Laconstruccincinematogrficadelodio.
Las pelculas antisemitas del rgimen nazi." Revista de
Occidente373(June2012):11326.*
Rose, Jacqueline. "The Cinematic Apparatus: Problems in Current
Theory."In TheCinematicApparatus. Ed.TeresadeLauretis
and Stephen Heath. London: Macmillan; New York: St
Martin's,1980.17286.
Ryan, Michael. "The Politics of Film: Discourse, Psychoanalysis,
Ideology."In MarxismandtheInterpretationofCulture. Ed.
LawrenceGrossbergandCaryNelson.Urbana:UofIllinoisP,
1988.47786.

Smith, Robert. "Deconstruction and Film." In Deconstructions: A


User'sGuide.Houndmills:Palgrave,2000.11936.*
Stam, Robert, and Louise Spence. "Colonialism, Racism and
Representation."Screen24.2(1983)220.
_____."Colonialism,RacismandRepresentation:AnIntroduction."
1983.InFilmTheoryandCriticism:IntroductoryReadings.5th
ed.Ed.LeoBraudyandMarshallCohen.NewYork:Oxford
UP,1999.235250.*
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AfricanFilm.SmyrnaPress,1988.
_____. TheCinemaofApartheid:RaceandClassinSouthAfrican
Film.London:Routledge,1989.*
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View.Baltimore:JohnsHopkinsUP,1986.
Wood,Robin."Ideology,Genre,Auteur."1977.In FilmTheoryand
Criticism:IntroductoryReadings. 5thed.Ed.LeoBraudyand
MarshallCohen.NewYork:OxfordUP,1999.66878.*
_____."Ideology,Genre, auteur." In FilmGenreReader. Ed.Barry
KeithGrant.UofTexasP,1986.

Bibliography
GarcaLanda,JosAngel."Ideologyandfilm."FromABibliography
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Video
IglesiasTurrin,Pablo."Maquiavelofrentealagranpantalla."Video
presenting his book. YouTube (Tuerka Guerrilla) 11 Oct.
2013.*
http://youtu.be/l4su5ykhhIU
2014