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Professional Microphone

JS-1T

Multi-Pattern Large Diaphragm Studio Mic

Professional
Microphone

Drums & Percussion Magazine
The microphone (NX-6) clearly reproduce snare, toms and,
in addittion, percussion instrument like bongos or congas.
During close
inspection, there is a boost between 100 Hz and 18KHz which
gives the toms a fuller and rounder tone. Also because of the
boost, the snare comes through clearly and brilliantly.
-Manfued Von Bohr
GIG Magazine
It (NX-2) is very accurate and punchy. It can produce high gainbefore-feedback and reject other stage sound. NX-8:Designed
for sounds good on lead vocal ! I had equal success using the
NX-8 with both male and female singers. Overall the JTS mics
are a great deal for the
money, which offers real value !
Modern Drummer Magazine
The JTS NX-Series are performance mics, meaning their
target market is primarily drummers themselves rather than
recording engineers.
Judging from their solld performance in a recording
environment..., I wouldn’t hesitate to use them in any live
miking situation where their rugged construction will be a
bonus. They should definitely be considered by drummers
looking for good sonic performance at quite reasonable
prices.
-Mark Parsons

The JS-1T is a multi-pattern studio microphone with three selectable
polar patterns: Cardioid, Omnidirectional and Figure-8 providing superb
performance for vocals, acoustic Instruments, drum kits, percussion etc.
For either Live or Studio Recording. A specially contoured 1 "super thin 24K
gold plated diaphragm delivers remarkable transparency from 20Hz - 20kHz
and handles high sound pressure level signals of (132dB) at all frequencies.
A built-in switchable-10dB pad is provided to prevent signal overload when
miking an extremely high SPL sound source. The diecast body and solid
machined brass capsule assembly provide excellent durability. The internal
dual windscreen prevents hard consonant "P 'pops and breath noise. Included
with the JS-1T is a Deluxe Spider-Type Shock-Mount to reduce unwanted
stage rumble and stand vibrations from being recorded and / or amplified.
The JS-1T 's clarity and slightly enhanced high-end presence provide
engineers with the control and sonic characteristics required for quality
recordings at an affordable price.
Type
Frequency Response
Sensitivity (at 1000Hz)
Directional Pattern
Attenuation Switch
Low Frequency Roll-off
Impedance
Max. SPL For 1% T.H.D.
Signal To Noise Ratio
Power Supply
Current Consumption
Output
Net Weight
Dimensions (mm)

Large Diaphragm Condenser Mic
20 ~ 20,000 Hz
-38 DB * (12.6mV) 0dB = 1V / Pa
Cardioid, Omnidirectional, figure-8
-10dB
80Hz
200Ω
132 dB
78dB
36-52 VDC phantom power required
1mA
3 Pin XLR (M) (power module)
480 grams (16.9oz)
Ø56mm (W) * 184mm (H)

JS-1T

JS-1Tube

Large Diaphragm Studio Mic
* The JTS JS-1Tube is a large-diaphragm vacuum tube studio microphone
designed for use in the most demanding applications.
* 9 switchable polar patterns for placement and application flexibility.
* Smooth "tube" sound adds warmth and life to digital recordings.
* A specially contoured 1 "super thin 24K gold plated diaphragm provides
superb reproduction of high sound pressure level signals at all frequencies.
* A switchable 10dB pad is built-in to increase the SPL capabilities.
* It's precise resolution and ability to handle high sound-pressure levels
makes it an excellent all-purpose microphone.
* Comes complete with power supply, metal spider-type shock mount,
windscreen.
* Applications: Broadcasting, Studio Vocal, Live Recording, Acoustic Guitar /
Bass, Cymbals, Woodwinds, Saxophone.
Type
Frequency Response
Sensitivity
Directional Pattern
Attenuation Switch
Low Frequency Roll-off
Impedance
Max. SPL For 1% T.H.D.
Signal To Noise Ratio
Power Supply
Output Connector
Net Weight
Dimensions (mm)

Large Diaphragm Condenser Mic
20 ~ 20,000 Hz
-35 DB * (17.8mV) 0dB = 1V / Pa, 1kHz
9 switchable polar patterns (
)
-10dB
80Hz
200Ω
135 dB
78dB
PS-9 Power Supply
7Pin XLR (M) (power module)
700 grams (24.7oz)
Ø56mm (W) * 207mm (H)

JS-1Tube

PS-9

Power Supply

P-67 case
Option

JS-1T/JS-1Tube/PS-9/P-67 case

59

05. uniform with frequency -77dB*(0. The outstanding pick-up pattern and sound quality make SX-7/SX-7S ideal for vocal.9oz) Ø56mm (W) * 184mm (H) The SX-7/SX-7S are designed for optimal warmth and clarity. SAM-8LN SX-7/SX-7S/SX-8/SX-8S/SAM-8LN 61 . 44.1.. 200 Ω 132 dB 78dB 36-52 VDC phantom power ≤ 1mA 3Pin XLR (M) (power module) 480 grams (16.D..H.. 1kHz Cardioid -10dB 80Hz 100Ω 140 dB 78dB 36 ~ 52VDC phantom power ≤ 3mA 3P XLR-M type (power module) Ø22. Frequency Response Directional Pattern Power consumption Dimension (mm) Weight Large Diaphragm Condenser Mic B type. Included with the JS-1 a versatile shock-mount with standard 5/8”-27 threads..0 / USB 3..drums.H. 32.H. SX-8/SX-8S provide extended frequency response and dynamic range for cleaner and smoother sound. Applications: * Broadcasting * Studio Vocal * Live Recording * Saxophone * Acoustic Guitar/Bass * Cymbals * Woodwinds Type Frequency Response Sensitivity (at 1000Hz) Directional Pattern Attenuation Switch Low Frequency Roll-off Impedance Max.rotationally symmetrical about microphone axis.000 Hz -36 ± 3 dB * (15.025. This microphone royally reproduces any kinds of instruments and vocals.14mV)*0dB=1V/μbar 250Ω Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Three-pin professional audio connector (male XLR type) Metallic enamel-painted die cast metal body with hardened.000 Hz) Impedance Phasing 1/2 "Studio Condenser Microphone Based on the successful experience of JS-1 series JS-22 is designed for instrument miking from strings to percussions.. Signal To Noise Ratio Power Supply Current Consumption Output Net Weight Dimensions (mm) Large Diaphragm Condenser Mic 20 ~ 20. Model Type Frequency Response Polar Pattern Sensitivity(at 1. 11.. Signal To Noise Ratio Power Supply Current consumption Output Connector Dimensions (mm) Connector Case    SX-8S MS-22 SX-7S SX-8/SX-8S SX-8/SX-8S re-enhance overall performance. uniform with frequency -77dB*(0.D. The JS-22 is built on a solid brass with accurate processing.6mV) 0dB = 1V / Pa 132 dB 20 ~ 20.5W Ø56mm (W) * 184mm (H) 480 g Sampling Rate: DAC ADC Bit Depth USB Type 32..500 Hz Cardioid. It’s precise resolution and ability to handle high sound-pressure levels makes it an excellent all-purpose microphone. Ideal for lead vocal.500 Hz Cardioid. A specially contoured 1” super thin 24K gold plated diaphragm provides superb reproduction of high sound pressure level signals at all frequencies..0 JS-1/JS-1USB/JS-1E//JS-22 Good for: * Broadcasting * Studio Vocal * Live Recording * Acoustic Guitar / Bass * Cymbals * Woodwinds Type Frequency Response Sensitivity (at 1000Hz) Directional Pattern Attenuation Switch Low Frequency Roll-off Impedance Max.1 / USB 2.000 Hz Cardioid 0. JS-1USB JS-1 JS-1E JS-1 Large Diaphragm Studio Mic The JTS JS-1 is a studio microphone designed for use in the most demanding applications. Signal To Noise Ratio Power Supply Current Consumption Output Net Weight Dimensions (mm) * Saxophone Large Diaphragm Condenser Mic 20 ~ 20. The 1/2” golden plated diaphragm is manually assembled by JTS craftsman.000 Hz -38 DB * (12.. Matte-finished steel grille Equipped with Magnetic Reed Switch SX-8 SX-8S P.8mV)0dB = 1V / Pa. The SX series is ideal for large venue.D. 48KHz 16-Bit USB 1.. 16. 22.1.5mm (H) SAM-8LN is one of best dynamic capsule with broadly frequency response. 60 Type USB Connector Indicator Sensitivity (at 1000Hz) Max. Type Frequency Response Sensitivity Directional Pattern Attenuation Switch Low Frequency Roll-off Impedance Max.6mV) 0dB = 1V / Pa Cardioid N.. The precise engineering assures outstanding performance. 44..rotationally symmetrical about microphone axis. SPL For 1% T. 48KHz 8. guitar amplifiers and other instruments.5mm (W) * 150. A switchable 10dB pad is built-in to increase the SPL capabilities. SPL For 1% T..9oz) Ø56mm (W) * 184mm (H) JS-1USB Large Diaphragm Studio Mic The JS-1USB is an USB version of JS-1E. dynamic range and extremely low touch noise. The capsule is machined and assembled on solid steel bar for maximum accuracy and therefore acoustic characters. Digital audio interface USB .. The advanced mechanical design minimizes handling noise.A.112 Windscreen SAM-8LN Dynamic Microphone Capsule JS-22 Condenser Mic 20 ~ 20. SPL For 1% T.A. JS-1E Budget Large Diaphragm Studio Mic The JS-1E is an economic version of JS-1. The smooth frequency response across the full spectrum and accurate directional character provide maximum gain before feedback. Good for: * Acoustic guitar * Acoustic bass * Strings * Piano * Woodwinds * Orchestra * Stereo pick-up * Ensemble vocals * Cymbals SX-7 SX-8 / SX-8S Moving Coil Dynamic 50~16.H..000 Hz -38 DB * (12.Professional Microphone SX-7/SX-7S Multipurpose Microphone The SX performance series is designed with JTS newest capsule SAM-8LN. Green -38 DB * (12.D.14mV)*0dB=1V/μbar 250Ω Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Three-pin professional audio connector (male XLR type) Metallic enamel-painted die cast metal body with hardened. SPL For 1% T. Matte-finished steel grille Equipped with Magnetic Reed Switch Vocal Performance Microphone JS-22 Model Type Frequency Response Polar Pattern     Sensitivity (at 1. but does not provide the PAD and LOW CUT function switches and circuitry of the JS-1 and does not include the spider type shock mount that is included with the JS-1.000Hz) Impedance Phasing Connector Case SX-7S SX-7 / SX-7S Moving Coil Dynamic 50~16.6mV) 0dB = 1V / Pa Cardioid -10dB 80Hz 200 Ω 132 dB 78dB 36-52 VDC phantom power ≤ 1mA 3Pin XLR (M) (power module) 480 grams (16.. N. The precise designed circuit with low cut and pad feature provides flat response.

uniform with frequency -72dB*(0. dynamic locking. Type Frequency Response Polar Pattern Sensitivity(at 1.000 Hz Cardioid.rotationally symmetrical about microphone axis.32mV)*0dB=1V/μbar 400Ω Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Three-pin professional audio connector (male XLR type) Metallic enamel-painted die cast metal body with hardened. matte-finished steel grille 245 grams (8.5V AA NX-9 NX-8/NX-8S/NX-8.25mV) * 0dB = 1V/μbar 600Ω Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Three-pin professional audio connector (male XLR type) Metallic enamel-painted die cast metal body with hardened. Bass Instrument Microphone Type Frequency Response Polar Pattern NX-2 Moving Coil Dynamic 20~12. matte-finished steel grille 235 grams (8. uniform with frequency -72dB * (0. adjustable through Adjustable Locking Mount 180° Net Weight 815 grams (28. Accurate pick-up pattern ensures the best gain-before-feedback and isolation from other sound sources on or off stage. Type Frequency Response Polar Pattern Moving Coil Dynamic 60~16.8 NX-6 NX-6 Vocal Performance Microphone NX-7 / NX-7S Moving Coil Dynamic 50~16.2 oz) Super low 9-52V phantom power NX-8. The NX-9 provides extended frequency response and enlarged dynamic range. It delivers smooth and transparent reproduction.75 oz) Designed to have extended frequency response and wide dynamic range. uniform with frequency Sensitivity(at 1. hi-hat.000Hz) Impedance Phasing Connector Case Net Weight NX-7S 62 NX-2/NX-6/NX-7/NX-7S Connector Case    Net Weight NX-8S NX-8 / NX-8S Moving Coil Dynamic 50 ~ 16. The outstanding directional character together with effective shock mount prevent disturbance and make the pick-up concentrated on target sound source.000 Hz Supercardioid. Based on the success of X-series performance microphones NX-8/NX-8S reenhance overall performance.000Hz) Output Impedance Phasing Connector Case Net Weight Touch Noise Power Supply Electret Condenser 60 ~ 18. uniform with frequency Sensitivity(at 1. NX-8/NX-8S provide extended frequency response and dynamic range for cleaner and smoother sound. uniform with frequency -70dB * (0. The dynamic shock mount keeps noise to a remarkable low level. The shock mount keeps handling noise to extremely low level.the NX-6 works excellently with drums and various instruments. User-friendly locking mount provides optimal position for pick-up. matte-finished steel grille 275 grams (10.51 oz) NX-7/NX-7S Dynamic Microphone The NX-7/NX-7S are designed for optimal warmth and clarity. dynamic locking.rotationally symmetrical about microphone axis. cartridge closer to a sound source to maximize low frequency proximity effect.000Hz) -72dB* (0. The specially designed frequency response provides excellent output of low end punch on a kick drum.6 oz) Equipped with Magnetic Reed Switch NX-8 NX-8S Vocal Condenser Microphone Instrument Microphone NX-7 Model Type Frequency Response Polar Pattern     Sensitivity (at 1. matte-finished steel grille Integral. adjustable through Adjustable Locking Mount 180° Net Weight 610 grams (21.000Hz) Output Impedance Phasing Connector Case Net Weight Touch Noise Power Supply Electret Condenser 60~18.000Hz) -85dB*(0.rotationally symmetrical about microphone axis. matte-finished steel grille Integral. Smooth and tailored frequency response provide vividness. guitar amplifiers and other instruments.8 is created for studio quality sound in live performance vocal. Specially designed filter effectively minimizes breath pop. Reinforced cartridge and hardened grille make NX-8/NX-8S one of the most rugged mics in the professional microphone industry.500 Hz Cardioid. The top-flat grille allows mic.25mV)*0dB=1V/μbar 600Ω Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Three-pin professional audio connector (male XLR type) Metallic enamel-painted die cast metal body with hardened.000 Hz Supercardioid.25mV)*0dB=1V/μbar Impedance 600Ω Phasing Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Connector Three-pin professional audio connector (male XLR type) Case Metallic enamel-painted die cast metal body with hardened. rotationally symmetrical about microphone axis. uniform with frequency -70dB*(0. The NX-2 is optimal for kick drum and other bass instruments.drums.32mV) * 0dB = 1V/μbar 400Ω Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Three-pin professional audio connector (male XLR type) Metallic enamel-painted die cast metal body with hardened. The outstanding pick-up pattern and sound quality make NX-7/ NX-7S ideal for vocal. acoustic guitar and other instruments. Excellently accurate pick-up pattern provides the best gainbefore-feedback.rotationally symmetrical about microphone axis.8/NX-9 63 . Type Frequency Response Polar Pattern Sensitivity(at 1.8 NX-9 Condenser Microphone The NX-9 is innovated for overheads.000 Hz Cardioid.000 Hz) Impedance Phasing NX-8. Model Type Frequency Response Polar Pattern NX-7S Sensitivity(at 1. rotationally symmetrical about microphone axis.056mV)*0dB=1V/μbar Impedance 600Ω Phasing Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Connector Three-pin professional audio connector (male XLR type) Case Metallic enamel-painted die cast metal body with hardened. stand and handling noise.500 Hz Cardioid.3 oz) Equipped with Magnetic Reed Switch The NX-8.1 oz) Super low 9-52V phantom power or battery 1. matte-finished steel grille 230 grams (8.Professional Microphone NX-2 NX-8/NX-8S The NX-2 is born for solving the problem in low frequency sound faced by most microphones.accuracy and warmth for vocal.

000 Hz Supercardioid. rotationally Symmetrical about microphone axis. * On/Off and volume switch. uniform with frequency -72dB * (0. * Omni directional pick up pattern * Flat frequency response * Versatile mount clip * Terminated with 4 pin mini XLR for easy wireless application * Phantom power module with low cut and pad provided for wired application Type Frequency Response Polar Pattern Sensitivity (at 1.000 Hz) Impedance Connector Cable Length Net Weight Moving Coil Dynamic 50 ~ 16.2 offers professional performance at a reasonable cost. The flexible mini gooseneck renders a desirable miking position while minimizes air stream noises and blasts.000 Hz Cardioid. * Bundled with phantom power adapter . overheads.25mV) * 0dB = 1V/μbar 1.3 mm phone plug for directly plug into amplifier. Its performance rivals that of condenser microphones at much higher cost. percussion instruments.H.125mV) * 0dB = 1V / μbar 600Ω 4P Mini XLR 1.000 Hz -58 ± 3dB * (1.000 Hz) Impedance Connector Cable Length Net Weight Moving Coil Dynamic 50 ~ 16. The CX-500F is built with full range omni directional capsule with golden plating in and outside.5kΩ 130 dB 68 dB 4P Mini XLR 1-5 VDC ≤ 0. The TX-7 / TX-8's internal shock mount greatly reduces handling noise when used in a handheld application or when placed on a Mic stand. percussion and as well as choirs.05mA 8 grams (including cable) Ø6mm (W) * 171mm (H) Standard Accessory MA-500 Phantom Power Adapter CX-500F P. rotationally Symmetrical about microphone axis. MA-500. With an internal pneumatic shock mount to drastically reduce unwanted vibrations and noise.000 Hz) Output Impedance Net Weight TX-7 / TX-8 Moving Coil Dynamic 50 ~ 16.000 Hz) Impedance Max. Type Frequency Response Polar Pattern Good for: * Harmonica and also * Vocal * Flute * Percussion CX-520 Sensitivity (at 1.500 Hz Supercardioid. * Supercardioid pick up pattern * Low noise metal body * Steel mesh with designed windscreen efficiently handles breath blasts.000 Hz) Output Impedance Phantom Power Requirements Net Weight Electret Condenser 60 ~ 18.toms. TX-7 Model Type Frequency Response Polar Pattern     TX-8 Sensitivity (at 1.000 Hz Supercardioid. snare drum.25mV) * 0dB = 1V/μbar 600Ω 196 grams (cable excluded) TX-7/TX-8 Dynamic Microphone The JTS TX-7 / TX-8 Dynamic Vocal microphone delivers superb performance at a modest cost. Type Frequency Response Polar Pattern Sensitivity (at 1. piano.056mV) * 0dB = 1V/μbar 600Ω 397 grams (cable excluded) TX-6 Instrument Microphone TX-6 The JTS TX-6 Dynamic Microphone is specifically designed for close miking of snare drums. rotationally symmetrical about microphone axis.SPL for 1% T.5m 470 grams (excluding cable) Standard Accessory MA-500 Phantom Power Adapter P.18mV) * 0dB = 1V/μbar 600Ω TX-7: 355 grams (cable excluded) TX-8: 345 grams (cable excluded) TX-9 Instrument Condenser Microphone The JTS TX-9 Cardioid Condenser Microphone offers exceptional clarity and warmth for acoustic instruments: guitar. uniform with frequency -78 ± 3dB * (0.32mV) * 0dB = 1V/μbar 400Ω 9-52 VDC 178 grams (cable excluded) Type Frequency Response Sensitivity (at 1.500 Hz Supercardioid. TX-9 64 TX-2/TX-6/TX-7/TX-8/TX-9 Type Frequency Response Polar Pattern     Sensitivity (at 1. The TX-6's supercardioid pickup pattern offers superior rejection of undesired sound sources and delivers high gain before feedback ..5m Cable terminated with 4 Pin min XLR.Professional Microphone TX-2 TX-2 CX-500F Bass Instrument Microphone Condenser Instrument Microphone-Flute The JTS TX-2 Dynamic Supercardioid Microphone provides articulated bass response for the miking of Kick Drums and other low frequency instruments such as Bass Guitar Amps.D. guitar amplifiers.3 plug 6m 470 grams (excluding cable) CX-520D CX-500F/CX-520/CX-520D 65 . The tight cardioid pattern provides excellent off-axis rejection minimizing feedback and undesired background stage noise. tom . uniform with frequency -78 ± 3dB * (0. The contoured mic body renders a player finding an ideal resonant cavity easily for her or him self. uniform with frequency -85dB * (0. The flat frequency response reproduces all types of flutes. rotationally symmetrical about microphone axis. Signal-To-Noise Ratio Output Connector Power Supply Current Consumption Weight Dimensions (mm) Omni-directional Condenser 20 ~ 20.000 Hz) Impedance Net Weight Moving Coil Dynamic 60 ~ 16.125mV) * 0dB = 1V / μbar 600Ω Ø6. Along with the extremely rugged mic body and the built in adjustable locking stand adapter. It is of a 6 meter cable terminated with 6. hi-hats. * 1.111 CX-520 Harmonica Microphone Equipped with capsule from JTS legendary D-25 family the CX-520 is a professional harmonica microphone. rotationally symmetrical about microphone axis. uniform with frequency -70dB * (0. the TX . The smooth frequency response and wide dynamic range assures CX-520 ideal for both diatonic and chromatic harmonica.000 Hz Cardioid.111 CX-520D Harmonica Microphone CX-520D is a derivative version of CX-520. brass and woodwind instruments and various other acoustic instruments in live performance or in recording studio applications. Dynamic design of mic holder can firmly mount CX-500F to flutes with different sizes while the dual injection design prevent the flute from scratch.000 Hz) Impedance Net Weight Moving Coil Dynamic 20 ~ 12. Type Frequency Response Polar Pattern Sensitivity (at 1. uniform with frequency -75dB * (0. rotationally symmetrical about microphone axis.

Type Frequency Response Sensitivity (at 1. SPL for 1% T.5kΩ 130 dB 68 dB 4P Mini XLR 1-5 VDC ≤0. SPL for 1% T.000 Hz -58±3dB*(1. The tailed response curve works best with string instruments like violin and guitars besides many other instruments. Signal-To-Noise Ratio Output Connector Power Supply Current Consumption Weight Dimensions (mm) Omni-directional Condenser 20~20.63mV) at 1. Moreover a user can adjust the balance between the two transducers through bundled power module and find the favorite mix.000 Hz 220Ω ± 30% 130 dB 3P. Output Connector Phantom Power Requirements Standard Accessories Electret Condenser 50 ~ 18.5kΩ 130 dB 68 dB 4P Mini XLR 1-5 VDC ≤0.1 oz) Super low 9-52V phantom power or battery 1.000 Hz Cardioid -64dB * (0.5V AA Windscreen The JTS CX-509 Condenser Microphone is a compact low profile microphone designed for versatile placement around the sound source.63mV) at 1. Low noise electronic circuitry together with balanced output provides isolation from electronic noise. the JTS CX-506 is optimized for use with drums and percussion instruments. * The unique design and miniature profile provides for minimal physical size interference for the musician. Newly added spider suspension isolates unwanted mechanical vibration effectively. * The lightweight miniature profile provides minimal physical size interference for the performer.Its flat response with a slight presence peak in the upper frequencies ensures natural and bright reproduction without coloration. SPL for 1% T. The shock mount clamp greatly reduces extraneous mechanical noise and ensures secure mounting on drum rims and most percussion instruments in a horizontal or vertical position.H. CX-500DU is ideal for string instruments. With sophisticated capsule technology and tailored fixtures the CX-500 can pick up every trill of strings.D. Signal-To-Noise Ratio Output Connector Power Supply Current Consumption Weight Dimensions (mm) Omni-directional Condenser 20~20. * Outstanding for saxophone.000 Hz) Impedance Max. accurately and purely without coloration. low distortion have made the JTS CX509 a popular choice in studio and performance applications. The unique design and miniature profile avoids interference with drummers and percussionists.000 Hz Cardioid -64dB * (0.000 Hz) Impedance Max. It pushes miking boundary to a new edge.45mV) * 0dB = 1V/μbar 220Ω 130 dB 4P Mini XLR 3-5 VDC Windscreen CX-509 Low Profile Condenser Instrument Microphone CX-505 Condenser Drum & Percussion Microphone With a smooth uniform frequency response. Type Frequency Response Sensitivity (at 1. SPL for 1% THD Output connector Net Weight Touch Noise Power Supply Standard Accessories Electret Condenser 50 ~ 18.000 Hz) Impedance Max. * Flexible gooseneck together with adjustable axis allows accurate positioning. the JTS CX-505 is optimized for use with drums and percussion.000 Hz -58±3dB*(1.000 Hz -65dB*(0.000 Hz) Impedance Max. * Newly added spider suspension isolates unwanted mechanical vibration effectively. By moving the microphone a user can get clear and sharp.25mV)*0dB=1V/μbar 1.05mA 6. warm and spacious sound or the combination.000 Hz Cardioid -64dB * (0.SPL for 1% T. Excels as an Overhead Cymbal and Hi-Hat microphone as well as for Tom Toms. and Acoustic Guitars. * Low noise electronic circuitry together with balanced output provides isolation from ambient noise.Professional Microphone CX-500 CX-500 MX2X-50 P.H.109 Option P. * Excellent shock-mount design for superior isolation from shock and vibrations. * Excellent natural reproduction of drums and percussion. * Newly added spider suspension isolates unwanted mechanical vibration effectively.5V AA Windscreen CX-500/CX-500Du/CX-505/CX-506 The CX-500 provides clean. The JTS CX-508 Miniature clip on condenser microphone is designed for the miking of brass and woodwind instruments. Signal-To-Noise Ratio Output Connector Phantom Power Requirements Current Consumption Weight Dimensions (mm) Uni-directional Condenser 30~18. low noise characteristics. Type Frequency Response Polar Pattern Sensitivity (at 1.112 CX-508/CX-508W/CX-509 67 . detailed and natural sound quality with a subminiature condenser capsule. Every thrill and vibration will be royally reproduced. * Extended frequency response and wide dynamic range for pure and natural sound without coloration.56mV)*0dB=1V/μbar 220Ω 130 dB 70dB 3P XLR(M) (power module) 9-52 VDC ≤3mA 60 grams (2. Type Frequency Response Sensitivity (at 1.D.000 Hz Cardioid -67 ± 3 dB * (0. The hi-tech adhesive renders the desired positioning yet no scratch or paint damage will be caused. SPL for 1% THD Output connector Net Weight Touch Noise Power Supply Standard Accessories 66 Electret Condenser 50 ~ 18. woodwind instruments. XLR (M) type 230 grams (8.000 Hz 220Ω ± 30% 130 dB 3P.11oz) Ø19mm (W)* 79mm (H) CX-509 MS-G9 Windscreen P. Output Connector Phantom Power Requirements Standard Accessories Electret Condenser 50 ~ 18.D.1 oz) Super low 9-52V phantom power or battery 1.63mV) * 0dB = 1V/μbar 220Ω 130 dB 3P XLR (M) 9-52 VDC Windscreen CX-508W CX-508/CX-508W Condenser Winds Microphone for Wireless Body-Pack Transmitter CX-508W : A wireless version of CX-508. Percussion. XLR (M) type 230 grams (8.05mA 6.108 Power Supply CX-506 CX-506 Condenser Drum & Percussion Microphone With a smooth uniform frequency response. Type Frequency Response Polar Pattern Sensitivity Output Impedance Max.5 grams (including cable) Ø6mm(W)*13mm(H) Standard Accessory MA-500 Dual Transducer Instrument Microphone PS-510M CX-505 Condenser Winds Microphone CX-500Du CX-500Du CX-508 Subminiature Condenser Instrument Microphone The patent pending CX-500DU deploys dual transducers.H. brass.D. Various mount kits are bundled for best fit to any kind of instruments. The bundled MA-500 adapter makes CX-500 capable for both wired and wireless application. reducing stage clutter and set up time.5 grams (including cable) Ø6mm(W)*13mm(H) Standard Accessory PS-510M Type Frequency Response Polar Pattern Sensitivity (at 1.000 Hz) Impedance Max.H.H. * Clip on design allows optimal placement position thereby eliminating the use of mic stands. * Spring type clamp with elastic grip and adjustable gooseneck for secure mounting on the horn without scratching or marring delicate instrument finishes.SPL for 1% T.25mV)*0dB=1V/μbar 1. Type Frequency Response Polar Pattern Sensitivity Output Impedance Max.D. Its wide frequency response.

wind instrument brass and woodwind.000 Hz Cardioid -67 ± 3 dB * (0. Phantom Power Requirements 4P Mini XLR 30 ~ 18. SPL for 1% T. The wide and flat frequency response of the JTS CX-07S microphone provides a natural transparent sound for vocals or instruments. Type Frequency Response Sensitivity (at 1.000 Hz) Impedance Max. cellos.25mV) * 0dB = 1V/μbar 600Ω 245 grams (8.6 oz) CX-08S CX-08S Vocal Performance Microphone CX-516W Unidirectional Condenser Instrument Microphone CX-516/CX-516W CX-516W: A wireless version of CX-516.D. Its high gain to feedback rejection allows high volume levels in both floor and side fill monitors without incurring feedback. Features * Near silent operation magnetic reed type On / Off switch with lock on position feature * Internal pneumatic shock mount to minimize handling noise * Rugged die cast body with matte finish steel grill Type Frequency Response Polar Pattern Sensitivity (at 1.500 Hz Cardioid -72dB * (0. The mini flexible gooseneck design provides quick pinpoint miking via the built in mounting clip. broadcasting.H.000 Hz) Impedance Net Weight MK-638 Moving Coil Dynamic 50 ~ 16.29oz) 245mm × 30mm Multipurpose Microphone CX-07S Features * Near silent operation magnetic reed type On / Off switch with lock on position feature * Internal pneumatic shock mount to minimize handling noise * Rugged die cast body with matte finish steel grill Type Frequency Response Polar Pattern Sensitivity (at 1. SPL for 1% T. superb transient response allows detailed transparent reproduction of the sound source. organ cabinet.000 Hz -65dB * (0.H.D.108 Battery Power Supply Connector Net Weightt 68 CX-516/CX-516W MK-636 / MK-638 / MK-680 Moving Coil Dynamic 50 ~ 16. Connector Frequency Response Polar Pattern Sensitivity (at 1.000 Hz) Impedance Net Weight Moving Coil Dynamic 50 ~ 16.500 Hz Supercardioid. and sound reinforcement. as well as woodwind instruments. miniature unidirectional condenser microphone designed for studio recording. accordion.Professional Microphone CX-516 CX-07S The JTS CX-516 is a high-quality. IN L OUT Model Type Frequency Response Polar Pattern IN R MIC LINE OFF ON Sensitivity (at 1. and organ (Leslie) cabinets. Unidirectional Condenser Instrument Microphone * Newly added spider suspension isolates unwanted mechanical vibration effectively. rotationally Symmetrical about microphone axis. Signal-To-Noise Ratio Output Connector Phantom Power Requirements Current Consumption Weight Dimensions (mm) Uni-directional Condenser 30 ~ 18. * Recommended for accordion.000 Hz) Impedance Max.45mV) * 0dB = 1V/μbar 220Ω 130 dB 3-5 VDC MK-636 The wide and flat frequency response of the JTS CX-08S microphone provides a natural transparent sound for vocals. * Newly added spider suspension isolates unwanted mechanical vibration effectively.25mV) * 0dB = 1V/μbar 600Ω 245 grams (8.500 Hz Cardioid -72dB * (0. The soldering-free detachable capsule module and bomb-proof mechanical structure render the MK-636/MK-638/MK-680 an ideal microphone for heavy commercial application. * For most general purpose applications in live performance sound reinforcement.000 Hz) Impedance Phasing Power Supply With Personal Mix PS-510M P.18mV) * 0dB = 1V / μbar 600Ω Positive pressure on diaphragm produces positive voltage on pin2 with respect to pin3 Three-pin professional audio connector (male XLR type) MK-636 / Mk-638: 280 grams (cable excluded) MK-680: 350 grams (cable excluded) D-50 Dynamic Microphone Capsule D-50 Dynamic Microphone Capsule 125Hz 250Hz 500Hz 1000Hz 2000Hz 4000Hz 8000Hz 16000Hz CX-07S/CX-08S/MK-636/MK-638/MK-680/D-50 69 . Its wide frequency response and low noise characteristics have made it a standard for use with acoustic string instruments: violins. uniform with frequency -75 ± 3dB * (0. The tailored sound characteristics.56mV) * 0dB = 1V/μbar 220Ω 130 dB 70 dB 3P XLR-(M) type (power module) 9-52 VDC ≤ 3mA 150 grams (5. The CX-07S microphone exhibits high gain to feedback rejection allowing high volume levels of vocals and instruments in both floor and side fill monitors without incurring feedback.6 oz) MK-680 MK-636 / MK-638 / MK-680 Stage Microphone The MK-636/MK-638/MK-680 are designed with JTS newest capsule D-50 with ultra extended response and superior directional character.

000 Hz) Impedance TK-280 Moving Coil Dynamic 80 ~ 12. * There are several microphones to choose from.18mV) * 0dB = 1V/μbar 600Ω TM-929TRI / 969TRI / 989TRI A triple microphone pack for promotion TM-929/TM-969/TM-989/TM-929TRI/TM-969TRI/TM-989TRI 71 . equipped with the most popular capsule. provides excellent performance for lead and backup vocals. Type Frequency Response Polar Pattern Sensitivity (at 1. internal shock mount. TK-600 / TK-350 / TK-280 Performance Microphone The JTS TK-600 Dynamic Cardioid live Microphone. Type Frequency Response Polar Pattern Sensitivity (at 1.18mV) * 0dB = 1V/μbar 600Ω TK-600/TK-350/TK-280/MSP-TM-929/MSP-TM969/MSP-TK350 TM-969 Type Frequency Response Polar Pattern Sensitivity (at 1.18mV) * 0dB = 1V/μbar 600Ω TM-929 TM-969 Performance Microphone MSP-TM929 / MSP-TM969 / MSP-TK350 Microphone / Stand Pack TK-350 * The MSP series is designed for one stop shopping. Lo-z (600 ohm) operation.15kHZ. Lo-z (600 ohm) operation. The rugged die cast body. die cast body. rotationally symmetrical about microphone axis.000 Hz) Impedance TK-600 Moving Coil Dynamic 50 ~ 15. a heavy duty matte screen.000 Hz (TK-350/TK-280) Cardioid.000 Hz (TK-600) 80 ~ 12. The JTS TM-969 Dynamic Vocal / Instrument Microphone is an entry level model for vocals and or instrument miking. MSP-TM929. die cast body. The internal pneumatic shock mount system assures low handling noise whether used in a handheld application or when placed on a microphone stand. internal shock mount.000 Hz Cardioid. Featuring a cardioid pattern.18mV) * 0dB = 1V/μbar 600Ω TM-989 Performance Microphone The JTS TM-989 Dynamic Vocal Microphone is an entry level model for lead or backup vocals. rotationally symmetrical about microphone axis. tom-toms and guitar amps. and a convenient on / off switch make it a good choice for Karaoke applications or as an entry level mic for snare drum. Featuring a cardioid pattern moving coil mic capsule. MSP-TM969.000 Hz Cardioid. uniform with frequency -75dB * (0.000 Hz Cardioid. Model Type Frequency Response Polar Pattern Sensitivity (at 1. but wishes not to sacrifice good sound quality . and MSP-TK350. uniform with frequency -75dB * (0. uniform with frequency -75dB * (0.000 Hz) Impedance TM-989 Moving Coil Dynamic 80 ~ 12. uniform with frequency -75dB * (0. moving coil mic capsule. internal shock mount and magnetic reed type on / off switch also make it a great choice for various applications. it is an ideal choice for the vocalist who has a limited budget.Professional Microphone TM-929 Performance Microphone The JTS TM-929 Dynamic Vocal Microphone offers great performance at an entry level price. rotationally symmetrical about microphone axis. The magnetic reed type On / Off switch provides silent switching and can also be placed into a locked position to prevent accidental or unwanted tampering. and instrument miking at a moderate price and is comparable in sound quality to many microphones costing much more. rotationally symmetrical about microphone axis. a heavy duty matte screen. and a convenient on / off switch make it a good choice for Karaoke applications. Featuring a wide frequency response of 50 Hz .000 Hz) Impedance 70 TK-600 / TK-350 / TK-280 Moving Coil Dynamic 50 ~ 15.

D. 1 NX-7. lightweight design. * Space available for 1 NX-2. JS-22 MXC TXB-7M / TXB-5M / TXB-5M1 Instrument Microphone Kit * Hard-shell carry case against microphone damage. 2 NX-9. 4 NX-6. Performance Microphone NXB-8M NXB-5M Drum & Percussion Microphone Kit * Rugged. The JS-22MXC capsule module is built on a solid brass with accurate processing.8mV) 0dB = 1V / Pa. SPL For 1% T.H. * 4pcs of CX-505 and 1pc of NX-2 are contained. * It offers great convenience for performance. 2 TX-9 TXB-5M1: 1 TX-2 and 4 TX-6 GM-5212T/GM-5218T 1/2 "Gooseneck Microphone The GM-5212T/GM-5218T bring studio quantity sound to PA. 1kHz Cardioid -10dB 80Hz 100Ω 140 dB 78dB 36 ~ 52VDC phantom power ≤ 3mA 3P XLR-M type (power module) GM-5212T: 468mm GM-5218T: 620mm GM-5218T GM-5212T JS-22 MXC/GM-5212T/GM-5218T 73 . The 1/2 "golden plated diaphragm is manually assembled by JTS craftsman. This microphone royally reproduces any kinds of vocal and music instruments. Precise designed circuit with low cut and pad provides flat response.000 Hz -36 ± 3 dB * (15. NXB-8M * 1/2 "golden plated capsule * Cardioid pick up pattern * Built in low cut and pad * Detachable capsule module design for expansion application Cellphone Friendly TXB-7M 72 NXB-5M/NXB-8M/TXB-7M/TXB-5M/TXB-5M1 TXB-5M TXB-5M1 Model Type Frequency Response Sensitivity Polar Pattern Attenuation Switch Low Frequency Roll-off Impedance Max.Professional Microphone NXB-5M JS-22 MXC Drum & Percussion Microphone Kit * Rugged case for damage free. * Space available for: TXB-7M: 1 TX-2 and 4 TX-6. Signal To Noise Ratio Power Supply Current consumption Output Connector Length GM-5212T / GM-5218T Condenser Mic 20 ~ 20. 2 TX-9 TXB-5M: 1 TX-2 and 2 TX-6. * Offers great convenience and protection. * Convenient and tender design.

The product is good for broadcast.000 Hz Cardioid. SPL for 1% T. GM-5212Du GM-5212LDu GM-5212Du(K)/GM-5212LDu(K) 75 .000 Hz Supercardioid -56 ± 3 dB * (1. Output Connector Power Supply   Length GML-5212 / GML-5218 Back Electret Condenser 80 ~ 18.58mV) * 0dB = 1V / μbar 220Ω 125dB -10dB 80Hz 3P XLR-M type (power module) 9-52 VDC Phantom power (LED standard operation voltage 48V) 417mm Lengt GML-O/GML-C/GML-S Gooseneck Microphone GML-C cardioid GML-O omni-direction GML-S supercardioid GM-K Gooseneck microphone with lock mechanism GML-5218 74 GML-5212 GML-5212/GML-5218/GML-O/GML-C/GML-S The rest specifications are identical to GM series.D. presentation. worship and so on. The two goosenecks can be adjustable through 160 degree.D.H. * -10 DB pad and Low-Cut switches are provided for easy installation. supercardioid and omni-directional capsules.000 Hz) Impedance MAX. Cellphone Friendly GML-5212/GML-5218 Gooseneck Microphone * Condenser gooseneck mic with bundled interchangeable capsule modules. SPL for 1% T. SPL for 1% T. Omni-directional -56 ± 3 dB * (1. Single XLR connecter design is easy for installation. Model Type Frequency Response Polar Pattern Sensitivity (at 1.58mV) * 0dB = 1V / μbar 220Ω 125 dB 3P XLR (M) (power module) 9-52 VDC Phantom power (LED standard operation voltage 48V) GML-5212: 468mm GML-5218: 620mm Cellphone Friendly MS-G5 P.000 Hz Supercardioid -56 ± 3 dB * (1. Attenuation Switch Low Frequency Roll-off Output Connector Power Supply GM-5212LDu (LDuK) Electret Condenser 80 ~ 18.H.H.112 Windscreen Model Type Frequency Response Direcetional Pattern Sensitivity Impedance Max. interview.58mV) * 0dB = 1V / μbar 220Ω 125 dB -10dB 80Hz 3P XLR-M type (power module) 9-52 VDC Phantom power Lengt 494mm Model Type Frequency Response Direcetional Pattern Sensitivity Impedance Max. * Ultra-flexible gooseneck permits adjustment to any desired shape and position. Supercardioid. * Available for cardioid.D. * Mic-On LED indicates the working status. Built in -10 dB pad and low cut switch are provided.Professional Microphone GM-5212Du (K) / GM-5212LDu (K) 1/2 "Gooseneck Microphone This dual gooseneck microphone provides consistent sound quality. Attenuation Switch Low Frequency Roll-off Output Connector Power Supply GM-5212Du (DuK) Electret Condenser 80 ~ 18.

* The small diameter gooseneck design permits flexible position. SPL For 1% T.000 Hz Cardioid -36 ± 3 dB * (15.H. * Definitive polar pattern allows for demanding sound pickup applications.000 Hz) Impedance Max.000 Hz) Attenuation Switch Low Frequency Roll-off Impedance Max. GM-5225L(K) / GM-5225(K) / GM-5218L(K) / GM-5218(K) / GM-5212L(K) / GM-5212(K) / GM-5212C / GM-5206(K) Gooseneck Microphone The JTS GM Series Condenser Gooseneck Microphones are available in 2 versions: The GM-5206. Singnal To Noise Ratio Current Consumption Power Supply Switch Output Connector Gooseneck Length Base Dimension Net Weight Condenser Mic 20 ~ 20. Designed with Push ON / Push Off switch and XLR male output it meets basic requirements for all installed applications.standard 27 thread mic stand adapter for mounting on a mic stand or a mic mounting flange for podium mounting and feature a side exit cable with a XLR (M) connector. Current Consumption Output Connector Power Supply Switch Gooseneck Length Base Dimension Net Weight Back Electret Condenser 80 ~ 18.73 Performance Microphone ST-5000T ST-5000 Gooseneck Microphone The ST-5000 is the easiest gooseneck mic can be found.3mm GM-5218/GM-5218L: 608mm GM-5225/GM-5225L: 736mm GM-5225L(K) / GM-5225(K) / GM-5218L(K) / GM-5218(K) / GM-5212L(K) / GM-5212(K) / GM-5212C / GM-5206(K) ST-5000T is designed to have studio quality sound for public address and conferencing while still have low profile.H.000 Hz) Impedance Max.D. Cellphone Friendly Model Type Frequency Response Polar Pattern Output Connector Sensitivity (at 1. GM-5218.Professional Microphone ST-5000T Gooseneck Microphone GM-K Gooseneck microphone with lock mechanism The rest specifications are identical to GM series. The GM-5212C feature a 5/8 ". * Equipped with XLR connector for GM-5206/GM-5212/GM-5212L/GM-5218/ GM-5218L/GM-5225/GM-5225L and extension cable for GM-5212C * Foam Windscreen provided for shielding against wind noise and "popping". SPL For 1% T. Cellphone Friendly Type Frequency Response Polar Pattern Output Level (at 1. * Supercardioid pick up pattern * Push ON / OFF * LED indicator * Balanced XLR male output Cellphone Friendly Type Frequency Response Polar Pattern Output Level (at 1. GM-5225 are terminated with a XLR (M) plug in connector for mating to a XLR (F) connector.000 Hz Supercardioid -60 ± 3 dB * (1mV) * 0dB = 1V / μbar 220Ω 125dB ≤ 5.8mA XLR-M type 12-48 VDC Phantom power Push ON / OFF 368mm 96mm (W) * 46mm (H) * 113mm (D) 541 grams ST-5000 ST-5000T/ST-5000 77 .000 Hz Supercardioid 3P XLR (M) type (power module): GM-5206/ GM-5212 / GM-5218/GM-5212L/GM-5218L/GM-5225/ GM5225L Screw 5/8 "* 27: GM-5212C -60dB (1mV) 220Ω 125 dB GM-5206: 303mm GM-5212/GM-5212L: 456mm GM-5212C: 387. 76 GM-5225L (LK) / GM-5225 (K) / GM-5218L (LK) / GM-5218 (K) / GM-5212L (LK) / GM-5212 (K) / GM-5212C / GM-5206 (K) Back Electret Condenser 80 ~ 18.D. * High sensitivity allows for quality sound pick-up under difficult conditions. GM-5212. SPL for 1% T.D.H.8mV) * 0dB = 1V / μbar -10dB -80Hz 100Ω 140dB 78dB ≤ 3mA 36-52 VDC phantom power Push ON / OFF XLR-M type 122mm 96mm (W) * 45 mm (H) * 113mm (D) 748 grams JS-22 MXC P. Length.

4mm (W)*65. * Mic type selecting switch is designed for optimum miking effect.8mV) 0dB = 1V / Pa. Cellphone Friendly ModelFrequency Response Power Requirement 20 ~ 20. The precise designed circuit with low cut and pad provides flat response.5V * 2 (ST-5030i work with 12 ~ 48V Phantom power) Current Consumption-Stand-by 2.3mA Current Consumption-Operating 5mA (BAL).000 Hz Phantom power 12-48V or battery power 9V Current Consumption-Stand-by 0.3mA (UNBAL) Switches             Microphone selection: ECM MIC unbalanced input. * When transmitters are unavailable simply connect the ST-850 to a microphone cable with phantom power. PT920B (G). It works as a normal gooseneck microphone. This microphone royally reproduces any kinds of instruments and vocals. no switch is needed. ECM MIC balanced input.6mA Microphone selection: Switches             ECM MIC unbalanced input. Good for: * Choir * Presentation * Miking of any kind of     instruments and vocal Cellphone Friendly Model Type Frequency Response Sensitivity Directional Pattern Attenuation Switch Low Frequency Roll-off Impedance Max. The very light carbon boom makes remote miking an easy job.5mV) 0dB=1V/bar Wired : -56±3dB(1. * Special anti-slip pad ensures firm standing and less bounced noise from desk. 1kHz Cardioid -10dB 80Hz 100Ω 140 dB 78dB 36 ~ 52VDC phantom power ≤ 3mA 3P XLR-M type (power module) ST-5050i Condenser Drum & Percussion Microphone * This stylish gooseneck mic base is of flat response. Cellphone Friendly Model Frequency Response Power Requirement ST-5030 / ST-5030i 20 ~ 20. The JS-22MXC capsule module is built on a solid brass with accurate processing. Dynamic MIC input Push control: on / off Function selection: push on / off. momentary on / off Connector unbalanced and balanced audio input (XLR 3P Female) unbalanced and balanced audio output (XLR 3P Male) Net Weight 820 grams 78 ST-850/ST5030/GM-12/GM-18/ST-5030i/ST-5050i ST-5030 / ST-5030i Universal Gooseneck Microphone Base * Quick mount die-cast base. * The product works with transmitter’s power.4mm(D) 1000 grams GM-12/GM-18 1/2 "Gooseneck 12”/18” Gooseneck terminated with Male XLR and Female XLR at each end. Push To Talk.H.D. PT-950B and PT-990B.5mm(H)*149. SPL For 1% T. * Automatic wired / wireless mode transformation. ST-5030/ST-5030i ST-5050i 1/2” Floor Stand Microphone The FGM-62T/170T bring studio quantity sound to PA. * The ST-850 is compatible with transmitters such as PT-900B. Power Supply Current Consumption Output Connector Switch ST-850 GM-18 Gooseneck Length Base Dimension (mm) Net Weight GM-12 Back Electret Condenser 50~18. * The ST-5050 meets the demands of various applications. * The switch is programmed to have Push On / Push Off. * Magnetic On/Off switch permits minimum noise.58mV) 0dB=1V/μbar Wireless: 2kΩ / Wired : 100Ω 125 dB Wireless: 5VDC Wired: 12-48 VDC phantom power Wireless: ≤0. * Equipped with battery compartment in case of absence of phantom power.Professional Microphone ST-850 Wireless and Wired Gooseneck Microphone The product makes gooseneck microphones go wireless and installation a simple work.4mA Current Consumption-Operating 6. PT-850B. ECM MIC balanced input.000 Hz Supercardioid Wireless: -66±3dB(0.000 Hz -36 ± 3 dB * (15.D.000 Hz Phantom power 48V or battery power 1. Signal To Noise Ratio Power Supply Current consumption Output Connector FGM-62T carbon / FGM-170T carbon Back Electret Condenser 20 ~ 20.5mA Wireless: 4P Mini XLR / Wired: 3P XLR (M) When wireless it works as a mute switch When wired it works as a on/off switch 312mm 110.5mA / Wired: ≤5. * Selectable switch for all kinds of condenser and dynamic gooseneck microphones.H. SPL for 1% T. 0.000 Hz) Impedance MAX. and Push To Mute features. The 1/2 "golden plated diaphragm is manually assembled by JTS craftsman. * This unit can be powered by both phantom 12-48 V and 9V battery. Dynamic MIC input Magnetic switch: power on / off Connector audio output (XLR 3P Male) Net Weight 1130 grams JS-22 MXC P.73 Performance Microphone FGM-62T Carbon FGM-170T Carbon FGM-62T Carbon/FGM-170T Carbon 79 . FGM-62T Carbon / FGM-170T Carbon Cellphone Friendly Type Frequency Response Polar Pattern Sensitivity(at 1.

112 Windscreen FGM-62 Carbon / FGM-170 Carbon Type Frequency Response Sensitivity Directional Pattern Attenuation Switch Low Frequency Roll-off Impedance Max.000 Hz Cardioid. -10 DB pad and Low cut functions are provided.000 Hz) Impedance Max.000 Hz) -56 ± 3dB (1.58mV) 0dB = 1V/μbar ImpedanceMax. Floor Stand Mic with Carbon Boom Model Cellphone Friendly Model Type Frequency Response Polar Pattern FGM-62 carbon / FGM-170 carbon Back Electret Condenser 50 ~ 18. Supercardioid. SPL for 1% T. Omni-directional -56 ± 3dB (1.8mV) 0dB = 1V / Pa. 1kHz Cardioid -10dB 80Hz 100Ω 140 dB 78dB 36 ~ 52VDC phantom power ≤ 3mA 3P XLR-M type (power module) Floor Stand Mic with Carbon Boom This product has the same mics as GML series with omni-directional (GML-O).H.H. Omni-directional Sensitivity (at 1.D. FGM-62 Carbon Dual FGM-170 Carbon Dual Application: * Choirs * Presentation * Also as normal mic stand These are dual microphone version of FGM-62 and FGM-170.D. SPL For 1% T. cardioid (GML-C) and super cardioid (GML-S) capsule module included.000 Hz Cardioid. Model MS-G5 P.Professional Microphone FGM-62T Carbon Dual FGM-170T Carbon Dual Cellphone Friendly Floor Stand Mic with Carbon Boom These are dual microphone version of FGM-62T and FGM-170T.58mV) 0dB = 1V/μbar 220Ω 125 dB 3P mini XLR (M) Input: 3P mini-XLR (F) Output: 3P XLR (Power Module) 9-52 VDC phantom power   (LED standard Operation voltage 48V) 8m GML-O / GML-C / GML-S Installation Microphone Capsule GML-C cardioid FGM-62 Carbon 80 FGM-62 Carbon / FGM-170 Carbon FGM-170 Carbon GML-O omni-direction GML-S supercardioid FGM-62T Carbon Dual FGM-170T Carbon Dual FGM-62 Carbon Dual FGM-170 Carbon Dual FGM-62T Carbon Dual/FGM-170T Carbon Dual/FGM-62 Carbon Dual/FGM-170 Carbon Dual 81 . Signal To Noise Ratio Power Supply Current consumption Output Connector FGM-62T Carbon Daul / FGM-170T Carbon Daul Back Electret Condenser 20 ~ 20. Supercardioid. 220Ω Connector 125 dB Cable Connector 3P mini XLR (M) Input: 3P mini-XLR (F)                                    Output: 3P XLR-M type (power module) Power Supply 9-52 VDC phantom power (LED standard Operation voltage 48V) 8m Cable Length Cellphone Friendly Type Frequency Response Polar Pattern Sensitivity (at 1. Connector Cable Connector Power Supply Cable Length FGM-62 Carbon Daul / FGM-170 Carbon Daul Back Electret Condenser 50 ~ 18.D.H. A cable with mini XLR and XLR on each end is supplied.000 Hz -36 ± 3 dB * (15. SPL for 1% T. The very light carbon boom makes remote miking an easy job.

5 meter 3.H.000 Hz Omni-direction -65 DB 1000 Ω 1. conferencing.H. house of worship.Professional Microphone CM-502WT/CM-502 Choir Microphone * Wide dynamic range and frequency response for accurate sound reproduction.000 Hz) Attenuation Switch Low Frequency Roll-off Impedance Max.H. Signal To Noise Ratio Current Consumption Power Supply Output Connector Electret Condenser 40 to 20.000 Hz) Attenuation Switch Low Frequency Roll-off Impedance Max.000 Hz) Impedance Max. * Durable material allows permanent installation. Type Frequency Response Polar Pattern                              Sensitivity (at 1. Coiled cable is attached. installed sound. Signal-To-Noise Ratio Power Supply Current Consumption Output Connector Net Weigh CM-601 Only Low Frequency Roll-off Switches CM-601 / CM-602 Electret Condenser 30 ~ 12.D. momentaryon / off Low cut: low frequency roll-off PTT-1 PTT-1 TT-50 Push-To-Talk Microphone This push-to-talk microphone is designed for PA purpose.000 Hz) Directional Pattern Impedance Max. uniform with frequency   -68 ± 3dB * (0. SPL For 1% T. Designed for a wide range of applications.D. 3 step Low-Cut switch and back electric cardioid condenser capsule. * Unidirectional pickup pattern * Extended frequency response * Built in Low Cut and -10 dB Pad * Option with Matt Black or Matt White * Terminated with XLR (M) connecter CM-503U Type Frequency Response Polar Pattern Sensitivity (at 1. * The CM-601 features red LED indicator. 3 Pin XLR-M type connector.000 Hz Cardioid. SPL for 1% T.000 Hz) Impedance Length of cord Connector Power supply 50 ~ 18. rotationally symmetrical about microphone axis. Connector Standard Accessories CM-503U/CM-503N CM-502WT CM-502 CM-601 / CM-602 Boundary Microphone Cellphone Friendly * The CM-601 is designed for conference. surveillance. * Mount plate allows microphone to be fixed on the ceiling or wall. SPL for 1% T.000 Hz -53 ± 3 dB * (2.398mV) * 0dB = 1V / μbar 600Ω Positive pressure on diaphragm produces positive voltage on pin 2 output with respect to pin 3 350 grams TT-50 Tabletop Microphone This tabletop conference microphone is designed for recording. PUSH TO TALK and PUSH TO MUTE three modes.000 Hz Half-Cardioid -60 ± 3dB * (1mV) * 0dB = 1V/μbar -10dB 80Hz 220Ω 140dB 70dB ≤ 3mA 9-52 VDC phantom power XLR-M type (power module) CM-503N Low profile boundary microphone Available in omnidirctional type. * The membrane ON / OFF switch can be programmed to PUSH ON / PUSH OFF. Frequency Response Polar Pattern Sensitivity (at 1. Signal To Noise Ratio Current Consumption Power Supply Output Connector Electret Condenser 40 to 20. Designed for a wide range of applications.000 Hz Omnidirectional -60 ± 3dB * (1mV) * 0dB = 1V/μbar -10dB 80Hz 220Ω 140dB 68dB ≤ 3mA 9-52 VDC phantom power XLR-M type (power module) Type Frequency Response Polar Pattern Sensitivity (at 1.000 Hz) Impedance Phasing     Net Weight 82 Electret Condenser 100 ~ 18. * Easy installation. conferencing. * High sensitivity and excellent directional pattern allow effective pick-up. SPL For 1% T.5V battery (LR-44) CM-502/CM-502WT/CM-601/CM-602/PTT-1/TT-50 83 . * The CM-602 is a simplified version of CM-601 with ON / OFF switch only. * Rusty free finish. and theater applications.D. 120Hz Push control: on / off Function selection: push on / off.H. * The precisely calculated circuit plus tailored capsule response ensure transparent sound quality. A wall hook is designed for easy install. installed sound. * Internal shock mount minimizes mechanical noise.23mV) 0dB = 1V / μbar Half-Cardioid 100Ω 125 dB 67dB 12-52 VDC phantom power ≤ 6mA 3P Mini XLR-M type (power module) 88 grams CM-601 / CM-602 80Hz. CM-503U Low profile boundary microphone Available in Unidirectional type.000 Hz Supercardioid -48dB * (4mV) * 0dB = 1V/μbar 220Ω 125dB male XLR type Windscreen / Flexible hanger / Mounting plate Dynamic (moving coil) 50 ~ 15.5 mm mono plug 1. * Omnidirectional pickup pattern * Extended frequency response * Built in Low Cut and -10 dB Pad * Option with Matt Black or Matt White * Terminated with XLR (M) connecter CM-503N Type Frequency Response Polar Pattern Sensitivity (at 1. * Assisted hanger benefits accurate miking. surveillance. Model Type Frequency Response Sensitivity (at 1.D. * Self-contained electronics eliminate need of external power modules.

Choir Microphone Type Frequency Response Sensitivity Polar Pattern Attenuation Switch Low Frequency Roll-off Impedance Max. * Self-contained electronics eliminates the need of external power module. * Durable materials allow fixed installation.D.7mm CM-502G6 CM-22G6 CM-22G12 CM-502G12 * Uses JS-22MXC capsule module which brings studio quality sound to installation microphone. Signal To Noise Ratio Power Supply Current consumption Output Connector Length Choir Microphone Condenser Mic 20 ~ 20. 502GO and 502GC. * High quality gooseneck assures accurate miking. * Detachable microphone capsule design for optional capsule modules. * CM-502G offers two different lengths. * 502GS supercardioid capsule provides wide dynamic range and frequency response for accurate sound reproduction.2mm 502GS Module supercardioid CM-502G12 502GO Module omni-direction CM-22G12 84 CM-22G6/CM-22G12 502GC Module cardioid Option Option CM-502G6/CM-502G12 85 . * Self-contained electronics eliminates the need of external power module. 1kHz Cardioid -10dB 80Hz 100Ω 140 dB 78dB 36 ~ 52VDC phantom power ≤ 3mA 3P XLR-M type (power module) 399mm Type Frequency Response Polar Pattern Sensitivity (at 1. Connector Standard Accessories Length Electret Condenser 100 ~ 18. * High sensitivity and exchangeable microphone capsule can help find the desired pick up patern. * High quality gooseneck assures accurate miking. Signal To Noise Ratio Power Supply Current consumption Output Connector Length Choir Microphone Condenser Mic 20 ~ 20. Connector Standard Accessories Length Electret Condenser 100 ~ 18. SPL for 1% T. 1kHz Cardioid -10dB 80Hz 100Ω 140 dB 78dB 36 ~ 52VDC phantom power ≤ 3mA 3P XLR-M type (power module) 201.8mV) 0dB = 1V / Pa.D. * CM-502G offers two different lengths. 502GO and 502GC. * Durable materials allow fixed installation. SPL For 1% T. 6 and 12 inches. 6 and 12 inches.D.000 Hz -36 ± 3 dB * (15. * High quality gooseneck assures accurate miking.H.H.8mV) 0dB = 1V / Pa. * Self-contained electronics eliminates the need of external power module. * Detachable capsule design renders easy change of capsule and service.D.000 Hz) Impedance Max.000 Hz) Impedance Max.H.000 Hz -36 ± 3 dB * (15. SPL for 1% T.000 Hz Supercardioid -48dB * (4mV) * 0dB = 1V/μbar   220Ω 125dB male XLR type Windscreen / Flexible hanger / Mounting plate 314. Choir Microphone Type Frequency Response Sensitivity Polar Pattern Attenuation Switch Low Frequency Roll-off Impedance Max. * CM-22G offers two different lengths. * Durable materials allow fixed installation.Professional Microphone CM-22G6 CM-502G6 * Uses JS-22MXC capsule module which brings studio quality sound to installation microphone. * 502GS supercardioid capsule provides wide dynamic range and frequency response for accurate sound reproduction. * CM-22G offers two different lengths. * Detachable capsule design renders easy change of capsule and service. 6 and 12 inches. * Durable materials allow fixed installation. * High sensitivity and exchangeable microphone capsule can help find the desired pick up patern.H.5mm Type Frequency Response Polar Pattern Sensitivity (at 1. SPL For 1% T. * High quality gooseneck assures accurate miking. * Detachable microphone capsule design for optional capsule modules.000 Hz Supercardioid -48dB * (4mV) * 0dB = 1V/μbar   220Ω 125dB male XLR type Windscreen / Flexible hanger / Mounting plate 176. 6 and 12 inches. * Self-contained electronics eliminates the need of external power module.