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DIONISIO AGUADO

M E TO D O D E G U I TA R R A
( G U I TA R M E T H O D )
P R I M E R A PA R T E
( F I R S T PA RT )

Revised and fingered by

Eyth o r Th o r l a k s s o n

The Guitar School - Iceland

-1-

LESSONS
0

1.

&

0 2

#
&

&

2
4

3
4

&

1
2
3

3
5

&

#
&

Copyright 2000 by The Guitar School - Iceland


www.eythorsson.com.

1040

-2-

2.

21

42

&

1 #

3
4

&

&

1 #

&

4
2

1
2

&

&

&
3

2
3

1040

1
2

2
0

1
4

-3-

3.

&

1
2

3
1
2

3
2

3
0

0
0

&

#
1
&

#
&

1
2

2 #
b

3
2

&

&
3

n
3

1 n

&

b
1

3
3

1040

-4-

Andantino
#

4.

# 2
4

&

II
0

&

&

&

2
4

&

3
4

&

3
1

II

II
#

3
3

1040

4
1

1.

II

2.

-5-

CORDS WITH THREE NOTES

&

&

3
2

5.

&

4
3
2

1
2
3

4
3
2

.
.
3

j
3
8

&
2

&

&

.
3

.
.

#
4

#
#

J
1040

-6-

6. & 8 . 3

j
4
j
.

j
j
.

2
3

4
4

&

.
.

&

.
.

7. &

.
&

2 1

.

J

4 2

.
.

&

2 1

. #

.

.

1040

2 0


.
.

j
4

3
2
J

j
4

3
2
J

4
3

#

1
.

.

.

.
.

.

J

3 .
8

.

4
4

.

.

1 0


.

3
3
J

.
b

. 2

4
2
3

j
4
3

-7j
#

8.

&

3
.
8

3 4

j
4

&

1
4

#
&

2
4

n .

2.

1.

2 4

j
#

9.

3
8

&

&

1
3

1
2

1
3

.
#

.
#

.
2

0
5

#
&

1
3

.
4

1
2

0
5

1040

-8-

10.

.
4 .
#

&

&

.
3

# .

# .

&

&

3
2

&

&

# .

# .

1040

0 4

3
1

-9-

11.


6
3
8

&

&

&

&

n
2

#
2

#
4

II
#

&

2
3

#
&

4
1

n
3

J
3

1040

.
2 .

II
4
1
1

- 10 1

Moderato
#

12.

&

..

#
&

4#

2
3

&

..

4
5

4
2

&

#
4

&

2
3
1

# .

b
1

2
4

.

2

1040

2.

1.

3
4

.
n

&

n
{

- 11 4

13.

3
4

&

&

4
2

1
3
4

1
3

#
&

#
#

n
1

1
3

&

&

#
1

&

n
1

&
1

#
#
1

#
n

n
0

j
#

n
#

1
3
4

1
3
4

1040

- 12 -

14.

&

3
8

1
4

&

4
2

{ {

.
.

1
2

3
2

1
2

4
3

&

.
.

2
4

.
.
. #

j
.
.
&

4
1
3

# .

.
.

&

.
.
.

{ {

..

n
.#

.
.

j
1
4

..

n
.#

3
4

3b

.
2
.
.
.

1
4

j
1
4
3

0
2

.
.

..

.
n .

15.

&

2
3

.
.

..
# .

n
3
2

1040

..

- 13 -

16.

&

6
8
2

.
I

.
1



I .
3

1
3
0


2
0

4
2



.
.

1
2

&
2

I .

.
I
1

I .



{3.

&

1
2
3



I .
3

1
3

1
2
3

J
5

4
2

&

.
I

.
1

&

.
I
1

1
3

&

3
0
J

#


.
b .
2

1
2

1040

- 14 -

17.

3
8

&

I
3

1
3

I
3

&
3

1
2

4
3

&

1
3

&

I
3

1
2

4
3

1
3

I
3

&

.
2

1
3

4
5

&

j
1
3

1
3

I 3

4
3

1
3

4
5

1040

- 15 -

18.

&

..

&
3

..

#
&

1
3

&

..



..

..
2



..



..

..

.
2




.

# .
. 3

1
3

..

1040

#
. #
n

. #
n
1



#
..

.
.
#1

3
K

0
1

#
. #
n

. #
n
1





n .

.
3



..

0
1


#
..

. 1 .
#

3
K





..

&

.
2





..

3

&



..



..




..
..

..

- 16 -

19.

&

&

&

&

&

&

1040

- 17 2

&

&
3

&

&

&

&

1040

- 18 -

20.

2
4

&

.
.

..

4
3

&

.
.

0
1

3
4

#
. 3
3

#
0

1
2

0 2
3

j
.
.

&

..

4
3

4
3

0
4

&

.
.

0
1

3
4

1 #

# .
.

&

#
3

1 0

j
2

.
.
&

#
1

1 #

1
3

3

3
4

1040

2
3

#
1

3
1

- 19 -

21.

2
4

&

2
4

&

2
4

4
3

1
2

2
1

&

2
4

&

2
4

1
2

4
3

#
2

II
#

&

2
3

# 3

1
1

1
2

1
3

&

2
1

2
3

II
#

0
# n 1
# n # n

2

2
3

0
1

1
2

1
2

1040

1
3

1
2

4
# 3 n

#
1

2
3

j
4

4
2

- 20 -

LESSONS IN THREE VOICES


j
#

23.

3
8

&

2
3

.
# #
3

#
2
&
.

2
3
.

&

1
1

1
2

4
3
2

3
2

2
3

1
2

k
.

4
2
3

1
2

24.

3
8

&

2
3

2
3

.
3 Q

&

2
3

. 1

3 Q

. J

2
3

4
2

#
&

{ {

1040

. #

2
3

4
4

4
1

{ {

1
2

k
4

0 0

2
.

.

Q

2
4

- 21 -

24.

3 .
8 3

&

&

4
1

&

3
2

&

.4

&

4
1

IX
4

.
.
.

.4

1040

VII

IX
#

2
3

2
3

4
1

VII
.
.

&

j
1

0
1

j
4

2
3

- 22 -

LIGADOS
1

25.

3
8

&

1
2

&

2
1

2
3

k
k

1
2

k
#

&

0
2

&

#
&

1
2

.4

0
0
2

j
1
2

2
3

1
2
4

1
2

1
3
4

1040

0
4

4
1

2
1

&

- 23 -

26.

3
8

&

# #
#
&

4
3

#
2

&

4
3

&

1
2

n
.

#
&

# n

2
3

3
2

1040

1 2 1
#

Q.

Q.

2
1

&

#
2

1
2

- 24 -

EL ARRASTRE
Allegro moderato
3

27.

&


3 .
8

1
3

.
.

1 #

&

2#

. #

..

n
2

1
3

.
.

&

..

j
2

. #

J
1
1
3

#
&

3
1

..

3
2

J
1

&

#4

3 .

# .
2

1
4

# .
2
1

1040

#
2

&

1#

#
2

..

- 25 4

&

3
1

1n

&

3
1

&

&

&

3
2

4
3
1

&

.
.
2

#
1

4
3

j
.

j
1
2

.
1040

n .

4 3

4
4

0 n .
.
1 #

.
n .
n

n .

0 n .
.
1 #

#
1n

# .

&

1
0

2
1

4
2

- 26 -

F MAJOR SCALE
On one string

&

b c

On two strings

&

On three strings
3

&

STUDIES FOR ALL FINGERS

1.

&

&

2
3

2
3

1
3

#
&

#
#

1
3

{ H

VIII

#
#

Q
.

Q.

&

1
2

.
.

1040

- 27 -

2.

&

2
4

1
4

III
3

&

&

&

III
1

&

&

&

2
4

2
4

1040

This study can be played in different formations as shown below, both slow and fast.

2
4

etc.

etc.

etc.

- 28 -

3.

&

&

&

&
2

I
2

&
1

I
2

&
1

&

poco rit.
1040

- 29 -

4.

2
4

&

&

#
.
2

2
3

&

&

#
{ .

&

b #

&
1

1 #

#
.

1040

- 30 6

5.

&

&

&

&

#
&
3

&

&
2

#
&

1040

- 31 4

6.

&

# 2
4

&
4

&

&

#
n

0 4

1 1

II

4 2

&

# 2
4

&

# 2
4

&

# 2
4

1040

3 4 4

etc.

etc.

etc.

1 4 0

1
3

0 3 0

This study must be played with variable rhytm patterns, as shown below.

1 4 0

2 34

1 0

3 0

1 2

II

1 0 4

3 1

2 1 3

- 32 I

7.

b c

&

&

I
3

&

1
1

&

&

III

III
3

&

&

&

n
2

1040

1
3

DIONISIO AGUADO
M E TO D O D E G U I TA R R A
( G U I TA R M E T H O D )

S E G U N D A PA RT E
( S E C O N D PA RT )

Revised and fingered by

E y t hor T hor laksson

The Guitar School - Iceland

-3-

LEGATO ON ONE STRING


With different rhythm formations
Play with different accents, either on the first or the second note.

&

4 2 2 1 3 1
3 1 3 1 4 3 3 1

3 1

bc
10 3 1 3 1 4 3

3 1 3 1 3 1 2 1

Same fingering as in the previous exercise.

&bc
&bc
&

.
. . . . . .
.

.
.

. . . .
.
. . . . . . .

.
.

.
.

. .
. . .


b c

DOUBLE LEGATO

3 1

4 3


3 1


b
c
&
1 0

3 1

4 3

4 3

3 1

3 1 3 1 3 1 4 3 3 1 3 1 1 0

b
&
Copyright 2000 by The Guitar School - Iceland
www.eythorsson.com

1067

-4-

1 3 3 1 3 4 3 4

1 0 1 3


b
&
1 3 3

1 2

1 3 4

2 4 3

3 4 3 1 3 3 1 3 4 2 4 2 1 2 3 1 3 3 1 3 1

b
&
4

Same fingering as in the previous exercise.

.
.

.
.

. .
b
&
. . . . . .
.
b
&

&b

24

24

34 1 3 1 3
24 1 2 1 3 1 3



13

13

24

34

13

13

34

Let all the notes in the triplets sound equal.

2 4


b
&
2 4 3 4
1 3 1 3 2 4 1 2 1 3 1 3

b
&
1 3

1 2

2 4

1067

3 4

-5-

&

Study the next exercise with the same fingering as the previous one.

&

&


#
&

n
# n n

b
#



#
n



#

3

n
# n

Study this exercise with the following rhythm patterns.

&

&

&

b
1

.
.
.

# .

# .

etc.

.
.
# etc.

.
# .

.
.

Study this exercise als with the following rhythm patterns.

&

. .

.
etc.

1067

.
.

etc.

-6-

&

&


#



n

&

&


# n
n b
# n
2

etc.


.

. n .
#
.

etc.

. . #
1

Study the following exercises to the same extentions as the previous ones.

&

&

&



#

3


#
0

&

1067


n #





n
#
#

3 1

-7-

Do not lift the first finger while fourth finger plays the legato note.

&

Study with different accents, either on the first or the second note.

&

b
4

1
3

Work these exercises slowly to make all three notes sound even.

#
&

1 3

1 3

1 2

1 3

4 3

4 3

4 2

4 3

&

#
&

&

&

1067

-8-

&

&

&

&

&

&

&

b
1

1067





&

#
1


#
4

3
1

-9-

LEGATO - JUMPS

&









#
1

&








&

&

&






#
n

n
b
4

b
1

&

&

&

#
2

1067

n
1

- 10 -

.
&

#
&

&

#
4

&

&

n
3

LEGATO INDIRECT DOWNWARDS

#
&

#
&





# n


# n




1067

- 11 -

LEGATO WITH 4 AND 5 NOTES

2
4

&

&

2 3

2 4

2 4

&

LEGATO ON TWO STRINGS


#
&

# c

&
3

4
1

#
&

# 3
2

#
&

1067

- 12 -

Study with different accents, either on the first or the third note in each group.

&

#
1

2
2

2
1


# n
# n

2
2

&


#
n

2

&


#


2

&


n
#
n

2
#

4
2

4
1

LEGATO - CROMATIC
#

2
4

&

2
4

&

1 0

12
8

&

#
&

2
4

n
n

4 3
3 4

# n

1 0

1 2

3 2

1 4 0 4
2

# n

n # #
1

1067

2 4

3 4

n
# n

# n

# n

1 0

3 4

3 4

0 2 1

#
#

# #
1

1 0

3 4

n #
0

n # #

- 13 -

LESSONS
GRACE NOTES DOWNWARDS
Allegretto

#
#

&

3
8

j
0

#
#

&

#
#

&

2
3

# .

0
3

4
.

J0

1
. 1
#

3
2
.

GRACE NOTES UPWARDS


Andante
#

#
#

&

3
4

1
I

I
3

4
5

&

1
#

4
4

I
3

3
I
4

.
2

n
n

.

2

Fine

#
#

&

1
1
I

2
4
1

1

I
2

I
3

k
4

#
2

..

0
3
4

#
&

#
#

2
1
I
2

2
1
4


3

4

3

2
1

# .

II

.
n
#
1

1
2

1
3
1

D. C. al Fine
1067

- 14 DOUBLE GRACE NOTE

Andante
#

4
1

&

&

1
2

#
2

0
0

1
3
1

4
2

1


#

4 2

II

.
.

3
4

&

&

#
#

&

3
8

#
#

#
#

{
4

&

#
#

n .

4
1

n .

I I
I

#

1

1067

1
5

II

j
2

3
2

&

&

TRIPLE GRACE NOTE

Moderato
3

- 15 ORNAMENTS WITH FOUR NOTES

&

# 3
4

.
4

2
3

&

1 4

#
Q
Q
1 Q
Q
Q
Q

3
2

q nq
3

IV
#

II

0 n

4
3

.
.

1
2

j
4

I
4
1

{3

&

0
3
1

&

&

1 #

0
3

1
3
2

II

1
1
3

0
2

2 1 4 2

1067

4
2

- 16 ORNAMENTS WITH FIVE NOTES


Allegretto
2

#
#

&

3
8

.
0

#
#

&

# .

#
#

&

0
1

3
4

&

j
#

2
2

j
#

#
#

&

j
0

 .

1
3

j
#
&

#
#

3
4

1067

- 17 -

THIRDS
SCALES

C Major
2

3
4

&





0 2

3
2
4

3
4

&

1 2 4

3
2
4

1



0

G Major

2
1

#
&

# 3


4

0
3

&

3
4

&

4 1 3

4 1 3
3

G Minor (melodic)
&

# n

n
1

1 2 4
3

4 2
2

b 3
b
4




2
4

3
1





4
2
1

1
4

3 3



3

n
b
n #
n

1
4

0
3

1
1

n #

#
4

Bb Major

&

b 3
b
4

3 4 2

F Major
3
4

A Major

D Major

3



n
2 4

4 2




3
1

4
3

n


4

3
1
4
3

1067

- 18 -

C Minor (harmonic)

&

3
b b
4


0

3
1

&

2
0
4

&

&

&

1
1

1
1

3 1
4


2

1

4
4

.
.

1
3
1

2 4

2
3

4
2

3
1
1

..

1

2

1 4

2
4
3
2
1

2
2 3

4 1

4
4

4
4

1
3

0 1

1
1

2
0

F Major (thirds)
3
4

1

3

4
4

4 4

3
4

A Major (thirds)
#


3 2 2

&

1
2

3
4

&

G Major (thirds)


n
b

n
3

1067

2
2 4
1

4
3
3
1

..

- 19 -

LEGATO - THIRDS
#
&

#
&


#
#
n

n
n

# n

# n


# n

#
#

# c

# n
# n

Legato thirds with finger changes, then one finger must fall firmely on the note
while at the same time the other finger slides from one note to the other.
2


#


# 3
4
1

&

#
#

&

n #

n
#
#

n
n

n # #

#
#


n #
#

&

n
n #

n
#
#

n
n
#


n
2

ON SECOND AND THIRD STRING

#
&

4
2

1067

2



3

.
.

- 20 -

ON SECOND AND THIRD STRING


#

3
4

&

#
#

n #

n

#
# #

n #
n #

# n
# n

&

2
n # n
# n

# n

ON FIRST AND SECOND STRING


3

&

#
2

#
#
2

1067

#
#
3

n
n

#
#

#
#

#
#

#
#

#
#

#
#

n
n

#
3

&

&

&

&
2

n
n
3

- 21 -

&

# #

#
#

n # #

#
#

#
3

n
n

# n


n
2

n # #

n # #

n #
#

n
n

#
#


n
#

# #

n #

n
#
#

n # #


n #

#
#

&

n #

&

&

&

&

#
#

#
#

n # #

&
3

#
&

#
3

n # #

n
n

n
# #

n #

n
2

1067

- 22 -

SIXTHS
ON FIRST AND THIRD STRING

&

b

4
4

4
2


ON SECOND AND FOURTH STRING


1

3

4

&

4
2


ON THIRD AND FIFTH STRING


#

&

ON FOURTH AND SIXTH STRING


#

&

ON FIRST AND THIRD STRING


4

&

#
&

3
4

n
n

Practise this exercise also in D Major on second and fourth string.


1067

#
n #

#
#

- 23 ON THIRD AND FIFTH STRING


1

&

&

#
#

#
#

Practise this exercise also in E Major on fourth and sixth string.

TENTHS
3

&

3
4

&

OCTAVES
k
#

&

2
4

#
&

1067

- 24 -

&

2 1
4

&

&

Practise this exercise also in E Major on second and fourth string.

&

&

#
&

1067

#
#

&

- 25 -

&

&

&

&

&

&

&

&

0
2

1067

#
#
4

.
3
2

#
#

- 26 Let the bass notes live while the legato notes are played.

&

#
#

1
4

&

&

1
5

&

&

1
0

1067

&

&

- 27 -

STUDIES
Allegro

&

&

&

#
2

n n

#
3

&

&

# #

#
2
4

&

#
&

n
4


#
4

#
#

1067

0
n

n n

n n

&

#
4
1

- 28 Andante

^j

^j

2
4

&

&

^j

&

.
.
.

&

0
3

# ..

.
1
3
2

^j

. 1

.
.
.

^j

0
3

3
2

0
2

^j

^j

3
2

^j

^j

# ..

.
1
3
2

II

1
2

j .

2
3

b #

III
0

&

&

j .

2
3

b #

III

1067

- 29 Allegretto
#

1
12

2
.
8 H

&

4
3

4


#
.

..

..

1
3

&

1
2

&

H.

1
3

1
2

H.

4
3

4


#
.

&

1
3

#
&

4
#

#
.

..

1
2

#
#

{ .

1
3

4
3

4
#

#
.

b n

..

..

0
0

2
4

#
#

4
3n

..

1
2

n
n

#
&

4
3

1
2

0
0

2
4

..

#
#

III
#

1
2

&
f

# n
# n

2
4

&

1
1

1
2

.
0

0
0

1067

..

3

..

#
3

4
2

2
3

# n

..

- 30 Allegretto
#

12
8

&

2
4

0
0

w.

#
&

1
2

3
4

&

2
4

00

.

0
2

2
4

3
4

0
1

2
4

2
4

2
4

0
0

3
4

w.

&

w.

w.

2
4
.

0
2

2
#

0
1

2
4

0
2

0
0

2
4

0
2

..

On fourth and fifth string

#
&

1
3

1
3

2
3

1
3

w.

#
1
3

&
4

2
3

1
3

..

On third and fourth string

&

1
2

1
3

1
3

2
3

1
3

w.

w.

1
2

1
3

On fourth and fifth string

#
&

0
2
1

2
3

1
3

0
1

1
3#

4
J

1
3

1
3

1067

2
3

..

.
.

- 31 Allegretto
6

3
4

&

&

&

&

Fine

F
4

&
3

F
4

&

b
1

#
4

&

cresc.
#

&

D. C. al Fine
1067

- 32 Andante

&

&

>

>

>

>

>

>

>

>

>

>

>

&

&

>

>

>

&

>

>

>

>

>

>

>

>

>

F>

&

>

>

>

>

>
1067

>

2
1

>

- 33 -

&

&

&
2

>

>

>

>

>

>

>

>

>

>

>

p >

>

>

>

>

>

&

>

>

>

>

V
2

&

>

#
1

1067

>

>

>

>

>

>

&

- 34 Allegro
#

&

&

4 2

II
#

&

.
3

II
#

&

&

&

&

&

VII
2

#
2

VII
4

n
2

IV
1

IX
#

II

II
1

1067

- 35 Allegro
#

12
8

&

III

a ma

.
. m
i

&

H.



ma m


a

a
H. m i
i m i H.
i
3

II

H.

# .


2


3
a

a m m a
H.
m i
i mi
H. i
p




2
a ma m a
a ma

. m
H. m i
i m
n .
i
i
i
p
p
1

&

III
#

&
3

H.

H.

2 1

H.

V
1

{ H.
1

H.

&

b.

H.

H.

2 4

V
#

III

&

III

II
2

III

b .

H.

H.

VII
#

H.

&

V
1

H.

H.

H.

III
#

&
3

H.

III

II
2

H.

H.
1

1067

.
.

{
.

- 36 Andante
II

2
4

&

..

&

..

&

1
3

&

&

4
1

. 2

4
2

#
#

1067

1
3

# 3

IIj

IIj

0

2

Vj

4


3 0
# 3 0

IV

ten.

# .

II
#

&

VII

II
#

..

II
#

V
4

2
0

1
3

- 37 Allegretto
4

10

&

&

II
#

&

#
3

II
0

IV

II

IV
4

II

V
4

V
#

&

&

&

q
1 1
3 n2 q

.

1

II
1

0
5

VII
#

VII

q
q

J
.
J .

q
1
q
2
2
3

4
J
4
.
J

1067

- 38 Andante
4

11

&

III

&

II

1 4

n 1

II
3

&

II
4

&

#
&

V
# #
&

3 2

1
0

&
3

III
#

&

3
1

II

b
#
2


n
2

4
0

1067

1
0

DIONISIO AGUADO
M E TO D O D E G U I TA R R A
( G U I TA R M E T H O D )

T E R C E R A PA RT E
( T H I R D PA RT )

Revised and fingered by

E y t hor T hor laksson

The Guitar School - Iceland

-3-

EXERCISES ON THE UPPERMOST PART OF THE FRETBOARD


Left hand must be very inclined towards the bridge,
so that little finger can reach the higest notes.

#
c

&

1 4

&

&

#
&

#
&

Copyright 2000 by The Guitar School - Iceland


www.eythorsson.com.

1072

#
&

1
1




#
n

2
1 4 2

-4-

&

# 2
4

&

&

7&

2
4

2 1
4

&
3

1072

n
4

&

&

-5-

3
4

&

m a
p i
3

&

&

&

&

&

m i

0
1

1072

1
2

m i

m a

-6-

Various combinations in C, G, D, A and E Major


Exercises number 1, 2, 3, 4, 8, 11, 12 and 18 can also be played in Minor
4

&

4
2
3
1

1
1

3
4

4
2
3

0
0
4

&

2 .
4

.
.
.

&

.
..

III

&

&

&

3
2

&

b .

4
2

3
4

3
2

1
1
3

4
3
1

.
.

IV

4
3

IV
4
1

#
3

1072

4
2
3

#
#
1

V
4

V
3
4

III
2
4

VIII

3
4

VIII

3
1

2 4

#
1

III

-7-

2
4

&

1
5

&

3
4

&

.
..


3
1


2

^
4

VIII

^ ^
0

1 4

.
3 H
4b
0

III
#

&

3
4

4
1
2

&

2
4

q
#

3
I

&

10

&

q
.
.

I # n

4
1

&

1072

b .
1

1
I

n
# 2

4
3

VII


#
4
n

4


3

3
4

-8-

11

2
3 3
41

&

0
3
4

12

&

# 3
4

4
2
3
1

2 4

4 1

3

0
4

.
.
.

.
.
.
.

VII
4

13

&

# 2
4

1
2
3

4
2
3
1

n
#

&

14

&

# 3
4

2
4

&
1

2
1

n

.
2

1
3

4
2

&
0

15

&

3
4

4


3

1072

4
3
#2

-9

16

3
4

&

1 4 2 1

3 0 4 .
.
.

2
3

&

17

2
4

&

4
2
3

&

#
#
#
#
#
1

#H

2
3

18

&

4
2
3

4
1

4
3

# 2

# 4

2
3

.
.
.

IX
4

&

II

IV
#

19

&

# 2

II

j
.

IV

harm.
8va

4
2
3
1

4
2

1
5

1072

- 10 -

STUDIES
Emphasize the melody.

Allegro

4
0

3

c

&

4
2

&

1
3
#

2
2

&


w
2

&

2
F

2
5

VIII
4

&

3
2

w
f

1072

1
5

&

- 11
w

&

III

bw

b
w

&

#

1 3

2
0

2
3

1 2

&

&

#
2 1


w
#

II
b



3 2

&

I
0

III

#
1



2
&

1
f
F

&
0

0
1

1072

2 4

- 12 II

Allegro

&

.
.

3
2


2 1

II

II
#

. 4
. 4

&

. 4

2 3

&
1

2
2

II

V
#

&

2 3

&

II

II
#

# .

n .

.
1
F

V
4

#
&

# .
# .


#

n 3

.
1
3

1
f

2
. . 0

1072

II
1

1
3

- 13 Allegro
#

c .

&

3 0

2
1

..


#
#

II
4

&

3 4
#

III
4

&

#
&

Fine
III
4

&

&

..

V
4

&

#
n #

III

&

..

D. C. al Fine
1072

- 14 Andante maestoso

3
2

&

..

..

..

2
3

..

II
#

&

..

.
4

2
1

..

2
1

n .

..

3.

&

#
2
1
1

..

2
3

..

n .

II
#

&

..

2
1
1

..

2
3



0

4
1
0

4
1
0

II
#

&

.
n 4

2
1
1

3
1

&

&

2
3

n
.
2

.
n

II
#

dim.
1072

- 15 Andante
#

#
c

&

&

&

2
3

&

1
1

4

n

1 4 2 1 3

3
3
1
n
#

&

F J

4
3

1 3

4

1

n





n

V
#
&

j
3
4

4
1
3 #

&

#
c

1072

1
2

This exercise can also be played with 32nd notes


instead of the six tuplets, as shown below.
#

4
3

- 16 Allegretto
II
#

&

2
4

&

#
&

#
&

&

#
&

0
0
0

4#
1
3

II

1
3

H
0

1072

0
0
0

1
3

1
2

4#
1
3

4#

4 #
1
3
1

4 #
1
3
1

id.

a media voz

- 17 -

3
1 4

#
n

&

&
0

4
4
#
n



#
2

&

1
#

II
#

0
0
0

&

4#
1

3
1

rit.

1 #

#
&

3
1 #
2

a media voz

II
#

4#
1
3

F a tempo

4#
1
3
1

&

on fourth and fifth string

&

4
3
2

1072

- 18 -

Allegretto
3

6 24 # n
#
3
.

.
F

42
.
.

7 & 8

0

& . 3 #
2
.
3

&

42 # n
#
3
.

42
.
.

on second and third string

3 # 
2
.
.

43 # n
#
.
.

&

&

j
j
4
2 #
1
J

#
.

1 43 21
2
.
.

on third and fourth string

31 # #
4
.
.

j
j


4
.
2 1 #
J
3


# #
.
.

j
j

23
.
#
J 1
3

# n
#
.
.

# 
.
.

4
3

4
3

4
# n

#
. 1
2

1072

4
2

j
j
#

J

- 19 -

&

#
#

# #
#

on second and fourth string

&

# # #

3
2

#
2

cresc.

3
2

&
.

3#
2

3 #

dim.

j
&

1
2
4

&

j
2
3
#

#
. 3


E
E

2
3

Q .

Q .

1072

Q .

#
E
E

&

.
.
.

.
.

- 20 -

Cantabile
4

6
8

&

1
2

Q .

H .

Q.

IX
#

&

H.

&

2
3

n .

.
.

Q .

IX

cresc.

H.

VII
#

&

H .

IX

V
#

4
3

&

VII

&

#
#Q .
2

2
3

n
Q .

V
V

H .

H .

1072

Q .

n n
n

- 21 V
1 3

II

&

a media voz

V
4

&

VII

# .

# n .

1 3

1
2 .

Q.

Q .

1
2

3
4

{
# .
1

#
# .

Q.

dim.

&

III

III

&

IV

H .
1

n .

III

&

&

Q .

H .

Q .

II

VI

4 3
#

1072

Q .

- 22 -

Larghetto

2
4

&

6
1

# #

&

1
b

#
f

&

2
3

..

n
3
2

&

..

b
J

&

a media voz
V

&

.
.

3 4


#


3

1
3

1072

- 23 VII

&

#

#
#

3

&

III


# #

.
.

VII

&

VIII

&


#
2

..

&

1 4

n
f

a media
voz

a media
voz

III

&
1

1072

1
1 2

# #
#

- 24

Andante
#

10

&

2
4

1
1
3
4

1 #
4
2
3

.
..
.

1
3

0
0

#
1#

4
3

1
1
2
4

3
1
4
2

.
.
.
.

&

#


4

3
3

&

2
3#

&

2
3

2
4

2
3

n
2 b
1

1
2

.
.

1
2#

# ..

2 #

&

3
1

..

4
3

F J

I 1 2

2
1

1
3

I 1

II
#
&

0 3
I
I 1 0 1

3
1
2

1
2

1072

4
0
#

3#

1
2

.
.

4
#

- 25 -

&

..

VII

IV
4

p i

p
5

IV

&

II
4

&

#
2

IV
#

&

&

IV

V
#

&

IV

VII

3
0

V
4

&

VII

m a

m i

p i

p
1072

- 26 III

Allegro
#

11

2
4

&

.

3

.
2

#
&

..

1
0

III

#
&

2
1

pi p i


..

1
2
4

.
1

.
1

# .
&

b .

b .

3
#

#

#
&


2
1

b .

II
4

p i p i

i m p i
p

V
4

II

4
1

III

i m p i
p

II


0
0
2

3

4

III
j

.
.

III

.
.
..

n

#

VII
j
2

#
&

.
.
.

3
4

.
1

n .

2
1

4

#

#
&

n I .
0

&

4
#
b

#
3

cresc.

b
#
#
2

VII

IV

III
1

i m i m

III

. # .

i m i m
p

I
#

i m i

1
. .

aj

i m i m
p

IV
2

aj

3n

4
n


2

#
0

VIII

2
0

1072

n
n

3 4

- 27 Allegro

a m i m

a m i m

12

a m i m

0

c 21

&

a m

a m i m

0
2
3

i m

a m i m

1
4

3
#

&

2
4

1
2

3
2
4

0
1

2
1

2
3

VII
4

&
F

3
0
0

&

1
1
2
3

&

2
3

2
3

&

1
2
3
0

.
.
.

2
2
0
3
2

1
3
1
4

0
4
1

2 # n

3
#
n

#
n


2
1 n
0

&

3
4

0
#
3

1
#
4

cresc.

V
#

4
1
2
3

1
n

1 n

#
2

V
#

&

1072

- 28 Adagio
#

13

&

# n

# .

&

3
4

# .

&

III

&

cresc.

III

#
&

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FERNANDO CARULLI
( C AR U L L I B RE V IE R)

29
Guitar works for
1st and 2nd grade

R e v i sed and F inger ed


by
E y t h or T hor laksson

The Guitar School - Iceland


w w w. e y t h o r s s o n . c o m

-3-

POCO ALLEGRETTO
(Op. 246)

1.

2
4

&

&

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p

Fine

D. C al Fine

ANDANTE
(Op. 246)

2.

&

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Copyright 2000 by The Guitar School - Iceland


www.eythorsson.com

1009

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(Op. 121 nr. 1)
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(Op. 211 nr. 3)

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(Op. 121 nr. 4)
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SAUTEUSE
(Op 121 nr. 7)
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ANDANTE
(Op. 241 nr. 7)

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- 11 -

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(Op. 121 nr. 15)
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- 12 -

LARGHETTO
(Op. 241 nr. 11)
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(Op. 241 nr. 8)
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- 14 -

ANDANTINO GRAZIOSO
(Op. 241 nr. 14)

19.

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MODERATO
(Op. 211 nr. 6)
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- 16 -

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(Op. 211 nr. 7)
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(Op. 121 nr. 12)

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1009

- 18 -

ANDANTINO GRAZIOSO
(Op. 121 nr. 12)
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1009

- 19 -

POCO ALLEGRETTO
(Op. 211 nr. 10)

24.

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- 20 -

RONDO
(Op. 241)

Poco Allegretto
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fi j

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CODA

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- 22 -

RONDO
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2
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ANDANTE
(Op. 121 nr. 19)
1

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ANDANTE
(Op. 121 nr. 19)

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Copyright 2000 by The Guitar School - Iceland
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Allegro moderato
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16

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- 24 Allegretto

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- 26 Andantino con espressione


4
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2
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>
1
1
3
4

MATTEO CARCASSI

5 guitar pieces
A n d an te
La rg h etto
Rondo
C e n e re n to la
Sc h w eiz e rlie d

Guitar solo

The Guitar School - Iceland


www.eythorsson.com.

-3-

ANDANTE

&

6
3

#H

II
4

&

#H

&

nH

&

#H

&

#H

&

H
3

cresc.

1 #
2


# #
#

nH

cresc.

bH
1

4
3

dim.

3
0

#H
p

dim.

Copyright 2000 by The Guitar School - Iceland


www.eythorsson.com.

1068

-4-

LARGHETTO
#

&

6
8

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3

0
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3
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1

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3

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dolce

1068

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IX
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IX

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D. C. al Fine

1068

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RONDO
IX
Allegretto
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2
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3

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1068

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1
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SCHWEIZERLIED
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d.meineke@web.de

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Downloaded from Dirks Guitar page at http://home.nexgo.de/dirk.meineke

Mail: d.meineke@web.de

7
8
7
9
7

-4-

ADELITA
Mazurca
Moderato
4

# 3

& 4
.
P
4

&

#
#

1
#### .

2
1
3

3
4

2
3

#
3

3
4

IV

m
0 0
3

1

2
poco cresc.

VII

j
4

3
4

2
3

2
3

3
4

VII

2
3

IV

&

2
3

Francisco Tarrega

3
1
2

ritard.

m
4
4
3
3
0
4
1

21
1
2 2
1
1

3
IX

####

m
1 4 1 2
3
2

2
1
3
4
1

VII

IV

poco rit.

a tempo

VIII

U
m
4 1
2
4
.

1
# .

3
n

molto ten. f u

j 02
####
QQ qq
.

4
&
1 4
4

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1

&

#
#
P

2
3

2
3

#
#

2
3

2
3

3
4

3
4

II

. n
. 3 3

.
0

rit.

3
4

4
1
3
1

VII

a tempo

&

0
0

3
3
4

3
4

#
3

rit.

1054

#nnn

m

1

2
2

poco cresc.

3
1
2

-5-

SUEO
Mazurca
2

Moderato

30 .

4
& 4 . #

3
F
m

&

2.
# .
1 .

0
# .
0

. 4
.

&

0
4
3

.. #

2.
# .
1 .

0
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0
2

U
4
2
31

3
u

1
43

2
&

&
f

0
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2
4

m
0
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2

1
4
0

III

m
0
. 4
2


24
3

3
#
2

1
p

Fine

. 4 4
3
2
2
1
3

41 42


3
J

poco rit.

1
3
0

4
4
0

2

#
1

.
&

a tempo

&

4
0

2

. 4
.

Francisco Tarrega

U
4
4
2
1

3 3
u

rit.

2 2 2
#
1 3
1

rit.

harm 7

D. C. al Fine

a tempo
1054

MALAGUEA
F. Tarrega


8 

Copla

Copyright 1999 by Guitar Library Edition Italy





8 



8 







D



8


8



Copyright 1999 by Guitar Library Edition Italy

- 12 -

EL COLUMPIO
Francisco Tarrega

Rev. Eythor Thorlaksson

Lento
1

# 2
4

&
6

1
2

1
3

=D

1
2

1
3

2
3

P
1 4

&

1 4

1
2

&

1
3

1
2

1
3

1
3

&

1
2

2
3

1
3

&

#
3

1
2

1
3

J
4

VII

IX
14

3
2

11

1
3

1 3

1
2

V
1
1

4
5

1
2

7
harm.

1051

7
7

- 13 -

17

&

2
3

&

2 4

1
2

&

#
#

&

2 4

2 4

cresc.

1 4

2
3

2
1

&

1
2

1 4

1 4

27

1
3

25

1 4

1 4

22

2
1

cresc.

1 4

2 4

2 4

2 4

19

2
4

2
3

30

&

2 4

#
1
0

0
0

2
3

1051

harm. 12

harm. 12

- 16 -

TANGO
Francisco Tarrega

Rev. Eythor Thorlaksson

Andante
4

&

5
6

&

4
1
3

b 2 .
4
.

=G
=D

&

1
1
1

.
..

3
1
2

1
1
1

.
..

harm. 5

12

&

1
2

15

&

.
.

.
.

2.

1.

1
1
1

.
.

1
3

1
2

.
.

1
3

1
3

.
.

1051

..

1
2

2
3

1
3

- 17 1
.
.

18

&

&

1
3

24

&

1
2

n
#

1
3

2
3

&

# #

1
2

1
2

&
.

.
.

&
.

1
2

1
2

I n

2 I

1
3

1
3

1
2

1
2

0
1

0
0

1 I

2 I
3

{
.

1051

1
3

2.

1
2

1.

1
1
1

33

..

1
3

30

4
3

1
3

1
2

.
.

27

1
3

.
.

1
2

.
.

1
3

21

3
1
2

3
0
0

D. C.

n#

-3-

VALS
Tema de Strauss
Francisco Tarrega
Moderato
1

#
&

# 3
4

4
3

3
1

2
3

# .

#
&

#
.

3
1

1
1
2

2
1
3
4

.
.
.

2
0

1
5

VII

&

Fine

0
5

&

{
0

1
2

3
1

2
4

&

#
&

1
2

2
.

.
Copyright 2000 by The Guitar School - Iceland
www.eythorsson.com.

3
2

2
.
4

1055

.
.

D. C. al Fine

-8-

VALS
En la mayor
Allegro

# # # 3 1
4
&

Francisco Tarrega

. 2
3
.

3
4

###

.2
3


.
4



.
1

3
1

.
V

.
2

VII

II

.
3 4

1
# # # 4 . 2
3
&
.

&

II

.3
1
.

II

.

.

. 2
3
.

.
.

.

harm 7

.3
.
2

. 2
.
0
3
4

### .

&
.
3

.
# # # 42
&
.
1
5

&

&

####

.2
1
.

m
4 1
3

IV

# # # # 431

1
4

1 2

.4
1 n
.

2 3 1
.

1 1 .
.
1
4

.
1055

4
2
.1

0
2 1

####

Fine

m
1
1
4
3

4 2

II

.3
n
2
.
0

.2
3
.
1

.
1
..
1 3
4

1
1 2
3

VII

II

. 4 #
3
.
1

.
1

1 3 4
2

4 1 2 0 2

II

1
1
3

-94

m
2
1
####

0
1 3
&

1.

1
2

1
2

II

&

####

1
# { 3 . 4
1 .


.
.

&

####

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.
2

0 4

.
.
3

1
1
3
4

..
.

1
####


&
2

. 4
2
.

4 3

.
.
3

####

IX

2 1
3

. 1
3
.
1

#

.
1

2

. 1 2

II

3 4 1
.
1

..
3
4
3

#

.

IX

3 2

####
. 1 2
&
1

VII

1.

2
1

3
4

..
.
1

2
1055


.
.

2.

. 4
.
3



.
.

1.

..
3
4

IV

h
1

3 2 # 21 n

1
1

4 3
.

1
.

.

.

II

####

IV



2 .
.
3

II

..
.
2

3 1

4 .

# # # # 2m 1
#
&
.
3
# # # # 41
#3
&

4
1
3
1

2.

4
1 2

II

2.

1
1

D. S. al Fine

-4-

LAS DOS HERMANITAS


Vals
Francisco Tarrega
Allegretto

### 3
4
&

2 2 4

2
3

&

&

###


3 n

#
#

m
### .

&
.
1

2
3

m
1

1
2
.

m
.

2
2
###
1 3 1
.

12

12


1
.
1055

1
1
2

.
2

2
4 3

.
1

12

IV

1 3

2 4

.
2

harm 12

# # # 0 #
&
.

&

4
3

2 2 4
0
###

# 2# .
. 1

j

31
3
J
II

-51

m
.

.

2
1

####
1
&
3
.

.
1

2 4
#### 3
&
.

1 1

23
1
1
1
2

1
.
1

4
1

II

3
.
1
.

1 2 4

1 3

.
2

2
4
1

1055

####

3 1 4

IV

4
1
3
1

j


1
J

II

1 3

2
.
1

IV

1 4
1

1 2 0

1 n
# . 2

2 4

####
2
&
.

1 4

m
# # #
&
.

# # # 0 #
&
.

m
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&
.

1 2 1 3

2
.

2
J

###n

-61

## . 1
0
&
.

.
0

4
3

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.
0

4
1

#
.

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2 #
.

4
1

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3
.

4
1

j


1
J

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3
.
0

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3
.

1055

4
2
1

0
1 2 2

H

1 n
# . 2

1
2

m
.

# # .
&
.

m
# # #
&
.

##
&
.

# # # 0 #
&
.

m
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&
.

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1 n
# .

j


1
J

-7VII

&

#
2
{ .

##

.
0

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1
&
.

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0

IX

# # 21 #
& 1 .

4
3

. 3
1
.

#
2
.
0

2

3
2

m
.

.

# # # 1 n

&
# . 2

n
1

.
2

H.

# # # 0 #
&
.

###

1
#

1055

0
1

j


1
J3

m
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.
0
0 .

###

m
.

.

4
2

0
1 2 2

1
2

.
1
0

.
0

j
4
j

0
2
1

0

1
.
1 .

VII

VII

&

m
2
1

- 10 -

VALS
En re mayor
Francisco Tarrega
Moderato
6

=D
#

&

VII
4

# 3
4

#
4

&

0
0
1

3 4

&

2
3

2
3

VII

{ .

&

&

&

2
3

.
0

.
.

2
1

3
0
1

.
..

1.

2.

harm 7

#
&

3
0

0
1

j
4

harm 7

VII

.
.

VII
.

II

1
2

2.

harm 7

II

1.

1
1
2

0
1

# .

3
4

.
.

VII
2

2
1

II

1
.

2
4

1
3
2

3
4

1055

3
2

- 11 III
4
0

&

0
0

&
0

1
2
0

# .

&

0
0

..

n
# #
n

&
0

2
3

2
1

VII

.
1

.
.

&

2
1

.
0

1055

.
.

4
2
3

II

VII
.

2
3

3
4

II

0
1

1
1
2

VII

harm 7

VII

2.
3

1.
0

VII

&

1
0

II

&

n .

1
2

.
..

-2-

SUEO
Francisco Tarrega

Rev. Eythor Thorlaksson

Moderato
U

VII
4

3
4

&

3
g
1
2g
1 g

g
g

1
3

&

Vj

g
g
g
g
g
g

VII
6

g
g
g
g
g
g

4
2

1
3
1

4 n # #

IX
j

1
3
2

4
2
3 n
1

4
3
2

11

&

j
1
3

2 n
3

&

n
b 4
b2

3n
n

j
2

4
3#
1

1
2

&

4
1
2

2. j

1
3
2

1
2

molto rit.



a m i am i
am i
am i

21

Xj

1. j

1 n
4
2

1n

4
3
2#

1 n
4
3

4
2n
3

b .

VII
j

j
3

4
2

cresc.

I
j

16

# 31

# 2

#
#

II

VII
j

p
F a tempo

25

&

Copyright 2001 by The Guitar School - Iceland


www.eythorsson.com

1067

#
2

-32

27

&

#
1

&

&

33

&

31

29

poco rall.
0

35

&

decresc.

37

&

1
2


# #
3

39

&

3
3

1076

-44

41

&

dim.

&

&

F
4

45

43

i
p



a m i a m i

47

&

&


a m i


a m i

51

&

2
6



a m i a m i
i 4 2
p
p
0

a m



m i
a m
a
#

i 2
p
p
#

i
p

a m

49

53

&

#
1
2

1076

-54

55

&

57

&
0

&

61

1 2

&

59

cresc.
VII

63

&

65

#
1

&

dim.
1076

p molto legato

&

67

-64

69

&

F a tempo

cresc.

&

73

p rit.

&

71

rit.

a tempo
4

75

&


{ {

F a tempo

rit.
77

&

&

81

II

2
3

&

79

2
1

1076

-70

83

&

&

85

4
4

87

&

4
4

89

#
0

&

91

&

&

F a tempo

rit.

Uj

95

2 4

&

93

3
2
0

1076

-81.
97

&

2.
#

cresc.

a m

a m i
2

2
0

&

103

&

&

101

99

2
3

cresc.
V
2

105

&

IX

107

&

XIV
U
4

109

&

#
1

perdendose

rit.
1076

-3-

CAPRICHO ARABE
Serenata
6

&

=D
Andantino

2
3

Francisco Tarrega

III

>

#
4

#
n

1
0

4
3

1
2

ten.

a tempo
Copyright 2000 by The Guitar School - Iceland
www.eythorsson.com.

1.

n
p

2.

j III

J
j

j
1
1

rit.
1026

..

poco cresc.

b .

accel.

&

J
J

III

>

j II

1
1

0 4

2 1 4 2
1 0

>

&

2
3

J4
J3

0
2 5
4
F

>

&



#
n

&

.
.
.

4 3

&

harm 7

3
b
4

&

4
1
3

-4j

III

&

3
4
b2
1

>

2
4

3 4

>
1

4 1

4
2

rit.
4

&

#
J

&

&

&
1

J3
J1

1 4

4
2
2
2 2
b
1
1 3
1

rit.

harm 7

1026

2 1 #
.

J
#
3
4
J
3 2

VII

3 0

J3 J

0
4

II

a tempo
1

3
#
n #

#
#

2
2

J3
J1


#
n

J3 J
0

4 1

1
1

J3
J1
3 5

2
4

# #
#

&

4
2

VII

molto cresc.

harm 7
0

J
J1

1
3

1
2

>

a tempo

III

3

J
..
3
J

III

&

P a tempo

>

>

-5VII
#

J
J

&

3 1

II

1
J3 J

J
J1

a tempo

II

J3
J

&

&

3 4

&

&

&

III

b .

a tempo

a tempo

1
1

>
4

4 2

J2
J3

2 4 1



#
n

..

n
p

U
j

rit.
1026

2 1

2 1

accel.
j

J
J


#
4

#
#
#

J J

poco cresc.

j
b

nb
#

J4
J3

2 5
0
4
F

# n
2

2
3

J
J1

0
2 5

1 3 1

2
3

molto rit.

U.

1 4
J

0 3 1

3
4

J3 J

1
1

VII
4


#
n

&

3 0

harm 12

ten. J

MILONGA
(DE 2 4 PIEZAS SUDAMERICANAS )
A Juan Ruano

JORGE CARDOSO

= 56
3

3
2

3
2

3
2

3
2

4
6

2
3
2

marcar el bajo
24 Piezas Sudamericanas, p.2

C.II

2
2
2

4
5

2
2

C.III

C.I

C.I

C.III

C.VIII
3

2
3
5

3
5

5
6

4
5

24 Piezas Sudamericanas, p.3

C.III

C.II

C.III

4
5

C.III
2
3

C.I

C.II

2
5

C.V

D.C. al
y Fin
Pak, Tae-yun (HiTEL ID: thilbong)
1995. 1. 15. Sunday

C.III

FIN
5

24 Piezas Sudamericanas, p.4

MILONGA

(OPCIONAL)

(DE 2 4 PIEZAS SUDAMERICANAS )


A Juan Ruano
JORGE CARDOSO

2 GUITARRA
= 56

C.III

C.I

C.III

24 Piezas Sudamericanas, p.5

C.III

C.I

24 Piezas Sudamericanas, p.6

C.III

C.I

C.V

D.C. al
y Fin
Pak, Tae-yun (HiTEL ID: thilbong)
1995. 10. 31. Tuesday

C.X

FIN

24 Piezas Sudamericanas, p.7

F
These twelve Studies are relatively brief but each is focused on one or more
musical and/or technical objectives:
slurs (left hand ligados).
arpeggios of various kinds.
rapid changes of texture and velocity.
juxtaposition of three versus four.
contrary motion.
mainstream jazz inequalities.
fourths.
rapid alternation of compound slurs with staccato chords.
harmonics, both natural and artificial.
legato versus staccato lines.
downward bending of pitch, expressivity, and unfamiliar key.
rapid alternation of barr chords or harmonics with slurred
octaves, and irregular changes of metre.
Fingering is always a deeply personal matter; some of that in this edition may be
unexpectedbut it is that arrived at (after long consideration) by Antonio de
Innocentis, the dedicatee of these Studies, who produced a finger-perfect homerecorded CD of them about ten days after receiving the scores!
Metronome markings are suggested averages, not intended to be rigidly adhered
to. The essential thing is that the spirit of the music itself should be maintained.

N
Roman numerals following C represent barrs at the indicated fret, their depth
is defined by the associated vertical brackets.
Roman numerals alone indicate that notes are to be played at the normal places
in the position they define.
Dotted curves indicate left hand slurs (ligados),
Finger numbers connected by thin lines represent continuation of the finger
along the same string, without portamento.
Note-heads connected by thick lines (in No.) indicate marked portamenti.
Only the first octave of each pair is to be struck.
J W. D ()

TPS -040

For Antonio de Innocentis

Twelve Studies
for Guitar

Fingered by Antonio de Innocentis

John W. Duarte
Op. 140 (2001)

-I-

q = 168

Allegretto
0

1
0

cIII

1
0

2 3 2



1
2

cII

21

1
0

3 4

2 1 3 2

3 4
3 4
3 2

3 4

cII

2 4

2 4

3
3
0 0

2
2

1
4 0
2
2
2 1


1 2





3 3

1 2 4
3 4 1 3 3
16



3
2
2


12

3
20
0 2
4
4




4 2 1 0 3 1 0 3 1

24

1 2

2 4

0 3


1
1 3

1 2 4
1 4
1

3 2 1 2 3 2 1 2

vib.

2
4



1
0

a tempo

4
cIII


poco
rit.
4

3 2
3
1 2

4
28
cVIII
1

1 3
4

1 2

Copyright 2001 by Richard M. Long, International copyright secured. All rights reserved.
Unauthorized copying is an infringement of the law. Printed in U.S.A.
TPS -040

-IIq = 172 at least

Prestissimo

2 3 2 3 2 0 4

3 2 1


3
4 1 0 1
4

3 2 1 4
4 3 0 3
f

cI

3 2 4 3
3 4 2 1

2 3 3 3 3

4 1 4 3
3
0
4
0
4
2 0 0
1

0 4 0 1
3 1 0
2

1 4

4 0

1 4 2 0
4
3 2

4 1 2 0

p sub.
f sub.
p sub.

12

0 1



1 3 2
1
f sub.
p sub.
f sub.
4

2 1
3
1 2
3


4
2 1 4

1 2 4
p sub.

15

4 3 0

17

f sub.

poco rall.

2 0 1

4 1 0

19

p sub.

f sub.

p sub.

TPS -040

22

A tempo

cX


3
2
3
3
4


4
3 2 1 4
3
4 3 0 4 0 3

0 0 0 1

25

cVIII

1
2 3

4
1
2 3
0 3 1
4 1
2 4

p sub.

28

cVI

2 4 3 2
4
2 2 3 2 0
2
1
0

31

f sub.

p sub.

f sub.

p sub.

cIX
cX
3

4 3 2
4 1 3
2

35

cVII

cVIII

3/2/1 Correct Fingering?


Slurs?

43 3
3 2 1


3 1 2 4 1

54

0 4 1 0

38

p sub.

3 1 3 4

p i

a p i a p a m i

apoyando

TPS -040


4 1 3

a m i a

m
f

- III -

X4 3

q = 120

Amabile

3 2

3
1

31

0 4

1 3 2 0
3 2 0 3 1

vib.

cVI

3 3
2

4
2
4

1
4

0
4

0
4 1
0


1 2
4 1 3 4 1 3

1
1 3 1 2 1 0
0
3
4

4 1
54

0 4 1 0
65

cVIII
4

3 3 cV

4 cIV cV
4

4 2 0 1 4 4 0
2

0
2 1

3
2
23 3

3
cIII 21

0
cI 00

cV

4
0 Is the 4 on A correct?

4 2 4 1

2
2
1 0 2 0
1 4 4 103
3
3

12

p sub.

16

43 cII

2 0

2 0

mf sub.

4 2

4 23 1

1 4

0
3
1

20

4 3

3 1

4 2

1
0
1

5 ??

III
2
4 4 2
2


3
3
1
1

cI

23

27

4 2

3
4 4

3
23
1

2 4

0 1

rall. poco a poco

1 4 cI

4 2

4 2 1 0

1
0
3
3 1
0

vib.
3

0 3

TPS-040

- IV -

q = 63

Tempo giusto

mp

cI

17

cI

cI

2
4

mp

mp

cVI

3
2
3

4
3

3
3

3
2

3
0

4 cIII

mp

mp

f

3

29

cI
4

2
1

4
53

5
3

25

21

13

1
5

senza rall.

TPS -040

-V-

q = 172 ca.

Prestissimo 0

3
3



4 3
4
1
2
3
2
1
0
1
4
4
2
1
4

0
f

1 0 4


3 2
2
0
3
2 0 0
0 3 3 0
3
4

cII

2 0 4
2 0
4 2

1
0
4
4 1 3
4
2

11

4
0

0 2 3 0


1
1 3
0
4
0




1
3
0
0
3
3
1
2
2 1 f
1 0 3
p

16

4 2 0

1 4 cVII
2

1 2

2 0

3 2 0 2 0

20

1 4 2 1

a m

2 3

3 2 3

cII

28

cI

0
0


0 2 3 0 2 3 0

p
2.

33

1.


0 4


1 2
3
2
1
0
4

0
1
4
0

1
0
4
1
0
3
p

24

1
4

2 cV 4 4 2

cIII 4

4a

cVII

TPS -040

3
4

- VI -

q = 104

With a relaxed swing 0


1 2 0 3

4

04

4 1

3
3 0 4 0

0
3
32 4

0
0
2
1
2
0
3

0
0 2
4

0
3
4
0

0 3 2 0
0

3
3
1

1 4 2
0 4 1
2
1
2 0
0 1


3 0 2
3
2 3 4 0 1

0
3 0
0

4 2 1
3

1 4 3

12
0
3 4

1
0

2
1


3

2
1

3
3


1 1 4 1 1 4
3 3 0 3 3 2

15

3
1

3 3

3 3

cI
4

4 32

3
3

1
4
3
0

19

2.

1.

1 2


21
3

3
3
3

3 3

3
2

2 1




3
24 31 41 02 31 41 02 31
2
dal  al 

23

 Coda

27

3 0 2

3 4

e poi Coda

3
2

3 0 4
#

Pairs of eighth notes (e e) are to be played slightly unevenly (with a gentle lilt) as q e
TPS -040

- VII -

h = 104

Allegramente
cVII 4
3

2
3
1

24

0
0

cIV 43

0
0

2
3
0

1
4


cVII
3

3
4

cV
3

cV 4

cVII4

cIX 4

25

29

cX

4
3

cVIII
3

31

cVI
3

4
3

esitante

43

2
24

a tempo

cII 4

00

cIV

2
0

cIV 2

3
3

1

1

4

mp

4 32

cVII

cIV

4
3

4
3

23

1
poco rit.

21

5 2

4
00 3


4
3

17

cIV 4
2

0
0



1
1

cIII
3

43

4
40

1 1



4
p

0
0

4
2

21

3
00

13

4
2

f
TPS -040

a tempo

4
2

senza rall.

31 2 3
1

00
4

4
3

q = 132-138

Poco giocoso
42

4
3

- VIII -

2
2
cVI

3
3

4 33

31
52

0
1

4
3

4
3

cIV
31
2

5
4
1
2

2
41
5

4
3

4
3

4
4
4
4
4
4
2
3
3
21 02 3
2
2
3
3







1
0

0
4

3
1

31
13
4
1
3
0
3
2

12

0
41
1 3 23
3
0
4
4
1
5
2
24

15

2
5

cIX
4

18



2
1
4
3

4
4
3
3
4

2
2
3
1
0
1
1
1

4 1

TPS -040

4
3

04
1



1
6

- IX -

q = 80

Tranquillo

XII
4

1

IX

VII
1

IX
2

XII

4
XII

6
IX
1

VII

XII

4 1

XII VII

IX

1
VII

XII

5
4

VII

VII

6
1

3
1

XII

XII

XII

1
VII

XII

6=D

1 VII

VII

1 0

A tempo where?

13
1

3
45

3 6
12


4   6



4
4

poco rit.
XII
V

4
3

4 1



4
4
2
2

15

1.

H.8va
1
0

3
2

46 2
VII 3

4 2
0
0

1 4

where is the fine?

TPS -040

2.

cIII
4
3

21

2
0



3
D.C. al
loco
alvibrando


-Xq = 96

0
3

1
4
0 4

Andante

2 4 3


1
2

2 1 4 4

1
2
0

3 2 0
3
3

0
4

10

1
3

3
1

13

16

0
0

0
3

3
2

3 1

3
2




0
1

4 3 2

1
4


1 2

poco rit.
a tempo

3
2
2
1
4
3
4

0
1
1 2 4
3
3
4
23
3

3
cIV
0
1

6
20

Play legato all quarter- and half-notes and bracketed passages containing them.
TPS -040

- XI q = 60

Largo, con dolore e liberamente

cVII
3 4

cVI

4 2

2
1

4 2

3 2
4
0 3

cVI 4

4 2

16

2
4

1
3

2
0
1 0 2
4


3
0
1

cVI 4


2
3
1
2

1
0

cIV
4

4 2

cIV

cII
4

cI

2
3
1 0 0
3 2
3 2 4 2 3 4
0
2
0

I3

0
0
3

0
1
4

3 3

2
0 1
3 4
2
0
1

13

cI



4
2

0 2

16

4
02
34

cI


3
0

cIV

22

18

0
23

2
3

4
4

0
43

1
4
2

poco rall.

5
4

62

H.XIX
3
1 34

1 Put finger on A , push sideways far enough to produce A , THEN pluck and allow to return to A.
2 as for 1 - G to A

TPS -040

- XII -

q = 152

sempre ( )

Energico

41 2

cV


H.XII

7
4



6 41

4 1
1

11

41 1



cVII

17

14

20

24

H.VII

5 41

cIII

41 1

cVI

poco rall.

41 1

28

TPS -040

H.XIX

ISAAC ALBENIZ

CADIZ
R e v i sed and f inger ed
by

Eythor Thorlaksson

The Guitar School - Iceland


www.eythorsson.com.

-3-

CADIZ
Rev. and fingered by
Eythor Thorlaksson

Isaac Albeniz

Allegro ma non troppo


3
1

3
4

&

0
2

sempre legato

0
3

&

# 1

a
0

..

i m

F a tempo dolce

# 1

poco rit.

3
4

ten.
VII
7

&
2

1
1

4
1

# 1

ten.
VII
10

..

&

# 1

&
3

3
2

1
1

4
3

1
2 #

4
1

poco rit.

&

II

16

j
4

4
1

II
13

# 1

F a tempo

#
2

Copyright 2000 by The Guitar School - Iceland


www.eythorsson.com.

marcato 3
1094

#
1

-4-

19

&

1
1
3

3
1
2

2#
1
0

# 1
1

F a tempo

poco rit.
ten.
VII

22

&

..
# 1

4
1

1
1

4
1

# 1
1

ten.
VII
26

..

&

# 1

1
1

2 n
0
0

s p rit.

ten.
29

&

#
0
4

0
1 #

2
0

33

&

#4
3
1

2
4

36

j
2
3
4

4
3 n


#
1
1

rit.

1
2

ten.
1
1
1

0 n
0

j
4

4 1

0
1

IV

4#
3

&

VII

3
3

F a tempo

ten.

n n
n

4#
3

0
3

#
1

p a tempo

1094

0
2

-5-

3
39

&

0
3

morendo

fi

0
2

n n0
n 1
2

rit.

a tempo marcato il canto

42

&

0
2
3

&

III

1
2

#
1

III

III

&

48

3
4

3
45

#
1

rit.

f a tempo

51

&

&

3
54

#
1

0 n
0

4
3

1
1
3

2
4

&

0
1 #

.
f

0
1

n
4

0
1 #
2

1094

a tempo

rit.

57

1
1
2
4

-6IX
3

59
1 #
n
2

&

n 2

# .

p a tempo

rit.

III
62

VIII

&

1
3#

3
2

dolcissimo

VIII
3
64 3

&

1
2

4
3

0
1
2

.
1

0
1 #

rit.

F a tempo marcato

66

&

ma sonoro

1 #
3

VII
3

68

&

1
4

4
3 1 3 4 1 2

molto rit.

arm. 12
71

3
1

&

rit.

73

&

D. C. al Coda

a tempo
CODA

1
3

perdendosi
1094

rit.

1
1
3
4

.
..
.

:
PARTITA FOR VIOLIN SOLO NO.2 IN G MINOR, BWV 1001, Arr.
for Guitar by Mosoczi, Miklos:
1. Allemande
2. Double
3. Corrente
4. Double
5. Sarabande
6. Double
7. Borea
8. Double

2
3
4
5
7
8
8
10

9. Bourree & Double, Arr. by Andres Segovia


10. Sarabande, Arr. by Andres Segovia

12
16

:
PARTITA FOR VIOLIN SOLO NO.2 IN D MINOR, BWV 1004, Arr.
for Guitar by Mosoczi, Miklos:
1. Allemande
2. Corrente
3. Sarabande
4. Giga
5. Ciaccona

2
3
5
6
8

6. Chaconne, Transcr. by Andres Segovia (Import)


20
7. Chaconne, Transcr. by Andres Segovia ( ) 29
8. Chaconne, Transcr. by Andres Segovia ( ) 42

JO H . S E B . B A C H

SUITE NR. 1
Guitar solo
(Orig i n a l f o r c e l l o )

Revised and fingered


by

Eythor Thorlaksson

T h e G u i tar S chool - I celand


w w w.e ythor sson.c om.

-3-

SVTA NR. 1
PRELDA
6

Joh. Seb. Bach

=D
1

&

# c

&

&

H
H

#H

#H

2
4

1
6

II
7

&

&

11

# #

&

H
4

II
13

&

#
3

Copyright 2000 by The Guitar School - Iceland


www.eythorsson.com.

1006

15

&

17

&

&

3 2 0

#



m
m
a i

a i
#H p
H
1 p
0

19

II

21

&

3
m m
a
a

i
i
nH p
p
1
4

H
1

4
# g

g
g
g

1 3

II
23

&

b
3

n 1 0

IV
25

#
0

&

&

27

0
n

# 2

1006

# n 2

29

&

31

&

33

&

35

&
2

37

&

#
#
2

#
#

#
#

39

&

&

41

n
b

n
n

#
n

b
b

#
n

1006

w
w
w

w
w
w

ALLEMANDE

k
##
c
&
2

3
1
w

1 2 1 2 0
1 0 3 0 1 0

w
m



.
w

1 0 2


1 2

3 0

3
# # 0 3 2 3 0 2 3 1 2 3

1
&

II

2 4
# # 0 0 3 2 2
0
# .
& 0

3
6

0 2 1

m
4 2 1 0
4 3

3
0 1

II

4
# # 2 1 3 2 #


&

1
8

n
1 0
1

4
4
4
4
4
3
0 1 3 0 1

#
#

0
0
3
&

.
#

1J
1
6
m
m
1
12
2
# # 2 . 0

3

n .

&

.
.
w
J
m
4
4

14

4
3

2 0 # 1
##

..
1 3 0 3

0
4
2

0
#
&

H
#

1
1

# # 2

10

M
# # ..
.
&

16

2 3 0
2


2
# 1 3 1
1

1006

.
.

j {

.
J

k
##
&
{
18

3 0 4

n

3

.
1

0 0

1 2 0
4 2 0
1

# # 40 1 0 4 # 1 4 1 4 3

3
&

1
1

3
3
0
4
2 4 1 2

21

# # 41 n

23

&

0 1
2 0 3

.
2 #

1 4

.
.

n n

..
.

m
# # # n
2.
0.
&

1
25

##

27

&

# # 43
1

##

31

&

##

33

&

29

&

n

1

4
1 0 2 1 3 2 1 2 1

3
1
2

4
3

m
4 3 1 3 4 . 1

0 2

m
4
4
4
0 #
0 1 0
0
3
.
0
1 4 3 3 0
2
. 1

1
2

0
.

2
0

3
1

m
3
4

1 0
2 0

j
2

. {
0
3

.
.
J
i

m a i

m a m i

1006

COURANTE

j
## 3
4
&

4 2
2


##

&

H
1
3
5

VII

##


&

0
# # 4 # 1 0 1 1
0
&
1
0
3
11

4 3
3 1
# # # 4 1 0

&

1
14

m
# # 2 0 2 1 4 4 2 .
# 3
&

1
17

##

20

&

.
.
.

#3

0

1
0

4 2
1

1 2

3 1 1

1
3
2 1 0

0
3

1006

II

##

# .

&

H
24

4

3
H
1
2

VI

# # n 31 #
1

&

.
2

2 1 0
2

27

.
..

##


#

n

33

&

2
41 n 3
0 3 4 3 1


2

0

##

30

&

1 0 2
#

# #

&

36

.
##

&

39

2
## 1

&

42

#
0 .
J 3

0
#

H
4

0
0

0 1

4 2

0 1 2 0 2 0 3 1 2

0
3
1

1006

2
1
3

10

SARABANDE

##

&

.
..

# # 3
4
&

&

2 4

0
#1

2
3

1 2

4 3 2 3
. 2

4
3 n

0
1


.
#

#
0
1

2
1
4

## 2
#

& 3

1
3
12

m
1 3 0 3 0 2 4 0 2 2 0 0 2 1 0 0 2
# .

1
0
1
3

2 0

4.
21 ..
{

##

1 0 2 0

1

#3 ..

0
n 3 4 .
0
3

m
2 0

1
3
3 . 0

# # 2 # 0 2 1 0 3 2 1

&

0
1
3

4
1
3

##

15

&

4
4
3
1
3

0
0

1006

11

MENUET I

III

1 2

1
1

3 2 2 1

1 3

## 3

4 H
&
1

II
5

&

##

0 2 1 0

3
0
2

2 4
0 2

V
9

&

##

##

13

&

0 2

##

2
1 0

#
.

3 2

3 4

2
3

0
2

3 1 0
2
#
# 3
1

1006

0 3 4

1 #
3
3
#
2
2

3 1
2 1 2

2 1 3
0
H
1

.
..

1 0
2
n 0

2
3
3
1

##

& 1H

21

17

&

1 #
0 2
1
H

3
0
3

0 2 3
1

3 4

.
.
.

12

MENUET II

3
b
4
&

2
1

4
2

0
1

b
&

&

2
3

&

b H

H.

21

#
3

2
0

H.

#H .

#H .

III

17

IV

&

&

.
.

V
13

4
1
1

4
1
1

4
2
3

.
.
.

D. C. Menuet 1

1006

13

GIGUE

&

# 6
8

&

.
1

.
.



1
.
.
.
.

.
2

11

&

17

&

n .

# .

&

4 4


.
1
n .

1
0

.
.

0
2
0

#
.
# .

.

.

3 2
n 4


.
# .
1


.
.
.

.
.

III

32

4
1

&

V
27

#
.
.

{ {

22

&

3 2 4
# 0

3 #
1

#
.
# .

2 0

1
1

1
#1

.
.
4
4

n
2

.
1

.
1

1006

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1999 Richard Yates - www.teleport.com/~yateslau - yateslau@teleport.com

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SCOTT JOPLIN

A BREEZE FROM ALABAMA


PEACHERINE RAG
A r r a n gement f or guitar
by

Eythor Thorlaksson

The Guitar School - Iceland


www.eythorsson.com.

-2-

A BREEZE FROM ALABAMA


Scott Joplin

Arr. Eythor Thorlaksson

Ragtime
4

2
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&

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a tempo

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1

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Copyright 2000 by The Guitar School - Iceland


www.eythorsson.com.

1015

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2.
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1015

D. C. al Fine
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-4-

PEACHERINE RAG
Scott Joplin

Arr. Eythor Thorlaksson

Ragtime
VII
2

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D. S. al Fine
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J . M A L AT S

S E R E N ATA
E S PA O L A
R e v i sed and f inger ed
by

Eythor Thorlaksson

The Guitar School - Iceland


www.eythorsson.com.

-2-

SERENATA ESPAOLA
Rev. and fingered by
Eythor Thorlaksson

J. Malats

Andante quasi moderato


VI

3
4

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1
4
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Copyright 2000 by The Guitar School - Iceland


www.eythorsson.com.

&

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112

- 16 -

SONATA
(L. 238)
D. Scarlatti
Andante cantabile
1

#
c

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VII
3

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IV

4
4

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13

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15

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19

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3
4
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23

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2
4
3

25

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1

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- 12 -

SONATA
(L. 349)
D. Scarlatti
Allegro

III

1
3
8

&

VII

&

&

II

1
3

1
1

2
4
3

4
3

2
3

13

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2
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1
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16

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41

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44

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3

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50

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53

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56

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65

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1024

-7-

SONATA
(L 483)
D. Scarlatti
Allegro
1

&

0 3 2

&

11

&

&
4

16

~~

~~

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VII
4

20

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3

1
3

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24

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3
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4
6

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2.

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46

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37

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33

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1

54

&

&

&

1
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62

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II
58

0
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III
66

&

~~

#
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4

71

&

&

80

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1
6

76

1024

~~

.
.

SONATA
(K. 78)
D. Scarlatti
VII

Allegro
1

3
3

2
4

&

&

VII

2
4

#
1

&

1
3 4

&

{ {

2
3

# #

&

VII

VI
2

IV

IV
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1
3

26

IX
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VII

&

21

V
1

VII

16

IV
1

II
11

IV

VII

IX

IV
#

4
4

# #

#
1

Copyright 2000 by The Guitar School - Iceland


www.eythorsson.com.

1024

-3VII
31

&

1
1

2 4

&


2 1

3

&

40

VII
2

36

II

V
4

IV

II

IV

MINUET
VII
4

45

&

3
8

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3

VII

IX

IX
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2

50

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.

55

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1
4

VII

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1
5

1024

0
4

VII
4

1
5

.
.
.

-4-

SONATA
(K. 83)
D. Scarlatti
1

Moderato

&

&

# b
b

# b

# b

#
0

25

&

&

&

tr.

tr.

tr.

tr.

36

tr.
31

tr.

19

tr.

tr.

13

&

&

tr.

0
0

1
3

4
5

1024

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40

&

46

&

tr.

tr.

tr.

52

&

tr.

58

&

tr.

64

&

&

4
3

&

b
b

b
b

tr.

tr.

b
b

77

I
1

70

tr.

tr.

84

&


2 0 4

III
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2

0

3
6

1024

1
4

III

1
4

-6-

MINUET

3
8

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89

.
3

&

&

107

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0

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.

b
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118

VI

VIII
112

0
4

101 #

3
6

95

J
1024

b

b

.
..

Sonata
K 213/L 108
Domenico Scarlatti

Transcribed for Guitar by


Jan-Olof Eriksson

(1685-1757)

3
(

3
3

BIII

BIII

10

BIII
12

CGM/JOE

BIII

Scarlatti - K 213/L 108

BV

3
14

BVII

16

BV

18

20

22

2
24

Scarlatti - K 213/L 108

27

BII

29

31

33

35

2
37

)
(

Scarlatti - K 213/L 108

39

4
2

2
3

BIII

BIII

BIII

41

43

45

BV
47

4
2

1
3

49

 
  

  


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