You are on page 1of 2

Shot list

1. Establishing shot LS, damp alley way connoting poverty


2. LS, slow motion capture of crowds walking past girl sat in the shop
window
3. Establishing shot LS, abandoned bike and rubbish scattered
4. MS, time lapse streets getting busier
5. MS, track up her body showing each of her features that portray
poverty.
6. Establishing shot MS, back closed down building
7. LS, zoom through crowds to meet protagonist
8. MCU, side of protagonists head looking downwards, match on action
9. POV MS, a hat say empty in front of her, Match on action
10.
MS, Lifting her head to look forward, match on action
11.
LS over the shoulder, deep focus pull from left side of the
character showing the protagonist looking toward people happy in
caf location, match on action.
12.
LS from the caf customers, focus pull on the protagonist of
staring towards them, match on action.
13.
LS, time lapse, the protagonist lies down to sleep, night
arrives.
14.
LS, time lapse, from the top of A block to show industrial
scenery
15.
NEXT DAY. MS, she lift her head into shot getting up from her
sleep.
16.
MS, from her right side, shows her bring a bottle to her lips
17.
GRAPHIC MATCH MS, side of her face again a younger
character, people standing around and cheer her on as she drinks
from a unknown bottle
18.
CU, Still in graphic match a younger her pulls the bottle away
from her lips.
19.
ECU, Back to present the bottle is pulled away from her lips
20.
MS, she wipes her mouth with her sleeve.
21.
LS, she moves her belonging closer to her, the few things she
has as other homeless people look for a place to stay.
22.
CU, from a low place to view only her feet crossed and dog
sat, she pulls him closer towards her.
23.
ELS, people sit a little further from her setting out their things
(cardboard and sleeping bags etc.)
24.
MS, picks up her things and stands, MOA.
25.
MLS, she puts her things into a trolley and turn, MOA.
26.
MCU,POV, MOA she picks up dogs leash/rope
27.
MS, she walks round with him to the back of the trolley, MOA
28.
ELS, she walks out of shot, the other people watch her walk
away.
29.
MCU, from the front of trolley moving towards the camera, she
walks on.

30.
LATER ON, LS, walks into shot the light is dimmer, and she is
in a new location (PARK). MOA
31.
LS,From an angled position she walks into shot toward a park
bench, MOA
32.
MCU, she ties dog to the bench and he sits down.
33.
MLS, she walks to trolley and wheels it closer to the bench.
34.
MS, she turns and sits down.
35.
CU, of her arm she grasps it in pain.