Professional Documents
Culture Documents
SYMBOL
AND
INTERPRETATION
by
DAVID M. RASMUSSEN
m
~
MAR TINUS NIJHOFF / THE HAGUE / 1974
TABLE OF CONTENTS
Introduction
Chapter I: SYMBOL AND LANGUAGE
Introduction
On Multiple Realities
Potentiality, Givenness, Heritage, Memory
Actualization and Meaning
Multiple Realities
Language and the Symbol
Language and Consciousness
Language as Isomorphic to Consciousness
Conclusion
Chapter II: MIRCEA ELIADE: STRUCTURAL HERMENEUTICS
AND PHILOSOPHY
Introduction
The Symbol as a Dimension of Consciousness
The Method for Establishing the Symbol as a Valid Form
Conclusion
Chapter III: PAUL RICOEUR: THE ANTHROPOLOGICAL
NECESSITY OF A SPECIAL LANGUAGE
Introduction
The Question
Philosophy of the will
Freedom and Nature
Fallible Man
The Symbolism of Evil
An Answer
Conclusion
Chapter IV: MYTH, STRUCTURE AND INTERPRETATION
Introduction
1
7
7
7
7
10
12
17
17
19
24
25
25
25
33
37
38
38
38
39
41
42
45
47
50
52
52
VI
TABLE OF CONTENTS
Introduction
Background
Theory of Language: The Possibility of a Phenomenological
Model
Hermeneutics: the Interpretation of Special Languages
Conclusion
Chapter VI: SOCIQ-POLITICAL SYMBOLISM AND THE
TRANSFORMATION OF CONSCIOUSNESS
Introduction
The Conflict of Rationality: Operational and Dialectical
Utopian Symbolism
Symbol, Seriality, and the Group Resolve
Symbol, Structure and Philosophical Anthropology
Conclusion
Index
52
55
64
68
70
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79
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80
81
85
89
92
.96
99
INTRODUCTION
For the past four or five years much of my thinking has centered upon the relationship of symbolic forms to philosophic imagination and
interpretation. As one whose own philosophic speculations began at.
the end of a cultural epoch under methodologies dominated either by
neo-Kantianism or schools of logical empiricism the symbol as a product of a cultural imagination has been diminished; it has been necessary for those who wanted to preserve the symbol to find appropriate
philosophical methodologies to do so. In the following chapters we
shall attempt to show, through a consideration of a series of recent
interpretations of the symbol, as well as through constructive argument, that the symbol ought to be considered as a linguistic form in
the sense that it constitutes a special language with its own rubrics
and properties. There are two special considerations to be taken account of in this argument; first, the definition of the symbol, and second, the interpretation of the symbol. Although we shall refrain from
defining the symbol explicitly at this point let it suffice to state that
our definition of the symbol is more aesthetic than logical (in the
technical sense of formal logic ), more cultural than individual, more
imaginative than scientific. The symbol in our view is somewhere at
the center of culture, the well-spring which testifies to the human
imagination in its poetic, psychic, religious, social and political forms.
Yet we shall attempt to avoid the tendency of the early phenomenologists and neo-Kantians to see the symbol as constituted by an act of
consciousness. Rather our tendency is to conceive the symbol as a
given, something to be interpreted.
To be sure, the symbol is a rather curious phenomenon. It literally
abolishes clarity and it confounds one's common sense understanding
of self and world. Neither the positive nor the negative meaning of a
flag can be contained in the material that allows for us to have a visu-
INTRODUCTION
INTRODUCTION
INTRODUCTION
INTRODUCTION
INTRODUCTION
CHAPTER I
INTRODUCTION
Whether one chooses to speak oflanguage, the social world, consciousness or action, one must face the problem of the origin of these phenomena if one is to come to terms with the way in which meaning is
constituted. Because of this one is driven back to describe the prereflexive lived world of meaning. This is the world of potentiality inasmuch as it provides the foundation for any actual achievement of
meaning in any present context. An inquiry into this dimension of
I This discussion draws upon the work of Alfred Schutz whose contribution to the discussion and interpretation of the symbol is threefold. First, he conceived of the social world as
one which was differentiated into multiple levels of reality, each level being distinguished as
a constitutive realm of meaning. Second, he conceived of language as the key factor in ordering the social world. And third, for Schutz the symbol was fundamental for the grounding of
the social order.
Although the conclusions regarding the relationship of the symbol to language are my
own, I believe Schutz has made a lasting and creative contribution to the discussion of symbol and language.
For further information see: Schutz, Alfred, The Phenomenology of the Social World.
Evanston: Northwestern University Press, 1967 and Schutz, Alfred, Collected Papers Vols.
I & II. The Hague: Martinus Nijhoff, 1964, 1967.
experience will account for its unity and also its possible differentiations. This investigation will provide the basis for the kind of theory
of language in which one can begin to account for the symbol.
The social world in which we live is a world of potential meanings,
most of which we are not aware of at any particular "present," but
whose function is to carryon the process of daily life. One of the curious facts of social existence is that most of the meanings we have
are unexamined, part of the heritage of each person within that social
world. Most of the meanings given are pre-reflexive; meanings are habitual structures of action of which we are not conscious. Equally,
the social world is a world of given relationships, relationships characterized primarily as associations with other people and only secondarily as relationships with objects. When anyone of us relates to other
people emotionally in terms of love or hate, intellectually in terms of
discussion or debate, or actively in terms of common achievement we
simply assume that the other person's experience is like our own, that
his experience is indubitably real, and that he will behave in a way
similar to the manner in which we expect him to behave.
To be sure, much of human behavior is determined by the set of
inherited social roles assumed by each of us. If the "other" person
happens to be a parent we communicate in a way considerably different than if that person happens to be a friend. Similarly, we expect
that "other" to behave in a manner in accord with the particular role
which he assumes for us. For example, it would be expected that the
attempt to communicate the meaning of a drug experience would be
considerably different in the case of communication with a friend and
then with a parent. In the first instance one might expect a sympathetic ear while in the second, stern disapproval. Equally, the role of
the "other" would be determined in the sense that the friend may
consider his role to be that of one who is to empathize with the experience, while the parent, even if he has experienced drugs himself,
would probably feel that it was necessary to act with disapproval.
The latter may wish he could dispense with the issue altogether, but
he is aware that that is impossible inasmuch as he is expected to fulfill his "biographically determined" role. The role that one is given to
play in the particular contexts of social experience determines the
manner in which that experience will be interpreted. For instance, let
us assume that our individual's drug experience was not only communicated to friend and parent but was also discovered by the police,
becoming thereby a matter for legal prosecution. The function of the
particular policeman involved in the arrest is determined by the particular social role he has chosen to play. At this moment in time the
use of drugs for pleasure is illegal. His function is to protect and enforce the law. Consequently, when he discovered the particular user
of drugs it was necessary for him to arrest that individual. Later, when
the act of prosecution of the individual is made a judge will be forced
to render a decision, not on the basis of his personal opinion of drugs,
but on the basis of the legality or the illegality of the offense.
One of the predominant aspects of the social world is the function
of the social role as an institutionalized modality within which the
experience of the social world occurs. In a sense this habitual role
designation, this habitual institutionalization of the "other ," enables
us to survive in the social world with a modicum of intelligibility. It
orders our experience. The larger context into which this approach
to experience fits may be called typification. One typifies experience
in order to relate to and understand the "other" in the social world.
To return to the above example for a moment, we may state that the
father chooses to reprimand the son because that is an institutionalized mode of fatherly action, while the friend's activity was equally
prescribed. If a person is found to be acting in a particular way we
tend to typify the person's action in terms of prior experiences of a
similar type, past experiences of institutionalized roles, etc. Hence, to
type is to place within memory a fixed impression of a particular person which may be recalled for future reference when similar encounters are made. It is on the basis of this typification that, within the
unity of experience, I can find a basis for differentiation of experience.
Typification provides the basis for the intelligible experience of any
"now," any present experience. In this context I am able to differentiate type A from type B, etc.; thereby, I am able to, as it were, program my experience of others. However, there are certain limitations
to this approach, namely, the tendency to understand the other not
as unique, but through a typified model which may be shared in part
by the particular other. Hence, one's past experience is always modified by the present, but in many ways the past typified experience
makes any particular present possible.
The temporal category into which institutionalized role, typification, and, in general, the stock of knowledge at hand fit is that of past
time, time retained in memory. Memory functions as a given for any
present, creative act of consciousness; the memory which is composed
of a series of retentions is the basis for any protention, any projected
10
11
12
Multiple Realities
The process of concretization or actualization is a process of differentiation. Actual meaning is differentiated meaning, whereas latent
meaning is undifferentiated meaning. Latent meaning may be conceived as a totality of lived experiences, occurrences, interpretative
schemes, etc. which form the foundation for each actual occurrence
of meaning. However, latent meaning is not differentiated, for, when
conceived as a separate entity, there is no occasion for differentiation.
It is only by an act of reflection that one is able to differentiate latent meanings. However, in the process of reflection one has already
13
14
15
16
tiny of the actors in the play, but also a vision of human destiny
which probes beneath the ordinary events of human experience. When
I enter the theater I momentarily suspend my judgment about my
ordinary destiny in order to enter the poetic world of the playwright
in order to be transported beyond the immediacy of my own experience. If the play is successful I am able to empathize with its characters; I also see their vision. I am led to confront the tragic irony
confronting all forms of human experience, and, on occasion I may
even be led to visualize my confrontation with my own death.
To be sure, the symbolic universe of meaning is not confined to
the theater; it extends to all of literature, as well as to the worlds of
the psyche, religion and aspects of the socio-political world. To read
a novel is to enter into another world of meaning. Equally, one's participation in a religious ritual is to prescind momentarily from ordinary experience in order to identify with an archetype which reveals
the ultimate foundation upon which all events of existential significance may be explained. Creation rituals were traditionally practiced
to demonstrate how the universe was related to a particular group of
people. They transcend the immediate experience of the world in order to ground it. By understanding creation it is possible to understand the self in the process of creation. Equally, the psychic universe,
in part the world of dreams, is a symbolic universe of meaning. Consider the process of psychotherapy. The world of dreams is not a
world of vague signification; rather, it is an indication of our own
fears, doubts, anxieties, hopes and aspirations. Hence, to decipher
those experiences is to gain a clue to the meaning of our own heritage
inclusive of its unresolved conflicts, the paramount impressions of infantile sexuality, etc. To decipher the dream is to decipher oneself,
oneself in conflict, and through the process of deciphering, the resolution of conflict. In the socio-political world the symbolic universe
of meaning is manifest in a similar way. The kind of transformation
of consciousness that occurs in that context is one which requires a
transcendence of one's immediate socio-political situation in accordance with a vision of a just society, a utopian construct.
Significantly, the mode of attention differs in the symbolic universe
of meaning through empathy and imagination. Whether it be a religious ritual, affective and intellectual attention in a play, or one's attempt to uncover the ciphers of dreams, the manner in which the individual attends to his experience is by the use of the imagination as
well as through empathetic understanding. The experience is reinter-
17
preted and thereby it becomes a self-experience. It was Soren Kierkegaard who was perhaps the first to understand the chasm that must
be bridged by imagination in the symbolic universe of meaning. He
coined the phrase "indirect discourse" to account for the fact that
great symbolic experiences of mankind could not be communicated
directly, rather they required the medium of analogy, story, and example for others to understand their meaning. Hence, it is the mode
of attention which requires the imaginative leap in order to invade
the symbolic universe of meaning to make it a personal and individual
experience. Similarly, the project constructed by the subject in the
world of symbolism differs from the other constructions in the sense
that the aim of the subject is both intensely personal and at the same
time universal. The subject desires to understand himself in the context of universal destiny. The measure of meaning is the measure of
one's experience because the conclusion that one reaches with regard
to a particular symbolic creation is analogous to the richness of one's
own experience. This also affects the development of interpretational
schemes, in the sense that the development and use of schemes of interpretation will vary in accord with the richness of one's experience.
The universe of meaning designated as the provinces of the concrete
constitution of consciousness are not the province of one individual
or any individual type or particular group. As poetry is not the province of the poet alone, so science is not limited to the scientist; the
world of common sense is the limit of no normal human being's experience. Rather, as consciousness concretizes its potentialities these
universes of meaning may be realized in successive and almost simultaneous actualizations as one can participate in a common sense world
of meaning in a matter of hours, or moments. Hence, from an epistemological point of view no world of meaning should be regarded as
primary, but instead, the search for foundations ought to be grounded in a theoretical and speculative attempt to account for the multiple
manifestations of consciousness.
LANGUAGE AND THE SYMBOL
18
for reasons of clarity, but no total picture can be achieved from a permanent exclusion of language. Now it is possible to return to a consideration oflanguage in relationship to consciousness, a consideration
which will provide a theoretical foundation for the symbol and symbolic language in relationship to language generally.
In order to demonstrate the interrelationship between language and
consciousness it is possible to begin with the somewhat rhetorical question, are there situations in which consciousness is not related to language? There must be non-linguistic experiences. The cinematic experience of a montage, the musical experience of listening to a symphony, the immediate psychic experience of anxiety: all these are not
necessarily linguistic. In this sense it is possible and legitimate to claim
that there is no necessary relationship between language and consciousness on a pre-reflexive level. For example, the psychic experience of
fear is something encountered with shock and amazement, and overwhelming experience. Its immediate character is affective and not cognitive; it is spontaneous and non-reflective, an experience wherein immediate images are more significant than language. While it is experienced one has no way of communicating its meaning in the intensity
of the moment. He is without any interpretative scheme with which
to give an analysis of its meaning or significance. It is a total experience which, in its immediacy, can neither be understood nor communicated. Equally, it is legitimate to claim that the experience of listening to music in its immediacy is a non-linguistic experience. The
beauty of immediate musical discovery, its totality, its unity is nonlinguistic, almost beyond reduplication in words.
Language does not contain experience. Language cannot engulf the
totality of experience. Language is a medium through which experience is expressed; it is not a vessel for the fulness of completeness of
experience.
But, if language can neither be identical with pre-reflexive experience, and if it cannot be conceived as a vessel or container, there is
a level at which language and experience are in fundamental unity,
namely, at the level of reflective experience. The experience of fear,
cited a moment ago, may occur to the individual as an immediate and
unique experience utterly distinguished from linguistic appropriations.
If, however, that experience is to become meaningful and relevant to
the particular individual who experiences it, it must necessarily become
linguistic. Its meaning must necessarily be recorded in and through
words, even though they may not capture the totality of the experi-
19
ence. Indeed, these immediacies may begin to recess with the passage
of time. However, if I am to convey that experience even to myself,
I am forced to use words to do it.
The conclusion is this: although there may not be an identity between language and the totality of experience at any level, there is an
identity between language and consciousness at the reflective level.
To think' is to involve oneself with language. Conversely, not to have
language is not to be able to experience on the reflective level.
20
21
22
23
24
The problem of this essay has been to conceive of the symbol within
language so that the linguistic construct which occurs as a consequence
of the symbol, namely, a symbolic language may be accounted for in
such a way that attention may be given to the special rubrics and
properties of that symbolic form. At the same time it has been necessary to conceive of the symbolic form within language generally. In
order to achieve that end first, it was necessary to construct a theory
of consciousness which accounted for the finite worlds of meaning in
which consciousness is constituted, and second, it was necessary to
show how language corresponds to those finite worlds through which
it becomes actualized. In this way it was possible to account for language as a totality in terms of the grammatical model, while at the
same time it was possible to conceive of specialized language conceived
in relationship to the constitution of consciousness. Hence, it is possible to conceive the way in which the symbol and symbolic language
may be a part of language generally, while retaining their unique character. At the same time following this approach, it should be possible
to avoid the errors of behaviorism. Language, when concrete, can be
conceived as an aspect of human creativity.
CHAPTER II
INTRODUCTION
In some ways the theoretical issue, the problem of the last chapter,
cannot be solved without moving toward the concrete task of interpretation. If it can be established that the symbol is a distinctive linguistic phenomenon with its own rubrics and properties, the next
task will be the encounter with concrete symbols, the problem of
interpretation. Mircea Eliade's contribution to the development of a
theory of interpretation is the development of a hermeneutic which
incorporates phenomenological and structural motifs. In this discussion the issue which will in some sense dominate the rest of the book
is presented, namely, the issue of the meaning of symbols as authentic
representations and articulations of human experience. Here specifically the problem of the religious symbol is discussed; later other types
of symbols will be considered. The theoretical framework of the last
chapter provides the foundation for the development of this hermeneutic orientation.
THE SYMBOL AS A DIMENSION OF CONSCIOUSNESS
26
MIRCEA ELIADE
MIRCEA ELIADE
27
about historical reductionism. Historical explanations of religious phenomenon tend to explain that phenomenon by reference to the historical circumstances that gave rise to its appearance and not to the
intrinsic character of the phenomenon itself. 3
This kind of criticism however places one on the horns of a hermeneutic dilemma. Does not investment in theory, any theory, place
restrictions on the object of interpretation? If interpreter and object
interpreted are in some intersubjective relationship, can one avoid the
problem of reductionism that will follow almost inevitably? I, for one,
do not believe it possible to escape the basic "intersubjective" relationship that any hermeneutical position must presuppose. To this
extent, psychological, sociological, and historical theories of interpretation are on a par with philosophical and religious modes of interpretation. But I do believe the manner in which this intersubjective relationship is stated is crucial. To the extent that a theory is imposed upon the object of interpretation it may be said to be reductionistic. To the extent that a theory may be said to be the result of
investigation it may be said to be consequential, or derived from the
object. It is important to note here, that in contradistinction to theories which result in reductionism, Eliade attempts to establish a hermeneutic which arises as a consequence of one's encounter with the
sacred.
In any case, in Eliade's hermeneutic this original polemical position
has its consequence in a positive correlate: the notion of the irreducibility of the sacred.
A religious phenomenon will only be recognized as such if it is grasped at its own
level, that is to say, if it is studied as something religious. To try to grasp the essence of such a phenomenon by means of physiology, psychology, sociology,
economics, linguistics, or any other study is false; it misses the one unique and
irreducible element in it - the element of the sacred. 4
28
MIRCEA ELIADE
5
6
p.4.
Ibid., p. 30.
Mircea Eliade, Cosmos and History. New York: Harper & Brothers, Publishers, 1959,
MIRCEA ELIADE
29
The question is, how does one get to the theory which will explain
the phenomenon? To answer this more difficult hermeneutic problem,
Eliade makes two claims which enable him to move from the manifestation of a sacred object to its meaning. First, he suggests that phenomena of sacred manifestation will tend toward archetype.
7 Mircea Eliade , " The Quest for the 'Origins' of Religion," History of Religions, IV (No.1 ,
Summer 1964), p. 167.
8 Eliade, Patterns, p. 9.
30
MIRCEA ELJADE
There is no religious form that does not try to get as close as possible to the true
archetype, in other words, to rid itself of "historical" accretions and deposits. 9
Structure then functions on two levels. On the first level one discerns
an initial archetype manifest through the sacred phenomenon. On the
second level this initial structure tends toward a larger context of
structural associations. Hence, the argument is that a particular arche
type is understood not in terms of itself, i.e., in terms of its particular
concrete historical manifestation. Rather, understanding occurs when
the total system of associations is uncovered, or better, reconstructed.
The initial problem presented by the discernment of structure is
morphological. It is necessary to separate those phenomena which
have structural similarities from those which do not. The task is one
of morphological classification. In his study of cosmic symbolism Eliade is able to distinguish a number of morphological types: the sky
and sky god symbolism, the sun and sun worship, the moon, water,
stones, earth, woman, vegetation, agriculture and fertility, and the
symbolism of space and time.
To make this morphological classification, a departure is made from
what might be called an historical method. The transition from one
element in a morphological type to another is not historical. This
claim is not intended to depreciate the historic significance of any
given phenomenon; but it does suggest that the relationship of hierophanies is non-historical because they do not follow a particular historical order. Morphological analysis and classification does not have
its consequence in the construction of a history of religious consciousness.
9 Ibid., p. 462.
10 Ibid., p. 9.
MIRCEA ELIADE
31
Indeed, ordering religious phenomena on the basis of an historicalevolutionary hypothesis about the development of religious consciousness is a distortion of what seems to be the facts of sacred appearance.
Here Eliade is of the same mind as Claude Levi-Strauss who wants to
dismiss any qualitative distinction whatsoever between primitive and
modern thought. In Eliade's case, morphology is designed as a hermeneutic method to replace the historical-evolutionary hypothesis.
Hence, the significance of the morphological approach is that it offers
an alternative solution to the problems of intelligibility presented by
sacred phenomena.
It was suggested a moment ago that the most significant problem
for Eliade's hermeneutic method was the movement from the initial
appearance of the sacred phenomena to an understanding of its meaning. It can now be seen that the solution to that problem is basically
structural and not historical. Honesty to the special character of the
sacred manifestation, i.e., honesty to its special intentional mode, does
not allow us to place phenomena within an historical-evolutionary
scheme. The hermeneutic alternative of morphological analysis has
suggested that meaning will be understood in terms of the association
of sacred modalities. For Eliade, understanding is basically a task of
imaginative reconstruction, but reconstruction on the basis of principles given by structuralism.
The analogy which clarifies best a hermeneutic grounded in structuralism is given by the structural linguistics. Ferdinand de Saussure's
Course in General Linguistics 12 developed the notion of dividing the
study of language into historical dynamic modes and structural internally related modes. To these separate spheres of study, de Saussure
Ibid., p. xiv.
12 Ferdinand de Saussure, Course in General Linguistics. New York: Philosophical Library,
11
1959.
32
MIRCEA ELIADE
At times structuralism has been thought to be indifferent to consciousness and subjectivity. In Eliade's case, however, structuralism is the
handmaiden of phenomenology. I t is by uncovering the intentionality
of a sacred modality through an act of imaginative reconstruction
within consciousness that understanding occurs. Eliade gives his own
distinctive stamp to this phenomenological procedure. Understanding
does not occur by the reconstruction of a particular phenomenon,
but rather by the reintegration of that phenomenon within its system
of associations. Such a hermeneutic approach could well be called
eidetic reintegration. The discernment of the structure of a phenomenon would be analogous to an eidetic analysis. Once the intentional
structure is uncovered, it is reintegrated into its proper system of associations through the use of morphology and structuralism. The consequence of that reintegration is understanding.
Grounded on an initial acknowledgment of the independent validity of the sacred understood as an irreducible form, Eliade's hermeneutic attempts to capture the intentional mode of the sacred mani-
13
MIRCEA ELIADE
33
fest through the profane by morphological analysis and eidetic reintegration. It is worth noting that the major task of the hermeneutic,
reintegration, is precisely the opposite of the reductionism against
which the hermeneutic was constructed.
THE METHOD FOR ESTABLISHING THE SYMBOL AS A VALID FORM
The philosophical consequence of this approach is that archaic experience is interesting as a datum in the history of consciousness, but only as a significant backdrop to modern theoretical consciousness. Philosophers such as Ernst Cassirer and Susanne Langer, who became interested in myth and symbolism, found a vast wealth of material to
document their theses about the historic emergence of man into the
modern age. To this extent they took archaic experience seriollsly.
But they did not take that experience seriously in the sense tha t th ey
14 Lucien Levy-Bruhl, Primitive Mentality, tra ns. by Lillian S. Clare. Boston: Beacon Pr ess .
34
MIRCEA ELIADE
16 Claude Levi-Strauss, Structural Anthropology. New York and London: Basic Books,
Inc. , 1963, pp. 229-230.
MIRCEA ELIADE
35
The basis for this possibility has been established through the creation
of a hermeneutic which assumes the validity of sacred manifestation
without negative valuation.
Serious philosophical consideration of the sacred requires not only
a justifiable foundation but also an interpretive context. It was suggested earlier that the initial hermeneutic datum was hierophany, i.e.,
a manifestation of the sacred. The modality for the occurrence of
hierophany is symbol and myth. Symbol and myth establish the context for hermeneutics as the basic components of a primary religious
17
p.95.
18
Mircea Eliade, Mephistopheles and the Androgyne. New York: Sheed and Ward, 1965,
Ibid., p. 13.
36
MIRCEA ELIADE
MIRCEA ELIADE
37
We have outlined Eliade's structural hermeneutic, and we have suggested its potential as a program for philosophical interpretation. For
some, the legitimacy of this enterprise may be doubted still. We consider ourselves moderns, historical people who make a distinction between myth and history. I do not contest the validity of that distinction, but there is no reason to give to it a negative interpretation. It
is precisely because the distinction between myth and history can be
made that we are in a position to understand, perhaps for the first
time, the positive function of myth and symbol as a distinctive dimension of consciousness. Thus, it seems possible to suggest that an
investigation of that phenomenon may contribute in a positive way
to contemporary self-understanding. Eliade has suggested that an encounter with the myths and symbols of non-western and archaic cultures may "lead to a renewal in the philosophic field, in the same
way that the discovery of exotic and primitive arts half a century ago
opened up new perspectives in European art.,,19 This possibility may
be the final result of an enquiry into structural hermeneutics.
19
Ibid.
CHAPTER III
INTRODUCTION
A confrontation with archaic symbolism has brought new life to modern culture. Equally, an encounter of modern western culture with
its own indigenous historical symbols may facilitate a similar renewal.
The work of Paul Ricoeur can be conceived of as continuous with
that ofMircea Eliade because it brings the threefold issue of the meaning of the symbol, a hermeneutic of the symbol, as well as the anthropological and linguistic consequences of the discovery of the symbol
into a strictly philosophical framework. Hence, our original quest for
an understanding of the meaning of symbols, the search for a framework for interpretation, will be furthered by a consideration of the
work of Paul Ricoeur.
THE QUESTION
PAUL RICOEUR
39
40
PAUL RICOEUR
anthropology, two kinds of problems emerge which constitute an anthropological problematic. First, the attempt to describe the will under the broad vision of totality yields to a dynamic movement from
abstract possibility to concrete actuality. As a consequence, although
it may be possible originally to exclude any consideration of the problem of evil from the characterization of the will, ultimately the factor of limitation (the involuntary) built into the very structure of the
will leads to the problem of evil by a processive development from
the abstract to the concrete. The global view is a potentially fallible
one because an adequate description of the will leads ultimately to
the most extreme confrontation with the factor of limitation. Hence
Ricoeur's initial vision of the will has built within it a dialectical (I hesitate to say paradoxical) structure which will require a more concrete
consideration.
Equally, this view of man has its own special set of methodological
problems, for no single version of the so-called phenomenological
method is able to present a complete view of the will. When the phenomenological method does not serve appropriate ends, i.e., when it
excludes aspects of experience appropriate to the will, Ricoeur refashions it to serve the central problematic. The question of Ricoeur's
allegiance to the phenomenological method may be raised. More important for this discussion is the problem of whether or not fidelity
to the global view of man does not require the successive methodological revisions. In fact, there are three successive methodological revisions in the Philosophy of the Will. It is by understanding each of
these, and the anthropological problematic that motivates them, that
the case for the necessity of special languages can be made.
The anthropological problematic is stated first in terms of the relationship of the voluntary and the involuntary or freedom and nature. The dialectic between these extremes is conceived in the context of three basic moments of the willing process: I decide, I move
my body, I consent. The mode whereby philosophic description of
these three basic moments of the willing process is developed is
through Ricoeur's version of eidetics. In this volume Ricoeur shares
with phenomenologists who define themselves in the tradition of
Husserl the conviction that the eidetic method has the capacity to
free reflection from an adherence to the cause-effect scheme of natural events. By recovering the intentional mode of objects of consciousness and isolating (bracketing) them from their ordinary occurrence in the continuum of cause and effect, Ricoeur contends
PAUL RICOEUR
41
2
3
4
42
PAUL RICOEUR
Ibid., p. 482.
PAUL RICOEUR
43
6
?
44
PAUL RICOEUR
S
9
10
Ibid., p. 161
Ibid., p. xxiv.
Ibid., p. 207.
PAUL RICOEUR
45
46
PAUL RICOEUR
evil. The argument for going to the primacy of the symbol as the original and most elemental expression of the consciousness of evil is that
ordinary philosophical discourse is too abstract to entertain the primary utterance given by the confession of evil in the symbol. "We
must proceed regressively and revert from the 'speculative' expressions to the spontaneous ones."u
One case for distinguishing language of symbolic-mythic type from
other modes of discourse is predicated upon the distinction between
abstract and concrete. Ordinary philosophical language attempts to
attain abstract and univocal concepts while symbolic-mythic language
is said to be concrete. This has often been an abortive distinction for
the interpretation of myth since the term concrete as applied to myth
is synonymous with simplistic and non-theoretical language. Ricoeur's
version of this distinction is that symbolic-mythic language is concrete
because it is a language which incorporates both the complexity and
the paradoxical nature of man's involvement with and in evil. Hence it
can be called a human "avowal" of evil. Consonant with this view Ricoeur makes a distinction between symbol and sign. While signs have
a singular intentionality, symbols are said to be double in intention.
This means simply that the symbol is fundamentally bi-polar in the
sense that symbol contains both literal and symbolic reference. For
example, the symbol of stain (Ricoeur chooses three primary symbols:
stain, sin, and guilt) may have an abstract opaque reference to a feeling
of psychic impurity, but this second intentionality is known through
and constituted by the primary intentionality of stain, i.e., a literal
spot.
Myth, defined as a primitive elaboration of symbols, carries on the
process begun in symbols by attempting to "embrace mankind as a
whole in an ideal history." 12 This ideal history seeks to give to the
experience of fault a beginning and an endY Finally, myth tries to
get at the enigma of human existence by construing human experience between innocence and guilt, purity and stain, etc. 14 Hence myth,
through its use of symbols, presents a context for its interpretation.
Distinctions between symbol and concept, mythic discourse and rational discourse, may be commonplace in western thought. Generally,
Ibid.
PAUL RICOEUR
47
these distinctions have not favored symbol and myth. In Ricoeur's hermeneutic analysis, however, symbolic-mythic language compliments
the central philosophical inquiry. This may be shown by invoking Ricoeur's central hermeneutic principle "the symbol invites thought."IS
In this case symbol and myth provide the foundation for philosophical reflection. Here symbolic language functions in the same way as
the bodily involuntary in Freedom and Nature or the hypothesis in
Fallible Man. However, the interpretation of this discourse serves the
central problematic. It is Ricoeur's contention that symbol and myth
present us with a radically concrete vision of human freedom in conflict with evil.
In contrast to the more traditional philosophical discussions Ricoeur contends that the symbolism of evil escapes the identification
of evil with non-being or the absence of being. Evil is positive because
it is posited. Yet if it is the result of man's responsible act, it paradoxically has the characteristic of precedence; evil comes from something
outside the self. Hence evil is contagious; it becomes a condition of
life. Taken together therefore, the symbols point to something more
than fallibility. They suggest that evil surrounds human freedom as
something paradoxically prior to experience and yet a matter of human responsibility. The consequence is a radical limitation of man's
freedom of choice. 16
Myth simply presents a greater elaboration of this dialectic in thematic variation from myths of the creation, fall, tragedy and exile.
Generally in all of them, and particularly in the reconciliation of the
various themes in the Adam myth, the myths of evil present the vision of man suspended between the freedom that is rightfully his and
the bondage that is the result of his complicity with evil. It is this vision that is presented through the hermeneutics of the special discourse of symbol and myth.
AN ANSWER
15 Ibid., pp. 347-357. Also, Paul Ricoeur, "The Hermeneutics of Symbols and Philosophical Reflection," International Philosorhical Quarterly (No.2, 1963), II, 191-218.
16 Ricoeur, The Symbolism of Evi , see discussion, pp. 151-157.
48
PAUL RICOEUR
17 Ernst Cassirer, The Philosophy of Symbolic Forms. Vol. 2 Mythical Thought (New
Haven, 1955). One should not forget Cassirer's pioneer work in this area.
PAUL RICOEUR
49
50
PAUL RICOEUR
PAUL RICOEUR
51
CHAPTER IV
INTRODUCTION
It is well known that in the heyday of mythic studies myth was thought
to be pre-linguistic, a phenomenon which facilitated the evolution of
human consciousness to language. The students of myth held that its
investigation was synonymous with the discovery of the origins of human consciousness, an assumption which gave documentation to the
judgment that consciousness is an evolutionary phenomenon. The conceptual framework which informed these early interpreters had a double edge being directed equally to the interpretation of the multitude
of mythological material discovered in the nineteenth century, as well
as toward the justification of a popular then-contemporary theory of
mind. Certainly great strides were made in the amassing and interpretation of vast amounts of newly gathered material, and the cause was
sufficient to kindle the public imagination. Yet, in retrospect one wonders ,if the discoveries of the past were less important to these interpreters than the theory of consciousness justifying the advances of
their present epoch.
Certainly that situation has been reversed rather dramatically in recent times in the sense that the term "evolution" has been replaced
with the term "structure"; myth is now seen in consequence as a legitimate dimension of human expression instead of that first step in
the evolution of man from mythos to logos to science. As Claude
Levi-Strauss has pointed out, the rigorous epistemological models offered by the modern science of linguistics made such a change possi-
53
ble. His conclusion to the now famous essay, "The Structural Study
of Myth" is a kind of symbolic water-shed dividing evolutionary and
structural approaches.
Prevalent attempts to explain alleged differences between the so-called primitive
mind and scientific thought have resorted to qualitative differences between the
working processes of the mind in both cases, while assuming that the entities which
they were studying remained very much the same. If our interpretation is correct,
we are led toward a completely different view - namely, that the kind of logic in
mythical thought is as rigorous as that of modern science, and that the difference
lies, not in the quality of the intellectual process, but in the nature of the things
to which it is applied. This is well in agreement with the situation known to prevail in the field of technology: What makes a steel ax superior to a stone ax is not
that the first one is better made than the second. They are equally well made, but
steel is quite different from stone. In the same way we may be able to show that
the same logical processes operate in myth as in science, and that man has always
been thinking equally well; the improvement lies, not in an alleged progress of
man's mind, but in the discovery of new areas to which it may apply its unchanged and unchanging powers. 1
~nc.hor
54
55
5 Claude Levi-Strauss states: "History organized its data in relation to conscious expressions of social life, while anthropology proceeds by examining its unconscious foundations."
Structural Anthropology, p. 19.
56
6 Mircea Eliade, Patterns in Comparative Religion. Cleveland and New York: Meridian
Books, 1958, p. xiii. As the following sections of this chapter indicate, we find Eliade's
thought most insightful in approaching problems of myth, language and interpretation. This
approach to hermeneutics is outlined in more detail in chapter II.
57
58
8 This approach does not deny the linguistic significance of myth. Rather it attempts to
affirm that myth functions as language but in a structure of signification that points to human consciousness.
9 Claude Levi-Strauss states: " We know that to obtain a structural law the linguist analyzes phonemes into 'distinctive features', which he can then group 'into one or several 'pairs
of oppositions'. Following an analogous method, the anthropologist might be tempted to
break down analytically the kinship terms of any given system into their components ... . .
It is at this 'micro-sociological' level that one might hope to discover the most general structural laws, just as the linguist discovers his at the infra-phonemic level or the physicist at the
infra-molecular or atomic level." Structural Anthropology, p. 33.
Later with regard to myth he states: "(1) Myth, like the rest of language, is made up of
constituent units. (2) These constituent units presuppose the constituent units present in
language when analyzed on other levels - namely, phonemes, morphemes, and sememesbut they, nevertheless, differ from the latter in the same way as the latter differ from themselves; the belong to a higher and more complex order." Structural Anthropology, pp . 206207.
We conclude that aithough the analogy with the phonemic structure is not identical yet
the overall assumptions with regard to the use of that model are similar.
10 Claude Levi-Strauss, Structural Anthropology, p. 19.
59
ble underlying causes for its genesis. In one sense the rejection of the
positivism of evolution results in the affirmation of the positivism of
structuralism, for the correlate assumption to the one that makes
myth a matter of unconscious processes is that the religious possibility does not exist; hence there must be another explanation for it.
One school's gain is another's loss. But the problem remains, can one
derive a mode of interpretation which deals with the primary intentional modality of the myth? Such an interpretation we shall label
"authentic."
In order to begin to examine and answer these questions an example of cosmogony can be cited from the Omaha Indians.
"At the beginning," said the Omaha, "all things were in the mind of Wakonda.
All creatures, including man, were spirits. They moved about in space between
the earth and the stars (the heavens). They were seeking a place where they could
come into bodily existence. They ascended to the sun, but the sun was not good
for their home. Then they descended to earth. They saw it covered with water.
They floated through the air to the north, the east, the south and the west, and
found no dry land. They were sorely grieved. Suddenly from the midst of the
water uprose a great rock. It burst into flames and the waters floated into the
air in clouds. Dry land appeared; the grasses and the trees grew. The hosts of the
spirits descended and became flesh and blood. They fed on the seeds of the
grasses and the fruits of the trees, and the land vibrated with their expressions
of joy and gratitude to Wakonda, the maker of all things.""
60
61
62
guage in the concrete is regional in the sense that it is possible to correlate language with special areas of experience. From the point of
view of interpretation it is possible therefore to specify regions of
interpretation with the consequences that special areas of language,
special languages, may be designated with rubrics and properties appropriate to each. In one sense then the structural analysis of myth
as we conceive it will result in the specification of the rubrics and
properties of a special language. So conceived the structural analysis
of myth is anthropological in the philosophical and not solely in the
sociological sense, for according to this model myth is correlated with
human meaning in its ultimate sense and not with social meaning in
an unconscious behavioristic sense.
When conceived on the level of discourse the most immediate distinction that can be made between myth and other kinds of discourse
is predicated upon a distinction between the literal and the symbolic.
Literal discourse may be said to compose language of two types, the
first dependent on the spontaneous use of signs, the second appropriate to critical scientific language wherein single and identical meanings
are intended. If I should use a simple statement such as "I see a tree,"
the sign "tree" would not be taken to stand for anything else but that
intended by the term. Equally, if I should devise a scientific formula
I would depend upon the creation of a system of signs, the meanings
of which would neither change nor be ambiguous. This kind of language, however, differs from the way in which the language of myth
appears. In contrast the language of myth shares with the psychic and
the poetic, the symbolic mode. Symbolic discourse differs from literal
discourse in its exercise of and incorporation of multiple levels of
meaning. To return to the notion of intentionality, much scientific as
well as spontaneous discourse aims at a singular level of signification.
We may say that the intentionality of such singular language, is that
it says what it means in a transparent and literal way. In contrast,
symbolic language of which myth is a type, is dependent upon the
multivalence of primary religious symbols. In other words the intentionality of the religious symbol is double or multiple. Speaking of
the symbol stain, Paul Ricoeur states the distinction in this way:
Every sign aims at something beyond itself and stands for that something; but
not every sign is a symbol. We shall say that the symbol conceals in its aim a
double intentionality. Take the "defiled," the "impure." This significant expression presents a first or literal intentionality that, like every significant expression,
supposes the triumph of the conventional sign over the natural sign. Thus, the
63
13
Paul Ricoeur, The Symbolism of Evil. New York: Harper and Row, 1967, p. 15.
64
closely to this double problem for interpretation, namely, the multivalence of symbols, as well as the linguistic (mythic) context of the
symbolic discourse. Again one can turn to the notion of intentionality in order to find a solution. In this sense the literal structure of the
symbol will be correlate with its symbolic structure. Eliade has shown
for example with regard to cosmic symbolism that the literal form of
something symbolized constitutes the primary intentional network
from which secondary intentional modes may be drawn as in sky
symbolism wherein the sky god takes on the basic characteristics of
the sky, permanence, transcendence, vastness, etc. The intentional
network which characterizes the totality of the symbol is informed
on this primary level, the task of interpretation is to establish the
correlation between primary forms and their secondary elaboration.
In terms of the symbol set within the context of language the task
is to discover the intentional referent of such language. Earlier it was
suggested that the failure of the grammatical model is manifest in the
total internalization of reference. In contrast, if one conceived such
language as intentional it is possible to refer it to a .modality of consciousness. In this sense the referability of myth is to the human subject. At this point the term "structure" applies to those basic characteristics of myth which can be delineated as structural modes of consciousness which myth reveals.
ARCHAIC ONTOLOGY
It is now possible to raise the question of how myth functions in archaic societies fully cognizant of its peculiar linguistic constitution
as a special language capable of revealing and illuminating basic structures. In order to do this we shall consider the nature of the cosmogonic myth as the paradigmatic myth in archaic societies said to provide a structural model for myths in general. If we can return to the
cosmogony of the Omaha, and if we can choose to rise above the
temptation to construct a grammatical analysis, it is possible to speculate that the concern of the myth is to comment, to explain the
origin of things and provide thereby a foundation for understanding
how Omaha culture originated. That is a fairly obvious deduction
from a text that says plainly that when time began all things, including men who were spirits, were in the mind of the God and that he
made it possible for men to take on the bodily form in order that
they may become human. As the myth intimates, they did become
65
human, receiving bodies, and they are grateful to Wakonda their original source of unity for that temporal becoming.
From this rather short analysis we can conclude that the Omaha in
particular and archaic societies in general are concerned through the
construction of the cosmogonic myth to create what Eliade has aptly
called an "archaic ontology." In other words the ultimate meaning
that the archaic religious mentality seeks is to understand himself in
terms of origins seeking an orientation to the world that is cosmogonic rather than historic.
For the man of archaic societies .... what happened ab origine can be repeated
by the power of rites. For him, then, the essential thing is to know the myths.
It is essential not only because the myths provide him with an explanation of the
World and his mode of being in the World, but above all because by recollecting
the myths, by re-enacting them, he is able to repeat what the Gods, the Heroes,
or the Ancestors did ab origine. To know the myths is to learn the secret of the
origin of things. In other words, one learns not only how things came into existence but also where to find them and how to make them reappear when they
disappear. 14
14 Mircea Eliade, Myth and Reality. New York and Evanston: Harper and Row, 1963,
pp. 13-14.
15 It should be noted that cosmogony is the paradigmatic pattern for myth for Eliade.
All other myths partake of a similar structure, even myths which posit ultimate meaning in
the future, in the sense that they project ultimate meanings beyond ordinary history. Hence,
the eschatological myth from one perspective has a meaning similar to the cosmogonic myth.
66
original in plant and animal life. Existence refers to the attempt made
by people of archaic societies to live on a plane where original forms
become structures constitutive for existence.
Archaic man's original ontology, as it bears on his conscious apprehension of time, has the distinguishing character of selecting only
those "primordial" events as meaningful which have as their consequence his own symbolic participation in in illo tempore. The correlation that may be established between cosmogony and time is one
where only a particular kind of time is selected, upheld and distinguished from other kinds of time. This particular kind of time manifests the original creative act. For archaic man time is meaningful
because it has an archetypal character which not only reveals a form
of understanding but can in fact be repeated. Hermeneutically it can
be said that a sacred phenomenon has a special meaning because of
its tendency towards archetype. This archetypical structure is given
meaning because of its participation in that which can be designated
as the first time, the time of origins, etc.
If one aspect of the structure of temporality is the ability to present a model (archetype) original in the sense that it defines a beginning, temporality as sacred manifestation has within it the capacity
for regeneration. The myth of the eternal return, that temporal construct which has within it the capacity for repetition illumines the
creative possibilities for regeneration. Significantly, the direct consequence of intelligibility is activity, i.e., a mode of understanding yields
a mode of action which can be repeated by those who participate in
the myth. It is significant that the language of myth structures the
meaning of temporality for all past time in such a way that it may
be rendered present through manifesting the primordial events present for contemplation and action. In a moment we shall attempt to
account for this fact by showing how the language of myth may be
regarded as unique.
Cosmogony is the paradigmatic model for archetypes of both time
and space. The archaic desire to transform chaos into cosmos and
thereby live at the center of meaning illustrates the close relationship
between structure and meaning. The distinction between chaos and
cosmos is similar to the distinction between the sacred and the profane inasmuch as the cosmos alone is perceived to be real while chaos
is associated with profane and un meaningful experience. In Eliade's
thought this notion of the archaic use of space is associated with the
symbolism of the center, which is either manifest through the sacred
67
68
onic myth is its attempt to abolish brokenness and rupture. 16 The experience of brokenness plus the attempt to abolish it suggest the radical denial on the part of archaic man of autonomy and separation.
Nostalgia for paradise, openness to the world, perception of the self
as homo-symbolicus and anthropo-cosmos - all these indicate the extent to which symbol and myth are employed to do that which archaic man would otherwise be unable to do, namely to restore in language
and action that which is broken originally in experience. Hence, it
seems possible to say that the cosmogonic myth provides the opportunity for the archaic mind to abolish profane time and to recover
sacred time in such a way that sacred temporality becomes a mode
for transcending the conditioned character of ordinary experience.
By recreating sacred space the myth attempts to recover the experience of the true or pure form as a reality for living, for one's beingin-the-world. The construction of nature as a sacred form symbolized
as an experience of regeneration and totality permits the existential
perception of the self as anthropo-cosmos allowing self-perception as
a part of the macro cosmic. In each case existence is perceived as complete and as a denial of ordinary conditionedness and limitation.
CONCLUSION
It seems possible to return to the set of issues raised in the prior sections of this chapter. In the first section the change from evolution to
structure in the study of myth was highlighted. While that development was affirmed in general some of the limitations of the grammatical model were pointed out. In the second section an alternative was
attempted predicated upon the theory of structure derived from a reworking of hermeneutic phenomenology, one which acknowledged
the linguistic character of myth. In the third section some basic structures of the cosmogonic myth were described and analyzed as they
were seen in the context of the prior theory of interpretation. It
seems possible to conclude that myth, when seen in the context of
language in correlation with consciousness, constitutes a special lan-
16 Eliade's comments about western philosophy and its preoccupations in this regard are
apt, "It is the human condition, and above all the temporality of the human being, that constitutes the object of most recent western philosophy, , , , Now, this problem of the 'conditioning' of man (and its corollary, rather neglected in the West: his 'deconditioning') constitutes the problem of Indian thought," Yoga: Immorality and Freedom, New York: Bollingen
Series LVI, Pantheon Books, 1958, p, xvi,
69
guage with its own unique rubrics and properties (its own structures)
which cannot be replaced by other regions of discourse. The value
judgment emerging as a consequence of this investigation seems important. If we assume that the discovery of the pure form, or the
archetype of regeneration, of innocence was the product of human
folly, then myth is indeed the product of a false consciousness. However, if one is willing to grant that quest as a legitimate and necessary
aspect of man's human and linguistic constitution, then not only does
myth constitute a unique and special mode of discourse, it will perhaps continue to do so.
CHAPTER V
71
72
73
74
75
76
77
78
Dylan Thomas, The Collected Poems of Dylan Thomas. New York: New Directions,
1957. p. 128.
4 Mircea Eliade, From Primitives to Zen. New York and Evanston: Harper & Row,
Publishers, 1967, p. 343.
79
CHAPTER VI
SOCIO-POLITICAL SYMBOLISM
AND THE
TRANSFORMATION OF CONSCIOUSNESS
INTRODUCTION
It occurs to us that one of the aspects generally left out of the discussion of the symbol is an analysis of its trans formative role as a
social and political phenomenon. The question we wish to raise in
this chapter is this: how does the symbol function as a linguistic
agent for the transformation of the consciousness of a socio-political
group? This question centers around the issue of individual and social
motivation in the sense that symbols may be used to transform the
consciousness of groups in such a way that effective social change
may result. Certainly, the American political and social experience
of the last decade could be characterized by such a use of symbols,
with, as a consequence, a series of transformations of consciousness
which has changed the American social and political experience considerably. Although we shall delay discussions of specific instances
of such transformation until later, one need only refer to such symbolic visions as John F. Kennedy's vision of The New Frontier, Martin
Luther King's speeches in behalf of disenfranchised black society, the
rhetoric of student protest, the arguments for militancy on behalf of
the Black Panthers, the more radical splinter groups of the Students
for a Democratic Society, recent critiques of the University and the
neo-Marxist critique of technological society. There are several reasons for suggesting that these social and political attempts to transform are involved with symbolic rather than literal or ordinary constructions, charged in many cases with the highly symbolic visions
of utopia rather than mundane views of a static society. In order to
answer our original question we shall consider a number of situations
wherein the symbol does function as the foundation for social-political transformation. It will also be possible to give some consideration
to precisely how it is done.
SOCIO-POLITICAL SYMBOLISM
81
82
SOCIO-POLITICAL SYMBOLISM
Ibid.,.p. 12
SOCIO-POLITICAL SYMBOLISM
83
84
SOCIO-POLITICAL SYMBOLISM
SOCIO-POLITICAL SYMBOLISM
85
The second reason for locating the symbol at the center of an analysis of the occurrences of transformation may be discovered in the
symbolism of utopia. The derivation of such thinking is neither philosophical nor rational per se but mythological. Certainly no single
philosophical or sociological school holds any claim to the utopian
vision as strictly their own. It is indeed universal. The elements of
utopia are composed of a vision of harmony of man and nature, the
elimination of all human conflict so that universals such as peace,
justice and freedom may be attained by all without the traditional
forms of coercion that are pragmatically necessary for a society to
function in its ordinary way. Behind this version of the utopian political vision is the desire for the lion to lie down with the lamb, an
archaic vision indeed. As such the Communist Manifesto proclaims
a world wherein human ability is freely given by all in their various
measure, while the needs of the society are adequately met. Equally,
the American Constitution proclaims a society in which all rights are
protected while all freedoms are universally employed. It is true of
course that that which is so universally envisioned by a society is
achieved in the most limited of ways. Hence, there is a considerable
contradiction between a society as it actually is and a society as it
proclaims itself to be.
86
SOCIO-POLITICAL SYMBOLISM
This kind of rhetoric is neither practical nor realizable. It only partakes of the real situation negatively, the situation in which men lived
at the time of its delivery. The vision is one which is a-historical in
the sense that it assumes that we may free ourselves from the contingencies of history in order to realize an ultimate freedom that
would be otherwise unattainable. The vision excludes the ordinary
world of practical attainment in order to postulate an ideal world
wherein the brokenness of ordinary life may be restored. It is of
some importance then that the vision is utopian rather than practical,
ideal rather than mundane, but, significantly, it provides the foundation for political and social motivation, and therefore the basis for
a type of social and political transformation of consciousness. One
might ask, how?
In the earlier discussions we tended to perceive the symbol from a
synchronic point of view attempting to develop apparatus sufficient
to disclose its meaning. If it is possible to associate change with the
symbol then it is necessary to perceive the symbol from a moving
point of view, or diachronically. In this context it is possible to account for the phenomenon of motivation. By taking the utopian postulate it is possible to understand that the symbol becomes the potential project of a given social group. As the society resolves itself
along the lines of the symbol it changes from its present status of
general unawareness to a position of heightened awareness of an ultimate goal. The process whereby this occurs may be called the stages
or the phases of transformation.
4 Martin Luther King, Jr., "I Have a Dream," The Day They Marched. Chicago; The
Johnson Publishing Company, 1963, p. 85.
SOCIO-POLITICAL SYMBOLISM
87
Initially there is a stage of unawareness wherein one lives in a system of thought and value closed to potential alternatives. In such a
situation one accepts unquestioningly the situation at hand as valid
and definitive for one's life. For example, in American civilization
prior to 1960 it was possible to live in almost total oblivion of the
dilemma .of civil rights that would come to plague the conscience of
the nation and to some extent transform its consciousness in the
1960s. Equally, some decades earlier at the beginning of the century
it was possible for workers to live in almost total unawareness of
their potential rights. Workers were similarly almost unaware of the
economic deprivation which was their lot.
The second phase of transformation is composed of a two-fold discovery which results from the imposition of the symbol on the unconscious situation. It involves the process of coming to consciousness. In terms of the example of utopian rhetoric chosen a moment
ago, the symbol imposes itself upon consciousness as both a positive
and a negative phenomenon. Negatively, it juxtaposes one's ordinary
common sense orientation to the projected possibility presented by
the symbols of freedom and harmony. The ideal of freedom is juxtaposed to the unfreedom presently being experienced by the minority
group, while the ideal of unity is contrasted with the disunity that is
the state of things presently. In this second phase of transformation,
then, the symbol has motivated a group to a level of reflective awareness that was not the case heretofore.
At this point it is necessary to introduce the notions of reflective
and pre-reflective. We can state that at the first phase of transformation experience was pre-reflective. One simply accepted the commonsense world of experience as unalterably the case. At this level the
terms discrimination or freedom from discrimination are not meaningful, for no one is aware of the basic discontinuities being experienced
by the present group. To understand the meaning of discrimination
assumes that one is cognizant of and has begun to question his ordinary status within the society. The second phase of transformation
involves the process of becoming reflectively aware of one's own experience. It is at this point that one questions that set of "assumed
to be true" values and judgments which were heretofore accepted as
valid. In other words one suspends or doubts his ordinary common
sense world of meaning. It is at this point that the symbol generally
and utopian symbolism specifically function for transformation. One
undergoes a negation of his ordinary understanding of the world.
88
SOCIOPOLITICAL SYMBOLISM
What was heretofore considered to be the ordinary pattern of relationships within a society is labeled by the member of the minority
group as discriminatory. The symbol presents the individual and the
group with an essentially different interpretation of experience. It is
at this point that a duality, a hiatus, even a dialectic is introduced
into one's experience allowing different levels of interpretation. In
terms of utopian symbolism, the symbolism of a just society becomes
that which initially juxtaposes one's pre-reflective understanding of
his social experience with his reflective understanding of the same.
In this sense the symbol is the focus for the transformation of a sociopolitical group.
On the positive side the symbol establishes the project which a
particular socio-political group may choose as its own. A symbol outlines a future meaning toward which a group may project itself with
the consequence that its fundamental orientation will be changed
necessarily from its prior role within society. In this context social
transformation may occur. However, this is dependent upon the group
resolve, a problem which brings us to the third phase of transformation, namely, decision. Conceived in terms of its socio-political role
the symbol offers a double invitation for reflection and action. Whereas in the second phase the symbol offers itself for reflection presenting the negative and positive possibilities for social change, in the
third phase the symbol offers itself as a possibility for choice. Although the resolve of a particular group through the invitation of the
symbol is a complex problem to which we will turn in a moment, let
it suffice here to comment on some of its aspects.
The question of the group resolve in one sense solves the problem
of the validity of the symbol. As we have seen in earlier discussions,
symbols emerge and they die; there is no objective determinant for
the validity of the symbol. Symbols may be corrupt as in the case
of the symbolism of the dominance of the world by the pure Aryan
race, or they may be pure as in the case of the symbolism of the just
society. But ultimately symbols will be chosen by particular groups
at particular times, for they always involve decision. As bearers of
meaning they invoke such a call for decision on the part of a particular group. Further, inasmuch as symbols are decided upon by particular groups one has in this process of decision the source of social
conflict. The group which has opted for utopian symbolism and has
projected itself toward the realization of those claims will necessarily
be in conflict with the group which deliberately rejects those claims
SOCIO-POLITICAL SYMBOLISM
89
The third reason for considering the symbol at the center of sociopolitical transformation bears on a more extended reference to group
resolution. In order to clarify this it is necessary to turn to Sartre's 5
notion of the transformation from seriality to group formation. One
of the primary facts of the human biographical situation is to have
been born into a number of groups which require nominal or active
participation. The universal heritage of everyman is to be part of a
primal family group, a national group, a social class, a sex group, an
age group, a cultural group, etc. One of the ironies of history is that
individuals have almost no control over this series of groupings, and
whatever freedom one has must be worked out in these pre-defined
groupings. One may wish he had a different family heritage, a different culture, a different nationality, etc. but it is a factor of historical
necessity that most of these groupings cannot be changed regardless
of one's desires.
There are apart from the kind of groupings just mentioned a number of other groups which simply "happen" in the course of one's
daily affairs. Such groups, neither consciously chosen nor part of historical necessity, are merely part of one's daily living experience. For
example, if one goes to a certain restaurant at a certain time of day
he will be part of a particular group, the patrons, the chefs, the
waiters, etc. The reciprocity between the people who happen to be
at the restaurant is minimal, in the sense that they share a limited
number of common interests. Perhaps they have chosen the particular restaurant because of its reputation for serving good food at a
reasonable price. Perhaps the majority are regular patrons who continue to return because of the service and because of the relations
they have with the service personnel within the restaurant. However,
at any particular moment from the time of one's entrance into the
5
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SOCIO-POLITICAL SYMBOLISM
SOCIOPOLITICAL SYMBOLISM
91
the ghetto when they discover that they will be moved out of their
present apartments and the shock continues when it becomes apparent that the new accommodations will be too expensive. Further, if
they probe the intentions of the real estate interests they will discover that behind their well-meaning rhetoric lies the self-interest of
an entrepreneur. The interests of urban renewal and real-estate's profit motive go hand in hand, with the consequence of ghetto exploitation. The exploited group which had heretofore been a community
serially related now becomes a group with a common identity. The
need for identity would then become the central issue for the transformation of that particular community. Hence, from Sartre's point
of view a stage of action would be initiated which would bring the
ghetto into a new identity. The group would move into a stage of
organization and finally the group would have to deal with problems
of authority.
The significance of Sartre's analysis is to be found in its ability to
account for a series of phases in group transformation which in turn
account for stages in the transformative process. The key factors in
such an analysis include the movement from seriality to group formation via a process of alienation, need and action. This aspect of Sartre's analysis we find to be profound. That which is lacking in Sartre's
analysis is both a consideration of the manner in which language
functions in this process and in a derivative but central sense, the
manner in which the symbol functions. Form our point of view it is
the symbol which functions as the medium for the process of group
formation. Without a consideration of it a full answer to the process
of group formation and the necessary transformation of consciousness implicit in that process is not given.
In order to clarify this point one can consider an actual instance
of the deliberate creation of a symbol in order to achieve a transformation of consciousness which resulted in a new group identity. The
symbol we choose is Black Power. It was created in the mid-sixties
in the drive for voter registration in the South. The symbol arose
out of the frustration of those who were attempting to raise the consciousness of the disenfranchised black man to the point of political
action. Its purpose was to transform the black voter from a passive
non-participant to an active participant in the political process. It
was a well constructed political symbol, indeed. Simultaneously, it
pointed to alienation and possibility. This symbol brought to mind
the apparent contradiction of Southern and to some extent American
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SOCIO-POLITICAL SYMBOLISM
political and social life of the sixties; to be black and to have power
simultaneously was an apparent contradiction. Hence, to those for
whom it became a symbol it served as a negative and alienating reminder that the powerful in America are not black but white, not
disenfranchised but controllers of the political process. Equally, the
symbol had the positive quality of establishing a project, to be realized in the future. Hence, the symbol presented a foundation for
both reflection and action (decision) which had an enormous impact
on the transformation of black consciousness moving from a relatively amorphous mass with no consciousness of itself to an articulate
political group with self-awareness, self-identity and, to be sure, power.
We do not wish to overstate our case by claiming that the symbol
is the sole fact accounting for such a transformation. Simply, we
wish to claim that it is one of the key factors, if not the key factor
in such a process. Our claim is not that Sartre's analysis is false or
wrong. We simply find it incomplete because of its failure to consider the central role of language. The symbol is central to the process
of transformation from seriality to the formation of group consciousness.
SYMBOL, STRUCTURE AND PHILOSOPHICAL ANTHROPOLOGY
Under the last three topics we have seen the symbol as a key to the
process of social-political transformation. Our model has been diachronic in the sense that the symbol has been conceived as the instrumental phenomenon which brought transformation about. There
is another way of looking at the symbol which may shed light on
another aspect of the process of transformation, namely, the view
of symbol based on the model of synchronicity. The fourth reason
for finding the symbol at the center of socio-political processes of
transformation is one which addresses the symbol qua symbol in
terms of an anthropology of the imagination. On the basis of our
prior analysis it is possible to claim that the symbol functions as a
change agent, a liberating force, which allows group consciousness
to become aware of itself and to express itself. Is there a larger anthropological context in which the change inaugurated by and mediated through the symbol can be identified? The prior discussions
have been concerned primarily with process while this section will
be preoccupied with structure. The concern for process leads us to
the structural issue in the sense that one is asking the question, what
SOCIO-POLITICAL SYMBOLISM
93
can reflection on symbols and their implications for social and political transformation tell us about the structure of consciousness generally? In other words we are led into the realm of philosophical an-
thropology.
Earlier it was shown that a single symbol or symbolism can function in a number of areas simultaneously, and hence a multitude of
interpretations can be given to it, each having its own claim for legitimacy, yet, ideally, none destroying the other alternative claims
of the symbol. As we have seen the great myths of human history
have played such a role. It is possible to suggest at this point that the
same symbol that functioned or functions religiously, psychologically, and poetically, may also function socially and politically. One
might add that it is a peculiar irony of our secular period that the
symbols which functioned in a religious context primarily in a previous epoch now function in a political one. This is certainly true of
the current upsurge of utopian symbolism. Yet this should come as
no surprise since it is within the power of the symbol to manifest itself on several levels simultaneously. The anthropological curiosity
of such a fact, however, is that the symbol must represent the expression of certain structures of human consciousness regardless of
historical epoch.
Heretofore in this chapter we have used a dialectical methodology,
implying- a moment of negative recognition and an overcoming of
that initial negation through a process of reflection and action, a
process contained within the symbol. We should now like to include
the dialectics of the symbol within a comparative methodology. Earlier, Eliade's comparative approach to the interpretation of the symbol was presented as a way in which the interpreter was enabled to
move from the manifestation of the symbol to an understanding of
it. The consequence of that approach was to see the symbol not in
terms of historical manifestation alone, but as a manifestation of the
structure of consciousness transcending its momentary significance.
The assumptions behind such an approach to the symbol are not
only diachronic but synchronic, associated with the temporality of
circularity rather than with a linear notion of temporality. In that
context archetype and repetition became primary categories in the
sense that rel~gious symbols rendered themselves as archetypes which
could be repeated, on the one hand, while on the other, symbols of
a certain set could be reduced to archetypes of which all the symbols
of that particular set could partake. Is it possible to apply a similar
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SOCIO-POLITICAL SYMBOLISM
To claim that the myth of rebellion of the sons against the fathers is
supra-historical and not historical implies that it illustrates a pattern
of human action and activity which cannot be explained on the
grounds of its uniqueness alone, but instead on grounds that must
account for its repeatability. Hence, the possible recurrence of the
myth may appear in a form other than that of its original manifestation. It is possible that myth originally thought to be religious, in
Freud's interpretation the religious reduced to psychological categories, could at a later date reappear in a political context. Equally, the
claim that this myth is not an explanation of origins implies concurrently that the myth refers to no single actual point in time; instead,
it may apply to any actual point in time. Origin, then, is a universal
phenomenon referring to any moment in time which has the character of the myth. Hence, there is no contradiction between a myth
which purports to be about pre-historic time and a constitutional crisis which speaks about the same phenomenon as the myth, but from
a political point of view. The battle that took place over the rights of
6 Norman O. Brown,
SOCIO-POLITICAL SYMBOLISM
95
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SOCIO-POLITICAL SYMBOLISM
At the outset of this chapter we posed the question, how does the
symbol function as an agent for the transformation of consciousness
in a socio-political group? We have attempted to answer that question, first, by a consideration of the symbol in the context of the
movement from technical to dialectical rationality; second, in relationship to the symbolism implicit in utopian speculation; third, in
relationship to seriality and group formation; and finally, we considered the structure of transformation itself which transcends and includes the processive motif.
SOCIO-POLITICAL SYMBOLISM
97
It should be noted that the argument for the centrality of the symbol in the process of socio-political transformation is not only a construction but also something which is given for reflection. The symbol is part of the givenness, the heritage, of human existence. To participate in that invitation, and therefore, in the symbol, is to give
oneself to the process of transformation. In this period of much confusion about the aims and goals of socio-political groups it may be
wise to examine the various symbols which proclaim their respective
invitations to transformation.
INDEX
alienation, 91, 92
American Constitution, 85
anthropology, 3, 4, 34, 36, 37, 53,
57, 58, 62; philosophical, 92ff.;
and special language, 38ff.
archetype, 16, 29,30,66,67,69,
93, 94
autonomy, 67, 68
behaviorism, 20, 24, 58
Bergsonian, 11
Black Panthers, 80
Black Power, 91
Brown, Norman 0.,94,95
Bultmann, 57
Cassirer, Ernest, 33, 48, 52, 53, 54
Cogito, 72, 74, 75
communication, 14, 21, 72, 90
Communist Manifesto, 85
Comte, 52, 53, 54
consciousness, 10, 12, 25, 32, 41,
58, 61, 74, 92; false, 59, 69; and
language, 17ff., 75; and symbol,
25ff., 37; theory of, 7,13, 21, 24,
53, 73; transformation of, 16, 80ff.
Copernican revolution, 73
critique, 80, 82, 83, 84, 90, 95
culture, 1,3,4,19,25,26,34,36,37,
38,64, 89, 90, 95, 96; archaic, 3,
25, 37, 57, 60, 85, 95
Dasein, 76, 77
Descartes, 43, 74
dialectic, 28, 29, 39, 40, 43,44,45,
47, 50, 81ff., 88, 93, 96
Dilthey, 55, 77
domination, 82
Dukheim,26
100
INDEX
INDEX
101
Thomas, Dylan,S, 78
thumos, 44
Tylor, 29
typification, 1,3, 9, 20
utopia, 16, 80, 93, 96; utopian symbolism, 85ff.
value-freedom, 83
Whitehead, A.N., 35
Will, Philosophy of, 39ff.
world; common sense, 2, 3, 14, 15, 17,
22, 23, 87; social, 7, 8, 9, 86