You are on page 1of 1

Facebook-1- Hend Al-Mansour – Prints

She Thinks She Makes Art
A mandala like arrangement with mirror image double-self-portrait in the middle. The artist is holding her brush as a fencing
sword with which she is fighting herself. Geometric Islamic design in the center juxtaposes the peripheral flowery henna
design. Arabic letters F and N (Arabic for art) are calligraphed at corners.
Eve
Eve, Adam, a cat, Satan, an ouroboros, Tree of Life, and God.
I have borrowed the fire halos from Islamic paintings of Eve and Adam. The frame decoration is also inspired by Islamic art
motifs. This print is still exploratory. a later version shows the word Eve in Arabic at the bottom.

For more details
on our products and services, please feel free to visit us at Arab American artists, Arab feminist art and Female artists Saudi
Arabia
Fatimah Abu Gahas: The Last Master of Qutt
Died in 2010, this folk artist and native of Asir in Saudi Arabia, had left a rich collection of the traditional women’s art of Qutt
characteristic of Asir. In this print I made a portrait of Abu Gahas in the middle of colorful shapes that imitate her style.
Khadijah "God be pleased with her"
This is part of the installation "The Great Mother of Islam". It represent the first wife of Prophet Mohammed pregnant with her
youngest child "Fatimah" the Mistress of Heaven. At the lower part there are three large flowers that represent Khadija's older
daughters. A fire halo, large and ramified, encircle all.
Large size dictated printing in sections using stencils.
Arabian Mandala – 8
Starting from the peripheries towards the center, elements of drawing are repeated here four times along the four orientations
of the paper. This is influenced by Jung collections of mandalas which he used as keys to the psyche.
The Caged One or The Gum Chewer
This print is part of a body of work entitled "Green In The Market, Red In Mother's Hand". It depicts traditional henna styles in
Hofuf, Saudi Arabia, my home town. I have documented eight henna designs by interviewing local women above 60 years. Prior
to 1940s, the patterns were limited to a small repertoire and were geometric, symmetrical, reproducible and had descriptive
names. The name of this design is "The Caged One".
In this body of work, I have paired the design with local folk tales told by women and usually were stories that empower
women. The story here is titled "The Gum Chewer"
Facebook-1
The woman facing the viewer is wearing an Abaya (Arabian cloak) and sitting on a rug woven in the Bedouin style. Within a
background of checkered pattern characteristic of Arabian men's headdress, she is writing her story as an Arabic poem
addressing her people in second person as her audience.