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DIGMudvayne

WORDS
ANDMUS
IC BYM. McDonough, G. Tribbett. R. Martine and C. Gray TRANSCRIBED
BYAndy Aledort

***NEW

FORMAT***

Bass lines

are included in the guitar transcriptions

Dropped-D tuning 1 steps down (low to high: B F# B E G# C#).


Bass tuning (low to high: B F# B E).
All notes and chords sound 1 steps lower than written.
05
E(b5)
ES
F5

GS

Eb5

F#5

114
fr
115fr
"xxxx

12

11

11

"-XX

44

11

XX

11

~ Intr o (0:00)

Moderate Grindco re q =134


N.C.(DS)
E(bS) N.C.(DS) E(bS)

Gtr t( w/dist) 1

...
...

Q.

>

>

>

>

II
II
II

- v

LJ

>

>

1 1.

lull

lul

.--.

..,"

..,I

II
, 11

;.,

- -

>
.....
...

>

>

>

II

>

-;;

-;;

...

LJ

.... - LJ

"

-LJ

- LJ I

r r

,1 1

>

, II

F5 ES 05 E5
(play J ti111
es)

05 ES
P.M.

- .-,

N.C.(05)
112

P.M . ___

> >

>

- LJ

II
II
II

..
"

(0:21, 1:18, 2:16)

bury
bury
05 ES

112

P.M.. ...

FS E5 05 ES
..............

......

\/2

>

LJ

1b._3

_th_2

011

>>

> >

LJ

LJ
(2nd time

2nd chorus) To Coda Ih;v (2nd time


(.,kip ahead tr, meas. 19)

Everythingthat I
Everythingthat I

underneath
underneath

me
me

-;;

>

LJ

> >

LJ

Dig
Dig
ES

Bass 112

LJ

>

LJ

LJ

LJ

E(bS)

..

>

Ah

>

II
II
II

'.

..

"
..

(0:14)

>

, 11

00Chorus
112

E(bS)

(play J ti111es)

- -

I
.-

"
...

I I

LJ
f

N.C.(DS)

w/heavy
dist. _ ...

&

ES
Gtrs. t and 2

E(b5)

II

w/heavy
dist._ ..

>

N.C.(D5)

E(b5)

fur

Gtr 2

LJ

.. ...
...

Bass(w/pick)
N

N.C.(05)

Gtr. I plays Rhy . Fig. I fo ur times

f
&

N.C.(DS) E(PS)

(wlvornl ~tfects)
Rlry. Fig. I- - - - - - - - - - - - - -,
(play 4 ti111e
.,)

m1

3rd dwrus) To Coda Ill W


(skip ahead to meas. 42)

am
was
ES 112

rearranging
slowly changing
N.C.(DS) E(bS)

..

PM --- - ...

>+>
T

.I

'

.I

- J /
,C J

--.cc

,,~

LJ

.--..-

LJ

::

If.!
.I

.I

>

.-

-.

-L

LJ

- v

LJ

As heard on Mudvayne's No Name/Epicrecording L.D.50


02000

Zomba Enterp, is.ts I nc. and Mud'vayne Music . All 11ghts adm1mste red by Zomba Enterprises Inc. All ,ig hls restfVed. Used by permission of Warner Btos. Pubhcat 1ons US, Inc ., M1am1, fl 33014 .

...
I I
II

DIGMudvayne
[)Verses (0:36, 1 04)
I. I
2. I

10

would
struggle

love
in

to beat the face of


violated
space
FS OS ES

P.M. ...........................

;~ -,

any
motherfucker that's
sell-outmotherfuckers
in the

thinking they can changeme


biz
that try to fuck me
FS 05 ES

P.M . _____ .,

.,

P.M . ....

. . ......................... ...... ......... .. .,

White knucklesgrip pushingthroughfor the gold


If you're wantin' a pieceof me I brokethe motherfuckin'
Hang fromtheir T's rated P-G
sellln'
my soul when there'snothing
insight I
ain't
to
N.C.
12 P.M. ,
FS
05
ES
P.M.
,

>

"

-,..

-"

LJ

I
I

-" -" "-

I
I

LJ

..,.

bf

mold
buy

I'm
I'm

b...J
112

L...J

..
,.

bl

.. ..
" " "

- "-
~

i.

f I I I

'Slap: R

- - - - -" - - .
i'
r I I I Li
L

R = Sfop string s wlriJ(ht thumb :


L = Sl"P strings wlleft h(lnt/fin gers .

14

drowning
Livid
ES
P.M.

L..J
:,;

in
in my

your

Shit
pissing

wake
space
FS OS ES

rubbed in
in

my
my

-I

..,

L..J

bd

:,;

LJ

:(

.,,,,.

.-,,.

:,;

:(

face
face

f i i

f
1

(2nd time) To Coda 1-(!}-

D.S.~

(wlrepeal) al Coda 1-(!}(go back to{ID )

(skip ah ead to meas. 18)

Teething
fuck

you

on
concorde
while you

grapes
try
to

me

gets
N.C.

.... ..

16

.,,,,.
.,,-.

high

-,...

;-

I
Slap: R

.
.__

- - - - 0

I
LR

I
R

I
-

"

L.......J

L._J

..
.r b..J

..,
, "

"

II
II

..

DIG Mudvayne
-$-Coda I
1

D.S.~

(1:16)

(1:30)

ES

N.C.

18

112

19

Slap: A L

[Q](w/w ,usper111g)
. .

3---.J

>

'-

'----

>

>

3 ---'

___J

>

'----

>

3 ---'

Dig

Dig

1/2

21

..,.,.

..

_,
,: ,

::::

L_J-

. .,

112

lli] Interlude
Dig
ES

..

-,
L-J

'I

PM.

.,
"
-

::::,

- LJ

"'
c"' c:.

"'

"'

. .,

help

you

C'mon motherfucker
dig

II

tie

rope

the

- .,,
.,,., "

around your

112

I
I
I
I

.,

-" "- - f f I r

-- -- ..

-., ~ r
..
- -

-- l:::::L.J

32 you the wrongway off

.,

I
I
I

-.
..I

the

Go

-.,

Let

- - -

Gtr 2

>

..

"'

help you

..

,::

..

- - - -.
bU .I

LJ

l:::::L.J
the Glock

hold

"'

--..

. . .

l:::::L.J

Let me

II

talk

>

--....

"'

l:::::L.J

"

- .,

help to

..

Gtr. I plays Rhy. Fig. 2 rwice

LJ
~ r

..
.- .- .-

L.J

ledge

.,

II

.. .. ..
..

me
E(b5)

Dbf::f:f

a,

-..,

- ., -.
LJ

"'
"" "' "
cc:;:;

. v

112

a,

..
<!

112

neck

112

a,

LJ

end Rhy. Fig . I


112

ll2

huh

.-.,.

Rhy . Fig. 2

- -- - ,

.,

.., .,.

..,.,.

--

Bridge (1:48)
Let me
ES
PM .

. .,.
1/2

- :..

huh

.,

v v bddJ

112

.,
~

.;

LJ

.., .,.

huh C'monmotherfuckerdig

motherfucker dig

+
I
I

-~
~-

(1:41)

huh c'mon

112

25

29

'----

>

Dig

me
ES

P.M.

1/2

1/2

[!]

Slightly Slower J = 80 - - - - - - - ,
you ain'tfuckln'
changing
05 Eb5 ES GS F#5 F5

(go back w [IDJ

me

Fuck

n-$- -$-Coda II

(wlrepeat) al Coda

..

"'

I
.
.

..-

--

l:::::L.J

against your head

-..-

.--.,.

ft

,;

I
II
II

..

DIG Mudvayne
Let
Let

E5
35

me
me

help
help

you tie
you hold

the
the

rope
Glock

around
against

your neck
your head

Let me
Let me

G5

E5

help
help

112

112

112

112

112

112

112

Bass

1/2

1/2

1/2

112

112

1/2

112

vI

LJ

LJ

D.S. ~

(wlrepeaJ) al Coda III

2.

I.

you the wrong way off


112

-,, "' =
112
t

112

112

11
2

your legs

onto

112

&I

_,

-,, "' =

"'

PM

pr

LJ

Get on the plank

fuck

E~S E5

F#5

D5

112

.
-,, - . -,, =
"'
"' =
LJ
LJ

pr

LJ

weights

GS

-,, "' =

&I

the

112

G5

OJI

-:

:::

r I f r

112
t

112
t

-, - -

LJ

LJ

-, -

bLJ

.- .

_,

_,

LJ

LJ

FS

.............................................
--..---..-..............-- ..,

--

:::

..
,..,

- -

OJI

-, -

3
-(f)-

(go back 1olfil )

the ledge

112

talk
chain

G5

Gtrs. 1 and2

38

to
to

..

, ...
II

-$-3
Coda Ill (2:30)
Wish

youwerecommitting

E5
42Gtrs. and& 2 112

:,,

LJ

....

tailpipe

i" I

:::

:::

r f f f

:,,

-:

LJ

-j i

i i

-f i

Deadman walking on a

tight

i i

- LJ OJI

-,

rope

- LJ :,,

112

..
.. -,,

- L_j
_,,

PM . _

+
z

_,

112

OJI

1/2

Bass

:::

. .-

FS ES DSES

ES
112

I
I

_,

FS ES DSES

P.M........... ...................................

Sucking on a motherfucking

suicide

DS ES

..

..
...

r
:::

"

Limblessin the middle of a channel

..,

-
4

r f rf

Bombs

away

N.C.(DS)

E(~S)

P.M.

>

+
..I
..I

f i i f f i f f

112

. . -" -" -" -"

LJ

45

..,

112

ES

.., .,.

"
T

_,

",

-"

u-

- LJ

1/2

>

,:

:::

- LJ

I
I
I
I

I
>

-- - -LJ

..
II
II