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fair skin all very relevant. These sections are perhaps the redeeming bits the reason several
readers have stepped up to say they relate to Radhikas story. But the problem is, Bhagat, by
trying to include the voice of each of the hundred women he interviewed, ends up with
cacophony. All the evils of the world are mounted on the shoulders of the mother she is
obsessed about marriage, ashamed of her daughters skin colour, and is the voice of a society that
constantly undermines a womans success. Radhikas sister gets an equally raw deal: she is selfcentred, cares only about her looks, and has no life outside her marriage.
Its not just the women Bhagat is unkind to. Radhikas lovers sound like cardboard cut-outs that
exist just to make Radhikas life difficult. One man asks her to choose kids over career, the other
asks her to choose career over kids. They are perfect inverted mirror images of each other.
Bhagat tries too hard to evoke sympathy and ends up having the opposite effect: See, see! This
is what women face! Care about this! Now!!! It feels like youre being hit on the head with a
rubber hammer emblazoned with the words WOMENS PROBLEMS underlined four times.
But there is a golden core. It is essentially the story of one womans battle against insecurity, an
insecurity that stems from growing up in an unequal society. Only when Radhika gives up her
critical inner-voice her mini me that constantly tells her what a woman should or should not
do does she find happiness. Though this message is worthy, you will have to peel away layers of
nonsense to get to it. Radhika spends far too much time judging other women and grovelling for
attention and validation from her lovers and male bosses. At one point, she offers to quit her job
to assuage her boyfriends ego.I wanted him. I was ready to be his girl, just the way he wanted
me to be, she says. She stalks her exes with the tenacity with which Tamil heroes stalk heroines.
Then, after her moment of self-actualisation, she goes on a round-the-world trip and achieves a
zen-like state of calm. But what does Radhika then do? She has a romantic coffee date with the
humanist not feminist Brijesh Gulati she rejected two months ago. If Bhagat was indeed trying
to write a feminist book, is this the solution he offers? Date a humanist?
Radhika lives in a world populated entirely by men, except for her mother and sister. Other
female characters are a secretary or a flight attendant. At no point do these characters have a
meaningful conversation about anything. Just as responsible, feminist men are absent from
Bhagats world, so are responsible, feminist women.
One Indian Girl was supposed to be representative of the modern Indian woman. Instead, it is
about an immensely unlikeable woman who has a lifestyle that can best be described as
aspirational. At least the title was right. The book is literally about one Indian girl.