Professional Documents
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Issue 16
Price R30
Sept/Oct/Nov/Dec 2011
ANTIQUES
Collector
Dear Collector
Showcasing
Pierneef
Collecting
Susie Cooper
Dotty about Dolls
Vintage Cars
WIN R30 000 WORTH OF PRIZES IN YOUR FAVOURITE THINGS COMPETITION
See Page 18 -19
LOUIS VUITTON
LIGHTING UP A STORM
MONTBLANC -
COLLECTORS CHOICE
OF GIFTS
PAGE 24 - 25
CREATIONS OF
PASSION
SION
NAADA
Celebrating 10 years
FESTIVE TABLE
SETTINGS
PAGE 43
CARTIER - THEN AND NOW
PAGE 30 - 31
NAADA
2010
THE ALLURE OF
PERFUMES
FURNITURE & ITS
FUNCTIONALITY
PAGE 8
PAGE 10 - 11
2009/08/31 5:04 PM
PAGE 14 - 15
Supplement in
this issue!
PAGE 10 - 11
Tours to
Herbert Baker
Heritage Homes
2009/11/25 9:33 PM
Publisher/Editor
Clyde Terry
Advertising Sales
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ANTIQUES
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Love
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Issue 16 September/October/November/December
Issue 16 September/October/November/December
The
Collector 3
In this issue
Collecting
TRETCHIKOFF
ASK
THE
EXPERTS
Page 8
Showcasing
TOOL
COLLECTING
Page 16-19
The
Collector 4
Page 10-13
Showcasing
AFRICANA
Page 24-29
Issue 16 September/October/November/December
The
Collector 6
Issue 15 June/July/August/September
COLLECTING
FEATURE
DECOR
MUST VISIT
With over 70 antique dealers from all corners of South Africa converging on
the Upper and Lower Levels of Nelson Mandela Square on the rst Sunday of
every month, this Antiques Fair is without doubt the biggest and most
prestigious antiques and collectables fair in the country.
Receive The Collector email newsletter monthly for FREE by visiting www.ssaf.co.za and subscribe.
This way you will be kept up to date with antique trends and the latest industry news in South Africa.
Issue 16 September/October/November/December
The
Collector 7
COLLECTING
ASK
THE
EXPERTS
FEATURE
DECOR
MUST VISIT
The moustache cup, is an invention by Englishman Harvey Adams. Moustache cups have a unique
inner lip, designed to protect the user from being left with a soiled moustache.
Originally they were called Napoleons or Saucers presumably because at that time men wore a
small moustache such as Napoleon.
Materials such a Earthenware, tin, silver plate and porcelain were used to manufacture these
cups.
Dresden, Majolica, Imari, Belleeek, Crown Devon, Wedgwood and Meissen are some of the
favourites that manufactured moustache cups.
Top tips on collecting Moustache cups:
The quality of the painting work determines the price of a moustache cup.
Make sure cups and saucers are a matching pair, with the same back stamp or pattern number.
Ask the Collector experts about your treasures or collecting discipline queries. All queries should
be accompanied by photographs that clearly & accurately show both the piece and particular
markings. Email thecollector@mweb.co.za
Regards, Roger
Dear Roger
Dear Sophie
At a recent market I
purchased this lovely enamel
pill box- does it hold any value?
Regards Sheryl
Dear Sheryl
Vivien
Schrder
Moonstruck
Experience
The
Collector 8
Issue 16 September/October/November/December
h a i r
d e s i g n
T H E
A R T
O F
C O
H E A L T H Y
H A I R
COLLECTING
FEATURE
DECOR
CHINESE GIRL
MUST VISIT
by Clyde Terry
TRETCHIKOFF
COLLECTING
FEATURE
DECOR
MUST VISIT
FLOWER SELLER
FIGHTING COCKS
Painted in Java
onica Pon Su San, who posed for the portrait, was among
the 500 or so distinguished guests at the opening. A coup
for Andrew Lamprecht, the museums curator in showcasing this original work in South Africa for the first time, but in also
having the subject of the Chinese Girl in person at the launch.
He pointed out that this iconic portrait was indeed South Africas
Mona Lisa as more prints of her have been sold than of the Mona
Lisa. The story goes that a nineteen year old girl bought the painting from Tretchikoff in the 50s having not only emptied her bank
account but also came to an agreement with Tretchikoff to pay the
balance off in monthly installments.
oing beyond Miss Wong, each and every art work enticed me to explore the exhibition more and more. I was
impressed with the number of people at the opening but
soon realized that they were all there to celebrate and honour this
diverse representation of this unique mans life. The exhibition did
not let me down for one second in fact, around every corner I
was more amazed at what the curators had managed to assemble
under one roof many of his earliest works as well as the works he
created whilst imprisoned in Java to his last works, dating from the
70s. Perhaps it was the prolific abundance of the printed versions
of his iconic works that endeared him to the masses or the sheer
honesty of his portraits, but whatever his magic, we all knew of the
phenomenal peoples painter Tretchikoff.
The
Collector 11
COLLECTING
FEATURE
SELF PORTRAIT
The
Collector 12
DECOR
they soon became lovers. Lenkas involvement in spiritualism led her to having visions
of Natalie and Mimi. She encouraged
Tretchikoff to seek help in searching for
them and it was established that they were
alive and living in Cape Town. Lenka encouraged him to leave for Cape Town to
become reunited with his family. Tretchikoff
pursued his artistic career once settled in
South Africa and in 1948 he held his first
exhibition which was a huge success. In
1961 Harrods cleared an exhibition space
for him, and his show pulled in more than
200,000 visitors. Tretchikoff invited Lenka
to attend his London exhibition. They met up
again in Cape Town some 30 years later
when both were in their eighties. She was
delighted with his success.
MUST VISIT
Said curator Andrew Lamprecht at the
launch, Everyone has his own opinion
about Tretchikoff but he evokes an instinctive response from people. So many of us
only know him for his prints. Come and see
his original works, come with a fresh eye
and decide for yourself.
The final words came from his daughter. It
is wonderful to see his work together like
this, it is sad that it never happened in his
lifetime, said Mimi Mercorio, daughter
of artist Vladimir Tretchikoff.
THE HERB
ALISCIA MARKOVA
He was self-taught and a brilliant businessman gaining success through sheer number
of sales. Late in his life the prices of his originals began to soar.
Tretchikoff, the icon of the late 1980s,
found a new rather hip audience and with
it a favourable change in perception of his
art. This new-found enthusiasm for his work
surprised Tretchikoff as he always believed
in the artistic merit of his works. In 2002
he suffered a stroke and was forced to stop
painting. As the British fashion designer
Wayne Hemmingway put it, Tretchikoff
had achieved everything that Andy Warhol stated he wanted to do but could never
achieve because of his coolness.
Issue 16 September/October/November/December
tion Nation
cia
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NAADA
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Arts Asso
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W. N
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Antiques
q
& Collectables
A N T I Q U E S
d Decorati
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Antique
alTIQUES ARE GREs
/
C O L L E C T A B L E S
/
S I L V E R
/
P O R C E L A I N
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A R T
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7 5
T e l :
4 t h
( 0 1 1 )
A v e n u e ,
M e l v i l l e ,
4 8 2 - 3 2 6 6
w w w . c l y d e o n 4 t h . c o . z a
C e l l :
e m a i l :
J o h a n n e s b u r g
0 8 2 - 8 8 3 - 4 9 3 3
c l y d e 4 t h @ m w e b . c o . z a
D O U L T O N
MUST VISIT
d Decorati
anEN
Antique
alTIQUES ARE GREs
NAADA
W
DECOR
tion Nation
cia
A
FEATURE
O.
Arts Asso
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COLLECTING
W. N
A ADA.C
Specialists in Fine Art / SA Masters / Silver / Collectable Glass / Art Deco / Art Nouveau / Antique Furniture
2 5
7 t h
T e l :
( 0 1 1 )
A v e n u e ,
8 8 0 - 8 0 9 2
P a r k t o w n
C e l l :
N o r t h ,
J o h a n n e s b u r g
0 7 2 - 4 0 1 - 3 7 7 6 / 0 8 2 - 5 5 2 - 7 7 6 2
e m a i l : b a b o o a n t i q u e s @ g m a i l . c o m / a y e s h a g a l l e r y @ g m a i l . c o m
Dear Collector
YOU ARE INVITED !
Lorenzl Dancer
with Short skirt
The
Collector 14
Issue 16 September/October/November/December
COLLECTING
FEATURE
DECOR
MUST VISIT
FOR SALE
1
Art Exhibition:
Tretchikoff: The Peoples Painter
Date : 26 May - 25 September 2011
Time : 09h00 - 17h00
Iziko South African National Gallery
Queen Victoria Street
Cape Town City Centre
Cape Town
Western Cape
South Africa
1. EM Ngatane
(South Africa 1938 - 1971)
Oil on Canvas
Woman & Child
Signed Size: 60cm x 45cm
Clyde on 4th (011) 482-4259
2. Frans David Oeder
(South Africa 1867 - 1984)
Oil on Board
Grazing Horses, Elands River Valley
Signed Size: 89cm x 50cm
Clyde on 4th (011) 482-4259
Issue 16 September/October/November/December
The
Collector 15
COLLECTING
FEATURE
DECOR
MUST VISIT
Value R 13,000
Value R 20,000
Value
R 5,500
With the largest selection of tools from trades such as blacksmiths, coopers, engineers, cabinet makers and joiners and
stock tools from ordinary working tools at R50 to collectors tools at many thousands of rands, visiting Mahlahs is a must
if you want to add to your tool collection.
If you have tools you would like to sell or a special piece you would liked sourced, contact Tom for expert advice.
The
Collector 16
Issue 16 September/October/November/December
COLLECTING
FEATURE
DECOR
MUST VISIT
Collecting Tools
A Beginners Guide
to Collecting Antique
Tools
Tools are the father of all other antiques.
Master paintings, the great statues, the finest pottery, the most decorative furniture, the
most colorful tapestries -- all of these would
have been nothing more than someones
momentary idea without the tools needed
to create them. Every manmade object depends on the use of tools for its existence,
and mankinds greatest creativity and intelligence is reserved for the creation of newer
and better mousetraps to solve the production problems of the day. Tools were the first
expression of human cognition.
Tool Collecting
Categories
Tools, obviously, come in all shapes, sizes,
and sorts. Each tool was designed for a
different job and so the variety is endless.
In fact, even longtime experienced tool collectors and dealers will often run into something they havent seen before (toolies call
these unidentified tools whatsits). In the
face of all this variety, tool collectors have
established categories of tools to help them
focus their collections. In the broadest categorization, tools are divided into groups
by the material they work -- woodworking
tools, metalworking tools, basket making
tools, leather working tools, etc, etc. Within
each of these categories tool types can be
further refined. For example, in the woodworking tool category, we have edge tools,
boring tools, measuring tools, woodworking machines, and so on. In the machinist tool world, we have calipers, gauges,
indicators, etc. With such a wide range of
collectables within the broad discipline of
collecting tools, it is advisable to do your
Issue 16 September/October/November/December
Tool Makers
This is probably the most common way of
making sense of the huge world of tool collecting. Find a tool maker you like (Stanley
is a popular choice) and gather up all tools
by that maker. You can make this hard on
yourself (as with the Stanley example, as
they made thousands of tools over dozens
of years) or easy on yourself (by choosing
to collect, say, Windsor beaders -- of which
3 types are known). Often collectors specializing in a specific maker also tend to
further cull the crop by adding in another of
The
Collector 17
COLLECTING
FEATURE
DECOR
Tool Aesthetics
Tool Patents
Patented tools have long been a favorite of
tool collectors, and are especially enjoying
a renaissance in the tool collecting world
now. The popularity of various tools seems
to go in cycles, and currently the primitive tools (rusty broadaxes from Germany,
for example) are at a low point and patented tools are at a high point. Patented
tools interest collectors because they almost
always have a story that goes along with
their manufacture. Doing the research to investigate the patentee, the date of patent,
whether the patent and the manufactured
models match, etc. is a lot of fun and is like
traveling back through time to find somebody and relate them to their nearby tool
manufacturers, the ironmongers supplying
the raw materials for their tools, the local
wood supply, and so on.
Type Studies
Type studies are attempts by tool affectionados to track the development of a specific
tool through the years of its manufacture.
For example, the Stanley #45 combination
plane has been subjected to numerous type
studies. The type study allows a collector
to say that his #45, having a flowered
fence but no inscription thereon, must be a
Type 1 and was therefore manufactured in
either 1884 or 1885. Often, in catalogs
of old tools for sale, you will see the tool
described as (for example) Stanley #45,
type 13.
Type studies are very handy for identifying a tools vintage, for trying to track
down missing parts, and
for affixing a value to a
tool. But they have
some limitations
and some
problems
too. The
The
Collector 18
In this category tools are, regardless of intended function, pieces of art or sculpture.
The definitive examples of this class of tools
are found in The Art of Fine Tools by Sandor
Nagyszalanczy and Classic Hand Tools
by Garrett Hack. Most assuredly there are
other equally nice pieces to be had.
Aesthetic tools may include painting in floral
or pinstriped design, carving on the tool,
fancy castings, striking graphic forms, or
exotic materials. Tools in this class you will
know when you see, and these are usually the tools that bring top-dollar at the big
tool events. In this category, it is probably
even more important than usual to judge
condition fairly harshly -- a lot of the beauty
of the tool may be removed in a rusty, broken version, even if you can still make out
some pin striping.
Tool Evolution
For many people, especially those with an
interest in history, collections are formed by
gathering together samples of tools from a
specific era in human development. This
may be primitive man, and the collection
would consist of axes, spear points, and
flint knives. Or, this may be Civil War-era
man, and may consist of wooden molding
planes, early patented marking gauges,
etc. Or perhaps tools from the WWII era.
Many collectors prefer to collect items pre1900 over those manufactured after that
date. Another aspect of this is to collect
tools from a company that was later absorbed into another or went bankrupt, such
as rules from the Acme Rule Company. Several tools from different companies but from
the same era set side by side can show
interesting design details in common and
can spark debates about who thought of
something first. It also makes for a fascinating display to show a tools evolution over
time from the patent model (in the case of
patented tools) to a present day example.
Tool Geography
Tools were made all over the world, and
tools grouped by specific regions tend to
make interesting collections. Makers from a
region tended to choose the same materials
for their tools, from the availability of
specific local trees to a centrally
located blacksmith to forge
irons for chisels and planes.
Once makers marks became
popular, it is interesting to put
together a set of tools from the
same locality, or to trace one
MUST VISIT
makers career as he (usually it was a he)
moved from town to town. Almost always
before 1900 these moves were not too far
in the scope of todays world usually a
village or two removed from the original
shops location. Some collectors prefer the
tools of England, others like Japanese tools.
Some like to collect tools made in the area
in which they reside, or in which they grew
up. With the wide diversity of tools out
there, the choice is yours!
Tool Materials
Tools were made from just about anything
-- wood, steel, ivory, bone, cast iron, brass,
etc. etc. The more tactically conscious
breed of tool collector will often attempt to
assemble a set of tools showing the great
diversity in materials used to make tools. A
display exhibiting this diversity can often be
a stunning look at how tools were really,
at least in the early days, designed to be
beautiful things as well as functional ones.
Other collectors use the choice of tool materials as a restraining factor in their collections, to help define the boundaries of
their interests. Rule collectors, for example,
will often concentrate on boxwood or ivory
rules, and the grand prize for these collectors is the rare ebony rule!
Miniature Tools
Some tools are large, and others are small.
Sometimes the size differentials are a matter
of fitting the intended purpose, and other
times miniaturists have taken a normal- sized
tool and shrunk it down to a smaller scale
both as a demonstration of their toolmaking
prowess and because having a large collection of miniature tools takes up a lot less
room than having the originals. Collecting
miniature tools is a popular way of indulging your love of the creative aspect of tools
while limiting your investment in square feet.
There are a number of miniaturists making
scale models of tools both in the U.S. and
England (and probably in other countries).
Another interesting angle on this part of
the hobby is collecting salesmans samples
or advertising samples. Often companies
would make small scale versions of their
tools that their salespeople could fit in a
suitcase and travel with to shows. Other
tools are just small to begin with, as in small
plumb bobs or trammel points.
Issue 16 September/October/November/December
COLLECTING
Collecting Tools as an
Investment
What makes a collectible tool valuable? In
two words, condition and rarity, and these
two factors are interrelated. Rare tools increase in value as their condition is better,
with the top tool prices going to those tools
that combine rarity and condition to the top
degree. These tools can exceed $25,000
in value. Condition affects value in all rarity
ranges -- even common tools in spectacular
condition bring much higher prices than any
guide book suggests. Essentially, a common
tool can be elevated to the rare tool category when it is mint in the box. A rare
level can be worth thousands more than a
more common example of a tool that does
the same job.
You might see on eBay a Stanley #4 that
sold for $350, and wonder why -- book
value is around $25? Perhaps the $350
#4 was a type 1, which would put that
plane in the rare category. Perhaps it was a
type 1 in the original box in mint condition,
in which case Id say the buyer got a bargain. Rarity can have this great an effect on
value. Now lets look at an example of how
condition effects value -- well take a Stanley
#20 circular plane as our focus of attention.
The Walters price guide shows this plane
being worth $50-$125. These are pretty
common planes. On eBay you might get
a number of examples, one of which was
mint (100% jappanning, but no box) and
sold for $225 and the other which had all
its parts, was well-used, a bit rusty, and with
50% jappanning sold for $41. If the mint
#20 had also had its original box, its price
may have tripled. A Phillips plow plane
with the original pin striping may be worth
five times what another example is worth
without the paint, but in essentially the same
condition otherwise. There are hundreds of
examples like this.
Provenance
Provenance is the history of a tools ownership, and I consider provenance the accelerant of tool value. If it is known who
owned the tool previously, especially if that
FEATURE
DECOR
Issue 16 September/October/November/December
MUST VISIT
Dealers
Antique tool dealers can be divided into two
categories -- those that advertise themselves
as dealers and all other tool collectors who
also sell stuff out of their collections - individuals who realized their love for old tools
and decided to make hunting for these
treasures their main source of income. Two
large antique dealers overseas, Martin J.
Donnelly in the States and Tony Murland in
the UK, have auctions which just deal in
specialist antique tools.
Before you buy anything, learn the following:
What is the tools true condition?
Considering its condition, rarity, and aesthetic appeal, is it an
outstanding example of its kind?
What have comparable pieces sold for recently?
Once you have this information, you are an
informed buyer and will be able to make a
decision you wont later regret. You should
have a general idea of what to pay and
how rare a tool is before you take out your
wallet. Take all the time you need to check
a sellers references carefully. With relatively
few exceptions, tools available today will
still be available at the same price next
month. Dont buy in haste, and if you are
just beginning your interest in rare tools, by
all means dont buy anything on someones
investment recommendation unless you independently verify the price, condition, and
market potential. On the positive side, once
you have found someone with which you
want to do business you have the opportunity to build a fine relationship which can
last many, many years.
Quality Pays
If you consider yourself a tool collector, I
recommend that you always purchase premium quality pieces. Time and again it has
been demonstrated that the finer quality
pieces retain and increase their value better
than run-of- the-mill pieces. If you are a user,
you still want to find complete tools with
most of their finishes remaining. Tools of
special quality often sell for special prices,
and scarce and rare tools typically bring
over market prices. No great collection was
ever formed by someone who tried to buy
the most tools for the cheapest prices.
Collecting tools can be one of the most rewarding pastimes. If you spend some time
researching the line of old tools you are interested in, you can avoid some mistakes
and youll make your tool collecting hobby
much more fun. Remember, tool collecting
knowledge is something to gain before you
start buying tools, not afterwards.
The
Collector 19
COLLECTING
FEATURE
DECOR
MUST VISIT
E G EE
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Arts Asso
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W. N
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tion Nation
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A
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NAADA
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ES
d Decorati
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Antique
alTIQUES ARE GREs
The
Collector 20
Issue 16 September/October/November/December
COLLECTING
FEATURE
DECOR
MUST VISIT
Oriental antiques are all the rage and the range, both local
and international of Chinese antiques attracted great interest.
Collectable furs were the pick of the fashionistas who were
happy to wrap themselves in luxurious furs from yesteryear
knowing they were recycled rather than new and endangered.
For those hooked on collecting English porcelain the Pascoe
Ceramics stand with its hundreds of pieces, both old and
collectable, brought to South Africa by Ed Pascoe, was a
delight for visitors.
Interior decorator Stephen Falcke once again wove his magic
wand to create a unique and very eclectic living space at
the entrance to the Faire showing how to mix the old and
the new.
Issue 16 September/October/November/December
The
Collector 21
LAMPE
BERGER
P A R I S
Clyde on 4th
Antiques & Collectables
Official Stockists of Lampe Berger
75 4th Ave, Melville, Jhb
Tel: (011) 482-3266
e-mail: clyde4th@mweb.co.za
www.clydeon4th.co.za
COLLECTING
FEATURE
DECOR
MUST VISIT
Clay Face by
Ben Macala
Here are some of the prices realized on some of the latest auctions:
19th century pictorial Bible
Hardy Split cane Fly fishing road
Silver coffee pot (c1918 Sheffield)
Early 20th century walnut sideboard
Tag Heuer Carrera Calibre gents wristwatch
(limited edition)
Rolf Rousseau oil painting of Fishermen & their Boats
Phillip Britz Fishermens Cottages
Johan Oldert Avenue of Bluegums near Pretoria
Wakaba Mutheki Soloist painting
Art deco walnut sideboard
Hill & Sons violin bow
R7 000,00
R3 750,00
R2 000,00
R10 500,00
R15 000,00
R15 000,00
R6 260,00
R12 000,00
R5 000,00
R4 000,00
R5 000,00
Royal Doulton
Basement Level, Northcliff Corner Shopping Centre Corner Beyers Naude Drive & Milner Street, Northcliff
Tel: (011) 782-1896/8 Fax (011) 782-1897 Paul Brown Auctioneer 082-565-8899
Issue 16 September/October/November/December
The
Collector 23
COLLECTING
FEATURE
DECOR
MUST VISIT
SOUTH AFRICAN
ANTIQUES
Stinkwood Bureau
Storage Seat
South Africa, with its English, Dutch, French and German heritage, has a wealth of antiques and collectables
that have been handed down from generation to generation and have become highly sought after by collectors.
- From the local craftsmen who created local furniture that could be easily transported during the great trek,
- To the French Huguenots and German settlers who brought their own craftsmanship.
- From the early Dutch settlers who brought down furniture from their native Holland,
- To the many commemorative items commissioned by the English Queen such as Royal Doultons Loving Cup
or Boer War memorabilia to commemorate colonial events ....
South African antiques offer a rich tapestry of collecting intrigue.
AFRIKANER FURNITURE
ANTIQUES WITH A
PROVENANCE
Bringing a totally unique perspective and a strong link to South
Africa is Ricus Dullaert, the renowned Dutch dealer who has been
showcasing some of the best antiques at the NAADA Faire for the
The
Collector 24
Issue 16 September/October/November/December
COLLECTING
FEATURE
DECOR
MUST VISIT
BIBLES CONNECTING
FAMILIES
For people who are interested in the links between the Cape colony and
the Dutch motherland, Ricus Dullaert has two rare Bibles that are proof of
the close relationship between our two countries.
- The first is a book with the psalms and songs for the Dutch Reformed
Church printed in 1834 in Haarlem, the Netherlands. This book, bound
in a handsome green Moroccan leather neo gothic binding, is embellished with gold clasps by the Cape goldsmith Peter Clarke Daniel. The
book was given to Susana Maria Blanckenberg who later married the
mayor of Cape Town, Kotze van Leeuwenhof. The book was given to her
by her father J.G. Blankenberg on the 1st July 1835. The gold clasps are
engraved with a dedication from Mr. Blankenberg to his daughter.
- The second Cape Dutch Bible in the Dullaert collection is a Statenbijbel printed in 1864 by Swaan in Arnhem, The Netherlands.
This Bible is embellished with heavy silver clasps by the famous Cape
silversmith Johannes Marinus Lotter who was active in Cape Town in the
19th century.
From the Boer perspective the Anglo-Boer War (1899 -1902) saw
as many as 26 000 soldiers taken prisoners
and sent to POW camps both in the country and later
abroad to St Helena, Bermuda, Ceylon (Sri Lanka) and India. To combat boredom, many prisoners of war started making hand crafts which, in some cases, turned into a way to make extra
money. Walking sticks, boxes, pens, clips, serviette rings and paper
knives were common items made but the more rarer pieces involved great
craftsmanship in the way of carvings, be they of boxes or walking sticks
with a representation of a Boer War hero carved into it. Coming across a
collection of prisoner of war memorabilia, made by craftsmen, of a walking stick, officers baton, cufflink holder, carved tobacco jar and wooden
pipe all with the carved head of Paul Kruger, is quite a unique find.
From the English perspective, collectors look to collect memorabilia which
depicted the English military leaders such as Buller, Baden-Powell, Roberts, Kitchener, French, White or MacDonald either in porcelain figures
or depicted on tea-ware by ceramic houses such as Staffordshire and
Royal Doulton. Even rarer are the tins of chocolate given by Queen Victoria to the troops serving in South Africa finding one complete with
original chocolates is a real find! Picture postcards and cigarette cards
are other popular War collectables whilst prints and memoirs on the war
often produced as supplements to magazines such as Vanity Fair and
The Sphere are also highly collectable. Maps, posters, ration tickets,
letters, photographs and autographs are also highly collectable as are
military artefacts from that period.
Issue 16 September/October/November/December
The
Collector 25
COLLECTING
FEATURE
THE COTTAGE
42 Main Rd Cnr 10th Avenue, Melville
Tel: (011) 726-7506/1705
DECOR
Africana furniture is often misconstrued by the public and dealers as
somewhat scruffy country furniture.
Nothing could be further from the
truth. In order for furniture to be
seen as Africana it must in general
have some indigenous timber in it
and show some unique adaptations
to local conditions. A good example
is the wagon chest. Although chests
originate in Europe the wagon chest
in the Cape and interior developed in
construction (because of the unique
local wood quality) and function (on
the wagon). Chests developed - the
wagon was home and the chests
were used for various functions with
various shapes to be accommodated
on the wagon for ease of use and
access. Therefore, the front wagon
chest doubling up as a seat with a
unique design, wagon securing hook
and shape for securing it to the wagon developed. Similarly the tool kist
has a sloping top (so that tools cannot be left behind) and is attached to
the side of the wagon by means of
a rear aperture or hole. The interior
side chest was attached to the interior side of the wagon and had a
more square shape but still showed
the unique dovetailing and side slope
that developed in the Cape tradition
of crafmanship. The rear chest in the
wagon was generally the biggest
and squarest as it contained household goods and needed to be most
accessible. Even the positioning of
the handles displays unique functionality for ease of use and movements on the wagon. Chests have
other dimensions for example the
MUST VISIT
painted chest show European origins
but were adapted locally to indicate
district of origin , family etc.
The same general principal of adaptation to local conditions, timber
supply and craftsmanship for local
conditions applies for all Africana
furniture. In terms of dimension - for
example where one still found grand
furniture in the Cape Dutch homes,
smaller proportions and rougher
craftmanship began to emerge in
the outlying rural homes. What did
emerge was a style and approach
to furniture which was uniquely and
distinctively, Cape-Dutch and which
also incorporated the German French
and English traditions where the settlers had their origins. Unfortunately
a fair amount of imported furniture
from these countries of origin is often
mistaken for Africana.
When buying Africana one should
take reasonable precaution that the
piece can be described within the
parameters of definition which would
make the majority of its features
uniquely Africana. The availability
of Africana is very limited because
of the small population and therefore the collecting of this furniture
makes aesthetic as well as financial
sense as the value of good Africana
has shown a remarkable growth in
the last five years. Not only is it truly
rare but it is also truly interesting historically, aesthetically, and relates to
by comparison to other cultures, to
a very short span of time before it
stopped being made.
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The
Collector 26
Issue 16 September/October/November/December
COLLECTING
FEATURE
ntiques
dieossewaantiques
DECOR
MUST VISIT
Melville
Cnr 8th Avenue and Main Road
Tel: (011) 482-9785
Fax: (011) 482-7855
Shop Hours:
Monday Friday: 09:00 am 17:00pm
Saturday: 09:00 am 15:00pm
Sunday: 10:00 am 13:00pm
Warehouse
31 Village Road, Selby
Jhb
Tel: (011) 836-1650
Frikkie 082-560-3611
Warehouse Hours:
Monday Friday:
08:00am 16:00pm
Issue 16 September/October/November/December
The
Collector 27
COLLECTING
FEATURE
DECOR
MUST VISIT
rom 1685 when the Hugenot Daniel Marot, the famous French architect, designer and engraver came to
the Netherlands to work for Stadtholder
William the Third (1650-1702), the
Dutch furniture styles were been strongly
influenced by French fashions. William the
Third was Stadtholder of Holland and ruled
as King of Britain from 1689-1702. The
strong French influence on Dutch furniture
remained till the end of Napoleons Empire
in Europe in 1815. After 1815 the German Biedermeyer influence became visible
in Dutch furniture. The French taste in furniture started when Daniel Marot came to the
Netherlands and was appointed by William the Third of Orange as court architect
and designer. Amongst the numerous palaces this French architect designed for his
master Willliam and his English wife Mary,
castle Het Loo in Apeldoorn the Netherlands, was the most prominent one. Marot
not only designed the buildings, but also
the chimney pieces, the ceilings, the furniture, the fountains and all the other decorative details for his masters palaces. Marot
(1661-1752) was born in France during
the reign of the longest reigning monarch
of the European history, the Sun King, Louis
the Fourteenth. Louis the Fourteenth became
King of France when he was four years old
and reigned till he died at 76 years old.
During his lifespan Versailles was home
to the French court and the beloved style
was Late Baroque and strictly symmetrical.
Marot took his designs from France to the
Netherlands and made the Louis Fourteenth
style the big fashion in the Netherlands.
The
Collector 28
High
point
of
the
Kunsthandel
H.W.C.Dullaert Louis Fifteenth furniture collection is an armoire from the Hague with
a stunning gilt Louis Fifteenth top (circa
1745). This museum piece is fitted with
a bureau interior in the drawers. Also the
Dutch Amsterdam clocks that use to embellish the halls of the wealthy merchant houses
on the Amsterdam channels are fitted with
cases in Louis Fourteenth or Louis Fifteenth
style. Ricus Dullaert has an example in both
styles.
From 1774, when the ill fated Louis the Sixteenth and his Austrian wife Marie-Antoinette
ascended the French throne, the curves
in French and Dutch furniture were aban-
Issue 16 September/October/November/December
COLLECTING
FEATURE
DECOR
MUST VISIT
Classical pianist Riaan Bolt has been collecting and trading in fine quality Cape and Transvaal Furniture for the last 15 years,
supplying a loyal following of discerning collectors. He specializes in Africana Furniture, Cape Kitchenalia, Cape Copper and
Brass, South African Anglo Oriental Ceramics and Abstract South African Art from the 1950s to the 1980s.
Tel: 083-698-7146
Email: riaanbolt@yahoo.de
By appointment only
Issue 16 September/October/November/December
The
Collector 29
COLLECTING
FEATURE
DECOR
MUST VISIT
The
Collector 30
Louis XV Rosewood
head and foot board.
Issue 16 September/October/November/December
COLLECTING
FEATURE
DECOR
hand. Consumers were hungry for large, ornate and heavily carved furniture that would
impress their friends and family and show
off their newly found wealth.
It is mostly these styled beds and Armoires
that we can make investments in. Each King,
Queen or Monarch had a style unique to
the person ruling the country and to complicate matters even more, each province
had their preferred style and type of wood
that they used! In the Revival period a lot of
styles overlapped and was even combined.
It was not unusual to see Gothic and Renaissance carvings combined.
The following is guidelines that
can help one identify certain
styles:
Renaissance mirrored Walnut Armoire
In the 18th and 19th centuries, as the armoires overall design became more refined, artisans took advantage of the availability of exotic woods to distinguish their
designs with polished inlays and unique
building techniques. With war, pestilence,
floods and crime the armoire played a pivotal role in storing and protecting the possessions of its owner. In the textile business,
items such as rugs, tapestries, curtains,
clothing, tablecloths and bedding were extremely expensive and comprised the most
valuable possessions of a household. Therefore a richly carved and massive armoire
was a fitting repository to preserve and protect these trappings of wealth.
By the middle of the 18th century it was
found in every French house and throughout
a considerable part of Europe. About the
beginning of the 19th century the armoire
developed into the wardrobe, now in general use as a piece of bedroom furniture
RENAISSANCE REVIVAL
DIFFERENT STYLES:
As the middle class rose in status and
wealth with the advent of the Industrial
Revolution in the 19th century, more people
were able to afford furniture. This flattening
of society in combination with technological
advancements created a surge of furniture
production. Improved transportation meant
a greater variety of wood was available at
lower costs. For the first time, furniture became accessible and affordable to the common man. From the 1830s to the end of
the 19th century, furniture makers reached
back to earlier historical styles, and reinterpreted them with a great deal of creativity
and experimentation. Although machines
were used to increase speed and productivity, most of the carvings were still done by
MUST VISIT
Issue 16 September/October/November/December
The
Collector 31
COLLECTING
FEATURE
DECOR
MUST VISIT
Decide on a budget and make sure that
the price given to you includes restoration,
painting and transportation.
If you decided to go for the more the popular shabby chic end of the market style
which generally comprises of white or
cream painted pieces, often distressed to
add a vintage, homely feel, keep in mind
that if you decided on a high quality piece
these painting techniques will have an influence on the value of the piece. Rather go
for a less expensive piece and use the paint
technique to give it character.
Always remember that the frames of beds
and armoires were solid wood. Whether it
was Oak, Walnut, and Rosewood etc. On
the sides can be a veneer especially if it
was Bombay, but they didnt use Plywood!
Armoires can be used for many different
purposes. Whether for storage for electronic ware, a drink cabinet, in the kitchen or
even as a bookcase.
Most important buy from a reputable dealer.
All my Armoires and beds are hand chosen by myself for their craftsman ship and
quality.
INTERESTING FACTS:
1) Beds and bedding were so valuable and highly prized that it was not
unusual to find them mentioned in wills
from the 14th century onward.
2) Louis XIV was inordinately fond of
staying in bed, often holding court
in the royal bedroom. Reportedly, he
owned 413 beds and displayed a
special liking for the ultra-spacious
and ostentatious variety.
3) Many designs for these beds from
the 16th & 17th centuries used ropes
to make up the central platform of the
bed Hence what led to the expression
sleep tight as these ropes required
regular maintenance and tightening.
The
Collector 32
Issue 16 September/October/November/December
BY JEFF M FINE.
COLLECTING
The
FEATURE
DECOR
Most families were not blessed with
having family heirlooms, and they now
are looking for the Eastern European
Judaica as was used in Der Heim.
The search for these pieces of Judaica
now becomes the hobby, a personal
statement of identification an expression of pride in their Jewish religious
and cultural heritage, a means of
finding personal roots in their Jewish
backgrounds, and a means to convey
these links to their children.
The group of objects known as Judaica includes anything used by Jews for
a religious purpose or having definite
Jewish associations.
If Wthe collecting of old objects is interesting, collecting antique Judaica
has its own unique fascination. Judaica, which includes Jewish ceremonial
art, old Hebrew books and illuminated
Hebrew manuscripts, paintings, and
objects used in the life of a Jew, is one
of the richest, most diverse, and most
unusual of all categories of collectables.
The collecting of Judaica constitutes a
search for our Jewish roots, a nostalgic
journey into our past, and an attempt
to comprehend the present through the
preservation of items of the past. What
makes Judaica so compelling for us is
the association of these objects with
our Jewish history and tradition, and
specifically with their association of
our generations and communities of
previous generations.
In South Africa, we are mostly of Eastern European and mainly Lithuanian
descent, and as in my case, have almost no Judaica heirlooms from Der
Heim (my great grandparents home)
either due to lack of finances and
space or speed of departure. For this
reason I am mainly interested in Eastern European Judaica.
WhAT JUDAiCA
TO COlleCT
AnD hOW TO GeT
sTArTeD:
This answer depends on taste, interest and certainly finances. However,
having a lot of money is not all that
important in the collecting of Judaica.
Great collections have been built with
moderate sums, and terrible collections have been amassed with unlimited resources. Of more importance is
the determination to establish a collection of fine quality pieces, needing
considerable patience, energy and a
readiness to learn.
Some collectors collect a variety of Judaica, maybe choosing a country of
origin. Some might collect an item, like
silver bechers, or even Russian silver
bechers, or, more specifically, Russian silver stetl bechers. Other categories include spice towers, chanukias
and judaica paintings. Jewish textiles
and embroidery are interesting and
colorful as well as very displayable.
Old family Judaica books, although
not very practical, can be beautifully
framed and make an old discarded
book into a piece of art and an heirloom.
eAsTern
eUrOPeAn silVer
AnD silVer PlATe
shABBAT CAnDlesTiCKs:
During the late 19th century in Warsaw, Poland, there were numerous factories making and selling Judaica. The
two most well known of these were the
Norblin and Fraget Judaica factories.
They were best known for their silver
plate or brass Shabbat candlesticks.
They are easily recognized by their flat
square base or round domed base on
three bunch of grape legs. The candle holder tops were either lily flower
shape or round with loose sconces. On
the stems were either round Russian
onions or Lithuanian skirts. Again,
in my opinion, buy and use what was
made for our ancestors. (What Bobba
used in Der Heim) There are similar
silver examples made in Russia and in
Poland, while Poland was under Russian rule, these are more expensive.
Collectors in any field of antique collecting need to find experts in their
field, in order to be able to ask advice or discuss authenticity. It is always
more advantageous to buy from or exchange with a fellow collector or from
a reputable dealer.
rUssiAn silVer
sTeTl BeChers:
Collector 34
MUST VISIT
Issue 16 September/October/November/December
COLLECTING
FEATURE
DECOR
MUST VISIT
Ashbeys Galleries
Established 1891
We
exhibit
Viewing starts on Wednesday
16 February
2011 fromthe
09:15 tovery
16:15
Viewing close on Wednesday 23 February at 14:00
Saturday 19 February from 09:00 to 12:00
100
95
75
25
The Collector
Talk Antique talk Provenance talk Holtzhausen.
The South African household name in clocks and
music boxes since 1974.
In these financial times we all seek counsel from the captains of
industry. People who have proven themselves in chartering the
treacherous waters of many a recession.
A few weeks ago I was bidding in the UK for a Sayers of Dunlop,
London 5-pillar 8ft Walnut Long case clock. We won the bid for this
clock valued at GBP 25, 000.00. Its on its way to our showroom. What
should the price tag be?
Talk to us about any clock or music box purchase or sale. If we dont
know, well ask. It is in our and the industrys best interest to advise
you with integrity.
Email: yolanda@cardilogix.co.za
or
Tel: (011) 363-3260
The
Issue 15
Price R30
June/July/August 2011
ANTIQUES
Collector
100
Herman Holtzhausen
95
w w w. h o l t z h a u s e n . c o m
2011/05/23 9:01 PM
Issue 16 September/October/November/December
The
Collector 35
0
COLLECTING
FEATURE
DECOR
MUST VISIT
The
Collector 36
KETTLES
The humble kettle is perhaps one of the best
examples of kitchenalia as it evolved from
the pot over the fire to the state-of-the-art
products now available. Who can forget
the ingenious whistle built into kettles that
let you go about your duties until interrupted
by the piercing shrill letting you know the
water had boiled. As with all appliances,
top-of-the-range and designer brands from
those early days are now highly collectable. Topping the list are designs by Georg
Jensen whose silver kettles, both early and
current models, fetch high prices. The Arts
& Craft Movement saw some magnificent
examples of kettle designs with stylized features which are today avidly collected by
celebrities and dcor aficionados. These
include copper examples by Dr Christopher
Dresser whose trademark handle features
make them craft collectables.
TOASTERS
Since those early
days when cooks
warmed
their
bread on fires
to create a
toasted effect,
designers have
come out with a
range of toasters to make that
perfect piece of toast. It was American
mechanic Charles Sheite who originally
developed a spring device operated by
a thermostat which brought us the familiar
pop-up toaster we still use today. Perfecting
the technique was the challenge and it was
only in the 1930s that the patented ToastO-Lator was designed and toasters became
collectors items. Serious collectors of retro
toasters will pick up any old model and, if
they are able to fix them, will have a viable
collectable item. The Rolls Royce of toasters
are the Duralit chrome toasters.
Issue 16 September/October/November/December
COLLECTING
FEATURE
DECOR
MUST VISIT
COOKERY BOOKS
With gastronomy evolving and becoming such a key area in
our lives, collecting cookery books has become an art form
in itself. Obviously vintage cookery books have the highest
value with a first edition of Mrs Beetons book on household
management going for R5 000, a reprint for between R300
and R400. But every generation produces its own celebrity
chefs and collecting your favourite be it from the Victorian
era to Elizabeth David or an original Cordon Bleu edition
to the Delia Smiths and Jamie Olivers of today will give
enormous pleasure.
CONSUMABLE ADVERTISEMENTS
The nostalgia of an early Coca Cola Ad or the appeal of a
40s Oxo or 50s Marmite advertisement can lead to collecting consumable advertisements from eras gone by. Whether
you collect them in the form of early magazines, as posters or
as promotional items, these collectables have become very
sought after and also make for interesting dcor and display
items.
ALESSI
Kitchenware started becoming trendy when Italian design
company Alessi started producing their unique one-of-a-kind
accessories such as corkscrews, bottle openers, salt and pepper pots, cake stands, boxes and containers. Besides their
traditional clean and classic lines, they decided to design
more quirky collectable items that combined functionality with
fun humour that could become a talking point in any kitchen.
Today, collecting Alessi items designed by some of their top
designers like Stefan Giovannoni who came up with a
quirky character nutcracker called Nutty the Cracker have
become all the rage with younger collectors.
Issue 16 September/October/November/December
The
Collector 37
COLLECTING
FEATURE
DECOR
MUST VISIT
APPRECIATING
LALIQUE
French born Ren Lalique born in 1860, started out as a jewellery apprentice before studying in London and then
working for the houses of Aucoc, Cartier, Boucheron and others before establishing his own art studio. He became
one of Frances foremost Art Nouveau designers and ended up as one of the most famous glass designers of the Art
Deco period. He is best known for his designs for perfume bottles vases, jewellery, figurines, chandeliers, clocks and
in his later years for his iconic car mascots.
Synonymous with creativity and quality, Lalique used some of the most modern and innovative manufacturing techniques including using pressed, mould-blown or lost wax castings for his objet darts. He was famous for creating
the walls of lighted glass and elegant glass columns for the grand salon of the SS Normandie and his work graces
both the entrance to the Coty Fragrance Company headquarters in New York and can be seen in many museums.
Collecting Lalique can be very rewarding and a collector must make sure that pieces are in pristine condition to
retain their value, with rarity, colour and finish adding to their desirability. Most of Laliques pieces were marked
R Lalique, often with France in matching script and a model number. The L was sometimes elongated and the
signature R. Lalique was also used. Pieces made after 1950 are signed in script Lalique France without the original
R which was only used during Laliques lifetime. Collectors should be watchful for damaged or chipped glass that
lowers its value and to be wary of fakes.
Having spent the past twenty years in the United States, John established various coin shops and galleries in the USA, opening an office
in Amsterdam (Netherlands) in 1994. John has spent the last 14 years
dealing thoughout the world travelling constantly between Europe and
USA.
As one of South Africas most respected dealers in coins, active with
various Numismatic Societies in different provinces and serving as
Vice President under the late Pastor JF Rowlands in the Natal Numismatic Society, John was responsible for organizing the first major
coin fair in South Africa in 1967 and thereafter every major coin
show in the country until 1976, culminating in the hugely successful
and never equaled since International Coin Fair which saw some
of the worlds top dealers attend giving the coin industry in South
Africa a major boost. He has lectured extensively on coins and collectables and produced the first and only comprehensive catalogue
on the coins of Rhodesia and Nyasaland a book for which he was
elected to the prestigious Numismatic Literary Guild in the USA. In
1981 John pushed for the founding of the South African Association
of Numismatic Dealers becoming its first and founding President a
position he held until permanently emigrating to Dallas, Texas in
1984.
Whilst coins remain the mainstay of his business, his love of art has
led him to also establish himself in the art world, specializing in investment quality and old South African masters art. With his strong links
to the international art world, John has also exposed some new and
exciting international artists to the South African market including the
work of Chinese/American artist Stephen Pan.
Antique
alTIQUES ARE GREs
N
d Decorati
anEN
MUST VISIT
NAADA
W
KEOGH INTERNATIONAL
DECOR
tion Nation
cia
A
FEATURE
O.
Arts Asso
ve
COLLECTING
W. N
A ADA.C
Chairman of NAADA
Gold & Silver at record prices - consult me on what & how to buy now.
Issue 16 September/October/November/December
The
Collector 39
COLLECTING
FEATURE
Chitarrone HN 2700
Modelled by Peggy Davies
1974,Limited Edition of 750
DECOR
MUST VISIT
Toinette HN1940
Modelled by Leslie Harradine
1940-49
Butterfly HN719
Modelled by Leslie Harradine
1925-40
ROYAL DOULTON
by Louise Irvine
The First
Figurines
The first Doulton figures were exhibited at
the Chicago Worlds Fair in 1893. Known
today as the Vellum figures, they are made
of an ivory coloured porcelain body, often
highlighted with gold, and are similar in
style to Worcester figures of that era. Artist
Charles Noke continued to model Vellum
figures in the early 1900s but around 1910
he approached several famous British sculptors for assistance in developing a new style
figure collection, which was subsequently
named the HN series. HN stands for Harry
Nixon who was in charge of the figure
painting department and kept records of all
the designs.
The HN collection was launched in 1913
when Queen Mary visited Royal Doulton
and she was responsible for naming the first
The
Collector 40
piece, Darling HN1. The Queen was fascinated with the new figurines and regularly
acquired examples at the British Industries
Fairs during the 1920s and 30s. The earliest
HN figures were decorated in muted tones
of blue and grey, known as Copenhagen
colours and it was not until the 1920s that
brighter colours were used.
Issue 16 September/October/November/December
COLLECTING
FEATURE
DECOR
Roseanna HN1921
Modelled by Leslie Harradine
1940-49
FIGURINES
Limited Editions
Peggy Davies particularly enjoyed researching historical and literary subjects
and from the outset she favoured themed
collections, such as the Ladies from
English History which was introduced
in 1948. In the 1970s, she introduced
her first limited edition collection, a set of
twelve Lady Musicians with just 750 of
each issued world-wide. The success of
this beautiful collection led to the equally
desirable Dancers of the World, Femmes
Fatales, and Gentle Arts.
MUST VISIT
Issue 16 September/October/November/December
The
Collector 41
The Collectors
Choice of
1.
2.
3.
4.
5.
6.
7.
8.
9.
9
The
Collector 42
2
Issue 16 September/October/November/December
The Collectors
Choice of
1.
2.
3.
Africana Chests
Riaan Bolt 083-698-7146
4.
5.
Antique Plane
Mahlahs (011) 672-2744
7.
8.
Princess Badoura
Pascoe & Company 0800-982-448
9.
6
7
Issue 16 September/October/November/December
The
Collector 43
COLLECTING
FEATURE
DECOR
MUST VISIT
The
Collector 44
Issue 16 September/October/November/December
COLLECTING
FEATURE
library and a Tea Garden. It also hosts temporary exhibitions, talks and workshops for children and adults
and one of the oldest antique fairs in the country is
held in the grounds on select public holidays, the most
notable one being on the 16th December the Day of
Reconciliation.
The atmosphere at the Antiques Fair at Melrose House
is one of a country fair - with antique dealers spilling
out on the lawns with their wares and visitors taking
the time to also visit the beautifully decorated rooms in
Melrose House to see the many archeological finds and
mementos from the Anglo-Boer war. A food market runs
alongside the antique fair offering home-made treats in
a tea-garden atmosphere. Entrance to the Museum is
R9.00 for adults and R6.00 for children. Guided tours
take place at 10:00, 11:00, 12:00 and 13:00.
DECOR
MUST VISIT
Come
and visit the new
look Antiques Fair in the
beautiful Melrose House Museum
grounds Friday 16th December
from 09h00 to 13h00. For further
information contact Clyde Terry
on 082 883 4933.
Issue 16 September/October/November/December
The
Collector 45
Trading Hours:
Monday - Friday 11 - 5pm
Saturday 10 - 2pm
www.antiques.mahoonas.co.za
www.furcoat.co.za
email: moonstruckexperience@gmail.com
Antique
alTIQUES ARE GREs
NAADA
E G EE
R
Silver
Jewellery
Porcelain
Light Fittings
Fine Art
Time Pieces
Restoration Kitchenalia
Glass
Art Deco
A ADA.C
Books
BY APPOINTMENT
Cell: 084-908-1040
Cell: 082-459-0724
E-mail: wjleader@mweb.co.za
maureenlove1@gmail.com
Cornelius Lehr
Contact: Cornelius Lehr
Antiquarian Horologist
1977 World Champion Watchmaker
Tel: (011) 726-6420
Cell: 083-377-9076
E-mail: info@corneliuslehr.com
www.corneliuslehr.com
Memories
Contact: John McKirdy
Address: The French Quarters
Elston Avenue, Western Ext, Benoni
Tel: (011) 425-6729
Ceramics Restoration
The Restorers Workshop
64 Farbairn Street
Worcester, 6850
Contact: Werner Scheepers
Cell: 082-671-7736
E-mail: werner@therestoresworkshop.co.za
www.therestorersworkshop.co.za
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Collector 48
Issue 16 September/October/Novemeber/December
Antique
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Antique Toys
Silver
Jewellery
Porcelain
Light Fittings
Fine Art
Time Pieces
Restoration Kitchenalia
Glass
U p comin g A n t iq u e Fa i r s
Ant i q u e S ho ps C o u nt r y Areas
Melrose House
Antique Fair
16 December 2011
275 Jacob Mare Street, Pretoria
(011) 482-4259
Art Deco
A ADA.C
Books
Voortrekker Monument
Antique Fair
24th September 2011
9:00am 15:00pm
Issue 16 September/October/November/December
The
Collector 49
If you have a
date for
The Collector Calendar of
Events, submit the details via
email to
thecollector@mweb.
co.za
CALENDAR OF EVENTS
47th SAADA
Antiques
Fair
Sleeping Beauty
30 September - 02 October 2011
Joburg Theatre
Everyones favourite magical fairytale about a beautiful princess, an evil fairy and a handsome
prince whose kiss awakens the princess from her 100-year sleep.
The
Collector 50
Issue 16 September/October/November/December
COLLECTING
FEATURE
DECOR
MUST VISIT
47th SAADA
Antiques
Fair
The
Collector 52
This year sees three top art galleries exhibiting with a selection of
modern and contemporary artworks, an example is David Hockneys Pretty Tulips from The White House Gallery.
Ricus Dullaert is well known within the industry for his Dutch armoires and Russian icons. Ricus is focusing more and more on Chinese antiques and has a superb collection of Chinese porcelain that
he will be exhibiting including porcelain from the Wanli, Kangxi
and Qianlong periods.
SAADA is proud of the
standards that it demands
of its members and exhibitors. SAADA looks forward
to welcoming you to the
fair in October 2011. We
are, in collaboration with
The Collector magazine
giving away 100 double
day tickets (valid at R100
each) to the first 100 callers. See the Events page in
this magazine for details.
For more information visit
www.saada.co.za
Issue 16 September/October/November/December
Catherine
Royal Wedding Day
R2,975
Order Today
ROYAL DOULTON
MOORCROFT ROYAL CROWN DERBY
Show & Sale of Figurines & Art Pottery
Issue 16 September/October/November/December
The
Collector 53
COLLECTING
FEATURE
DECOR
MUST VISIT
MELROSE HOUSE
ANTIQUES FAIR
UPHOLDING A
LONG TRADITION
16th December 2011
Visit www.melrosehouse.co.za for more information.
As undoubtedly one of the oldest antique fairs in the country, the Antique Fair
held in the grounds of the Melrose House
Museum at 275 Jacob Mare Street in Pretoria several times a year is like no other.
From the moment you walk into the spacious
grounds, up the pathways and past the Victorian fountain, you get the sense that you
are entering another era in time.
Named after the famous Melrose Abbey
in Scotland, Melrose House was built in
1886 by prosperous Pretoria businessman
George Jesse Heys. Today this elegant
house museum stands as a superb example
of the transition of Victorian to Edwardian
architectural styles and interiors. The spacious rooms are characterised by colourful
stained glass windows, paintings by English artists, carpets in rich colours, ornate
ceilings and fireplaces, as well as valuable
porcelain ornaments, the majority of which
belonged to the Heyes family.
Of all the antique fairs that have become
popular throughout the country, says Clyde
Terry who has taken over the running of the
Fair. The Melrose House Antiques Fair is
unique in that it is set in the grounds of one of
our most important heritage sites not only
can visitors enjoy an antiques fair set in the
spacious gardens around a central fountain
and alongside the stables, but they can visit
this elegant house museum with its superb
interiors.
See
page 44-45
for
our article on
Melrose House
Museum
Antique and collectable bargain hunting for young and old is the order of the day.
The atmosphere at the Antiques Fair at Melrose House is one of a country fair - with
antique dealers spilling out on the lawns with
their wares and visitors taking the time to
also visit the beautifully decorated rooms in
Melrose House to see the many archeological finds and mementos from the Anglo-Boer
war. Melrose House offers visitors guided
The
Collector 54
Issue 16 September/October/November/December
The
Issue 16
Price R30
Sept/Oct/Nov/Dec 2011
ANTIQUES
Collector
The
Issue 14
Price R30.00
Feb/March/April/May 2011
Collector
The
Issue 15
Price R30
June/July/August 2011
ANTIQUES
Collector
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2011/05/23 9:01 PM
Issue 16 September/October/November/December
The
Collector 55
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