Professional Documents
Culture Documents
de Architectura
Introduction and Table of Contents
Another orphan text that no one wanted to enter, but that many nevertheless will be glad to see
online. (Why is it that the self-aggrandizements of Cicero, the lecheries and whining of Ovid and
the blatherings of that debauched old goose Seneca made it onto the Net before the works that
give us solid technical information about what Rome was really good at, viz. the construction of
her great buildings and works of engineering?)
Anyway, the text has been thoroughly proofed, and I believe it to be errorfree (but if there are
errors, please report them). I've already provided a very few preliminary annotations, but much
other material remains to be added, first and foremost among which are the drawings.
If you are looking for information about the architecture of amphitheatres or circuses, or about
the engineering of bridges or roads, this is not the place for it, surprisingly: Vitruvius never so
much as mentions a bridge of any type, and as for his references to the others, they are very
infrequent and utterly incidental. His references are:
amphitheatres and circuses (once each, in the same sentence: 1.vii.1)
roads (8 times: 1.v.1 1.v.2 4.v.2 5.vi.3 8.iii.7 8.iii.9 10.ii.11 10.ix.1)
Good information can be found elsewhere for amphitheatres and circuses.
I should point out that in general, the more technical the subject, the more the translations
diverge. Those of you used to relying on the commonly available Loeb edition will find some of
its obscurities and mistakes rectified here (and almost certainly vice versa, unfortunately).
The French translation I selected is the Choisy translation of 1909. (A database-formatted
version of the 1547 translation by Jean Martin can be found offsite, by the way: it is the only
complete translation of Vitruvius online other than mine.)
NOTE: While THE WEB Online Library And Reading Room started out with just a single
book (Book 10) of the ten book series online, and only in the English Version, we have now
added the other 9 books in English, and we hope eventually to put all ten books up in all the
languages available.---Evian Blackthorn---
Background Material
Additional material on Vitruvius will eventually appear here, but I'm not about to let that delay
anything: I'm getting the texts online first.
All of this takes time!
TABLE OF CONTENTS
Book I (52 kb)
Dedication to the Emperor; branches of knowledge that an architect must be acquainted with; the
factors involved in siting a town and designing its walls, including a rather odd extended
explanation of the various winds.
Book II (64 kb)
A story about Dinocrates, architect to Alexander the Great, serves as prologue. Second prologue,
on the origins of architecture; but most of the book is about materials: bricks, sand, lime,
pozzolan concrete; kinds of stone and types of stone masonry; timber.
Book III (48 kb)
Some comments on the chance nature of fame in the arts serve as a rather irrelevant prologue: it
seems clear Vitruvius felt he had to have one. The book then proceeds to temples, setting forth
some basic definitions, then describing a canon for the construction of temples of the Ionic order.
Book IV (41 kb)
Corinthian and Doric temples; temple doors and altars; the Tuscan order, which Vitruvius seems
to find primitive.
Book V (60 kb)
In which the author warns you that architecture is highly technical, then proves it in spades in his
exposition of civil public spaces: the forum, the basilica, the theatre and its porticos, the palaestra
and the baths; harbors. Vitruvius takes particular delight in the acoustics of the theatre about
which he seems to know much, much more than he has allowed himself to tell us for fear of
boring us: it's a pity.
Book VI (53 kb)
Prologue: poor but honest makes a good architect. A second sort of prologue on the diversity of
mankind from climate to climate, easing into the topic of private houses: their construction
should depend on the climate as well. Layout of the Roman house and the Greek house;
considerations of weather, function of the rooms, social position of the owner.
Book VII (61 kb)
Long prologue on the importance of sharing knowledge, and, conversely, not plagiarizing. True
to his word, Vitruvius then shares with us his recipes for interior decoration: the preparation and
execution of wall paintings: lime, stucco, plaster, pigments.