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Call for Proposals

Communal Presence: New Narrative Writing Today

Friday, October 13 to Sunday, October 15, 2017
Mike Amnasan, Dodie Bellamy, Nayland Blake, Bruce Boone, Dennis Cooper, Gabrielle Daniels,
Renee Gladman, Robert Glck, Rob Halpern, Carla Harryman, Kevin Killian, Chris Kraus, Eileen
Myles, Camille Roy, Jocelyn Saidenberg, Gail Scott, Robin Tremblay-McGaw, Dana Ward
Proposals are invited for papers, panels, and short-format projects to be presented at a conference
on New Narrative writing being held at the University of California, Berkeley on October 13-15,
Emerging in the late 1970s of San Francisco, New Narrative originated at the crossroads of an
aesthetically and politically radical poetry scene and the new publics fostered by various social
movements of the era, most notably Gay Liberation. New Narrative writing places a frank
engagement with sexuality and the body at the center of its creative itineraries, and considers what
roles writing can play in articulating and thus politicizing sensual experience and embodied
knowledge. By directing attention to the social and political possibilities of fiction and narrative,
New Narrative moves between genres as much as between voices and discrepant histories. The
effect of such maneuvering was often to self-reflexively thematize the position of the narrator and
the impulse to narrate as itself a category of visceral experience, in order to demonstrate the mutual
imbrication of self and community. In this way, the writings of New Narrative are importantly in
conversation with both contemporary forms of expressivist movement writing, and critiques of
signification and the lyric. Today, the study of New Narrative is vital for understanding the history
of Bay Area avant-garde literature, particularly in relation to other insurgent literary and artistic
movements like Language Poetry, the Black Arts movement, and radical feminist poetics. New
Narrative continues to exist in relation to broader national conversations regarding the relationship
between writing and sexuality, and between literature and community. New Narrative writing poses
the question of fictions relation to poetry and the other arts, and to illuminate the existence of
writing communities constructed at a distance from the MFA program era or New York
publishing centers.

The conference will provide the opportunity to reflect on the history of New Narrative, and to
consider its legacy for the future. Spanning three days, the conference will include academic papers,
a plenary roundtable, readings and Poets Theatre performances, film screenings, and exhibits of art
and ephemera related to the New Narrative movement. We intend to foster a conversation that
keeps questions about literary and social history open by generating new resources and programming
for anyone interested in New Narrative writing. All programs will be free and open to the public.
We invite proposals for presentations on any topic pertinent to the history, legacy, and future of
New Narrative writing. Topics may include:

Long Notes: Constructing histories of New Narrative

New Narratives of race and whiteness, identity and community

Locating New Narrative: Publications, archives, canons

A community and a future: New Narrative genealogies and legacies

Parallel movements: New Narrative and Language Poetry, New Narrative and Feminist
poetry, New Narrative and the Black Arts Movement, New Narrative and Contemporary
Asian American, Latinx, and Black Experimental Writing, New Narratives fellow travelers

The truth and freedom of sex?: Gender and sexuality in New Narrative

Academonia: New Narrative with and against the Academy

Describing the present: New Narrative as theory, New Narrative as praxis

In addition to academic papers, we welcome panels or other short-format projects that would afford
participants and audience members a vantage on or experience of New Narrative writing that
expands traditional academic forms. Proposals should be no longer than one page long and sent by
April 15, 2017 to Proposal acceptances will be announced in
May. Some funding support for travel may be available, depending on need.
Convened by Lyn Hejinian (Professor, Dept of English, University of California, Berkeley), Chris
Chen (Professor, Dept of Literature, University of California, Santa Cruz), Daniel Benjamin (PhD
student, University of California, Berkeley), and Eric Sneathen (PhD student, University of
California, Santa Cruz).