Tuesday Wonderland Esbjörn Svensson Trio, 2006

A q = 170
 
          
          
       
A q = 170
      

 

4

   

  
       
 

  
            


6

   

 

 
 
 
  

             
        

          
8

      
    

  
         
    
         

transcribed by Johannes Schneider

S. .2 E.T.Tuesday Wonderland              10                                           12                                                      14                                                            16                                              transcribed by Johannes Schneider .

                                                        25                                   transcribed by Johannes Schneider .T.S. .Tuesday Wonderland 3    18                                                           20                                                                      22 muted        etc. E.

T.Tuesday Wonderland             27 B                          B             30 free arpeggios                                      34                                        you can also play bowed F# octaves  38                                       transcribed by Johannes Schneider .S. .4 E.

T.S. last time jump to segno. . fade out during C-Part     Gmaj7 F#m7           D           transcribed by Johannes Schneider .Tuesday Wonderland 5  C 42                                     C          45                                                        49                                               D  52 Solo. E.

Tuesday Wonderland 54    to     Gmaj7 F#m7                      56         transcribed by Johannes Schneider . .T.6 E.S.