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ALWAYS GONNA LOVE YOU TV'S NOT THE SAME WHEN T LOOK IN HER EYES THE MAGIC’S NOT THERE AND WHEN [LOOK I REALISE WHAT WE COULD HAVE SHARED. TM ALWAYS GONNA LOVE YOU IF LOVING MEANS FOREVER TM ALWAYS GONNA WANT YOU Tbon) THINK ECOULD EVER JUST FORGET THE LOVE WE HAD IT'S NOT THE SAME WHEN SHE'S HERE IN MY ARMS, OR THE SMILE ON HER FACE AND EVEN THOUGH WITH ALL OF HER CHARMS, SHE CAN'T TAKE YOUR PLACE IM ALWAYS GONNA LOVE YOU IF LOVING MEANS FOREVER, I'M ALWAYS GONNA WANT YOU, Tpon'T THINK [COULD EVER JUST FORGET THE LOVE WE HAD. I'S NOT THE SAME WHEN I LOOK IN HER EYES ‘THE MAGIC’S NOT THERE AND WHEN I LOOK I REALISE WHAT WE COULD HAVE SHARED. I'M ALWAYS GONNA LOVE YOU IF LOVIN’ MEANS FOREVER TM ALWAYS GONNA WANT YOU, IF LOVING 15 FOREVER ALWAYS GONNA LOVE YOU Guitar \ vn Words & Muse by Gary Moore = wea cn were of 8 ig hae si ia (Sa SS ——— adtine ~ Acoustic Guitar SSS = SS It’s not the same when I look inher eyes —— T's not the same when she’s here in my arms, == the ma - gies not cor the smile on her ey | = SS - © 192 EME 10 Music Led, London WC2H YEA, > chon chon i” ‘Hii! ta ta i and when 1 look Tore = a-lise what we could have and ev - enthough with all of _ her charms she can’t take your = ca ee a = CZ a7 » gees = E ===: Vm al-ways gon-na place. Electric Guitar distortion . Gi ort gy SSS SS Bs, [Det = === ——— = te \ Vn as y le pee ——=———= 1'm al-ways gon-na SS ==. Sj por yi a ey see — —_ —, Ses ev er just for 3S well) alll nae we had. = get Hes a” ) fie love we Bs (t= \ wai, aya appre yom Bim i 2p Y ee Bs Bs re - arise what we could have shared, = = ay ° = tual i tH Vn ga eaet ies Te’snotthe same when I Jook inher eyes, there == et [aes Z = 3 = —— n = n a 4 6 As 85 ti 8, fn, AS, te el an a " == if lovitmeasfor = oF =e Tim always gon-na = = repeat to fade 85 as, Bs a oa a epretty V'm al-ways gon-na if lov-in’ is for - ev = et want____ you, Bs, EMPTY ROOMS (= 98) Omadaa* Dmads9/C Oma ahmai? FIC Amc 33 Words & Music by Gary Moore & Neil Carter om om cio i il i | ig a i Voice Bass = om co om oo e Hie 3 a SS Pee ¥ $e Lone-li-ness is your on - ly friend, 2 brockenheart that just won't mend isthe Seedback < eo er. a Gr, SE = — - — —— = = * Chord boxes are derived from keyboard parts, © 1984 EMI 10 Music Led, London WC2H OBA, ebmair crab om cro om cD te & E SSS a a = SS ea ee === Teshard to take when love grows old, fade in . 2 fl - at : Gu. ig == c ¢ a a E == v vo fee» Bs. [SEE =} SS == = * = = wo = =a on co on op shoai? cre shoait oh 6 & & ts & [ fe” $ te ——_———.. 2 Se = Ve [me ee = = the days are long andthe nights tum coll when it fades. a= way. on fe = = =- 4 Bs. [EE = Ey + 3 S55} Gm7 C4 c aes er = tt You hope that she will change her mind, ‘but the days... drift onand on, \ \ \ vs (ie = om co om ono i i distortion iy Jaden Bs. [D5 youhear her voice, but you're still proud, so you \ \ sina? co aha? cio bm co om co fe im | BY mT ‘You tell your-self that you'll be strong, violined with volume pedal Gee. but your heart tells you this time you're wrong. \ \ cay ve ge —— + — 2 - fas rooms, where we love, emp - ty mr FIA \ \ om7 aha co / e Vx == where we lem to _live with - out Gu. 40 ea oe, Cea on 7 a ia tit ae” Vx. CLEETE ‘Acoustic Guitar Gu. Bs. = = 7 : 6 Am Blectric Guitar fs om (wanda anne shmai7cish ial ‘You hope that she will change her mind, bbutthe days drift onand on, __ 42 om Gm? FIA eb G3) ig a ci fas Th = = repeat ad lib. to fade om c m7 mob c a ha emme = ee Ve Bs. CRYING IN THE SHADOWS” Words & Music by Gary Moore = 96) Gmail? ‘AiG Gmaj? Gear” Ae Der iif i = ems Flt m7 AB Bm? = Gur, Bs ig === === Ee i ti i Some-times he pe fe ep fal at —— —— ° * mo. a re, Sete te = == * Chord boxes derived from keyboard parts. © 1986 EMI 10 Music Ltd, London WC2H OEA 98 <=) om? we ent may NG mal? Ce en te i ve — = her walking by, —— Tooks her in the eye, cee him walcing eo she nev-er looks him in___ the eye,. 2nd time Gu. = andvime FFF] ae = = ay s. é + = + SS = fume PD ap A i = ss = Se = = ‘emo Fo ear AB am? 3 it . {i i Ee Ve SS SS = == + i # =f et know, she does - n't care what he is feel - = ing..______ And as she know, he does - n't care what she is feel - ing. And as he 04 _— Gu. fet = = = — - ~ 2nd time: = SS = > Bs, ==: wate] Clie vn Gu. Bs. 48 amt 1p kp mai? ‘AiG. Gmaj7 99 = = Emo ent Gmaj7 aces ae i :— tf 5 ee" 2 v« Ss f £ =e , know, why should she care? ‘When he's she’s ne-ver there, to see him. foow, —whvsbould be cae? Whenshe's es nesver there, heleaves bet Bs. [5S 3 et ey S = s =e = : = 5 EE = wt ia ar: sha - dows of__ a love he used to know, but now oy - er. sha - dows of a _loveshe used to know, but now its all ov = er = = Bm? ae Gmai7 Emr Fm7add 11 — ft i Ee rat fe et p ——? = one he_ called his own, ‘but now he's all a-lone - = one she called her own, ‘but now she’s all a-lone ae ~ - as (DS —- = == 5 5 = = ~<; \ mar tl tel = = eS 102 emt Fvraca tt ae sagen Vn ie SSE 7 feel it intheir hearts, it’s tear-ing them a-part ov -er_andov -er_ a - gain, ane on gts ck == ‘ \ \ AiG Smal? 1 Ga = <= Gmai7 love he used to kno. \ emp Fleas on ca now it’s all ov - er. Bs mar emp ——_Fhvvaadst 4a ie ee” fo oy =e et $i = fone she called her own, but now she's alla - lone.__ Bs. (PS iS = = = <= = == : pa Ee = 4 = = Bm7 Dmaj7 Fhm7add 11 cali ‘a " fipp i.e fe — Ve. (eo & ttt Cry-ing in the sha - dows ove = ere ms ff oN SS SS an c cmair * = ees Be =ss 25: = Fi da Ee s4 SS =a 7 1 ¥ rH F pF pt 1 ’ = se = ant oma may ent rest Ct om i a epi feedback al < =I etmraaa tt Vx Cey-ing in the sha - dows, \ \ ‘omar emt Flora 14 = s Sa = : fi V 108 an? omar Em? ravages {ie ie "ge — = » (Scere === Se SS Cey-ing in the sha dows, cry-ing in the sha - dows of love. f ates eet = Bs = = z & SS Fp. * Sa t—P pt = \ 134 FALLING IN LOVE WITH YOU Words & Music by Gary Moore emai for rust er dao at eee = ety vie (GA = === £ When Pm close to Guitar =} - + Bes [EF Ih = SS S— = + T= 5 = - WS = + pode + ry ry vy y = = ‘Gmaj7 Fm? Bm7 Gmai7 Fhe Bm7 = é Ea ss Se fie f = op a Vx ert TSS et =e +t: =| you T feel my heart teat, telhing meshat youre he one forme. Dating 1 don't 3 (SS a pp ee ae * Chord boxes derived from keyboard parts. © 1982 EMI 10 Music Ltd, London WC2H OEA 13s marth? ant msi? madi pgs fat ee et Ge aig Fa] vn = un - der-stand the rea - son, I justknow that this was meant_ to be. Gu. Bs. = = aa) mar Flor ant omar Fla amr en ae at a He he (Ge eee Se = eee =t0_ youreyes I see__ it, everything that__T've been search-ing fr. Darling, I don't yt and think a-bout__ you, wakeup to an - o - ther lone - ly day. 1 know you'll ne-ver ox fet t Se Ee oe 136 Gmait Ft ‘ear ft GE ae « ES SS Ss= = un der-sand this feel ~ ing, 1 justinow its growing more and more. — Because I'm feel. this way about me, nomavter what T "do ra mr ‘And Fim Gu. ete x § = = === % 5 -¥ = = + + = = = a * = 2 —— eS == = a IP a 7 a —S — vt vr vote ! = = eee en? may FA? mts per Am? iz A ia =o, @ i a @ tk | R ve gt SSeS FSS = fall-ing in love. with you,__ it's the ea-si-est thing for me to do. Yes I'm falling in eve with you its the Gacsicest thing forme = do Yes 'm ae + Bs. [94 5 = B- Fae ZF 5 = + <4 r \Ginajr tall) irs fall - ing in love, with you its true,__ fall - ing in love with you, with you. \ \ os A Sina? EME Ak Fle ii fit a ae ey Vx gua SSE = = =a | = Tlie awake at You say you're not the Fim7/G Gmaj7 4 iH oi SSS SS SS SS =—Sj that 1 am just @ dream - = =r = * oe yi = y SF = = maiz Bn if ae 3 +> = + (SSeS er SS SSee Z Tee ied so hard to make you see, that some - one like you could ——— . 2s, [pee Se = = rf 7 ia = 4 = tS SSS ? =} ? = = emai Bor amt on ee = z =} ——s = —=—_- —F SS == —— ——— wr o 140 m7 maj am7adst1 Asus A ey y tig! ~ te. = — » (SS = fof pp-ta tes = maiz Fler amr = : ie a vs fet fap falling in love_ with you,__ it’s the ea-si-est thing for me to do. ‘Yes I'm Bs. ty = & = = may Fler m7 Bm? Amz, vs . = hole 3 = = eee E === 2 TS aE = 9 yp P< i pot Pit ui sq om? tr amr Sma? Fla ent em? Ant at pay a i Re Ee Bs. = Zi i SS = - = = = nait Fear ‘em enait mr amit gm? Amt nc) i _ i Be ‘ gt = SS SS i - 7 fall - ing, mm___ yes Tm fall - ing in love with you. S 4 [DHE iS se = ¥ i a v pH = = mt repeat ad ib. tw Fade mar = eR Gnait_ Fin a a Ant al OS te ee oe _ tt - a, > -__ fF ¢ fe fe, f “(GSS ~ fp Soler sire + Falling, fl Bs ing, I'm falling, I'm falling, fall-ing, fall ing in love. with you. Bass JUMPIN’ AT SHADOWS Words & Music by Duster Benneet * Chord boxes derived from string / organ parts. © 1992 Goody Two Shoes Ltd MCA Masic Led, London W6 8) \ Gu. “There isn’t much to tell. = a oh a ie See foe Oh, I'm go-ing down hill, — s. [ae oe — Ts = = SSS SS a = SSS ———— = eS ‘and I blame my-self,_ \ \ Every - points their hand at_me, 7 (é iE Sa Stat what I should have been, Teen jump-in’ at sha-dows, 5 + = know I'm justa pie - ture — i a Bs 147 or eH io ste emer , oe = a) Ee ve [== Seg SSS SS think - in’, "bout my life. a + ow tg = ro meek —=— = = ———: = 5 1s. (ae = a os 5 = 5 7 Vv = or Pa eae rs KFS 7 ge LE zope ottel € f Pe tees ce ; ¥ pans E Sp : = ss fomg= SS == 5 oer SSS SS ¥ yt t i ct a 48 AT Ly a - ee = ; ee = 8 ee — = SSS a= # Gu. ji 149 ar = Ss — = er — » (SS _ and 1 blame my-self,_ Gu. gat = — ss ESS = rit. 151 = ATIE ebi3 ANS nn aS $ ? : = = EE EE S—_— 5 + — \ fet aon See Ss BLUES FOR NARADA swing 16th notes (} = 121) (S7- hme mr Music by Gary Moore = cm geen shns Abmaj7 Bhd fide i" ae fy — SS ee = S| — == j a = = =a ae = s+ + © 1994 EMI 10 Music Led, London WC2H 0EA, Gmzacd11 fies 1s4 Gre Bm? Esuss i cma? amr om, fr i oe ir i ee SEs NT. r + - Gu. —