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THE ADVENTURE OF MAQUID FOR JAZZ ORCHESTRA

I M


2559
THE ADVENTURE OF MAQUID FOR JAZZ ORCHESTRA

BY
NUTCHAPON CHOOSAKUL

A THESIS SUBMITTED IN PARTIAL FULFILLMENT


OF THE REQUIREMENTS FOR
MASTER OF MUSIC
CONSERVATORY OF MUSIC

GRADUATE SCHOOL, RANGSIT UNIVERSITY


2017

, 1 1
1.1 $ 1
1.2 3
1.3 $ 3
1.4 4
1.5 G 4
1.6 5

, 2 7
2.1 7
2.1.1 7
2.1.2 G 13
2.1 $ 20 14
2.2.1 15
2.2.2 17
2.2.3 20
2.3 21
$ 21
2.3.1 21
2.3.2 26

, 3 28
3.1 30
3.2 30
3.3 32
3.4 32


,
2.1 9


,
2.1 8
2.2 $ 9
2.3 10
$
2.4 10
2.5 10
2.6 11
2.7 12

2.8 $ 13
2.9 G $ $G 13
2.10 G 14
2.11 G 16
2.12 X 17
2.13 G 18
2.14 2, II 19
2.15 G , II 19
2.16 21
2.17 $ 9-16 22
2.18 $ 9-16 23
2.19 $ 80-84 23
2.20 $ 502-509 24
2.21 $ 30-37 25
2.22 26
2.23 $ 38 27
2.24 $ 51 27

( )


,
2.25 $ 52 28
2.26 $ 102 28
3.1 30
3.2 A 31
3.3 $ 31
3.4 32
3.5 $ 32
3.6 $ 32
3.7 33
$ 1

1.1 $

8 8

M
M
Lehmann, and others 8
8M ...
(Lehmann, and others, 2007: 127)

8 8 8
(Improvisation)


8
8
Burnim and Maultsby M
8 (Burnim
and Maultsby, 2015: 153) M
M M

2

8
8
8 8 (4 part voicing) (Drop 2
Voicing) (Spread Voicing) (Passing Chord)
(Extended Chord) M
M 8 M
8 8 8
8 88
M (Brockman, 2011: 9) 8
M 8
8
8 8M
8
8

(Don Redman)
(Fletcher Handerson)
8 8 11
(Duke Ellington) 8
8
88 8 8 .. 1938 8
M 5 8 8
8 8 8 4 8 M 17 8 M
8 (Brockman,
2011: 18)
8
8 8 8
8 8 8
(Brockman, 2011: 67-70)
3

8 20 8
8 8
M
8 8 M
M M 8 8 M
8 20 M
M 8 20
88 88
Hang Gliding Last Season (Maria Schneider)
M Transit (Darcy
James Argue) 8
My Ship (Gil Evans) 8 M
8 M
( .. 1986 .. 1960
.. 2014 .. 2016 8M .. 2012
)

8 -
8 20 8
(The Adventure of Maquid for Jazz Orchestra)

1.2

1.2.1 8
8 20
1.2.2 8

1.3 $

1.3.1 8 -
4

8 20
1.3.2
1.3.3

1.4


M
1.4.2 10
1.4.2 8
20 8 M
1.4.1.1 88
1.4.1.2 M
1.4.1.3
1.4.1.4 8
1.4.3 8 M 17
3 M
1.4.3.1 8 M 5 8 8 1
2 8 1 2
1.4.3.2 8 M 8 8 8 1
4 8 1 3
1.4.3.3 8 M 4 8

1.5 I

8 M M
8 20 M
M M
5

1.6

(Jazz Orchestra)
11 17 h
8 h 8
M 8
M h
8 8

$ (4 way close voicing)


8 M 8 1 3 5 7
M 8

(4 way close double lead voicing)


8 8 8 1 M 5

(Spread Voicing)
M M

$ (Drop 2, 3, 2 and 4)
8 2 2 4 1

I$$ (Low interval limit) M 88 8


8

(Drone) M
8

I (Texture) M
8 M
6

M M
(Dennis, 2012: 76-79)
$ 2

8
M
M 8 3
8 20 8 21

2.1

8
8 M
8 M8 8
M88 M
8 M M
8
M
8 M8M
8 M

2.1.1

8 8 8
8 M
88
... 8
8

8 8 8 8
8 8 M 8 M 8
(Brockman, 2011: 13) 8 8 M
M 8 8
M (Common Practice) 88
8 8 MM8
M
2

8 8
8 ( 8 2.1
8 2.2 8 2.1) (2556 : 53) M

8 3 / 7
M M (Root) 6
7 8 8 8 M
M 8 5 9 13

8 2.1
9

8 2.1

8
M 8 7 8 5 8 3
9 6 #11 -
9 6 11 -
8 9 - 11 -
9, b9, #9 - #11, 13, b13 11

8 2.2 8

8 8 8 8
8 M 8 M 8
2 3 8 2 4 8 8 1 -
8 ( 8 2.3) 8 -
888 (Lindsay, 2015: 88)
10

8 2.3 8

8 8
8
1 M M M 8 C
1 8 8 8
88 8 3 5 7
( 8 2.4 2.5)

8 2.4

8 2.5
11

8 8
88 (2005 : 135) 8M

M M 8 8
8 8 8
8 M M
8 8 8
8 4 8 8
8 5 8

M
(Dense) 8 8 8
M 8M 8M ( 2.6)

8 2.6

M M
M8 8
8 (2005 : 152)
12

88
8
8 8
8 8 C 1
MM8M
M ( 8 2.7)

8 2.7


8 M 8 8 -
M M
( 8 2.8) 8 8
M 8 8
M M 8 8 (2556 : 74)
8 M 8 8 8
M M 8 8M
8 ( 8 2.9)
13

8 2.8 8

8 2.9 M 8 8M

2.1.2 I

8
M 8M 8 8
8 8
88 8 8M
8 M 8
14

M8
8 Lowell and Pullig M M
8 88
M ( 8 2.10) 8 M 8
M 8

8 2.10 M

2.2 $ 20

8 20 MM M -
8 M 8-
8 8 M 8
8M 8
15

8 M M M
(Popular Music) 8 M
M M

2.2.1 (Pitch Center)

8 17-19 M 8
MM
8

8 19 -
M M 8 8
8 20 8

( , 2558: 9)

(Pitch Centricity or Pitch Center) 8


8 8
8 17-19 M
8
- M 8
M 8 8
8 8
8
8 MM

n (n , 2552: 79) 8
M (Igor Stravinsky)
16

M M
F
8 C (C7) M M
8 (V7) F F
M C 8
8M C
M 8 7 8 8 C ( 8 2.11)

8 2.11 M

M n
8 8M M8 17-19
-
8 20 M M 8 -
8 M 8
8 8
M 8 ( 8 2.12) -
8 D, F#, C, Eb 8 1 2 8
17


8 (n , 2552: 94-95)

8 2.12 n

2.2.2

8 20
8
( , 2554: 78-79) 8 20

8 20 8
M 8

8
M 8 M
M
8 8
8 M
8 8
M
18

8 20

88 8 n (
n , 2552: 126) 8 20

M 8 8 8
8
8 8 9/8 M8
8 M 4 M 4
( 8 2.13)

8 2.13 M

8 20
M 88 8
M n M

6/4
8 3 88 4/4 M
8 M 2 8
M 2 ( 8 2.14)
M 8
19

8 M
8
8 (n 2552: 129)

8 2.14 2, 11

8 M M
8 20 8 M8
8

8 88
8 8 M
8 8 2
(Sacrifice Dance)
( 8 2.15) (n , 2552: 128)

8 2.15 M , II
20

8 8 20
8
8 20 M M M
8

2.2.2

8 8 20 8
M M M M
M (Repetitive music) ( n , 2552 : 190) 8
M
M M (Fundamental
Tone) 8 M
(La Mont Young) (The Tortoise,
his Dream and Journeys) 8 -
(Fundamental Tone) 88 (Babara and
others : 643) 8 MM 8 (
, 2555 Kyle Gann, 2006 : 7)

(Steve Reich) 8 8
8
M 8 M
8 M M
( , 2558: 216) (Piano Phase) (1967)
(2558 : 217) M

M 8 M 4-8
M 8 2 M8 2
M 12-18 M
8 2 M -
21

8 8 M 2
( 8 2.16)

8 2.16

2.3 $ 21

8 21 8 20
8 8 20 8 -
M8 8
M
8 21 8 8

2.3.1

8
8 8-
(Eastman School of Music) M (Gil
Evans) 8 8
8 8 .. 1992 M
22

(Maria Schneider Jazz Orchestra) M


M (Concert in Garden) .. 2004
8 M (Winter Morning Walk)
.. 2014 8 8
8 8 M (Thomson Field)
.. 2016 8


8 20

(Hang Gliding) (Last Season) 8 2.15 2.16
( 8 2.17 8 2.18) (Downes, 2008 : 36-37)

8 2.17 8 9-16
23

8 2.18 8 9-16

M
(Gamba Blue)
4/4 ( 8 2.19)
8 ( 8 2.20) (Downes, 2008 : 38-39)

8 2.19 8 80-84
24

8 2.20 8 502-509

8
8 -
M
8


8 20 8
M
(Night Watchmen)
M 8 88
B 88 8 ( 8 2.21) (Downes, 2008 : 40-41)
25

8 2.21 8 30-37

8 M 8
8 M -
(Allegresse) Eb 8 M 8
8 ( 8 2.22) (Dennis, 2012 : 55-56)
26

8 2.22

2.3.2

8
(Bob Brookmayer) 8 (New England Conservatory)
MM .. 2005 8
M Infernal Machines Brooklyn Babylon 8 M
M (Doris Duke Performing Artist Award) -
(Guggenheim Fellowships)

(Dennis, 2012: 76)


M 8 8
(Transit) 8 38 M (Flutter Tonguing) 88
8 ( 8 2.23)
27

8 2.23 8 38

8 51 8
M M ( 8 2.24) (Glissando)
M 88 ( 8 2.25) 8
(Dennis, 2012: 77)

8 2.24 8 51
28

8 2.25 8 52

8 88
M ( 2.26) 8
8 (Dennis, 2012: 77)

8 2.26 8 102
29

$ 3

8 8 2 8
M

3.1 10
3.2 8 A 8
MM8 8
3.3 8 A
F#
3.4 M 12 Bb 88
2 9 A 8
3.5 8 MM 8

3.6

3.7 8
3.8 M8 8
3.9 M 8 8

3.10 8 M8

3.11
3.12 88
3.13 M
30


8 8 8
8 M8 ..
2555 M8
M8
8 M M
88 8 .. 2558 M
8

8 M
8 8 8
M 8
( 8 3.1)

8 3.1
31

3.1

8
8 1 8 8 2
8 M M
(Through-Composed)

M M 8
8 A 8 3
8 8
8

3.2

MM M
A
( 8 3.2) 88 5 4 ( 8 3.3)

8 3.2

8 3.3
32

M 11 8 12
Bb 8 88 2 9
A ( 8 3.4)
A 8 88

8 3.4

M 8 8
8 8 8
A 8 ( 8 3.5)
F# E F# F#
( 8 3.6)

8 3.5

8 3.6
33

3.3

8 A 8
8 A A A A
8 8 Contrary Motion ( 8 3.7) M
A

8 3.7

F# F#
8 A (Relative Key)
8 8 M
88
M

3.4

8
8 8 8 8 3
8
8 8 8
34

8
8 8

8 88
8 8
8 8
M8 8 8 M
8

8 M8
8 M 8 M
88
M M8 M

. (2556). (
, , )
(2549). (HI 10). : .
______
(2552). (HI 3). : .
. (2549). (HI 6). :
.
P . (2552). . :
.
. (2556). . :
.
. (2558). D 20. : .
. (2555). (
, , )
Brockman, M.S. (2011). Orchestration Techniques of Duke Ellington (Doctoral dissertation,
University of Washington, Washington). Retrieved from http://www.proquest.com
Dennis, C.T. (2012). Inside the Score in The 21st Century: Techniques for Contemporary Large
Jazz Ensemble Composition (Bachelors Thesis, University of Southern Mississippi, MS)
Retrieved from http://www.proquest.com
Downes, M. (2008). In The Current: Suite for Large Jazz Ensemble (Masters thesis, York
University, Canada) Retrieved from http://www.proquest.com
Hanning, B. R. (2010). Concise History of Western Music (4th ed.). New York: W.W.Norton &
Company.
Lindsay, G. (2005). Jazz Arranging Techniques from Quartet to Big Band. Miami, FL: Staff Art
Publishing.
Lowell, D., & Pullig, K. (2003). Arranging for Large Jazz Ensemble. Boston, MA: Berklee Press.
Pease, T. (2003). Jazz Composition. Boston, MA: Berklee Press.
Taruskin, R. (2010). Music in Late Twentieth Century. New York: Oxford University Press.