Suplex Technical Drawing blouse next This blouse suplex is actually very easy to model and cook.

Embroidery gives the current and refined touch. Get the base patterns short sleeve, body front and body coast numbering less tha n desired. Why? Because we are modeling for suplex: mesh with higher elastane. A lways test the elasticity! A mesh is a difference in percentage of elastane, acc ording to the manufactures. Analyze the model, asking the following questions: 1. The blouse is sleeveless or not? 2. How is the neckline? What format? Or is i t a collar? What? 3. What is striking detail? Cut? Where? Now look at the answers to the model of the photo next to: 1. Short sleeve, small, with slightly rounded bar equals sleeve kit 2. Cleavage in the shape of "V" with three interlocked. Cut the front, below the bust (we'll use the table of the bulge, ok?) Prepare paper, pencil, ruler, pens, tape, whit e glue or masking tape, pins, scissors and 0.80 cm mesh suplex in the color you desired. The base patterns are prepared to provide a good trim: bandaging without pence! Mango Costa Moulds basis that we use in the construction of modeling Front To transpose, in the detail of the neckline front, we need to have the entire fr ont part. Note that the base model represents a 'half' of the front and 'half' o f the back. The mold base of the sleeve is full. What do you do? To have parts f ront and back whole, as we need, we'll copy the base patterns with a paper folde d in half. This is the result: entire front! First step is to mark the cutout ju st below the bust. How to know how much below the bust? See the table of bulges in the handout you received along with the kits mold base and videotape. Accordi ng to the dummy, a value for bulges or as here: cut below the bust! See table bulge Follow the sequence of images below and do your part in any dummy. Remember alwa ys to bring the dummy factor 'elasticity' of the mesh to be used in the piece: 1 . For helancas, crepes, viscolycra ... (10%) use the dummy in the exact numbers that you want to play: P / M / G ... 2. For suplex as shown in the photo, where a small numbering less than you want in reality: P Mold for one final piece size M. This is because the elasticity of the suplex is 20%. 3. Always place the sea m allowances (0.5 cm) all around the mold in the desired model already built ... Except where they chose to do the finishing with 'live' (gallon). To have whole sections of molds and shore front, pass the 'reel' by copying all the cast agai n ... When unfolding, the marks are on the other side. Pass the pen where you sc ored and ready: The cast is full! Step 1 Step 2 Step 3 1. According to the table of bulges, I measure a value below the bust for the cl ipping of my model 2. To draw the V-neckline, I measure 2 inches from the neckli ne base. 3. Drawing my shoulder neckline going real far will be cut below the bu

st line SS. We are holding the mold of a suplex or blouse if desired, another mesh is not so elastic. Why not be blouse and tunic or dress, we must set the play at the hip. See below for how to accomplish this task! We have to adjust her blouse at the hip (bar pattern) because we are making a sh irt properly affixed to the body. For this, we measured 2cm into the mold and dr aw a new side to the waist. Until now, we always work with the cast body forward. We've done the neckline, w hich will mark the cut below the bust and tailor our modeling style of the piece : a sweater stuck to the body. Then join me in the next steps to finalize all th e cast, okay? 2cm New Cava Because it is a piece sleeve, we should increase the pits ahead and coast. To do this, measure 2cm and draw new digs as the figures on the side. In the figure, drew the bust to give a vision of where you made the cut of his g arment. Measures table bulges help you not make the cut either too low or too hi gh ... But the right amount: below the bust! Look in your book of Lattice values . To have a right to the body and neck, with no 'gaps' side, make a camouflaged pe nce! The other part of the mold (where I am with my hand) we will not use. In the ana lysis of the piece, cut a couple and we both ways! The bottom mold continues whole front and just cut the loop only once. After closing the camouflaged pence at the neckline, cut the pattern separating the parties. Check that the seam allowances were added: where you'll spend less gallon. Where did the dash to separate the mold (cut below the bust) we have to put even the SAs: Cole paper and draw the seam out of the mold (0.5 cm). Do this also at the bottom of the mold face. The front is ready! We will now start the model part coast. â ¢ Copy the cast coas t of paper folded in half, as in the photo below. Pass reel copying again, scori ng the other hand, as done in the mold face. Change the neckline, separating the shoulder and also in the middle of the mold, 2cm. Make new digs for manga, down 2 cm and plotting again. 2cm Like the cast front, between 2cm at the hip and draw a new side to the waist. In the picture, we have the cast coast ready to receive the SAs and be trimmed. As with the front neckline, not put value sewing the neckline coast. The finish chosen is the piping made for 'gallon' of the same material blouse. Copy the sleeve corresponding to the same numbering chosen and add the seam allo wances as shown in the picture.

The finish to the bar will also be gallon, so do not put value of sewing, as sho wn in the picture! The cast of her blouse is ready and our next step is to put all parties on the m esh chosen to perform the piece, to cook properly. The S O S V Arrows indicate that the mold is in the straight wire. Scratch the tape to the gallon as far as your machine alive. Use the full width of the mesh. Mangoes: How are we to open loop, while cutting both sleeves and th e top of the front, you need to 'turn' the template for the reverse, thus having a pair. Here's how to make a gallon in the assembly of your piece: click here 1 . The sleeves pass gallon before closing with hand side. 2. The neckline, a part of the coast by the shoulders with the upper front, using overloc. 3. Spend a g allon around the neckline. 4. Overlap the tops of the front and mend with the bo ttom five. Place the sleeve armholes 6. Close the side bar and make using galone ira blouse. For your piece is so charming about the model, see the embroidery: Play it with care! Using a needle in galoneira I wish you success in all your tasks. May Jesus guide you the steps in achieving your dreams! A big hug, Solange Maldonado