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Peter Warlock

Capriol Suite
for String Orchestra,
arranged for
5-part Cello ensemble
Performance Notes.

Peter Warlock (real name Philip Helseltine) was a British composer


and musicologist who wrote his Capriol Suite in 1926. The original
version was written for Piano duet, but the composer made an
orchestral arrangement soon afterwards. The Suite consists of six
short dances, freely adapted from a 16th century book of dances
compiled by Thoinot Arbeau [1519-1595]. The total playing time is
around 10 minutes.

The present arrangement for Cello Ensemble is based on Warlock's


orchestral version of the piece. It was made for members of The
Giant Cello Ensemble, conducted and directed by James Halsey, to
play at the end the Aboyne Cello Festival, in July 2013. This is a 7-
day cello course held annually in North-East Scotland,which
brings together students at music conservatories and a number of
amateur cellists of all ages.

Gwyn Seymour , Stonehaven, Scotland September 2012


d.g.seymour@abdn.ac.uk
Capriol Suite for String Orchestra,
arranged for 5-part Cello ensemble
1.BASSE DANSE Peter Warlock
arranged by Gwyn Seymour
(transposed down a fourth from the original) (d.g,seymour@abdn.ac.uk)
Allegro moderato
> >
? 3
Cello1 4
mf

> >
Cello2

? 43 mf

? 43 > >
Cello3
mf

? 43


> >
Cello4
mf

?3
Cello5 4
mf > >

? #> >
9

Vc1

> >
?
Soli
Vc2

? >

>
Vc3

?
Vc4
> >

? > >

Vc5

?
A

>
3 17

Vc1 #
f
?
Vc2 >
f
nSoli
>
#
Vc3
?
f
Soli

? # >
Vc4


f
? #n
Vc5

f >

? >
. .
24

Vc1 # n
. >.
f
?
Vc2
n >

f Soli

Vc3
? #
>
Soli f f
nSoli

? #
Vc4

f f
?
#
.
Vc5 n
f f >.

?
B
# # # #
31

Vc1


f
? #
Vc2 #

? #
f

Vc3 #
f
? #
Vc4
# # #
f Soli
? #



Vc5
f
? # # #
pizz.

38 4
#
Vc1
mf

? # # # # #
Soli (arco)

Vc2
f

pizz.
#
? # #
Vc3
mf
pizz.
?
Vc4


#


#
mf
? # # #

pizz.


Vc5
mf

C
?


45 arco

Vc1 # #
# #

ff

? # # # #
n
Vc2
ff

? # # # #
arco

Vc3

ff arco
? # # #
Vc4


ff arco
?
Vc5




ff


?
D
53

Vc1

?
f


Vc2
f
Soli

?


Vc3

f
?
Soli
Vc4 #

f

Soli
?
Vc5


f
n n o o
?
5 60

Vc1

?

Vc2
n >
? # #
Vc3

? n n n

Vc4

? n >
Vc5 # #

?
64
# 2
Vc1 4
fff

? # 2
Vc2 4
fff

? # # # n # 2
4
'
Vc3
fff


? # n # 2
4
'
Vc4
fff

? 2
4

Vc5
fff
IIa. PAVANE (lower version, transposed down a fourth)
6

? 2
1 Allegretto, ma un poco lento

Vc1 4
mp p
? 42 b
Vc2

mp p
? 42 b
Vc3

p Soli
#
Vc4
? 42
mp

? 42
Vc5 b b
p

?
A
12
b
Vc1

b
p p

Vc2
?

Soli
# p
?
Vc3
mp

p Soli

?
Vc4 n
p Soli
mf

?
Vc5 b mf

? b
23

#
Vc1

?
Vc2
Soli # n
?
Vc3 mp

? # n #

Vc4
? # n #
Vc5
p
B

7

?
34
Vc1
mp
Soli #
Vc2
?
mp
#

Soli
Vc3
? #
p

mp

?
Vc4
p mp
?
Vc5

b
p mp


?
45 C
Vc1
#
? ?
Vc2

Soli

Vc3
? #

? b
Soli
Vc4

?
Vc5

?
56
B #
Vc1 b
? b
Vc2
# n # ?
?
Vc3
b
?
Vc4 # n #

? # n

Vc5
#
mf
o o o
8

B U
66

Vc1
n # ? 2
b4
o
pp
o o
? U
p
2
Vc2 b4
U
pp
? 2
Vc3
b4
U
p pp
? b 2
Vc4 b4
U
p pp
? 2
Vc5 n #

b4
p
pp
IIb. PAVANE (alternative higher version, in original key)
9

? 2
1
Allegretto, ma un poco lento

Vc1 b4
mp p
? 42 b
Vc2 b
b
mp p
? 42
Vc3 b

p Soli
? 42 #
Vc4 b
mp

? 2 b b
Vc5 b4
mp

?
12 A
b b
Vc1

p p
?b b
Vc2

p
?b #
Soli
Vc3
mp

? b n
p Soli

Vc4
mf
Soli
p
?b

b
Vc5
mf

?
23

Vc1 b n b

?b


Vc2

# n
Soli
?b
Vc3
mp

? b # n #
Vc4

? b # n #
Vc5
p
B 10

?
34


Soli
b #
Vc1 &
mp

?
Soli
#
Vc2 b

mp
? #
Vc3 b
p
?
b

Vc4
p
?
Vc5 b b
p

b
45 C
Vc1 & # ?

?b #
Vc2


Soli
?b B
Vc3


Soli

Vc4
?b b


?b
Vc5

? b
56 #
Vc1 b B

b
?b
Vc2
B b # n # ?
b
Vc3
?b # n #
Vc4

?b n bSoli
#
Vc5
mf
11 harmonic 8va higher ad lib

B b
66
n # o o o U
? 6
Vc1 4

p
o
pp
o o U
?b 6
Vc2 4
U
pp
? 6
Vc3 b 4
U
p pp
?b 6
Vc4 b 4
? n #
p

pp
U 6
b
4
Vc5
p pp
III. TORDION

? 6 . . J. . . . . . . . . . .
.
1 Con moto . . . . .
12
J #
Vc1 b4 J
mp very lightly
. . .
. . . . . . . . .
? b 46 . J . . . . . .
Soli (with Vc1)
J #
Vc2 J
. n n
? b 46 . . . . . .
mp very lightly
. .
Vc3 . . .
. . .
? b 46 . . . . n . . .
p
. #
Vc4
.
. .
p
? 6 . . . . .
Vc5 b 4 . . . . . . .
. . .
p

. . n . . . . . b . . . .
.
? . .
5

Vc1 b
. .
. n.
mp sotto voce
. .
? . n. . . b. . . n. b
Vc2 b
. n . b.
? b . # . n .
Vc3 . . . . . . . .
n .
. Soli . . . . .
mp
. . . . .
? b . J . . . . . . . J #
Vc4 J
. Soli . . . . . . . . .
mf
.
? b . J . . . . . . . #
Vc5 J J
mf

.A n . . .
? b . b . . . . . . .
b
9
Vc1

~~~
mp (sotto voce)
1 2. 4.
Soli .
? b . . . . . b
2
. . . . . . . . . #. . .
Vc2

~~~
mf
1 2. 4.
?b .
.
.
.
Soli
.
. 2
. . . . . . . . . #. . .
Vc3

b . n
mf
.
?b . b . . . . .
b. n. #
Vc4
. . .
?b n. >
. . . . . .

b . . n. . . .
Vc5
.
mp >
~~~~
? .
1 2. 4. 2
. . . . . . . . . . . . . .
13 13
#
Soli
Vc1 b
n
? b b. n. n. b . . .
mf

Vc2 . . J n n
~~~~
mp
1 2. 4. 2
?b .

Soli
.
.
.
n .
.
. . . . . . . . . #
Vc3
. . .
. .
mf
b .
. .
. . .
?b #
Vc4

.
mp
?b . b

. . .
Vc5
b . . . . . .
mp
B
?

17
#
pizz.
Vc1 b
mp

?b

pizz.
n n
Vc2
mp

?


pizz.
Vc3 b
mp
? b #
pizz.
#
Vc4
mp

j
pizz.
?
Vc5 b


mp


?
21 C

Vc1 b
o o #
pp
b n
Vc2
?b

o o o o o o
pp
#
Vc3
?b

pp
# n
Vc4
?b
pp

?b J
Vc5 J
pp
?
25 D 14

Vc1 b
mp
? b b n n
Vc2
mp
?b

b b b
Vc3

<b>
mp

Vc4
?b #
mp
?
Vc5 b #
mp

?
29


Vc1 b
pppp

?
Vc2 b
pppp

? b b
Vc3
pppp
n
Vc4
?b



pppp
? b n
b b b
Vc5
pppp

? S

32

# ? 2
Vc1 b 2
S
?b # n # 2
2
Vc2
#
S
?b 2
2
S
Vc3


?b 2
2
Vc4
S 2
?
Vc5 b
2
Presto IV. BRANSLES
? 2 . . . . . . . . . . . . . . . . . . .
15 1

. . . . .
arco
Vc1 b2
. . .
? b 22 . . . . . . . . . . . . . . . #. . . #. . .
p very lightly
arco
Vc2
arco p very lightly
? b 22 . . . . b. . . . . .
Vc3
. . . . . . . . . . . . . .
? b 22 . . . . b. . . . . . . . b. . . . .
arco p very lightly
Vc4 . . . . . . .
p very lightly
? b 22arco
Vc5 . . . .
. . . . b . . . . . . . . . . . b . . . . .
p very lightly

? . . . . . . . . . . . . . . b. . . . n. B
7

Vc1 b . .

? b . . n. . . . . . . . . . . . . . . . #. . . #. . .
mp

Vc2
mp
?b . . . . . . . .
. . b . . n
Vc3
. . . . . . . . . . . .
mp

bJ .
. j . .
? b j b j b
. . . .
Vc4
. .

bJ .
mp poco marcato
. j
?b j b j b


Vc5 . . . . . . . .
mp poco marcato

B b
. . . . . . . . . . . . . . . . . #. . . #. . . . . . .
1. 3 3 2 1 A
13

Vc1
. . . . . . . . . . . . b . . p . . . .
. . n . . . . . . n. . b
mf f

Vc2
?b
. . . .
? b b j b . . . . . Jb
mf f p

J . . b. .
Vc3
J .
. . . . . b
? b j b .
.
f marcato f p
. . . . .
J b. . # . .
. . b
Vc4 J J
f marcato .

f p
? b . . . b. .
. . . . . . . b. . n n b. .
Vc5 . . . . . . . . . .
mf f p
B b #. . . . . .
. . . . . .
. . . . . . . . #. .
20 pizz. 16

Vc1 . ?

n . . . . . . . . . . . .
.
mf
. . n . . b. . b. .
pizz.
?b
Vc2
. .
. . . .
? b . . . . . #. . . . . .
. . . # . b. .
pizz.
Vc3
. .
? b . #. . . . . . b b j
b
Vc4 . . . . . J J J J J
. b b j
mf marcato
? .
Vc5 b . . . . . . . . .
.
J J J bJ
J
mf marcato

B >
?
. . . . . . . . . . . . .
f sfz
w> w
26 arco
Vc1 b
f sfz
. . . . . . . > # # .
. . > .
.
? b # . # #
arco
Vc2

? b b. > n # # . . . . . . b. .
f arco f
> n # # .
Vc3 . . .
f f
. .
? #
b
. #. n. #. . b . . b .
Vc4

f f
?b
Vc5
# n # b
. . . . . . . . b
. #.
f f

? . . . w . . . . . . . . w
. . .
f sfz
C
>
33

Vc1 b
. . .
f sfz
> >
? b . . . # n n b # n n
Vc2 b. . . #. . b . b . n
. f
> >
? b b. . . . b. . # n n b b # n n
Vc3
. . . #. . b b
. . n
.
. . . . . . #
f
? b n. #. . b. b. > n # # n . .
Vc4 .
f f
?b > n # # . . . . . . b. . n #
Vc5 n. #. . b . b .

. f f
? > w w , D . . . . . .
. . . . . .
17 40
#
Vc1 b
b n , p
? #
b b b # . . . . .
Vc2 b
,
p

Vc3
? b b
b n # n b b n
# . .
#
, #
p
?b
Vc4
, p
? b # b #
Vc5

? # . . . . . . . . . . . . . .

E

47

Vc1

. .
mp crisply
?# . . . .
. . .
.
. . .
.
Vc2

. . . . . .
?# . . . . . . . .
mp crisply

Vc3
. .
.
mp crisply p

?# . . . . . . . . . .
Vc4

. . . . . . . .
mp crisply p

. . . . . . . .
Soli
?# . . .
. . . . .
Vc5 . .
p mp crisply p

? #
pizz.

54


Vc1
p pp


Vc2
?# # w
pizz.

p pp pizz.
? # .
# n w

Vc3 .
pp pizz.
# n# n b
?#
Vc4 . . . . n n
. pp

. .
?# . . . . . .
pizz.

Vc5
pp
F
? # . . . . . . . . . .18
60 . .
arco

Vc1
B
p

. . . . . . . . . . . .
arco Soli
?#
Vc2

p

? # arco . . . .
Vc3 .

. .
p
?#
arco
Vc4

p arco
?#
Vc5
p

B
67 pizz.
Vc1 #

?#
p pizz.

Vc2
p pizz.

Vc3
?#


?#
Vc4 pizz.
p pizz.
?#
Vc5
p

G
# n
B
72 arco
Vc1 # ?
. . . .
mf
arco
# n # n . .
. #. # .
Vc2
?#

. . . .
mf
?# # n # n
arco

. . b. .
n .
Vc3
mf
arco

?#
Vc4 . . . . . . . . . . . .

mf
? #

arco
Vc5 . . . . . . . . . . . .
mf
w
? #
19 77 pizz.

Vc1 b
f

? # w n
pizz.
b
Vc2

f
? #
pizz.

Vc3 b
f
pizz.

Vc4
?# b
? #
f pizz.
Vc5 b
f

arco <b>
H
? . . . . . . . . . . . . . . . . . #. mf
83 . . nf.
.
b . n
<b>
Vc1
p mf p
. n . # . .
. mf
? b . . #. . . . . #. . . b. . . . b. .
arco . .

Vc2 .

?<b>b
mf
.
p f
. . . . . . .
p mf mf
. . . . b . . . . . . . . . . n. .
b j . bJ
arco

Vc3
.
? . . . . . . b. b. . . b. .
p arco mf p mf f mf marcato
. . .
b . . . n . b . . . .
. . . . .
Vc4

<b>
(pizz). mf p
j
p mf f mf
?
b
j
b
Vc5
mf mf f mf

? . . .
. . . . . . . . .
. . . . #. . n.
J
90

Vc1 b

nb
mp f
?b
b. . .
. #
Soli
Vc2 . . . . . . . J J
mp f pp (subito)
. bpizz.
?b
J b. J . b. . . n. . . n
Vc3
. pp (subito)
mp f

. . . . b. . b
pizz.
?b . . .
Vc4 . . . b . . . .
. . . mp f pp (subito)

b j b j b
Vc5
?
(pizz.)

mp f pp (subito)

?
96 b b J b 20
Vc1 b J J J J J
b
b J b
ff

? b b
j J J J J J
b J J J

Vc2


ff
b
? # b b #
arco
Vc3 b

ff arco

Vc4
? b b
#
ff

arco

> b
?
b

# b b >
Vc5

ff > > >

K >
? > # # . . . . . . . . # n n b # n
102

Vc1 b
f arco
>
f
>
?b # # . . b. . . . b. . # n n b
Vc2
# n
n # # >
f f

? b
. # # # . b
. b .
Vc3
. . . .
?b n # #
f f
. # # # . b
. b .
Vc4
. . . .
. .
. . . . . . w >
f f
?b >
arco
Vc5 w
f sfz f sfz

. >
? b b . . . . . >
109 L Faster

Vc1 b b
f
>
?b . . . .
n # b b n . . >
Vc2

. >
?b







. >
Vc3

. . . .
? b b . .
f

Vc4

w w
f

?
Vc5 b
. . . . . .


f
. > n> M
? . . . . . . .
21 116

Vc1 b
f
n>
? . .
b . . b . .
Vc2
. . >
> >
?b
Vc3
. b .

?b .
.

. . . .


. . . . . . .
Vc4

? . . . . .
b . . . . . .

Vc5 b . .

>. > >. n>.


? . . . . . . . . . . .
>.
>
n. #>
> n. .
123

Vc1 b
>. >. . . . . . >. >. >. . . . .
?b . >.
.
> > .
Vc2

? b n. #. >. . . >. n>. #


. n . > b>
>
Vc3
>. > b
>. . . >. >.
Vc4
?b
. . .

?
b . . . . .
. >. > > . . >. >
Vc5
.

.
Still Faster
> >. >
? . . . .
N
. . . .
.
. . . . . . . . >. . .

130


Vc1 b
. . n. >. >
ff
?b . . . .
. . . . .
Vc2
. . > . . . . . > . .
> >
b
b >
ff
.
? b n. #
Vc3 . #
>
. . n. b > > n> >
Vc4
?b b n b


? b .
. .
b

> >

>.
Vc5
>
>.
22
>. . > .
? . . . . . . . . . . > . .
137

Vc1 b
fff sfz
>. >.
sfz
?b
Vc2 . . . . . . . . . . . .
fff > >

> > > >


gliss
w
? n . . n n n
Vc3 b n b> > w
fff

>
n>. . >. . . . >. . >. . . .
? b b. .
Vc4 >
sfz sfz
o >o.
fff

o. o. . . >. .
sfz > >. . . .
.
?
Vc5 bb >
> fff
sfz sfz

sfz

> >
? . . . . .
143
. . . > >. >. >. U
U
U
# 98
Vc1 b
U U U
?b # 98
Vc2 . . > . . . . . . > >. >. >.
>

> > > > > nU U



U
?b n
n
n

# 98
>. >. >.
Vc3

>. . >. . . . >. . >. . . >. . . >. >. >. U


?b nU
U # 98
Vc4

>o. . >. . . . >. . >. . . >. . . U U U


? # 98
Vc5 b
. . >.

> >
23

5. Pieds-en-l'air

[ This movement was originally in 9/4 time, but it has been transcribed into 9/8 for clarity.
In the present arrangement the melody has been shared among the different voices
(marked "Soli"), rather than being allocated exclusively to the top voice, as it was
in the original. The pattern of slurring might appear irregular and idiosyncratic, but the
slurs are shown exactly as written by Warlock. Performers may want to use alternative
slurring/bowing but if they follow the original Warlock pattern the bowings mostly "work out",
with the second half of the melody, e.g. in bar 5, beginning on an upbow. The only additional
bowings needed are the two successive upbows in the melody in bars 11 and 24.]

? #9
Andantino tranquillo


j
1
j n j
Vc1 8 J J J J
mp dolce
ad lib con sord.


? #98 J j
j #J
n
Vc2 J J J
mp dolce
ad lib con sord.

j



? #98 j
Vc3 J J J J
mp dolce
ad lib con sord.



Soli
J
? #98 J
Vc4 J J
mp dolce
ad lib con sord.

J
Soli


? #98 j
Vc5 J J
mp dolce
ad lib con sord.
24

n
Soli

? #
J
J

5

Vc1
mf mp

n
Soli

?# J J
Vc2
mf mp

? #
Vc3 J J J J J J
mf mp


Vc4
?#
J J

J J J

J
j
mp
mf


?#


J # n
j

j
j J

Vc5

mf mp

? #
j
j j
9

n n B

#
Vc1
mf
mp

n
Soli

?# J J
Vc2
mf mp

n
Soli

?# J J
Vc3
mf mp

? # n # n b j J
J
Vc4
J J
mf mp

n b b
? #
J J J J
Vc5 J J
mp
25

B - - J
13

Vc1 # J J J J ? J
mf

n j # n
Vc2
?# J J J j J J n n #
J J J
mf

J

Soli
?# J
Vc3 J J J
f mf

? # #J nJ

J
J J
Vc4 J J
mf

?# j j
J

n
j J # n #
Vc5 J J
mf

Soli
n
? #
J J
17

Vc1
mf mp mf

n n
? # b
nJ # J J J J J
Vc2 J J J mp
mf mf

J
? # n J # j
J J J J J
Vc3
J
mf

# n
j j j
?#

J j
Vc4
-
mf mp mf

? # n n
Soli
j
Vc5 J
mf mp mf
26

n
Soli

? #
rall.


21

Vc1
J J
p mf

n
Soli

?# J
J
Vc2
p mf

?# # n
J n
j
Vc3 J J J J
p
mf


? # n J J # # #
J J
Vc4 J
P mf




? #

J
Vc5
p
J
mf


U
Much Slower
n
? #
24
J 6 n 42
Vc1 8 J
mf

#
?# 6 J U
n 42
Vc2 J 8 J
mf

?#
6 j
nU n 42
J 8 b J
Vc3 J
mf



U
?# J 6
n 42
Vc4 J 8 J J
mf

U

j j j

?# j 68 # j n 42

Vc5
mf
6A. Mattachins (Sword Dance) [lower version, transposed down a 4th]
. . . .
27
. . . . .
Allegro con brio

? 2 . . .
1

Vc1 4
mf. . . . . .
. .
. . . .

? 42
Vc2

. . . . . . . . .
. . . b
mf
? 42
pizz
arco
Vc3
mf

f
? 42
Vc4

f mf Soli
? 42 . . . . . . . .
. . . .
Vc5
f mf

?
11 . . . . . . . . b. n.
o o. .
. .
Vc1

. . . . . .
Vc2
?

? . . . . . . . . . .
Vc3

. . .
Vc4
? . . . . .

? . .
Vc5

o o
. . . . . .
?
21 . . A . . . .

Vc1
f Soli . . . .

? . . . . . b .
. . .
p

. b
Vc2

. . .
p
? . . .
. .
f

Vc3
. . . .
. .

p
. . . . . n. . . . . f . .
Vc4
? . .
p
f

?
pizz.


arco
Vc5 . .
. .
p f
. . . .
28

? b. .
. . . . . . . .
31

Vc1

. . . . . . . . . .
? ? . . .
.
Vc2

. .
? . . . . . . b . . . . . .
Vc3

? . . . . . . .
b . .
.
Vc4 . . . .
.

?
. . . . .
. . . . . .
Vc5
. .

. . . . . .
? . . . .
B
b . .
ff ben marcato

41

Vc1
? #

? . . b b . . n . . . .
ff

. . b . . b n
Vc2
.
? . . . . .
ff
# . . n # n > b. .
Vc3
# . . # . .
. . . .
? n
b >
ff
#

. .
Vc4

? . . b
ff

Vc5
. .

n

bb

>
ff

. . . . . . b . . b . .
? b . . .
.
51

Vc1 #
. . . . . .
? # b . . b . . . .
n #
#
mp ff
. .
Vc2 b b n

? b . . . . . . . .
mp ff
# . . n # n > b. . b
Vc3
# . . # . .
? b > mp ff
b
> #
. .
Vc4
>
> >
?
Vc5 bb
n

b
b
>
b
b >

> > >
. . . .
?
29
C 1 2
# # #
61 1

Vc1
ff cresc. 3 3

# . .
## # ## # ##
divisi
?
Vc2
. . ff cresc. 3 3

? b . .
3 3

Vc3 . . b b b b
ff cresc.

?


3 3
Vc4 b b b
> > > > > > ff cresc.
ff

?

3 3

# # #
Vc5

> > > > > > ff cresc.


ff

Con Tutta Forza

b > > b >


? b b
3
69

b
Vc1
fff 3 3
> > >-
sffz
non divisi
? b
3 3

b n b
> > >
Vc2
fff > > >-
sffz

? b
3

3
b n
Vc3 b
fff
> > > > > > > > > >-
sffz

? n n n
3

3

Vc4
> > > b
fff > > > > > > >-
sffz

?

3 3
b
n
Vc5
fff
> > > > >
>
> > >
>-
sffz
6B. Mattachins (Sword Dance) [higher version in original key] 30

?
1 Allegro con brio
. . . .
Vc1 b & . . . . . . . .
mf . . . . . . . . .
. . .
Vc2
?b
mf
. . . . . . . . . . b . .
? b
pizz arco
Vc3

f mf
?b
Vc4

. . . . . . . . . . . .
? mf

f Soli
Vc5 b
f mf

b
11

Vc1 & . . . . . . . . b. n.
. .
. .
?b & . . . . ?
Vc2
. .
. n . . . . . . .
? . .
Vc3 b
? . . . . . . . .
Vc4 b
? b . .
Vc5

b . .
A
. .
21

& . .
. . . . . .
Vc1

. . .
. . b b . . .
p f
. .
?b & . .

Vc2 . .
. . . . . .
p

?b . . . . . .
f

Vc3
p . .
o
. . . . . n . . .
. .
f

Vc4
?b . . . .
p

? b
pizz.
f


arco
Vc5
p
. . . .
f
31

b . . . .
31

& . . b . . . . . . .
. . .
Vc1

. . .
ff
. .
Vc2 & b . . . . . . . . ? . . .
.
. . . . . . b . . . . . . . ff . .
?
Vc3 b
? . . . . . . . . . .
ff

b b
Vc4 . . . . . .
ff
?
b . . . . b . . . . . .
. .
Vc5
. . . . ff

. . . .
b
B ff ben. marcato
# . . . . .
b
42

#
? #
Vc1 & . .
. .
# . . . . . . . .
Vc2
?b b # . . # #
. .
?b . . # . . n . . # b > #. . b n. .
Vc3 n n
> b>
? b . . # . .
Vc4
> >
>
?
b b # bb
. . # > > >
Vc5

. . . . . .
? . . . . . .
b b
53

#
Vc1 b
. . # . . . . . . . . . ff.
? b ## n
mp

Vc2 # # #
. . . .
? bn# . . nn . . # b > #. . b n. . . .
mp ff

Vc3

> b>
mp ff
?b # . .
Vc4
?b >
# bb>
Vc5
#
32
b . . # # #
2

?
1
. .
1
61 C

#
Vc1 b
ff cresc. 3 3

. . . . # ## # ##
##divisi
Vc2
?b
ff cresc. 3 3

. . b . .
Vc3
?b b b b b
ff cresc. 3 3

?b 3 3
b b b
> > > > > >
Vc4
ff cresc.
ff

?b

ff cresc.

3 3

# # #
> > > > > >
Vc5
3 3
ff 1 2

Con Tutta Forza

b > > b >


b 3 b .
?
69

b
> >
Vc1
fff 3 3 sffz

divisi
non .
? bb b n> > >

> >
Vc2
fff
3 3 sffz

?b
b> > b> n

> > > > > >
Vc3
fff .
3 3 sffz

? b n n n> > >



> > > > > >
Vc4
fff .
3 3 sffz

?
b n
3 3

> > > > .
Vc5

1 fff
> > > > > sffz