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From: Jason Mraz - Love Is a Four Letter Word

5/6
by

JASON MRAZ and MICHAEL NATTER

Published Under License From

Bill Silva Management

Copyright 2012 Goo Eyed Music (ASCAP) and Great Hooks Music c/o No BS Publishing (ASCAP)
International Copyright Secured All Rights Reserved

Authorized for use by Alexander Traxel

NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment.
However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written
consent of the copyright owner(s) and of Bill Silva Management. Unauthorized uses are infringements of the copyright
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5/6
Words and Music by
3 Jason Mraz and Michael Natter
Slowly, with a 2 feel (6/8 bars in 2) and a Swing feel ( = )
Dm7 Gm7 Dm7
xxo xxo
3

Gm7 1. Dm7 2. Dm7


xxo xxo
3

Are you

Gm7 Dm7 Gm7


xxo
3 3

danc - ing with your part - ner or are you push - ing them a - round?

Dm7 Gm7 Dm7


xxo xxo
3

Are you beg-ging for at - ten - tion or do you love the one youve

Copyright 2012 Goo Eyed Music (ASCAP) and Great Hooks Music c/o No BS Publishing (ASCAP)
International Copyright Secured All Rights Reserved

Authorized for use by Alexander Traxel


2 Gm7 Dm7 Gm7
xxo
3 3

found? Are you giv-ing up your Sat-ur - days to

Dm7 Gm7 Dm7


xxo xxo
3

waltz all o - ver town, or is

Gm7 Dm7 Gm7


xxo
3 3

ev - ry day a jol - ly hol - i - day with the Mar - y youre with now?

B maj7 Am7 Fmaj7 Gm7


x xo o o xx o
3

You can give it all a - way, give it all and be un-stop-pa - ble.

Authorized for use by Alexander Traxel


B maj7 Am7 Fmaj7 Gm7 3
x xo o o xx o
3

1.3. Ev - ry - thing is real - ly pos - si - ble.


All a - way.
2. M - m - m - make emp - ty mean - ing - ful.

To Codas I & II
B maj7 Am7 Fmaj7 Gm7 B maj7 Am7
x xo o o xx o x xo o o
3

All a - way. You nev- er real-ly owned it an - y - way. It-ll all fall in place if you

Fmaj7 Gm7 Dm7 Gm7


xx o xxo
3 3

just let go. Mm.

Dm7 Gm7 Dm7


xxo xxo
3

Dont dress up your chil - dren like dolls from your

Authorized for use by Alexander Traxel


4 Gm7 Dm7 Gm7
xxo
3 3

past. Well, theyll run from you mad - ly; theyll

Dm7 Gm7 Dm7


xxo xxo
3

nev - er look back. And

Gm7 Dm7 Gm7


xxo
3 3

when they grow old - er, theyll do just the same.

Dm7 Gm7 Dm7


xxo xxo
3

The worlds a re - flec - tion of how chil - dren

Authorized for use by Alexander Traxel


Gm7 5
3
D.S. al Coda I

play. Well, you can give it

Fmaj7 Gm7
Coda I xx o
3

just let go. Whoa, whoa, whoa, whoa, whoa, whoa, whoa,

Cm7 Dm7 Gm7 Cm7


x xxo x
3 3 3

whoa. When youre in the mood, ba - by, hear just what your

Dm7 Gm7 Cm7 Dm7 Gm7


xxo x xxo
3 3 3

heart has to say. When the world is turn-ing top - side and tur - vy, think youd bet - ter

Authorized for use by Alexander Traxel


6 Cm7 Dm7
x xxo
3

hur - ry down to the bot-tom of your soul and be

Gm9 Gm7 Dm7


xxo
3
3

love.

Gm7 Dm7 Gm7 Dm7


xxo xxo
3 3

Your word is your ac - cess, your mouth is your

Gm7 Dm7 Gm7


xxo
3 3

door. Lets slide down in - side there and

Authorized for use by Alexander Traxel


7
Dm7 Gm7 Dm7
xxo xxo
3

see whats in store. In the

Gm7 Dm7 Gm7


xxo
3 3

mid-dle theres a rhy-thm kick-in. Its a frig-gin heart - beat (beat,

Dm7 Gm7
xxo
3

beat, beat, beat). At the bot - tom, theres a lot of wa - ter keep-ing your

Dm7 Gm7
xxo
3
D.S. al Coda II

soul deep. You can give it

Authorized for use by Alexander Traxel


8 Fmaj7 Gm7
Coda II xx o
3

3 3

just let go. Whoa, whoa, whoa, w-w-w - whoa, w-w-w - whoa, whoa,

Cm7 Dm7 Gm7 Cm7 Dm7 Gm7


x xxo x xxo
3 3 3 3

whoa.

Cm7 Dm7 Gm7 Cm7 Dm7


x xxo x xxo
3 3 3

Cm7 Dm7 Gm7


x xxo
3 3

Yeah. And when youre in a mood, pret- ty ba - by,

Authorized for use by Alexander Traxel


Cm7 Dm7 Gm7 Cm7 9
x xxo x
3 3 3

hear just what your heart has to say. When the world is turn-ing

Dm7 Gm7 Cm7 Dm7


xxo x xxo
3 3

top - side and tur - vy, think youd bet- ter hur - ry down to the bot-tom of your soul. Get

Gm9 Gm7
3
3

down, give it all and be love.


(Sing 1st time only)

Dm7 Gm7 Dm7


xxo xxo
3

Play 3 times

Authorized for use by Alexander Traxel


10
Gm7 Dm7 Gm7 Dm7
xxo xxo
3 3

Be, be love.
2 Vocal ad lib...

Gm7 Dm7 Gm7 Dm7


xxo xxo
3 3

Be, be

1.
Gm7 Dm7 Gm7
xxo
3 3

love. Be love.

2.
Dm7 Gm7 Dm7 Gm9
xxo xxo
3
3

Be.

Authorized for use by Alexander Traxel