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WhatMakesanAbstractExpressionist
PaintingGood?
ARTSY EDITORIAL
BY ISAAC KAPLAN
DEC 21ST, 2016 5:02 PM
OneofmyresponsibilitieshereatArtsyEditorialistoponderthearthistorical
questionsthatareperhapsbestansweredeitherwitharaisedeyebroworbysaying,
becauseduh,thatswhy.Todaysentryinthisseries:Whatmakesaworkof
AbstractExpressionistartgood?
https://www.artsy.net/article/artsy-editorial-what-makes-abstract-expressionist-painting-good 1/5
22/3/2017 What Makes an Abstract Expressionist Painting Good?
Asinpreviousiterations(see:Whybuyapaintingwhenyoucanmakeyourown?),
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thesimplestofqueriessometimesraisesinterestingandcompellingideasifone
staresatithardenough.Inexploringsubjectivequestionsofqualityandtheir
relationshiptothearthistoricalcanon,onefindsthatagoodAbExworkisone
thatisdeterminedtobesobyboththeviewerandthecriticsandexperts,aswellas
beingtheresultofsocietalbiases(moreonthatlastpartlater).
AbstractExpressionismisperhapsoneofthemostrecognizedhistoricalgenres.
Blameitontheimpactofthesetypicallylargescale,vibrantworks,theirpermanent
presenceintheArtHistory101curriculum,ortheskepticalcriesofMykidcould
dothat!Thetermoriginallyrosetoprominenceinthemid20thcenturytodescribe
agroupofartistsworkinginNewYorkfollowingWorldWarII.Youknowtheir
names:JacksonPollock,MarkRothko,FranzKlinethelistgoeson.
Thepainterswerechampionedorchided(oftenboth)bycriticsofthedaysuchas
ClementGreenberg,whohadbothunparalleledinfluenceandarthistoricalclout,
unlikecriticsofourcurrentage.TheyhadtheirownstandardsofAbExquality
howflatapaintingwas,forexample.
Thoughbroadlyinterestedinusingabstractionasawaytoconveyindividual
emotions,thepainterswhoworkedinanAbExmodeactuallyspannedawiderange
oftechniques,styles,andintentions.Inshort,likeallarthistoricalgroupings,AbEx
isbothbroadandsomewhatlimitinginhowitbringstogetheradiverserangeof
artists.Eachartisthadasignaturestyle,fromPollocksspontaneous,chaoticdrip
techniquetoRothkosatmosphericsquares.
RELATED ARTICLE
20AbstractExpressionistsWhoDidntJustPaint
Anunderstandingofthishistoricalbackgroundandcriticismareimportant,but
reallyappreciatingAbstractExpressionismisnotaboutreadingatextbook,said
GwenChanzit,curatorofmodernartattheDenverArtMuseum,whocuratedthis
yearsWomenofAbstractExpressionismexhibition.Indeed,thequalityofan
AbstractExpressionistworkcanbegaugedmainlybyhowitmakesyoufeel.
https://www.artsy.net/article/artsy-editorial-what-makes-abstract-expressionist-painting-good 2/5
22/3/2017 What Makes an Abstract Expressionist Painting Good?
Thisis,ofcourse,trueofmuchart.ButAbExworksinparticularwiththeir
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intensecolor,largescale,and,inPollockscaseatleast,frenziedapplicationofpaint
canelicitanemotionalresponsefromviewersthatrequiresaphysical,often
prolonged,encounterwiththem.Andthemoreyouencountertheseworks,themore
youreabletojudgethemthisistrueevenforthepros.Youcannotbeacuratorin
avacuum.Youhavetobeoutintotheworldtoseealotofthings.Thenhopefully
yourecognizequality,saidChanzit.
Itskeytorecognize,though,thatthecanonofAbExmasterswasalsotheproduct
ofsocietalbiases,andthatoursubjectiveopinionsarenotalwaysfreefromthe
influenceofbroaderculturalrealities.MostofthemajorAbExfiguresarewhite
men,despitetherehavingbeenbothartistsofcolorandwomenworkinginthegenre
(see:NormanLewisorLeeKrasner).
ThisissomethingChanzitquicklylearnedasshecuratedherexhibition.Thetruth
isIdidnotsetouttodoawomensshowIreallysetouttoseewhodbeenleftout
ofthecanonofAbstractExpressionism,shesaid.WhenIbegantoseewhich
peoplehadbeenleftout,Irealizedtherewasawholegendermissing.Shebrought
togetherover50worksby12womenpaintersassociatedwithAbEx,including
Krasner,JudithGodwin,GraceHartigan,andEthelSchwabacher.
Butwhenoneseestwoabstractworkssidebyside,regardlessoftheartistsidentity,
howtodeterminewhichisbetter?Howdoesonejudgethequalityoftwosimilar
worksbyRothko,forinstance?Partoftheansweristime.Ifyourelookingata
paintingbyRothko,youneedtogiveittime,sothatyoucanalmostloseyourself
withinthatcanvas,saidChanzit.YoucantwalkbyaRothkoandgetverymuch
outofit.Butifyouspendthetimetoimmerseyourselfwithinit,thatswhentheres
areward.
Thereis,ofcourse,alsothehistoricalsignificanceofRothkoswork.Whilehisstyle
mayseempredictablenow,atthetimenooneelsewaspaintingsuchrich,
immersivefieldsofpurecolorthatengulfoneseyes.
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22/3/2017 What Makes an Abstract Expressionist Painting Good?
Lookingbeyondtheindividualexperience,Iwonderedhowthemarketdetermines
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thequalityofanAbExpaintingthatis,howdollarandcentvaluesareascribedto
paintings.MichaelMacaulay,SeniorVicePresidentandHeadofEveningSales
ContemporaryArtatSothebys,isquicktonotethatthewidebreadthofAbExart
meansthelabelcanlosesomeofitsusefulness.
Theresultisthatmarketevaluationisartistspecificandthenfocusedpaintingby
painting,hesaid.Weareofcoursebearinginminditshistoricalsignificance.We
areevaluatinganumberofmorequantifiablefactors,likescale,palette,modeof
execution,condition.Andthentherearealotofsofterfactorstoconsider,like
aestheticappeal,whichofcourseisverysubjective.Collectorshavedifferenttastes
independentofthearthistoricalcanon,too,perhapsvaluingaRothkoovera
Pollock,forwhateverreason.Andjustasthegeneralcanonvalueswomenand
AbExartistsofcolorlessthantheirmalecounterparts,sotoodoesthemarket.
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Frankenthaler
TakingthatearlierexampleofevaluatingtwoRothkoworks,Macaulayadvises
lookingatthedate,giventhatwhatyeartheartistcreatedtheworkisverycritical
andcanbeconnectedtomajormomentsintheartistscareerandarthistory
generally.FortheRothkomarket,agoldenyearis1954,theyearofhisfirstsolo
exhibitionatamajormuseumintheUnitedStates,heldattheArtInstituteof
Chicago,saidMacaulay,addingthat1950isanotherimportantyearintheartists
career,whenhefoundhisstrideworkingintheclassic,stackedrectangularcolor
formheisknownfor.
Nowonder,then,thatthetwomostexpensiveRothkossoldatSothebysareNo1
(RoyalRedandBlue)from1954andWhiteCenter(Yellow,PinkandLavenderon
Rose),paintedin1950.Ofcourse,boththeseworksarestunningandrare.Ithinkat
acertainleveltheseworksareallexceptional,saidMacaulay.Wecantbecome
toolazyindescribingthesemasterworksasbeingadimeadozen.Andsayingone
isbettersimplybecauseitfetchedmoreatauctionisalimitedmetric,tosaythe
least.
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22/3/2017 What Makes an Abstract Expressionist Painting Good?
Macaulayalsoemphasizeshowcrucialitistoseethesepiecesinperson.Youcant
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replicatetheexperienceofstandinginfrontofaMarkRothko,youcantreplicate
theexperienceofstandinginfrontofaJacksonPollock,hesaid.Thequality,the
execution,thekindofintensityofthelayersofpaint,thequalityofthedripis
relativelydiscerniblewhenyouseethesethingsfirsthand.Anditsveryimportant
thatyoufocusmoreonqualitythananythingelse.
AndhecautionsagainstleaningontheAbExlabelasacrutch.Slappingitonan
artistsworkobscuresvariationswithintheirpracticeseeDeKooningsflirtations
withfiguresinworks,forexample(therearesomanychaptersinhislife,said
Macaulay).Andatworst,suchcategorizationasksustoevaluateanartistwithina
setofhistoricalcriteriaratherthansimplyexperiencingit.Sowhenaskingwhat
makesaworkofAbstractExpressionismgood,readthewalllabelandthedate,
knowathingortwoaboutthehistory,andcheckyourownbiases.Butdontforget
tolook.
IsaacKaplan
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