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Ave María (Dom) Pedro Estevan Alpañes Sax 1851 .             p Mrb.        p Transcripción de: Luis C.1934 Oran    Sánchez Música Religiosa   Adaptación e instrumentación:    Miguel           Partitura    Andantino Ruzafa      I y II    Flauta f    f                   p                        I y II     Oboe p f  p  f  Fagot                     f p f p                          Clarinet Bb Solista       p p p   f f                                     Clarinete Bb I. ó                         Vib.    Cl. III  f f        Contrabajo         f f            7 Fl.                   Solo 1º    Ob. Martín .            p           p Fag.                 p    Sop. S. II.ve Ma . II y III  p p f  f p                  Clarinete Bajo   en Sib f f  Voz Soprano            Marimba ó    Vibráfono                      Trompa F                I.ri      p  Tpa.    A .                 Cb..                                                        Cl. B.                Cl.

.                Sop.                     A .                                                   Cl. ti .               Cb. . a gra ..         14 Fl.               p       1ª y 2ª Ob.      Oboe 2º Cl.     p      Fag. .  2    11 Fl. S.                Mrb.      a gra . ó                        Vib. B.             Mrb.            Fag.a ple na       Tpa.         Cb.      p                                                  Cl. ri .   .     Cl.         Solo  1º       Ob. ve Ma . a             Tpa.  Cl.            Sop. S.ti .  Cl. ó   Vib. B.

      . S.   Cl. 3    17 loco    Fl.                                                       Cl.                          Ob.                             Sop.                  Cb.                    Tpa. ta tu_in mu . .  Cl.            Mrb. B. .. B.                                                      Cl.                    ple . ó        be . Cl. na Do .      p    Ob. . ri bus Vib.                Fag.               Cb.lie . S. ó      Vib..        p       Fag.ne-dic       et te cum .                             Tpa. mi .  Cl.      20 Fl.              Sop. nus Mrb.

B. Cl.         mf       Cl.tri tu .                             Tpa.  mf  Cl. ó                   be . a Sanc ta Ma Vib.         mf                            Cl.                  mf Brillante  Sop.          Fag.4   23 Fl.   mf . ó        sus      . S.    Cl.                         Ob.tus ven tris ven .            Sop.ri .                   mf         Ob.ne .                                 Mrb..        Tpa.dic .                                                Cl.                     Cb.            mf       Fag. B.              26 Fl. tus fruc . ta Ma . S.. i Je Vib.            Cb.                    mfSanc       Mrb. .

ter De . ó       Vib.  Cl.                                            Cl.                Ob.            Cb.                                                   Cl.no . B. S.                     Fag.      Cl.           Fag. ó                       ri a Ma .      p Cb.          33   2ª loco Fl.                  Mrb.    De .         Sop.ter Dei O . ra pro . ter Ma .. bis Ma .        . i O .ter Vib.                    Mrb.   Cl.                 Sop.ra pro -             Tpa.         Tpa. S.                     Ob. B.. i Ma .  5      30  Fl.     Cl.

tis nos ..                f Cb.tis nos .     p                  Ob..bis nunc     et in o .        f p ...ra mor .  6    loco solo 1ª        36      Fl. ó   nunc Vib. B.            f                Cl.  p             Sop. ra mor . Trompas Cl.tre_A ... tre_A .-       Ob..      p  def.                              Tpa. S.                  Sop.        opcional .    f  Cl. men nunc et in o .      p    Cl...  p         Fag.men et in Mrb.             p  no . ó         o .           p   Tpa.           Cb. tre_A - Vib.                              pp  Cl...ra mor .       p        39   1ª y 2ª Fl.      p                       Fag. B. S.              f p    Cl.tis nos .            Mrb.

                 Fag.tre_A .tis nos . tis nos .       p f   def.          f  p   Sop.              p                                         p Fag. S.          p     f    Solo Voz Ob.       pp f                     Cl. men               Tpa.ra mor . ra mor .                      Cb. Trompas        Cl.        p f          p   Cb..tre_A -              f p       Tpa.             pp             minuendo  Sop.tre_A . B. S. ó   Vib. et in o .         p Cl.                   Ob.                            Mrb.    men in o .             pizz.tis nos . ra mor .                   Mrb. B.              f Cl. ó        Vib.  men nunc    men nunc et in o .                   Cl.. 7          1ª y 2ª    42 loco solo 1ª     Solo Voz Fl.                  Cl.  f    46     Fl. .

Martín .Flauta I y II Ave María (Dom) Pedro Estevan Alpañes Música Religiosa Sax 1851 .1934 Oran Adaptación e instrumentación:       Miguel Sánchez Ruzafa                    Andantino                f f p     9 loco                  p p                  19                     mf                    32   2ª loco             loco solo 1ª                              1ª y 2ª 1ª y 2ª loco solo 1ª 38       p p f      45         Solo Voz                  Transcripción de: Luis C.

.. Ave María (Dom) Pedro Estevan Alpañes Oboe I y II Música Religiosa Sax 1851 .1934 Oran Adaptación e instrumentación:        Miguel Sánchez Ruzafa  Andantino                                        f p p f                7 1ª y 2ª          Solo 1º         p p p      13  Solo 1º                  p                                20                25                        mf                  31                 37 opcional .-                       p p                   42   Solo Voz      p Transcripción de: Luis C... Martín .

Martín . Ave María (Dom) Pedro Estevan Alpañes Fagot Música Religiosa Sax 1851 .1934 Oran Adaptación e instrumentación: Miguel Sánchez Ruzafa          Andantino                      f p f p 8                14                20                      25                mf  31                                                       38 p f p                                          41                                             44 f    p             47     Transcripción de: Luis C.

Martín . Ave María (Dom) Pedro Estevan Alpañes Clarinete Solista Bb Música Religiosa Sax 1851 .1934 Oran Adaptación e instrumentación: Miguel Sánchez Ruzafa  Andantino                       f p p          5               f p     9   Oboe 2º        p 24                   mf  31                                          38   p f p f       45           Transcripción de: Luis C.

Ave María (Dom) Pedro Estevan Alpañes Clarinete I. Martín .1934 Oran Adaptación e instrumentación: Miguel Sánchez Ruzafa       Andantino                                f p p f 6                                  p 9                                12                                    14                              16                                                    19                             22                               24                                    Transcripción de: Luis C. II y III Bb Música Religiosa Sax 1851 .

Trompas                pp f pp  43             f       p . II y III Bb Ave María (Dom)  27                                mf  30                                                   33                                                   36                          38 def. Trompas def.2 Clarinete I.

1934 Oran Adaptación e instrumentación: Miguel Sánchez Ruzafa  Andantino                 f  f     p   9                16                 22                 27             mf  33               38                      p      44                   f p pp minuendo Transcripción de: Luis C. Ave María (Dom) Pedro Estevan Alpañes Clarinete Bajo en Sib Música Religiosa Sax 1851 . Martín .

ri .ta Ma .men nunc et in                                     41     o .ve Ma .bis Ma .i Je                         26       Brillante      mf sus Sanc .ri bus et be .tri tu .ter Ma . Ave María (Dom) Pedro Estevan Alpañes Voz Soprano Música Religiosa Sax 1851 .mi .ra mor .tus ven tris ven .tis nos .dic .ri a gra .tis nos .ter De .ti .men nunc et in o .men nunc et in o .lie .a gra .bis nunc et 37                         p in o .tre_A .tre_A .tre_A .men in o .ne .tre_A .ve Ma .ra mor.ra mor .tre_A .ter Dei O .dic .tis nos .ne .men nunc et in          45                        o .ra mor.a ple .men Transcripción de: Luis C.tis nos .nus te cum                21                      be .ra mor .ra pro . na Do .tus fruc .ti .no .ta tu_in mu .a Sanc ta Ma ri a Ma .ri .ra pro .i O .ra mor-tis nos -tre_A .tis nos .a ple na         14                A . Martín .no .i Ma .ter               32          De .1934 Oran Adaptación e instrumentación: Miguel Sánchez Ruzafa   Andantino                       p A .

1934 Oran Adaptación e instrumentación: Miguel Sánchez Ruzafa  Andantino                                   p                                      12                                           17                                           22                                         27                                        32                     37             p        42                 f p   46                   Transcripción de: Luis C. Ave María (Dom) Pedro Estevan Alpañes Marimba ó Vibráfono Música Religiosa Sax 1851 . Martín .

III Música Religiosa Sax 1851 . II.1934 Oran Adaptación e instrumentación: Miguel Sánchez Ruzafa         Andantino                   f f 7                28                       p f  41               p f   46                  Transcripción de: Luis C. Martín . Ave María (Dom) Pedro Estevan Alpañes Trompa F I.

Transcripción de: Luis C.1934 Oran Adaptación e instrumentación: Miguel Sánchez Ruzafa        Andantino             f f p 8                 15                   21                  27                mf    34               p f p 41               p   f  46               pizz. Ave María (Dom) Pedro Estevan Alpañes Contrabajo Música Religiosa Sax 1851 . Martín .