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Keyboard I/Conductor 9 to 5

(Tour)
9 TO 5 Music & Lyrics by Dolly Parton
Orchestrations by Bruce Coughlin
Additional Orchestrations by
Alex Lacamoire & Stephen Oremus

DOLLY: "Well, hey there everybody! When


I hear that sound it takes me back to a time
before computers and cell phones. Back when
apples and blackberries were somethin' I'd pick
behind the barn."
Moderate 80's 4
2 3 ^ 3x
2 tf
1 rt & 5
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/j^S '

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VvL/
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r
A K2: Org.
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Tutti jr PIANC ID D
^ Gtr. 1 w/Gtr. s/m. -
IL.H. PLAY
tvjf 4 *\4
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_ * _ _ _ _ _ < -tjji _,pl_: .
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ft'
ff )f.s MA 1? )
^
w/Bs jempre, HH J) 's, Kick J 's
DOLLY: " We're goin' back to 1979 when a gallon of gas ran you about 86 cents, shag rugs, pet rocks and disco were the hottest things around

0 ^i' .
7
^
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jM
ffl\
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4

Gtr 2 , K2: Rhodes -fSx's


.
835
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L-f =4 T^"f i
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ip -o-
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l 1 Jk > 1 J1- J J> Jk J JI- J
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1 5
1
J1- 1 J ' J
1't)< t*
A An mr i +f bn, B
^ ar .

and it seemed like your whole life


existed between the hours of 9 to 5." [GO ON] DOLLY: "Back then there was no such thing as office assistants.
1U 13
L/ JB o v, 11 VJL # TI ff S
11 4
fi^N
E
S2 ^* 4
^j ^ r
Hns. Gtr 2, K2
0 it v
V K I 1 U 1. 1
X ^ji x^ Bi . , i 1 -
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ttn tfn 4i ^n ~~~*>
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it? J- -4 -J--J-W--J--J--J-V-J-

+1"amb
ioil
H05893/802/09-B-T -I- Emily Grishman Music Preparation 212-768-2550
keyboard 1 /Conductor 3. 9 TO 5 9 to 5
(Tour)
We were just secretaries! interested in no women's movement. Unless of course it was happening under his desk!"
4ou fta 15 16 17 (to 19)
Tl ft
ft
IM
^

fi^\d
\>\s
the boss wasn't

+Sx's Q-.XHns.
0 ft H.. am_ -i^ h j ttB*j
/Ss i 1- _ < . 1*
9 -d
\M7 ^ Tj V L 1
tT f^-i -e

A B -/-=:

fc^I Ittfftft
_ ft ft J

Tum-ble out - a bed and I stum-ble to the kit - chen.


Tri. > Gtr. 2
< , ^ i N

21. GROUP 2:

Pour my - self a cup of am - bi - tion.


K2
a

n
A7

BOTH GROUPS:

Yawn and stretch and try to come to life


Keyboard 1 /Conductor 4. 9 TO 5 9 to 5
(Tour)
GROUP 3:
25 LL /fflj 26
, (] V. ,i flu
/ tt| tftt : * , . 1
i
~^~
ffcs
TT
VvL/ ^ !
J
=^ J&

'

Jump in theshow'r and the blood starts pump - in


K"9
, it >-

k
IULK JLk V - *
^" ^^
F^F^^S J 1 r^^
^.
S>
W if ff if

i
^
fl^\Q
fr '
7 f ^> . ' i
*!- b JJ |J 1 *f * >>- J
h / J5
*^ Tamb.

E E^

1 4M
J\ K fl
*} tf tttt J
j j JH M 1 J 0 I f l f l f l f l A f l Jl
1 it
0- -0 J 1- -

V.S.

H05893/802/09-B-T -3-
Keyboard I/Conductor 5. 9 TO 5 9 to 5
(Tour)
27 ENS.: 28

Out on the streets the tra - ffic starts jump - in for folks like me on the job from nine_
+Hns. |R.H.PLAY~| w/Hns.
is:

*H

W V Tt
(more HH)

~^ to five Work-in' nine to five what a way to make a liv - in'. Bare-ly
Hns,Tamb. A (+8vb)
fei
t)
-i-Tamb. /
roll w/Gtrs comp.

+Congas, Drs: backbeat time


w/big HH upbeats

tak-in' and no giv - in'. They just


A
Keyboard 1 /Conductor 6. 9 TO 5 9 to 5
(Tour)

(to 46)

nev-er give you cred t. It's e - nough cra-zy if you


^ > > +K2

Hoo hoo
(K2) Sxs.Tpts.

r ^r T
IR.H. TACET]
sub. p A
3

-f -9
w/Gtr.l (as before), Bs, Drs. Drs.: Alarm SFX

DOLLY: That's Violet. She's the company veteran. JOSH:


47A "Let me tell you all what's goin'on. Also a widow and mom of a teen." "Mom, where are my clean socks?"
47B 47C ,47D

^ ^
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\S2
t)

y I EM > jj ^ ^ ^
/rK v i 7
VsO l|

/F .** f
Tfl

TF &1
IK ^ , 3

H05893/802/09-B-T -5-
Keyboard 1/Conductor 7. 9 TO 5 9t
(To
DOLLY: VIOLET: JOSH: "Why would my clean VIOLET: "Because your clean socks are dirty!
"That's the teen." "In the dirty clothes hamper." socks be with the dirty clothes?" C'mon, we're running late!"
47E. 47F 47G 47H

Gtr2,K2:B3

~&
mffl

*9
W W W W "*"
DOLLY: _* fa +Tbn, Bari
"Her life makes the juggling act in the circus look like a piece of cake."
471 47J /VIOLET:

T s
My two lives have got me hop-pin'.
Cr._ Hns_ _ Gtr2>

mf sub.
F5
za
a: a:
+K2
roll (more HH)

Dawn 'til mid - night there'sno stop-pin'. Don't know which I'm moth-er-ingthe most |RH PLAY!

-e- .
"o" onng out

5 a:a:a:a a~a: a:

Pack his lunch~l_ and kiss my son, 'n grab my purse and I keep run - in'.
IR.H. TACET!

~M: a: a: -*: a:
Keyboard 1/Conductor 8. 9 TO 5 9 to 5

(Tour)

v.s.
>

B/802/09-B-T
-7-
Keyboard I/Conductor 9. 9 TO 5 9 to.
(Tour

54

Got so muchon my plate I could _ Work-in' nine to five for


4 MEN & 3 WOMEN (onstage):

*^l
Work-in' nine to _ five __
Hns,Tamb.A

Drs: backbeat time


+Timp. w/big HH upbeats
roll

57. 58

ser-vice and de-vo - tion. You would think that I would de-serve a fat pro-mo - tion. Want to

You would think that L. Want to

w/K2

it I
simile
_____ <
jt " qE
f f
r i
i
i
I
I
H05893/802/09-B-T -8-
Keyboard I/Conductor 10. 9 TO 5 9 to 5
(Tour)

I 60. 61

move a - head but the boss won't seem to let me I swear some-times that man is

9 * 0 0 * 0

a - head. I Swear some-times that man is


Hns,K2

P
mf

G Am 7 BlP G/,B

^ 5 3

Gtr, Bs,Drs.

DOLLY:
WOMEN: "There's Doralee,
63.

41-
,-
out to get me.. Nine to Fi - hi - hive
2jO MEN:

W [)^^
out to get me.. Nine to five..

Acoustic Gtr. 2

=9t
&
4r^~ -9"
0-*-
IR.H. TACETI

C/E ^ Gtrl.HH G
fsub.mp
0 *

^
wl ped
+Tamb. roll
w/Bs. (Gtr. 1 out)
HH upbeats

H05893/802/09-B-T 9
Keyboard I/Conductor 11. 9 TO 5 9 to 5
(Tour)
Vamp
65B
"she's sexy, she's sweet, she's -" well, you know who she is!" 65D DORALEE: (to 66)

let you dream just to watch 'em shat-ter. You're just a step on the boss man's lad-der, but
K2: Fiddle

+X-stick on '2' & '4'',


(no Gtr. 1)

you got dreams he'll ne - ver take a way..


DWAYNE:

Gtr. 1 quasi Pedal Steel


You're in_

T
G
Keyboard 1/Conductor 12. 9 TO 5 9 to 5
(Tour)

m
70. 71 DORALEE:

the

the same boat with a - lot of your friends. Wait-in' for the day your ship
Gtr 1,K2

LCD X

-9 -9

73

tide's gon - na turn and it's all ^^


gon - na 1 way.

tide's gon - na turn and it's all gon - na roll- your way.
K2 +Hns.

D5
m C
G
T
Tom

w
+Toms

H05893/802/09-B-T -11-
Keyboard 1/Conductor 13. 9 TO 5 9 to 5
(Tour)

1Llil
1 DO
DW AYNE:
RALEE 75 DORALEE:
DWAYNE: 76 DWAYNE: DWAYNE:


S ^^ ^^^3 L
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\\-VJ i =^

iF1^-=^i
^ ^
1 x_>* -^ *-* d;
Nine to five as long as we're to-geth - er u knc)W You and I will
r A (WOMEN) _ Y^
*^
-JM (-; g
^
==^
1_ 1

^Ji : t> J"'
.
(MEN) " * ^
Nirie ) fi - h ive You and I-
H ns.^
0 U i L
^\"
ttS
fj
1
5 j
5 7 h
32 ^J
\SL/
I
^
*

~
Gtrs: Country camping mp
. a w/K2(+7th)
i^a- r~ '"-
Ym ^ ; r(k - - 55
9.
k- c? ^* &i H
931 3

\NL/ ! i 7 1 i 1 / I
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JM
k /
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1 /
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k /
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4 a
Drss: backbeat time
-
+ 3
*
i h51 *
+Tamb. Jt r s

DORALEE
DORALEE: 78 79 DWAYNE:

^ -*
make it through what e - ver. They can't keep us down. We'll just rise a-bove it. YOU hold

hi.. Ain't no way._

w/Bari

H05893/802/09-B-T -12-
Keyboard 1/Conductor 14. 9 TO 5 9 to 5
(Tour)

81

I
on tell 'em where to shove
Hns,K2

si
*
'? * ? t^ii
. 3 3 * ,u3 '

Bm? /Cjj D

*4f

+Cym. K2:
^ fc
roll

81 A. 81B

ALL:

Nine to fiveyoucanlose your mind.

+K2: Wurly +Cha Bell

H05893/802/09-B-T -13-
Keyboard 1/Conductor 15. 9 TO 5 9 to 5
(Tour)
84KATHY: poco ad lib

m
83.

Nine to- five.

N | f " | ~ *~^"'*" ~***| f^ *^"^ - ^


* " 0 0 0 \ m J J J, J

Get up and work. Get up and work. Nine to five you can lose your mind.-

Tutti

C7 Q5

85. 86 87

-e-

Work-in 1 nineto fi

Work-in' nine to five, Nine to five you can loseyour mind..


A

Tutti
Tutti
fef

C9 F Gm F Dm7 Em7 G /B

+Elec.Gtr. 2 J)'s w/ ped


f
Keyboard 1/Conductor 16. 9 TO 5 9 to 5
(Tour)

S/A:

_ to drive you era - zy. It's en-ough to drive you era - zy. It's en-ough
T/B:

It's e-nough to drive you era -

A7 SUS w/K2:Wurly
I
G/R S.D.
swfc. J

at
Kick j ' s i -

cresc. poco a poco


90.

to drive you A: It's e-nough. it's e-nough to drive you

It's e-nough.-
Hns.

cresc. poco a poco

w/K2

* r ~ T
IL.H. TACET
Gtr. 1,9
HH

Bs,K2
Kick
+Cym. roll

H05893/802/09-B-T -15-
Keyboard 1/Conductor 17. 9 TO 5 9 to
(Tou
ya
A 11
4 1 1 9 9 9 i 9
i1 1
B?
> =
? *
J *
J i
1P 7
BE

Get up and work get u] T and work nine to five. Nine to


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yp M
Tutti >


|
9
D
/
9.i
5
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S 2B
i (K2 out)

f 'f~J
9
jm fm
I j
Li
P ?
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^=- 9-
rj 1 Am 7 ( add4 ) CMaj9 c Dg sus
G /D

V ft j
1- ft \ /
i 2
I
1 7
f
7 / 6
-M
(Drs. play thru) <: -4 -4 -J -4 J -J -d
+Toms
Slightly relaxed
JUDY: 95 96

~rr^ 1 h ' l t ^T T*^FH [ j j J j ~ ^ 1


\ r r J^f*^
J J
t-0~ -0-

Dr earns and plans are in the ma - king. Sue -cess is out there for the ta - king, wish it was as sim-ple as it sounds
s 5M/b.j j
P ^ ^
it 1 ^ " 1 fj \ .f f~
^n rf
rl f fj i.
\N-Vy
^^^ ' fA lj* fj ^
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fi - i - ive. Ooh.
ITACET |
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f?r> V ) ,
aI
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)

K2: Pretty Ak A^/c Dkus 2


T
At
r
Elec. Pno.
C\' 1 1 ^P
"/ 1 ' P
h o
/ U J
f 7 ? a LP o
w/Bs. Svfe,
+Mark Tree
DOLLY: "Well, there's Judy. Ain't nothin' simple for her right now. She don't know it, but her whole
97^ ! 97A 97B
V 1 ' b \
/L 5 "
f^\ 7 1

\N\ *
ft) : '

t
l | x- '"" ^ --- ~~-
L' v
r J
j 2 JJ
P

o o
o
t
Siin - pie as it sounds Ooh.
w/K 2,Bells,Cym, w/Cym's ad lib
Nykm Gtr. 1 Svb ^f- ^f- -f- -f-
i** ri iir
*
1
V 1 ' b J
/L n "
TO P 2
~
1 , p
V V

IPLAY]
DtMaj 7
i '* O
uY yY r\r
! 1 7 U ?
. ' n r-
^ Vb )v c
-6 >- wl ped
*u ^
w/Bs. 8vb
-16-
Keyboard 1 /Conductor 18. 9 TO 5 9 to 5
(Tour)
...life is about to change. Heck, the whole world is about to change!!!"
97C

I swear to you I'm gon - na do it,

grit my teeth and I'll get through it. It's hard to see the up - side when you're down. Work-ing
Tutti

H05893/802/09-B-T -17-
Keyboard 1 /Conductor 19. 9 TO 5 9 to 5
(Tour)

r, A tempo
1 ! JUDY: 103
\\i M u. .-nI 1I i I 1 n I J I - I 1 1 I.,-. . 1 r^-j
3 ' Lj -' ' '
f ^^S ^

nine t<~> five it be - rame ner-es-sar - v when mv bus - hand Dirk left me
ENS.: ., ^- (whisper)
\j \L.
^f V f jflt I A ^ ' ^"""-.^ .
-^ *i y f
YM) z *{ bi i 1 5 9- 2 & 1
B *,. ,* *v'"^ ~^y r
Nine tn fivp Hirk1
K2:Wurly +Hns, K2: Stgs.
Jr L ' Pb Lt> "-
, - < 'J'
^ 1 ^JT -
rjH 7 \tt * * 4 l a
t)
* poco

Gtr. 2 a la "Soul Man" |R.H. PLAY | +K9- ni 77


IV i } 1b p n
A A
LJ 1 _r^ (v- 1G m ^
f\\N f
J J *!" rF mJ- o /If R i/ te L " / f
v32 w

^.
U
r
v ^J n
U
i
S 17 ' * ' K_-<__

L.H.PLAY
4V
! J \ * * f *
X b m f
f5 f
J
J J ^ 9

w/Gti- 2 , ^^ * ? r -^ ^ j ^ - / - ^ ^ ^ ? 7 ^
Bs,K
HH: time

105 I I I I 106 107 f ||^


i r^n r^^Pi i r^^^^^^n r^n r~r=^
Jr L ' S
7
J J j *n_
* * f
tm fll
>M -m -.\\F=Rd3=3
3
for his sec -re-tar - y. Nev-er worked be - fore, but some-how I've got to make it 'til I

1 _r^ . K p-i
Jr L 'i-p
^K V r- fi m he7''I
b Jr1Jrtj-:
i 7?=" :=T:
-^ fi ""
H1
\N.\ I J 1 3- -3 P ^ % * M 1
B ^ ^* &' C
9 *
Nev - er worked be - fore 'jjj j
Gtr. 2 Jpf ^. Hns. _ _

tB
l 7
I ^
i
B
i
** ?C

n^
^
^r
' 1 *
f^ " " ^ b&'
^ _i
F H
I
jj b*1
i- poco
'
J"J^" ~"^p
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\^

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y
9 ''

. . L. _
^
+Hns,K2:Stgs. " - ,
1 I I I
Jr L 7 b
fr!\ 7v m mJ mJ mJ w
'
"
j
H
1
v-AJ k, j i j 3
t) \ff * * n*

At Btm 7 B7 Al>/c Dt

^ j^aa^ __,___ ~^ f J 2 Jl... *. ^* _|


w~~w V v ? ^ ~ r
i* J ^ "f

H05893/802/09-B-T -18-
Keyboard 1/Conductor 20. 9 TO 5 9 to 5
(Tour)

110
108.
n
? ju
fV 5 ' ^
109
; rm P P
'
P ^^ P m~ >
^
A tt
BJCJ
fM K ) r r__lm ~j P sa .
r
1
L ho
q Dn
t) I L '
learn th e ropes I guess 111 just have to fa ke it

Jr L
f*\
^ 7
[j
* 1
i r j
rr B-* *|
BB^^J^^^B


j
*
r^^^^
j j~ ^^T3

lig J 4
MVM

J kj
j
^^^n

*
tt i
-4
\^\j tl '& 4 fl 4 4 n ff I V S" ii ' M B'

learn the ropes. Get up and work get up and work work-in'
A +Stgs, K3 (trem.)
+K2, Gtr.2 Org.

Si *r
} f F^=?>
1<j
r
J&'
-f
f* tl -5
Bn?:
-
i
1
]=
j"' .-ji ^f
+1 il.Gtr.l 8vb ^^-
t
^ w/Gtrs,Brs.
L Jt J t.C. Jt.t ^_fLjt__: LjE 'T'T 4 Jit
L f if
Eg !f| i
3 * _ a
Bt C m7
.^
B '/
DL! D
J
E
r> B
(no5)
Cjjm 7 D g|
R

^
^T "! tr:
^ i
k ,-* ^ fl 9-?-#-?
r -
if *1 "> - Drs.fillJ
+1Imp. roll m
w/Bs,Drs.
T>. +Bari

JUDY/
DORALEE/
VIOLET: 112

Nine to- five.. So ma - ny of us do it. But we

nine to five. But we


K2 solo
mf*

Tutti
Hns.

w/K2,Gtrs, s:
Bs,Drs,Tamb.
. fi

H05893/802/09-B-T -19-
Keyboard 1/Conductor 21. 9 TO 5 9 to 5
(Tour)

114 115

know in-side- we're gon-na make it through it. There's a bright - er day and
sub.p sub.p
,+K2

7 h j
i 1*
know in - si - high - hide_ Oh, there's a bright - er day
+Brs, +Hns. Cl. solo etc.-^
Clar. solo: Dixieland Tamb. Hns,
A

Gtrs comp
Drs/Congas: time

116. 117
118 ^^

we'll keep look-in' t'ward it. And we'll buy


r r P
that dream soon as we can just a-fford it.

look-in' t'ward - it and we'll buythat dream soon as we can just a-fford it.
.; ^

+Toms, K2 gliss
1 Keyboard 1/Conductor 22. 9 TO 5 9 to 5
(Tour)
119

.'.-] +2 GIRLS: 121

^^
Nine to_ five.- work-in' nine to fi - ive Nine to five.- work in'

Nine tofiveyoucanlose yourmind

n-m^rn
Getup_ andwork getupandwork Nine to five you can lose yourmind

BARI's: Whoa ~ofi oR oh Whoa oh oh


Rhodes

V '
Gtrs.
Rhodes
uLlJ
f l^*^*- .ILL!
V
.
Gtrs. +8vb
w/Brs,

EE
A5/f

Bs/Drs. j)'s,Tamb. ji's


+Bari
122. 124
fcfe
nine to fi - ive nine to five.. work-in' nine to five.

work-in'nineto fi - hive lose yourmind Nine to


m five
A: sub.p

it's enough/
B: sub.p

oh Nine to five you can lose your mind Nine to five it's enough
A Gtr. 1

H05893/802/09-B-T -21-
Keyboard I/Conductor 23. 9 TO 5 9 to 5
(Tour)

125
cresc. poco a poco VIOLET: 126 127 DORALEE/JUDY:

I de - serve a fat pro-mo - tion_ the


> : it's e-nough.

~rr

for folks like me


T: it's e-noueh

Tbn/Bari, K2: Stgs.

w/K2: Wurly J 's


UTTT-
Tpts.Alto
a r

U ~-L~~J
Bm7(add4) cresc.
A/ c Dsus2
Gtr. 2,HH etc.

~n r~7 V:^E
(noTamb.)
) Drs. +Cym
fill roll
+CynT
roll
128

ff

Drs.C/ E Q A5

+Timp. +Org.
roll gliss