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For Seriously Serious Guitarists!

Mastering
Fretboard HARMONY
part two

GUITAR DVD 1
TYPES OF VOICE-LEADING
FIGURE 1 parallel motion



major thirds


5 6 5 4 5 5 8 5 3 5 2 5 8 11 14 11 8 5
5 6 5 4 5 5 8 5 3 5 2 5 9 11 14 11 8 5

perfect fifths

minor sixths
major 10ths


8 6 8 12 10 12


8 9 10 9 8 8 10 12 13 15 13 12 10 8
5 6 7 6 5 5 7 9 10 12 10 9 7 5 9 7 9
10 8 10

FIGURE 2 similar and parallel motion


similar
similar parallel similar
parallel similar parallel


NOTE: play this and all similarly-formatted examples both
forwards and backwards (ascending and descending)
interval: M3 m3 m3 M3 M3 m3 m3 M3


5 6 8 10 12 13 15 17
5 7 9 10 12 14 16 17

FIGURE 3 oblique motion FIGURE 4 contrary motion


C

Csus4



interval:M3 P4 M3 P5 m6 P5 interval: M3 tritone M3
3 3 3


5 6 5 5 6 5 5 6 5
5 5 5 5 5 5 5 4 5 5 4 5
5 5 5
3 3 3

FIGURE 5 contrary motion chord progression alternate voicings for


last two chords
B7 9 B7 #9

A G7 F7 E7 D9 C9#11 A7 A9

#5 #5







2 3 5 3 5


1 3 5 3 1 5 3 2
2 4 2 1 5 3 2 6 2 4
2 3 1 2 4 2 1 5 1 5
4 5 3 2 5 3 2 7 2 0
5 3 1 0 5

HEXATONIC SCALES
FIGURE 6 C major hexatonic




scale
degree: r 2 3 4 5 6 (r)
5 8 5 8 5


5 6 8 5 6 8 8 6 5
5 7 5 7 7 5
7 5
8 7 5
8

2 GUITAR DVD
FIGURE 7 C major hexatonic harmonized in 3rds and 4ths


8v a




8 10 12 13 15 15 13 12

5 6 8 10 8 10 13 15 17 17 15 13 15 13 10 8 6 5
5 7 9 10 14 12 10 9 7 5 7 5 2 0
7 5 3 2 3 2
5 3

FIGURE 8 C major hexatonic scale harmonized in triads FIGURE 9 alternating C and Dm triad inversions up the neck


C Dm C Dm C Dm C C Dm C Dm C Dm C C Dm C Dm C Dm C


let each


chord ring 3



3
3

3

3
3 3
3 5 7 10 12 13 15 3 1 0


5 6 8 10 13 15 17 5 3 1 3 1
5 7 9 10 12 14 17 5 2 0 2 0 2 0 0 2 5 7 9 10 12
3 2 3 2 2 3 5 7 10 12 14
5 3 3 5 7 8 10 12 15

FIGURE 10 A major hexatonic scale FIGURE 11 harmonized A major hexatonic melody, la Jessica
harmonized

A Bm A Bm A Bm A Bm A Bm A

A Bm A Bm A Bm A





scale
degree: 1 2 3 4 5 6 1
2 5 0 2 5 7 9 10 12 5 9 10 12 10 9 5


2 3 5 2 3 5 7 10 12 14 5 5 10 12 14 12 10 5 5 3 2 3 5 7 5
2 4 2 4 6 7 9 11 14 6 6 9 11 14 11 9 6 6 4 2 4 6 7 6
7 7 4 2 4 7 9 7

FIGURE 12 D minor hexatonic scale FIGURE 13 D minor hexatonic scale


harmonized in triads

8va
Dm C Dm C Dm C Dm


octave lower



1 2 3 4 5 7 1 1 7 5 4 3 2 1
5 8 10 12 13 15 17 8 10 10 8


6 8 10 13 15 17 18 8 10 10 8
7 9 10 12 14 17 19 7 9 10 10 9 7 7 5
7 5
8 7 5

FIGURE 14 D minor hexatonic scale harmonized in thirds and fourths
















8 10 12 13 12

5 6 8 10 8 10 13 15 13 15 13 10 8 6 5
5 7 5 7 9 10 14 12 10 9 7 5 7 5
3 5 7 5 7 7 5 7 5 3
5 7 8 8 7 5



FIGURE 15 C major hexatonic FIGURE 16 D minor hexatonic


scale scale
degree:1 2 3 4 5 6 1 2 3 4 5 6 1 degree: 1 2 3 4 5 7 1 2 3 4 5 7 1
8 8 10


8 10 8 10
7 9 10 7 9 10
7 10 7 10
7 8 10 7 8 10
8 10 10

GUITAR DVD 3
FIGURE 17 D Lydian hexatonic (a.k.a. wonder FIGURE 18 D Lydian hexatonic
scale) harmonized in triads

8v a
D E/D D E/D D E/D D E/D D





let ring throughout scale
degree: 1 2 3 #4 5 6 1 1 6 5 #4 3 2 1
2 4 5 7 10 12 14 16 17 7 10 10 7


3 5 7 9 10 12 15 17 19 7 9 10 10 9 7
2 4 7 9 11 13 14 16 19 7 9 9 7 7 4
0 7 6 4
7 5




7 10 7
7 9 10 10 9 7
4 7 9 9 7
4 6 7 9 7 6
5 7 9 7 5

FIGURE 19 D Lydian hexatonic open-voiced triads


D E/B D/A E/G# D/F# E D D/A E/B D E D/F#
hybrid 8v a


3

picking 3 3

3 3

3









3

3 3 3
3 3
14 12 10 7 5 4 2 0 2 4


9 7 5 3 3 10
14 4 2 1 2 4 7
12 9 7 6 4 2 0 4
0 2 5 7 9

FIGURE 20 E Mixolydian hexatonic alternating


triad inversions


E/G# D/A D/A E/B D E D E D E D E D E



8v a




3




3 3 3 3
3 3
let ring throughout
5 10 12 14 16 17 0 2 4 5 7 11 12


12 7 7 9 10 12 15 0 3 5 7 9 10 12
9 1 2 4 7 9 11 13
7 7 9 12 14 16
11
0


FIGURE 21 E Mixolydian hexatonic scale




scale
degree: 1 2 3 4 5 7 1
10 12 10 12 10


9 10 12 9 10 12 12 10 9
9 11 9 11 11 9 7
9 7 6
9 7




10 12 10
9 10 12 12 10 9
7 9 11 11 9
6 7 9 12 9
7 9 12 11 9
12

4 GUITAR DVD
FIGURE 22 E Mixolydian E Mixolydian hexatonic


E E



8v a 8v a


scale 7 7
degree: 1 2 3 4 5 6 1 1 2 3 4 5 1
9 10 12 10 12

9 10 12 9 10 12
9 11 9 11


FIGURE 23 D Lydian hexatonic run

7 10 7

7 9 10 10 9 7
4 7 4 4 7 9 9 7
4 6 7 7 6 4 4 6 7
5 7 7 5 7



FIGURE 24 A major hexatonic scale harmonized in thirds and fourths


(w/pick and finger)







7 10 7 10 12
6 7 9 9 7 6 6 7 9 11 9 11
7 9 9 7 7 9 7 9 11 12
9 7 4 5 7 9 7 9
10 9 7 5 5 7 9 10




9 10 12 14 12 10 9
10 12 14 15 14 12 10 12 10 7 5
11 9 7 6 7 6 4 2
9 7 4 2 4 2 0
5 4 2 4 2 0
5 2 0

FIGURE 25 E Mixolydian hexatonic scale


E D/E E N.C.(E) (D/E) (E) (D/E) (E)
(w/pick and fingers)





let low E string ring throughout
4 2 4 4 7 4 7 5 5 4 4 2

5 3 5 5 7 3 7 5 5 7 3 3 5
4 2 4 4 4 2

0 0


(E)

(D/E) (E) (D/E)
(D/E) E

7 4 4 7 5 5 10 5 12 7 12 7 10

5 7 9 10 7 5 7 9
7 7 9
9 6 7 9
6 9 7

GUITAR DVD 5
FIGURE 26 C sentimental scale harmonized in triads FIGURE 27 C sentimental scale


C D C/E D/F C/G D/A C


8va throughout



scale 1 2 3 4 5 6 1 6 5 4 3 2 1
degree:
3 4 8 10 12 13 15 4 8 4


5 6 8 9 13 15 17 5 6 8 8 6 5
5 7 9 10 12 13 17 5 7 7 5

FIGURE 28 comparing two parallel hexatonic scales/tonalities




D major hexatonic scale D sentimental scale


let ring
scale degree: 1 2 3 4 5 6 1 6 5 4 3 2 1 1 2 3 4 5 b6 1 6 5 4 3 2 1
7 10 7 6 10 6


7 8 10 10 8 7 7 8 10 10 8 7
7 9 9 7 7 9 9 7
0 0

FIGURE 29 D sentimental scale alternating triad inversions


D E D/F# E/G D/A E/Bb D E D/F# E/G D/A
8v a






10 12 14


7 8 10 11 10 11 15
2 3 7 9 7 9 11 12 11 12 14
4 5 7 8 7 8 12 14
5 7 9 10

E/B D/A E/G D/F# E D E/B D/A E/G D/F# E D E/B D/A E/G D/F#



8v a





15 14 12 10 6 5
17 15 11 10 8 7 8 7 5 3
15 14 12 11 9 7 9 7 3 2 3 2 0
8 7 5 4 5 4 2 4 2 0
7 5 1 5 1 0
5 3 2

FIGURE 30 same thing on strings 3-5 FIGURE 31 A sentimental scale


A B


D/F# E/G D/AF E/B D E D/F#



let ring 1 2 3 4 5 6 1
1 5 0 1


3 5 7 8 10 11 15 2 3 5 2 3
2 3 7 9 11 12 14 2 4 2 4
4 5 7 8 12 14 16
0

FIGURE 32 A sentimental scale in triads on strings 1-3


A B/A A B/A

A

B/A

A B/A A



8v a



let ring
0 1 5 7 9 10 12 13 17


2 3 5 6 10 12 14 15 17
2 4 6 7 9 10 14 16 18
0

6 GUITAR DVD
FIGURE 33 A sentimental scale in thirds and fourths



8v a




let ring
5 7 9 10 12 13 17 13 12 10 9

2 3 5 6 5 6 10 12 14 15 17 15 14 12 10 12 10 6 5
2 4 6 7 10 9 7 6 7 6 4 2
9 7 3 2
0

FIGURE 34 A odyssey scale alternating triads


A E/A A E/A A E/A A


3 3 3 3 3 3 3
let ring
0 3 5 6 9 11 12

2 4 5 8 10 11 14
2 3 6 8 9 12 14
0

FIGURE 35 A odyssey scale in triads and sixths/fifths FIGURE 36 A odyssey scale


A E/A A E/A A E/A A E/A A E/A A



*






6 9 11 12 16 17 3 5


2 4 5 8 10 8 10 8 10 11 14 2 4 5
2 3 6 8 9 8 9 2 3
2 5 7 8 11
0 0 0 0 0
* tremolo pick top note of chord or interval

FIGURE 37 A odyssey scale single-note runs






3
3 3
3 3
3 3
3 3
3

let ring

5 3 3 5 3 3 5 3

5 4 2 2 4 5 5 4 2 2 4 5 5 4 2
3 2 3 3 2 3 3 2
0









5 6 9 11 12 11 12 11 9 11 9
5 8 11 10 8 10 11
6 8
7 8
0

9 11 9

11 10 8 10 8
9 8 9 8 6
8 7
0

GUITAR DVD 7
FIGURE 38 A odyssey scale in thirds and fourths FIGURE 39 A odyssey scale in mandolin sixths


A E/A A E/A A E/A A




8v a





let ring
5 6 9
let ring
5 6 9 12 12 15 17



2 4 5 8 5 8 10 2 4 5 8 10 11 14
2 3 6 8
0 0

FIGURE 40
E/G
A/E

E A/C# E/B A E/G A/E E A/C# E/B A

3

3

3

3

3

3 3 3

3 3 3 3
w/pick and fingers
11 9 6 5


11 10 8 5 8 5 4 2
12 9 8 6 8 6 3 2 3 2 0
8 7 5 2 5 2 1 2
6 4 1 4
5

FIGURE 41 A odyssey scale in open-voiced triad inversions

8va
A E/B A/C# E A E/G A E/B A/C# E A/E E/G A


3 3

3





3 3 3 play each inversion
3 3 again in reverse order
5 6 9 11 12 15 17 18 21


2 4 5 8 4 5 8 10 11 14 16 17
2 6
2 5 8 5 7 8 11 13 14 17 19
0 4 6 7
6

FIGURE 42 alternating C and Gb arpeggios FIGURE 43 alternating C and Gb triad inversions


C G C G C G/D C/E G C/G G/B C G/D C/E G C/G


8v a


3

3 3
3 (play in reverse
order)
6 9 8 9 12


5 8 7 7 8 11 8 11 13
3 6 5 0 3 5 6 9 6 9 11 9 11 12
2 5 4 2 4 5 8 10 8 10 11
3 3 4 7 9 10

FIGURE 44 alternating Am and Ebm triad arpeggio inversions


Am Eb/Bb Am/C Ebm Am/E Ebm/Gb Am


8v a


3

3 3
3 3 3
0 2 5 6 8 11 12


1 4 5 7 10 11 13
2 3 5 8 9 11 14

FIGURE 45 A dungeon scale (Am and Ebm triads combined)




let ring
2 5 2


4 5 5 4
2 3 5 5 3 2
0

8 GUITAR DVD
FIGURE 46 Am and Ebm inversions
Am/C Em Am/E Em/G Am Em/B Am/C Em Am/E Em/G Am Em/B


8v a

3
3 3

3


3 3
3 3 3 3 3 3

12 14

13 16 13 16
2 3 5 8 9 11 14 15 14 15 14 15
2 4 7 8 10 13 14 16 14 16
3 6 7 9 12 13 15 18

Am/C


8v a

3

17 17 14
17 17 16
17 17 15 14 11
14 13 10
13 12 9
12 11 8 6 5
4 1 4 3 4 2 4 1 4 3 1 4 4 1 4 3 1 1 1

FIGURE 47 combining A and Bb triads


A

B A




0 1 0 1 5 1

2 3 2 2 3 5 5 3 2
2 3 2 2 3 3 2
3 2 0
4 1 0

FIGURE 48 Bb triad arpeggio with lower neighbors




5 6

5 6 5 6
6 7 6 7
7 8 7 8
7 8 4 5
5 6


A

FIGURE 49 creating a hexatonic scale with A and Bb triads




5 6 5
5

5 6 6 5 5
6 7 7 6 6
7 8 8 7 7
4 5 7 8
5 6

SEVENTH CHORD QUALITIES


FIGURE 50 FIGURE 51 FIGURE 52 FIGURE 53 FIGURE 54


Cmaj7 C7 Cm7 Cm75 Cdim7


*

7 6 6 6 5


8 8 8 7 7
9 9 8 8 8
10 10 10 10 10

* arpeggiate from low to high

GUITAR DVD 9


FIGURE 55 FIGURE 56 Cmaj7b5 arpeggio


Cmaj75



3 3

7 7 12 14 12


7 7 7 12 13 13 12
9 9 9 9 11 11 9
10 10 10 9 10 10 9


FIGURE 57 FIGURE 58 Cmaj7#5 arpeggio


Cmaj7#5

7 12 16 12


9 12 13 13 12
9 9 13 13 9
11 10 10

FIGURE 59 FIGURE 60 synonymous/interchangable chords FIGURE 61


C75 C75 G75 C75 C75


6 6 6


7 7 5 7
9 9 5 9
10 10 8 10 8
9 7 9
8


FIGURE 62 FIGURE 63 C7b5, or Gb7b5, arpeggio



G75

12 14 12


11 13 13 11
9 9 11 11 9
8 10 8 10 10 8
9 7 9 9 7
8 8

FIGURE 64


C7#5


let ring





3

3

6 8


9 9 9 11
9 9 9
10 10 8 10
7 11
8

FIGURE 65 FIGURE 66


C7 C7#5 F C7#5 F C7sus4 C7 C7sus4


6 6 6 6 6 6


8 9 10 9 10 8 8 8
9 9 10 9 10 10 9 10
10 10 10 10 10 10 10 10
8 8

10 GUITAR DVD
FIGURE 67 FIGURE 68
Cm(maj7) Dsus2 D69 Dm(maj7)



let ring
7 5
7
9


8 5 5 5 7 7 7 10 10 10
8
10 0
7 7 7
0
9 9 9
0
10 10 10

FIGURE 69 C major seven chord inversions, open voicings, on the A, D, G and B strings
Cmaj7 Cmaj7/E Cmaj7/G Cmaj7/B Cmaj7



8v a

5 8 12 13 17
4 5 9 12 16
5 9 10 14 17
3 7 10 14 15

FIGURE 70 C major seven inversions on the top four strings

Cmaj7 Cmaj7/E Cmaj7/E Cmaj7/G Cmaj7/G Cmaj7/B


5fr 13fr 17fr 5fr 8fr

1444 2413 2413 1114 1114 2311

FIGURE 71 C major seven inversions on the bottom four strings

Cmaj7 Cmaj7/E Cmaj7/G Cmaj7/C Cmaj7/B


8fr 10fr 14fr 5fr

1423 2413 2314 2314 3411

FIGURE 72
C Cmaj7/B C7/B F/A


5 5 5 5
5 5 5 7
7 7 7 8
8 8 7 7 6 6 5

FIGURE 73 C7 inversions on the middle four strings


C7 C7/E C7/G C7/B C7 C7/B C7/G C7/E C7 C7/B C7

8v a



5 8 11 13 17 13 11 8 5 1 5
3 5 9 12 15 12 9 5 3 0 3
5 8 10 14 17 14 10 8 5 2 5
3 7 10 13 15 13 10 7 3 1 3

GUITAR DVD 11
FIGURE 74 C7 inversions on the top four strings

C7 C7/E C7/G C7/B C7/G C7/E


10fr 13fr 17fr 8fr 5fr

1324 2314 1112 1311 1113 2314

FIGURE 75 C7 inversions on the bottom four strings


C7 C7/E C7/G C7/B C7/B C7/G
8fr 10fr 14fr 17fr 5fr

1312 2413 2314 2311 2311 2314

FIGURE 76 G7 inversions on the top four strings


G7 G7/B G7/D G7/F G7 G7/F G7/D G7/B G7 G7/F G7/D G7/F G7

8v a







7 10 13 15 19 15 13 10 7 3 1 3 7


6 8 12 15 18 15 12 8 8 3 0 3 6
7 10 12 16 19 16 12 10 7 4 0 4 7
5 9 12 15 17 15 12 9 5 3 0 3 5

FIGURE 77 G7 inversions on the middle four strings

G7 G7/B G7/D G7/F G7/F G7/D G7/B


10fr 12fr 16fr 19fr 7fr 4fr

1314 2314 2314 2413 2413 2314 23 4

FIGURE 78 G7 inversions on the bottom four strings


G7 G7/B G7/D G7/F G7 G7/F
5fr 9fr 12fr 15fr

1312 2413 2314 2311 1312 13

FIGURE 79 Cmaj7 inversions drill


Cmaj7 Cmaj7/E Cmaj7/G

Cmaj7/B

Cmaj7

Cmaj7/B Cmaj7/G

Cmaj7


5 8 12 13 17 13 12 8 5
4 5 9 12 16 12 9 5 4
5 9 10 14 17 14 10 9 5
3 7 10 14 15 14 10 7 3

12 GUITAR DVD
FIGURE 80 C7 inversions drill


C7 C7/E C7/G C7/B C7 C7/B C7/G C7/E C7






5 8 11 13 17 13 11 8 5
3 5 9 12 15 12 9 5 3
5 8 10 14 17 14 10 8 5
3 7 10 13 15 13 10 7 3

FIGURE 81 Cm7 inversions drill


Cm7 Cm7/E Cm7/G Cm7/B Cm7 Cm7/B Cm7/G Cm7/E Cm7





4 8 11 13 16 13 11 8 4
3 5 8 12 15 12 8 5 3
2 8 10 13 17 13 10 8 5
3 6 10 13 15 13 10 6 3

FIGURE 82 Cm7b5 inversions drill


Cm75 Cm75/E Cm75/G Cm75/B Cm75 Cm75/B Cm75/G Cm75/E Cm75





4 7 11 13 16 13 11 7 4
3 5 8 11 15 11 8 5 3
4 8 10 13 16 13 10 8 4
3 6 9 13 15 13 9 6 3

FIGURE 83 C7sus4 inversions drill


C7sus4 C7sus4/F C7sus4/G C7sus4/B C7sus4 C7sus4/B C7sus4/G C7sus4/F C7sus4

6 8 11 13 18 13 11 8 6
3 5 10 12 15 12 10 5 3
5 8 10 15 17 15 10 8 5
3 8 10 13 15 13 10 8 3

FIGURE 84 Cmaj7b5 inversions drill


Cmaj75 Cmaj75/E Cmaj75/G Cmaj75/B

Cmaj75

Cmaj75/B Cmaj75/G Cmaj75/E Cmaj75

5 7 12 13 17 13 12 7 5
4 5 9 11 16 11 9 5 4
4 9 10 14 16 14 10 9 4
3 7 9 14 15 14 9 7 3

FIGURE 85 Cmaj7#5 inversions drill


Cmaj7#5 Cmaj7#5/E Cmaj7#5/G# Cmaj7#5/B

Cmaj7#5 Cmaj7#5/B Cmaj7#5/G# Cmaj7#5/E Cmaj7#5

5 9 12 13 17 13 12 9 5
4 5 9 13 16 13 9 5 4
6 9 10 14 18 14 10 9 6
3 7 11 14 15 14 11 7 3

GUITAR DVD 13
FIGURE 86 C7b5 inversions drill


C75 C75/E C75/G C75/B C75 C75/B C75/G C75/E C75



5 7 11 13 17 13 11 7 5
3 5 9 11 15 11 9 5 3
4 8 10 14 16 14 10 8 4
3 7 9 13 15 13 9 7 3

FIGURE 87 C7#5 inversions drill


C7#5 C7#5/E

C7#5/G# C7#5/B

C7#5 C7#5/B

C7#5/G C7#5/E C7#5


5 9 11 13 17 13 11 9 5
3 7 9 13 15 13 9 7 3
6 8 10 14 18 14 10 8 6
3 7 11 13 15 13 11 7 3

FIGURE 88 Cm(maj7) inversions drill


Cm(maj7) Cm(maj7)/E Cm(maj7)/G Cm(maj7)/B Cm(maj7) Cm(maj7)/B Cm(maj7)/G Cm(maj7)/E Cm(maj7)






4 8 12 13 16 13 12 8 4
4 5 8 12 16 12 8 5 4
5 9 10 13 17 13 10 9 5
3 6 10 14 15 14 10 6 3

SIXTH CHORD QUALITIES


FIGURE 89 FIGURE 90

C6
Med. Swing

B6


C6

C6 B6 C6 B6 C6

C6









5 5 8 7 8 7 8 7 8
8 8 8 8 8 8


8 8 10 9 10 9 10 9 10 10 10 10 10 10 10
9 9 9 8 9 8 9 8 9 9 9 9 9 9 9
10 10 10 9 10 9 10 9 10 10 10 10 10 10 10

FIGURE 91 C6 inversions drill


C6 C6/E C6/G

C6/A

C6

C6/A C6/G C6/E C6


5 8 10 13 17 13 10 8 5
2 5 9 12 14 12 9 5 2
5 7 10 14 17 14 10 7 5
3 7 10 12 15 12 10 7 3

FIGURE 92 Am7 inversions on the middle four strings


Am7 Am7/C Am7/E Am7/G Am7 Am7/C
5fr 9fr 12fr 14fr

3 2 2314 2314 2314 1312 2314

14 GUITAR DVD
FIGURE 93 C6 arpeggio FIGURE 94 Am7 arpeggio


7 10 7 5 7 5
7 10 10 7 7 7
8 8 5 8 8 5

FIGURE 95 overlapping arpeggios



Am7 C6

8 8 8 10 8 8 10 8
9 9 9 9 9 9 9 9
7 10 10 7 10 10 7 10 10 10

FIGURE 96 Am7 arpeggio and chord






5 5

5 8 8 5 5
5 5 5
5 7 7 5 5
7 7 7
5 8 8 5 5

FIGURE 97 C6 arpeggio and chord FIGURE 98


Cm6



let ring



8 8 5 5


8 10 10 8 10 8 8
9 9 9 8 8
7 10 10 7 10 10 10
7 10 10 7 X
8 8 8

FIGURE 99 C Dorian mode FIGURE 100




Cm6


let ring
6 8 6


8 10 10 8 4
7 8 10 10 8 7 2
10 10 5
3

FIGURE 101 Cm6 inversions drill









4 8 10 13 16 13 10 8 4
2 5 8 12 14 12 8 5 2
5 7 10 13 17 13 10 7 5
3 6 10 12 15 12 10 6 3

GUITAR DVD 15
FIGURE 102 Cm6 inversions on the top four strings
Cm6 Cm6/E Cm6/G Cm6/A Cm6/A Cm6/G Cm6/E
10fr 13fr 16fr 19fr 7fr 4fr

1312 1214 2314 1333 1333 2314 1214

FIGURE 103 mutating chord qualities

Cmaj7 C7

Cm7

Cm6 Cmaj7 C7 Cm7 Cm6








12 12 11 11 3 3 3 3


12 11 11 10 1 1 1 1
12 12 12 12 4 3 3 2
10 10 10 10 2 2 1 1

FIGURE 104 overlapping relative arpeggios


Cm6 Am75


5 7 5 7 5 5
3 6 3 6 6 3 6
5 8

FIGURE 105 synonymous chords


Cm6/A Cm6 Cm6/E Cm6/G Cm6/A Cm6
Am75 Am75/C Am75/E Am75/G Am75 Am75/C
5fr 8fr 12fr 14fr

3 4 2413 2314 2314 1324 2413

DIATONIC SEVENTH CHORD SCALES IN INVERSIONS


FIGURE 106 root-position diatonic seventh chords in C major, middle four strings
Cmaj7 Dm7 Em7 Fmaj7 G7

Am7

Bm75

Cmaj7


5 6 8 10 12 13 15 17
4 5 7 9 10 12 14 16
5 7 9 10 12 14 15 17
3 5 7 8 10 12 14 15

FIGURE 107 first-inversion diatonic seventh chords in C major, middle four strings
Cmaj7/E Dm7/F Em7/G Fmaj7/A G7/B Am7/C Bm75/D Cmaj7/E
Bm75/D Am7/C G7/B


(play in reverse order)


8 10 12 13 15 17 18 19 6 5 3
5 7 9 10 12 14 16 17 4 2 0
9 10 12 14 15 17 19 21 7 5 3
7 8 10 12 14 15 17 19 5 3 2

FIGURE 108 second-inversion diatonic seventh chords in C major, middle four strings
Cmaj7/G Dm7/A Em7/B Fmaj7/G G7/D Am7/E Bm75/F Am7/E G7/D Fmaj7/C Em7/B



8v a


(play in reverse order)


12 13 15 17 18 20 10 8 6 5 3
9 10 12 14 16 17 7 5 4 2 0
10 12 14 15 17 19 9 7 5 3 2
10 12 14 15 17 19 8 7 5 3 2

16 GUITAR DVD
FIGURE 109 third-inversion diatonic seventh chords in C major, middle four strings

Cmaj7/B Dm7/C Em7/D Fmaj7/E G7/F Am7/G Bm75/A



Cmaj7/B

Dm7/C

Em7/D

1 3 5 6 8 10 12 13 15 17
0 2 4 5 7 9 10 12 14 16
2 3 5 7 9 10 12 14 15 17
2 3 5 7 8 10 12 14 15 17

FIGURE 110 chord progression in C using diatonic seventh chord inversions


G G7/F C/E G7/D Cmaj7


To


let ring

8 8 8 6 5
7 7 5 4 4
9 9 5 5 5
10 8 7 5 3

FIGURE 111 root-position diationic seventh chords in G major, top four strings
Gmaj7 Am7 Bm7 Cmaj7 D7 Em7 F#m75 Gmaj7 Gmaj7 F#m75 Em7 D7
7fr 9fr 10fr 12fr 14fr 16fr 17fr 5fr 4fr

1444 1423 1423 1444 1324 1423 1333 1333 1444 1333 1423 213

FIGURE 112 first-inversion diationic seventh chords in G major, top four strings

Gmaj7/B Am7/C Bm7/D Cmaj7/E D7/F# Em7/G F#m75/A Gmaj7/B F#m75/A Em7/G D7/F# Cmaj7/E Bm7/D
8fr 10fr 12fr 13fr 15fr 17fr 19fr 8fr 7fr 3fr
5fr

2413 1314 1314 2413 2314 1324 1312 2413 1312 1324 2314 2413 2 3

FIGURE 113 second-inversion diationic seventh chords in G major, top four strings

Gmaj7/D Am7/E Bm7/F# Cmaj7/G D7/A Em7/B F#m75/C Gmaj7/D Am7/E Bm7/F# Cmaj7/G D7/A
5fr 7fr 8fr 10fr 12fr 13fr 15fr 17fr 19fr

2 1324 1324 1114 1113 1324 1214 1114 2314 2314 1114 1113

FIGURE 114 third-inversion diatonic seventh chords in G major, top four strings

Gmaj7/F# Am7/G Bm7/A Cmaj7/B D7/C Em7/D F#m75/E Gmaj7/F# Am7/G Bm7/A Gmaj7/F# F#m75/E Em7/D
5fr 7fr 8fr 10fr 12fr 12fr 15fr 17fr 19fr 3fr

2311 1111 1111 2311 1311 1111 2314 2311 1 1o 1 1 1111 2311 2314

GUITAR DVD 17
HARMONIC MINOR DIATONIC SEVENTH CHORDS

FIGURE 115 A harmonic minor diatonic seventh chords, close-position voicings on top four strings


Am(maj7) Bm75 Cmaj7#5 Dm7 E7 Fmaj7 G#o 7 Am((maj7) Am(maj7) G#o 7 Fmaj7



4 5 7 8 10 12 13 16 4 1 0


5 6 9 10 12 13 15 17 5 3 1
5 7 9 10 13 14 16 17 5 4 2
7 9 10 12 14 15 18 19 7 6 3

FIGURE 116 root-position A harmonic minor diatonic seventh chords, raise-two voicings on top four strings
Am(maj7) Bm75 Cmaj7#5 Dm7 E7 Fmaj7 G#o 7 Am((maj7) Am(maj7)G#o 7 Fmaj7 E7 Dm7


8v a

8 10 12 13 16 17 19 20 8 7 5 4 1


9 10 12 13 15 17 18 21 9 6 5 3 1
9 10 13 14 16 17 19 21 9 7 5 4 2
7 9 10 12 14 15 18 19 7 6 3 2 0

FIGURE 117 Am(maj7) arpeggio FIGURE 118 E harmonic minor scale



Em






4 5 0


5 4 5 5 4 0
5 2 4 5 5 4 2 0
6 7 2 4 5 5 4 2 5 4 2 1 2 2
3 7 2
5 0

FIGURE 119 E harmonic minor diatonic seventh chords, root-position raise-two voicings on top four strings
Em(maj7) F#m75 Gmaj7(#5) Am7

B7

Cmaj7

D# o 7
Em(maj7) Em(maj7) D# o 7






3 5 7 8 11 12 14 15 3 2


4 5 7 8 10 12 13 16 4 1
4 5 8 9 11 12 14 16 4 2
2 4 5 7 9 10 12 14 2 1

FIGURE 120 first-inversion E harmonic minor diatonic seventh chords on top four strings

Em(maj7)/G F#m75/A Gmaj7(#5)/B Am7/C B7/D# Cmaj7/E


5fr 7fr 8fr 10fr 12fr 13fr

1413 1312 2314 1314 2314 2413

D# 7/F#
o
Em(maj7)/G Em(maj7)/G D# 7/F#
o
Cmaj7/E B7/D#
16fr 17fr 5fr 4fr

1324 1413 1413 1324 2413 13 4

18 GUITAR DVD
MELODIC MINOR DIATONIC TRIADS AND SEVENTH CHORDS
FIGURE 121 A melodic minor scale FIGURE 122 A harmonic minor scale


scale scale
degree: 1 2 b3 4 5 6 7 1 degree: 1 2 b3 4 5 b6 7 1
2 4 5 1 4 5


3 5 3 5
2 4 5 2 4 5

FIGURE 123 A melodic minor root-position diatonic triads on the top three strings



Am Bm C+ D E F#o G#o Am Bm C+ D E


8v a

0 2 4 5 7 8 10 12 14 16 17 19

1 3 5 7 9 10 12 13 15 17 19 21
2 4 5 7 9 11 13 14 16 17 19 21

FIGURE 124 A melodic minor first-inversions diatonic triads on the top three strings
F#o/A G#o/B Am/C

Am/C Bm/D C+/E D/F# E/G# Bm/D C+/E Am/C G#o/B F#o /A E/G#

8v a

5 7 8 10 12 14 16 17 19 20 5 4 2 0

5 7 9 10 12 13 15 17 19 21 5 3 1 0
5 7 9 11 13 14 16 17 19 21 5 4 2 1

FIGURE 125 A melodic minor second-inversion diatonic triads on the top three strings
Am/E Bm/F# C+/G# D/A E/B F#/C G#/D Am/E G#/D F#/C E/B D/A C+/G#


8v a

8 10 12 14 16 17 19 8 7 5 4 2 0

10 12 13 15 17 19 21 10 9 7 5 3 1
9 11 13 14 16 17 19 9 7 5 4 2 1

FIGURE 126 symmetrical inversions


C+ C+/E C+/G# C+ C+ C+/G# G#+ C+ E+ G#+ C+



8v a


8v a

4 8 12 16 4 0 0 4 8 12 16

5 9 13 17 5 1 1 5 9 13 17
5 9 13 17 5 1 1 5 9 12 17

GUITAR DVD 19
INTERVALS IN MELODIC MINOR
FIGURE 127 E melodic minor scale FIGURE 128 E melodic minor scale in fourths on the top two strings

8va

let ring


0 2 3 5 7 9 11 12 0 2 3 5 7 9 11 12 14 15 17 19 21


0 2 4 5 7 8 10 12 14 16 17 19 20

FIGURE 129 A melodic minor scale in fourths on the top two strings


8v a



let ring


5 7 8 10 12 14 16 17 19 20 5 4 2 0


5 7 9 10 12 13 15 17 19 21 5 3 1 0


FIGURE 130 E melodic minor in sixths on the G and high E strings


8v a

let ring



0 2 3 5 7 9 11 12 14 15 17 19 20


0 2 4 6 8 9 11 12 14 16 18 21 21

FIGURE 131 A melodic minor in sixths on the G and high E strings




8v a



let ring


5 7 8 10 12 14 16 17 19 20 5 4 2 0


5 7 9 11 13 14 16 17 19 21 5 4 2 1
0


FIGURE 132 E melodic minor in 10ths on the low E and G strings FIGURE 133 E melodic minor in 10ths on the D and high E strings


8v a







3 5 7 9 11 12 14 15 17 19 21 3 2


0 2 4 6 8 9 11 12 14 16 18 20 21
2 4 5 7 9 11 13 14 16 17 19 2 1
0 2 3 5 7 9 11 12 14 15 17 19 20


FIGURE 134 E melodic minor in 10ths on the A and B strings FIGURE 135 A melodic minor 10ths on the low E and G strings


8 10 12 14 16 17 19 20 22 8 7 5 4 2
5 7 9 11 13 14 16 17 19 21 5 4 2 1
7 9 10 12 14 16 18 19 21 7 6 4 2 0
5 7 8 10 12 14 16 17 19 20 5 4 2 0

20 GUITAR DVD
FIGURE 136 A melodic minor scale 10ths on the A and B string FIGURE 137 A melodic minor 10ths on the D and high E strings

8v a




8 10 12 14 16 17 19 20 22 8 7 5 4 2


1 3 5 7 9 10 12 13 15 17 19 21 22
7 9 10 12 14 16 18 19 21 7 6 4 2 0
0 2 3 5 7 9 11 12 14 15 17 19 21

FIGURE 138 A melodic minor open-voiced triads on the A, D and B strings


Am Bm C+ D E F# G# Am Bm C+ D E


8v a
3

3


3

3


3



3

3 3 3
3 3 3

1 3 5 7 9 10 12 13 15 17 19 20
2 4 6 7 9 10 12 14 16 18 19 19
0 2 3 5 7 9 11 12 14 15 17 19

FIGURE 139 A melodic minor open-voiced triads on the D, G and high E strings


Am Bm C+ D E F# G# Am


8v a

8 10 12 14 16 17 19 20

9 11 13 14 16 17 19 21
7 9 10 12 14 16 18 19

FIGURE 140 A melodic minor diatonic seventh chords on the middle four strings
Am(maj7) Bm7 Cmaj7#5 D7 E7 F#m75 G#m75 Am(maj7) Bm7 Cmaj7#5 D7 E7



8v a

1 3 5 7 9 10 12 13 15 17 19 21
1 2 4 5 7 9 11 13 14 16 17 19
2 4 6 7 9 10 12 14 16 18 19 21
0 2 3 5 7 9 11 12 14 15 17 19

FIGURE 141 A melodic minor diatonic seventh chords on the top four strings

Am(maj7) Bm7 Cmaj7#5 D7 E7 F#m7b5 G#m7b5 Am(maj7) Am(maj7) G#m7b5 F#m7b5 E7 D7


7fr 9fr 10fr 12fr 14fr 16fr 18fr 19fr 7fr 6fr 4fr

1342 1423 1423 1324 1324 1333 1333 1342 1342 1333 1333 1324 234

GUITAR DVD 21
MELODIC MINORS MOST APPEALING USEFUL MODES


FIGURE 142 A melodic minor scale FIGURE 143 D Lydian-dominant mode

2 4 5 4 5


3 5 5 7
2 4 5 4 5 7 4 5 7
7 4 6 7
5 7


FIGURE 144 vamp and improvised solo using D Lydian-dominant
3
Medium Swing =




D7




8 10 12 10 8


10 10 10 10 10 9 10 12 12 10 9
11 11 11 11 11 9 11 11 9
10 10 10 10 10 9 10 12 12 10
9 11 12
10 10 10 10 10 10 12



D7






3
3
10 12 14 10 12 10
10 12 13 13 13 12 10 3 3 3 3
9 11 13 13 9 5 5 5 5
9 9 10 12 10 4 3 4 4 4
12 11 12 5 5 X 3 4 5 5 5 7
5

7 5 7 8 7 5
5 7 9 9 8 9 5
4 5 4 5 4 4 4 5 7 5 4 4
6 7 7 6 6 7 6 7





5 7 8 10 8 7
5 7 9 9
5 7 9
10 9 7 6 4 7
9 7 5 3 3 7 5 7
7 5 4 5 7

7 8 7 5 4
5 6 7 3 3 3 3
4 7 5 7 5 4 5 5 5 5
6 7 7 6 4 4 4 4 4 0
7 5 5 5

22 GUITAR DVD
FIGURE 145


A7


E melodic minor scale



5

5 4 5 4
5 6 4 6 6 4
5 4 5 7 7 5 4
7 7 7
5 5

FIGURE 146 A Lydian-dominant mode





5

7 8
6 8 9
5 7 9
6 7 9 0
5 7 9






7 8 10 8 7
6 8 9 9 8 6
7 9 9 7
0


FIGURE 147 A Lydian-dominant improvised line



let ring

1/2

5 7 5 7 9 11 12 11

7 8 7 7 8 8
6 8 9 9 8 9
7 9
0



3

3



1/2 1/2

11 9 7
10 8 7 7
9 8 8 6 4 6 4
7 5 4 5 4 2 1 2 2 1 2 4
0




3 3

3 1/2


1/2

2 3 5 5 7
2 4 5 8 7 5 4 5 7 7 5 4 4
2 2 4 6 4
5 5 7 5 5 4

GUITAR DVD 23
THE DIMINISHED WHOLE-TONE SCALE (A.K.A. THE SUPER-LOCRIAN MODE)
FIGURE 148 G# Super-Locrian mode improvised melody





(G#7#9)


5 3

4
4 5 7 7 8 7 5


5 7
4 5 7
4 6 6 7
3 5 7
4 5 7



3

3


3
3


4 4
7 7 5
7 5 4 4 5 4 5 4 4
7 6 4 6 7 7 7 6 4 6
4

FIGURE 149 the Hendrix chord FIGURE 150



G#7#9 E Super-Locrian F melodic minor


12
11 7 9 7 9 10
10 6 8 10 6 8 10
11 7 8 10 8 10
0

E Super-Locrion




7 9 7
6 8 10 10 8 6
7 8 10 10 8
0

5 6 5 6 5 5
7 5 7 8 7 8 7 5 7
0 0

24 GUITAR DVD
FIGURE 151


Freely


E Super-Locrian mode improvised melody


E7#9






8 10 12

8 8 9 11
7 7 9 10
6 6 8 10
7 7 8 10
0 0




9 3 5


12 10 8 8
11 9 8 8 9 11 11 9 8
10 9 7 9 10 10 9 7
10 8 6
10 8 7

(swing feel)


3
3

5
15
5 13 12 13 15
5 6 8 14 12 14 15
7 8 13 11 13 15
0 12 13 15


8v a


8v a

13 15 16 13 15 12 13 12


13 15 17 15 13
13 12
15 14 12 10
11 10
13 12 10


E7#9

3

3 3
3

8 10 12 10 8
8 8 8 8 9 11 11
7 7 7 7 9 10
6 6 6 6 8 10
7 7 7 7 8 10


E7#9



9 8 8 8
10 9 7 5 7 7
8 6 5 6 6
8 7 5 7 7

GUITAR DVD 25
UPPER-STRUCTURE HARMONY: STACKING THIRDS
The Lydian 13 Sharp-11 Chord
FIGURE 152 C major scale



scale
degree: 1 2 3 4 5 6 7 8 9 10 11 12 13
1 3 5


3 5
2 4 5
2 3 5
3 5

FIGURE 153 stacking thirds in C major


C Cmaj7 Cmaj9








chord
tone: 1 3 5 1 3 5 7 1 3 5 7 9


0 3 3
0 4 0 4 4
2 5 2 2 5 2 2 5 2
3 3 3 3 3 3

FIGURE 154
Cmaj9#11 Cmaj9#11



chord 1 3 5 7 9 #11
tone:
2 2


3 3
4 4
2 5 2
3 3

FIGURE 155 Cmaj9#11 arpeggio run


3 3


3 3


3 3
3 3

2 2


3 3 3 3 3
4 4 4 4 4 4
2 5 2 5 5 5 5 2 5 2
3 3

FIGURE 156 Cmaj13#11 arpeggio, 2nd position





2 5 2


3 3
4 4
2 5 5 2
3 3

FIGURE 157 overlapping triads in C Lydian FIGURE 158


C Em G Bm D Cmaj13#11 Cmaj9#11




5fr 7fr

3 4221 21311

2 5


3 3 7
0 4 4 4 7
2 5 5
3 7

26 GUITAR DVD
FIGURE 159 Cmaj13#11 arpeggio w/position shifts


Cmaj9
3
3

3
3


3 3
3 3 3 3

3
11 11 14 11 11 4
9 9 12 9 12 12 12 12 9 12 9 9 2
7 10 7 10 10 10 10 7 10 7 3
8 8

FIGURE 160 Cmaj13#11 arpeggio, 4th position





5

7 7
4 7 7 4
5 5
3 7 7 3

FIGURE 161 improvising in C Lydian over Cmaj9#11


Cmaj9#11


freely let ring


3 3

2 2 3 5 3 2 3 2 2 2 3 5 5 /7 5 3 2

3 3 5 5 5
4 2 4 5
2 2 4 5
3 3 5 3



Cmaj9#11





5 7 8 7 2
1/2

3 5 7 8 7 7 5 7 8 3
5 4 5 4 2 4 2 2 4 5 7 4
5 4 2 0 2 4 5 4 5 2
3

The Lydian-dominant 13 Sharp-11 Chord


FIGURE 162 C Lydian dominant mode FIGURE 163 G melodic minor scale




scale
degree: 1 2 3 #4 5 6 b7 1


2 3 5
2 4 5 2 4 5
3 5 1 3 5
3 5

FIGURE 164 C9 arpeggio and chord FIGURE 165 C9#11 arpeggio and chord


C9 C9#11






chord chord
tone: 1 3 5 b7 9 tone: 1 3 5 b7 9 #11
2 2


3 2 3 3
3 3 3 3
2 5 2 2 5 2
3 3 3 3

GUITAR DVD 27
FIGURE 166 overlapping building blocks of C9#11


o
C E Gm B+


3 3
3 3 3
2 5 2 5 5
3

FIGURE 167 stacking thirds in C Lydian-dominant FIGURE 168


C13#11 arpeggio

C13 chord C13#11 C13#11




5fr 5fr


chord 3 4221 *T 4 2 3 1
tone: 1 3 5 b7 9 #11 13
*Thumb
2 5 5


3 3
3 3
2 5 2
3 3

FIGURE 169 overlapping seventh chords in C Lydian-dominant


C7 Em75 Gm(maj7) Bmaj7#5 Bmaj7#5 Gm(maj7) Em75 C7


let ring

let ring




2 5 5 2


3 3 7 7 3 3
3 3 3 7 7 3 3 3
2 5 2 5 5 8 8 5 5 5
3 7 7
8

FIGURE 170 C13#11 arpeggio FIGURE 171 improvising with upper-structure arpeggios over a dominant ninth chord
C13#11 C9


6




X X X X X

X X X X X X
X X X X X X
X
6
2 5 2


3 3 3 3 X 3 X X X X 3 3 3

3
2 5
3 3
5 2
3
3
2
3
3 X
2 X
X
3
2
X
X
3
X X X X
X X X X
3
2
3
3
2
3
2
3
2 5
3
2 5
3

X
X
3


3

3

3 2 3 2 X 5 2 5 2 2 5 2
3 3 3 3 3 3 3 3
3 3 2 3 3 3 3 3 2
X 5 5 2 2 5 2 5
3 3




3

3

3

3
3
3 3

2 2 5 2 2 5 2 5 2 2
3 3 3 3 3 3 3
3 3 3 3 3 3 3
5 2 5 5 2 2 5 5 5 2 5 2
3 3

28 GUITAR DVD
FIGURE 172 C13#11 arpeggio, 5th position FIGURE 173 C13#11 arpeggio, 7th position




5


7 7 7 10 7
7 7 7
5 8 8 5 8
7 7 7 10
8 8 8

3 3

3 3


3 3
3 3 3

7 7 10 7 10 7
7 7 7 7 7 7
8 8 8 8 8 8 8
10 7 7 10 7 10 10 10 10 7 10 7
8 8

FIGURE 174 C13#11 arpeggio, 9th position FIGURE 175 C Lydian-dominant mode in two octaves








5 6 8


10 5 7 8
11 11 2 3 5 7
8 12 12 8 2 4 5
10 10 3 5
8 12 12 8

FIGURE 176 C13(9) FIGURE 177 improvising with C Lydian-dominant over C13(9)
B13(9) B13(9)

C13(9) C13(9)


Medium Fast Swing






10 6 8 10 8 6 10 10 10 8 9


10 7 8 10 10 8 7 10 10 10 8 9
9 7 9 9 7 9 9 9 7 8
8 10 10 8 9 8 6 7
8 8 8 8 6 7

10 10
10 10 7 8 10 10 / 11 10 8 7 10 8
9 9 7 9 9 7
8 8 7 8 10 8 7 7 7
7 9 10 10 9 10 9 10
8 8









8 10 12 8 10 10 10
8 10 11 11 10 8 7 10 10 10
7 7 9 11 9 7 9 9 9
8 10 8 10 8 7 8 8 8
10 9 7
10 8 8 8 8

GUITAR DVD 29
FIGURE 178 improvising with Bb Lydian-dominant over Bb13(9)


B13(9)






8 8 8 4 8 6 4 8 8


8 8 8 5 6 8 8 6 5 8 8
7 7 7 7 5 7 7
6 6 6 8 6 5 6 6
8 7 5
6 6 6 8 6 6 6

The Dorian Minor-13 Chord


FIGURE 179 building a Dm7 chord FIGURE 180 the D Dorian mode


Dm Dm7







chord
tone: 1 b3 5 1 b3 5 b7
7 8 10


1 8 10
2 5 2 5 7 7 9 10
3 7 3 3 7 3 5 7 9 7 9 10
5 5 5 5 5 7 8 7 8 10
10

FIGURE 181 Dm9 arpeggio and chord FIGURE 182 Dm11 arpeggio and chord


Dm9 Dm11






chord chord
tone: 1 b3 5 b7 9 tone: 1 b3 5 b7 9 11
3 3


5 5 5 5
5 5 5 5
3 7 3 3 7 3
5 5 5 5

FIGURE 183 D Dorian mode and Dm11 arpeggio


D Dorian mode Dm11 arpeggio



1 b3 5 b7 9 11
3 3


5 6 5
4 5 7 5
3 5 7 3 7
5 7 5

FIGURE 184 overlapping triads in D Dorian


Dm F Am C Dm F Am C

3

3


3
3
3 3


5 5 5 5
2 5 5 5 5 5 5
3 7 7 3 7 3 7 7
5 8 5

FIGURE 185 Dm11 arpeggio fretboard shapes FIGURE 186 Dm13 arpeggio and chord

Dm13



..
3fr
5fr
7fr
.. 5fr
7fr

10fr
. 10fr
7fr

chord
tone: 1

b3

5 b7 9 11 13


9fr 3 7 7


5 5
5 5
3 7 3
5 5

30 GUITAR DVD
=
FIGURE 187 improvising over Dm13 with the D Dorian mode
3
Medium Swing




5 7 8 7 5 7 5

8 6 5
7 5 7 5 4
7 5 3
7 5 3 5 7 3



Dm13



3

7 7 5 7 8 10 12 8
5 5 5 6 8 10 8
5 5 10 9
3 3 10
5 5 5 5


Dm13 Em13 Dm13



1/2 3
7 7 7 7 8 7
10 12 13 12 12 10 5 5 5 5 6 5
9 10 12 12 10 9 9 5 5 5 5 6 5
12 12 3 3 3 3 4 3
5 5 5 5 6 5

13TH CHORDS IN THE KEY OF G


FIGURE 188 upper-structure arpeggios and chord voicings in G Lydian


Gmaj13#11 Gmaj9 Gmaj9#11 Gmaj13#11










9 12 9 9 12

10 10 10 10 12
11 11 11 11 11
9 12 12 9 9 9 11
10 10 10 10 10

FIGURE 189 upper-structure arpeggios and chord voicings in G Lydian-dominant


Freely Medium Swing



G13 G13#11 arpeggio G9








12 9 12

10 10 10 10
10 10 9 10 12 10 10 9 10
9 9 12 9 11 12 9 9 9 11 12
10 10 10 12 10 10 10 12

FIGURE 190 D melodic minor scale




G9



9 10 12 9


10 12 12 10 10 10
12 12 10 9 10 10
12 11 9 9 9 9 11 12
12 10 8 10 10 10 8 10 12
10 12

GUITAR DVD 31
DIATONIC NINTH CHORDS
FIGURE 191 the I and ii ninth FIGURE 192 Cmaj9 and Dm9 arpeggios
chords in the key of C
Cmaj9 Dm9 Cmaj9 Dm9 Cmaj9











3 5 3 5 3
4
2
3
5
3
5 3
2 5
4 4
5 2 5
3 7
5 5
7 3 3
2 5
4 4
5 2
3

FIGURE 193 viable diatonic ninth chords in the key of C FIGURE 194 the IV9, V9 and vi9 chords in C
I9 ii9 IV9 V9 vi9
Cmaj9 Dm9 Fmaj7 G9 Am9

Fmaj9














3 5 8 10 12 8 8
4 5 9 10 12 9 9 9
2 3 7 9 10 7 7 10 10 7
3 5 8 10 12 8 8 8

G9 Am9




10 10 12 12
10 10 10 12 12 12
9 9 12 12 9 10 10 14 14 10
10 10 10 12 12 12

FIGURE 195 viable diatonic ninth chords in the key of G


I ii IV V vi


Gmaj9 Am9


Cmaj9 D9

Em9













10 12 3 5 7
11 12 4 5 7
9 10 2 4 5
10 12 3 5 7

FIGURE 196 relative minor and major chords in the keys of E minor and G FIGURE 197


Em G Em7 Gmaj7 Em9 Gmaj9




Gmaj9 Em9


8v a





5fr 5fr


1341 21 34
7 10 10 14


8 12 12 15 7 10
9 12 12 16 7 11
14 17 5 9
7 10

32 GUITAR DVD
SYMMETRICAL SCALES
The Whole-half and Half-whole Diminished Scales
FIGURE 198 C diminished seven arpeggio FIGURE 199 C whole-half diminished scale



chord chord
tone: 1 b3 b5 6 1 tone: 1 2 b3 4 b5 #5 6 7 1
5 8 5 4 5 7 8 7 5 4


7 7 6 7 7 6
5 8 8 5 5 7 8 8 7 5

FIGURE 200 using the whole-half scale over a diminished seventh chord
C o7







4 5 7 8 10 11 10 8 7

4 6 7 10 9 7 6 4
2 5 7 8 8 7 5 2
4 4
3 3

FIGURE 201 the two modes of the C diminished scale


C whole-half
D half-whole




4 5 7 8 7 8 10 8 7

6 7 7 9 10 10 9 7
5 7 8 7 8 10 10 8 7

FIGURE 202 D half-whole diminished scale on one string




scale
degree: 1 b2 b3 3 #4 5 6 b7 1

7 8 10 11 13 14 16 17 19 17 16 14 13 11 10 8 7

FIGURE 203 soloing over D7#9 with the D half-whole scale



D7#9 D7#9




4 5 7 5 4

6 6 6 4 6 7 7 6 4 6
5 5 5 4 5 7 7 5 4 5
4 4 4 4 6 7 7 6 4 4
5 5 5 5 6 9 8 6 5 5 5
8

FIGURE 204 A half-whole scale on one string





let ring

2 3 5 6 8 9 11 12 14 12 11 9 8 6 5 3 2 0 2
0

GUITAR DVD 33

FIGURE 205 A half-whole scale in thirds and fourths on the G and B strings



let ring


2 4 5 7 8 10 11 13 14 16 16 2 1 2
2 3 6 6 8 9 11 12 14 15 17 2 0 2
0

FIGURE 206 A half-whole scale diatonic triads on the top three strings


A Em C F#m E Am F# Cm A Em C


8v a



let ring
0 2 3 5 6 8 9 11 12 14 15


2 4 5 7 8 10 11 13 14 16 17
2 3 5 6 8 9 11 12 14 15 17
0

The Augmented Scale


FIGURE 207 A augmented arpeggio FIGURE 208 A augmented arpeggio with lower chromatic neighbors





chord
tone: 1 3 #5 1 let ring
5 4 5 5 4


6 6 5 6 6 5
6 6 5 6 6 5
7 7 6 7 7 6
0 0

FIGURE 209 A augmented scale, two notes per string, mode 1 FIGURE 210 A augmented scale, two notes per string,


mode 2




1 4 1 4 5 4


2 5 5 2 5 6 6 5
2 5 5 2 5 6 6
3 6 6 3 6 7
4 7 7 4 7 8
5 8 8 5 8 9

FIGURE 211 A augmented scale diatonic triads on the top three strings
A Fmaj7no3 C# Amaj7no3 F C#maj7no3 A

Fmaj7no3





let ring
0 1 4 5 8 9 12 12


2 5 6 9 10 13 14 17
5 2 5 6 9 10 13 14 17
7 6
8 7 0
9 8 5


FIGURE 212 A augmented scale in fourths and fifths on the top two strings







let ring
5 8 9 12 13 16 17 16 13 12 9 8 5 4 1 4 5


5 6 9 10 13 14 17 14 13 10 9 5 5 2 1 2 5

34 GUITAR DVD
FIGURE 213 A augmented scale triads on top four strings w/lowest note doubled FIGURE 214 symmetrical modes of the half-whole
one octave higher scale
*A Fmaj7no3 C# Amaj7no3 F C#maj7no3 A Fmaj7no3 G#


8v a


A half-whole




let ring
5 8 9 12 13 16 17 20 21 2 3 5


2 5 6 9 10 13 14 17 18 2 4 5
2 5 6 9 10 13 14 17 18 2 3 5
2 5 6 7 10 11 14 15 18
0
*tremolo pick top note of each chord



C half-whole E half-whole F# half-whole

5 6 8 8 9 11 11 12 14
5 7 8 8 10 11 11 13 14
5 6 8 8 9 11 11 12 14

Moderate Fast Swing  =


FIGURE 215 soloing with the half-whole scale over symmetrical dominant-seven sharp-nine chords
3


A7#9




11 12 14

13 13 13 13 13 13 13 13 13 11 13 14
12 12 12 12 12 12 12 12 12 11 12 14
11 11 11 11 11 11 11 11 11 11 13 14


12 12 12 12 12 12 12 13 15


A7#9 F#7#9




3

3 3
3

12 11 8 9 11 9
14 13 11 13 13 13 10 10 8 10 11
14 12 11 12 12 12 9 9 8 9 11
14 13 11 11 11 11 7 8 8 10 11
15 13 12 9 9 9 10 12



E7#9



8
11 10 8 7 7 7 7
11 9 8 6 6 6 6 5 6 8
11 10 5 5 5 7 5 7 8
13 12 10 6 6 6 9 6 7 9



C7#9







5 6 8 5
5 7 8 8 7 5 4 4
8 6 5 3 3
8 7 6 2 2
9 7 6 3 3

GUITAR DVD 35
PENTATONIC CHORDS


FIGURE 216 E minor pentatonic scale




7 10 12 15 12


3 5 8 10 15 12
0 2 4 7 9 14 12
2 7 9 14 12
7 10 14 12
15 12

FIGURE 217 E minor pentatonic chords (interval stacks) on the top four strings
Em7add4 Emadd4 Em7add4 E7sus4 Em7 Em7add4
4fr 7fr 9fr 12fr 14fr

1134 2134 1131 1134 1111 1134

FIGURE 218 E minor pentatonic diatonic triads on the top three strings
Em Gsus2 Asus2 G/B Asus2 G/B Dsus2
7fr 10fr 12fr 15fr 5fr

321 311 311 211 2 211 311

FIGURE 219 same thing on the D, G and B strings


Em Gsus2 Asus2 G/B Dsus2 Em Gsus2
4fr 7fr 10fr 12fr 14fr

2 412 412 312 412 311 412

FIGURE 220 A minor pentatonic triads on the top three strings


Am Am7add4 Asus4 Am7 Am7

Am
Am7add4
Asus4



3
3 3 3 3 3 3 3
let ring
0 3 5 8 10 12 15 17


1 3 5 8 10 13 15 17
2 5 7 9 12 14 17 19
0

MAJOR ADD2 AND ADD9 CHORDS


FIGURE 221 FIGURE 222 FIGURE 223 FIGURE 224


Aadd9 Aadd2 Aadd2 Cadd9 Cadd2











7 5 0 0 3 0


5 2 5 0 2 3 3
6 2 4 6 4 0 0
7 7 2 2 0
0 3 3

FIGURE 225 adding the second/ninth to standard barre chords


E Eadd2 A Aadd2 D Dadd2 D Dadd2 G
2fr 5fr 7fr 3fr

231 241 234 142 132 141 341 34 3211

Gadd2 G Gadd2 Aadd2 Bbadd2 Cadd2 Eadd2 Dadd2 Aadd2


3fr 3fr 3fr 5fr 6fr 8fr 7fr 5fr 12fr

4211 134211 134211 134211 134211 134211 12431 12431 12431

36 GUITAR DVD
FRENCH HORN FIFTHS


FIGURE 226 Aadd2 arpeggio




9 12 9

10 12 12 10
6 9 9 6
7 9 9 7
4 7 7 4
5 7 7 5


FIGURE 227 Aadd9 arpeggio played in French horn fifths double stops











9 12 17 12 9

10 12 10 12 14 12 10 12 10
6 9 6 9 9 9 6
7 9 7 9 11 9 7 9 7
4 7 4 7 7 4 7 4
5 7 7 5


FIGURE 228 FIGURE 229 minor French horn fifths



Am(add2)






0 7 8 12 17 12 8 7 5


1 10 10 12 13 12 10 5 5
4 5 9 9 5 4 5 4
2 7 9 7 9 10 7 7 2
0 3 7 3 7 7 3 2 3
5 7 5

FIGURE 230 FIGURE 231 popular minor add2 voicings FIGURE 232
Dm(add2) Dm(add2) Em(add2) Am(add2)


6fr 5fr


32 14 31
0

6
7
0

BORROWING CHORDS FROM THE PARALLEL MINOR KEY


FIGURE 233 borrowing the iv chord from the parallel minor key
I V IV iv bor. I
C G F Fm C

















3 3 1 1 1 1

5 5 3 3 1 1 1 1 5
5 5 4 4 2 2 1 1 5
5 5 5 5 3 3 3 3 5
3 3 5 5 3 3 3 3 3
3 3 1 1 1 1

FIGURE 234 borrowing the bVI chord from the parallel minor key
I IV VI bor. I
C F A C







1 1 4 4

5 5 5 5 5 5 5 5 5 1 1 4 4 1 5
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
2
3
3
2
3
3
5
6
6
5
6
6
1
1 5
5
3
1 1 1 1 4 4 4 4

GUITAR DVD 37
FIGURE 235
I iii iii ii
F Am Am Gm







5 5 X 5 4 3 3


10 X 10 10 10 5 5 X 5 4 3 3
10 X 10 10 10 5 5 X 5 4 3 3
10 X 10 10 10 7 X 7 6 5 5
8 X 8 8 8 7 X 7 7 6 5 5
5 X 5 5 5 4 3 3
V7 I vii 7/ii ii iv bor.

o
*
C7 F F#o 7 Gm Bm





3 3 5 5 3 3 6 6
5 5 6 6 10 10 3 3 6 6
3 3 5 5 8 8 3 3 6 6
5 5 5 7 7 10 10 5 5 8 8
3 3 3 8 8 8 9 9 9 5 5 8 8
3 3 3 6 6
*D7, the V7/ii, may be substituted here
I V6 vi II7/V V7 I
F C/E Dm G7 C7 F







3 3 3 3
6 5 6 6 3 3 5 5 6


5 5 7 7 4 4 3 3 5
7 5 7 7 3 3 5 5 7
8 7 5 5 5 5 3 3 8
3 3

DIMINISHED SEVEN CHORD RESOLUTIONS


The Leading-tone Diminished Seven Resolution
FIGURE 236 leading-tone resolution to a major chord FIGURE 237 mutating from a half-diminished seven to a fully diminished seven
Bo 7 C Bm75 Bo 7 C






1 0


3 1 3 3 1
1 0 2 1 0
3 2 3 3 2
2 3 2 2 3

FIGURE 238 symmetrical diminished seven voicings on the middle four strings
Bo 7 Do 7 Fo 7 Ao 7 Bo 7 Do 7
4fr 7fr 10fr 13fr 15fr

2314 2314 2314 2314 2314 2314

FIGURE 239 symmetrical diminished seven voicings on the top four strings
Do 7 Fo 7 Ao 7 Bo 7 Do 7 Fo 7
6fr 9fr 12fr 15fr

3 4 1324 1324 1324 1324 1324

FIGURE 240 using the diminished seven chord as a pivot chord for modulating
C Do 7 E Fo 7 G G#o 7 A Bo 7

C Bo 7 A G# 7 F# o Fo 7 E Do 7 C









5 6 8 9 11 12 14 15 17 15 14 12 11 9 8 6 5
5 4 8 7 11 10 14 13 17 13 14 10 11 7 8 4 5
5 6 8 9 11 12 14 15 17 15 14 12 11 9 8 6 5
3 5 6 8 9 11 12 14 15 14 12 11 9 8 6 5 3

38 GUITAR DVD
The Common-tone Diminished Seven Resolution
FIGURE 241 the common-tone diminished seven resolution
C C o7 C C Co 7






5 4 5 8 7 8
5 2 5 9 8 9
5 4 5 10 7 10
3 3 3 10 10
8 8 8

FIGURE 242 bluesy common-tone diminished seven resolution to a parallel dominant seven chord
B7

B7

B7

11 11 11 11 11 11 11 11 11 11 11 11 109 10 10 10 10 10 10 10 10 10 10 10 11
109

10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 9 9 9 10
11 11 11 11 11 11 11 11 11 11 11 11 10 10 10 10 10 10 10 10 10 10 10 11
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9

CLASSICAL HARMONIC TEXTURES AND TRICKS


FIGURE 243 J.S. Bachs Bourre (from Suite #1 in E minor), first part
Moderately q = ca. 138
(Em/G) (B7/F#) (Em) (Am6) (B) (Am6) (Em/G) (F#m6) (Em) (D7/F#)




fingerstyle

0 2 3 2 0 0 2 0

4 0 2 4 3 1

0 2 0
3 2 0 3 2 0 2
1 3 1 4 1 1 2 4 1
2 2 1 1 2

(G) (Am7) (B) (Am7) (G) (Baug)(B) (Em) (Em/G)(B/F#) (Em) (Am6) (B) (Am6)




0 2 3 2 0 0 2
0 0 4
2 0 0 2 2 0
4 4 2
0 2 0 2 0 2 0
3 3 0 2 3 2 0
2 4 2 2 4 2 1 3 1 4 1
3 1 3 1 1 3 1 1

(Em/G) (F#m6) (Em) (D7/F#) (G) (Am7/C) (D) G







0
0 2 4 3 1 0
2 0 0 0
4 0
3 5 5 2
3 2 0 2 3 3
1 4 4 1 1 1 1
2 1 2 3 2 2 2 2

GUITAR DVD 39
FIGURE 244 E melodic minor scale, traditional

ascending form *descending form



ascending

descending


scale
degree: 1 2 b3 4 5 6 7 1 1 b7 b6 5 4 b3 2 1
0 0


0 2 4 3 1 0
0 2 2 0 8 9 9 7
2 4 4 2 7 9 11 10 9 7
7 9 10 10 9 7
*identical to E natural minor

FIGURE 245 Bourre, second part


(D/F#) (D7) (G) (G/B) (C) (E7/G#) (Am) (Bm7/D) (E) (Am) (Am/E) (E) (Am) (D/F#) (D)





3 0


0 3 1 0 3 3 0 1 0 3
0 2 4 5 4 2 1 2 2 2 2
0 0 2 2 0
2 3 0 0 0 2 0
3 2 3 4 0 3 2
4 1 4 3 3 1 3 3 1 1 3 1 2 2 4 2
3 2 3 2 1 1 2 2 2 1 3 1

(G) (G/B) (C) (E7/G#) (Am) (A/C#) (D) (F#7/A#) (Bm) (Em6) (F#) (B)

3 4 3
3 0 5 0 7
0 3 3 5 7 2 3 2 0 0 0 7
4 5
0 2 4
2 3 0 4 1 2 2 1 2 4 6
3 4 2 7

3
4
1
3
1
3
2
1 3 4
1
3 3 3
1
3
1
2
1
3 4 3
4
1
2 1 2 1 3
1
1
1

(E) (B9/D) (A/C#) (A7) (D) (D9/C) (G/B) (G7) (C) (C6/B) (F#m/A) (F#m7) (B) (E/G#)





5 0 3 2 0 3 0 5 0 2 0
9 7 5 3 3 6 2 5 4 0 0
0 0
7 4 0 3 2 3 2 0 2 3 2 0
3 2 4
4 4 2 3 2 1 3 4 1 4

4 2 1 4 4
1 1 2 1 1 1 1 1 1 3 2 3

(Am) (D/F#) (Gaug) (C/E) (F#m) (B/D#) (Em) (Am6) (B) (Am6) (Em/B) (B) (Em)




4 5 4
1 3 0 1 0
2 0 2 0
2 4 1 2 4 4 2 1 2 4 5 2 2
0 4 6 0 2 0 2
3 2 0
12
0
2
3
2
3
1
3 1
1
2
1
1 3 3
1 2 3 1 1 3 4
1
34 3 2 2

40 GUITAR DVD
FIGURE 246 The Star Spangled Banner
Moderately q = 100
(F) (B) B F/A Gm D/F# Gm C7
*w/pick 1


6 10 8 6

6 3 10 3 3 5
10
X
8
7
X
5
8
X
7
8
5
7
X
5
7
X
9
X
5
3
5
3
5
3
6

*This arrangement may be played fingerstyle or w/pick and fingers.


For a sparser texture, omit the inner notes of some of the chords, such as those in C #/E# (bar 2).

F F7/A B A/C B/D F F9/E B/D B (B/F)


4

6
5 6
8
6
10
6
X
8
10
8
6
6
7 8
5
6 8
8
5 6
6
7
6
6
7 10
7 7 8 10 8 X


8 8 8

1. 2.
(B/D) (B) (F) (B/D) (B) B A/C B/D A/C B
8
10

13
X
10
10
X
10
X
11
10
13
11 11
X
11
10
10
X
7
X
5
8
X
10
X
8
7
X
5
7
X
5
8
X
8
10
8
10
8
X
10
X
12 12
X
10
10
8
6 6

F/A B A/C B F/A E/G F F9/E


12
8
6
X
10
X
10
11
10
X
11
10
X

11
10
X
10
X
10
8
6
8
11
9
10
10 8
8
5

7 8 10 10 10 8 7 X 10


10 8

B/D B E/G F F7/A B Cm7 B/D E E/B G/B


16


6 6 6 6
6
7 7
8
5
3
5
6
5
7
6
8
7
6
7
8
4
5
6
7
10 8
8
8
8
8
8
7
9
8

Cm B/D Cm/E E B/F F F7/E B/D A/E B/F F7


20
*

8
8
8
11
X
8
10
12
10
8
8
8
9
11
8
6
6
7
10
10 6
8
6
6
6
7
8
10
8
10
11
10
11
10
10
10 10 12 8 10


8 8
0 0

*pause and hold

B7/A E/G Em6/G B/F E/F F7 B


0
let ring
10
23
13
11 11 13 11 11
8
8
10
6
6
13 12 11 10 10 8 7
8

8 8
6

GUITAR DVD 41
FIGURE 247 from Beethovens Symphony No. 7 in A Major, III (originally for orchestra)
Moderately Slow
Am E/G# E5 E5/F# E/G# Am C/G G Fadd9/G G C


fingerstyle




2 3 3 3 3 3 3


5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 1 3 5
5 5 5 4 4 4 4 4 5 5 5 5 5 5 4 2 4 5
3
5 5 5 4 4 0 2 4 5 5 5 5 3 3 3 3 3
C C6 B Bm Bm6 A Am Am E/G# Am E5 B5/F# E/G# Am







7 7 5 5 2 4 5
8 8 10 7 7 7 7 9 5 5 5 5 5 5 5 5 5 5
9 9 9 8 8 7 7 7 6 5 5 5 5 4 5 4 4 4 5

8 8 8 7 7 7 7 7 5 5 5 5 5 4 5 0 2 4 5

THE NEOPOLITAN TRIAD


FIGURE 248 introduction from Beethovens Moonlight Sonata (originally for piano)
6
C#minor: i i 42 VI IV6 V7 i 64 Vsus V7
C#m C#m/B A D/F# G#7 C#m/G# G#sus4 G#7
fingerstyle
let ring throughout




0 0 0 0 0 0 0 0 0 0 2 2


2 2 2 2 2 2 2 2 2 2 3 3 7 5 5 4
1 1 1 1 1 1 1 1 2 2 2 2 5 6 6 5
6 6 6 4
4 2 0
2 4

FIGURE 249 Moonlight Sonata first theme


E major: ii
i C#minor: i V 65 i iv
C#m C#m G#7/B# C#m F#m


(beginning of first theme)




0 0 0 0 0 0 0 2 2 2 2 0 0 2 2


2 2 2 2 2 2 2 2 4 4 4 4 2 2 2 2
1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 2
2
4 4 3 4
2
6
6
I 4 V7 E minor: i C major: V 4
3
E/B B7 Em G7/D



0 0 0 0 0 0 0 0 0 0 1 1 1 1
0 0 4 4 0 0 0 0 0 0 0 0 0 0 0 0
1 1 2 2 1 1 1 1 0 0 0 0 0 0 0 0
4 4 2 0
2 2
0
6 6 6
B minor: I ii 4
2
vii7 i ii 43 ii 42 i 64 Vsus V7 i
C C#m75/B A#7 Bm C#m75/E C#m75/G Bm/F# F#sus4 F#7 Bm




0 0 0 0
1 2 2 2 3 3 2 2 3 3 2 2
0 0 0 0 4 4 4 4 4 4 4 3 4 4 4
4 4 5 2 4 4 4 2 4 4 4
3 2 1 2 5 5 5
0 3 2 2 7 7

42 GUITAR DVD
THE AUGMENTED-SIXTH CHORD
FIGURE 250 contrary motion chromatic FIGURE 251 from Beethovens Symphony no. 9, I (originally for orchestra)
approach to the octave
(A6) (A7) (G) (A7/G) (G) Cm G/B

Cm G/B A7
Cm

G







3 3 1 1 3 1 1 3 1 3


4 4 4 3
5 4
3 4 5 6 5 4 5
3 2 3 2 3 5
4 4 3 2 3 4 3

THE DECEPTIVE CADENCE


FIGURE 252 augmenting the sixth interval FIGURE 253 from Beethovens Sonata
No. 8 (Pathetique), II
I V6 I V7 I V6 vi V6/V
A6 A(#6) G G D/F#

G

D7 G D/F#
Em A/C#


8v a







7 10 8 7 10 15 17


10 8 7 10 12 17
5 5 4 7 7 0 7 7 14
3 4 5 5 12 7 5 14
9 14 5 9 16
4 4 3

V V7/iii IV ii 6 I6 V7/ii ii7 V ii bor. I


D B7

C Am/C

G/B E7 Am7

D7

A/G G











10 11 12 7 8 10 8 7 5 5 5 3
10 10 10 8 9 8 7 8 7 4 4 3
11 11 12 9 7 5 5 5 4
12 9 10 10 9 7
7 5
3 3

EVOLVING AND MUTATING PROGRESSIONS


FIGURE 254 Chopins Prelude in E Minor, first part (left-hand piano part arranged for guitar)
Slowly
Em/G B7sus4/F# B7/F# F7 F6 Fm6 E7 Em7 Em6

5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3 3 3 2 2
4 4 4 4 4 4 4 4 2 2 2 2 4 4 4 4 2 2 2 2 2 2 1 1 1 1 1 1 0 0 0 0
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2

C/E Am6/E D#7 D7 Dm7 Dm6



5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4
5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3
7 7 7 7 7 7 7 7 7 7 7 7 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

Cmaj7 C6 B7sus4 B7 C6 B7 C6 B7


4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 1 1 2 2 2 2 1 1 1 1 2 2 2 2 1
3 3 3 3 3 3 3 3 2 2 2 2 3 3 3 3 2 2 2 2 3 3 3 3 2

GUITAR DVD 43
FIGURE 255 Chopins Prelude in E Minor, second part
Em/G F#m7 F7 Fm7 Fm6 E7 Em7 Em6 C#7 C6


5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 3 3 3 3 3 3
4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 7 7 6 6 3 3 2 2
5 5 5 5 5 5 5 5 4 4 4 4 3 3 3 3 3 3 3 3 2 2 2 2 5 5 5 5 2 2 2 2
7 7 7 7 4 4 3 3

(B) A7 Gmaj7#5 Am Am6 Bsus4 C6 Bsus4 C6 Bsus4 B B7

Em/G



5 5 5 2
7 7 7 4 5 5 5 5 5
5 5 5 4 4 4 4 5 5 5 4 4 2 2 4 4 4 4 2 2 2 2 4 4 4 4 4 4 2 2
7 7 7 5 5 5 5 7 7 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1
2 0 7 2 2 3 3 2 2 2 2 3 3 3 3 2 2 2 2 2 2 2 2

C5 C7 C6 Esus4/B E/B Em/B C/B Bsus4 B Em








0
1 5 4 0
3 3 2 2 2 2 1 1 0 0 0 0 0 4 4 0
5 5 5 5 2 2 2 2 2 2 2 2 2 2 2 4 4 2
3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 1 2 2 2
0

BLUES HARMONY
The Mixolydian/Dominant Seven Connection
FIGURE 256


C Mixolydian mode C7 arpeggio C7


5
3
7 8 10 8 5
7 8 10 7 10 3
8 10 8

The 12-bar Blues Progression


FIGURE 257 basic I-IV-V blues progression in C
I IV I
C7
F7
C7

1
repeat previous bar

8 8 8 8 8 8 8 8 8 8 8 8


8 8 8 8 10 10 10 10 8 8 8 8
9 9 9 9 8 8 8 8 9 9 9 9
8 8 8 8 10 10 10 10 8 8 8 8
10 10 10 10 8 8 8 8 10 10 10 10
8 8 8 8 8 8 8 8
(beginning of next
turnaround 12-bar chorus)
V IV I V I

G7

F7

C7

G7
C7

8 1


10 10 10 10 8 8 8 8 8 8 8 8 10 10 10 10 8


12 12 12 12 10 10 10 10 8 8 8 8 12 12 12 12 8
10 10 10 10 8 8 8 8 9 9 9 9 10 10 10 10 9
12 12 12 12 10 10 10 10 8 8 8 8 12 12 12 12 8
10 10 10 10 8 8 8 8 10 10 10 10 10 10 10 10 10
8 8 8 8 8

44 GUITAR DVD
FIGURE 258 the quick change (to the IV chord) in a C blues (first four bars)
I IV I
C7 F7 C7



9 9 9 9 8 8 8 8 9 9 9 9
8 8 8 8 7 7 7 7 8 8 8 8
8 8 8 8
8 8 8 8 8 8 8 8
FIGURE 259 basic 12-bar blues progression in C with the quick change
I IV I IV
C7 F7 C7 F7

9
8
9
8
9
8
9
8
8
7
8
7
8
7
8
7
9
8
9
8
9
8
9
8 8
7
8
7
8
7
8
7
8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8
I V IV I V (turnaround) I (next chorus)
C7 G7 F7 C7 G7 C7
7



9
8
9
8
9
8
9
8 10
9
10
9
10
9
10
9
8
7
8
7
8
7
8
7
9
8
9
8
9
8
9
8
10
9
10
9
10
9
10
9
9
8
10 10 10 10 8 8 8 8 10 10 10 10
8 8 8 8 8 8 8 8 8

Blues Turnarounds
FIGURE 260 descending blues turnaround in C FIGURE 261 descending turnaround in C, thirds

 =
3
(last two bars of progression using 10ths)

Shuffle Feel (same feel)


C7 (C7/B)(F/A) (Fm/A) (C/G) A7 G7 (C) (C7) (Fm/C) (C) A7 G7




8 8 8 8 8 8 8 8


8 11 11 10 10 9 9 8
9 11 10 12 12 11 11 10 10 9 11 10
8 8 8 7 7 6 6 5 10 9 10 9
10 11 10 12 10
8 8

 =
3
FIGURE 262 FIGURE 263 Robert Johnson-style turnaround in A
(same feel) Shuffle Feel


C7 C9/E F F#7 C/G A7 G7 (A) (A7) (D) (Dm) (A/E) F7 E9

87
2 5 5 5 5 5 5 5

8
8 8 10 10 10 10 8
9 7 7 10 10 8 8 9 5 4 7
8 8 8 10 10 10 10 10 4 3 5 5 4 4 3 3 2 6
10 7 7 8 8 9 9 10 0 7
8 4 3

FIGURE 264 ascending turnaround in A FIGURE 265 descending variation of previous turnaround
(same feel) (same feel)
A5 A B C A7 F7 E7 A7 C B A (E7)




5 5 7 7 8 8 9 5 9 9 8 8 7 7 5


5 5 6 6 7 7 8 5 8 8 7 7 6 6 5
6 6 7 7 8 8 9 8 7 6 9 9 8 8 7 7 6
7 6 5
7 8 7 7 5 6 7
5 5

GUITAR DVD 45
FIGURE 266 contrary motion ending for a blues progression in A FIGURE 267 contrary motion turnaround in A


A5 (A7) (D) (F7) (E) B7 A7 (A) (A7) (D) (F7/E) (E) E7


(same feel)

(same feel)






6 5 5 3 3


6 5 7 7 6 6 5 5
7 6 7
5 5 4 4 3 3 6 5 6
7 4 4 5 5 6 6 7 8 7 0 4 4 5 5 6 6 7 5 6 7
5 6 5

FIGURE 268 contrary motion ending in A alternate ending (substitute for prev. bar)


(A) (A7) (D) (F7/E) (E) B7 A7 (E) G7 G#7 A7
3

(same feel)






5 3 3 6 5 3 4 5


7 7 6 6 5 6 5 5 3 4 5
7 6 4 5 6
6 5 3 4 5
0 4 4 5 5 6 6 7 8 7 7 5 6 7
6 5 3 4 5


Shuffle  =
FIGURE 269 descending sixths turnaround in A FIGURE 270 the sharp-four diminished chord substitution in a 12-bar blues in A
3

(A)(A7/G)(F#7) (Dm6/F)(A/E) D7 D#7 A7




5 5 5 5 5 5 5 5 5 5 5 5


2 5 5 4 4 3 3 2 7 7 7 7 7 7 7 7 5 5 5 5
5 5 5 5 5 5 5 5 6 6 6 6
2 5 5 4 4 3 3 2 7 7 7 7 7 7 7 7 5 5 5 5
0 5 5 5 5 6 6 6 6 7 7 7 7
5 5 5 5

Shuffle  =
FIGURE 271 walkin bass blues in C
3

I IV I
C7 Dm7 D#7 C/E F7 Gm7 G#7 F/A C7 Dm7 D#7 C/E C7 Dm7 D#7 C/E


hybrid


picking


10 11 12 13
9 10 11 12 8 10 10 10 9 10 11 12 9 10 11 12
9 10 10 10 8 10 10 10 8 10 10 10
8 10 11 12 8
8 10 11 12 8 10 11 12 8 10 11 12

IV I
F7 Gm7 G#7 F/A F7 Gm7 G#7 F/A C7 Dm7 D#7 C/E C7 Dm7 D#7 C/E








10 11 12 13 10 11 12 13
8 10 10 10 8 10 10 10 9 10 11 12 9 10 11 12
8 10 10 10 8 10 10 10
10 11 12 8 10 11 12
8 10 11 12 8 10 11 12 3
turnaround (bar 1 of next chorus)
V IV I V I
G7 Am7 A#7 G/B F7 Gm7 G#7 F/A C7 Dm7 D#7 C/E G7 Am7 A#7 G/B C









98
8
4 5 6 7 2 3 4 5 9 10 11 12 4 5 6 7
3 5 5 5 1 3 3 3 8 10 10 10 3 5 5 5
5 6 7 1 3 4 5 8 10 11 12 3 5 6 7

46 GUITAR DVD
FIGURE 272 slow blues progression in G
Slow
I IV I II
G7 C9 G7 A7




1




3 3 X 3 3 3 3 3 3 X 3 3 3 3 3 3 3 4 4 4 4

3 3 X 3 3 3 3 3 3 X 3 3 3 3 3 3 3 4 4 4 4
3 4 4 X 4 4 4 4 3 3 X 3 3 3 3 4 4 4 4 5 5 5 5
3 3 X 3 3 3 3 2 2 X 2 2 2 3 3 3 3 4 4 4 4
5 5 X 5 5 5 5 3 3 X 3 3 3 5 5 5 5 6 6 6 6
3 3 X 3 3 3 3 3 3 3 3 5 5 5 5
I IV
G7 C9







4




33
32
3 3 X 3 3 3 3 3 3 X 3 3 3 3 3 3 3 3 3 3 3
3 3 X 3 3 3 3 3 3 X 3 3 3 3 3 3 3 3 3 3 3

3
4 4 X 4 4 4 4 4 3 X 3 3 3 3 3 3 3 3 3 3 3
3 3 X 3 3 3 3 3 2 X 2 2 2 2 2 2 2 2 2 2 2
5 5 5 X 5 5 5 5 5 3 X 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 X 3 3 3 3 3
I ii iii iii ii iv
G7 Am7 Bm7

Bm7

Am7
Cm

I


3 3 5 5 7 7 6 6 5 5 5 5 5 3 3 3 3 3 3 3
3 3 5 5 7 7 6 6 5 5 5 5 5 4 4 4 4 4 4 4
4 4 5 5 7 7 6 6 5 5 5 5 5 5 5 5 5 5 5 5
3 3 5 5 7 7 6 6 5 5 5 5 5 5 5 5 5 5 5 5
5 5 7 7 9 9 8 8 7 7 7 7 7 3 3 3 3 3 3 3
3 3 5 5 7 7 6 6 5 5 5 5 5

turnaround FIGURE 273 optional substitute chord voicings for


I IV I V+
bars 9 and 10 of previous example
G7 C9

G7
D+ substitute for Am7 substitute for Cm


Am7/D Cm/Eb

11





5fr 4fr


11111 4231
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3
3 4 4 4 4 3 3 3 3 3 4 4 4 3
3 3 3 3 2 2 2 2 2 3 3 3 4
5 5 5 5 3 3 3 3 3 5 5 5 4 5 5
3 3 3 3 3 3 3 3

MINOR BLUES PROGRESSIONS


FIGURE 274 minor blues progression in B minor
Moderately
i iv
Bm Em
1

continue funky strumming simile


()
(repeat previous bar)



7 7 X X 7 7 7 X X 7 7 7 7 7 7

7 7 X X 7 7 7 X X 7 7 8 8 8 8
7 7 X X 7 7 7 X X 7 7 9 9 9 9
9 9 X X 9 9 9 X X 9 9 9 9 9 9
9 9 X X 9 9 9 X X 9 9 7 7 7 7
7 7 X X 7 7 7 X X 7 7
turnaround
i VImaj7 Vsus4 V i V
Bm Gmaj7 F#sus4 F# Bm F#
7






7 7 7 7 2 2 2 2 7 7 7 7 7 7 2 2


7 7 7 7 3 3 3 3 2 2 2 2 7 7 7 7 7 7 2 2
7 7 7 7 4 4 4 4 4 4 3 3 7 7 7 7 7 7 3 3
9 9 9 9 4 4 4 4 4 4 4 4 9 9 9 9 9 9 4 4
9 9 9 9 4 4 4 4 9 9 9 9 9 9 4 4
7 7 7 7 3 3 3 3 2 2 2 2 7 7 7 7 7 7 2 2

GUITAR DVD 47
FIGURE 275 alternative/substitute voicings for previous minor blues progression
(use for turnaround)
Bm7 Em7 Gmaj7 F#sus4 F# F#7#9
7fr 7fr 7fr 9fr 9fr 8fr

2 3333 1 243 43111 1334 1333 2134

FIGURE 276 Led Zeppelin-style slow minor blues progression


i *iv i iv
Cm Fm Cm Fm




1 ad lib rhythm




3 1 3 1


4 1 4 1
5 1 5 1
5 3 5 3
3 3 3 3
1 1
*the quick change to the minor four chord

i v VI iv i V i III7 II7 IImaj7


Cm Gm A Fm Cm G7 Cm E7 D7 Dmaj7




7


3 3 4 1 3 3 3 6 5 5 5 5 5 4 4 4 4 4


4 3 4 1 4 3 4 8 7 7 7 7 7 6 6 6 6 6
5
5
3
3
5
5
5
6
6
1
3
3
5
5
3
4
3
5
5
5
3
6
8
6
5
7
5
5
7
5
5
7
5
5
7
5
5
7
5
5
6
4
5
6
4
5
6
4
5
6
4
5
6
4

3 4 1 3

JAZZ HARMONY
FIGURE 277 ii-V-I (two-five-one) progression in C FIGURE 278 ii-V-I in C with hipper upper-structure voicings and
voice leading
ii V I (bass guitar plays missing root notes throughout)


Dm7 G7 Cmaj7 Dm9 G13 G7#5 Cmaj9












6 3 5 5 5 4 3
5 4 4 5 4 4 4
7 3 5 3 3 3 2
5 5 3
3

FIGURE 279 various ii-V-I voice leading options in C with upper-structure tension tone
Dm9 G13(9) G79 C% Dm9 G13 G7 #9 Cmaj7%

#5 #5

5 5 4 3 5 5 6 7


5 5 4 3 5 5 4 8
5 4 4 2 5 4 4 7
3 3 3 2 3 3 3 7
7


Dm9 G9sus4

G7

C%

Dm7


G9

G7 #5

#9

Cmaj7









8 8 9 10 10 10 11 12
6 6 11 8 10 10 11 12
9 7 10 7 10 10 10 12
7 7 9 7 10 9 9 10
7

48 GUITAR DVD
FIGURE 280 contrary-motion tensions FIGURE 281 ii-V-I in C with contrary motion FIGURE 282 ii-V-I-VI progression in C with
on the dominant seven chord upper-structure tensions
ii V I *VI
G139 G7 #9 Cmaj7% Dm9 G7 Cmaj9 Dm7 G13 Cmaj9 A7b9


#5 #5






















4 6 7 5 4 3 3 6


5 4 8 5 2 3 6 5 3 6
4 4 7 5 4 4 5 4 4 6
3 3 7 3 3 2 3 3 2 5
7 5
*may also be thought of as V of ii
(secondary dominant)

 =
FIGURE 283 jazz-style comping (accompanying) over a repeating ii-V-I-VI vamp
3
Medium Swing
Dm7

G13 G7#5
Cmaj9
A13
A7#5

Dm9

Dm11 G13



1


3 5

6 6 6 5 4 4 3 3 7 6 5 5 5
5 5 5 4 4 4 4 4 6 6 5 5 4
3 3 3 3 3 3 2 2 5 5 3 3 3



G7 #9 Cmaj7% A13 A7 #9 D9 G7 Cmaj7%

#5
#5



5 6 7 7 7 7 8 8 8 9 9 10
5 4 8 8 8 7 6 7 7 11 11 10
4 4 7 7 7 6 6 9 9 10 10 9
3 3 7 7 7 5 5 7 7 9 9 9
7 7 7


C% Cmaj7% A7 D9 Dm9 G7 #5 Cmaj7% A7 #5

b9 #9


11

12
10 8 10 11 11 11
10 12 12 12 11 10 10 10 13

11
10 8 10 13 13 13 10 10 10 9 10 10 10 13
9 7 9 12 12 12 11 11 10 10 9 9 9 12
9 7 9 11 11 11 10 10 10 10 9 9 9 9 11

Dm11(no9) G7 b5
b9 (no3) C% A7 b5
b9 (no3)
8v a

16






13 13 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15
13 13 13 13 13 13 14 14 14 14 15 15 15 16 16 16 16
12 12 14 14 14 14 13 13 13 13 14 14 14 15 15 15 15
11 11 15 15 15 15 15 15 15 15 14 14 14 14 14 14

Dm9
G13 G7#5 Cmaj9 Cmaj7% A7b9 A7#9 Dm13(no11) G79sus4

#5 #5
21 8v a





17 17 12 8 5 3 3 5 5 6 8 6 6 7 7 7 8
17 17 10 6 5 5 5 4 3 3 3 3 6 6 4 4 5 5 5 6
17 17 10 7 5 4 4 4 4 4 4 4 6 6 6 6 5 5 5 7
15 15 10 7 3 3 3 3 2 2 2 2 5 5 5 5 3 3 3 6

GUITAR DVD 49
8v a
C% A7 Cm(maj9) Dm9 G7b5
b9 (no3) C%#11


26





8 8 8 10 10 10 11 11 11 12 12 12 12 13 14
6 6 6 8 8 8 11 11 11 14 13 13 14 14 15
7 7 7 7 7 7 12 12 12 14 14 14 13 13 14
6 6 6 7 7 7 11 11 11 15 13 15 15 14

b9
C% A7 A139 Dm13(no11) G7 #9 G7#5 G7 #9
#5 Cmaj7% C% A7b5

#5 b9



31 8v a










14 15 17 18 19 17 19 18 16 18 17 15 15 15
15 15 18 19 17 17 17 16 16 16 15 15 15 16
14 14 17 18 17 17 17 16 16 16 16 14 14 15
14 14 17 17 15 15 15 15 15 15 14 14 14
16


A7#9
Aadd9 A139 Dm7 Dm9 G7 #9 Cmaj9(no3) C%

#5


36





let ring
5

12 9 6 5 5 5 5 6 7 7 10
13 10 7 6 6 6 5 4 8 8 8
12 9 6 5 5 5 5 4 7 7 7
11 8 5 3 3 3 3 10 10 7
7 7 7

Cyclical Diatonic Progressions


FIGURE 284 ii-V-iii -VI vamp in C
Dm11(no9) G9 Em75(add11) A7 A7#9 Dm9

#5



1


3 3 3 3 3 3 3 5 3 5 6 8 8


1 1 1 1 0 0 0 3 3 3 4 6 6
2 2 2 2 2 2 2 3 3 3 6 6 9
3 3 3 3 3 3 2 2 5 5 7


G79 Em75

A79
Dm11(no3)



5



8 8 8 8 7 7 6 10 9 12 15 15
6 6 6 6 6 6 5 8 8 11 14 13
9 9 9 9 7 7 7 9 9 12 15 14
7 7 7 7 6 6 5 8 8 11 14 15


A7 b5

Dm9 Dm7 G79 G7#9-9 Em75 A79 Em7#5 Em7 A79 Dm11(no3)

b9



15 12 13 12 11 12 15
13 10 13 10 9 11 9 11 11 13 11 11 11 11 13
14 10 10 10 10 10 12 12 12 12 12 12 12 14
15 10 10 10 9 9 12 12 12 12 11 11 11 15

50 GUITAR DVD

G7 b5
b9 (no3)
Em75(add11) A7 b9 A13 Dm9

#5


8v a


13






3 3
15 15 15 15 15 15 15 17 15 17 15 17 15 18 18 18 17 17
13 13 13 14 14 14 14 15 15 15 15 15 15 18 18 18 19 17
14 14 14 13 13 13 13 15 15 15 15 15 15 18 18 18 18 17
15 15 15 15 15 15 14 14 14 14 14 14 17 17 17 17 15

#9

Dm11(no9) Dm7

G13(9) G7b5 Em75 A79 A7#5


b9
17


15 13 12 12 11 11 10 10 10 10 9 9 8
13 13 12 12 12 12 11 11 11 11 11 11 8
14 14 14 14 13 13 12 12 12 12 12 12 10
15 15 15 15 15 15 12 12 12 12 11

Dm9 G7#9 Em9 A7#9


#5 #5



21



5 5 5 5 6 6 6 7 7 7 7 8 8 8 8 8
5 5 5 5 6 6 6 7 7 3 7 7 8 8 8 8 8
10 10 10 10 8 8 8 12 12 12 12 10 10 10 10 10
10 10 10 10 9 9 12 12 11 11 11 11 11


#5
Dm%(maj7) Dm7 G7 Em75 A79
#9


25

9 10 10 11 11 11 12 10 6 3 6 9 12 15
10 10 10 11 11 11 11 8 5 3 5 8 11 14
9 10 10 10 10 10 12 9 7 3 6 9 12 15
9 10 10 9 9 12 8 5 2 5 8 11 14

Dm9
Dm7

G13
Em75(add11) A7 A7 #9

#5
29

8v a




17 12 8 5 3 3 5 3 3 5 6 6 8
17 10 6 6 5 4 4 3 3 3 3 4 4 4 6
17 10 7 5 4 4 4 3 3 3 3 6 6 6 6
15 10 7 3 3 3 2 2 2 2 5 5 5 5 7
5

Dm9 Dm9 G139 C% Cmaj9#11





33



let ring

8 8 6 6 12 12 10 10 7 10 10 7
6 6 8 8 10 9 8 10 8 7
9 9 9 9 10 10 7 9 7 7
7 7 10 9 7 9 7 9
7 10 7 7 10
8 7 8

GUITAR DVD 51
Adding Passing Chords and Substitutions
FIGURE 285 ii-V-iii-VI progression in C with passing chords added
A7 9

* Dm9 A13 G13 F9 Em75add11 B13(9) E13(9) Dm9 A9

#5








( )
G G
G
5 8 6 13 12


5 6 5 8 3 8 6 13 10 11
5 5 4 8 3 7 6 12 10 11
3 4 3 7 2 6 5 11 10 10
5 8 11
4 3 6 5 11 10
*On video, Bass plays lowest note of each chord (the root)

FIGURE 286 tritone substitution of a dominant seven chord


G9 D13(9) Cmaj7%

V7 II7 Imaj7

G7 D7 Cmaj7





G
11 10


10 11 10
10 10 9 4 4 4
9 9 9 3 3 2
10 4 3
10 8 3

 =
FIGURE 287 vamping on a minor ii o-V-i-vi o progression
3
Medium Swing
Em75

A79
#5

A7#9

#5

Dm9

Bm75

Bm75add11

Em75







1



3 3 5 6 8 6 5 5 5 5 10 12 10 10


3 3 6 6 6 5 5 5 5 10 10 10 8
3 3 6 6 6 5 5 5 5 10 10 10 9
2 2 5 5 5 3 3 3 3 9 9 9 8

A7 #9

A7#5 Dm9 Bm75 Bm76 Bm75

#5


10 6 5 8 8 6 5 5 5 5 5
8 5 6 6 6 5 5 5 6 6 8 6
9 7 6 6 6 10 10 10 7 7 7 7
8 5 5 5 5 10 10 10 7 7 7 7


E7#5 A7#9 A7 b9 Dm%maj7 Dm9 Dm7 Bm75 Em75


#9 #5 #5



9


8 8 8 8 8 6 8 9 12 10 13 10 13 15
8 8 8 8 6 6 6 10 10 10 10 12 10 12 15
7 7 7 7 6 6 6 9 10 10 10 14 10 14 15
6 6 6 5 5 9 10 10 10 12 9 12 14

A7#5 A7b9

A79

Dm9 Dm7 Bm75 E7#9

#5 #5



13



15 12 10 6 5 6 9 12 12 10 8 8 7 7 5 5 3
15 11 8 5 6 6 8 11 10 10 6 6 6 6 3 3 3
15 12 9 7 6 6 9 12 10 10 7 7 7 7 4 4 5
14 12 8 5 5 5 8 11 10 10 7 7 7 7 3 3 6

52 GUITAR DVD
A13(9) A7#9 Dm

Bm75

Bm77add11 B7#9
E7#9


#5 #5
17




3 3 3 2 8 5 5 5 10 12 10
3 3 3 2 8 6 6 6 10 10 8 8 8
5 5 5 4 10 7 7 10 10 8 8 7
6 6 5 11 9 9 7 7 6


B7 b9 A7b9

A7#9 Dm% B7#9 Em9


#5 #5




21




8 8 7 7 7 6
8 8 13 13 13 5 5 5 5 3 8 8 7 7 7 6
7 7 12 12 12 4 4 4 4 2 8 8 7 7 7 6
6 6 11 11 11 3 3 3 3 1 7 7 5 5 5 5


A7b9

Dm13(no11)
#5
B7#9

Bm75add11

Em75add11

b5


26


8v a





6 6 7 5 7 10 12 10 17 15
6 4 5 5 5 8 10 10 15 15
6 6 5 5 5 8 10 10 15 15
5 5 3 3 3 7 8 9 14 14


A7 b9 A7 b5 b9
Dm% Dm%maj7

#5


30




13 11 12 12 9 12 12 9 9
13 11 10 10 9 10 10
12 12 10 10 9 9
11 11 9 11 9
12 8 7 8

Diminished Seven Chord Substitutions


FIGURE 288 I-VI-ii-V-I progression in C FIGURE 289 I-vi o/ii-ii-V-I progression in C
Cmaj7 A7 Dm7 G7 Cmaj7 Cmaj7 C#7 Dm7 G7 Cmaj7











3 5 5 3 3 3 3 5 3 3


5 5 6 3 5 5 5 6 3 5
4 6 5 4 4 4 3 5 4 4
5 5 7 3 5 5 5 7 3 5
3 7 5 5 3 3 4 5 5 3
5 3 3

FIGURE 290 same progression with hipper voicings (bass plays root)
Cmaj9 C#7 Dm11 G13 G7#5 Cmaj9















3 3 3 3 3 3 3 3 3 3 3 3

3 3 3 2 2 2 5 5 5 5 4 3
4 4 4 3 3 3 4 4 4 4 4 4
2 2 2 2 2 2 3 3 3 3 3 2

GUITAR DVD 53
FIGURE 291 iii-biii O-ii-V-I progression in C
6
Em7 E7 Dm7 G13 G7 #9 Cmaj7 9


#5

















7 7 7 5 5 5 3 6 7


8 8 8 7 7 7 5 6 8
7 7 7 5 5 5 4 4 7
7 7 7 3 3 7
7 7 7 6 6 6 7

FIGURE 292 same progression with jazzy rhythm and varied voicings
Em7

E7

Dm11(no9) Dm7 G13 G7 G13


1






3 3 7 7 11 8 5 3 3 3 1
54 0

3

3 3 8 8 10 7 4 1 1 1 1 0 3 5
4 4 7 7 11 8 5 2 2 2 2 4 4
2 2 10 7 4 4 4 3 3 3 3 3 5

Em11(no9) E7
Dm11(no9)

Dm9 Dm7 Em9

Dm9 G75 Cmaj9




5






15
13
5 3 5 5 8 11 14 12 8 6 5 3
3 3 3 4 7 10 13 10 6 6 5 5 4 4 3
3 4 4 5 8 11 14 14 10 7 6 5 5 3 3 4
5 4 7 10 13 15 10 7 4 3 3 3 3 2

FIGURE 293 ii-V-I-VI vamp in G


Am7 D13 D7 #5 Gmaj9 E7#5

#9 #9
1


5 5 5 7 6 5 5 8 8 8
5 5 5 5 6 7 8 8 8 8
5 5 5 5 5 7 7 7 7
5 5 5 4 4 5 6 6 6
5 5 5

#13
Am11(no9) Am9 Am7 D13(9) D7 Gmaj9 E7#9 Am7

#9

#5

5





10 7 7 6 5 5 5 3 3
8 8 8 7 7 7 7 7 3 7 5
9 9 9 9 8 7 7 7 5 5 5
10 10 10 10 10 9 9 6 6 5

D7#9 D/G Gmaj7 B/E A9#11










10 11
5 5 6 4 6 7 10 11 11 12
5 5 5 5 5 7 11 10 11 12
5 5 4 4 7 9 12 12 11

54 GUITAR DVD
13 b5
A13(9) A9 Am11 D7#5 Gmaj9(13) Gmaj9 E7 b9 E7 Am9









11 14 12 10 12 10 10 13 13 7 7
12 12 12 12 12 12 11 11 10 10 10 11 11 5 5
12 12 12 12 12 12 11 11 11 11 11 13 13 7 5
11 11 11 11 10 10 10 10 9 9 9 12 12 6 5

A7sus4 Am9 D13(9) D7 #5 Gmaj95 E7 #11




#9

#9








7 10 7 7 7 6 6 5 5 5 5 6
5 8 5 5 5 6 6 7 7 7 7 8
5 9 5 5 5 5 5 6 6 6 6 7
5 7 5 4 4 4 4 5 5 5 6

A13 D7 #11 G6

#9








35
45
6 6 6 5 5 4 4 4
8 8 8 7 7 6 6 6
7 7 7 6 6 5 5 5
6 6 5 5 4 4 4

FIGURE 294 Coltrane changes


Medium Swing


B% D13 Gmaj7 B13 Emaj7 Am9 D79 Gmaj7 B13



1


66 68
75 76
14 10 7 6 7 5 10

14 12 7 8 6 5 4 10
13 11 7 7 7 5 5 11
13 10 5 6 5 5 4 9


Emaj7 F#13 Bmaj7 Fm9 B7 Emaj9 Am9 D79 Gmaj9




6


10
2 2 3
667 6 7 5
10
10

5
8 4 4 4 4 6 6 5 4 10
7 3 3 3 5 7 7 5 5 11 11
8 2 6 6 5 5 4 9 9
6 2 2

C#m9 F#79 B% Fm7 B79 E% C#m11 F#13 Bmaj7




8v a











11 9 14 15 13 18 14 14 11
9 8 14 13 12 18 16 16 11
9 9 13 13 13 17 16 15 11
9 8 13 13 12 17 14 14 9

GUITAR DVD 55