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portfolio

Architect ir. D.D. Lembekker //August 2010

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Picture front: still from movie “ underLINE “
directed by Grady Gerbracht and Claudia Vieir,
Brooklyn Arts Council International Film Festival,
NY 2008

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content of the portfolio
Curriculum Vitae //5

Vision for my architecture //7

research + public building na-ma architecture //9

research Researchlab VROM / Amsterdam & Utrecht, The Netherlands //13

public building + interior Competition Arquitectum 2009: Le Rouge Voilé - New Moulin Rouge Dance School / Paris, France //25

research + public building + interior Graduation Project Border Conditions NY: ExCiTe Hunterspoint / New York, USA //29
research
International Biënale Rotterdam 2007 : Indesem: The Legacy 2007 / Rotterdam, The Netherlands //43
public building + interior
Museum IJburg / Amsterdam, The Netherlands //47

Me, myself and I..... //51

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Architect Ir. Dion Danyanto Lembekker curriculum vitae
Address J.P. Sweelinckstraat 41 1443 MB Purmerend
Date of Birth 10th of February 1983
Nationality Dutch
Official title Msc Architect Ir SBA regnr. 1.090715.003
Email aca09architecture@gmail.com

Architecture relavant experience Education

6/2010 - 6/2010 Projectmanager Dag van Architectuur Utrecht RWZI, BNA, freelance
9/2006 - 2/2007 Exchange study in Valéncià, UPV, Spain
- Managing a project for creating visions for development of the site.
4/2010 - 4/2010 Prepare visualisations for project A house in Luanda, ACA09, professional - Project Community House Malva Rosa / Valéncià, Spain
- Making renders with Rhino for housing and urban project in Angola . - Villa #2 / Cueta, Spain
3/2010 - present Architect, na-ma architecture, professional - Villa #1 / no site
- Working on several projects like research for the possibilities of temporal use of the urban space. A 9/2004 - 6/2009 Master in Architecture, Urbanism and Building Sciences, TU
research which is tested on the Amsterdam area. Another project of the design study of the Olympic Stadium
in Amsterdam for the World Championship Football and the Olympic games. And a project about a urban Delft, The Netherlands
strategy for the historical city of Rome. - Graduation Project Border Conditions NY: ExCiTe Hunterspoint / New York, USA
10/2009 - 2/2010 Researcher/architect at Research Lab, Atelier Rijksbouwmeester + VROM, professional - Project Museum IJburg / Amsterdam, The Netherlands
- We have been working on a designstrategy for developing the Jaarbeurs area in Utrecht and managing the 9/2000 - 6/2004 Bachelor Building Technology, HvA Amsterdam, The Netherlands
complicated situation of the project. Furtermore we created scenarios how it can be developed.
9/2009 - 10/2009 Competition Groenbeton 2009, ACA09, professional, published
- Graduation Project Bijlmermeer / Amsterdam, The Netherlands

- The aim of the project is innovating the material concrete. We developed a method to replace concrete 9/2003 - 2/2004 Exchange study in Aberdeen,Robert Gordon University, Scotland
steel by making use of left overs of cloths. - Studenthousing project / Dundee, Scotland
6/2009 - 8/2009 Competition Arquitectum 2009 Paris, ACA09, professional
- Danceschool Le moulin Rouge. The concept was about a route which shows the development of the Awards
Moulin Rouge from the past till now, which figurly embodied the present situation of a danceschool.
6/2007 - 9/2007 Internship, Venhoeven CS, Amsterdam, semi-professional 2007 First Prize International Biënale Rotterdam:
- National sportswimmingpool in Ypenburg / Ypenburg, Nederland
- Sportcentre Katwijk/ Katwijk, Nederland Indesem: The Legacy 2007/ TU Delft, The Netherlands
I have been working on working details, technical drawings and design.
9/2003 - 2/2004 Internship, HM Architekten, Amsterdam, semi-professional Publication Nederland wordt anders magazine #1, februari 2010
- Renovation of studenthousing at the Prinsengracht / Amsterdam, Nederland. Groen Beton 2009, november 2009
I have been working on the design phase till building phase. Arquitectumwebsite, http://www.arquitectum.com, september
2009
Non-architectural relavant experience Public lecture, Architectencafe Utrecht, 22 februari 2010
Public lecture, Dag van de Architectuur in Utrecht
http://www.dvda.myplaces.nl/index.php3?h=17647&s=5544, 2 juni 2010
1/2010 - present Host at Holland Casino, Amsterdam
- As a host of the casino I am responsible for the hospitality for the guest and have to observe gambling Skills CAD: AutoCAD, Arkey, Rhincoceros, Sketchup
addiction.
Graphics: Adobe Photoshop, Illustrator, Indesign, V-ray, Artlantis
6/2005 - 6/2006 Salesman Fashion, Peek&Cloppenburg, Amsterdam
Productivity: Microsoft Word, Excel, Powerpoint etc.
- Salesman and tailor at the boutique department Media: Macromedia Dreamweaver
6/2002 - present Steward, Amsterdam Arena, Amsterdam
- As a steward I am responsible for the hospitality for the guest during events Languages Dutch, English, Spanish and German
7/2004 - 3/2005 Waiter, Restaurant Maison Petit Provence, Purmerend Interests Travelling, photography, art and music
- Working as a waiter at a french orientated restaurant
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vision for arc
“ For creating my architecture I do always start with researches based on

sociological relationships between users, environment and design.
These researches are the base of my architecture to eventually end up with the
architecture I do create. This architecture is an environment where the users of
this architecture still the possibilty have to be free. So called I give back the
freedom to improvise and to give the possibility to make their
own choice how to deal with this environement.

I do notate that as improvisation possibility for the user.

With this I want achieve with this architecture to return the awareness
of the users about their environment. Being critical about the present situation
of nowadays where they: people / human/ citizens / users are exposed to the
increasing amount of imposed on wills on’influences. I would like to give them
these awarenesses who and what they are back. ”

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na-ma architecture
Amsterdam, The Netherlands 2010

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Project Cityvision for Rome

To implement the idea of temporal use of public space we participated a competition called cityvi-
sion for Rome.
The idea was to create a vision for the citycentre of Rome for the future how to deal with the
historical character of it and to which direction it might should go.
The idea na-ma developed was to create temporal bubbles in different parts of the city. We de-
fined for five types of context ideas how these bubbles can be used.

A. Forum Romanum
B. Forrests around Rome
C. River Tiber
D. Historical part from the Renaissence period
E. Roman wall
F. Modern and contemporary parts of Rome
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na-ma architecture

na-ma architecture is a small office focussed on urban studies, interior, public buildings and exhibitions. Momentary the office is working on research about possibilities for temporal use of urban
space. This research done within a temporary collaboration between na-ma architecture and Tom Bergevoet architecture. They research the possibilities about left overs of space and deserted
spaces how to use those on temporary base without harming them. When such initiative will be placed it creates a temporary boost of initiatives and has the possibility to move away to another
location easily.

stadium WK2018 OS2028
Olympisch Stadion Amsterdam, The Netherlands 2010

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lab
NE
researchlab VROM
Utrecht, The Netherlands 2010

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EILAND
INTEGRATIE U
U
Researchlab for Utrecht is founded in the start of Octobre 2009. It was notated as LAB01. With
thisGRENS
lab we do participate the researchproject of Atelier Rijksbouwmeester.
SUPERBLOK
INTEGRATIE
This initiative gives an oppurtunity for architects to cooporate temporarily within a group of
fellow redundant architects. Architects who want to continue exploring new possibilities for

BEURS
U
architecture and urbanism issues of nowadays. With the aim of developing experiments and
researches for issues of which most of the offices don’t have the occasion for it .
FAIRTRADE

Our projectarea is the Jaarbeursterrein in Utrecht connected with the

U
central station. Our goal was to research the possibilities to develop this area.
PARK

We started with a bottom-up approach to gain data by making analyses of the area. With
this data we developed four modelsKARAKTER
ANALYSE for the area which might possible to use it. After
SCENARIO’S TACTIEK
analysing the possiblities of using these four models we eventually developed two types of
scenario which eventually extended into six scenarios. Six scenarios which are seeking the

NE
extremes within themself.
lab
Extremes to extract questions and possibilities what if the scenario will be used.

CAM
OUF
L ERE
N
PARKEREN

MACRO

U
1. INTEGRATIE PRO
FILE
REN

AUTARKIE

U

INTRO
STATION
EILAND
INTEGRATIE

STRATEGIE
CO
NC
ENT SPR
RER E ID
EN EN

U
2. DICHTHEID SCH
EID MIX
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GRENS SUPERBLOK
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BEURS
FAIRTRADE U FUN
CTIE
OP Z
IC HZE
LF

PARK U 3. PUBLIEKE RUIMTE FUN
CTIE
-GER
ELATE
ERD

ANALYSE KARAKTER SCENARIO’S TACTIEK THEMA’S

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PROCES
P P P
Scenario Parking Scenario Autarkie Scenario Total Integration
All of the parking possibilities of the centre of Utrecht will In this scenario the small community or the This scenario will develop not from the

U U UU U
U UUU UUU UU UU U U
be places in this area. Area, mobility, parking and living historical immunity will be the model for this area. inside (site itself) but from the outside.
will be work together as partners. Peaceful and small living combined with the big First we will develop the borders, upgrade
Jaarbeurs. it and eventually develop the Jaarbeurs-
terrein.

P P UU U U
Scenario Superblock Scenario I love fairtrade Scenario Central Park

U UU UU
In this scenario we investigate the possibilities of the max Commercial is here the key. The key of Park as an gap within the urban tissue. With this
of living, public space and mass within one area. developing the area, the key of gaining money scenario we investigate the possibilities of an urban

U U U U U U
and eventually the key to degentrificate the area. park for Utrecht.
Back to the social possibilities of
commercial thinking.

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NE NE lab

RATIE INTEGRATIE
CAM
CAM OUF
OUF L ERE

1. Hoe integreer je1. Hoegroot
integreer je een groot commercieel programma
into theincity?
de stad?
L N
How do you integrate a big programme
ERE
een commercieel
N
programma in de stad?

INTRO
INTRO
1. INTEGRATIEPR PRO

INTEGRATIE
RATIE FILE

INTEGRATIE
OFIL REN
ERE
N

CAMOUFLAGE :

TOTAL INTEGRATION - study
CO
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opwaarderen omgeving

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PROGRAMMA LEIDEND
NE
RATIE

1. Hoe integreer je een
N
CAM
OUF
L ERE
groot commercieel programma in de stad?

00 %

INTRO
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gesloten bouwblok

CAMOUFLAGE :

c I LOVE FAIRTRADE - study

CO
NC
ENT SPR
RER E ID
EN EN

lab
NE CAMOUFLEREN PROFILEREN

INTRO
HEID SCH
EID MIX
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programma
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INTEGRATIE
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parkeren

00 %
onder
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voor achter
commercieel
parkeren

500 %
wonen

voor achter

grachten-model
grachten-model
PROGRAMMA
PROGRAMMA LEIDENDLEIDEND

//17
el programma in de stad?

INTRO

INTEGRATIE
PROFILE :

SUPERBLOCK - study

E PROFILEREN

K

( kerk
+
Aa Bb

school
+
retail
+
hotel
+
Jaarbeurs
+
casino
+
bios

megabioscoop
)
+
INTRO

DICHTHEID
( grondgebonden
+
appartement
+
brugwoning
+

dakwoning
)
+
STAD IN DE STAD

=

SUPERBLOK
SUPERBLOK

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E
EID 31.VRAGEN
INTEGRATIE

2. Hoe creëer
CO
NC
ENT
RER
PRO je een hoge dichtheid met behoud van een goede leefkwaliteit?
EN
SPR
1. Hoe integreer je een groot commercieel programma in de stad?E ID
PRO

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How
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SPR
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ENT SPR
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2. Hoe creëer je eenENhoge dichtheid
2. DICHTHEID
IDE
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metSCbehoud
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van een goede
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leefkwaliteit?
EID IXE
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LOCATIE FUN
PROGRAMMA PARKEREN AUTARKIE PROGRAMMA INTEGRATIE
LOCATIE PARKEREN
SUPERBLOK AUTARKIEFAIRTRADE INTEGRATIE PARK SUPE
CTIE
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IC
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INTRO
HZE
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ENEN

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o
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inoPUBLIEKE RUIMTE FUN WONEN
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PARKEREN
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THEMA’S
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STRAATPROFIEL TRADITIONEEL VOORZIENINGEN

INTRO
KANTOOR

DICHTHEID
Randen P
P
VERDICHTING DOOR VERPLAATSEN AUTO

WONEN JAARBEURS BOULEVARD STAD

P/C
P
P
VERDICHTING DOOR VERPLAATSEN PRIVE-GROEN
JAARBEURSKANTOREN
GR.V. ROGGEWEG BOULEVARD
WONEN P STADV. ZEISTWEG

INTENSE LAAGBOUW
//19
N
FSI 2 FSI 2

RE
eid
IDE
N
met behoud van
PRO een goede leefkwaliteit?

E
FILE
FSI
REN 1 FSI 1

INTRO
XEN

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D PROGRAMMA
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N
TRE
R
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LOCATIE
2. Hoe creëer je eenENhoge dichtheid
E ID
EN PROGRAMMA
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leefkwaliteit? PARKEREN
INTEGRATIE AUTARKIESUPERBLOK INTEGRATIEFAIRTRADE SUPER
BEBOUWING

U U U U U U U
PUBLIEKE DOMEIN

INTRO
SCH
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CO FUNCTIE PROGRAMMA
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NMT
RIXEER
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PLAN JAARBEUR
NEN
MIXING + SPRAWL : LEISUR

lab
NE FUN
CTIE
PARKING - study
HOTE

WONE
OP Z
IC HZE
LF
BEWOOND LANDSCHAP PARKERE

PUBLIEKE RUIMT
d

MTE FUNCTIE VOORZIENINGE
sta

FUN
SC CTIE
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ELAT
E
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INTRO

DICHTHEID
S > >
A2

NETWERKEN MOBILITEIT STEDELIJK WOONERF
P
P P
A12

+ BEWOOND LANDSCHAP
BEWOOND LANDSCHAP

//20
E 2. DICHTHEID

INTR

VRAAGSTELLIN
SCH
EID MIX
E N EN
2. DICHTHEID

NE
SCH
EID
E N
MIX
EN FSI 2
lab 2. Hoe creëer je een hoge dichtheid met behoud van een goede leefkwaliteit?

FSI 1
PUBLIEKE RUIMTE
FUN
HowHoedo you make HZE sure how to offer a good public space
C
TIE O
PZ
3. waarborg je ICde LFkwaliteit van publieke ruimte met een groot verschil aan intensiteit van gebruik?

when different OP Z functions are mixed with eachother?
FUN
CTIE
3. Hoe waarborg je deLF kwaliteit van publieke ruimte met een groot verschil aan intensiteit van gebruik?
ICHZ
E

3. PUBLIEKE RUIMTE FUN

PUBLIEKE RUIMTE
CTIE

INTRO
-GER
ELAT
RATIE 3. PUBLIEKE RUIMTE
SUPERBLOK FAIRTRADE PARK PARKEREN AUTARKIE INTEGRATIE SUPER
E ERD
FUN
CTIE LOCATIE PROGRAMMA

THEMA’S
-GER
ELAT
E ERD

U THEMA’S U U PROGRAMMA
LOCATION ASFSI U
ONE FUNCTION : U U U

INTRO
PARK - study
JAARBEURS
LEISURE
HOTEL

NE
lab FUNCTIE OP ZICHZELF
WONEN
FUNCTIE GERELATEERD
PARKEREN
Concept: “Ondergronds bouwen”
continuiteit van het maaiveld
FUNCTIE
publiekeOP ZICHZELF
ruimte als drager PUBLIEKE RUIMTE

VOORZIENINGEN

KANTOOR
PUBLIEKE RUIMTE
INTRO

WONEN IN PARK wonen in het park
Concept doorsnede; CONTINUITEIT MAAIVELD
Concept doorsnede; - PARK
Continuiteit ALSmaaiveld
van het DRAGER
Park als drager

plan


FUNCTIE OP ZICHZELF

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Le rouge voulé
Paris, France 2009

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Moulin Rouge Cabaret
82, Boulevard Clichy
Paris

//26
// Functional section / section of the interaction of the danceschool with the museum // Scheme / scheme of the circulation of the ramp

Temptation, history and entertainment are the keywords of the Moulin Rouge which was used to be. The new Moulin
Rouge will contain these elements even more and better. Both during day and night.
The design for the new Moulin Rouge and dance school is based on to work each other, physically and mentally. There will
be a scenario for during the day and one for the night.

Day scenario is based on the secret, history and temptation of the building by telling the story of the Moulin Rouge of the
past with a route right through the building. You will see the history of the dancers, the rise of the Moulin Rouge through
time till now by taking the loop up towards the roof. Meanwhile people will catch a blimp of the dancers of today to catch
the feeling of real heart of the Moulin Rouge. Past and present of the Moulin Rouge will meet each other here.

During night the original windmill of the past will show up behind the curtain of today to attract people to come to this
place to experience the entertainment the Moulin Rouge can offer. From far the Moulin Rouge will be seen by the light
the building will shine.. When you enter the building you will be gently guide to the auditorium to experience the warmth,
exotic and tempting world the Moulin Rouge will give.

Welcome to the new Moulin Rouge!!!
// Impression interior / ramp of the museum

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Excite Ferryterminal
Hunterspoint New York, NY, 2007 - 2009

//29
This project for Studio Border Conditions is fo-
cused on the area of New York. The research
started with a fascination you want to research
about. Mine was the underground scene in
New York. But instead of taking the contex of
the underground scene in the art scene or mu-
sic scene I took this literally by going
underground, to the New York Subway
stations.

In these areas happens streetperformances
done by artists who are expressing their art to
the public. Art expressions like dance, music or
just entertainment performances. These
performances are based on temporary time,
unexpected and suprise and done on locations
which are not really made to perform. But just
because of these elements of suprise of these
performances they are creating a
transformation of space they are happening.

My research is focussing on the architectural
and sociological elements of these perfor-
mances mainly what this transformation is and
the effect on the area and on the people.
For this project this research will be done by
making mappings to be nally the base and
inspiration for the development of a building.

// Mapping / map of all subway connections with their stations in
Manhattan, Long Island and Brooklyn

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Times square
h 1114 day 1
terminal space
Mapping proces

// Guitar and violin performance situated on a platform at the Time Square Subway station

After analyzing different
performances I decided to
study one performance in de-
tail. So I decided to study the
performance of a guitar player
with a violin player.

I have been looking at the
trajectories of the audience
during the performance and
how they went and added the
factor time. By inserting this
factor the route/trajectory of
the audience became a path
based on time where increas-
ing and decreasing of speed
was present. This increasing
and decreasing of speed do I
notate as ‘rhythm’.

// Trajectories and positions on platform // Domains of circulation versus // 3d mass model of the
of people during performance domains of improvisation trajectories of people
//31
The rhythm of this performance I got by making an ‘mapping’ (analyze) of the audiences’
behavior during this performance.

I notated their location, their trajectories and dierences between where they started and
where they end, all during a certain period of 46 frames of 0.5 seconds. With this information
I made a diagram of this information which ended up in a ‘structure’ of rhythms during time.
This structure naly showed the basic structure for the design. This structure is notated as
rhythm in time (transitions, increasing of speed, decreasing of speed) The structure which I
finally got is a structure of peoples behavior disturbed by the performance and a structure of
peoples behavior without any disturbing by the performance.

After doing this I finally got a structure which shows the transformation of the space by
the performance. Which I used for the design of the building. For developing the reasearch
procudure towards had I chosen to use the structure for a function which expressed the
riged structure of traveling and a function which contains the elements being the opposit of
it.I ended up in the function of a ferryterminal which contains spaces for art.

EXHIBTION VERSUS TERMINAL /// ExCiTé NY
// diagram / Peoples behavior disturbed by performance versus behavior which is not disturbed by performance

//32
The next step to continue with the diagrams I deformed the structure of the normal sequential develop- DIAGRAM OF RHYTHMS of the performance

ment of a transition by the improvisation. The deformation is done on a grid system of the frames versus
distance towards the performance. This grid represents this sequential development of the performance.
With this deformation or deconstruction of the sequential development I gained three parameters.
These parameters are three rhythms which are coming out of the interaction (the transformation of the
space during the performance).
entrance

For the final step I took these three rhythms and merged them into one diagram which shows an abstract entrance

interpretation of the transformation by the performance. I called this interpretation the diagram of rhythms terminal /

of the performance. parking

terminal /
parking

terminal /
parking

entrance

entrance

entrance

entrance

RHYTHM # 1_ connectivity flows of indiv (expo) RHYTHM # 2_ transit / place isolated spaces = transit stimulated spaces RHYTHM # 3_ individual/collective (functions)
(gaps/closed) awareness spaces = connection with outside
flows of collective (terminal)

parameter #1: parameter #2: Parameter #3:
Rhythm of connectivity Rhythm of the character of the transition Rhythm of the impact on the transition
//33
The location for the building will be situated at
the riverside of Long Island, Hunterspoint.

The area of Hunterspoint is nowadays a
deserted and desolated area where almost no
development is. The area used to be a high
industrial area where small but high industrial
factories where operating. During time the
area became more abandoned and need now
aeconomical injection of new investments to
grow and develop.

// Photo / Areal picture of Hunterspoint

The mapping for the project is based on transition- Transformation of the area
al flows gained from the research about the 3
transitional versus improvised. To cope with this I
will make a ferry terminal. The building will contain 4
these transitional flows and is able to connect with
the areas condition.
1
The areas condition contains five interesting places 2
to connect with the terminal and Manhattan.
One place is the trainstation (1) which is ending
in this area. The other is the leisure area of sport
facilities with park (2). The third interesting place
is upcoming economic centre (3). The fourth place
is the Long Island highway (4) which is going here
under the river. And the last place is huge deserted
space of nothing but sand, grass and mud (5).
// Render / Areal image of the site
These five places will be connected by the terminal
with Manhattan to have a good intensive
connection. A connection which can attract
Present sitation of the site Future sitation of the site
investments, visitors and tourists to this area.

//34
DIAGRAM OF RHYTHMS of the performance

1. diagram of 2. diagram of knots
rhythm of the
entrance performance
entrance

knot #7 knot #1

terminal /
parking

knot #8 knot #4
terminal /
parking

terminal /
parking
knot #3
knot #5

entrance

knot #2
entrance
knot #6

entrance knot #9

entrance

RHYTHM # 1_ connectivity flows of indiv (expo) RHYTHM # 2_ transit / place isolated spaces = transit stimulated spaces RHYTHM # 3_ individual/collective (functions)
(gaps/closed) awareness spaces = connection with outside
flows of collective (terminal)

3. diagram of knots 4. physical model
aplied to site
entrance

entrance from diagram
parking space entrance

entrance
to tube
ferryplatform expo
entrance

lobby entrance
bus taxi platform entrance

expo entrance

expo
entrance
restaurant

entrance

5. section model of 6. deconstructed The development from the structure towards the nal design of the terminal was
tubes model tube model based on certain steps. I made a diagram of the dierent rhythms of the structure
and made him 3d. I implemented functions and tried to create a landscape /
cityscape which provide the possibilities to use the terminal as it should be, (rigid /
fast / no identity) by giving opportunities to improvise with art exhibitions (improvi-
sition / delayed / identity based) on the terminal’ structure.

The building is made of concrete which made the smoothness for the terminal
disturbed by the exhibitionspaces.

7. folded strip 8. revised folded
model strips model

9. revised folded 10. nish revised
strips model folded strips
model

//35
// Drawing / horizontal section of main floor

//36
rooflight

void panorama
deck
panorama
deck

rooflight

rooflight sec a_5

void

void

void

sec a_4

sec a_3
exhibition
space

rooflight rooflight

exhibition exhibition exhibition exhibition exhibition Passage
space corridor space space space

sec a_2
rooflight
fragment

void

exhibition
exhibition space
space
void

rooflight

sec a_1

toilets

Plan first floor/ TOPVIEW
scale 1 : 200 (PLAN) / model x_60 / 29 06 09
art storages office
facilities office
// Drawing / horizontal section of first floor
void

Project Ex Ci Te Hunterspoint /// NY
Border Conditions NY 2007-2009 / Dion Lembekker, TU Delft //37
// Section / short vertical section

//38
Project Ex Ci Te Hunterspoint /// NY Research on site
Border Conditions NY 2007-2009 / Dion Lembekker, TU Delft 25 05 09

// Drawing / short and long vertical section

//39
View from above

2.

1 Construction of the slab Mulion
- 400mm steel trusses / 200mm and 100mm Scale 1:5
support tubes. - 100mm beam, steel. provided with pins of
1.
-640 mm reinforced concrete, waterproof thread bolt.
-2 x 30 mm EPS insulation - prefab concrete block, provided with shear
-50 mm finishing layer; shotcrete connectors.
2 Construction of glazed part - EPS insulation
- 400mm steel trusses / 200mm and 100mm - 50 mm finishing layer; shotcrete.
support beams.
- intervening profile, steel, provided with
spider system.
to support mulions and fasten glazing
- 8 - 16 - 21 mm glass

Project Ex Ci Te Hunterspoint /// NY Detailed fragment 1 : 10
Border Conditions NY 2007-2009 / Dion Lembekker, TU Delft Final Presentation 29 06 09

View from the front // Construction / detail of the window

//40
// Render / impression of the exhibitionspaces - transit zone

//41
//42
indesem: the legacy
Delft, The Netherlands, 2007

//43
//44
Indesem 2007 was focused on the issue of
the future. Mainly on what architects from
nowadays will leave behind for the next
generation.

To give answer to this question several
students from all over the world were
invited to embody this question and try to
give an aswer.
The results of this question would be pre-
sented on a collection of billboards during
the First International Bienale of Rotterdam.

The assignment was divided in several
locations in Rotterdam. We had to make an
image/ view for this location how this view
would be over sixty years on that specific
location. The group with the best vision
billboard #1 billboard on loation would be published on the billboards.

Our group won finally two locations based
on the vision how we can deal with
religion and the rise of the level of the river
Maas.

billboard on loation

billboard #2 //45
//46
museum IJburg
Amsterdam, The Netherlands, 2006

//47
//48
Museum IJburg is a building situated on the peniscula part of IJburg. The design for both the building
and the interior is based on transition. Transition from the external into the internal part of the build-
ing. This transition start already with a ramp alongside the whole building. During this journey you
seperate youself from the external and preparing yourself for the internal.

Inside the building a route is set up along all the rooms and end up where you start.

The collection of the museum was a given programme and is based on historical pieces of art and
contemporary art. The collection is based on old Greek statues, Dutch paintings from the Golden Era
and contemporary art like Giacometti.

The design for the interior is based on connection and slightly transition between different eras where
art is coming from without disturbing them.

//49
//50
52°30’23,77” N
4°58’13,88” O

me, myself and I...
Purmerend, The Netherlands, 2010

//51
banksy corbijn sushi bloc party

steven holl g-star valéncià indonesia

guitar new york libeskind photography
//52
streetlab apple pie cafe katoen cosyness

ambition tokyo

//53
//54
COLOFON
Purmerend, June 2010

ARCHITECTEN COLLECTIEF ACA09
architect ir. Dion D. Lembekker
t_ 06 141 84 935
e_aca09architecture@gmail.com
o make an image/ view for this location how this view
would be over sixty years on that specific location. The

//55