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mo|j udAg 09 '5l'n Mi "l Aqojeuv fr
Anarchy In The U.K.
Words and Music by John Lydon, Paul Cook, Stephan Jones and Glen Matlock

Dm Em G5 G C5

1342 1342 134 134211 134


Intro
Moderately J = 135
G F E
l!Gtrs. 1 & 2 (dist.)
A r
J * . ^i^^ '~^Jf-:^ ^ r p p - ff
tu i
fL *t m r * * * * * =*^-^~ ^ tj* -- * ^ *
e *
* _ *
* r *
p *
'm 'S1
-(fg 4 i9 ^ _ 1* ^ W-^-^

r
*
~p P = * P p
*J 7 1
jf
v/ slow flanger
T 9 s* m 10 m 1-fl m m 11 Q
^2-9 12 2s
Hfl M ^-Hfl M M 13 9
D in
1?
10 n -in m m m -in s r
in c^ R R n R R R n 7

*Composite arrangement

D C5
0 x /- 3
i - i -. ; ~ ;
yL
Viy
*3
4
r
_
n*^r^
L- -
L ^
^
" UX X , x x x 4
1^.r 4 ^
1

Right nnw. Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.

< k tr. 1
Qjt^ j^ ^j;^ ^g^^i -^

<rf-^ 03^

tr. ?. 1
p r * ^r f*- * * "
*
^0 * 9 B t__l g_ p P 9 p +
*
m
9-

*
9 \P
f

^V''" P.M.

1 9 J 1 iT-^ n e r
R / R
: -? ^1 -^K |7
u D u u U
q

0

0

0

0
D
0
o u u
T
u
T
v)
T
0
T
Ij
T
u
O
0
T

O

*Gtr. l lo left of slash in tab.

# Verse
3rd time, Gtr. 4: w/ Fill l (8 timcs) Gtrs. l & 2: w/ Rhy. Fig. I (2 timcs)
C5 Em C5
~ _-
-p
p __T* p ^s '*^'T-: - '- *-arr
. p.
p r
1. I a -n
PRr-t-P
'"lff V

,ir
1.
PlH WH
An - ti - Christ, _ nh. T am nn
2. An - ar - c tiy fo r the U. K., ah. It's com-ingsome - time and
man-y Vv ays to get what you wan t, T nse the best T

Rhy. Fig. 1 End Rhy. Fig. 1


Gtrs. ! & 2
1 j 1
jf J JJ ' J
5Q3^ ,_j___
J

\\^ 5f ff~* ~
w~~~ m~
*J
m -

P.
- -
*"rf' "H
*-

H
-4- ~4- -+
- - -J -* "-*
H
S
U
c c c r
0 0 0
u U
0 0 0

Fll
Gtr. 4 (slight dist.)

jf
3EEB- -f- Et T- L- V
OT/" ^

Copyright 1977 by Universal Music - Careers, Three Shadows Music and Warner/Chappell Music Ltd.
Copyright Renewed
All Rights for Three Shadows Music Administered by Cherry Lane Music Publishing Company, Inc.
All Rights for Warner/Chappell Music Ltd. in the U.S. and Canada Administered by WB Music Corp.
International Copyright Secured All Rights Reserved
F Em C5 F Em
Jr P P 1) m ff
-S P -F-
-tsB-J
vq) PDPF *-1 ff F ?<
?
-P
r Pr PFPF3^PH~~~P7-pr rp ^ ^' ff
yQ
an - ar - chist, ah. Dem 't know what I want, but I k now how to get it. I
mny - he, ah I give a wrong time, stop a traf - fic line Yonr
use the rest, ah. [ use the. en - e - rnv. ah. T
Chorus
3rd time, Gtr. 4: w/ Fill 2 (2 times)
C5 G5
_ \m m . m - g^
wan - na de. - xtroy pass er hy 'Cnuse T
fu - ture dream is a shop - ping scheine. 'Cause_ I,
use an - ar chy. 'Catise, T
Rhy. Fig. 2 End Rhy. Fig. 2 Rhy. Fig. 3
Gtrs. 1 & 2
-() f -0 1\ *> -" .-
J- -J- -W- -L -W- -W- -W- -W- -J-" r T^~~TT
5 5 5 5 5 -12 12 n ^2-r2 12 12 12
"19 19 1 19 19 19 19 19
3rd time, Gtr. 4: w/ Fill l (6 times)
F5 E5 D5 C5
.^ ""j 1 I^= ~ ^3
rf=p=
w-4 ^ ff ^ v p-~'p
tj ? r ^r v' ^P r pM
wan - ia he ah, an - ar - chv,
^ J
I wan - la he nn - ar chy,
wan - ^a he ah, an - ar - chy.
a m J J^^ 1
^M=r 0 0 * 2 2 2 F-^=^=.-^^
%=*== ^-^ j jr-^^
-=-=^T
0 m m in m m in m o
lii-41 12 12 12 '(2 12 2 1Q 1Q 10 10 10 Ifl^Hl 9 -9 9 9 7 7 7 7 -5 5 5 5 5 5
To Coda -
F Em C5 G5 :'C5/A
/."'ff i^ =- M
-^ "V ^ ^ 1?^ "~ F^P
^^^^l
9} 1
^ih No dogs, hod - v.
ah. In the cit - y-
It's the on - ly A'ay to be.
End Rhy. Fig. 3
_^_^^_ 1 1 ^^^ 1 1
n ^^^^^ -J 1 l 1 |
X J m 2 J J m m m ar Tj -* J r m 1 J
-* p J J ^
r*~~n '* * m J- -*- ^ -5- -3- -J- -* -*
(Ist time, cont. in slashesj
^

i | ^ 3151^
U O u 3 \J
i
3 u v t!
n i i i S 3 3
1 n ^ 0 3 3- -^ 5
:::Bass piays A.
Fill 2
Gtr. 4
-F -
-T-_| "
<&--
-1 F-H
Fl
_
*
Guitar Solo
Gtrs. l & 2: w/ Rhy. Fig. 4 (2 1/2 times)
*Dm Ein Dm
Rhy. Fig. 4 End Rhy. Fig. 4

Gtrs.
l &2
Gtr. 3 (dist.) vwwvwwv wvwwwww
wwwwwwww

-Jt\
W-
1 [ 11 11 3 ' ' ' T H 1 1 1 1 1 1
tJ
/ wwwvvvvwww vvvvvvvvvvvw
^ 19
-IQ -IQ -IQ, ,-..
'14 14 14 14 -"

:::See top of first page of song for chord diagrams pertaining to rhythm slashes.

Em Dm Em Dm
AM.

r^T
ig? 1f
wvwwv

f'jf fX^
L^
wvwwv

ff f f-f f*f ^
__
wvwwv

11
-
*

wvwwv wvwwv wvwwv


r
-He -tc 4c\ in
'13 13 3
-"14 14
B 7 -*-
""

D.S. al Coda
G5 A G A

open open

n
3. How

-t3 H-^t3^ 13X15 15 1^ ?


14 14-44^ ^t4v^16 16 16 16X49- -5 4- ^4 fr^
^^12^ ^ B^ ^ (h

114.

] ntei lde
D G Fft 0
Gtr. 5 (fuzz) . ^
Gtr. 3

1 ^
1*
tf LL 1 -0 ~^. i ~r~ ^ r^^r r~^ ^
~yM7
J

/
r 9 1*

Gtr. 3
U * j-p p L

*fdbk
divtsi

Pitch: B
:|:Microphonic fdbk;
not caused by
Gtrs. 1 & 2 string Vibration.

m =^L_ ^ HHH^^d^dfr
L ^J ^^* ^^4=
" P,J ^ ^ ~i

| 7 7 7
J \
Verse
Gtrs. l & 2: w/ Rhy. Fig. l (3 times)
Gtr. 3 tacet
C5 F Ein C5 F Em C5 F Em
-WP^ p' 'p p -p pw F P^ P"P mm
P" -
<SH
-F^ p' 'p p- -PPHp r vF F p
(J i
h)r
PP-fl P-p v ****r "l' T}'y - "r p p r TrdM i/ 1 U>J _ Y
p r T^T ^J Pr F 7 p
4. Is this _ the M. P. L. A., _ ah, or is this _ the U. D. A . , _ ah, or is this _ the I. R. A . , _ ah? I
vwvwvwwv
Gtr. 5 ' t
~TT^ TTTT t > ' ^"" ~" '
=
m^
^=^=4==
"dbk.
wwwwwwwwwwwwwwwwwwvwwwvVWVWWWVWVWVWNIWVWWWWWVWVWWVWwwvw wwvvvwvwvwwwvwwvwwwwv
Pitch: G
Outro-Chorus
Gtrs. l & 2: w/ Rhy. Fig. 2 Gtrs. l & 2: w/ Rhy. Fig. 3
C5 G5 F5 E5 D5
^ f-H^--^ m
thought_ it was the U. K or just. oth - er _
t
fdbk.
fdbk. w/ bai
vvvvvvwvwwvwvvvwvwvvwwvwv
-(5>- -(5) (5)\
-3 3-
Pitch: C -1/2
C$
Gtrs. l & 2: w/ Rhy. Fig. 2
C5 Em C5
-yt f-y -~'-~~^~ -
^ ttp-^ f^mm m -
^ h^-V
^^Z_^=E^-^T
p p:i1
trv An - oth - er coun - eil ten - nn - ny.
End Rhy. Fill 1
Gtr.5
'f
j^ 1> _ ___!F^-- -^.j^pH
tP " - f
J
fdbk.
'WWVWVWWVWWVWWV
Gtr. 4(dist.)
^n^ ^ ^_J J ^^-^^1
r--r^ P r * r
f^^-r r--r r ZT n-r r ^^wvwwwvwww^%wwvwwwv%w%
Rhy. Fill 2
wv^vwvwwwvwwwwwv
End Rliy. Fill 2
O 0 U O ij
Gtrs. l & 2: w/ Rhy. Fig. 3
Gtrs. 3 & 4 tacet
Glr. 5: \v/ Rhy. Fill l
G5 F5 E5 D5

3fc) TJ!_;_:^^^ G - p? b E 3S
_^^p ^
=,
F
wan - na be,_ ah,

Gtrs. l & 2: w/ Rhy. Fig. 2


C5 Em C5

chy, _ ah._ And

Gtrs. l & 2: w/ Rhy. Fig. 2


C5 Em C5
p^ i -+
^LA: : = \
:fii- ; r^ r^r~f~
chv ah Know v\ 'hat I mean"> And
Gtr 4 _.

-tH^1Fr"
^, ^^ -&- ^^

.Jt i
-f)
| ,
1
._L .
^
i . _]
'
f
-"
"
f f f
UJli ifl ^F
l l
-\i '
-\ :
:
1_^ 1 ^__v
~ -
*^

1? 17 17

Gtrs. l & 2: w/ Rhy. Fig. 3


Glr. 5: w/ Rhy. Fill l (l st 7 meas.)
G5 F5 E5

C5

.
2F^
Gtrs. 1 &

'Li-L^tL t
<>
^' N -*f
J-^P-^ HII
etlist. i g pissed. _ De St roy, ah!
^wvwvwww WVWVWWV

Gtr. 3

m-
0
7t \- r

- =E
F

t i* -9 B *p
EEE-P-- r -
~~F F
E1" E E!E E! G,r._
4i s^/
tj ' ! !

^wwwww^WWVWVWV
0 o

Pitch: B
Barracuda
Words and Music by Nancy Wilson, Ann Wilson, Michael Derosier and Roger Fisher
D5 A5
XX
5fr
134 II 1333 111
Intro
Moderately fast J = 136
E5 F5G5
loco
& =f K 1 1 "' ' L- l J^
*-> ^S5^3^ y_ ?^
9 999 999 999 99
4 444 4^4 444 44^5 ^i ^"sl w/ bar - H
w/ dist. & flanger -2 -2
W \
T q cl [r 1
1 1 i !
A
n 9 9 9 9 0 9 9 9 9 9 9 9 0 999 99^ 9 9 9 4 5- 'Y\
E5
E5 F#5G5
slight P.M.
(12) (12) (12) (12) (12)
-7 7 7 7 7 - 9 10-
000000000 -o-oo^
Glr. l
Copyright 1977 STRANGE EUPHORIA MUSIC, KNOW MUSIC, OF THE ROSES MUSIC and UNIVERSAL MUSIC - MGB SONGS
Copyright Renewed
All Rights for STRANGE EUPHORIA MUSIC, KNOW MUSIC and OF THE ROSES MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights Reserved Used by Permission 9
F#5 G5

- f l B o o o o a Q O O D Q ' O o o o B O B 0 6 2 3
Verse
E5

iJP
1- > ^=^=^
-. 1FT^"^^~
-JJ H= -'J* ^-"1,
J ^m ^ . i .
- j J/^"^-^=^^

i- - - .-
3

J
1. So this ain't the end, I saw you
2. Back o - ver time we were all try - in'
-1 -1 -1/2
v v v v Rhy. Fig. 1A F,nd Rhy. Fig. 1A
j>p f f f - 1
% '

v v v "v
< ' i
im^a^m WWffifWfff
1 ^^~^ ^\ ^2 t - r=^==N
Rhy. Fig. 1 End Rhy. Fig. 1

^^ Harm,
w/ bar
toffl ffl JT?^ jTi ^wm^
0 0 0 9 O O O 9 0 0 0 9 9 9 9 9 9 9 9 9 9 0 9 P

2nd time, Gtr. I : w/ Rhy . Fig. 2


C5 S1C5/B C5/A G5

13
to had to turn my heart a - way.
for free. You met the por - poise and nie. _

slight P.M. 1 vwwwwww

^>
~ P
f 9-
z-
-B 0 B^

E5i

slight P.M.
fr 1 ,,
w/ bar

7.-"9 7 -9
X^7
4=4 AT^
-2 1/2 *Chord symbols reflect ovcrall harmony.

10
Gtr. l: w/ Rhy. Fig. l (2 times) 2nd time, Gtr. 2: w/ Rhy. Fill l 2nd time, Gtr. 2: w/ Rhy. Fig. ] A
Ist time, Gtr. 2: w/ Rhy. Fig. 1A (2 times)
2nd time, Gtr. 2: w/ Rhy. Fig. l A (Ist meas.)
E5
Ojt . j > pg i ~~^L.
LJ*-J 1 : J J1 4U.
%=^ * "==l
Smile like the sun, kiss - es for ev
Uh, huh No right, no. wrong; seil - ing a song, _
C5 Csus2 C5/B C5/A G5 E5
l/L " 1 } 1 K ^^ 1 " 1 l \~~] ~~\ ^ ,
'ry - one. anH fales it np.v - er fails.
a nflme Whi<; - DPT oame
Otr. 2
4l 1 4^^^H? ff 1 1 r, ,
(V l LJ-I J V" = % ^ -4^1
^4^3 r~ C%
' ^^ i ^i H 1 H~l H 1 M~
slight P.M. 1 %WWVW
^irttT3i3
3
? n
Olr j Rhy. Fig. 2 End Rhy. Fig. 2
f-j-nfe^-^J"*a
m Jj ^T1
slight P.M. 1
^ \7 >i ^^7
9 9 9 1 9 9 9 9- 9 99 ^9 9 9 9
Chorus
2nd & 3rd times, Gtr. l: w/ Rhy. Fill 2
C5 C5/B A5 E5
SE
You ly - ing so low the weeds. I
And if the real thing don't do the trick, - you bet - ter
( 3. no,
slight P.M.

i slight P.M. 1
-8 BB0 BBB B8 B^ T=t
slight P.M. -
-8 8BB B B B 8 B 8 B B^ (5)^ B -B 8^
Rhy. Fiil 1 Rhy. Fill 2
Gtr. 2 Gtr. 1
hU
lieht P.M. - slight P.M. -
0 2 0 2 0 2 0 2 0 2 0 2
-Z 2 2 2 2^2-
H) 8 0 8 B^fr^ (5)^x0 -B 8^ -t4^
11
C/G D/A Em/B D/A C/G G/B Am E5 *D5
I I -1 j 1
Gtr. 3 (acous.) f I I I l
mp

i Q i ~~rin
m
4==^=^==^
^z .-
_---'
=i *
<j j j - -fiT
5= 1 1 * ^ E

bet you gon - na am - bush You'd have me down down, down ,


make up sorri quick. You gon - na burn, burn, burn,

U
^ j
slight P.M. 1

-2 4 -5 * 2
5 3 2 2 2
e a 1^Ifl tt '

, ~, >
$ ^ i s t H H=J* fe ^iap
s
j^
-~-____ _____-'

c
1 i i -2 5
5
3
3
2
5 U-^J 1 1
See top of first page of song for chord diagrams
pertaining to rhythm slashes.

To Coda l - To Coda 2
Gtr. 3 tacet
3rd time, Gtrs. l & 2: w/ Rhy. Fills 3 & 3A
A5 N.C.

/n n
o tt
75. "^^ ^*~^
r n
'
j r =^ =^=" I ^
~) ,
^_ _^ ~^-~''^ _^-* X T^
d 5wn on rr v k aees, now vould-n't
\ : ya, bar - ra - cu -
5urn, bum it to the wick.

,
z^fe h l i _
r
^^

T-
( = tt V
W tt =Hi- ^Z 15

w= J
0
f

Rhy. Fill 3 Rhv. Fill 3A


Gtr. 1 L 2- *; i*- Gtr2
J? S

^~ . , W ' f- Harm.
w/ bar
^
fdbk. w/ bar

--
q C-i n~~ AJB 1
Pitch: F;

12
Interlude
E5 G5
da?_ Oh..
^
Harm.
slight P.M. -
-999^ -9 99^ -99 99
r-rr ^77- -^ 7 7- 4-? 7 7 7 ^7 7- - - -
H) B 8 0 0BB B BB B8^ ^ BBB BBB 8B^
Harm.
slight P.M.
-B BBB 0BB B8B 8B- -B B B8 B8B 8B2-
E5
V .... V
i
w/ bar - w/ bar 1
-49-
-<42) (?f2>- H42>- -m) et*>-
*Left band over top of neck, next 4 meas.
-2 1/2
V
--H
-2 slight P.M.
V
5t W W
Q O O Q p p Q p ^ Q p_
-tfr1 ==^ L-ft ^ B- ^ 8- -fl B-
Pitch: E
B
D.S. al Coda l
F#5 G5 G6
V v v
V
J^i ^ if r '^
w/ bar - w/ bar -
-1/2
-i -l
v V
-^9- -et -ei9) (19)
-etz^
-w^ 42et>ei-
-49-
w/ bar
slight P.M.
-ffl-
//-1O\
-42^
4ST
4-5
B 8 BB BBB BB- ^-sj
-l 1/2
* 13
Interlude

E5 G5 A5 D5 E5

i
T j n =?
bar - ra - cu - da. Oh,. yeah._
Rhy. Fig. 3 End Rhy. Fig. 3

^ e e^eeaeBo e e(h Q Q 0 0 G 0

Gtrs. l & 2: w/ Rhy. Fig. 3


G5 A5 D5 E5

Bridge
C
Rhy. Fig. 4A End Rhy. Fig. 4A

Gt,J-
; J
-^M
-^-^;* zfM ^1 1
-_j,j h- J
^j =4 ^ -r JU P - .

^---^^^
"Seil me, se n you," the por-poise said. Dive down, _ dtjep dnwn, save, my head. Ynn.

End Riff A
Or.1 RiffA

V
i ^ J J -^ v
_^i i^*i n ,, - W~~^^^ l
1J let ring 1
1 D\/l _l

_ _ S S
1 o n
o U -~_^ ' ' ' '
2

End Rhy. Fig. 4

, 3
Gtr. 2
wvw^vwww
S K k 1 k
Jr tf
AW *p ..J',
z5
-
^ *H 5J4 m-- " < a ~'-f:~- - ^f Jv
) '
a
1

*~* ^ ^ * * s- z-* i
wwv>www\

u u
C C

"

Gtrs. l & 2: w/ Rhy. Fig. 3 (2 timcs)


Gtr. 3 tacet
E5 G5 A5 D5 E5 G5 A5 D5 E5

#4
35^-^ V
H H
? *
1 H
J * f m. J | r^=\ J T
J~J- 1

X
^
I think that vou had the blues . ton

Gtr. l: w/ Riff A
Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A
C

All that night and all the next, swam with - out look - ing back. Made for the west - ern

14
E5 F#5 G5 A5 E5 F#5 G5 A5
pools. Sil - 1y, sil - ly fools
Gtr.2 Rhy. Fig. SA End Rhy. Fig. SA
slight P.M. - slight P.M. -
H 12- tt
^77-^7 7- -^9- igir -7 7777^7777777- ^79 tt-
-8800^ ^8B88B^ ^00 -e o o o e ^
End Rhy. Fig. 5
Or.1
^
4 5 7 2 2 2 2 2^2 2 2 2 2 ^ 24 5 f
^^eooo oooBe^ 5 3 5' 0 0000^0000BB-1 02 3 fr
Guitar Solo
Gtr. l tacet
Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A
Gtr. 4 c
elec.) ,~^^ wwwvwwvwv
-/- " 4 p ^ c" T P
. r . u
%-4-f 1 L J r ~ Pf r r r?q t- S _J^
*LgJ
_^J
^J_J 1 F^r^
f 1/2 VWWWWWW
w/ dist. & chorus ^ ^-^_^^
19 11 1**
14 15 1E^ 12 14 12
Gtrs. l & 2: w/ Rhy. Figs. 5 & 5 A Gtrs. 2 & 3: w/Rhy. Figs. 4 & 4A
E5 F#5 G5 A5 E5 F#5 G5 A5 C
Si'a T
loco
*? ^ J s urn =1
% J, J- _ _ _ - ' sL Lj* J-, _ -Jj j J "354-1 ^1 ' i
steady gliss. steady gliss. K w/ bar
4-l ,4-1^
17 (17) \^ f^=^
V S Y ^ ^-^i
-1 -2 1/2
Gtrs. l & 2: w/ Rhy. Figs. 5 & 5A
E5
*"~*m ^^ "
c^ry>
-J^-8Gp . P -BU Upp hpP^
^f^ ~3~
-fo ^ ! _j-f-1 ^^
$?F1 JL 1 1 1 ~-H 1 Jt
UH^
--- j 1/2 1
17 n (17)15 r^Qs
D.S.S. al Coda 2
(take 2nd lyrics)
G5 A5 E5 F#5 G5 A5
The
let ring H steady gliss. p.s.
^/-v15
. _ . _ 15
45 17 15 15 17 15 12
12
20X19
15
-0-Coda 2
Interlude
Gtrs. l & 2: w/ Rhy. Figs. l & l A
E5

^
Oh,_ bar bar

J >
ra - cu da. Yeah.

Gtrs. l & 2

slight P.M. - -
r^rr -H P.S.

-8 6 8 8 0 8 B B B B (h ^ B ^

Outro
Gtr. 4: w/ Fill l
Em7

~-~_ _--
X tt V1! ! i

Harm. Harm.

-1/2 -1/2 -1/2 -1/2 -1/2 -1/2


\
V V V V V V vvvvvvvvvvvvwvwwwvwwwwvw

12)

Gtr. 1 "*~ j^.'"" -. .


$ ~~ -5:
f^~^ \" ' HE **
S2 -- ~ ^^
t) ^ . ^
*Harm. Harm.

>

j
8
?

Pitch: E
''Harmonie and open string ring simultaneously. B
G
D
A

c-ii ,

.4
Play 5 times

w/ dist.
Harm.
w/bar -

19 (19) (19) (19) (19) (19) (19) (19) (19) *>-

:!:*VoI. swclls

16
44:--
s
7>
1 II?
7>
7> 7>
7>
HD
MH-
r-r-rr-
P-P-P-
XXX
<xx
p-pj-p-
t-*-
,44
t
r-r-r+-
r-r-r-
r-r-r-
r-r-r-
UJU. i
Gtr. l tacet

y y- ^"' >'' *".&.


tt *''
7*u
~Y''
'
ft'
r ' ' | i
fm
t)
Harm. H ., Harm. -
w/ bar 1 w/ bar
wv%v

:i;Played behind the beat.

Gtr. 2

/1?\ /\y\
X 12 12
-XK-^tS- w-,'-|0\
X 12 12
XHM 14 W X 15 15
X 13 13 J$
X 12 12
X 12 12
l \4 L

Gtr. l

Harm.

^5- -44- ^2-


M2^ ^2- 42^ -42-

ir L-4.
E5 F5 G5 A5 G5 A5

^m Oo, hey.

I P^P
-f -f -f -f -f -f -f 'W -f -f -m 5 3
slight P.M.

X 12 12 -ft2V=
X 12 12 44lf=

j -9
f f ^ 9 9 9 9 9 9 9~9- ^ 1
42 M^ ^-
7-^77 7 7 7 7-^7- -^ 9- 4fl K- ^7 9-
^ B^H 0 Q 0 D 0 0 (FHh
* *

-Kt

steady gliss.
slight P.M. -

ftffr
442>
_3 4 c_ O J E

5 5 o o o o o o o o =E= 5 2 3 5 2 j=
*Sung Ist time only.

18
Cherub Rock
Words and Music by William Corgan
D C G A5
Q Q
132 123 32 l 21 34
Intro
Moderate Rock J = 84
N.C.CE5) Play 3 times
Riff A EndRiffA
Gtr. l (clean)
(Drums)
r m ^s
^^ 99 9 9^ 9 9 9 ^9 9^ 9 99 9 9 9
-X-XX^f X ) M ( X X X -X-XX^( X X^{ X X X
^h^h -J7-^7 7 7 7 ^77 77 T- ~
-J~7-^7 ~
7 7 ~
~ 7
B B-
Gtr. 1: w/ Riff A (3 times)
ES
Gtr. 2 (dist.)
-9 9 9 9 9 -9 9- . .
9 9 7-- 9-9- 7 -X X 7 X X X 7- -7 9 9 7 X -X X 7 X X-
-7-7-7 7 7- -7 7- - ^ 7 7-
-8 B-
Gtr. 3 (dist.)
-9-9
ir -X-X
7-7-
-8 B -8 B- -fl B- 0 B-
::'Chord Symbols reflect Overall harmony.
Rhy. Fig. l End Rhy. Fig. l
Gtrs. 2 & 3
~f3 -*-*
-*
3 3 3
3 +' -*-*-*' =:"3:
~*^jw
3 3 -:
-* -* -w -*
=: -: <:
-* -* TF
-~m~ ;
: -~*
-9 9 -9 9 9- -9 9- -9 9 9 -9 9 9^ -9 9 9
-9 9 9 B 9 9 -9 9 B 9^ -9 9 9 -9 9 X- -X X X 0-
7-7-7-7 ^7 7- " 7-7-7^
8-8 B-8-B-B B B B 8-(h -8 8 B -8 B
:*Composite arrangement
Gtr. 3: w/ Rhy. Fig. l
E E5 E
Gtrs. 2 & 3
Gtr. 2
-N
r ^
H*^t3 -13 M -f3 131313 46^6 W46 W W46 W K 11^9 13/14 11X9
HHf X^( X- X X X 1MP -x-xx- .
^HHH fHH H tt-H- m- -t4-t4- -44-M 14 14^ ^^7 M^^2 - 9X7
-fl B- ^HF ^ fl B Bs~^ 0 B
1993 by Cinderful Music (BMI)
All Rights Reserved Used by Permission 19
D
Rhy. Fill 1A End Rhy. Fill 1A
Gtr. 3

&\4

"fo 10 m
11X9- -H tt- 9s9 11\ 11X9
HB-
M-
s-x 0 0 -'B- -' 0 0 ' 1B 1B X 9 9-9-9B- ^ 0 0 B^' B B
T=Thumb on 6th string

Rhy. Fill l End Rhy. Fll Riff B


Gtr. 2

11X9 -HX9- -6 6 11X9 11X9


-*- xxB-
-9V?- -4 4 4 -9V7- -9V7-
H)0> B0- -H) 5 5B

wwwvv
Gtrs. 2 & 3

-H-
$^t
-H-

Verse
E
0 tt tt
-JE*T'&r- * l
!
3
1
* >
P
-d1 i i /
*.
" "^
*
' *^ r r 9^ r r

1 . Freak out, (and) give in, does-n't mat -


sters u nite; come a - lign _

wvw End Riff B RiffC


wwv wwv
End Riff C

/&) ff ff ^J J^J -^ ^ __ __J _ __


;_^ tf X* *^r* a
t) .J. _[ _[ ^ _[ _ :~ : _L q. _L 3JJ^'^'=t3:3:3=m

wwv WWV wwv

v V V V V y/14 y y y
n n n ^ . ^ n n n n n n n n n n s. ^ n n n n n n nn n n n n -^ n n n n n n

Gtrs. 2 & 3: w/ Rhy. Fills 1 & 1A Gtrs. 2 & 3: w/ RiffC


D A E

f 9
r*^^f~~* \

J L
J \

f^
*

J J L
L i^S ' '

ier w liat you be - lieve in. Stay cool, and be


l or t he bis fisht to rock for vou. (But) be - wre, all those an -

20
Gtrs. 2 & 3: w/ Rhy. Fills 1 & 1A Gtrs. 2 & 3: w/ Riff C
D A E
Jr ftw^tt t K Y 1 P ^ "
A. D ff rr 4 * ~ j
(fo tt b "
< , . fU, ?f f 1r 1r
~J . "" \J "S
some - b d - y's fool this year. 'Cause they know who is right -
gels w ith their wings_ glued on, 'cause deep down they are f right-
D
eous, what is bold, so I'm told. _
ened and they're scared. if you don't stare. _
Rhy. Fig 2A End Rhy. Fig. 2A
Gtr.3
i=g
^
f * *
-W M^ -TO M M tt^
-H- --H- ~9 9- ^ 9 9- -8 4- -4 4 4 4 4
-H ^ -+H -H M - ^ X^ ^( X X X X B^
-^ X fl^
--M- ^tfl^ ^^: ^ 9 9^ -3 3 3 3-
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 2
-H11 -6 6^ ^ 9^ =^4 4- -4 4 4-
: ^k X^ ^k X- -X X- X X- -3( X X^
-9 9-- 4 4 4-4 ^7 7^
-W- -W W= ^ 8^ -3 3 3 37^-0-
Chorus
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A
D " A
Gtr. 4: w/ Rhy. Fig. 3
f<
D A G
t i i f f M P" ' 1.^1--" d -*1 uJ^ J. - -J" s^
/T ~ff p F ^ 1 *" ^~ r~yjr^ >i
r f
f .*"'L_ r
Ion? ns there's SOITIR nion
py>^-____-^
(NIon, mon e.vl
21
D A c
Rhy. Fig. 4B End Rhy. Fig. 4B

Gtr.4/ / / ~n i ) ri"V; ? / 3 ; ; ; ;
~r r $f
\M) ' r ^ -t5 ' U>
p*^P
j r ~~ _j

Whn w ints that hon

Rhy. Fig. 4A End Rhy. Fig. 4A

CA u jj

/& tt ff J
J -~"~ J-

^
-=^*%-t -t -*t
- ^-4 -4 ^W ^^^^^H ^^^^^

^* * * * * * * * * * *

X X 11
q Q n

Rhy. Fig. 4
_ _ _ End Rhy. Fig. 4

0 tt (L J * "5 ^T J J m
(g) ff *J =:^ E3* ~~* * *{H -H 1 ! h

" ^ *^^=r ^ i *r
x x * X X X X^ -x x xxx x xx xx x x
9 9^= =^4-
U kl L) J

Interlude
Gtrs. 2 & 3: w/ Riff B
Gtr. 4 tacet
E

i 1
A. 3 ff L f ~ __ >Y 4 \ x 4 f f '
-Ifl) ^; f 9^ * ! 3- *U-^ J 4+^ f '-
^ __

ey?_ Ah, oh. Ah, oh. 2. Hip

Interlude
G A5 E

9 9 9 9 9 9 99- 43^ ^3-43- ^t3- Vi.12


-XXXXXX XX~ -XX- 4Hf: ^2 ._ -H- -HM 1Q 1D 1012t
7 7 7 - -7 -7 7 -H- .. ..
-H-tl- -H- 11 11 12 12 H) Ifl^ -HM ^fl tt^f-
8 0 8 ^ 8 8 8 -88~ G D 0 0 00- 0 0 0 10 10 8 8 8 MHH(^
Rhy. Fig. SA End Rhy. Fig. SA
Gtr. 2 Gtrs. 2 & 4

22
Gtrs. 2, 3 & 4: w/ Rhy. Figs. 5 & 5A (3 times)
E D5 G5 D5
Yeah,. let me out!.
Interlude
Glrs. 3 & 4: w/ Riff A (2 times)
E5
Utr. 2
J J mm J J , - . - M 0 *
m m j j *
J J 0 J ~m J-Jm
J*
: ' ^ ^ ^_
" J m -9 ~* ' ' ^ - ~m ~m -> ~a
n n n n n 1" \*> HO HO
t 3 X X X 3 X X X X X X v Y Y X X X
11
n n n n n a n ft n a
E5 E7 E5
Gtr. 5 (dist.)
AJL
w/ chorus & flanger
-X19X5.-""IS
/^: :*: : g
x"J. ."J "3 ~S
16 16 16 16 -^ 16 16 16 16 16 19 19 19 19 X21 21- 21 21 21 21 21
14 14 14 14 M 14 14 14 14 14 17 17 17 17 x-19 19 19 19 19 19 19
Guitar Solo
D5 A5 D5 A5
Gtr. 5 r-.
P.H.
l 1/2 _ wwvwv l w 1/2
vwvvwwv
17 19 19 16 17 16
-et 17 19 17 17 19 (19)'
-9 9-
B B- 7X9\7X X -0-8-0
BB B 0 0 0
23

u #,'

CJ

"I U--

l tt^

*=
lieve. this Teil me alL of your se crets. I know, _
wvwwvwvwvwvwww\
m ~> -J WVVWV r-
1/4 wvwwvwwvwwwwwvw
t
-8 T -et-
(B
vwwvvwwwwwwwwvw
vwvwvwwwv%wvwvvvwv
-5 4-
G
I know, _ l know (I) should have lis - tened to what I was told..
wvwvwwwwwwv
Gtr.6
t
fdbk.
don'/
wvvwwwwwwvw vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
Gtr. 7
fdbk.
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv^
Pitch: A
vvwvwwwwvwvvwwvwwvwwvwvwwvwwvwwvv
25
Chorus
Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (2 times)
Gtr. 4: w/ Rhy. Fig. 3 (2 times)
Gtrs. 6 & 7 tacet
D A

Who_ that hon

vwwvvwvwwwwwvw wwwwwwwwwwvwvv

*w/ octaver

-vwwvwvwwwwwww vwwvwvw%

-5 (5)-
*Set tbr one octave above

Gtrs. 2, 3 & 4: w/ Rhy. Figs. 4, 4A & 4B


D G D A

long s there's some... I need some. Who wants _ that hon -


(Mon ey.)_

(Mon - ey.) _

Gtr. 5 ^vwwwwwvwv

wwwvwwwvw

-<10) (10) 8 7
-7

26
Gtrs. 2, 3 & 4: w/ Rhy. Figs. 5 & 5A (4 times) Gtr. 5 tacet
E D5 A G5 D5
|JfSjt t t tt l = l l \z D s -. j] ~ r I
f- -' ^f ? ? ' '^
ey? Let me out. Ye.ah, 1et mp.
fYes.
' ' 7. ^ *
Gtr. 6 V
.-'^-.. ..--^-.
dWa
1
Vft\
1 "
t) wvw%ww%\wwww%w^^wwwwwwwwwvvwvvwvvwvvvwwvwwwvwwvvwwvvvwwwwwvwvwvwwvvvv
Gtr. 7
(/h'ii7 mf
fdbk.
don 't pick
Gtr. 5
ff.
f J+^tt r'
-lr 1 ^
^1T*-yt-
Ar ff " ..
*F- ' fs
octaver off grad. bend ..^.^^^^^^
"^^=
m '=:
C G5 E D5 C G5 E D5
Yeah,. let me out. Yeah. let me
Yes._ Yes.).
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv*%vvvvvvvvvvvvv%vvvvvvvvvvvvvv%^
Gtr. 6 -*-
.-s:-.
Gtr. 7
(VVVVVVVVVVVVV*VVVVVVVVVVVVVVVVVV^VVVVVVVVVVVVVVVVVVVVVVVV*VVVVVVVVVVVVVVVV*VVVVVVV*VVVVVVVVVVVVVV >wwwwww\!
Outro
Gtrs. 6 & 7 tacet
C G5 E
vvwvvvw%\wwwwvvw%%wwvwvwwwwww
Gtr. 6 '"
Gtr. 5
>vvvvvvvvvvvvv\^vvvvvvvvvvvvvvvvvvvvvvvvvvvvv 1/2
im
'WVWWWWWWWVWWWWWWV^VWWWWWW
GW.2&3
11~-^9 13^-^14 -^3- l^a-
JUn- 1X1 1^^=
^ B- -fl B B~ -fl B^
27
-n

ti Q

n
H

rn

fl rn
rr*
-n*

n tu
ti
Ul

;E S
On Flame With Rock 'N' Roll
Words and Music by Samuel Pearlman, Donald Roeser and Albert Bouchard
Intro
Moderately j = 88
N.C.(Fjt) Gtr. 1: w/ Riff A, 2 times
Gtr. l (dist)
EndRiffA Gtr. 2 (dist)
34 34 3--4 3 2 0
1. My
4 2-
$ Verse
Gtr. 2 tacet
N.C. (F#m) (E)
_ ^ } $ i 1* 'ft c fl 1** ^H* ^^
m^r~rr=Tr ^J^H
$^CT&^^^ D ' I ' /
heart is
r black, _ and my lips are
cJ r ^
cold. _ Cit - ies on flame _ with rock and roll. _ Three
'r ' , Riff B EndRiffB
jW ^-, =q ^^^
1^=^^^=^ T^T^1 T~^F^~^
4. i 0 0
To Coda
Gtr. l w/Riff B
(F#m) (E)
thou-sand gui - tars. they seem to cry My ears will melt,_ and then my eyes. _ *(So,)
* 2nd time only
let that girl _ rock and cit - ies on flame _ now
Copyright 1972 Sony/ATV Music Publishing LLC
Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 29
Gtr. 1: w/Riff A, 2mes
N.C. (F#m)

with rock and roll. _ Gtr. 2

fll

4 (4)2 . 4
4 4-

Verse
Gtr. 2 tacet
Gtr. 1: w/RiffB,2times
(Ffm) (E)

PPPP
2. Gar-densof Noc - turne for - bid-den de - lights, _ reins of steel _ and it's al - right.

(F#m) ^^

Cit - ies on flame _ with rock and _ roll. Mar-shall will, _ buoy _ but Fen-der con - trol. _ So,
Chorus
(D) (A) (B)

let that girl _ rock and

Gtr. l: w/Riff A, l 1/2 times


N.C.(Fjtm)

1
with rock and roll..

fll fll

1oJ V 19 19 19 19 19 197
(18)10 (18) 16 18 16 18 16 10

Guitar Solo
N.C. (Fjtm)
D.S. al Coda
Gtr. 1: w/ Riff A, 2 limes
N.C. (F#m)
Let the girl, _ let that girl rock and roll, _ cit - ies on flame now,
Bridge
N.C. (F#m)
with rock and roll.
3=
tf
let ring.
-46-
19 18 19 10 19 18 19 1819
-34 34 34 3 2 0
2 0
-4 2 5 4 2
Outro _ T3
Double-Time Feel ( J J = J
N.C. (F#m)

542542428426

* Bass plays Fj.

rtJ/r# DJ/Ftf /^

rW^i
m ~m
-J J-] ^ A ^

P=^^ " J _

- H3, - :
fll fll
A
J
f
^ v
^ ^
-''

N.C. (F#m)

. . ^^rj-Tji -i I i ji j] j"> rr jf i^rc^N


WWW -

o^#- i i L -l
-~ __,
i
WWW

-^ c c . .

A _- C R

N.C. (F#m)
ww ^
L T U^ ' r* T i ' 1* ' f F ^ f r^f
r = =^1 ?' ^=1
f rr ' 1 |~ p^| r j~ r i r
"5~ ^ ' 1__^ f |^J '~ ' ' ' EII::
^r 3
L

^^^^"
d -t>i
Ir
t/ 3^ f^
t/ 5^ fll
f
fll
^ ~^\1
fll
4 ^ ^ fll

17 17 (17) 14 17 1-

ft # F F f f-1 'p-
~$i
P*ri
__(
Jr *4 i 1 1 *_
H^ ^
1 H^ ^
1 ^
1 ^
1 ^
h~^! H
^ ^
! \ 1
-t= :

fe11 5 ^3 -^ ( 3 r- -f
o
1
1
3 i 1 3- l
HT\1') ^_ ^ ^ ^
^ ^ ^ ^ ^ ^ ^ 0 4 c
0

o
z

End Double-Time Feel


A ,,: ^
ft#lt'r'^'r'^r^r^
^ + v ^ ^
^
^
^
~
*
'i
fex
r"
N-c(Fm)
U iLTf p P i i p i r F ^
fe * L JL J Up=jL 1 J 1 =_| u~l 1 1 1 1 k ^ *

c f l n c A o r f l ^ c i i n
T^J j'

32
Cliffs Of Dover
By Eric Johnson
[AJlntro
Guitar Solo
-
FreelyJ tiva
Gtr. l (dist.) WWW
45 15-^2 1542+ 4542 85 57 53 >=
8va-
-45 45 45 45 45 45i 45 45 45 45 45 45 45 4745 45-
-47 49- 49- -47 49-
-49- -49 47 -49 47-
Copyright 1989 Amerita Music
All Rights Reserved Used by Permission 33
Medium-Fast Shuffle j. =190
N.C. play 3 times
,
y r 49 N r S

j' \r1 L P
S M 1 L
K P'
/L ^P
fiiK
vsy ia o l n
U
e * Mn' i /i n
J' 1 f M J
n j j Jrp- 1 nJ J J 1' 1

P.M H P.M H P.M _, P.M H P.M H

n o 0 o 0 n
r 7 c q
a 1 ^
r c c r C C c c r r
o o o o o o o o . 0 0

G5 wwvwww C5
* j, WVVWVWV-^- A' -^j m.*' m. ^- *-c :?*. *
,r n f 7 f 1 fr ~f : fi
*7*-^~ -v.-
W

(m 1-1 9-1 ^ p-H-

wwvwvw wvwwvww
n 7 10 R R

/ 7
t" 7
0

x '
m
n

N.C.(D) ( 3] (C)
^_^^^ vvwvvww
m
yf
A tt * 1 "P
\ r r ft^M^^tt
K ri p . m.r K Ti Ti

Sl i r
L

r n
. '

r "*

r
. l L/
J 1' Ji 1 t ' n i k
n 1
im ' ' ' 1 J A Ja l ' m J ' ' K ' ' J ' ' H
V m ^ r
-J11 rr rr y J'
^
t n PM PNi . p^ 1 PM ^ let rin
^ ^^ WWVWWV
0 0 0 0 0

M n\ 5 7 T
q q r
o
c W
q q q

^ 1 ^

(D) G5 N.C.(C)
8va
wvwvwvw

.v ? r
ft tt P-' "P
' k
T*"' y.^" "^'
- *
n ' r ft
rU
-U
U \ fr
\ \ F
\.
r(
nrL/r r fi
'
[/ f
\ ii r 1 r *f .
im '
V-U l n
1 1 m \J
y ;
J <*> "i " " ""
let ring i
'WVVWVWW WWW
n 10 1A 10
10 HC HC
10
10 17
ic\ "j n

(D) (G)
wwwwwww

A
rm r L/r i i j/ E HJ W *' l J
) M A E /J m W' l
J
M1 P.M. P.M H P.M H let ring H
i^^ WVWWVWVWW
T ^ o o o o
/ i 3 5 7

14 (14) "|2 q q q q
1

q q
' ^ ^ o ^ ^ */

C5 D5 N.C.(Am) (D)
u --^ F i* ft"-F fl- -i- - *

t
+
3y n / m \
P ^ U A TJ rf
fl""
r
j
, ,m
\ r 1 H \ j n rY / 1 r
1/ 1 1
O" Ci
L^u f , f

"^J
^~*. ^___
q 7
17 14 17X 1R 10 Ifi'^ 14 11 14 11 1 1A x
q 7 14X 10 -^14 14 10
5 q

34
(G) (Em) (Am) (D)
vwvwv
^ -F 3 * ff .
l / j r
-l H
J \
V-\-J =^Hr^M^rrM^
im rrf ' r / l ' l/ L/J P
t/ r
"v K'
Hkrr
J r r l
wwwv *n
_^ _. ^ ^_ _^ _, v __
12 12 14 1n Q 14 19 1 in
, . vwvwv , . .
(G) (Em) (Am) (D)
) _ &"'
v ?4'f i*
r \Jft^f*"
\| -l rr .
T = F r p r n
U \ f -J_l @tl^-f- ff-' * r j
" P -l / ' * Y H ^-
tfrt 5"
^ l fll
VWVVW
t
__^ _, ^ ^_.
^ ^ 1r"/
'ifi 19 1fix 14 1H M 4^ 19 11 17 14 17N 1R 19 1R"^ 11 14 11 1 14 '
9 1 14 o
fc '* *
(G) (Em) (Am) (D)
fll'f- ff-"T ) ^ ^
**^ww p: ^ f^f. * fl- T*" T* f~
kH 1 g H !h- ' ff r R-J m \ \i 1
j| h-F _J
i V _| *_-
pj
U_L_
):1_
fr

/5k i ^l
-Jr-*H1*H c i " H ^ 5n^ T*^^~ J-\ *--
^ ^v
VHJ / L/
t) r l l
vwvww
4f\^ ^_
^^ ^-^ ^__
; ^n H?\^ 4-4 / 4 ^ \1 19 An 4^-s.
19 11 17 14 17V 1fi 14 11 14 11 14 '
14 12 M 19 19
14 f1W
(G) (Em) N.C.
' r l l 1 " ' r 1 1 i
/ J J '
nI I ' ) i7 E n
rl/ r/ J U * /
f k
0 0
_^ 7 T c;
IHC HO Hp^ H^ HH HO HH - -. 7
Hrt HO
9 ' c c c c
J J ^ ^
ijp^r MKT^ 1 r
J ' k
rf 1 r y rrr r r i
ys> .' JjJ
KIr^Jl hn
J-L
w^i/ J J'l =Hrf
t)
P.M. P.M. ,
1 q HJ 4-? -in 4f\ -7 , . *5
IT II
7 19 m m n
7
J 3 19
^'
m.
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39
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*
;
:*
Cult Of Personality
Words and Music by William Calhoun, Corey Glover, Muzz Skillings and Vernon Reid
(Malcoin X) Spoken: "And during thefew moments that we have left... We want to talk right down to earth in a language that
everybody here can easily widerstand."
Intro
Moderately = 92
**G5
Riff A EndRiffA
Gtr. l (dist.)
:J:Key signature denotes G Dorian.
*:l;Chord Symbols reflect basic harmony.
1. Look in my
53
3 3
Verse
Gtr. 2 tacet
G9 G5 B\>5 F5
eyes,. what do you see?. The cult of per - son - al i - ty.
Otr. 2 (dist.)
w/ chorus chorus off
Rhy. Fig. l End Rhy. Fig. l
Copyright 1988 Sony/ATV Music Publishing LLC, Dare To Dream Music, Darkology Music, Teenage Dog Music and Muzz Skillings Designee
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 41
Gtr. 1: w/ Riff A (l Itimes)
G5

t I know your dreams.. I've


I know your an - ger,

been ev-'ry-thing you wan - na be.. Oh, I'm the cult of per-son-al - i - ty. _

Gtr. l Rhy. Fig. 2 End Rhy. Fig. 2

J -:

-3 3-

Gtr. 1: w/ Riff A (l 1/2 times)


G5

Like Mus - so - li an' Ken - ne - dy, I'm. the

Gtr. 1: w/ Rhy. Fig. l Gtr. l : w/ Rhy. Fig. 2


G5

cult of per - son - al - i - ty, the cult of per - son - al - i - ty, the cult of per - son - al - i - ty

Interlude
G5

i
Riff B End Riff B
Gtr. l

-5 3-

RiffC End Riff C

-5 3-
-5 3-

42
Bridge
D
XL ff^ ff^ff ff^ riff 1ffff
__
vf? 1 -^1 y 'h| r ff
-ff-Fm3-Fff^_^r J J.*^ ^~T
^*- lh&T
L -FF
LrFF~*F
F
mir - rot speaks, the K - fler - finn lies )
He won't_ have to
lead - ZT speaks, that lead - t^.r flies j
End Rhy. Fig. 3 wwwwv
h* - *^* ff -. ^.-ff-^l] X ^^p
f 1 m 8* ! U ff r * ifl^ 1' '1
? * -n JCff t.1 ff U^ t,m 1
w^ ^F
B F
^ p J_p pp p F r m
^^
' P ^= aar w/ bar
w/ bar
vwwv vwvvv* vwvvww
1 1 0 0
/
-1/2
To Corfa -
G D
\f\ p ff f T r -h "^" ^ n
-i
if /^r^:rg^ ' ??1
' ^T ^ ^T
fol - low me, on - lv ynu c.an se.t mp. free.
(3tr. 2 8va
_ i vwwwwv
vwv%ww
1^ \fc=*+ ^ ^ +
F " hHp: >' JE' -K
w-&-"-
2 i~\f^>^jrr' ri ir ^-p ft-
3 1 -,, , ' r \
/ef n/ig [ /e? n'ng j let ring 1 let ring 1
wvvwvvv 1/2 1/2 vvwwvwv
'in 'n
14 12 12 11 11
'WVWVWWVWVWVWWWW
Guitar Solo
*Gtr. 1: w/Riff A(2times)
G5
J
%ww
15 15 17 15
17 15 18 15 18 151815 17 15 / 1S
15 1
18 1S
15 /^
10 15 (15)\)
\2
Chorus off
43
Verse
Gtr. 1: w/Riff A(2times)
G9 G5

Gtr. 1: w/Rhy. Fig. l


Bt>5 F5

r t i U ILJ
I'm the smil - in' face on your _ T V.. Oh, I'm the cult of per-son-al - i - ty.

Gtr. 1: w/Riff A(2times)


G5

l ex - ploit you, still you love me I teil you one an' one makes three. _

Gtr. l: w/Rhy. Fig. 2 Gtr. l: w/Riff A (l 1/2 times)


Bb C5 G5

Oh, I'm the cult of per-son-al - i - ty. Like Jo - seph Stal - in and Ghan - di, _

Gtr. I: w/ Rhy. Fig. l Gtr. 1: w/Rhy. Fig. 2


F5 G5 B\>5 C5
JfJffHA- 45
? l 1 F=p f=f
tJ
Oh,
W
I'm the cult of per-son-al - i - ty, the cult of per-son-al - i - ty, the cult of per-son-al - i - ty. _
Interlude D.S. al Coda
Gtr. l: w/Riff C Gtr. l: w/ Riff B
G5

/a>t> v 2 1 i = ~
-

w/ Voc. ad hb.

%
-\J37
t)
?-j4*PD E^j- ^ 'Cdr
^--rr
7 ^
_^ * ^.^
' ^ * w^L
' lv_*
j_^^ *
,,.^1r
^~^-
*
^1^
. ..

set von free

r"JlfP =^'i^-n-^r

w/ bar Gtr. 1
rpH -^|

divisi i

- ^ 15

10

44
Guitar Solo
Gtr. l tacet
G5 wwvvwv
Gtr. 2 ^
* f . * * f . : IV
0 r rt f ^
^ r f f e f P f -?1''
i__ 3 j
1/2 i
t
11 '
w/ bar
1/2 1/2
l
5 17 15 17 15 15 Ki 18 15 17 15 15 15 J -35
H 17 15 17 X-3 53-
15 17
wwvvwv
18 17 15 18 17 15 W 1
Gtr. l: w/ Rhy. Fig. 3 (2 times)
b F G D
(17) 14 /CM) (14)15 14 14 (14)15 14 12
-l 1/2 -l 1/2
45
Bb
-1/2
V
p^b r T r .T rJ*T r bJ1 1
w/ bar
-1/2

V
r^ wr:~CI8)~1515 1
18 17 18 18 15 19 16 19 16 19 15 W W-
\\f f f f r ? | P ^r 'r T r r p fitn

-3 -5

Verse
Gtr. 1: w/Riff A(3times)
G9 O5

'f-fr^
S.You gave me for tune, you gave me fame. _
wwwwvww
tr

w/ bar - vv/ chorus chorus off


fr~v~~

-w-
(0) 12/2>

X
J /
-1/2 -l
-3 1/2 slack
46
Gtr. 2 lacet
U -^ 1 1
(ff) l ' < _^^_^_
r\i ~\" 1 ; L
-rrr |t L^_J
You gave me pow - er in your God's name. I'm ev - 'ty per -
Gtr. 1: w/ Rhy. Fig. l
Bb5 75
J
Voc. Fig. l
you need to be Oh,. I'm the.
(I'm the
Gtr. 1: w/Rhy. Fig. 2 ( 1 1/2 times)
G5 Bb5 G5
?_ J-^A r~] ^__ r-j >_ r-^^r^^ ^ a
End Voc. Fig. l
cult. Of- per i - ty.
cult of, I'm the cult of.)
Bkgd. Voc.: w/ Voc. Fig. l Gtr. 1: w/Rhy. Fig. 2
Gtr. l: w/Rhy. Fig. l
Bb5 F5 G5 Bb5
I am the cult of, I am the cult of, I am the cult of, I am the cult of, I am the cult of, I am the cult of,
Gtr. l: w/ Riff A
G5 N.C.
I am the cult of, I am the cult of per - son - al - i - ty..
(John F. Kennedy) Spoken: "Ask not what your country can dofor you...
Outro
Double-time feel
Gtr. I: w/Riff B (l 1/2 times)
G5
T
Gtr. l
-5 4- -5 4- -5 4-
-5 3- -5 3- -5 3-
(Franklin D. Roosevelt) Spoken: "The only thing we have to fear is fear itself."
N.C.
5sec.
= y" l l ^^~
^ 4-
-5 3- -5 3-
47
The Devil Went Down To Georgia
Words and Music by Charlie Daniels, John Thomas Crain, Jr., William Joel DiGregorio,
Fred Laroy Edwards, Charles Fred Hayward and James Wainwright Marshall

Gm D G6 C F
XXO XX X O O X

(3)42) l

Dm A5 Cm D5 Bb Am
XO XX X X X X XO O

1333 133 1333 231

Intro
Fast Country j = 136
Dm
Riff A

'
nf

-47 17 19 17 -47-
17 18 18 20 20 18 17 -47 17 18 20 20 18 17 47-
19 18 19 47 17 19 -44-
-49-

Gtr. 2(slightdist.)

mp
let ring throughout

-fl
3 3 3 3 1 3 3 3 3331333-
_p p p
-^ 11114-
-V ^ f f f -f fl00000 BB-
9 9 P P
-3 3- 1=1 -3 3-
* Fiddle arranged for gtr.

Dm Am Dm A C D5

EndRiffA

15 17 1S 13 15 13 12 13 12
-44- -44- 12 14 44- 12 14 12 42- -4l4344-
-45- 12 15 15 14 12 -444244-
44-

Copyright 1979 SONGS OF UNIVERSAL, INC.


48 All Rights Reserved Used by Permission
A D5
=t
Spoken: l.The
-^t- -46 W 49- &-
-42-
;'-:- hypothetical frct location
Verse
Gtr. l tacet
D5
| J X . .X X X
Dev - il went down to Geor - gia. He was look - in' for a soul to steal. He was in a
Gtr. 2 *>' -
^1 >
j-P-J
bind 'cause he was way be - hind an' he was will - in' to make _ a deal, when he
F^
49
J J J J
came a - cross _ this young man saw - in' on a fid - die an' play - in' it hol. . An' the

X -X -X -X -X

dev - il jumped up on a hick - o - ry stump _ an' said, "Boy, let me teil you what.

Gtr. 2

An'

you'd care to take a dare, _ I'll make bet with you. No w,

50
you play pret - ty good fid - die, boy, but give the Dev - il bis due. F U bet a
i fid - die of gold a - gainst your soul, 'cause I think I'm bet - ter than you.' The
D5
(S) >^
TST^^^^^" x" *l J *U
^ ^ 5U
Ni=\ | A
h 1 h
X X X,
1 ,X
- /
h 1 X X
^
boy said, "My name's John - ny, an' it might be a sin, but I'll
^ o -~~~~ " ~~-i|^- ^. -~~~~ "-. ^
y g-^rr^r -^^^^
7
5
-/L- ' 1 1 4- ^^^^ H f
^9 5^ k Xl 5<
^^^n -xh J x^ x^ ^ J *
take your bet, you 're gon - na re - gret, 'cause I'm the best that's ev - er been.'L.
jlfo- ~~~~ ~~-1
^CT U
-^ - __-
'
/ 7\
4 b b
--^
51
jnos jnoX no

V v v t & & & & t b


c c rt
l t
S s s
E
y
9k x
-p
k ?
" V X S S X
rl
C
n
C H i i i i i i i i v f i i

PS uiqs siqi J9 L n o UIM no ji

r
i* 1 ^ JF
nJ9 : f\p p rf9~ g
m
_X =J ^- . J J 4. _ < 4

-s -4-f-
^ ' /
UIQ UIQ

9 9 S S s s ft n r n s
i n ? p r 2 s
b b Jj
Z X k s X k k E s
1 1 1 1 f i i i 1 0 P C C c c o o

'D'N

uiy
Gtr. 1: w/Riff A, simile
Dm
Dm Am Dm
Spoken: 2. The
p
Verse
D5
jeL)
W 5? 5<N 5t1 5! 5t1 51 5t1 5S1 5S1 >c x~~ x x 5c ~ x xh: :
Dev - il o - pened up his case an' he said, "I* 11 start this show." And fire
-e __ ___ m
OT " - ~_.
m/
.7
i
5
flew from his fin - ger - tips s he ros - ined up his bow. And he
-m-
i pulled the bow the strings an' it made vil hiss. Then a
53
A C

open 3fr

*Gtr. 3 ..n.
-X X X

band of de - mons joined in an' it sound - ed some-thin' like this.

Gtr. 2

' '' Kcyboard arr. fbr gtr.

Interlude
D

open
O
>

Rhy. Fig. l End Rhy. Fig. l

H X X- -5 X- -X X- -X X- -X X 1 X X-
-3 X X- -6 X- -^ X- -X X- j X 3 X 3 -X X 3 X X-
_X 5f 0_
-5 X- -5 X X- -4 X X A4 9- -X X 2 X X-
x x 5 -fl X X-

(cont. in notation)

f |t f f |t |t ,i-

X S X X- X-X-3-X-1-X X-X- -X-


-X X 6 X X- X 5 X- -X X-
-X X 5 X X- -X X-
X 0

Fiddle Solo
Gtr. 2: w/ Rhy. Fig. l, 5 times, simile 1.-4. "IfsT"
Gtr - 3 Dm Dm7 G6 Dm G6 Dm

3 4 5- -5-4 -3-1-3-4-5-1-3-1 1-3-4-5-6-1-

54
Gm Gm Am Bb D5
(cont. in notation)
A D5
Spoken: 3. When the
(Gtr. 3, cont. in slash)
* Ties apply to Gtr. 3 only.
Verse
Gtr. 3
V 3 1 P # R
(g> > X X X X X . . X X X X X X . .X X X X
s x1
de v - il fin - ished, John - ny said, "Well, you're pret - ty good old son, but
Sv
Gtr. 2
_ .- - ~ _ ^ ____ ~ -. _
vfo
m/
Harm.
7
Gtr. 3 tacet
! *ft-
Wr ^ X X X X X x: .
j
si t down in that chair rig it there an' let me show you how it' s done."
Gtr. 2 8f a
__ __ ------ - _ _ __ #
ft- k^
^
(cont. in slash)
i-t\ r
55
G6 D

Gtr. 2
n r~n
W-.if =2=

Fire on the moun - tain, run, boys, _ run. The

* Gtr. 4
divisi mj

simile on repeats

-44- (14) 12M454442 >= 44-


4248-
-44- -44 44- -44-
--42 -42 42- -42-

;: Fiddle arranged for glr.

c|

r~) ; ; ; ; ; ; ; J
Dev-il's in the House of the Ris - in' Sun.

-4fl4244454245424745
-43- -43 454347- -43-
-42444244- -4442-
-44- -44-

G6 D

r~n r~n
Chick-en in the bread pan pick-in' out dough.

-474745-
-494749474947455 4444 -44
44
-49 -494644 446 -44 44-
4746-

56
ToCoda-fy
m~m n n
=;' ?~^
Gran-ny does your dog bite? No, child, no.
,^^T
i=
-8 8- 12 12
-4fl 4fl 48 tt49-
-9 9 9 9 9 9 9 9-
10 10 4848 48-^8 48
Gtr. 4 tacel
Dm
Gtr. 2
r~n
> r~n
> >r~n >r~n r~n
> >r~n >r~n >r~n
Gtr. l
!4-IJjj^-M4lJ M f r .f f^^^JjMiliM^
^
13 12 13 15 13 12 12 13 12 13 15 13 12 12 13 15 12 15 17 15
^5- 43 43- 17 15
1t -4T-:
3.
A5
r~n r~n r~n m
13IS 454?45 45 12 13 17 13 -42-
-43 43 13 15 17 14 .. 12 14 12 .. 1
-44 44- -47 44- 14 fr
-42-
A5
YffT?
nhrH*f r
^MP"ff-^T
L^J H F-*rf4^-F Tf-^T"*r 1^ r l 1 "~ T =
: l^l
fb ^fffn. J] r.n
3 ^^ 3
1
W 14 1? m in 14 1? m m
11 M 11 11 g
11 11
14 r 14 r 0 10
W 4P
57
Verse
Gtr. l tacet
D5 D
7fr

> -lrm. dim. poco a poco

jf L -= i^ v-. k~r
Rr '
^r^^l w*? l\^
VM) * ' J'
Spoken: 4. The Dev - il bowed his head be-cause he knew that he'd _ been beat. An' he

fl -e^- ;^ Q ~ -
K
-y ~

'10
17 '1?
in

laid that gold - en fid - die on the ground at John - ny's feet. John - ny

Gtr. 2 tacet

X X X

said, "Dev - il, just come on back if you ev - er wan - na try a - gain. _ I done

D.S. al Coda

told you once, you son of a bitch, _ Fm the best that's ev - er been." _ He played.

Dm

Gtr. 2
r~nr~nr~nr~n r~nr~nr~nr~n
Gtr. l

^"V
J
sirnile on repeat

40 HO HO -IC -10 HO HO HO HO HO HC HO HO HO HO HC HC HT HC HO
E AC HO HO HO HC H7 HT HC
14 1d 1jl HA Hfl *

58
Dm c D E G
3fr 5fr 7fr 5fr
)n j j
-43 42 43 45 43 42 -43 42 43 45 43 42- -45-
-45- 43- -45-
-44- -44 44- -42-
48- -42-
Dm Bb Am Dm Bb Am Dm Bb Am
(cont. in notation)
im
-4? 45- ^3- ^2- ^8- -48-
ir -48-
-42- -48- -48-
Dm Dm
Gtr. l
13 15 13 12 13 12 48-^246-
15 17 15 15 13 15 13 13 4413 11 11 13/10 11 13/10 11 10 11 13/10 11484449-
44 -42- -42- 10 12 12 10 12 10 4*9-
1t -42-
-42-
Gtrs. 2 & 3
-48-
* Gtr. l tabbed to left of slash.
59
Even Flow
Music by Stone Gossard
Lyric by Eddie Vedder

Tune down 1/2 Step E5 C5 D5 E


X XX X XX X XX X X

133 133
Moderate Rock j = 108
Intro

N.C. (E Mixolydian)

Gtr. l

-tt- -ee es3e- -ee es3e-

Gtr. 2

-99- -99-
-9 X 7 -99- -9 99-
-875- -675-

-ee- -3 e 3-

-9 9-
-9 9- -9 f-

P.M | P-M H

-m-
' slight palm mute

Copyright 1991 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC., WRITE TREATAGE MUSIC and INNOCENT BYSTANDER
All Rights Reserved Used by Permission
60
Verse
1. Freeze him rest his head on a pil - low made of con
2. Kneel ing look-ing through the pa - per though he does-n't know to read.
-5 X 7
-e T7 xM -ee T-
Rhy. Fig. l
P.M P.M..
-XXXX-
3=5* -XXXX-
-9 9-
w/Fill l (2nd time only)
crete, yeah. Oh
them, oh, yeah. Oh
P.M..
-8 0 7 7-
(endRhy. Fig. 1)
P.M | P.M.
X 9 -XXX X X X- -7 X9- -9 X X X X X-
x 9 X 9 -9xxxxx-
-99- -9 9-
Fill l
61
w/Rhy. Fig. l (2'/2 times)
2nd time play simile w/Rhy. Fill l w/Fill 2 ( 2nd time only)

feel him may-behe'll see a lit- tle bet- ter S t - ur days, mmm.
pray ing life is some-thing that has nev - er showed him an - y - thing,

Gtr.l p.M

X7
-e-ee- -e-e

w/Rhy. Fill l w/Rhy. Fill 2


o

yeah, woh,. Hell now f a c - e s that he sees come a-gain_ ain't that fa-mil
woh,. feel ing un - der-Stands the weath- er or the win-ter's on its way.

-ee- -e?

Rhy. Fill 1
Rhy. FUl 2
Gtr.2 Gtr.2
. f-f fef
' -T
^^? 1i
$ " L^ P.M.
r r r
P.M^
P.M

T -, 9 X 9
1 l 9 ^_ X 9
A Q -9 9-

Fill 2 Sva.
Gtr.l

62
w/Fill 3 (2ne time only)
w/Rhy. Fill 3
w/Rhy. Fill 2 w/Fill 4 (2nd time only)
he can't have when bis hap- py looks in - sane. _ Mmm.
few and far be- tween all the le- gal halls of shame.. Yeah.
-x- 7 7 7 7 7 7
5 3 0 3 5
Fill 3 Gtr.2 /\W
Rhy. Fill 3
Gtr.2
FilU Gtr. l
H 14M M WW
63
Gtr. l

-ee es3e -6 5 3 9-

Gtr. 2 w/wah wah

-99-
-99- -99-
-8 7- -6 7-

letring

-6538- -7 5 3 9 3-

9 9
-9 7- -99- /'-v -97-
-fl75- -97 5 5 7-

Chorus
E5 C5 E5 D5
Gtr. l
Rhy. Fig. 2A J. XU > J. J J. >J- J

64
E5 C5 E5
J.
so he chas - es them a- way.
-j. J.J J
ff^
-W M W-
E D5 (end Rhy. Fig. 2A) E D5 E D5
J.
life a
(end Rhy. Fig. 2)
;;
F' P.M.
-w- -7 7-
-7 7-
Chorus
2. w/Rhy. Fill 4 ^. w/Rhy. Fig. 2 & 2A (last time play simile)
E5
thoughts ar - rive like
Rhy. Fill 4
-
65
99

-i9- -SS99- 9 S999-


-XXXXX- XXXXX-
-X- -X- -XXXXX-
-X- -X-

*X XX Xr x-> -xx

ro qoQ

S
S=*

r a 3 3 IQ a
-JJ9 -JJ UJ9

-B maqj s - SBqo aq os
(5)5fr. 6fr. 7fr. @open (5)5fr. 6fr. 7fr. (6)open
D
To Coda
DK E E D DK E E
j
*fe
yeah. : Funk it up
-x-
-X9-
-Xr- -X
^ fc
-5iv . i fc ... fc
3 D 3 3 5- 5-
-55-
-55 -67-
Guitar Solo
N.C.
Rhy. Fig. 3
(end Rhy. Fig. 3)
>-
>< K >
X 9
-XX- X 9
t *l
let ring ---- i
fll fll
fll fll fll full Fdbk.
-Jt*- -^2- -XI
^- /^2 in 15 12 -^2-
-M (14) 12 -tt- -K- -(14) H4H-
-44-
^
67
w/Rhy. Fig. 3 (3 times simile)
loco f\N
'WW

(w/wah)

fll
/ -tt-
-^2 15- -tt- 15 7g
-^S14 12 tt- -1- -14-
12 14 M-

gg. Utr. 2 out l | 'W^/S^v^vNAXWW


lAl^. .
ra5 7 f
.
f
- T J ii . '
7 CSS i^ l
J^*J J
y^ rX f('' V'''
5^
^ff\'l

w/pick and middle finger P.M H

tt /v^/w^/vw^Axw
/*p\p HT

/ s 7 X 9 (9)^

* Simultaneously play lower note with pick and upper note with middle finger

P.M.. P.M.. P.M..

X-9 H 9- X-9- -x-7-x-9 9 '^ x

68
Gtr. l P.M.. P.M
-X- -OH -X- x 11
Gtr. 2
-Ifl X 12
-12- 12 12 12- -9 9 9 9-
12 12 12- -9 9 9-
12 12 12- -9 9 9-
-7 7-
D.S. al Coda
f^i'
f
-9 9 9- -ee- -99 9 9-
7-'9
X 12
-12- -^2 1212121212- -12- 12 12 12-12-
-12 1212121212- 12 12 12 12-
-12 1212121212- 12 12 12 12-
Coda Outro
6fr. 7fr. open (end Rhy. Fig. 4) w/Rhy. Fig. 4 (2 times)
D Du E E N.C.
Gtr. l
Rhy. Fig. 4
\
1
O*
I
i 7
' ' r i LIi- L ;/ v i
Gtr. 2 w/wah wah ~~
._
1jl 15 17 \
J.
14 14 1?
l 44
69
Hit Me With Your Best Shot
Words and Music by Eddie Schwartz

Intro
Moderately J = 128
E A A C#m B
Rhy. Fig. l

0aL
-(o ff tt
X *+r 4 >
*-%-?
i
^-=77EJ1-*^ t-\
S 7 7Eg- -g- cg
7 *~m^
h) ^
m*^m'-^m''
.m* r 7
^-P ^7 1
jL_h_ J
^-~J^- J; 7
1 ^ 7
^gj -g
-JI*
*1-g
I
a ^ ^ 4 < ^"*!
I 1 I^ :
N - K \ P~ r- ,-
m ^ m- \ ^ ^ * j * *4* * * *
Wy

*Gtr. 1 (slight dist); Gtr. 2 (clean), Composite arrangement

|2.
Verse
B A B E B/Dtt Ctfm A B
Jy $iiTTi+ ' p pEr* E
1* p1*PrrPm rP rP iu
-r P \:

1. Well, you're a real tough cook - ie with a long his - to - ry of


come on with a come on, you don't fight fair.
End Rhy. Fig. 1 Rhy. Fig. 2

o . f^T ^
(?p " ff ^ f 3J1 g /'* N -- -r- i y_4^feg E 1 2 L *

- - ^ *5* * /g P" ' *_^ ^

l l
l l
i _ _ n

Indtime, Gtr. 1: w/HU l


B/Dtt

-yr^yf; EE3 * ' r ' i rr!


b.BiS^ M 1 '
^^ Bp r ? r
L ' -
break - ing it - tle hearts like the one in me. That's O. K., let's see_
But that's O. K., see if 1 care. Knock me down, it's all

H
1 l |J~ f^
5 V
^
V P'
^=.

5 W" ^ 7 + + ^ 5 -^ ^ ^ r -J ~ _- -
^v ^I"^

- **! H

.} ~~Q 7 t:
M -" '
j

-"
i|::i:grad. release

Fll
Gtr. 1

^Nj^it i F^ ff
hJFi^i
H
^
1 J
^

Copyright 1978, 1980 Sony/ATV Music Publishing LLC


All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
70 International Copyright Secured All Rights Reserved
A ,, J, ft , , ,, * ' ~-*
f m f ff^ ff ff f* -^n
fL. U tr r ff -' u ~ _l^L) 1 [/1 1Lr 2
W) r |r ./
1r 1 1
how you rlo it Put up your dukes, let's gp.t down to it.
get right back on my feet a - gairi
End Rhy. Fig. 2
^j^ h | | 1~ . 4 J t t 1^~^
vly ^ '^1 ff H-
o ^sL 5 -J-_ 1i i i i =^=^ $ $ 1 1 \
6j 2 4
III B 2 ' 2 2 2 2 2
Chorus
Gtrs. l & 2: w/ Rhy. Fig. l
E A cft m B B E
Hit me with your best shot. Why don't you hit me with your best shot? __
Hit me with your best shot. Fire a 2. You
Guitar Solo
Gtr. l: w/ Rhy. Fig. 2 (l st 3 meas.) Gtr. l : w / F i l l 1
Gtr. 2: w/ Rhy. Fig. 2
B/D C# A B
Gtr. 3 (dist.)
shght P.M. 1 let ring 1
Gtr. l : w/ Rhy. Fig. 2 (last 4 meas.)
B/D#
wwww
ULLiJLI
P.M.-H slightP.H.
l
7 0
7-5-^75 7 5-^5 5 75 5 75 12 11 11 9
-6 )-4 (4h
Pitch: E: FJ
Gtrs. l & 2: w/ Rhy. Fig. l
B A B
^ wwv%w
-WWW
i Q itL -fe-f^ffi^r-ff^r-M -1
^) "
t;
= r f r f r f ^ f r ^^j \_j ^- '-^^-^
L_^_l
WWW

r ' "* ^/"^\ i\^


o xa o
71
C#m B A B

real tough cook-ie with a long his - to - ry of break-ing lit - tle hearts like the one in me. Be - fore l
Gtr. 1

P.M. -

-5 4-
-4 4-
-4- 6^
^ > 9 -

. WWWWWV
Gtr. 3
=P F P
-1M- K y >
P^
slight P.H.
l

^ (4>-
-4 6-

*Chrd Symbols reflect implied harmony. Pitch: Ff G; F:

B/tt Cttm?

TO tt "
1
y-~r _L
\ 1
n r 3
V F- : 1
i
i
r
1
\ {/ 'f

tJ B|-

putan-ot i-er notch _ in m / lip- stick Ciise, _ you'd bet - ter make sure you put me in my place. _

==r*i i ^ . s^^~~-^^j^rl
m

P.N
4 S -* -^ -J
1
^ ^H'
^=

0 n 0 ff
. . t c-

*- *-

T" ]
(g) ff* ~
i^^ ^ -*/KJ'" ^-r^? 7 J5-^
lnr~\: H
^^^
E' mp - -^^^y
X^
slight P.H.
1 i i
^wwwv
/ \ fA~)
r\\ \ \ 1 ' 1
/ T / T
7 f? vw_n 9 ^O^ 1 C3\: F; G', F;

72
Chorus
l st time, Gtrs. I & 3: w/ Rhy. Fig. l
2nd time, Gtrs. l & 3: w/ Rhy Fig. l (Ist 5 meas.)
2nd time, Gtr. 2 tacet
E A cttm B A B
A fj # ^ "p TT "P" P JrP^
-; F F P P "y^ -s ^ T-V-+ [- -f- r f- f '
1 4-1
4g=J r1 rf -^
Hit me with your best shot. Come on, hit me with your best shot. f
Why don't you hit me with your best shot? )
-- -f-_ -m- -m-
4#j[%iL_T r r r if
H _____ f ^
i
f r ' ff f
*
Y Y Y Y Y Y Y Y Y Y Y Y
Q Q Q Q 9 n o n
Ctt B Cttm B B E
Hit me with your best shot. Fire_ a - way.
-*i- -&- ^2- -^2- 12 12 12 1? 12 12 12 12 12 12 12^2 12 12 12 1^
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
Gtrs. 1 & 3
-44- W -4 4- =9P^
^44- T Z- -4 4^
-44- -2 2- -44- *^r^
^fr- 0 0 -68^
^:Sing Ist time only.
l., 2. Free time
E E7 N.C.
1/4 1/4 1/4
4 4 4 -
T
^ 444 222^ 9-
-4 2 2 2 BB8^
Glr. 3
Gtr. 3
a
^^ 4-
-efr^
73
Holiday In Cambodia
Words and Music by Bruce Siesinger, Darren Henley, East Bay Ray, Jello Biafra and Klaus Flouride

Intro
Fast j = 196 ii.C. (Am)
V
(bass) Gtr. 1 (dist.)

*
= i 1 >: -

/ w/delay
J

11 ,._, x
l' w ^
A

p/ay S tnes Riff A

3z= : -k s J ).-. J ^* in -J W J y*v J ,X a * ^5 E


-h m p ! m ! r -pr ^ 1 ^ J , | *i *| i | rrK p
5
SB r i r r r i r k X 1 SU hm
Ji V
I/o yq x yd -^ \ y.
V
3.
^1
* j '
J -3- 9 T^f

^ _^
____^

Y-^
^9 19 - 19 19 .io\ 7 N. fi C 0 0 0 .Q. ^ q \

End Riff A

0 P*"
~rL.Lt *~~~ ~
^^
F
i*x
C
^
K
r^
Ks
v 7
p^^J
n
*
x [Z^
-JTF- -i
~" " Hi ^
J^-J
l l-\~^-&
k<i 1L -L
XT1ii.n
,
~~~~ ~
l l\
X X
^ Vl U 1 .-tt^ Dl*
* 4
| ^J ;\3* **s^
^-^

^^

m m /
v V
ft_ a / .IQ__. HO \. 7 -\ fi. 0 o .__-s 9 / Q X, _fl Q

1980 DECAY MUSIC (BMI)/Administered by BUG MUSIC


74 All Rights Reserved Used by Permission
% Verse
N.C. (Am)
l k r^^ l i L
J J J P i* r f
1 1f
i* fr ' 'fr
r r jl m m
Jh.' .m
J m m r P 3 ff f "i mJn'i
^^j \r
l
ri
l
i
'
r L_|
1rJ '
been to school _ for a year or two, _ and you know you've seen it all. In
star bei - ly sneech, you suck like a leech, you want ev - 'ry-one to act like you. Kiss ass _
J J J J J -U J 't F^,u ^ J J J J J ^ J J ^ i ^ ^ i
P.M
t o o n rt rt 1 1 n n n ft- n n n n .-3 Q ) 9 9-. 9 1 1 n n n n n n n n
* f f> '-f 0 m .-. j j 1 | ^ T 1^ 1
-* 1 f
v \ \ 1 I ir rr f"'
i J J 1 r v r r 7 vJ i X^^
Dad-dy's car, think-in' 3rou'll go far, back Hast your type _ don't _ c rawl. Play _
while you bitch so you can get rieh, but your boss gets rieh - er off you. Well,
v
J J J J J J J i - 1 J J J J J J^J J * ^
P M.
T T 1 n n ^ 1 1 n n
*G D D
^
eth - nick - y jazz to pa - rade your snazz on your five grand ste
you'U work hard-er with a gun in your back for a bowl of rice a day __
let ring i let ring let ring | let ring
-46- -46-
-46- -46-
42- 42-
*Chord syrabols reflect implied tonality.
G
] J J-] |J
Brag-gin' that you know how the nig-gers feel cold, and the slum's got so much soul It's
Slave for sol - diers 'til you starve, then your head is skew-ered on a stake.
let ring. let ring let ring . letring.
-W- -46-
-42-
75
N.C.(D) (C) (G) (C) (A)

E i vt r< |r
2 s *

time to taste what you most fear.


Now you can go where peo - ple are one.
RiffC

"
-
*rri rprPPPPPPPPP r r r r r r rn^- \ p 1p p i[ iil | | ' F-' i '-i* - 1 1 1 1 --"
1 f

e e r r

^? 7 7 7 7 7 7 7

(D) (C) (G) (C) (A)

A.
fm
wj
r ?
:f
*f
:
r
|
9 9
J
0 J |

Right Guard will not help you here.


Now you can go where . they get things done.
End RiffC

t ~~PPP""T*~ p
r r r p p p p p
r r r r r r r r p p p p p p 1 1 1
****PFFF 1 p p p p
P P P P P P PJ PJ
J J J J j J

r r r r
c c c e
-7 7 7 7 7 7 7 7

Pre-Chorus
Dm Em F Em

hP J j. i -l ^-^ l > 1 ~ m P :r^ i


f
:f!_=3E.-. r - !r i i !f "
Brace your seif. my denr.
What you nee.d mv son...

J?
W> l
P P
l
?-- J- \ r
f- f- M m
r r pr pr f-r f-i i pi r- - rP -i - P i - H
P -P--P-
r ii P
:
r i
-P-
i i
-P-
:
p p
:^

5 5 " * " 7 0 0 T -T

R R R C

7 7

Dm Em *Em/G
D l
7J\
\5y
1~^^ iii 1 1 . .
p
-F
- N,
J
1
*
1
-t . .
*
, ^^-
-&
i
-P
- ~PF r
i
^
i
^
J ]4.1
*h^r~
j
Brace yoiir - .seif. mv dear. It's a
what you need my ,snn is a

* r r m
tL.rr ~-M i- r r p r r r r i i s
p p f - f - p p - - T - ! ^ ^ ^ ^
r r i i L-LJ i -f-r- -f^
Pf f
i
f
1
f
1 4
**

*" 5 5 "* "* o o


p c R R
7 7

:;"bass plays G

76
Chorus
A D
hol - i - day in Cam bo - di - a, it's tough kid, but it's life It's a
hol - i - day in Cam bo - di - a, where peo - ple dress in black. In a
Rhy. Fig. l
7 7 7 7 5-
-2 2- -? 7 7- -9 9 9- -7 7 7 7 7-
-7 7 7- -9 P i ? ?- 7 7 7 7 5-
-9 9 9 8 9- -eeeee-
c D *C/E
J/ tt^ tt< s ^ L -f * > 1 1 h 'hm v ^
i bp 1 ^? t
1 L
hol - i day in Cam - bo - di - a.
^^^B^ don't for - opt rn pack a wife.
hol i day in Garn bo di a where you'll kiss ass or crack
End Rhy. Fig. 1
L.
-ffeH d Ja ipJ= -|J rJ =1 Hrr r - f r r r \ 13
*=3=3= N=
-7 7 7-7 7 5 ^t3 1313 131313
7 7 1 14 14 14 14 14 14
-7 7 7-? 7 5 15 1515 151515
9 9 9 9 9 3 -5 5 3 9 6 9 9 9 3 1
To Coda Interlude D.S. al Coda
Gtr. 1: w/Riff A Gtr. 1: w/Riff B
N.C.(Am)
fW* f ^ _ -^-^- . . r-i .
2. You're a
^
3
iP'^=l ?=f=M=i^.0
14 14 14 14 14 14 14
15 15 15 15 15 15 15
Interlude
Gtr. l 8va.-..
^Y i i i i i i i i i i i | 4-1 1 1 1 1 1 1 1 1 ' 1 1 l l l l l l l l l l l -r
^ _ ^ ^ . ^
17 17 17 17 17 17 17 17 17 17 17 17 18 1C 18 18 18 18 18 10 18 18 10 18
LLT
18 10 18 18 18 18 18 18 18 18 18 18i 19 19 19 10 19 10 19 19 19 19 19 19i 19 10 19 10 10 10 10 19 19 19 19 10
77
jo h* f f LJ-j
LJ-j f f fV r^r rr rr rr u
r rr =t=-j--^-
- - r-=pg' r r r p^p
u-]'-j'' i i =r ~
8 ^^m ' l?k ^

3 ^w 1 *

N A / o m v ^
Y Y Y Y
\ / 7 a \?
*Slide down string while picking.
Pitches and TAB numbers are approx.

Gtr. l: w/Riff C

l J l i 1 8
,
yfVL l
(ff) in
^
2
X L
^m
X J
^3
N

~^m ^^5*
m
J3 a5^k
^fe

A5 C5 D5 F5
Gtr. 1 Rhy. Fig. 2 End Rhy. Fig. 2

j j j j j jj^
Hd1dhd1 J J J J J i=^i=J^]|
* 'J J
let ring
J J J J J ^ '
H let ring H let ring _j let ring

*
n n n i e c c c T T -T T

* n * " n * " n ' n * " 1 1 Q 1 C C C C fl fi n

Bridge
*Gtr. 1: w/ Rhy. Fig. 2 1., 2., 3. 14.
A5 C5 D5 F5 F5
i i I1 P P 4 1t
1 s 1 s
i V>"
Jf
J *f
J ft- 1

Pol Pot, Pol Pot. Pot. And it's a


*Sound effects are created by randomly running a slide up and down gtr. neck.

Outro-Chorus
Gtr. 1: w/ Rhy. Fig. 1
A C D C D C A

*t $^E^
hol - i - day in Cam - bo - di - a, where you'll do what you're told. A hol - i - day in Cam -

*C/E F N.C.(C) A5

bo - di - a, where the slum's got so much soul. Pol Pot!

Gtr. l M. M. M.

M^^t
tttt
13-^t3 13 13 13 13 13 13 13 13 13 13
43-^t3 13 13 13 13 13 13 13 13 13 13
-7777 5- -22222 5- M-^M 14 14 14 14 14 14 14 14 14 14
-7777- -9 9 9 9 9 5- 15--t5 15 15 15 15 15 15 15 15 15 15
-555- " -69999 3- -3 9-
*bass plays E

78
La Grange
Words and Music by Billy F Gibbons, Dusty Hill and Frank Lee Beard
Intro
Moderately fast Shuffle J = 160 (/l = J J> )
Gtr. l (clean)
mp
w/ pick & fingers
1/4
o c n
-eee-
*Chord Symbols reflect basic harmony.
J
Ru - mour spread - in' 'round,
-8-
in that Tex - s town, 'bout
rake 1
Copyright 1973 Stage Three Songs
Copyright Renewed
All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission 79
dtfc
that shack out side La Orange. Spoken: And

Ss

you know what I'm talk - in' a - bout. Just let me know if you wan - na go _

f
to that home out

the rnge. Spoken: They got - ta lot - ta nice girls.

^ 3~ -(ffi-

80
Gtr. l tacet
N.C. A5
Gtr. 2 (dist.)
Rhy. Fig. l
C5 D5 C5 D5
Gtr. 2: w/ Rhy. Fig. I
A5 C5 D5 A5 C5 D5
N J J -J-
A haw, _ haw, haw, A haw, a haw, haw, haw. 1. Well, I hear it's fine, _
Verse
Gtr. 2: w/ Rhy. Fig. I (3 times)
A5 C5 D5
K , l l
J' ^ -=*
if you got the time. and the
A5 C5 D5 A5 C5 D5
. 1 J 1
IV * \
(& tt ^? < * [j^jlj J ^=^
:^ J-z1 1* -4 ^JJJ J
c
ten to eet vour - seif in a hmm. hmm. And I hear it's
A5 C5 D5 A5 C5 D5
:M^= >J J. ^lf^ ^ J J=
tisht most ev - er - y night, _ but now _
81
A5 C5 D5 A5 N.C.
f^ li 1 ), \ u^ ' i 1
. *1 1 4F v *^ -S3
q^^,s
1 J |

-^9 E3E3 H TT ^ ^ ^
t? S ^ 1 1
T might be mis - tak - ei1 Hmm, hmm, hmm

Gtr. 2

*J
-^ : ,l 1 nd > dj j^fj
-*
frf ring - - H

2 2 2 o n n n o o o o
o
t-
o
-
o
-
s
c 2 2 2
.
O
.
.
O
.
L.
O
*
L.
p
*

Guitar Solo
C5 F5
Gtr. 3 (dist.) wwwwwwwvwwvwwwwwww%v%wvww%vwwv

k WVWWWWVWWWVVWWV%WVWVVWWVV%VVVV%VWVVV

-H 8 11

Gtr. 2 Rhy. Fig. 2

-PH

C5 Eb5 F5
wvwwwvwvwvwwvwvw wvvwwvvvwwwvwv

wvwwwwwwwvwwww wvwvwvwvwvwww

-w- Hfl-
-8 tt- -WX8

End Rhy. Fig. 2

-W-

82
Gtr. 2: w/ Rhy. Fig. 2 (7 times)
C5 Eb5 F5 C5
Gtr. 3
R# f - ^ T ^
H^~ i r^n i i ! | |
P^l r^=i
^ ^ J^:n=jLJ^^ A^*bJ*J1
n

1 Y
H m Y
8 B
Eb5 F5 C5 Eb5 F5
v "f b t|f ^ -J ^ p=^"^^^^
r r r__^^.^_
r r r^j L -= 1
%/L ,*-*
E ***''
r -fLJ - T' iT^ *_y " J ^^-L^
w/pick&fm 0 er 1/2
wwv^wvww t
y
m X1? 1** 1? 19 m
^m -"in m
C5 Eb5 F5 C5 Eb5 F5
A 3 3
1 F=TT] j 1 r irj i S~~] 'rO1 r k/> r i
J J^f^ ^
1/4
vww ! , ^
T
y y 1
10
l l
1 R R fi D R 1
C5 Eb5 F5 C5
^wwwvvwwvw
[JF" r r f -^ =i ' r r r^r r . rMf rm f P 1
^ ^ ' ^ f=i
i r i i i
let ring 1
w/
1
| wwwwwwww . . ti
/ -i
n n
m ' "
Eb5 F5 C5 Eb5 F5
1T - ^^^-^
-8 8 8
-8-^tfl
-8 8
C5 Eb5 F5 C5
b i =^ P i r i r i r i D i
I 3 1 J J L_ J l l j 1 J J L_ 3 _-1
ftp r P Lr-^^ ' ^ w/ pi
8 10/12
m m m m
83
Eb5 F5 C5 Eb5 F5

^f cr fjj g r i-g t cju- CJLT P ri-c_^


L 3'

vv/ pick & finger

-H M H H tt^- -H H H M tF -H -
^2 12 12 12 12- ^12 12 12 12 K- "42 12 ^4fl 8^
^H) 8^

C5 Eb5 F5 C5
-WWWWW kj

yW\0
E - / i ^ i czi E=I ? 1 -! -! -! -!- P 1
T 13 "

vvwwvwv

Eb5 F5 C5 Eb5 F5
-vwwwwwwv

Tsr-p
\fy ' i"^^
' H^
' ^' - irH
i M
L_d
ZJ*

-1
*

1P
,^-

fisd

~
'
^-^T
-K 1d
brTT- -J =' WF
tJ u-j-J L-3-J i-j-J <~3^

vwvwvvwvw

Interlude
2nd time, Gtr. 3 tacet
A5/G A5/F# A5/F A5

f r
Gtr. 3

-(8>^

:Gtrs. l &2

-^ r j r
*fc
S l ^ i
w/ pick & fingers
-------- 1

-+^-
^ B 34-
'Composite an'angement

Gtr. 2 tacet
Gtr. l A5
^^^1^^
. _T^'hr^ -b
H 9 '
itil ^ j" 1= 7 =1
V %~* ^* * J;
-^=1-=^=^* J
-^
/ ~\
^U-q

^
a
4 *
-1
-^

TWp 1/4
t
7
p___n o n n 9 o C 0 c n n ft
U c. 0 ^ 9
o ft A O O ? ? ^ U L L L.

n ' n n o g

84
N.C.
-[= 1 n JT"""] _K J
iJMAJ^l
(mffHj j 7 * h i 7
^^

-0 >
J ^
1/4 1/4
t t
/ /
Outro-Guitar Solo
Gtr. l tacet
Gtr. 2 A5 C5 D5 A5 C5 D5
|Xfffl* -N i , n-i h ~] 1 ^]1
: - 5
V J s lrn
toro.g-H
W /pick * ^^J ,1,;.
o o o n 9 n n o 9 9 9 > o o
L L .
o o o o n n n n o o o o o 9 9 9
c *
0 1 -i n n T 'i
Gtr. 2: w/ Rhy. Fig. 1 (till fade)
A5 C5 D5 A5 C5 D5 A5
WWWVVWW
- =i
^ grad. bend
P.H. ^ 4 1/2 4 l/; l VWWVWVWV
/ L f f
-8 8- -&)-
-T ^5^ ^h-
Pitches: D E D E D E
C5 D5 A5 C5 D5 A5
Pitches: A
C5 D5 A5 C5 D5 A5
wvwvw
r @= m s
P.H.- ^P.H. P.H.
l l l l l l
-(5)5- -5 ~h
.; ; .; ; ;-
-1 7 J T-
/ -1 5 7-
;,
-^ 5- -^ 7^
Pitches: G A B C# B C# B C# G A
85
C5 D5 A5 C5 D5 A5
/\V

P.H.
P.H.--
1/2
w%wvwvwvw%w
-8- -reM^
-ffi- -? (B 5 7 5^
-J7 (W-
Pitches: A B A G A G A

C5 D5 A5 C5 D5 A5

sp ._... -=^J^ ^MMiz^^


r^
ixfttt*p"Qjr r1 - - _iHHf x f' ta^x r ii r hj ^r ^ r ^ g . fj PbTf 7,

.i , ^ 3

/
ti vwww
7 ^
1/4
t
1
f
1
'
f
1
7 7 1
7 r 7

Pitch: B

C5 D5 A5 C5 D5 A5

Pitch: G

C5 D5 A5 C5 D5 A5

/
^ff
P.H.-

1 1 1 1
t t t t t
I I y / ^( 7
i=dbz
7-

Pitches: B C# B C# B C# F G F G

C5 D5 A5 C5 D5 A5

jf ^"jj71
/^

* W
^^A
'

*^7*
^^

* x^
/^^,

*-^; ' k 1
m
_J
WWWWVW

r*
^ hp-|U
^ *'
ir rtr
j . f
ES-& r'
vwwwvv
r!
-
r -,
jLii i P _ . 1

3
PH H
1/2
1 1 1 1
f t f t WWWWVW e wvvwvw
/ / / /
^ ^ -r"X "^ n

Pitches: B C# B C# B C#

86
C5 D5 A5 C5 D5 A5
wvwvwww
A. Jt ' l r '\P P DP ** r ^ um r . p
im "
VV L 1 i ' K ir Tip
nr 1 L-') 1 rV / " , -M*
n 1 "n
^__1
J
l \J \ 0* J
} ' ^4-^ 3
WWW ^vwwvwwv vw\vwvw*
_
^Q Q
Beginfade
C5 D5 AS C5 D5 A5
P.H.
l l l l l
t t f f t
-8(ffi-
Pitch: A B A B A B A B A B
C5 D5 A5 C5 D5 A5
/.T-/ -r r.r i i= - r) ^ irf-F^- ^r -T -T qr i^
CT
j T 1j
f r 11r_ -j r* uj r* i
^H 1 1 t^J
H ' 11L j ^J> ^"J ^J J =p
1 1 1 1 vww /x-
t t t t ^
-0 - 0 -0
/ / / / n 'H 'fl 7 ^
^^ ,/ -/ ^
1
-^
5 7 4 5
AB AB AB AB
C5 D5 A5 C5 D5 A5
iJ/gj t ft--^
r^, , #fr- 1-tll ^:1 ^: hf hg ^n h hl ---|
fisffft - g ^ J J J 7
^M ^f-^
HI^nr-4^
ff^- i " \^ \
^v 0 0 r r i frf" ^Pi i ^ jj1j tf^
^
ici 9 9 n
9 9 9 v n * -,
^ t t. ~~~~ _--' t- t ^^_ -^
Fade out
C5 D5 A5 C5 D5 A5
/l r-* J J J Jvtr~ r tt^ l[-r :r i r:?=^=
^T'-'r T n^ f- J J J H ^'
^~ -N
'
87
Mississippi Queen
Words and Music by Leslie West, Felix Pappalardi, Corky Laing and David Rea
All Gtrs.: Time Up 1/4 Step
Intro
Half-Time Feel
Moderately J = 140
N.C.
Cowbell Riff A End Riff A
Gtr. l
J J J
V fit* K
fL if T* |F ~~- **T"^ ifl~1 ' v r i iT~t 1

r ywwww
^ ' 4 J

^1
A c ^^ er ,*^

(( 7
-7 9
Q ;1 7
/ /7 ^
(/
S 7 5 7

A5B5 G5A5
Gtr. 2

Gtr. 1

l X ^
^7^-9 9 9 9 -99 7 99- ' 7 7 7 7 ' -^7 ^
V-9 9 9 9 a/ / 7 7
h^T- ~ -^^5-

Chorus
Gtr. 2: w/ Fill l
tt D 3 b5
fr-
t 7 f
^r r f ^r . -. U5 bi p >. t P.. > =,
Mis - sis - sip - pi Queen, do you biow _ what I mean?
y. Fig. 1
Gtr. 1 Rt
wwv ww _^
3a ^a zza m^
^

^
1
^tr^
u^ fc *f rii i ~ 4

\ ^
V

, ^S
\ ^
^

wwv t ^^
7 s 0 v
7 x n o n o N
X
7
9. 9. 9. o ' 2 X
x 7 7 7 7 vx
7 7 n "i 7 ^ 7 7 7 7N / X IS\ i

Fll wwk

V0 t*^
i
SCTtaCat
iA
tttt ^
"r
i
^ v
rm
W) 3t_Z * k
A

ww<t>
T on ^7
'
/
( 7\-~
'] ^
A

Copyright 1970 by Universal Music - MGB Songs


Copyright Renewed
88 International Copyright Secured All Rights Reserved
O
o
c
O.
o
3
O
c
3
C.
?r
(/i
er
l
o S
Wii-1
o
c
3
D.
N.C (ES) N.C.

rest of them dudes was a' get-tin'their kicks; bud-dy, begyour par-don I was get-tin'mine.
End Rhy. Fig. l
dU!

* Top note vib. only.

Chorus
Gtr. 1: w/Rhy. Fig. l
A D5 ES D5 ES
g lhr r f r "r
Mis - sis - sip - pi Queen, _ if you know _ what I mean.
WWW


fll hold bend fll hold bend
WWW WWW

12l ^
^Ht= -^ -4l- -4l-

she taught me ev - ry-thmg.


wv

2. This la - dy she _ asked if I would be her man.

AN
vwwwwwvwwwwwv

fll fll

i -45-
42-
WWW

^14^

90
D5E5 D5 E5
ife*%==

You know _ that I told her I'd do. what I can
-VWWVVW
Eff
fll
fll WWWW
-wwwww
t f 15 12
-(45H2 15 (15)12
to keep her look-in' pret - ty. Buy her dress-es that shine._While the
A- A- wwwv
i=
hold bend
fll fll fll _ _ _ _ ,
WWWW
= -44-
N.C.(E5)
rest of them dudes was a' mak-in' their bread; bud-dy, beg your par-don I was los - in'mine.
Guitar Solo
Gtr. l: w/ Rhy. Fig. l, l st 23 meas. only
D5E5 D5 E5 D5 E5 loco
*- ^-vm--*vvv i c
^^T
^
f^r%
l
^^i^
"^ T^~" *
f'
fll hold bend ^^ full hold bend ^^ fll
t""Vn"f V 10 T t- T
]n\ -in ' "^ '" 1Q HQ\7 M7^ x /
ff
[
i
\. 2 \>^'~ ^/N D5 E5 -^~~li. G5 A5 A IW
0 j # f- ^ f- * f- i-^lr *V5iS|'
i^~i- ^ JT L!r r fr i ^r v \2
>;2 wwv ^ , WW .
/ 7 M ^ 1 1 ' 1^
M 10 14 n 1 "^^ 11 11 T fln s 11
(\H) X
91
G5A5 D5E5 r-
dk fr * 1 L] E== _ */ ' V # l
L, | | | l
^ ^
tJ
fll fll fll
wvt WW
t t
t t
y
7 .. ,^ j. 1j
v IC -JO

;
td p/1 MX

D5 ES

dk tt * f 0 1 LH
J
V5-V
lLl JJ
l "^J
fll
ww
W
Jf t 10 1Q
>""t 10 1Q
>"t 10 1Q
>""t
10
^ 1
1fi 1ft
17 on 17 1 7\_
^

Gtr. 2 tacet
A5 B5 G5 A5
Jt_ ' n y > _J 1 1 1 1 L^ : v 1 1 1
IfflS E r U ^ ds 1 1 "
c)
You know _ she was a danc - er, she moved _ bet - ter on wine. While the
8va
^ ^WWWV /x

ttLf*f * ff ^ - /^H /"- ^*a*v


V rji-^tt
. B r l l t *1 / rL/ - E m' ' w "
(ff> tt J -* 5 f
fll
fll VVVWW fll
1Q
J 10
}
} 4f\ T
'l2 T
{f ~~~
jl 17
17 19
10 1717 (17)
/17\ ^
1R

Gtr. l: w/ Riff A, 2 times

rest of them _ dudes _ was get-tin' their kicks; broth-er, beg your par-don I was get-tin' mine.

Gtr. l: w/Fill 2

Mis - sis - sip - pi Queen.

Fill 2
Gtr. 1

JfO f t 1L
ff 4 ^pT , J i "
OT ^4 [ MH
* * ^ ^^ '

A 5
"
B 5 7
' /7\(n^
7

92
My Name Is Jonas
Words and Music by Rivers Cuomo, Jason Cropper and Patrick Wilson
C5 A5 G5 E5 F5
-_3fr "-_ i 3fr "-_ . 3fr '-_ .
- -,
13 13 13 1 13
Tune down 1/2 Step:
(low to high) Eb-Ab-Db-cb-b-Eb
Intro
Moderately slow J = 62
*C G6/B Am G6/B
Riff A EndRifTA
Gtr. 1 (acous.)
j=4=4=HJ HJ1i-ii 11J1i
f# o l -=J=E1j*J1-4
t?=g=~^ K J : ^ : f
M 2 0 2 0
B 3 z D 2
*Chord Symbols reflect implied harmony.
Verse
Gtr. 1 : w/ Riff A 2nd time, Gtr. 3 tacet
C G6/B Am G6/B C5 G5
r*P
fnj ~f s FT W~ ^TT F T
-4 2 ^_ ^^ p ^
T
1. Myname is Jo - nas,
We - peel,
Gtr. 2 (elec.)
> Rhy. Fig. 1
Pf : =P ^^fr-^H f-^H ^nn
i 1
^^ r N^i^=^^-^^
w/ dist.
fdbk.
C C C C
o o o
Pitch: 'E
**Vol. swell
Gtr. 1: w/ Riff A
A5 F5 C G6/B Am G6/B
V
~~j\_ ^ n
k M M[ \f _^_ f^
im r m
r __ 4
--
^
- fT-mf
rm-
Fm car-ry-ing the wheel. Thanks for all you've
got a box fll of your toys. Fresh out of
End Rhy. Fig. 1 '
w~d : ==- ^^~^^^-
^i id id ^1 1 1 -f^
/r
fdbk.
5 'V
T (l!
Pitch: E
Copyright 1994 E.O. Smith Music, Cropper Retains Rights and Fie!
International Copyright Secured All Rights Reserved 93
Gtr. 2: w/ Rhy. Fig. l (6 times)
C5 G5 A5 F5 C5 G5 A5 F5
f
f \
A.
<JT) -/
H P
1
f'
*
T"

P
^
nu__iz:i* ff "
~

shown us, this is 1OW___ we feel.


bat - ter - ies, but they're still mak ] n' noise, mak - in'

C5 G5 A5 F5 C5 G5 AS F5

w< r r r
Jf s m

Come sit
*

next
F

to me,
:7
E
r r r r 7 r r L^Jg= C. r v r
m * ff

pour your - seif some tea.


m T= m P P

Just like grand - ma made


T hJ

when
m * m

wecould-n't find sleep.


ff m

Teil me what to do, now the tank is dry. Now this wheel, it's flat, and you know what eise?

C5 05 A5 F5 C5

Things were bet - ter then, once but nev - er a - gain. We've all left the den, let me teil you 'bout it.
Guess what I re - ceived in the mail to - day. Words of deep con - cern from my lit - tle broth - er. The

C5 A5 G5 C5 A5 G5

6 &

Choo-choo train left right on time. A tick - et costs on - ly your mind. The
build-ing's not go-in'as he planned. The fore - man has in - jured his hand. The
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 2

3 3 3 3 3 3 7 7 7
-3 3 3 3 3 3- -5 5 5 L-3 3 3 l 5 3
Gtr. 2: w/ Rhy. Fig. 2
C5 A5 G5 C5 A5 G5

driv - er said, "Hey man, we go all the way." Of course we were will - ing to pay.
doz - er will not clear a path. The driv - er swears he learned his math. The

Interlude
Gtr. 1: w/Riff A (2 times)
C G6/B Am G6/B G6/B Am G6/B

B
2. My name is
Gtr. 2

P
fdbk. -H

43^ 4aJ-
vwvwvwvwvwvw
Gtr. 3 (elec.)

wvwwwwwwwwvwwwwvwwwvvs
-ce- -ffl)- -QS)-

Pitch: FS
:;:Applies to fdbk. only.
94
12.
Chorus
F Fadd2 G Gadd2 F F5add#4 G Gsus4
_^_ __ . . _____ 0 m ft~; ___ __ _j- 0i.
ALW i* t* "^~~" W w
CM? J u_.^^_^__-- -1
f i_jr r~ V
,Yrii
J ' ' 1 *
work - ers are go - ing home, work - ers are go - ing home. The
* ^ ^ ^ ^ ^
jju-r r jij=g-r r . r r r i r r r ^ r 1| = \
^^^^
i ^^^^^^^H
0 U U U U
Y
n Y
K Y
K Y
Y
A Y
K X x X 1= -xx * X = r-5?
4 -?
4 4
x44{ 4
't7 *
7
7*7 % 7 y
Gtr. 3
- r ,r r r f c_^-+4^^t^^
^=^=^
te^^g^^ ^P^^ i F
/ ^^= 1
v i V V V V V
-??4^ 9 j) -9 9 9 M M M
Fmaj7 FmajB G7 G13 Fmaj9 G7 06
work - ers are go ing home, the work - ers are go ing home.
--K 12 12 12 K- -^3 13 W 13 13 15-15-17-17-17 tfl-19-19-19-M-19
.. X X X X X- V3 1x3 1x3 X-X X-X ^< x x^
-9 9 9 9 9 9- ^w- - M tt^ 42 12 12 14 14 M- 46 16 16 W- ^J6-
* *
^3 13 13 15 15 15- 45 15 W 17 W W- 47 17 17 tt^ ^8- 4 18- 7 17-
H( X X^ ^{ x x- ^ x x x x- ^ x^ H ?
-48 W M 12 12 12 42 12 12 14 14 14- 44 14 14 15 15 15- 45 15 15 14 14 14-
Interlude
C5
P/>' 3 times
VTr * : ^ -.
: 1 =|
Yeah!
Gtrs. 2 & 3
A
fF'^l-T^RFF^sHPJEJHrdH^=^^^=ff^~^
g j i j u u u ^ v r i j u o
n o 5 0 S
3 3 3 3 3 3 3
95
Gtr. 4: w/ Rhy. Fig. 3 (3 times)
*C5 A5 G5 C5 A5
Rhy. Fig. 3 End Rhy. Fig. 3

mf
w/ dist.
r))
Riff B
Gtr. 2

RiffBl
Gtr. 3

-99999 9 999999- 10 1D 10 1Q 10 1D 1Q 10 1D 10 10 1Q 12 12 12 12 112 12 14 14 14 14 14 14-


-XXX X X XXXXX X XX X X XXXX X XX- X XXX X X X* X X^
7777 7 7 7777 7 8 888888 8888 8 10 18
10 10 10 10 10
10 10
10 12
1? 12
12 12
12 12
12 12
12 112

*See top of first pagc of song for chord diagrams pertaining to rhythm slashes.

G5 C5

lar - H /er r//i# - l let ring -

-s tt^ -Hh -^fl- -4fh


-^2- -J2^ -HF -HH 42 12 -^2-
-tt t2- -"t2- -12-

16 16 16
-XXX
16 16 16 16 16 16
X XXXXX
16
X
16
X
16
X-
-v3 v3 \ A3 v3 v3 mnr
10 10 10 10 10
13 13 13 13
.. .. ^X X X^
10 -Hl 10 10 10 1D 10-
15 15 15
-XXX
12 12 12
15-15 15 15 15 15 1515M5-
X X X X X X X X X-
12 12 1Z 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 14 14 14

C5 A5 G5 End Riff B
Sva-

i _j
let ring - - -j let ring -
(cont. in slashes)

^2- -t2- ^2- ^5- ^9


-13^ -^3- --3- -15- -15- ^r
^4- 14/16 -W- -- -W- -^tfi-

End RiffBl

^r^E^E^iJyjp. ^.j^4^4* . ^jpt^p, ^.jp, tj.^

17 17 17
17 17 17-4717 17 17 17 17 17 \-n l 1?H 17~] 17 17^ 17H 17] 1?H 17H 17 17
* X X X X X X X X X x^ frj x^J ^J XT=] X-J | K^J x^J fr| *
14 14 M 14H1414 14 14 14 14M- H M M- M M 14 M 14

96
Chorus
E5 F5 G5
Rhy. Fig. 4 End Rhy. Fig. 4
; >; ; ; > v;
Work g hnmp the
RiffC End Riff C
s Gtr. 4
f f f fe^
15- ^13^ ^5^ -15- --3- -15-
-^4- ^HH -14- 16- -14- -^6- ^(6- -14- ^6^
-14- ^H^ ^f4^ -15- ^5^
Two gtrs. arr. tbr one.
End Rhy. Fig. 4A
H) M -M 42-Vt -12 K- ^t2 12 12- 12-
1 1l ^H) tt M 1fr 12= 12 12 tt- -t2 12- ^2- ^2 12 12-
-^ 7 7 7 8- -8 8 8 8- -10- ^0 M M W tt^ 0
-to M M F
Harmonica Solo
Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (3 times) Gtrs. 2 & 3: w/Riffs B &Bl
Gtr. 4: w/ Riff C (3 times) Glr. 4: w/ Rhy. Fig. 4 (4 times)
E5 F5 G5 E5 E5 F5 G5
- T 1*" P'~ m~m -P-' -T: 3. 0
Jf
o p t 1- -5 f ** r =1 1
p 1^
i-Jf_at 1 1
4^5- ^^Py p '-2_^_p F ^^-n^
) ' l r
'
work-ers are go - ing home The work-ers are go - ing home, yeah, yeah, yeah.
Outro
E5 F5 G5 E5 F5 G5
Gtrs. 2 & 3
___ ____^ .
rf n L l l 1 i i ^ 1 1 ^ ~
i i~^ ^ i i L^:^^
3 ^ ^ ^ ^ ^ (cont. in slashes)
n o o n o n o
t L t. t. J J
n n n n 1 1 1 n Q -5 T T Q Q n n n n 1 1 1 Q
Gtr. l: w/ Riff A (2 times) Gtrs. 2 & 3 tacet
G5 Am G6/B C G6/B Am G6/B
Gtrs
2&3
P r* T l
VM) H5B* \1 r
My name i s Jo - nas
Gtr. l
Gtr. 1
Jr \WJ ! l J /** '
_;_ ___
C) T ^. -9-
fit.
, '
97
The Number Of The Beast
Words and Music by Steven Harris

D5 C5 G/B D5p E5 F5 G5
5fr 4fr 5fr 7fr

134 134 13 13
F51 C/E D5X C5vm G511
l Oft 1 8fr

134 134 134 134

Spoken: Woe to you, oh, Earth and Sea,


For the Devil sends the beast with wrath,
Because he knows the time is short...
Let him who hath understanding
Reckon the number ofthe beast,
For it is a human number.
Its number is six hundred and sixty six.

- Revelations Ch. 13 v. 8

Intro
Fast Rock . = 195

*D Dsus4 D5 D Dsus4
jf ttjt y >. -4t
t &-=
K
^ _ --H
j
A
sz i i 4
!
'

i. I left a -

Gtr. 1 (dist.)
QMir i% r^"^^^^^^T~^
i -4
j
F
"/l~'Tr T 1 1 A
*S fr J J J TW/"
J J J J J*w~^
1
~J P
~m &
^
m m L-
w

w/ fianger
P.M. - H P.M. -H P.M. 1 P.M. - H P

T
1
A 4 5
"
C C C C l r
U

*Chord symbo s reflect Overall harmony.

D5 D Dsus4 D5
A ii
JrO ttw (i V 4f
//W ft% J.^ 9 %- ^ Jr ' ^|- 4*K?
4 ^
" ^~~ I
5l
*
lone. My mind was blan k.

Rhy. Fig. 1

_ _ _ ^_
=hp ; ^
f4-
J^
(fo fr%
t4 ^tr
st5= j ^J =^ f=3 9

P.M. 1 P.M. 1 P.M. -H P.M. -H P. P.M. 1 P.M. - - H P.M. -

_
e
r c c

" J U U

Copyright 1982 by Iran Maiden Holdings Ltd.


All Rights in the world Administered by Zomba Music Publishers Ltd.
All Rights in the United States and Canada Administered by Universal Music - Z Tunes LLC
98 International Copyright Secured All Rights Reserved
Csus4 C5 C Csus4
1 --
A*ttQ n N-H -HW -y-^ ~b
L --
*f H Pf4 J- ^-J J 7
(fl) 4 -4 *- ttJ J ^P
H l
^
i need - ed time to think, to get the mem - 'ries
* arRi M -|j~ -
=h ^m 1 . 1 1 ti -
^=
1J DT~ - -J- -J ^vrj-^^fe; i~^r1 -i -* f
- ' ^
P.M. H P.M. - H P.N P.M. - H P.M. 1 P.l
O vl
_ _ U O
c e
" * "
Gtr. 1: w/Rhy. Fig. l
D5 D Dsus4 D5
\jf9utA 1 [ V r 4 J ^3^zi-p-
(ij\ ft ^ J m ^ 3f~~ =t^- ^j-
*3 =3=^=1 ^
from my mind What did I see?
End Rhy. Fig. 1
^ttjtA J j j m
v \
^
^ =3 =i m 4
*
P.M. 1 P.J P.? p.i
4 5
5 5
D Dsus4 D5 Csus4 C5
t) IS: ^
Can I be - lieve. that what I saw that night
C Csus4 D5 D Dsus4
*B
^=^=^
was real and not just fan - ta - sy? 2. Just what I
99
Verse
Gtr. l: W/ Rhy. Fig. 1(15/8 times)
D5 D Dsus4 D5

A H3 J "7^ y4 f J a i JE ^. ^ ~ T
*
ftj
saw in my old dreams,

Rhy .Fig. 2
Gtr. 2 (disO
.0 A
i M m
\ .*
/u

v
j 5
H *^ TF 5
VM) A * $r
TT ^HP *

OT^P
Pl

_
T
^
_ _ _
3 o u u u u u u u u vl 3 o o 3
o D

Csus4 C5 C Csus4

/ * Hx O
fff\f ii ir hp Lj 1 rw HM
A - fM
V W
-HM
!t 0 m'
3
f
H
0 0
3 *
\v warpf.
"< ^ ^* f
-^ 1
^

were they re fle.c - tions 01 T

0 ft A U- a R
1
-
t
JF fTJij- ^ 0 [n

f^f\tt~~^a a 45 i i -2 -
* j9L_ *__J * * * *

_
I 7 7 5 5 & 5 5 r E; c c c
J 3 333 3 3*3 3333333333 3 J

Otr. 2: w/ Rhy. Fig. 2 (Ist 7 meas.)


D5 D Dsus4 D5
0 ti ' ,
G _ -i
1*-
h
^^^
j y i --
V
4 | '
fS
^ -fr
7^&
^G/fftt ^4 J ^ __ r
B
back at me? 'Cause in my dreams

End Rhy. Fig. 2


rt JJ
J*! j
V_/ J p p
-*
J ^ ^ J ^.
0 -P
t -- 1
b^

D Dsus4 D5 Csus4 C5

i
it's al - ways there, the e - vil face that twists

100
C Csus4 D5 D
/ s
A ii '"* ^ ^. * f
f r--^\- f =T :? -
>L t t #6BF F iFP iFf Ff r*- \o de r tf1- v
V ^ = ?J ^( ^
(ff) " Xt1 t
tj
my mind and brings me spair. Y eah!_
Rhy. Fig. 3
Gtrs. 1 & 2
Gtr. 1
4M- ^=^i =t^t=S=S=t===t +
^r *i 4 '
i J 3 J j J J J'K J
J ^ ^ * ^
P.l P.M. -H P.M. - H P.M. 1 P.M. - H
7 7 7 7 7 7 7
5 2 3
33 3 3 3 3 3 3 3 3
:;;Composite arrangement
Interlude
D5
End Rhy. Fig. 3
:5=; l
{Gtr. 2, cont. in slashes)
-^ 7 7 7-
-5 5 5 5-
D5
Rhy. Fig. 4 End Rhy. Fig. 4
n (cont. in Dotation)
l l i
Gtr. 1
-55fr- -J777 T-
~7777-
^ 5 5 5^
101
^ Verse
D5

]jf
|- =f^-^
r 1 [T
| f ==^=^1
' .'. .e==Tf^
|i = Ff
c 1 r
! (-4 fer^'^
i 1^
- '
3. Night was_ black, was no use hold - ing back 'cause 1 j u st
4 Torch es blazed and s - cred chants were praised s the
icy
Gtrs. 1 &

.4 0 0j * 1 * * 0 * 9,0 m 0 0 0 0 0 * J0 m
^%1 4^* H 4-| ** 4- m . -^0 * j "= r-* 4- -99^
1 P.M. - H P.M. P.M. -H P.M. /erring -H P.M. -H P.M. P.M. - H

7 7 7 7 7 7 7 7 7 7 --%-^t 7 7 7 7 f- 7 7 i 7
-5 5

C5 G D5

* had To see was s^rne - <"mp waTrh - ing mn1?


ifart m crv hands held rn rhp slry
still be real nr just s<~>mp rra - ?y drp^m? Jut

-* 3 * * 12 ! !j* ;ii^sf-, r ^"" J * *


* 2 i ^=3

SS
<tJ -9 9 9 9 9 9 9 ^9 9 9 9 9 9 J 9 /fct ^t ^t y. ^L ^ ^ ^9 9 9 9 9
' '
let ring - -\. - ^ P.M. - H

7 7
-5 T-^hl 7 7 7 7 7 7 7 7 ^=^ 7 7^ 7 7 7^ 7

rf|-
J
In the mist, dark fig-ures move and twist. Was all
In the night, the fires are burn - ing bright. The rit - u - al
I feel drawn to - wards the chant - ing hordes, seem to

-f% -J *j i 0 * J 0 < 0 * * 9-- -* 0


**
1 letring - H P.M. P.M. -H P.M. P.M. -H let ring --^ P.M. -H P.M. P.M. -H

5 7 ^ 7-=h~ 7 T ^f 7 7 5*7 7 7 7 ^ -7 7

C5 G D5

*
this for real nr just snme. Idnd nf hell? }
has be - gun. Sa - tan's work is done. / Six,_
mes mer - \?e- can't H - voiH their eyes )

-4~'#f
=%-o
!
j J i
* - * * ** *^
J j j ic^^^r-n
* +i<- ^< -* HM^ | ! -H ^Tr 1 * ^n^ ^

/ef ring - -1 P.M. - H P.M. P.M. - H (Gtr. 1? con . in slashes)


wvw

_
r

102
Chorus
G/B C5 D5
f~ i*"' V" m f"" -- m ]-^-f- v
f0 tt
Tfw ^f" \) \ r rm -*-'
i/U ff I l r -4 * 4 -\rr nf r the heast.
V3J7 ^
J
six, six, the num
Gtr. 2
j ^i ^ i i ii j ^_ ^ i z * i i i~{25~* h* i* * i j""='"
U1 O \ U U O U
e c c e r; c n
8 8 8 B 8 B 5
3 3 3 3 3 5
To Coda
C5 G/B C5
(3rd time, cont, in Dotation"
0 tt ^"f" "'f"' ^ r "" f i*
_ !
i*' '
rirr * * * * 1
(m tf! J J -t "f"'
1P! F 2 1-f~i F 1
F1 F f J 1_
( 1 Hell anrl fire. were, snnwnerl
s 2. Sac - ri - fice is SO
( ^ Six, six, six, the one
h/tjp-J*JJ1-?^ iJ't-J JJJJJ hH1 1 =J.. 1
(s?
^r tt-
^** *i w3^ H \+^-+
^- .H ^-J-,'H
J- ^
-J- 1J-
J-J-1 Jr ^d
-t^-^-f- * *d* *!* 2
*44
fl 5
Icl r e c r c 1 1 T T T 1 T 9 n o ^ O
\w/ U U O U U J U < J U U l J U . l. f. l. L f. L.
IIT
D5 D5
(cont. in notation)
-; _
0 tt "T"' "f" -- -*- - h^
nr .' -.
/VL atfj+ k^)r ff * _ H r
Ri
P L__^__ . LU=d^T 1
CT ^ ' ^ ^ ^d
to be re - leased ing on to - night. _
Gtrs. 1 & 2
~
_^__J *-1-
-m
yrQ tt jf'*'
i - ^'~~ DI
, Sm^^ * ^7 if~"m h m m
mm m M x
J i J i i
^ * z -- -f> 41 J
>- >->- >- > - > - ~ - ^ H
P.M. - H P.M. P.M. -H
tui u u 0 i
c c c c 7 q q X 7
1 wl P O il O I
i n ?
103
Interlude
D5opc" E5 D5 E5 F5 E5 F5 G5 F5 G5 F5 G5 F5

'; > 1

let ring - -\C ring |

-2 2 4 2 -4 4 5 4 ^ 7 7 7 fr-
-aaBo8aBe^ -8 0 0 8 0 B 8 B- -&8 8- -8 B 8 B 8^ -8 B-

*Voc. tacct on repeats.

Guitar Solo
G5 F5 G5 F5 F5'
Rhy. Fig. 5

-
Gtrs.

P.M. -

Gtr. 3 (dist.)
wwwwwvwv wwvwwwvwvwww^vwwvvw

let ring 1 f
(cont. in slashes)
w/ wah-wah

18 15-
-^ 7 7 7 7^-=5- M- 14 15 14 12
-8 B B 8 B

Gtrs. l & 2: w/ Rhy. Fig. 5 (2 times)

C/E F5 C/E F5 C/E t>5


End Rhy. Fig. 5

P.M.-
rm / ;
wwwwwvvvwvwv

rjrr 1= ?=r^|*
| r^ f~~~i^f''" ^ jg-^l?^ ^^^ 1-A V \^

,-_,
^ ^

104
F5 C/E F5 C/E F5 C/E bs
%v%%wwww\%w%ww%wwwww%vwwww "v
~^-^-fe ' 1= __^_ =i = f" i^
yV-L
ji3J= f-^f
i i U
^ :1 _l 1
^r
t3
1 1/2 1 1/2
grad. bend j ________> + WWWWWWWWWWWVWWVWWWWWW
fr" 1/2 _>
f / , -
j
F5 C/E F5 C/E F5 C/E Bb5
<r
wwwvwwwwww T-
A |^*> '^x^^^A-^ ^x jl ,^r^^- CJO I
^J->1 ^1 ^ ^i~J ___ _ ___|_. L J
fr fr fr
^-""
wv%wvww%vwww
t ^~^^
' ' ' ' ^ JN \4
F51 C5V
(cont. in notation)
P.M.-
rrn rm rm-rm rm n * rrn
P
u
~jfi_\) bj 1 1
i 1
i J ii1 '1
i 1 J
t *
L1MBJ
r ~F *H^ 1 rF~iHi ii n
H 1 ^
^-
^ ^
1 1 wvvw *i i
~~~^,
^ ^ ^ fc ^^ ^^ f f }
-ny
-J
Interlude
Gtr. 3 tacet
N.C. Bb5 N.C. G5 F5
GUS. l & 2
^fft- 10 10-^ -5 5 3-
18/12 W- -8 6^
12 11 108 ^t
8 8^ ^ 7 6 3 3 3 f-
05 A5 C5
105
Guitar Solo
F5' G5 r Bb5 C5 D5
Rhy. Fig. 6 End Rhy. Fig. 6

Gtrs.
1&2 ?>-n~n n~n~r~m rm~rmrm~)-
Gtr. 4 (dist.) wwvwwwwwwvww

. J . - f f p f f g ^*Ef 1 f ^ f r " 3 m. o -
?^_ i?
=>
-f-r * . . \~
/T^"| ""r . L - rf
* L'r r !
r r i
1 1 1 1 1
P.M. - H t

t f p\ r--\ j fN A'W^

V 1 3' V ' 1 ^ ^ J
/
W n

________ 454fl4fl

Gtrs. l & 2: w/ Rhy. Fig. 6 (3 times)


F5 G5

L L 1 ; 1 ; 1 i 1
SsEE ''''Ji'JE ^ ^ ^ 1 ^^"1 B
1 i
1 i = 1 1
*J 3 3 3 3 3 3 ' 3 ' 3
1 1 *W

1 v, P

C5 D5 F5 G5
wwwwwvw

f -f- J,
/^^ /^^ ^

$ T^^b
w^ '
T p
I
I *: p ^^
l l p
1 ^^
l
3 3

wwwwwwv
1 1 1 1
"\
i Z
t t t f f t
1fl 2' / -ir -10 / -ic ^o / 1^ 10 /

Bb5 C5 D5 F5
/>. />. /^. vwvwwww

"l l l
1^^
I I I 7
l " "* ^ 7 1 -? T" HLH r^g ^-j
^f 5

1 l 1 1 1 1 i

t t T T t~w~w~ ^ jC^f /

G5 C5 D5
va-

vwvwwvwwv

ff,-H
-< -_|r^
j ^ -^ 1 1 y- H 1 j 1

1 1/2
+ WVWWWWWV


\- J i-on-.
(20) n
13

106
Interlude
Gtr. 2: w/ Rhy. Fig. 6(13/4 times) Gtr. 4 tacet
F5 G5 Bb5 C5 D5
Gtr. 4 " Gtr. 1
--.
^ J /l ^1
^-^
-
Gtr. 1
^J [_
divisi
%V*V
7\ 7 1 7 7 7W MMW MH)H)H^ 1212 121215 ^v-3 5 5 7
* 7 7 7 7 7 7 tt1 MH) 10 10 W 1 12 12 12 12 ^3 __5 -5 7
0 0 e:
tf~ "1
F5 G5 Bb5 C5
A
Jr L f
i ft#.
^W'P
9J
5. This
Gtrs. I & 2
^
* p * 1, *0-
1 f^
* ^ ^
M M ff=?=\
9lW~ ~m'. *|^ ^-. H~~";::
-=d=3 ' W 0
_ * J ^
1
^ J
.,
in 15
/ D 0 0 o D a 10 n 1 1(1 if \J/ ^^
** " "
** " " "
D Dsus4 D5 D Dsus4
ft A T*-' ff T*" _
f
* P
/.L. l^v [7 r ^ ^^ ** T? f =t
-
-
VM} L^ 7 -A ~ih
-^c
t3
t
for you and me. _ 6. Fm com-intJ 3
Gtr. 1
=1
(?S) ^4^-g- ^ J * 4 4^
4-* ^*
PM H
^
P.M. - H P.M. -H P.M. 1 P.M.- H P. VI.- H
m 4 s e e c c r c e r
0
ij 5. u
5. u u
5. \ u
5. 0
Gtr. 2
"i i J L-i
*
kr~* -4
^
m)f
P. H
^
_
_ _ _ c n c L c L
\J/ 0 D 0 0 \
** u ** **
107
Verse
Gtr. I : w/ Rhy. Fig. 1(17/8 times)
Gtr. 2: w/ Rhy. Fig. 2(17/8 times)
D5 D Dsus4 D5 Csus4

t i r , - -^gs LJ^^
back. I will re - turn And I'll pos -

C5 C Csus4 D5 D Dsus4
~

sess your bod - y and I'll make you burn. I have the

D5 D Dsus4 D5 Csus4

^NM= i r r r
fire. I have the force. I have the

C5 C Csus4 D5

pow - er to . mnkp. my e - vil take its course.

Outro
Gtr. 2: w/ Rhy. Fig. 3

D Daddll D5

bfyg '- :^-j-j~^ -* ^im


w' ^o 1T" 33~i'' A = 3r^ 1
T
- eJ S t FH 3 S 3 m

v-
73 5

~
33

P.M. P M. 1

O \l u u u D 5

Gtr. 2: w/ Rhy. Fig. 4


C6sus2 D5 C5 D5 N.C.
Gtrs. l & 2

-5r 5g 5E 5-
r
-^ 7 7 7- -^ 5 7 f?
U U U -1 7 7 7^
-^ 3 3 3^

108
One
Words and Music by James Hetfield and Lars Ulrich
Moderately J = 108
intro Bm
Rhy. Fig. l (Gtr. I) Gmaj7(no3rd) Bm
1^4-=^=^
<ra v d rii~\i r t i i i_j r *i J i Jr J
~m J J i1
It / ring throughout T^o ^
mP
T
B n
_ q -a
: Battlefield sound effects for approx. 15 sec.
(end Rhy. Fig. 1)
Gmaj7(no3rd) Bm D/A Gmaj7(no3rd) N.C.
l V Pji 1 j I |1 k 1 ^ J L-f 1 T~~ 12 v w IM
33t^J r
p -U r^.^ ^jy3
-J r i *
^
(a\/
* w/Rhy. Fill 1
w/Rhy. Fig 1
Gmaj7(no3rd) Bm Gmaj7(no3rd) p p
Gtr. II Bm
P P tf P P ^^-n
p p11 P P
/ J-"-V al*""i af=m s ff
J 9 - f~ "' ^p ^ ^T(LLr ^ r r^r*
**/
1 UJ n 1 1 r
^r
H
^-3~
Fll p P sl. P P P P
p P
/N 3 1 1 0
o 4 *
i
* Substitute Rhy. Fill l for bars 4 - S
of Rhy. Fig. l
Resume Rhy. Fig. l
Bm D/A Gmaj7(no3rd) N.C.
s/. P sl*
V ff ji i -q i ^
p *fn*' 3 4
4
5/. i/. H P Jt.
n 3
^ ~" ^-
^
Rhy. Fl l
l i
] j 1
TTt
4M= J
:
' ^
Copyright 1988 Creeping Death Music (ASCAP)
International Copyright Secured All Rights Reserved
109
w/Rhy. Fig. l * Rhy. FU1 l
Bm Gmaj7(no3rd) Bm Gmaj7(no3rd)
8va-
P loco
p
*/ f> ff r "p i* f 1i , ^t a 3
|^*| | lig||3i ci id |

p P p
A- T
g
/m 7 r 7 *1 7 *)

* Substitute s before.

Resume Rhy. Fig. l w/Rhy. Fl 2


Bm D/A ^ 5 GmaJ7(no3rd) N.C.

i~l jr pJ" Lr--^


LJ 1?rT'F i
[J?fy'"f'SF1 ~

t.
cil SS =

11 st st
3 10 7
7 9 B*10 10 ~1" 10 0 7 D
f1 7
" ' ~ n 9

Gmaj7 Gmaj7

let ring throughout

-e-e4e-

(Acous. gtr.)

m
let ring throughout

Rhy. Fl 2

E 4

110
D/A Grnaj?

^
-ee4 e- -e *4- -eo4 e-
i i
(Elec. & acous. gtrs.) w/Riff Al(seepage6)
(Em) (F|m) G5 AS (D)
A ~~~~~
J
-Ar Jf j- -
T P"""l ' 1 1 1 f 1
1 1 J m a ^
^ * " ' 1 ^
i "^__
Q . . . . a c
(G) (F) (Em) (Em) (cndRiffA)
fl tt H p H p i -k* i J
Htfi
=^ 9 1 1 i*J=
"sl.
HP HP *
o '3^0 o o "3^0 n n o
4 n 4 0 0 4
0
i/.
Ist, 2nd Verses
Bm Gmaj7(no3rd) Gmaj7(no3rd)
1. I can't re-mem-ber an - y - thing,_ can't teil if this is true or _ dream.
2.Back in the wombit's much too real, in pumps life that I must_ feel,
Rhy. Fig. 2
(Elec. gtr.)
-eQ 4e- -* e 44&- -A 8 8 4 -
Rhy. Fig. 2A
(Acous. gtr.)
111
Bm D/A Gmaj7(no3rd) N.C.

Deep down in - side I feel


but can't look for-ward to
to scream,
re - veal,
this ter - ri - ble si - lence
look to the time when
stops _
I'll _
me.
live.
(end Rhy. Fig. 2)

-4 0 9 4 8- -9 4 4- -9 9 4 9-
-3 3-

(end Rhy. Fig. 2A)

f PP

w/Rhy. Figs. 2 & 2A


Bm Gmaj7(no3rd) Bm Gmaj7(no3rd)

Now that the war is through with me, Fm wak-ing up, I can - not see
Fed through the tube that sticks in me, just like a war-time nov - el - ty;

D/A Gmaj7(no3rd) N.C.

that there's not much left to me. Noth - ing is real but pain now!)
tied to ma-chinesthat make me be.. Cut this life off from me! j

G5 A5 B5 A5 G5 FJ5 B5 A5 B5 CjtS B5 A5 N.C.

[*IM-, i N r n . ^i 1
' ^J_./ ;
=
'
k
' 1
1 m
1 =
rm


Hold my breath s I wish for death Oh please God, wake

,_j J rJ ^ 1 ; :
^*-T j [
.

* "* * 9 5 ^ ^ - 5 - ^ 1 ^ ^

9 rt A ** n 0 -4 G -4 2
** 4 n J ?
11 0 2 4 ^ 0 3 4
,0. ,- T !

112
Ist time w/Riffs A & AI
2nd time w/1 st half of Riffs A & A l (4 times)
(D) (F)
=
(D) (G) (F) (Em) N.C.
I
(Em) (D) (G) (F)
H P
8-?
-e W
Riff AI
(Two acous. gtrs.)
3- " ^3.
H P HJP
fer nn^ HP sl. H P sl.
3 S 3-. 1 3 1 0
4 5 4--- S 4 2 0
H f Sl. H P sl.
i Qii J 1 J=^ n iJ J -1-| 1 H : H
f ^ f ^ 1 T L- p Tr ^T^ 5/1
j * * n
a
* f
_ .^a
sl.
113
(Em)

p p P P P P
10 17 15 19 17 15 10 17 15

TP P TPP TPP TPP TPP TPP

TPP TPP TPP TPP TPP TPP


i/. S/.
20 17 13 20^13 2(TrM3 2oTTi3 2017^13 ?0 17
-{45) 13-3-13-H-
--W

*Tap using edge of pick.

(Em) GS A5 B5 A5 G5 F|5 B5 A5 B5 C|5 B5 AS B5 C|5


r Vti P 1 ' l n
O
/L
v5 "S
4 * J' J J
*
i
* B *
~ J'
r
C
Sw "1 Now the world is gone, I'm just one. Oh G d, help me.
CD
/oco
tt v
H P^
R
i
n
V. < ! i v r n j
4 j
jC3cH l

EE
\ . J1--

H
r^fl *i 4 jt-* *
v^\ L-Ji-
5' ~* "* - l J *

*(T)PH P *(T)P H P
W^B| "
^
0 - 0 J

J n 2 A ^ P n P *a n A
Silent taps.

G5 A5 B5 A5 G5 F|5 B5 A5 B5 C|5 BS A5 B5 C$5 G5 A5 BS A5 G5 F|5 B5

A.
PTS B
v _ "y J*-
J'
rm P *
m jJ V"J J
* u i
rf
J' rp n'^r
l r r^' H" *i~l
C L J
r
- -- i r \? '

Hold my breath s I wish for death Oh pleasp God hf*lp

1
vu * 2 ^ AI J 2 * 2 i 2 2 5 J ^ J H m J 2

5 ^ 5 ^1

; 5J f * T 3

0 4 ** 0 4
1 - e- 2 n 4 3 o a A 3 P A O ** O 4 **

114
w/Riff B
Am
(Twogtrs.) i/. (G) (B) (C> Play 4 times
l 1 1 ^~*~^~~*~~~~~~~~~*
J .J J r).
^r y 3 i
(ro 4 1 f 1 f r ^ ""
1 g^c f
* iF
Ps t^ 1 ,-^Kr'.* 0 =1
^-1
^^ r P i sl.
i i ' ! t=*.
pP r
* sl. pP
n B
T/4 , r -,
r- e- -j n
*Downstemmed notes sl.
indicated to right of slash in TAB.
J t f a i _, r -i f 1 1 h -=: =4-^=j^"-/ ^nJ
fo 4 1
v -J -Tj 'T~tTTT ^ P M i

/TTrr
D X/f

^j^
_ . J
n n n ^
0
0 t\ n
i 1 n
T T T T T H *?
C/E B5 C5 C/E
sl.
g
sl.
P.M.- P.M. P.M. P.M.H P.M. P.M.
sl.
4-44-5
7-7-?T-5 -3 3 3 3 3-
-3 3-
sl.
5 times
ES FS
- r-3-, -3-, -3-
TT
'' ' #$ ' ' 'jiij^igiij1 >
-f-f-p \t j^ p v* j -^ P M r"^ P .M . H
.,
i 2
y
i 2
i *> o 2 *
Riff B
115
E5 F5

st*=f
&_ ^
- m v
fi
i
L
X
f
1
-i r f 1
x

i
qr m i
^ a
-_-,
1 1 1
f
k=^J
5*__
!
Dark - ness im - pris - on - ing me, all that I see, ab - so - lute hr - ror!
Land - mine has tak - en my sight, tak - en my speech, tak - en my hear - ing,

mm
M* _t : 1 1
. , . N - "K i/
tJ

p
^ ':
p
IH^J !1J

2
- 0 9

E5 F5
rdrff
JA ' Pp
r P
T T ff ? Ffr wr ntT 7 -! ( P ff = f i
p?11d K i b=H 1 P hh< ! ^ ' 1l 1 1 1 1
I can -not live! I can - not die! Trappedin my - seif, bod - y, my hold - ing
tak - en my arms, tak - en my legs, tak - en my soul, left me with life in
- O T.; 9 9 O _ O -,__ O O O
/\i ' O r O"^^ 1 J ~^' "^O ' v> ' ' O ' ' J ~^ ( J '

1-J M M * li^ ^
- - -> -w TT - -W-?TT ? ^ 5-r-*^ -
PM ^ PM -l
'
2 0 3
0 1

nn&- n n n A n o n n - nonoon - oo-_oAoo-

^N.C.

cell!_
^
o_, ,_ o
-3- r-3- 3-

P.M..
W P.M.- P.M.- P.M.-

=?-
0 0 0 0 0 0 oooooe- ooooee~ o o o o o o
sl

3- -3-

>J '^y^^ P.M.- P.M.-

O O O O O O O O O O O O ="- ooooee- O O O O O O T-
sl.

116
Double time
( JS-J ) ES
F5
*
hell L
(Sing Ist time only)
Rhy. Fig. 3
3 -3
P.M.- -H P.M.- -H P.M. H P.M. ^ P.M.- -H P.M. ^
-eeoooo o o o 1 o o o o o o o o o o o o ooo o o o ooo
E5 F5 E5 FS
V f 3 3J . -J >J >J i 3v> 3O U vJ | O l
P.M.- H P.M.- P.M. P.M.- -H P.M.- P.M. ^
-eooooo o o o o o o o o o o o o o o o o o o o o ooo
E5 Rhy. Fig. 4
4- 3 3 3 -3-
l
P.M.- -H P.M.-
oooo ooo1oooe o o o o 'o o o o o o o ooo 1 o ose oooooo
Guitar solo
w/Rhy. Fig. 3 (4 times)
ES FS
8va- - - - - - --
*TPP TPH TPP TPH TPP TPP TPH TPH TPH TPP TPH TPH TPH TPP TPH TPP
3 -3-" 3- j ^-3-^ 3-^ -
TPP TPH TPP TPH TPP TPP TPH TPH TPH TPP TPH TPH TPH TPP TPH TPP
ZO'KMS gcTTia ao'i^is IO^MS ao'^io ao^Tia 2o'i~io ad1?iz
Tap using edge of pick throughout.
ES FS
8va- ........ -
TPP TPH TPP TPH TPP TPH TPP TPP TPP TPH TPP TPP TPP TPH TPP TPP
Mb*=
-3 3 "~3- ^-3-^ ^3- ^3^- 3-^ 3 '3-' 3
TPP T P _H T*L? TP_H. T LZ T^_? TP-JL TP P TP-^ TP H TPP TPP T PJf TPH TPP TPP
117
00 s o
v
:;,H
... i,H f 1 H S? m
fj j T= g "
~a Co -
|
33
-i > '
;i H L -1 ~\
) '-o
f> -1 )x
UJ... -i H
) "
ltV
:f- ''
itt.. l s H r - 1H
, .na Co
LLL-. :j H
.) ^
i H * 6-i
! H d -
-I H
".) ^ Co 'B
(> -i ' B l -
''

8 Co
) "0 _,
(B "- /B
i 1

i H r " 1H
:;. H l"T3
O ..) "0 r
-1 B U - 'B
i i'
Ktl .H | "1 H
""
's
c
Co
e f - H r '
'1
1H
)
;:; i
-i H
--i
i
X t
'
.11-
Oi- <r f " c ,H ["
"0
* L :;H 1 l

Bj) "O
-,,. Co - l '
( H f IM
-i H
l
11
l
: T ' i' r
(
\* "8 Co
l '
iJ tu U L / "0

ST '
ri (J t*
Co| c " 1 ^H
O ^ r
r) T* l
[ i Y )a
-4 (
1
( IM
i> T* - Co - 1 "0
( 1
iJ 0
( .' '
l11
r j td ( *H r IM
(
a ? '
^B
r) -1l t
( H J '
j-
(
c
a l
( H r
t (
c
S t ! /a
;i H: 1^ -
w/Rhy. Fig. 6
G5
8va
H P sl.
F5 G5
Fll Fll Fll Fll Fll
loco H H P
ix f H_J U-LJ r i -tHrpJi [
P P-) B *
Fuil
i Liv ' i ^ r^ t^ r^ jl S-^ ' ' La| \l
ri o O i
*^ 3- ^3
Fll Fll Fll
H JLX HP P > / / i / ^\P
/ / /
ii ij' /ij*Virt
w/Rhy. Fig. 7 1/4
Ab5 F5 es y/
ut-^_ r i Pi- J d !W 1 1 U= l
^ui 1 rj .. '-r. .. r. .
l l
slight
A.H. 1/4 1/2 1/4 1/2
^^^^^^^
f t
^ /
1 1* \'^
Rhy. Fig. 6
G5 F5
3 -3
S
P.M.- P.M.- P.M.-
-3 3-
-3 3-
3 3 3 3 3 3 3 3- 3 3 3 3 3 33 3- 3 3 3 3 3 3
Rhy. Fig. 7
G5 F5
\-f-* 1. _ * m m
t^1 ^ssy i
' "*
.,
*m
*s
*
"

" r - -
a a a . -i... a -l 1 44A4 A 1 <
119
1/41/2 1/41/2
X )

i^ff i iis'i -i 1- i i i i i n | i

VI 1/2 ^ 1/2 l/
^ZJ
'/4l/2 1/41/2
,^y_^
17^^
x\Zvxrr 4\ ftf\
\j P
-i'ff^I ftPi I7^17N IS
fr^ 5^

F5
G5 1/4, l/4, 1/4 8va-
Fll FuU FuU FuU

r*-f
f t 1 T- fI = =r^^ ^-1 &0 1 p 1 1 * |* 1

1 -L I 1 S
M 1 ' ' ' +'1
, !


Tc /
; v /
17 17 1*t
';> FuU Fll FuU FuU

8va-
Fll Fll N.C.
loco {
i ' n
'l7^"^T^/Tj^rn jn^f
1 Jj^ff H|* T p ": 19 1-r^ c
: 3 3
%

Fll FuU Fll"


y y y -^^v^-^w^^--w PM

5 5 5 44 4 333 33-
11 " " G

Play 4 times
E5 F5
nA ? o o
? , 4? 1 O Q O

i@
^_i
5
1 | 1 1^

ffffff=i?f f^J ^J?^^^itttil , PM - i PM ""^


JT^
.
i t *
o -i f f r-

w/Rhy. Fig. 3 (9 times)


ES
(Two gtrs.) 1/4 1/4
3 3 F5

H f y .,f-
^^Tr t-i^^"
fr-J JbJ^J J J-J J J^
<==( 1 ' 1 1 1 1 1 l i i i.
H


j J
*=
7
=

?^ 3 1
1/4
H lf ' ' '
3
i/ t
2 J ....
7-^/ _
-J
B / c n n n 7
Q 3 n n
n
Q

120
ES 3
3 FS ES
P.M.
-6 7 6 7 7 6 4 6- -6 4 3 4 4-2 6 2-
-9 7 8 9 7 5 7- -5 4 a 0 4-
-098 999- -99 9-
Play 3 times
FS ES FS
riHr 3 i 3 j Ji f^ 3 3
3 1 3 \
*
I1
1 i 1 1 1 1 JHJ 1
r -r -S
.) pM .j PM- H PM

o ~ ** 3
9 3 . > a a
G5 ES
i^jf 1
* ji j jiH . . H r.M. i PM - H -"^ :>"
.
r- 1 1
. C . C 1 q S a a
jl.2.3. If4~
F5 G5 ES
r-W-^ j 1 r i 3 3 3 1
J J 1
1" y l
'^| Jlj
PM .j "^ pM ^ PM .J py j
V"
^
1 s a c e 2
F5 ES
ll*
ifff -H P.M.-
-fi 2 S 22 2 2 2 3- 2 2 2 2
2 ;3 2ggg_ aa2- -2 22 2-
- 99- -9 99- -9999 999 9 99- -9999-
121
Paranoid
Words and Music by Anthony lommi, John Osbourne, William Ward and Terence Butler

G5 D5 ES

134 13 13

Intro
Fast Rock J = 164

E5 N.C. E5 N.C.
Gtr. 1 (dist.) Gtrs.
/-rs &2 i k1 i 1 ^.
$f ' > kL l > ' X^~*v 9 ,; _ t 1 ^ L- ^- o *- _
fn
\5y 4 l\ 1 ^
33
-3-
>-
JJ^J
^3>- 3 -'J>-
Jj _
*-^ - TH^
-
1 1
*
- ^* -j*~ 3^3* ir jr iQ' ir i F~^'
*- - j'd- ^-^^,JM wrFmrFP-

T
^ ^ . . ^^
A
B ' 1"^
19

*Gtr. 2 (dist.)- piayedy. Composite arrangement

^ Verse
E5 D5 G5 D5 E5 Em7

X0ftttff*Fp
wjr'
n^J?_XJf
5
c=j321
ff
V
"Si
\

d E
P ffD
r
*
G
r
!->
T]
1
_____ -ir
uV r1
^
1 r *~T
Bl/ul/'
-K-.
rh' 1r^
1 'r
i
t r

1. Fin-ished will\ my wom - an *c ause_ she could-n't help me with my mind.


4. Make a jokt and T will sigh and vnii will laueh and T will crv.

Rhy. Fig. 1

J J J
dfc J J ,=-J
: : :: J J J 1
0
*
< : j j j- 3 3 J 3 3 J i 1 [i J:
=^=f> J J ^M
3 ^^1
n

12 12
1 12 12 12 K-^2 ^2 12 12 L^2 ^2 H 1212 12 12 12L Ifl 10 10 10 16 10 10 10 ' M 12

E5 D5 G5 D5 E5
0 ti P hp ^f f f'
y y "* ^_.
-^p
v PB
iF y r^ ff p RR R Fr^ -,ri\i
- 0 *~ T*
"CTE' 3 !E r Sl F-
R Ql/ p* *-^^*
l/ 'S
y
Peo-ple think Tm in sane be - cau se I am frown ing all the time.
Hap - pi ness _ I can not feel an d love to me is so un - real.

End RJiy. Fig. 1

EpS ! J =i
^iii ~
^^333
J J J=
'. '. .
1

U U 1j1
19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 m m m m m m m m m 19 n n

Copyright 1970 (Renewed) Westminster Music Ltd., London, England


TRO - Essex Music International, Inc., New York, controls all publication rights for the U.S.A. and Canada
International Copyright Secured
All Rights Reserved Including Public Performance For Profit
122 Used by Permission
nterlude
3rd time, (3tr. 2: vrf Rhy. Filll
E5 C5 D5 E5
=^S ^^T du 1 1 1 M i i ~i i i i i i^H
F =it=S
1 fl J J J -J-= -J J J J J J J=^
*
*$=* t^=^i3^=s
^
^ ^
) 44
^ -fl#tf- ^= -^t? 451 451 4?1 42 12 12 12 -^2 42 42 12 42 42 42 42"
Verse
Ist time, GtK. l & 2: w/ Rhy. Fig. l
2nd time, Gas. l & 2: w/ Rhy. Fig. l (Ist 4 meas., 2 times)
E5 D5 G5 D5 E5 Em7
p, p >
-4f-ff pff^firpq J-P1 ^Hi
VV 1r^ rp-- P rp~r--
p i r 1 1 <
2. All day long I think of things^ but not i - ing seems to st - is - fy.
^ And so s von tiear these words teil - ine von now nf my state.
To Coda
E5 D5 G5 D5 E5
jf ff p p |5 Q P (5 r?
pPf
*=-\~ ^ ->1^ 1T?t
if T don't find .some. - rhinp to pac - i - fy.
I teil you to en joy life, _ '. wish _ I could _ but it's too late.
Bridge
Can you help me? Thought_ you were_ my friend.
Gtrs. 1 & 2
8
16M4- ^H-
-44^ 16M4 -42^
^t4~ -12-
-tt-
Rhy. Fill 1
Gtr. 2
0 tt 1
7- 4- ' 9
\\) 0
ff J. J
JJJ1
-J1 J1 J1 W1 *
*
\f 1 1'
i! } 1' !
123
D

e
Whoa,. ^
yeah!

-8

-H-
-42-
^H-

nterlude
E5 D5 G5 D5 ES EmJ

* l j 3 3 3 3 J 33-L0L 3 d 3 J 3 3 3 3 ' 3 J " ~ 3 3 3 3 3 ~ 3 ^ \i i M

1" 12 '
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 XX- 12 12 12 12 12 12 12 - 10 12 14
' 12 12 12 12 12 12 12 12 ' 12 12 12 12 12 12 12 X X ' 10 1D 10 10 1Q 10MUH M 12 J

Verse
Gtrs. l &2: w/Rhy. Fig. l
E5 D5 G5 D5 E5 EmJ

r
3. I need some one to. show me _ the things _ in life. that I can't find.

E5 D5 G5 D5 E5

I can't see the things that make true hap ness, I must be blind.

Guitar Solo
Gtrs. l & 2: w/ Rhy. Fig. l (Ist 4 meas., 4 times)
E5 D5 G5 D5 E5 EmJ
*Gtr. 3 (dist.) wwwwv*wvwwwww

rjrtt "Tf m~m{'""' v"^^rf P f 1 *r S j ^ =, j ]=^'T - ; -_--


^ L_^ T '+ J J- ^ J

1 1/2
-
T ^^ %X%%%WXWWV%XX
\
9 ^7
* 7 7 7 7 7

*With heavily distorted ring modulation effect in right channel. **Played ahead
of the beat.

124
E5
N 8 MM effl} 8 M <M) 8W fr
-J7 9 9^ 7-- -"8^9 -9 9-
G5 D5 E5 Em7 E5
m 1
^ p- [ *M1 J -*f Er
1H ^i"
=1*- r1 Hrl__ H i L ^r r r
J^s
1 1/2 1 1/2
t 1
^ ^
D5 G5 D5 E5 Em7 E5
1/4 1/2
vwvww
15 12- 4- -ic -in
ro It
14 12 12 14 ef4)12- 12 14 12
14
Interlude D.S. al Coda
Gs. l & 2: w/ Rhy. Fig. l (Ist 4 meas., 2 times)
Gtr. 3 tacet
D5 G5 D5 E5 Em7
8
l/
_M
-raff
r] j.* nj ^^i
*^_^j ,^^=^ -TF r * f \ F' r~~~~ ^ \^ Coda
-F b^
^ ^
^ XH *
19
Outro
Gtrs. l & 2: w/ Rhy. Fig. l (Ist 7 meas.)
*G5 D5 E5
Gtr. 2
Gtr- '
1/4

f
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
125
Pride And Joy
Written by Stevie Ray Vaughan
Tune Down 1/2 Step:

2)=Bl. =Ab

3)=Gb =Eb

Intro n
Medium Shuffle J = 122 ( J j = J
N.C.(E)
l

hold bends
1/4 1/4 1/4
7 f-j* 7 f ~ j +
-9r 9e 9r 9-
c
-J?-V- *=*99 9 9 9 9 9-
3/ 5 6 B \- 3-^555 5 5 5 5 5-

(band enters)
*E
n v n v n v n v n v n v n v n v

an
i
grad. release
1/2
_

-w- -R-
f: -3 4-
* Chord Symbols represent Overall harmony.
-3 4-

A7

A i j j""H "' r""'i j


J
i '""'""] J
m J
3 J

1
'H1
1
'H1
1
D
I

"/S^~~^mt 'Efl ii1 J


5
"z
&3 ii L
B f- -T i
4? ifj B -4 J!?
. . e i n e_ _ ffl^ /n\ . .. ,
n
1
n
A
n
g 0 ,
n
g e
6
n
9
n
n s f
0 A ^ O A
^.^ n 4
fc
*. o n i A

-
n -9 9-
p
^
-9 1^4-
-3 4-
-3 4- -3 4-

1985 RAY VAUGHAN MUSIC (ASCAPyAdministered by BUG MUSIC


All Rights Reserved Used by Permission
126
Verse
B7 E
r r r r"r *
1. Well, you've heard a - bout lov - in' giv-in' sight to the blind.
V V
* Mute w/palm of pick band.
My ba-by's lov - in''cause the sun . to shine. _ An' she's my sweet _ lit - tle thang,.
-9 9- -3 3-
-9 9-
-9 9- -2 2-
E
i .;. rn
she('s) my pride and joy. She('s)_my
3
f f
*tf ^
1/4 1/4
P.M.
A
A n
-29-
B7 A7
-fcrfa
^^^^*J ^^^
sweet lit-tle ba - by, I'm her lit - tle lov - er boy.
9 9-^ 3 3*-
9M 4 4 4^-29
127
Love like ours ah, won't nev - er grow _ old. She('s) my sweet lit - tle thang,

db#a

she('s) my pride and joy. She('s) my

P.M.

-9 2-