Light

North Light:

 North light, commonly known as reflected light or indirect light, produces cool and
controlled value shifts.
 With a north light window, the artist does not have to dread the effects of sun
moving through the studio at different angles during the day.
 North light basks the subject matter and painting in the same cool atmosphere.
 This helps the artist have far greater control over values, contrasts and subtle color
changes within a painting.
 Northern light is effectively reflected light, and doesn’t come directly from the sun,
but is in fact light bounced off everything else; building, trees, the ground, the
atmosphere. e.t.c. and generally has a constant cool value.
 Northern light, because it is effectively reflected light, does not change tone or
warmth throughout the day as much as direct southern sun light does. If you think
about it, when the sun first comes up in the morning it’s a lovely yellow/orange
color and quite warm, but as it raises in the sky throughout the day it becomes less
so, and at the sun’s highest point in the sky the light is a bright yellow, almost white
color.
 Northern light doesn’t change direction throughout the day, well, not as much.

http://www.finearttips.com/2010/01/why-how-to-turn-your-window-into-instant-north-
light/

http://www.chrischalkart.com/painting_blog/why-is-northern-light-best-for-artists/

Orientation  Skylights on north-facing roofs provide relatively constant illumination with a cool light appearance. which can increase fade damage to fabrics. it will allow most of the ultraviolet content in the sunlight to pass through. The DOE suggests a rule of thumb that the skylight should not be more than 5% of the floor area in rooms with many windows and no more than 15% in rooms with few windows.  Glass skylights. this will help controlling light heating the art work in art studio.Natural light in art studio North Facing Skylight Skylight size  The size of the skylight is directly related to daylight levels and solar heat gain. Ventilation  skylights offer the ability to ventilate hot air that gathers near the ceiling. though it scratches easily and can become discolored and brittle over time. . http://ieslightlogic. which use tempered glass for safety.org/let-the-sun-shine-in-with-skylights/ Glazing: Skylight  Plastic is cheaper and less likely to break than glass and is common with non- rectangular skylights.  Unless the plastic is coated with a special film. furnishings and artwork. are more expensive but are more durable and don’t discolor over time.

Flexibility  Not only natural light can help artists in their studio. the light can be made up to suit the situation: intensity. Temperature  Around 6500K is ideally for it has a good and cool temperature and that will be similar to north light. flashing and thoroughly sealing joints.  CRI stands for color rendering index.  A right artificial lights can help the artists in doing their work.learning-to-see. but doesn’t have to be that high to balance the light. if you want your colors to look the same or almost the same when you look at them in daylight.co. This is a must.com/story/how-to-light-art . direction.Moisture control  The skylight should be mounted above the roof surface and feature a curb.org/let-the-sun-shine-in-with-skylights/ Artificial Light for Painting Considerations in artificial lights: High CRI. the advantage of artificial light is flexibility.uk/artificial-lights-for-painting http://www.  With artificial light sources. diffusion. http://ieslightlogic. UV-content.  A high CRI means that the lights do a good job of faithfully showing colors when compared to a natural light source.  A layer of sheet waterproofing may be applied over the flanges/flashing for protection. and color rendering (the "coolness" or "warmth" of the color of the light) can be fully controlled http://www.architecturaldigest.

The color-rendering index (CRI)  The color-rendering index (CRI) indicates a light’s ability to illuminate color accurately.  If you prefer cooler light.  LED lights also emit much less infrared (heat) than incandescent/halogen lamps. akin to north light. natural hues. The sun has a CRI of 100. refers to how warm or cool a light appears.  For a good balance of warmth and coolness. whereas too cool of a light can turn things blue. http://www. look for bulbs rated 7500 K.artistsnetwork.  LEDs reduce concern of deterioration from ultraviolet (UV) rays. also eliminating risk of damage from a rise in temperature. The correlated color temperature (CCT)  measured in Kelvin.  Too warm a bulb may tint work reddish yellow.  Bulbs with a CRI of 80 to 100 are best at revealing vibrant. because they have virtually no emission in the UV spectrum. the equivalent of the midday sun. bulbs with a CCT of 5500 K. http://lumicrest.com/art-gallery-led-lighting/ .com/articles/how-to-choose-studio-lighting LED Lights in Art Studio and Galleries Benefits of LEDs lighting:  energy cost savings  mitigation of damaging Ultraviolet (UV) light emissions.

undyed leather and minerals. White . it is generally recommended not to store paints at freezing temperatures either.art-is-fun.  Store the paintings constant room temperature with low humidity. and gallery spaces were adapted to suit the new ideas and materials being explored. both art and the contexts in which it was displayed underwent significant change. and metal are insensitive to light insensitive. horn. furniture.26C).com/temperatures-that-damage-paintings/ ART GALLERY Intensity of light to protect artwork  For items that are moderately sensitive. lacquerware. the maximum recommended level is 200 lux. ivory. between 60F and 80F (16C . reflected illumination but in contemporary artist this can give them feel light and airy to do such modern paintings. Wall color in an contemporary art studio White studio walls For instance.  Stone.Storage of painting and materials  The ideal temperature for storing paintings is room temperature. glass. but it is recommended that 300 lux not be exceeded. bone. ceramic. Wall color in Commercial Art Gallery white wall color With the rise of modernism. As a side note. wood. Modern artists experimented with new ways of seeing. with light bouncing around the room surface and surrounding surfaces creating ambient. https://www. plastics. such as oil and tempera paintings. having white walls and ceilings will produce the most illuminated space.

” Ivan Gaskell Professor of Cultural History and Museum Studies. It helps to sell things.hopesandfears. a void-like atmosphere. http://www.nz/insider-info/44-why-do-galleries-have-white-walls “I suppose the white cube is popular in commercial galleries because it works.co. in which art could be experienced without superfluous distractions.was considered to be an effective means of creating a “pure” space. Bard Graduate Center http://www.zimmerman.com/hopes/now/question/216781-why-are-art-galleries-white- cubes .