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Trombone 2 Book by Mel Brooks & Thomas Meehan Music and Lyrics by Mel Brooks NOTICE: DO NOT DEFACE! + Should you find ic necessary to mare cues or cuts, use a sof black led pencil only NOT FOR SALE * This book is rented for the period specified in your eoncract. It remains the Property of: ALSLECNARD 8729 ‘usshons@halleonarc.com.eu Book Copyright © 2000 by Brooksfilms Limited and thomas seenan, Music and Lyrics Copyright © by Brooksfilms Limited. Trombone 2 1. Overture. 1 7 2. It’s Opening Night. 3 3 3. The King Of Broadway 7 ) 3A..The King Of Broadway Tag 12 4, Before We Can Do It. 13 4 5. We Can Do It 15 6.1 Wanna Be A Produce! 7. We Can Do It Reprise . TA. Time Passes. 8. | Wanna Be A Producer Reprise. 9. In Old Bavaria. 10. Der Guten Tag Hop-Clop... IOA. Into Scene 7... 1B. Roger's Entrance 11. Keep It Gay.. IIA. Keep It Gay Conga! 11B. Ulla’s Entrance... 12. When You've Got It, Flaunt It! 13. Along Came Bialy.. BORE ISA. That Face- Repti 16, Audition Opening... 16A. A Wand’ ring Minstrel. 16B. The Little Wooden Boy 16C. Have You Ever Heard ~ Interrupted 16D. Have You Ever Heard The German Band? 17. It's Opening Night — Reprise. 18. Is Bad Luck To Say Good Luck On Opening Night I8A. Carmen’s Pep Talk 19, Springtime For Hitler 19A. After Springtime For Hitler. 20. Where Did We Go Right?. 20A. Exits 20B. Leo Goes to Rio. 21. Betrayed. 21. Max In Cour 21B. Max's Speech BeseggE c TROMBONE 2 1 “The Producers” Overture [r7/01} Orchester: : Doug Besterman [2 bars} Th? “Overture” [07/01 Segue “It’s Opening Night” TROMBONE 2 2 “The Producers” - . . It’s Opening Night Orchestration: Doug Besterman (imp rot) a 7 2 ofp" Fe p= — Sf ee accel. a Fast 2 [To Straight mute] 3 ~ yh = ——— S = 10] vocal) 4 a - 4 siege = = —— = SS = = 2 z Dip % 7 Fp % bars} Trombone 2 2 “H's Opening te77011 Trombone 2 1g Night” fe 7/01) f 101 102 408 108 sub. mf 109 110 1 (Sax/PuolVe) 2 Trombone 2 + “W's Opening Night” [r7/011 Flutter d : \ —_— ro re 116 17 118 ep — 8 121 12 128 124 125 126 127 128 128 130 131 192 133, 134 135 136 137 138 139 [Segue] TROMBONE 2 3 The King Of Broadway — {r 5/00] Orchestration: Doug Besterman Slowly, Maestoso Sige — ————— == z 9 22 > eee a oo yy [27] A tempo (Fast 4) a —— = = — . | ——— vs. 24 25 26 Start slowly, then accel. [a Play - King Of Broadway” 51001 Vamp rs Vamp SS f = f Con moto an VS. 118 105 119 Colla voce Ton.2 * “King Of Broadway?” fe 5100 Start slowly, then accel. Wocaly 146 147 148 Applause segue 247 poco rall. —26—" -, TROMBONE 2 7 “The Producers” We Can Do It-Reprise [r-7/01. Orchestration: Doug Besterman (To 5t Mate) Moderately, In 2 (Clary o 1 2 3 4 Play St. Mute [2 bars} 27— “Do It-Rep" Ir 7/011 Seas ~ [to 52) 6 9 = x = | sf Applause segue 7A “The Producers” Time Passes Orchestration: Doug Besterman TACET —29— TROMBONE 2 8 “The Producers” I Wanna Be A Producer- Reprise Orchestration: Doug Besterman 701 Trombone 2 Maestoso Straight mute Segue as one “In Old Bavaria” —32— TROMBONE 2 9 “The Producers” In Old Bavaria Orchestration: Doug Besterman TO Colla voce e 7 10 ey00) 18 19 20 rit. 2 33 ~ TROMBONE 2 10 “The Producers” {r 7/01 Der Guten Tag Hop-Clop ‘Orchestration: Larry Blank [Tose mute) wd ST noon ‘To Open [3 bars} a Th. 2 “Guten Tag Hop Clop" Ir 71011 Th.2 + “Guten Tag Hop Clop"” tr 7/01 \ [3 bars] ae Trh.2 + [rs] ES ten Tag Hop Clop” fe 71011 113 114 115 116 7 118 119 a1 122 128 124 125 126 127 128 os 731 “Guten Tag Hop Clap” Ie 71011 he Trh2 “Guten np Clop" e710 ee eee ces Vamp [Staponaie] a ue , Get = = — ~ 259 | ie - 260° : ant “Guten Tag Hop Clop" tr 7100 28 285 [to 307] ae TROMBONE 2 Into Scene 7 Orchestration: Larry Blank 10A “The Producers” -, TROMBONE 2 10B “The Producers” Roger’s Entrance Orchestration: Doug Besterman ten._ten, ten. 2| Moderate 3 en_ten. ten [2] Moder f + 1 mp — f 3 q . 4 —————— - 6 - ~ 7 = [0] Grgsixoay [Stop on cue] 4 oe - TROMBONE 2 11 “The Producers” Keep It Gay [e701] Orchestr: : Doug Besterman [To Cup mute] ‘Vamp a (+Cls/Bsn) ee Bld pey 2yd myhe Sapeye ee 3 a 5 ——— Rubato “Go” ipcks 2 oS 10 [ia] Moderate waltz, In 3 = . a ley) eee aw ayy? 38 [Time] 45 Ton.2 2 "Gay" fr 701} rvs, nsicts) 97 8 9 100 101 mp “Keep ita.” 108 08 110 128 127 oH + y "Gay" [71011 Vamp {Long} amp ri su) “ mf 182 153 184 159 {To 163) 160 161 162 Cs Repeat as needed = an (79) Stop on cue then cut to 201 (To St mute] ns) o 770 171 172 185 [Watch for cutoff] o 169 Ton? eee 2nd Start a Gay" Ir 7101) “Think of the Tiny. 20% St. mute ‘Vamp fz [zs] March, In 4 a VanrP etx ony) bj cst Xonty) — : j be: 2 fag a a Tse a.” 214 215 220 223 [224] A tempo 6 tits mute gS “ 290 mf 231 233 234 235 2at 242 243 244 27 gfe (A bars] Ton.2 & °Gay" fe 7011 Timp) Wialogue) (A) “Pit do it” Vamp 257 258 [275 280 282 283 of = Dr 285 286 27 ffs [Fast segue] ~ TROMBONE 2 11A “The Producers” “Keep It Gay”- Conga! Orchestration: Doug Besterman = oe eet f ”. ane ape ba if a 4 5 =——____ —_______ Repeat and fade PS = = ¥ : : = 3] —si— TROMBONE 2 11B “The Producers” Ulla’s Entrance {4/02 Orchestration: Doug Besterman —2— ; TROMBONE 2 m “The Producers” When You've Got It, Flaunt It! (r 7011 schestrat jon: Larry Blank [Tight Cup mute] [2] swing : (no arp.) -x z == : 1 33 Ton. 2 “Got l/Flaunt i” fr 7101) Thm.2 * “Got t/Flaunt 12” 7/01, a [sa] Ge. 8ths) —s5— TROMBONE 2 B “The Producers” Along Came Bialy [r 7/01] Orchestration: Doug Besterman 2 [To Cup mute] ‘Tango 5 (ip soto) Samp 0 SP Cup mate ears = 22S et : p 3 fa] Colla voce ot 3 : on 5 — JA eee 5 ~ 6 7 - ay ad 3 wW——# i= ——— 7 + = z 3 - 1 2 Play Atempo fe] Tne [2] Big vib. 33 34 35 (3 bars] Thn.2 40 Beguine 2 “Bialy" tr 7/011 rit. + “tiaty” tr 71011 (Oboe soto) 80 81 82 83 Wy wa uute-solo) 101 ai 3 Vamp [to 116] eS 2 Ste 108 9 17 "8 118 120 121 “Bialy” 7101, 122 123 128 126 127 [iz] Presto, Int xe a ~ 134 Stop on cue, cut to bar 154 EEE — faa = ———— 148 1s] Excitedly, In 4 ~ AA A ASN 182 Thm? 5 “Binly” fe 71011 (163) oD. 168 it 172 ” 173 174 175 176 7 208 208 [6 bars] —61— Ton.2 + “Bialy” fe 7101] 216 222 223 224 225 226 228 228g 230 [to 245), Open flutter ” “Bialy” 7/011 259 260 269 [27a ale ~ a cat a pueuae = = 284 7 [3 bars} ? 303 304 all. 305 °° she “Binly” fr 7101] End Act I TROMBONE 2 14 “The Producers” 2 Entr’acte [r 7/01) Orchestration: Doug Besterman if 2 “Fanfare” Vamp and fade ° TROMBONE 2 15 “The Producers” That Face! [r 7/01) Orchestration: Doug Besterman "bbs dw a? Fons een 3 (ns) 4 —__3___ rit, 9 : _ 4 - = ei - - — se mas ey we oe = : == 5 Oo 23 poco rall. ™ [2 bars} Ton.2 2h “That Face! [r7101) Cup mute S sftp — Tom.2 + “That Facet” tr 7/011 — 79 > [er] 4. — - ei 2 _ DP vit 26 —) [To Open] " 57] 4 tempo (meno mosso) (91) Fred & Ginger, In2 116 69 Thn.2 + “That Face!” 7/011 Play =. 131] [To Open} 135, 136, 137, 138 138 a8 149 15) ese —. to 162} be hott 151A 1518 152 Th. + 7 Face!” fr 011 166 167 168 168 170 rT] [2 bars} TN Ton. 2 s “That Face!” 7/011 174 176 17 182 183 14 185 L186] Waltz, In 1 sub. mf 187 188 sft p 189 206 207 212 213 24 215 27 218 219 —n- Ton. an 7011 22a 225 226 {to 239) mf 220 2st 232 Stower [To Cup mate] a Colla voce [io Open. 4 ; = = = : == 247 ~ 2 Slow 2 enlve bd bd 255 256 —B— TROMBONE 2 15A . “The Producers” That Face!~ Reprise [r4/02) Orchestrat : Doug Besterman ; [2] Cotta voce 4 = —$—— i : s wo J a = Tos) 2 ____ ter) Toa} {to 14] Faster, In 2 Cup mute 1. mp Slowly, In 4 20 poco rit. a emanate aD VS. -15—" Trombone 2 a {=7] open S Bright Waltz, In 1 f Presto “That Facet-Rep™ |r 4102] 16 “The Producers” Audition Opening TACET 1 16A “The Producers” A Wand ring Minstrel TACET RB" 16B “The Producers” The Little Wooden Boy TACET —79- 16C “The Producers” “Have You Ever Heard”- Interrupted TACET —80— . TROMBONE 2 16D “The Producers” Have You Ever Heard The German Band? (F701) Orchestration: Larry Blank Bright march, In 2 A 1 via [5] (To Cup mute] 4 [Te Open] vs. —s8I— Trombone 2 “German Band” [r 7/011 [Fast Segue] ~ TROMBONE 2 17 “The Producers” It’s Opening Night-Reprise Orchestration: Doug Besterman/Larry Blank ool tee focal 4 a (on St. mated a - - _ _ 13 - 16 wg yoy a Play (Straight mute) Dee == z : = = 7 18 19 20 fa] 4 —# oe _ = 5 2 = SSS ~ 22. 24 nf 3 >= ———— = 5 26 4 Be ———— ee Tin.2 es “Opening Night=Rep” Ir 7/01] (ns) ; Vamp 9 ~ pts) ae =— = (e2] SSS 5 ae Thn.2 + “Opening Night-Rey" [r 7101] ————— ae z [Te a “S0many of bon” 2S SS (Glock) — “Hugs & Kiss” 10193) 85 Thn.2 7101 fs 4m vamp Ee ——— SS aye) SS 168 167 168 = [Watch for Cutoff-on Cue] ‘Vamp 181 - [Fast Segue] —86— TROMBONE 2 18 “The Producers” It’s Bad Luck To Say Good Luck On Op’ning Night [r 7/01) Orchestration: Larry Blank Fast 4 [To Straight mute] Straight mute Vamp A [To Cup mute 28 mf 87 Trombone 2 2 “thud Luck/Good Luck” [r 7/011 Piceittoby apy Play Cupmute — | To Open| 22 mp 2 TROMBONE 2 18A “The Producers” Carmen’s Pep Talk [r7/01] Orchestration: Larry Blank a a] Bucket mutes 3 MP (under stgs, quasi Horn) 7 (Tope) ° TROMBONE 2 19 “The Producers” Springtime For Hitler Orchestration: Doug Besterman Maestoso {Open} 4 poco rit. (Glock. 3. —— 2 (Bass Tn) poco rall. [2 bars} —91— Atempo, In2 238 Play 230 mf 2 230 23E ‘Springtime For Hitler” [r 7101) 23F “Springtime For Hitler” [e7/011 56 37 38 59:9 ——— i 3 nf & 09 70 7 73 7 75 7 82 83 38 — Wsfzp or Jazzy (Swing 8ths) : an A 2 8 8 ynolto accel. 93 bs] 2 100 © 104 Straight 8ths “Don’t be stupid, Be a smar-ty..” Play_ jor Hitler” (r7/01) 105 108 107 116 16 i 720 21 fe [5 Alittle slower 2 Mro134) 123 124 125 127 128 129 130 13 or Hitler” (7101 [ist = tea 162 —'s— 163 3 154 is [TeStimate) Colla voce 167 169 171 172 —95— 195 196 197 198 eine For Miller” (r 7101) 208 204 205 206 | 207 210 212 Tim? 7 ngtime For Hitler” Ir 7/01] 25 216 217 218 223 2 228 229 230 2at 292 233 234 230 > bar 248 249 250 a a ba 254 [to 258), [12 bars} Colla voce (za) | To Cup] a> + “Springtime For Hitler” tr 7l00 270 Cup mute Play -——},. 24 2 276 Fast, Jazzy 2 rit. —— : b 203] (Ipt lead) mf 294 295 206 301 302, 303) 204 305 fz 306 207 308 98" Alittte slower * “Springtime For Hitler” [e701 mp 310 an 312 Faster, swing 8ths = (Fast =e x 314 316. 316 a7 Fate Straight 8ths —99. Thn.2 “10 “Springtime For Hitler” Ir7/01 A est0m) Ry MORO 362 28 360 yan 365 36 fez 367 Big pullback : a0 spunk _— (a7) a. Lt art 372 378 accel. poco a poco 374 378 376 a7 En 383 384 385 a. a oN mf 387 388 389 390 301 ‘392 398 —100— 395 396 397 poco rall. 398 400 401 402 “403 405; 406 407 408 409 410 an a6 a7 ate 419 426 427 28 429 —101— ‘Springtime For Hitler” Ir 7/01) Fast 2 438 Sf 448 449) 450 452 453. 484 455 456 ‘487 458 459 [Applause Segue] —102— ~ TROMBONE 2 194 “The Producers” 3 After “Springtime For Hitler” “Orehtstration: Doug Besterman Bright 4 —103— ~ TROMBONE 2 20 “The Producers” Where Did We Go Right? Orchestration: Larry Blank Woealy ‘Tempo “The shoe ver [2] eas [To St mate Vamp in) fa ? ie > 1 13 * Te [To Cup mute [ra] Fist [5 bars] —105— “Go Right” fe 7/011 Ton. 2 ight” Ir 7 ix Atempo —106— TROMBONE 2 “The Producers” Exits ir 71) Orchestration: Larry Blank [Start bar 6| —107— —108— ~ TROMBONE 2 20B “The Producers” Leo Goes To Rio [7/01] Orchestration: Larry Blank Samba Fisch, = 2 = accel. e cresc. poco a poco f VS. Tom.2 2 “Leo/Rio” tr 71011 a7 = 0 - Stop on cue: > Play last x flutter) 3 be fe ‘0 a accel. ecrese. 8) slowly 4 2 EN : a7 49 30 ~ Almost segue as one “Betrayed” —110— TROMBONE 2 21 “The Producers” Betrayed! [r7K Orchestration: Doug Besterman Dictated (BsTon) “Hervings” 4 OS solo ~ a « [18] Colla Voce 5 (ton) ii Ton. 2 “Betrayed” fe 71011 [4x] [To Cup Mute | Vamp 12 * “Rtetrayed™ [r 7/01) Bucolic, In 4 | To Open eal eee ee 24 wo Le ee 119 “120 137 fz 1 144 142 [2 bars} 13— Tm.2 + “Betray Ir 7/001 143, \ \ 144 145 St 146 ft 74 172 173 mf 178 14 Ton. 2 + “Retrayed” fe 7/01 17 7% Ff 178 186 187 188 189 [ise Slowly-In 8 In4 AA 196 197 Df 195 accel poco a poco 201 202 7203 wi Di oe - a a 2 SS fa Dor 208 209 [Applause Segue] TROMBONE 2 21A “The Producers” Max In Court (7/01) Orchestration: Larry Blank Fade into scene —116— TROMBONE 2 21B “The Producers” Max's Speech Orchestration: Larry Blank 7 " TROMBONE 2 » 7 “The Producers” Til Him [r 7/01} Orchestration: Larry Blank [To Cup mute (tight) an 2g we OES 1 2 3 —119— Thn.2 Tit Hine” [F701 Tight Cup Mute Play [To Open] 2 A Cotta voce 2 (a. Flute) st 82 54 Tom.2 a TH Hine” tr 7/01) a 20 121 ~ TROMBONE 2 23 “The Producers” Prisoners Of Love ! eens Larry Blank Ala “Dragnet” 2] Ginteady LA —123— Ton.2 2 “Prisoners” [r 7101] 0) (Clary 49 a ~ st 32 od : 2 a Fa — === z e57 59 ee an — [a] = S=—__— e $ : 4 Ga —— wes (] eS = SSS 3 5 Tn.2 + “Prisoners” [r 7101] [3 bars] 125— Ton. 2 + “Prisoners” Ir 7101) Vamp Play im “102 703 112 113 14 115 116 122 123 124 + : isomers” 7/01 133 134 135 = 136 tat 72 143 “4 148 149 150 6 152 37 fp 188 fp 169 169 170 7 172 Ton? as “Prisoners” [r 7101] 180 at "182 a3 164 185 186 187, 188 190 198 192 194 a Maestoso f 196 197 198 216 24 219 mp 217 8 fp = 227 228 280 222 nf — 243 272. 27a 274 ~ TROMBONE 2 24 “The Producers” Bows [r 7/01] Orchestration: Larry Blank ‘Swing 8th’s —131— Th? 2 “Bows” fe 7101) [18] Straight 8th’s, Conga es Sik Swing —132— Th.2 * —133— “ows” 17101 TROMBONE 2 25 “The Producers” Goodbye [r7/01) Orchestration: Larry Blank 135 —136— “Goodbye” Ir 7/01) TROMBONE 2 26 “The Producers” Exit Music {r 7/01) Orchestration: Larry Blank Swing 8th’s ia 15 16 " [3 bars] —137— Th? 2 “cuit” [e701 Straight 8th’s, Conga ca bi [ie —138— Tb.2 “Exit” Ir 77011 —139— seososborgpossesccosgeoaGonse G00 ye Music Theatre International 421 West 54th Street New York, NY 10019 Tel: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com HN 0.0