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VEKTORMAGAZINE FOREVERYONE

#10

VOLUME 2 | NO 10 | CHARACTER DESIGN ISSUE


FEATURING INTERVIEWS WITH:
NUNO BALTAZAR OF WWW.VECTORBRIGADE.COM,
PFAD.FINDER OF WWW.VECTORFORSURE.COM AND
KAKO OF WWW.KAKOFONIA.COM
#10
CONTENTS #10
SPECIAL THANKS + CREDITS
THANKS FOR DOWNLOADING THE 10TH ISSUE OF VEKTORIKA MAGAZINE
“CHARACTER DESIGN ISSUE” MANY THANKS TO ALL TALENTED DESIGNERS/
ARTISTS WHO HAVE CONTRIBUTED AND ALSO EVERYONE THAT HAS PROMOTED
THIS PROJEKT BY LINKING TO IT OR POSTING IT ON DIFFERENT NEWS SITES.
SPECIAL THANKS TO NUNO BALTAZAR (WWW.VECTORBRIGADE.COM), PFAD.FINDER (WWW.
VECTORFORSURE.COM) AND KAKO (WWW.KAKOFONIA.COM) FOR SUPPORTS AND SHARING
THE WORDS WITH US ON THIS EDITION. MAY THE VEKTOR BE WITH YOU!

00 03
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09 45 50
VEKTOR INTERVIEW WITH VEKTOR
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77 84 111
INTERVIEW WITH VEKTOR EVENTS // THE BLACK
KAKO // BRASIL // SHOWCASE URBAN ART //
WWW.KAKOFONIA.COM // CHARACTER DESIGN VEKTOR EXHIBITION
SHOWCASE
VEKTORIKA | INTERVIEW VEKTORIKA | INTERVIEW

Please introduce yourself and tell us little bit about


VEKTORIKA MAGAZINE IS
your background.. A COOL PROJECT ALWAYS
Vectorbrigade, a creative studio created by Nuno SMACK DOWN ON THE
Baltazar. VECTOR TIP
Where are you from?

Alcântara, Lisboa, Portugal.

Could you share with us the history behind www.


vectorbrigade.com? What does it mean?
What do you think about vektor graphik? What do you
It started as a personal project, kind of a online showcase of love about it?
experimentations with illustrations and motion graphics,
collaborations with other artists, etc. Later evolved and I always draw stuff with pencil and paper before redrawing
became a creative studio operating in several fields of it in vector. It’s the close i can get to drawing, as weird as
design. Curious fact no1: The name vectorbrigade came it sounds... Never got round using a pen though. Manage
from powell peralta’s Bones Brigade. You know it makes to get good results just by clicking the mouse, so i’ll stick
sense ;) to it ;)

Vector Brigade
Portugal
www.vectorbrigade.com
VEKTORIKA | INTERVIEW VEKTORIKA | INTERVIEW

What kind of vektor softwares do you currently use? What are the projekts you are currently working on?
Any future projekts you can share with us?
Illustrator and freehand. That’s pretty much it.
Official clothing line, the 1976 DVD, bunch of new shit
How would you describe your style? coming your way. Stay tuned.

Crazy ass punk post modern victorian shit. Who are your favourite artists or designers?
Geez, i really don’t know. It’s just the way it comes out.
Phunkstudio, Jeremy Fish, Flying Fortress.
How do you work from concept to the final artwerk? The list goes on.
Could you tell us the creative process?
What inspires you?
Always start with research. Find a good and original Could you list the 8 things that inspiring you in your
approach. Develop some sketches. Improve them. Start creative process?
final artwork. Get it approved by client. Get paid. Or not
:( Everything nowhere and nothing everywhere.
VEKTORIKA | INTERVIEW

Any tips/tricks for vektorlover out there to create such


a great vektor artwerks like yours?

Keep it real. Try to develop your own style. It will pay on


the long run.

What do you think of vektorjunkie.com?

Hate it. Eh eh busted ;) cool project always smack down


on the vector tip.

Thank you so much for doing this interview.


Any last words...

Thank YOU and everyone who supported vectorbrigade


so far! Sorry haters.

Vector Brigade // Portugal // www.vectorbrigade.com


Ivan Caputo // Italy // www.kapcom.net Samuel Sinaga // Indonesia // tfdc.deviantart.com
Foan // Portugal // www.foan82.com Appler // Russia // www.appler.by.ru
75percent // Australia // 75percent.deviantart.com Cosmin Nasui // Romania // www.cosminnasui.com
A B A B

C D C D

A+B+C+D. Nik Holmes // United Kingdom // www.nikholmes.com A+B+C+D Bryan Green // USA // www.envisionboy.com
Mario Stark // Germany // www.fuctastic.com Camilo Ruano // Colombia
Ali Sabet // USA // www.sabet.com, www.stitchbunny.com Febria “Kupinx” L. // Indonesia // kupinxvektor.blogspot.com
Momorobo // Singapore // www.momorobo.com Christina Gakopoulou // Germany // www.cg-art.de
Ambiorix Martinez // Dominican Republic // www.flickr.com/photos/p-one Anom kojar // Indonesia // anomkojar.multiply.com
Daniela Basile // Italia Rhino // Indonesia // carment.deviantart.com
erixyeoung // Indonesia // www.erixyao.com Mikael Selin // Sweden // www.young-at-heart.net
Maarit Kemi // Finland // http://www.maaritkemi.net Tadas Kazakevicius // Lithuania // www.batteriesnotincluded.eu
YouAreSoLastYear / YASLY / Danny Jones // USA // www.youaresolastyear.com YouAreSoLastYear / YASLY / Danny Jones // USA // www.youaresolastyear.com
A B A B

C D C D

A. Wayde Herman // South Africa // flickr.com/photos/wayde_art B. Elyoo dela Cruz // elyoo.deviantart.com A. Phedot B. Hyxsos Halomoan // Indonesia
C+D satan® // Mexico // www.elsatan.com C+D Georgina Vieane // The Netherlands // georginavieane.blog.com
Krupskaya Arevalo // Holger Huber // Germany // www.sektor9.de
Said Achmad Mubarak // Indonesia // www.customxait.com Jorge Martty // Argentina
Fredy Chandra // Indonesia // fredc2209.deviantart.com + Shingo Shimizu // Canada // www.shingo.ca
alip hudaya // Indonesia // thepino.deviantart.com
Sacha Di Poi // Switzerland // www.ess-design.blogspot.com Agus Pramono // Indonesia // www.thecleber.org
Pedro Fernandes // Portugal // prfernandes.blogspot.com Hery Siswanto // Indonesia
VEKTORIKA | INTERVIEW VEKTORIKA | INTERVIEW

I JUST LOVE TO WORK WITH VEKTORJUNKIE, WHATEVER IS COMIN,


IM DOWN WITH U GUYS! I JUST LOVE TO WORK WITH VEKTORJUNKIE,
WHATEVER IS COMIN, IM DOWN WITH U GUYS! I JUST LOVE TO
WORK WITH VEKTORJUNKIE, WHATEVER IS COMIN, IM DOWN WITH
U GUYS! I JUST LOVE TO WORK WITH VEKTORJUNKIE, WHATEVER
IS COMIN, IM DOWN WITH U GUYS! I JUST LOVE TO WORK WITH
VEKTORJUNKIE, WHATEVER IS COMIN, IM DOWN WITH U GUYS! I
JUST LOVE TO WORK WITH VEKTORJUNKIE, WHATEVER IS COMIN,
IM DOWN WITH U GUYS!

Where are you from? What kind of vektor softwares do you currently use?
From the heart of europe, Austria I preffer illustrator CS2

Could you share with us the history behind www. How would you describe your style?
vectorforsure.com? What does it mean? I describe my style as a kind of self-discovery, I always try
pfadfinder (vectorforsure) is a collective of austrian to develop my style as much as possible and trying out
artitsts with the main focus on vector art. It is like a different ways to get where I want. I dont want to stick with
platform where we can show our creative outcome, but one style all the time maybe the link between my works is
soon it became more then this. We had already artists complexity, I like to look at images for some time and still
(graphic design, photography, digital art and architcture) discover new details.
we’ve been working with before, and we also wanted to
integrate them into vectorforsure, after some time we

pfad.finder
developed pfad.finder.

What did you think about vektor graphic? What do you


love about it?
Theres many ways of how vector graphics can bee seen

Austria and used, just as a tool or as an artform. To me it’s of course


art, it’s a challenge to create styles that normally get done
with pixel based programs. And another important thing,
www.vectorforsure.com theres no dpi’s.
VEKTORIKA | INTERVIEW VEKTORIKA | INTERVIEW

How do you work from concept to the final artwerk? Any favorites projekt? then the hatred of the society and the way they think, the
Could you tell us the creative process? community with all the talent and and last but not least
Well , since I’m not really talented in drawing with a pen Theres many, that i have good memories of, but at the freedom.
and such, I had to look for diffrent medias and ways to moment its the “asian theme” the focus was on the
realise what was in my head, in most cases the camera complexity of the artwork, it cost me a lot of sweat Any tips/tricks for vektorlover out there to create such
is the perfect tool for it. I collect samples and images and sleepless night, but it was worth it. I also liked the a great vektor artwerks like yours?
and combine to my primary idea, then i start to draw my Skateboard Design exhibition here in vienna , product
shapes, how to start with it is up to everyone’s own flow . design is defenitly something i want to get into more. Take you time to experiment, and dont loose your patience
some people start with the light other with shadows and so when u think of what has to be done until the piece is
on. To me its important to know already in the beginning Who are your favourite artists or designers? finished, and don’t stop beliving in yourself.
how complex and how detailed the work is goin to be,
otherwise it can happen that in the end it looks slightly Some of my favourite artists are god, adobe, limkis (fancy
unblanced..just believe in yourself! vektor), juni at work, freaky facets, the VJ artists (there are
wonderful talents), pamzylove (with vectorpeeps) and
many many more...

What inspires you? Could you list the 8 things that


inspiring you in your creative process?

Music is the biggest inspiration for me, the outcome and


the style is very much connected to what im listening
to, also nature and the place where i work inspires me,

What are the projekts you are currently working on?


Any future projekts you can share with us?

My biggest project at the moment is to get started with


my own design bureau. Aside from that I’m working as
a freelance for regular clients and teaching people
graphic design. The rest of the time I spend with getting
new clients and projects, It’s all about the money, baby!
just joking..My latest project was for a transplantation
congress here in Austria (Screen - & Print - Design). I’m
also goin to start a label with my homeboy Scel, further
infos coming soon..
VEKTORIKA | INTERVIEW

What do you think of vektorjunkie.com?

I just love to work with you guys, whatever is comin, im down


with u guys!

Thank you so much for doing this interview. Any last


words..

Thanks to Scel for translating and may the vektor with you
(vektorjunkie)...

Wisnu Suhandoko // Indonesia // gar3nx.deviantart.com


feat. Rayi Christian Wicaksono // Indonesia // mumolabs.deviantart.com
Furi Furi Company // Japan // www.furifuri.com Susanna Fräki // Finland // www.susannafraki.net
A B A B

C D C D

A+B+C+D Erik A Goldsby aka Duzty // United States // www.duzty.com A+B Francesco Poroli
C. Aiasui // Australia // www.myspace.com/aiasui D. Javier Sanz Ramos // Spain // www.fotolog.com/flub_studio
Eike Oliver Mitte // Germany // www.vectorian.de Hugo Mauricio Caicedo // Colombia // hachediseno.blogspot.com
Zhimet Cardozo // Indonesia // www.mindriders.net Nic Nay // Indonesia
EO // Germany // www.eo-art.com Sarah Tauhid // Indonesia // www.magensaa.com
Kevin Eschweiler // Germany // www.cooncreative.com Kevin Eschweiler // Germany // www.cooncreative.com
Lucila Livschitz // Argentina // lulilu.deviantart.com Yongkiat Karnchanpayap // Thailand // http://www.pictoverse.com
Kama // Indonesia // www.oxidizzy.com M.Anwar Sany // Indonesia // THEMutants.deviantart.com
Chun Woei // Malaysia // www.urban-cr3atures.com Francina Ruana // Spain // www.laxisca.com
Supergunz // Indonesia Juliana Morales // Colombia
A B

C D

A+B+C+D Glauco Diogenes // Brasil Mau Reguffe // Brasil // www.2dzn.tk


Dikki Mahasati // Indonesia Gunawan Lo // Indonesia // goenz.deviantart.com
Mark Wasyl // USA // www.DropDeadSexyPinups.com Mark Wasyl // USA // www.DropDeadSexyPinups.com
VEKTORIKA | INTERVIEW VEKTORIKA | INTERVIEW

Kako Please introduce yourself and tell us little bit about your
background.

I’m Kako, I’m a professional Illustrator and sometimes graphic


it as soon as possible... meanwhile I’ll try to keep it updated
and if you want to see new stuff you can send me an email
(kako@kakofonia.com) and join my mailing list.

Brasil
designer. I work with clients from all over the world, mainly What do you think about vektor graphik? What do you love
Brazil and US, from the editorial and advertising areas and about it?
now expanding my ambitious tentacles to motion design,

www.kakofonia.com animation and fashion. I’m self-taught in the “Way of the


Vektor”, working enthusiastically with it since 2000. Did some
When I’m working I need control. Total control. I work like a
mean dictator, nothing must be left unchecked, each line must
comics here and there, but nothing special. 2006 was for me be perfect in place, every single part of my illustrations is very
a breakthrough year, lots of great things happened, some of well planned. Even when it looks loose, it’s not. If I need to get
my work was selected to feature on the SPBook2006 from the a line right, I’ll work on that all day until I get it right. And all of
Australian Semi Permanent Event, also on the Comunication this is possible due to the vektors.
Arts 47th Illustration Annual and the 49th Exhibition and Annual
from the Society of Illustrators of New York. High expectations What kind of vektor softwares do you currently use?
for 2007... :o)
I use Adobe Illustrator CS2 with the KPT Vector Effects 1.5
Where are you from? plug-in.

I’m born and raised in São Paulo, Brazil. How would you describe your style?

Could you share with us the history behind www.kakofonia. Dark and Dirty :o)
com? What does it mean?
How do you work from concept to the final artwerk?
The kakofonia.com is my website, but unfortunately it is still Could you tell us the creative process?
a provisory website. People seems to like it, but today I need
a user-friendly website to attend my clients better. Too many I work a lot with editorial magazines and I’m known for doing
ideas today to improve it, but no time to work on that yet. But an extra mile when it comes to improve an article, specially
I hope I can get my things together and do something about when it is a historical article or a technological infograph. To
get the work done I read and study a lot for each job. My work
is two parts research, one part illustration. I believe that as
an illustrator I must give the reader the best image that will
represent that particular article, I mean, somebody may use it
on a paperwork for school or use it as a reference for another
illustration, who knows? So the beginning is very important for
me and the briefing meeting is almost sacred.

I’m always very busy and I need to plan all the way during
that meeting, cause later I know I won’t have the time. I’m
always pissed off when the designer or editor doesn’t give me
the feedback I need. Everytime that happens we have major
problems in the whole process. And I know it’s not my fault
cause I got my homework done. And even after that I continue
studying. It’s not unusual to see me correcting the text on an
article every now and then. Heaven for me is when I can get
the illustration on the same level of importance as the text, no
more, no less. And you only achieve that if you know what you
are talking about and more important, what the other is talking
about. I worked as a graphic designer before so I also like to
design the pages along with the designer before it all begins,
I don’t quite know what I’m going to illustrate yet but I like to
know I’ll have enough space for that. It’s kind of a feeling you
have during the brainstorm, you’ve seen images, you know
what is important to show, a striking scene, a powerful icon,
whatever. And from there we start developing the concepts
for that job. The goal is always time management, the designer
can work on the pages knowing that everything will fit when
VEKTORIKA | INTERVIEW VEKTORIKA | INTERVIEW

he places the illo at the end, the editor knows that what I’m
doing is not randomly chosen and complements the article
and I can relax and do my job in peace. If there are any tweaks,
they are minor tweaks. If it’s a huge one, it’s because somebody
wasn’t on the meeting. Trust me.

So from there I get back to work, and I keep researching.


Mostly pictures at this point, to construct the scenes, to use as
references, whatever. That done, I start illustrating. The good
thing about continuous research is that you can put on your
work visual references that cannot be shown to the reader by
words. The right medals on the chest of the officers, the correct
names on maps and so on. And there is something that I love
to do that is put subliminal messages on the illos, but always
related to the article. There is an illustration I’ve made about
that hacker guy, Mitnick, that I put over 8 subliminal messages
on it. Got a lot of excited mail after that “I’ve found it, I’ve
found that!!!”. I think that’s cool. People tend to remember the
article a lot more if they can remember the illustration that
comes with it, specially nowadays that people doesn’t read a that any artist must be out there looking for visual information,
lot. Visual memory can be powerful if you give the reader the communicating with others artists, taking lots and lots of
right illustration. pictures, sketching... I think that’s why I can’t stick only with
illustration nowadays. To much is happening, too many ideas,
About my creative process there’s nothing unusual about it. I love it.
I consider myself as an workaholic person, so I’m constantly
thinking about my projects and the jobs I’m doing. Visual What are the projekts you are currently working on?
information is a must, and anyone who works with vektors Any future projekts you can share with us? Any favorites
knows that references are very important for us. A simple projekt?
image can be the spark for a huge project or can be the
answer for something you are working on. Don’t mistake that Yes, there are two projects that I’m working on since last year
with rip offs, far from that.You are feeding your mind. I believe and they are definitely my favorites.
The first one is called The K Spot and it all started as a way
to spend some time off trying new possibilities with the
Illustrator tools and the KPT Vector effects. Basically I get the
“k” from any type family and redesign it. The fun part is that
most of the time I actually don’t know what’s going to happen,
nothing is planned, which is the opposite of what my day-to-
day work is. I look at the type and things start from there. It’s
kind of a “typography caricature” as I like to say. You can see
most of them at http://the-kakofonia-spot.blogspot.com/ and
of course, as it is an ongoing project, I’m open to talk to any
designer who wants it’s “Ks” redesigned :o) I hope to turn it
into a freeware typography catalog someday. Or maybe an
exibition...

The other one is called Mon Petit Monsuteru and it involves street
art stickers, toy art, t-shirts and a whole world of new products
and side projects on the near future. Monsu is a character
created basically to function as a graphical intervention
and from there I’ve started to create a lot of series that will
be released from time to time. The first of them is Monsuteru
Xing, which I add or replace one element of a japanese road
signs with Monsu. You can see some of them on my website
(I plan to have monsuteru.com uploaded by March). There’s
a way to participate on the project too, you can go to http://
VEKTORIKA | INTERVIEW VEKTORIKA | INTERVIEW

lemonsuflaneur.blogspot.com, download the files and print them in


self-adhesive papers to make stickers. Stick’em up in your hometown
or while you are traveling and send the pictures to me that I’ll post
them at the blog. And I’ve just released some extra limited series of t-
shirts and underwears, so if you want any, send me an email.
For the future... big secrets!!!

Who are your favorite artists or designers?

From the past, Egon Schiele, Gustav Klimt and Alphonse Mucha. From
the present, Mike Mignola, Masamune Shirow and Takashi Murakami.
From the future, Gez Fry, Sam Weber and Matthew Woodson.

What inspires you? Could you list the 8 things that inspiring you
in your creative process?

Any kind of visual stimulation the makes the brain clicks... you never
know what you will find around the corner... like the mighty Zappa said
”A mind is like a parachute. It doesn’t work if it’s not open”.. cheesy, but
true. But if we must list them: Music ( I can’t even think about working
without it ), The beautiful Eastern Culture, History and all men’s
wonderful and devastating mistakes, Japanese Contemporary Art, Toy
Art, Fashion and trend magazines in general, Spending the day on a
book store, Black C40M20Y20K100 + Dark Red I’m addicted to them...

Any tips/tricks for vektorlover out there to create such a great


vektor artwerks like yours?

Know your vektor style. I know a lot of people that doesn’t like vektor
cause they all look the same or they all say vektor is nothing more than
just tracing. I’m not going to deny it either cause unfortunately most of
the time is what you see. I can’t stand when I see a vektor illustration
badly done, or worse, an auto-traced illo. I fear what people can do
with “live trace”. Please, if you are going to make your illustration with

VEKTORJUNKIE
an auto-tracing tool, rethink your professional goals. People asks how
I work, if I use the mouse or the tablet, what are the most common
illustrator tools I need, but it will not be the answer for them cause every

IS A SPECIAL
artist has it’s own path and if you can come up with fresh vektor style
you are in heaven, be true to it and keep improving no matter what. It
doesn’t matter the tools but how you express your art with vektor.

But the most important is, never ever forget the pen and paper. You
won’t regret it later.
PLACE WHERE
What do you think of vektorjunkie.com? VEKTORFREAKS
LIKE US
Vektorjunkie is a special place where vektorfreaks like us understand
each other :o)

UNDERSTAND EACH
Thank you so much for doing this interview. Any last words...

I would like to thank you for this great opportunity to show my work

OTHER...
and to talk to my fellow vektor lovers. Keep in touch!!!
Kako // Brasil // www.kakofonia.com Mattheus Eros Kumoro // Indonesia
Amenth // Indonesia // www.theyhatemydesign.net Ida Belogi // Italy // www.b-9.it
Malona Huai // Indonesia // malonahuai.deviantart.com Malona Huai // Indonesia // malonahuai.deviantart.com
Rayi Christian Wicaksono // Indonesia // mumolabs.deviantart.com Yudi Andhika // Indonesia // www.theyellowdino.com
Chris Marthin P. Sinaga // Indonesia // munyuksaraph.deviantart.com Dwi Irawati // Indonesia // www.raxisme.com
Teddy S. a.k.a Meitantei // Indonesia // www.theycallmeteddy.com Jens Rotzsche// Germany // www.adastragrafx.de
Cesc // Spain // www.ceskills.com Iiko // Indonesia
Amalia Kartika (Loveshugah) // Indonesia // www.loveshugah.tk Vojtech Dvorak // Czech Republic / UK // www.pixelspectrum.net
Denny Kuswantoro // Indonesia // vektorscksprojekt.deviantart.com Yahya Rifandaru // Indonesia // yahyayeye.deviantart.com
Thomas Dian // Indonesia // thomasdian.deviantart.com Tseard van der Meulen // The Netherland
Yoga // Indonesia // www.mode-four.com Yona // Indonesia
Bayu Nugroho // Indonesia // gerokun.deviantart.com Wisnu Suhandoko // Indonesia // gar3nx.deviantart.com
BDC // Singapore // www.breworks.com David Papineau // Canada // www.prototypedesign.net
BACK ISSUES

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THE ASIANA ISSUE CHARACTER DESIGN ISSUE TO BE CONFIRMED TO BE CONFIRMED

Jerome Castro // France // www.hellofreaks.com


VEKTORIKA | EVENTS VEKTORIKA | EVENTS

VERSUS - SHOWCASE

Photos from www.autoblackthrough.com

BLACK URBAN ART


Final Exhibition
(VEKTORJUNKIE Category)

Toimoi, Kemang Raya, Jakarta Indonesia,


27 April - 2 May 2007. 19.00 - 23.00
Featuring Presentation from International
Artist Momorobo (Singapore)
Demo live copy and paste + live drawing by
Godo VJ and Upnix RB
Peformance by Agrikulture (Future)
Winner announcement on Vektor Art Category

A. The Yellow Dino VS Area 105 B. Mondayz VS The Hate My Design


VEKTORIKA | EVENTS VEKTORIKA | EVENTS

C. Design Machine56 VS Half Naked D. Raxisme VS Pramsky

E. Trace Land Vectorie VS Vektor Thunder F. Hippo VS Cleber


VEKTORIKA | EVENTS VEKTORIKA | EVENTS

COMPETITION WINNERS

1st Winner: Mahendra

G.
Tragik Labs
VS
Vektorjunkie

Favourite Winner: Amin Mubarok