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Anyone familiar with Slovenian philosopher and cultural critic Slavoj iek has no doubt
experienced dj vu when reading his work, moments where you think This sounds familiar.
Wait, Ive read this before! Indeed, there is a degree of repetition in ieks arguments and
examples, with some passages copied verbatim from previous publications. In his 2010 book
Living in the End Times (heretofore referred to as End Times), we find the same point about
charity as the logical end-point of capitalist circulation that we do in Violence: Six Sideways
Reflections (240); the same claim that the new spirit of capitalism triumphantly recuperated
the egalitarian and anti-hierarchical rhetoric of 1968 in First as Tragedy, Then as Farce (356);
and similar notes on why the key to the ecological crisis does not reside in ecology as such in
Criticisms could be lobbed at iek for his repetitiveness. A consumer, for example,
could complain about false advertising, about receiving the same old product repackaged as new.
An academic might protest that iek has run out of ideas, or resent him for becoming so famous
that he can get away with plagiarizing himself. Even iek himself has hinted at his displeasure
in becoming an echo chamber. At the start of a talk given at the London School of Economics in
July 2010, he admitted to getting a little bit tired of his recent spate of books, which he
What these criticisms miss is the necessity of repetition for the practice of philosophy
(not to mention psychoanalysis and pedagogy). Robert Pfallers excellent discussion of ieks
use of examples, Interpassivity and Misdemeanors: The Analysis of Ideology and the iekian
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Toolbox, highlights the retroactive force of ieks examples, how the philosopher
recontextualizes examples in order to make visible a theoretical structure in the original idea
which, before, was not easy to discern or which was even hidden by another structure that
appeared evident (38). The iek example, Pfaller writes, makes another thing say what,
until then, it did not know (29). Articulated in a different manner, Rex Butler explains that
iek follows his own line of thought in an almost theological way to its limit, where:
his examples [become] replaceable by any number of others. Hence these examples, far
from being essential to ieks thought, are contingent; and for all of their apparent
surface variety and connection to the world, he is ultimately saying the same thing, totally
unconcerned with the realities of everyday life, which it is always the task of philosophy
Butlers description of ieks method recalls ieks own perception of how the excessively
and compulsively witty texture [of his books] serves as the envelope of a fundamental
coldness, of a machinic deployment of the line of thought which follows its path with utter
indifference towards the pathology of so-called human considerations (iek Reader viii).
Ideology is one such theoretical structure ieks continually machinic thought renders
visible via a litany of examples. These recurrent examples attempt to make ideology speak of its
times. It is no wonder, then, that ieks texts are laced with references to the proper baseof
ideology (3), the ideological experience at its purest, at its zero-level (3), the elementary
scene of ideology (11), the properly ideological function (58), the most elementary formula
for how ideology functions today (70), and so on (these examples coming from the first seventy
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pages in End Times alone). The text proper of End Times begins with the question What is
ideology? followed by a lengthy example of Frances political botch job on burqas.2 In reading
End Times, these references to ideology jump off the page. Surely, ideology remains a, if not the,
core concept in ieks work, one he pursues relentlessly. Like assembly lines, his texts affix the
Wegners description of Frederic Jamesons work comes to mind: the entire expanded cultural
and textual realm become grist for Jamesons voracious analytical mill (264)).
ieks peripatetic prose calls out for systematization, for acolytes to come along and
unearth his immutable theoretical edifice from the mounds of examples it is buried underneath
(an excavation process well underway).3 His books have an air of performativity about them,
with organizational schemes seemingly more poetic than philosophical. The structure of End
Times, for example, riffs off Kubler-Rosss five stages of grief, and feels very much like a post
hoc device insisted on by his publishers to tie together his loosely related ruminations about our
explains, in part, the pleasant surprise of reading ieks well-wrought The Spectre of
Ideology, the introductory essay to his 1994 edited collection Mapping Ideology.
The Spectre of Ideology maps the selections included in the collection according to the
three movements in the Hegelian triad of religion: the In-Itself of doctrine, the For-Itself of
belief, and the In-and-For-Itself of ritual. One istempted to dispose the multitude of notions
associated with the term ideology around these three axes, iek writes, ideology as a
externality, that is, the materiality of ideology, Ideological State Apparatuses; and finally, the
most elusive domain, the spontaneous ideology at work at the heart of social reality itself
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(The Spectre of Ideology 63). The progressive movement of these three notions dialectically
model of ideology, which is based on an opposing notion of truth or science from which one
can denounce ideology as such (The Spectre of Ideology 60, Jameson 323). The
coursing through the lifeblood of social reality itself, Pfaller proves (yet again) to be an
experienced guide on all things iek. In Where is Your Hamster? The Concept of Ideology in
ieks Theory, Pfaller submits that ideology is not the opposite of truth. It should not be taken
as an error, nor as a deception or as a lie for the profit of the dominant classesideology fulfills
a function completely different than that of knowledgewhat counts here, are the conditions of
production of the idea, not its apparent truth-value with regard to empirical data (106). When
to their real conditions of existence, he did not intend for us to denounce these representations
as false based on our knowledge of reality. Not the real conditions of existence are represented
in ideology, not even in a distorted way Pfaller explains, but rather the imaginary of
individualstheir wishes, hopes and fears about their position in society (107). Or, as iek
himself puts it in The Sublime Object of Ideology, The fundamental level of ideologyis not of
an illusion masking the real state of things but that of an (unconscious) fantasy structuring our
social reality itself (33). In nuce, iek relocates the terrain of ideology from error and
The spectral fantasies that structure social reality emerge, not from misrecognition of the
true nature of reality, but from the gap in reality itself, what iek names, following Lacan, the
Real. What ideology conceals is not reality but its primordially repressed, the irrepresentable
X on whose repression reality itself is founded (iek, The Spectre of Ideology 74). The
sociological name for this X that marks the spot that renders reality non-whole is the Real
antagonism of class struggle. There is no class struggle in reality, iek admits, class
struggle designates the very antagonism that prevents the objective (social) reality from
constituting itself as a self-enclosed whole (The Spectre of Ideology 74). Although its
awkward to claim a legacy for a living person, iek will be remembered, in part, for helping to
put an end to the end of ideology; by reintroducing the antagonism of class struggle via Lacans
concept of the Real, iek placed ideology back on the map after its abandonment by
postmodernist philosophy.4
In End Times, ieks conception of ideology does not so much evolve as it does expand
(as a work of cartography it fills in blanks instead of redrawing the map). The experience of
reading about ideology in this book once more recalls reading Jameson, whose theoretical prose
published last year is difficult to distinguish from that penned in the seventies due to the
profound formal unity of his books (Wegner 243). End Times affirms that ideology at its
institution, or the practice of everyday lifemystifies, not reality itself, but the very
antagonism of class struggle. The ideological obfuscation of the Real (as opposed to reality) can
take many forms, but three stand out from this latest edition of ieks communist propaganda
series.
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First, End Times focuses on the appearance of ideology in the guise of its very opposite:
a. Humanization: the recourse to the intimate reality of personal trauma to obliterate the
recent Israeli films on the 1982 Lebanon War, Waltz with Bashir and Lebanon, as examples
of how humanization depoliticizes social reality, but one could argue that just about any war
film psychologizes or moralizes an objective social predicament, there being no such thing
as an anti-war war film as Francois Truffaut supposedly said (End Times 57-58).
guarantee of a harmonious social order (11-12). In End Times, iek calls Confucius a
world before the fall, if you will. This method of erasing the class divide remains a
conservative standby. Just look at the rationale behind the 2011 attacks against Wisconsin
public workers: in these cash-strapped times all of us must sacrifice. From united we stand,
c. Value-free science: the name for neutral knowledge which opposes itself to common
ideology, the spontaneous experience of everyday life (42). Although our immersion in
reality is ideological, approaching society the same way as a natural scientist approaches
natureamounts to ideology proper (42). There is no neutral in class struggle. Those who
speak of and for the Economy most often speak on behalf of the wealthy, for example.
d. Panaestheticism: the postmodern belief that all ideologies are equal, equally ridiculous,
they are useful only to provide spicy aesthetic excitement, so the more problematic they are,
PAC Postscript Boyle: Ideology at the End of Times 7
the more excitement they generate (252). iek cites the example of the ideological
indifference of the new Russian capitalist elite who awarded the Kandinsky Prize to ultra-
iek writes, is the very form of their complicity with the ruling ideology (253).
antagonism of class struggle. Each represents a disavowal of ideology from a different direction:
humanization retreats inward, scientism outward; traditionalism flees to the past, pan-
aestheticism to the future (to the end of History) (see Figure 1).
Scientism
Humanization
a second form of ideological disavowal diagnosed by iek, the most elementary formula for
PAC Postscript Boyle: Ideology at the End of Times 8
how ideology functions today: cynicism. Capitalism works, in part, because our cynical
denunciations of it are counteracted by the irrational beliefs inherent to our everyday actions, i.e.,
I know very well, but I nonetheless believe and act accordingly. iek argues, in contrast to
the period when religious-ideological sentimentality covered up the brutal economic reality,
today, it is ideological cynicism which obscures the religious core of capitalist beliefs (130). In
End Times, iek demonstrates the operation of ideological cynicism in a nifty reading of the
Finally, ieks most recent effort rehearses the claim that ideology can be found in cases
where the Real social antagonism of class struggle is displaced onto an external intruder. In the
books second interlude, iek repeats his claim that anti-Semitism is not just one among
ideologies; it is the ideology as such, katexochen. It embodies the zero-level (or the pure form)
mystified/displaced so that its cause is projected onto the external intruder (136). The
displacement model of ideology is the modus operandi of the news outlet preferred by
Republicans across the United States. Whether its Islamo-fascists, illegal immigrants, the United
Nations, or unionized public employees, Fox News paints the enemy as a threat to the structural
integrity of the United States and its viewers in the real America (Stephen Colbert addresses
his viewing audience as Nation to satirize this conservative strategy of externalizing the
enemy, the very same strategy used by Bush during the Iraq War: Either you are with us, or you
In End Times iek remains loyal to his previous theorizations of how ideology functions
to both displace and disavow the Real social antagonism of class struggle, but the ground he
covers is not particularly new or surprising. Yet, a glance back to 2009s First as Tragedy, Then
PAC Postscript Boyle: Ideology at the End of Times 9
as Farce uncovers a different story, what may prove to be ieks most innovative intervention
into the question of ideology to date. In part one of the book, Its Ideology, Stupid!, we find a
iek closer to the structuralism of The Spectre of Ideology than the dialectical riffing of End
Times. Perhaps it is befitting to conclude this current exercise in bringing order to ieks
Of particular interest is the brief but provocative section subtitled Between the Two
Fetishisms. Here iek tests the thesis that in these so-called post-ideological times, we are
moving from a symptomal to a fetishistic mode of ideology. Whereas the symptom, according to
iek, operates as the exception which disturbs the surface of the false appearance, the point at
which the repressed Other Scene eruptsthe fetish is the embodiment of the Lie which enables
us to sustain the unbearable truth (First as Tragedy 65). The issue of human rights presents a
good example of the symptomal mode of ideology. The statement We hold these truths to be
self-evident, that all men are created equal contains within it hidden exceptions (women,
people of color, immigrants, etc.) that undermine the supposed universality of this rule, and thus
function as its symptom. Money presents a good example of the fetishistic mode of ideology.
When people exchange money for goods or services, this transaction renders their individual
convictions about the capitalist system moot. In essence, the money we spend believes in
To the distinction between the symptomal and fetishistic modes of ideology, iek adds
the opposition between identification and distance, positing that a Greimasian semiotic square
can be formed from the conjunction of these two sets of binaries. The square (which I have
constructed in Figure 2) produces a matrix consisting of four positions (or attitudes towards
PAC Postscript Boyle: Ideology at the End of Times 10
ideology): (1) liberal, (2) cynical fetishist, (3) fundamentalist fetishist, (4) ideologico-critical
Cynical
Fetish Distance
Fundamentalist Ideologico-critical
Identity Symptom
Liberal
Both the liberal and the critic-of-ideology move at the symptomal level: the first is caught
up in it, the second undermines it by way of interpretive analysis. Both the populist
fetishist and the cynic cling to their fetish: the first directly, the second in a disavowed
manner. Both the populist fetishist and the liberal directly identify with their position
(clinging to their fetish; taking seriously the arguments for their universal ideological
claims), while both the cynic and the critic-of-ideology distance themselves from their
This semiotic square proves useful in charting our current ideological constellation (not to
with perdition-bound players representing these four positions. Then again, do we not witness
PAC Postscript Boyle: Ideology at the End of Times 11
this drama enacted tiresomely on the world stage?). ieks diagram enlightens us on why, for
example, he rebukes liberals so often. Since liberal ideology operates on the symptomal level,
critiques against it can be effective. In other words, liberals can be convinced of the errors of
their ways by rational argumentation. Upon recognizing the symptom underpinning their
On the other hand, rational argumentation falls on deaf ears when directed at those whose
ideology operates on the fetishistic level. If ideology critique has no efficiency with fetishists,
then how exactly can they be reached? Should or can the cynical fetishist be dealt with
differently than the fundamentalist version? Can the cynics and/or fundamentalists behavior be
capitalist, can it be harnessed in the struggle against global capital, or is it sufficient to combat
ideology on the symptomal level alone? If capitalism is a fundamentalist religion and capital a
fetish, how can we distance ourselves from it without becoming cynics? What about identifying
with the symptomal point of the official ideology; where does that strategy, so often prescribed
by iek, fit? What would it entail of the critic distanced from ideology to identify with its
symptom? Like most Greimasian squares, ieks raises more questions than it answers. So, too,
Works Cited
Butler, Rex. Thought is Grievance: On ieks Parallax. The International Journal of iek
Jameson, Fredric. Valences of the Dialectic. New York: Verso, 2009. Print.
PAC Postscript Boyle: Ideology at the End of Times 12
Pfaller, Robert. Interpassivity and Misdemeanors: The Analysis of Ideology and the iekian
Toolbox. The International Journal of iek Studies. 1.1 (2001): 33-50. Web. 5 May
2011.
---. Where is Your Hamster? The Concept of Ideology in ieks Theory. Traversing the
Fantasy: Critical Responses to Slavoj iek. eds. Geoff Boucher, Jason Glynos, and
Wegner, Phillip E. Periodizing Jameson, or, Notes toward a Cultural Logic of Globalization. On
Jameson: From Postmodernism to Globalization. eds. Caren Irr and Ian Buchanan.
iek, Slavoj. Living in the End Times. New York: Verso, 2010. Print.
---. First as Tragedy, Then as Farce. New York: Verso, 2009. Print.
---. Slavoj iek: Interview. OHagan, Sean. guardian.co.uk. The Observer. 27 June, 2010.
---. The Spectre of Ideology. The iek Reader. Eds. Elizabeth Wright and Edmond Wright.
---. The Sublime Object of Ideology. New York: Verso, 1989. Print.
---. Violence: Six Sideways Reflections. New York: Picador, 2008. Print
1
In an interview for The Observer, Sean OHagan relates a more extreme case of ieks self-deprecation:
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[iek] opens a copy of Living in the End Times, and finds the contents page. I will tell you the truth
now, he says, pointing to the first chapter, then the second. Bullshit. Some more bullshit. Blah, blah,
blah. He flicks furiously through the pages. Chapter 3, where I try to read Marx anew, is maybe OK. I
like this part where I analyse Kafka's last story and here where I use the community of outcasts in the TV
series Heroes as a model for the communist collective. But, this section, the Architectural Parallax, this is
pure bluff. Also the part where I analyse Avatar, the movie, that is also pure bluff. When I wrote it, I had
not even seen the film, but I am a good Hegelian. If you have a good theory, forget about the reality.
2
In End Times, iek reads the French ban against covering ones face in public (which began on April 11, 2011) as
a defense of the particular French way of life masquerading as legislation upholding the universal rights of women
(1). Ultimately, the law is symptomatic of anxieties about the over proximity of the Muslim Neighbor, French or
foreigner.
3
A sampling of introductory texts that attempt to codify ieks dialectic include: Sarah Kays iek: A Critical
Introduction (2003); Tony Meyers Slavoj iek (2003); Ian Parkers Slavoj iek: A Critical Introduction (2004);
and Marcus Pounds iek: A (Very) Critical Introduction (2008). Mention should also be made of The International
Journal of iek Studies edited by Paul A. Taylor and David J. Gunkel (especially issue 4.1 on iek and
Ideology, which was guest edited by the Centre for Ideology Critique and iek Studies at Cardiff University). My
own meager attempt to bring some structure to ieks ideas can also be found in the IJSs archives. See issue 2.1,
The Four Fundamental Concepts of Slavoj ieks Psychoanalytic Marxism (2008).
4
When reality is reduced to a social construction, as it is in the standard (straw man) postmodern position, all
discourses become ideological. When there is no outside of ideology, the concept loses its efficacy and is promptly
abandoned. On the contrary, iek argues that although ideology is already at work in everything we experience as
reality, we must none the less maintain the tension that keeps the critique of ideology alive (The Spectre of
Ideology 70).