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RO B E R T G .

PAT T E R S O N
Five Medieval Dances
for saxophone, horn, violin, and synthesizer
(1990)

Great River Music GRM01025 Memphis, TN


Robert G. Patterson

Five Medieval Dances

for saxophone, horn, violin, and


synthesizer
1990 by Great River Music All rights of performance, recording,
1794 Carr Ave., Memphis, TN, 38104 transcription, and adaptation are reserved.
i

Performance Notes

1. The saxophone part calls for both B-soprano and E-alto saxophones.

2. The synthesizer sounds used in Five Medieval Dances are designed for a Casio CZ-1000 (which is func-
tionally identical to the CZ-101). The keyboard on these instruments spans four octaves from C0c3, and the
instrument is capable of playing notes up to c4 if driven via MIDI by an external controller. There are occa-
sional instances where an ossia note is given that is outside the range of the CZ keyboard. The ossia notes
are preferable if the keyboard has them.

3. Five Medieval Dances calls for eight sounds which may be placed either in the internal bank or in a cartridge
bank. The score refers to them by number as P-1 through P-8. The numbers after the dashes correspond to
the numbers on the patch selection buttons on the CZ.

4. The CZ-1000 has no velocity sensitivity, so there are no dynamics written in the part. The volume slider
provides a crude means of adjusting loudness for balance, but be aware that this slider is very sensitive and
that it cannot be controlled with MIDI. A better solution is to insert an analog volume pedal between the CZ
and the amplifier.

5. Despite the fact that the CZ series was popular and inexpensive, Casio ceased production of them in the late
1980s. It is quite possible that a CZ-1000 or CZ-101 will not be available for a performance of Five
Medieval Dances. For this reason, the score gives an indication of the sound quality with each patch change
so that the synthesizer player can devise equivalent sounds for whatever synthesizer is being used. As a
further aid to designing replacement sounds, there follows a brief description of each one.

electric piano Sounds at octave written. It contains a slight detuning, and there is a
thick roundness in the sound quality caused by ring modulation.

electric organ Sounds one octave lower than written. The lower the pitch, the less vol-
ume the sound has, so the descending passages in the first estampie also
contain unwritten diminuendos.

fantasy Sounds one octave higher than written. This sound is the hardest to de-
scribe. The timbre has the brightness of orchestra bells and the sostenuto
capability of a flute. The attack is soft (similar to the plop of a drop of
water falling into a pool). The most striking aspect of the sound is the
three increasingly loud aftershocks which occur starting at about 1
second and ending at about 2.5 seconds after the release of the note. The
final aftershock dies away slowly, so that the sound has not completely
ceased until about 6 seconds after the key is released. At the sustain point
there is no vibrato, but once the note is released, a lazy, undulating
vibrato commences. The sound has a very underwater quality to it.

portative organ Sounds at octave written but with a prominent component at +2 octaves.
Imitates the sound of the renaissance instrument as closely as possible,
including a slight chiff in the attack.

male voices Sounds at octave written. The name of the sound is not particularly accu-
rate, except when the sound is used with both Mono On and Portamento
On in the range G0c1. Otherwise, it has a soft, reedy quality, a breathy
attack, and a slight vibrato.

lute Sounds at octave written. Imitates the sound of the renaissance


instrument.

krumhorn Sounds one octave lower than written. Imitates the sound of the renais-
sance instrument.

recorder Sounds two octaves higher than written. Imitates the sound of the renais-
sance instrument, particularly in the written range from c0c2.
ii
Casio CZ Sound Description Charts

These charts are taken from the OpCode Patch Editor software package for the Macintosh. To comprehend them, a
working knowledge of how to program the Casio CZ is required. The CZ synthesizer has two sets of eight-step
envelopes. The sustain-point may be at any step in the envelope, or it may be omitted. The sustain-point, if
present, is indicated by a gray-shaded envelope-step. Since not all envelope-steps must be used, a black envelope-
step denotes the final step. Refer to the CZ operators manual for explanations of the other parameters in these
charts.

Electric Piano (P-1)

Electric Organ (P-2)


iii
Fantasy Sound (P-3)

Portative Organ (P-4)

Male Voices (P-5)


iv
Lute (P-6)

Krumhorn (P-7)

Recorder (P-8)
Five Medieval Dances
C Score R. G. PATTERSON (1990)

I. Estampie

Fast; exuberant (! " =126)

B b Soprano Sax. & 68 b J b b b


J b b
J
.
(actual sounds)
F f

& 68 b j b b b b
Horn in F
(actual sounds)
F b b f .

b .
Violin
6
& 8 ! b b .
f
Fast; exuberant (! " =126)

& 68 ! b b b
b
.
.


b
b b b b b
set Portamento Time

..
Casio CZ-101/1000 P-1 (electric piano)
? 68
to 20
! J
J

& b J b b b b
5
b J J b. !
f
S. Sax.
F
& b jb j !
b b b
F b b b b.
Hn.

f
! b b b b
b b.

b b b
J
Vln. & b
F

& ! b b b b b b b .. b b .
b b . b . . .
j j
CZ
? ! b b b b. !
b b bb b .

1990 Great River Music Licensed by ASCAP


All rights reserved. One Lincoln Plaza
www.greatrivermusic.com New York, NY 10023

GRM01025
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10 b b b .
S. Sax. & ! !

& ! b b !
Hn.
b b .
b b b b b b . b b b
& J J J J
f
Vln.
F

. .
& b . b . . b . . b . b . . b b b .
.


b
. b . b . . .
.
b b b b b ..
CZ
? ! !
b J J

b b b b.
15
b b. 78
S. Sax. & !

& ! b b b. 78
Hn. b b
b b
b b b b b b b.
J J J 78
&
f
Vln.

. .
& b . b . . b . . b . b . . b
b b b
b b .. 78
.
j j
CZ
? 78
b b ..
! b b b b b
b b

& 78 68 78 68
19
! ! ! b
S. Sax.

& 78 j 68
b
j 78
b b j 68 j
b b b b b b f b
Hn.
P b

& 78 b b
b b
68 b
b j 78

68 b b
Vln.
b b b b f
P

& 78 ! 68 ! 78 ! 68 b
CZ b
? 78 ! 68 ! 78 ! 68

GRM01025
3

b b b . 78 68 78
23
S. Sax. & ! !

& j 78 j
6
8 b
j 78
Hn.
b b . b b b b
P
j . 78 68 b 78
& b b
b b
b b b j
Vln.
. b
P
b ..
b 78 6 7
& ! 8 ! 8
b b
.
b
CZ
? b . 78 ! 68 ! 78
J J

& 78 68 b b b b b
27
S. Sax. ! b.

& 78 b j 68 j j
Hn.
b b b b f b b b.

& 78 b 68 b b
b b b.
b b
Vln.
f
b b b
b b b ..
& 78 ! 68 b b
J
b b b b b b b.
CZ
? 78 ! 68 b
J J b.

31
b b n b b n b b n b n
&
b b b b b b b n b .
(legato)

#.
CZ

36
b b n b b n b b n #
&
b b b b
? b b n b b b .. b .
CZ

n.

GRM01025
4

j j
# # 58 # . 68
41
S. Sax. & b . b . . . . . b . b . . . . n #
f
b . 5 j 6
& . . . . . b . . . . . b b n 8 #. 8

Hn.
f #

& 58 n 68
# # #
n
Vln.
f
! ! 5 ! 6
& b 8 8

? b b
CZ

! ! 58 ! 68

j
& 68 b b
45

b . b . . . . n # # # # # . .
. . . . . .
S. Sax.

& 68 b . . . . . . b . . . . . b b n n .
.
Hn.

& 68 # # b b b
j
b
Vln.

& 68 ! ! ! !
CZ
? 68 ! ! ! !

49

S. Sax. & ! ! ! ! ! !

Hn. & ! ! ! ! ! !

& b. # b. # # #.
b
p . F p .
Vln.
F

& ! ! ! # .. n .. # .. # # .. # ..
b. b. b. b. . b.
.
CZ
? . ! . . . . .

GRM01025
5

& #. n. #. n. # # j
55
!
"
S. Sax.
F

& . . ! ! !
" . .
Hn.

& b. # b. # # # n b. .
b J
p . F p .
Vln.
F

! ! ! # .. n .. # ..
& b b ..
b. b. b. b. . b b .. b .
.
.
CZ
? . ! . . .

78 68 #
& #. n.
61
! !
" F
S. Sax.

& . 78 ! 68 ! ! !
".
Hn.

& b. 78 b # 68 # #.
p . F
Vln.

78 68 # .. n .. # .. # # ..
& ! ! # ..
b. b. b. b. . b.
68 . .
CZ
? . 78 . . . .

66
78 68
# # # J n b #
& ! b. !
F
S. Sax.
"

& 78 68 ! ! !
. F
Hn.

" .
& b. 78 # 68 # # # J n b.
p .
Vln.
F

! 78 ! 68 # .. n .. # ..
& b b ..
b. b. b. . b. .
68 . . . b b ..
CZ
? . 78 . . b

GRM01025
6

# # n J #
J J J # J
71

&
F
S. Sax.

! ! j
Hn. & # # #.
f heroic
b ! !
pizz.

& # b
#
Vln.

b # # j
& J J J b J b

.
CZ
? ! ! !
. . . J

# #
& J J J # J
# n
75
S. Sax.

Hn. & # ! !

b !
arco

& # # b
n
Vln.

b
& J J # # J b b
J #
.
.
CZ
? ! !
. . . .

78

S. Sax. & J ! b
b b
b
b
b b
b
b
p

& j
# # . b b b b b
pb
Hn.

& ! !
Vln.
b b b. b b b. b b b.
p

& j ! ! !
b b b b
? .
CZ

J ! ! ! b b

GRM01025
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83
! b b b
b .
S. Sax. & J
F

Hn. & ! ! ! !

! ! b b #
n n
pizz.

Vln. & b
F

& b b b b !
J b
?b b b b j b
.
CZ

J

b b !

b b
b
b b b J
87

S. Sax. & ! !
p
! ! j
Hn. &
b b b b b
p
& b b b b b b b b b
arco

b b
Vln.
p

& b b b !
b b b b b b

b b b
. . .
CZ
? !

91 b b b b
& !
f
S. Sax.

& b j ! b b
Hn.
b f

& j ! !
Vln.
b b

b b n b b b.
& J

# n b bb
CZ
? ! n
#

GRM01025
8

94 b b b b n b b b
S. Sax. &

Hn. & b b b b b b b

b
Vln. & b b

b

b
b b b
f

b b
& b. b b n. b # b n b b b n
n. b. n. b b.
n b b
CZ
?
b b b
b b b
n n n

97
b b b b b
S. Sax. & !

!
Hn. & b b b b
b b
Vln. & ! b

& b b b b b b
b. b b b.

b
b b
CZ
? b b ! b b
. . b

b b b b
100

& ! ! b b
S. Sax.
b . n .
f
& b j j ? b b
b b b b . J b J
p b
Hn.
f
b b b b b . b b
& b J
p
Vln.
f
b b b b b
& . b !

b b
CZ portamento on

? b
b ! & b b b b b

GRM01025
9

b b
# b b n b
104
S. Sax. &
n. b. n. b b b b. n b b

? j n j b j j
Hn. n b n n n. .

b b b
Vln. & b b
b b b

b n b b b
& !
CZ

b !
& b b b

b b b
b. b b b. b b b
b b
107

&
. J
p
S. Sax.

? b
! b b b b & j j
b b
p
Hn.

Vln. & ! b b b !

b b b b b b b
& !
CZ portamento off

& b b b b !
b b b

& b 38
. 68
111

S. Sax. ! ! ! ! !

& b. 38 ! 68 ! ! ! !
Hn.

Vln. & b J 38 b 68 b b J b J b .. b b
J
F

& ! 38 ! 68 ! ! ! !
CZ

& ! 38 ! 68 ! ! ! !

GRM01025
10

j
& b b J J b b b . . . . b b b J b
117
b. .
Vln.
.
secco

j
. J b b b . b b j
123

&
. b .
. . . b b
Vln.
. . b b
cant.

b b b J b .. b b j
129

& j b j j j
b b b b b b
Vln.

& b b J b b b . b j b b j j b b b j n j
135 (on string)

b b
Vln.

b b b J b .. b j b
141
& j j
Vln. b b b j b b b j b b

& b j n b b
147
j j j b b.
b b b b J
b
Vln.

152

& ! ! ! ?
Hn. . #. n. b.
p

Vln.
j
& b J b b b j b b J b j b b J b n b b j b b b j j

& ! ! ! ! ! ! !
P-2 (elec. organ)
.. # .. .
b n .
. # ..
CZ

! . b .. .
molto legato
?
& #.

?
159
!
Hn.
. #. . #.

& j j b b b b .. b b
b b J J
b b
Vln.

& ! ! ! ! !

? b n ..
CZ

. b. . #.
#. n . #. .
GRM01025
11

164
! b
key slaps

&
5

b b
5 5
S. Sax.
b b
p
.
whhh...
L.
? ! ! .
invert mouthpiece (air) !

#
Hn.

b j j b b b j b b b n b b
Vln. & b J J

& ! ! ! !

.. # ..
b n .
.
CZ
? n.
b .

168

& b
5 5 5 5

S. Sax. b b b
L. . . L.
2 2
tuh tuh tuh tuh
? ! ! ! ! ! !

" P
Hn.
F
j b j j j b
& b b b b j
b b
Vln.

& ! ! ! !
CZ
? . b. . .
#. n . #. b.

172

& b ! !
b
5 5 5

S. Sax.
b
L. . .
2
whhh...

? ! !

! J
! !

!
# p
Hn.
n
U
b b b. b b b.
b b ..
rit.

& J J b _ . _
Vln.

& ! ! ! ! !

U
CZ pitch wheel gliss.

? b. . . . .
. . . . .
GRM01025
12

II. Virelai

Gently moving (q=104)

3 b b b j b ! 24
B b Soprano Sax. &4 J J J
(actual sounds)
P molto dolce
3 j j
&4


j
j j 24
b b
Horn in F

p P
(actual sounds)

& 34 .
j
j 24
p b b
Violin

b J b 24 .
& 24 b 34 J 58
6
S. Sax. J J J

& 24
34 24 58
b b b
p b
Hn.

& 24
34 24 58
b
b . .
Vln.

5 3 b b b b j
b. b
12

S. Sax. &8 4 J

5 j 34 b
Hn. &8
b .

5 3 j
& 8 b . 4 jb
Vln.
b b b b. b

& ..
18
! ! ! !
p
S. Sax.

j j j
Hn. & .. b
b
j b
Fdolce
& .. j j b j
. . b
b b
Vln.

P p

GRM01025
13

b
& J 44 w 34 .. 58 b b 34 b J j
23

2.


1.

S. Sax. J J

4 3 .. 58 j 3
& 4 . 4 4 b
p p
Hn.

& b 44 w 34 .. 58 j 3
Vln.
4 b

& b. b .. J b J b b j
b
28
S. Sax. J
Fespr.
.. j j j
& .
b b
Hn.

F
& .. j j
Vln.
b. b . b
F

34
! 24 b 34 b J J b 24
S. Sax. & J J

j
& j 24 34
b
24
b b
Hn.

2 3 2
& 4 4 b

4
b b
Vln.

& 24
. 58 34 b b b 4
40 1.

S. Sax. J J J 4

& 24 58

j 34
b


44
b b n
Hn.

& 24 58
b .
34 j b
j 44
. . b b b
Vln.

w 34 j 4 bw
& 44 .. b 34 b
45

2.

S. Sax. J 4

Hn. & 44 w 34
..



44
w
34

& 44 b .
34

..

44 34
b bw b
Vln.

GRM01025
14

III. Ballade

Solemn: not strictly in rhythm (q=66)

4 j 5 j 2
& 4 # # # 4 # # #
6 6

? 4 # # # # 5 # # j
Casio CZ-101/1000 P-3 (fantasy)

J 2
4 J 4 J 4

3 b
& 24 # # #
24 5

3 6

4 4
3

b b
6

? 24 # # J % n 34 b b 24 b b b b
CZ 6

$ J
J
45
3

5 4 34
6
& 4 # # % n 4 #

3 6 3 3
3

#
#
? 45 # 44 J # J
CZ

34
J J

& 34 64 # 3 .. 34
8

1.

#
# #
6

? 34 % # # # 64 # # # J
CZ

.. 34
6 6 6

& 34
64 # 44
10

2. 3

# #
6

? 34 # # # 64 # # J
CZ

44
#
6 6 6

GRM01025
15


4 5 # # # J 3
& 4 # # #
12 6

4 4
3

# # # J # #
6
6

?4 # # #
CZ

# 5 # # 34
4 J J 4 $ % J
J
3

3 44 3
45
14 6

& 4 # # # # #
6

#
3


# 44 # # #
CZ
? 34 # # # # 45
#
3

44 # # # J
& 45 45
44
16
j
#
7
6

6
# # #
# j 54 # j j
# # ?
CZ
? 45 b 44 # 44
& # J #

& 44 # 45
19 6

%
3


6 3

# # # # #
CZ
?4 5
4 # # # 4

#
& 45
44
20

#
6

#
3

# 3
#
44 # j
CZ
? 45 #
# # # #

GRM01025
16

IV. Rondeau

Moderately (q=96)

E b Alto Sax.
(actual sounds)
& 44 ! ! 34 ! 44

Horn in F
(actual sounds)
& 44 ! ! 34 ! 44

. .
Violin & 44 34 # 44
Fespr.
Moderately (q=96)

& 44 . . . 34 # n 44

# 34 . # 44
Casio CZ-101/1000 P-4 (portative organ)
? 44 J

# # . .
& 44 34 44
4
Vln.

& 44 .
. 3
# 4 . . 44
.
? 44 # 3 # . . # 4
CZ

4 4

n
7
4
# . n b. # 3
Vln. & 4 4

.
& 44 # . # # . 34

? 44 # .
CZ

. b. 34
J

GRM01025
17

#
# .
& 34 J J J J 44
10
Vln.

3
& 4 # # n
. . 44 # .
CZ
? 3 .
. # 4 . .
4 4

. . 3 44
& .
14

4 #
. # # n
34 . 44
CZ
? #
J

4 # # 3 . . 44

17

&4 4
. . .
? 44 . # . 34 # . . #
CZ

44

& 44 34
20
! !
A. Sax.
b b b.
"
4 ! ! ? 3
Hn. & 4 . 4
"
& 44 # # . n # .. ! ! 34
. portamento on
CZ mono/solo on

? 44 # .
P-5 (male voices)
# . . . . 34
J

3 4 3 4
24

& 4 4 b 4 4
A. Sax.
b b b b
? 34 44 34 44
b N b b

Hn.

& 34 ! 44 ! 34 ! ! 44

44 # # 34
CZ
? 34 44
#

GRM01025
18

& 44 b
28
!
A. Sax.
b .
? 4 !
Hn. 4 n .

4 ! !
&4
.. # #
portamento off sustained & legato
CZ mono/solo off
?4
4 # . n b.

44 # # 34
& . . 34 #
31

#.
? # #
# n
34 . 44 34 # . #
CZ

4
35
A. Sax. & ! 4 ! !
Fespr.

& 44 # . n # . .

? 44 # # b ..
P-6 (lute)

n
CZ


& . . 34 # 44 # # 34
39
A. Sax.

. 3 #
& . 4 n 44 . .
. #
34

? # 3 . # 4 # 3 #
CZ

4 J 4 4

GRM01025
19

n 3
& . . 44 # . n b . #
43
A. Sax. 4

? ! 4 ! ! ! 3
Hn. 4 4

Vln. & ! 44 ! ! ! 34

. . 44 # . 3
& . # # . 4

? . . # 44 # .
CZ

. b. 34
J

& 34 J 44 #
47
A. Sax. J J J #

Hn.
? 34 ! ! 44 !

& 34 ! ! 44 !
Vln.

. 4 #
& 34 # # n . 4

? 34 .
.
# 44 .
CZ

34 44
50

A. Sax. & . ! ! !

? ! . . 34 44
Hn. &
#
Fespr.

Vln. & ! ! ! 34 ! 44

. . . b 34 # n
&
. 44

# .
? .
P-7 (krumhorn)

CZ

34 J 44

GRM01025
20

& 44 34 44
54
A. Sax. ! ! !

4 # 34 4
Hn. & 4 . . 4

Vln. & 44 ! 34 ! ! 44

4 . .
34 . . 4
&4 . 4

3 . .
? 44 4
CZ

4 4

& 44 34
57
A. Sax. ! ! ! !

j
& 44 # . n b. # n
34 j

Hn.

& 44 ! ! ! 34 !
Vln.

# . 34 # n
4
&4 b. # .
. .
? 44 #
CZ
. . b. 34
J

44 U
w.
23
61

A. Sax. & ! ! !
"
j4 3
& j 4 2 j # !
. w
Hn.

o U
o ww ..
& ! 44 ! 23 !
"
Vln.

. . 4 # 32 . # J # w !
& 4 J
.
32 #. w
CZ
? 4 4 !

GRM01025
21

V. Estampie
Lively and playful (q=116)

E b Alto Sax. & 24


f >. >. >. >. >. >.
(actual sounds)

? 24
Horn in F >. >. >. >. >. >.
f
(actual sounds)

> > > > > # #


Violin
2
& 4
f
Lively and playful (q=116)

& 24 !
# # . #
. # .. _ . #
. .
. # #
. # _ .
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