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Music and Lyrics by MADNESS
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MUSICAL DIRECTOR / KEYBOARD1

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Tel: +44 (0)2$-75802827 F'ax:+44 (0)?.0,7435 T|t(t
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OUR HOUSE F
Book @ Copyright 2009 by Tim Firth
Edition O Copyright 2009 by Josef\Veinberger Limited, London
AllRights Reserved
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For individual sonr copyright details, seeappendix. e
PHOTOCOPYING THIS CO?I.RIGHT -IVTATERTAL
IS ILL.E,GAL
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Applications to perform thi.smusical must be mede,
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BEFORE REHEARSALS COMMENCE, to:

Lur,lnsn
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Iosrr'$7EINBERCER
12 - 14 Monimer Street -
London W1T 3JJ G
United Kingdom

Tel: +44 (A)20758A2827


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Fax:+44 (qZA 7$6 96t6
r*'ww.josef-weinberger.
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October 2009

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a MusicandLyricsby MADNESS

Directedby lVlatthewWarchus
a Choreographedby Peter Darling

a Orchestrationsby SteveSidwell
Musical Supervisor,Vocal Arrangementsand Additional Material: Phil Bateman

a 'Wnrld
PremierePerformance- 28'hOctober 20A2, CambridgeTheatre

a
Casr 2OO3WEST E}ID PRODUCTION 2008UK Toun

JoE CASEy foIichaelJibson Chris Cars'well


SanaH Julia Gay Miria Parvin
a JoE'sDAD Ian Reddington SteveBrookstein
KATHCasry LesleyNichol Gwlmeth Strong
a LEwIS OliverJackson JackShalloo
EN{1vro RichardFrame lVlichaelEverest
a Bn lre TamekaEmpson JennyFitzpatrick

a ANcm
Rrecey
Andrea Francis
Matt Cross
SophiaNomvete
SamMackay

a MR PREssueN I\{ike Scott TrevorJary

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Production Notes by
=
TTHaFIRIH
1
a The main challengeof this musical is of coursethat it is rwo musicals.
on to follow the two paths rvhich
The story splits early
Joe Casey'slife could have follow.d p.rding a fatefrrl
decision he makeson t}'e night of his sixteenth birthday.
1 The lvays of represendngthose two paths iie at the creariveheart
of any production. The
transfers between the black and the white world increasein speed
and require increasing
Ievelsof ingenuity. After the experienceof two producdons, in the
\fest End and then on
tour, the main piece of advice I can offer is this: people are primarily
interested in other
= people' The audience watch the cast far more than they watch
the set, and three walls
turning from black to white to represencthe swirch from Good
Joe's srory to Bad Joe,s
1 story is nevergoing to be as effectiveas rhe actor himself simply chaneing
thecolour, say,of
a baseballhat from black to white.

= The musical rravelsthrough a young man's life from the ageof sixreen
to his early rwenties.
As such it visits many locations.The emphasishere once again need.s
to be on ingepuiry
a rather than expense.The cast should be gamefully employJ furnishing
many stationspassedthrough en route from terracedhousesto penthouses,
and creadng rhe
shops,p*br,
a schools, car showrooms, even Eg.vptian-themedhotels in L*s Vegas. \fhen
Howe I deliberatelywrote the impossible in the belief that the *oi" yo.,
writing Oar
ask from creative

a people,the more you get. The bigger the challenge,*re more people rise
to it.

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It is worth remembering that even chough in larger scaleproducrions we had a real car and -
cinematic projection and a whole host of other reats, the rwo rhings the audiencerose to !E
saluteat the end of eachshow came absolutelyfor free; ingenuiry and energy. ,-
Get theseand you are ninery percent of the way ro building Our House.
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THn PTNcIPALCasr - Thumbnails

Joe - sixteen,rough diamond but a diamond nonerheless.

Sanau - girl next door, slighrly more middle-classbackground.

Euuo and LBvls -Joe's besrmates,looselyrelatedto him and rakenin byJoe's Mum.
The former is a big kid who would chasesticla if you threw rhem, *re latter a more
sensitivelad with a more exposedmoral nerve.

BILLIE and ANcts - Sarah'sbestmates,sharp-tonguedand sassywith their eyeson a way


out of their lowly socialbeginnings.Intolerant of males,exceptwell-bredones.

JoE's MUtu, KerH - beatendown by life but never beaten,a heart the sizeof a housewith
a huge, feisty love for her family.

Joe's Dan - a man of fun and spirit who married rhe righr woman bur rook the wrong.
path in life, died asa result,and is now desperatefor his son not to repeatthe pattern.

RS,ncey- a smiline, charming, superficially likeable force of darkness.

Mtsten PnrssuaN - like Reecey,exceprmiddle-agedand in control of a large company.

THs orHsR CHARACT3RS - schoolkids, relatives,barrisrers,clowns, dogs, prisoners,


market tradersetc - are many in number and can be playedby a castof infinite size.One
.-
joy of Our Hoaseis *rat it is hard to conceiveof a castshapein which everyonedoesn't at G
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somepoint havetheir moment.


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TRulapst dbl. Flugelhorn/ Tambourine
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Kr,r'sonRD1 (MusicalDirector)
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z Notes on the music by
PHtt- BATEIIIIAX (MusrcarDnacron,l
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In the \(est End the band for Our Househad 9 players:

3 keyboards,guitar, bass,drums, tenor sax (doubling flute and clarinet for underscore),
= trumpet and violin.

I would imagine rhe minimum for a production would be 4 - comprisingkeyboards,guitar,


=a bass and drums. If you can add a
'dirry'
sax and even trumpet you'll really be able to
achievethat authenricMadnesssound.
'sung-spoken'
= Ideally when singing, the actors should try to achieve a qualiry. The
ensemblenumbers should sit somewhereberweenmusical theatre and the gusto of a rugby
= crowd! I hope you have as much fun singing thesegreat songsas we did when we put the
show together - enjoy!

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ACT ONE
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t . Opening(Instrumentu}
........... .......1 \-Y
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r4. l.osPalmasSeven(Underscore)(Ins*umental)........ ..........5
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L. Our House (Priest,Joe,
Ernrno,Lewis,CaseySt. Raidznts) .................9 g-/
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2a. Our HousePlal'off(Ins*umental)............ ......18
)
2b. (Instnnnental)..............
BalconytJnderscore ...................19 .lE
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SimpleEquation(Dad) ......:.........2A -
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-4. My Girl (Ernmo,BadJoe,Lewis) ...................24 ..--
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4a. SimpleEquation- Reprise(Dad) i....;............................20 -J


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. 4b. Magistrates'Court (All I Vanrcd / My Girl) (I{ath, Dad, Lads).......32 \rt I

)\ . B"ggy Trousers(Reecry,
Schoolkids,Mr Jesmond,BadJoQ.................
35 )
5a' SimpleEquation- Reprise(Dad) .................45
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6. Embarrassment --J
(CareersOfi.cer, Reecey,Billie, Angie, Emmo, Neighbours,Leu'is, r+4
Aunt, Uncle,SecurityGuards,Kath, Grandad"GoodJoe)..................45 _J
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5a. Playoff(Instrumenta\.............
Embarrassment ..............53
5b. B*ggyTrousersUnderscore(InstrumentaA
.............. .......54 )
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Embarrassment- Reprise(EncouragementVersion)
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(BadJoe,Heatlter,Sabs Reps,
Lond.onAlarms Boss,) .........55
e (I nstamental)..................
B"ggyTrousersI Our HousetJnderscor 60
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R Driving In My Car (GoodJoe,Lewis,Emmo, Billi, Angie, Sarah)....62 :
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8a-II.
My Girl * Reprise(BalladVersion)(Sarah,Dad).............................59
Driving In My Car - Reprise(Dad,BadJoe,Salesman)....................59 :l
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8c.
AfterDrivinglnMyCar (Instrumental)..............
SimpleEquation- Reprise(Dad, Choras).....
............71
..........".......73 :l
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The Return Of The Los PalmasSeven(Insawmental)
Shut Up (Reecqt,
......................78
GoodJoe)...............sr.
Coppers, ........-....83
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1i. Tormorrow's JustAnother Dry I The Sun and :he Rain
(Prisoners,
GoodJoe,Girls Chorus,BadJoe,Saralt)....................'.....'.88
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ACT T\TO

a 12. Night Boat To Cairo (Dad) .........97


12p. NightBoat(VegasUnderscore)(Instrumental)
4 13.
.............101
\fings Of A Dove (Carib Combo,Billi,Angit, Alt) ......................103

e t4.
l4a.
One BemerDay (Dad, GoodJoe,Cltorw, I{ath)
Our House- Reprise(GoodJoe,
Dad) .......
............I I6
..................122
15. RiseAnd Fall (Goodloe,Chorus) .................12j
=
16. House Of Fun / RiseAnd Fall / My Gid

a 15a.
(BadJoe,Julie, GoodJoe,Mr. Pressman,Choru)
SceneChange(Underscore)(Instrumental)
...........127
............."....134

1 17

17a.
N.\f.5 (Sarah,Dad, Chorus)
* Reprise(Law Firm)
......135
Embarrassmenr
(Clerh, Barrister GoodJoe,Harper, Smith, MassEt,
1 Harrassed
Small-TimeLawyer.) ...................143
17b. lJnderscore(My Girl / N\f5 / Simple Equation)
=
(Sarah,Dad, Chorus) ..................14S
18. It Must Be Love (Sarah,GoodJoe) ..............153
=
19. The Sun And The Rain - Reprise(Stallholders)
(Good!oe,BadJoe,stallholders,
Choras).........,....... ......161
=
19a. SimpleEquation(Reprise)(Dad, BadJo) ...................172

a 24.
21.
PrimroseHill / Our House (Reprise)(Dad, GoodJoe,Companl ..179
NightBoatfly'egastJnderscore)
(Company) .................ig3

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-
Ijnderscore
"Fail
Q - Lervis: Pr:int."
-
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4.My Girl 27
=

-
-

--
=

5,

4,

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1 I thought c'e'd tellrd it out. -

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N o w v - h e o I F t o s p e k I don't care - She gats I'm !m - r - v'*r

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4 lE-*"] |g.dFI

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Ald lorv shc saw I'm weat

(Sm solo ends)


IRHI
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4. My Girl g^1
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{TPtiSaxrilfl
F
C?m nonlegato!! -
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4.1\{yGirl 29
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L{uted Tpt solo
F"ai*l
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> Whv I feel rhis p"i"i

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4
rall. ,'^."."--.-
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She d*s - nt ru - der stend - shr des - nt re - al - ise Shc takes ir all... the wroog...

:9 ctrn/D* Chn A/Gf FFm/E

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4a. SinpbEqut tioft - RErite


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slrrr w'oltd lure lup - petfd that Ca'n - den Tom oight if gol - dor bor rook the prth ther reened lght
Joe

= G
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4
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KeyboardI I MD -
4b. Magistrates'Court F
(All I \flanted/MY Girl) ,-
F
"--.custodial sentetces"'" .-
Q - Solicitor:

"Custotlid?"
F
-..rclu rnelrl like Plisol-r?"
, : 140 DacL
-
F
t
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5 \-_ /t
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O - Katlr:
"That doesrt't meart
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r-iu're allos'"d to rouclt hinr'"
2nd X: RalI

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(Playtune2ndX onl-v) E
D D/Ci
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"Sarah s'ould
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G
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4b. h{agistrates
=

=
All I rzot - ed ivAs n word, _ e-ootlt -u took - e nlo - mcnr more"

=
A/D Cilr) D A/D

= .{ll I rmrrt - ed rfi3 e v'orrl, - n'hat is - tlris tbr?

A/D G/D D A/D


=

=
Alt I s'.nt - cd wes e *ord, - s'heo botb the vrolg - path and - dre "igh,

< BIE AlE E B/E

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= nll.

All I sdrt - cd 1va! a rvord, - lqrc Lirn looc ly


=
B/E NE E

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Curofi Q - Reece1:
'\\:ell, arll, qrll." -
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she docs - g't le She takes it a11... dte vtong {.\'Aja -') -
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lMp/KtffiA!
35
=

=
5. BaggyTrousers
"As
Q - Reecey: of today . . . school's ontl" (Betl ingt).
=

4 J: tqo {Bettt ry sb nb F

1
=

in nar - h' schools - mas - rer'r


hcad bteak ios all _ the ndes Hav - ilg fun aorl pler - iog fools
=
gb

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5.Bagg Trousers
F
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F
0o! brcak the fl1le ,-
real - I,t nun ott bed All

Bb
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C)h lihit iur: s'e had et the dme it seeated so bad T4' - ilg did vrls
t-
gb Bbm
gb Bbm F F M
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lread nus ' ter's hid
gb nb 4
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to fifit with ost dor's school'
Gone

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=

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Sis a - lo& *ld beods his cane, sane old back - sides a - g.io
-.-, rUl the soall oles tell tnll teles

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F Ab Bh

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a Chorus

= w*lk - iog horne ud sqrush - ing sodls Oh s'hat 6n *e had ieNl - lF truo ort b.d.

B B b A b Bb Bbm Fm
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rot lrreak the rule Oh t'het t-un sr hrd

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at the tiue it seeoed so b*d. ilg ditf - ueot vn13 io luhe a t'li.lJ - erence to thc

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38 S.Bagg Trousers

Dalogue p{rJesmond)

The bell goes


42 |ffil

FOUR THREE TI?O ONE FREE ' DOM


=

-
-

S.Bag Trousers 39
=
Yeree 3
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tffil

Loa of gid" md lots of boys of soells md lots of nqse

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Pley - ing foot ball in the park. Ki.k - it
Esh triles d - tet detk. B.g , gy tlou - ses dit - ty shift

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hil ing heir md eat - ing &t Teech cr comes to breek it up. Brck of the heed with e pbs - tic op

= Ab Bb BD AD

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-t choir-like
-tl 63

2 Oh

Conduct
vhat fin vc hrd but did it rcal - lv tlrm out bed. All I leamt at schol

K b d 2 Q ( C h u r c h o r g a n-)- - - - - - -

2
2
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+
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40 5. Bagg, 7 roasers

et tbc time it seemed so brd'


whct ftu qc hod
mle' Oh
hos to bf,[d oot tt{e.k the

Bb

Dance Break
Fasrcr J- l4J

rnake a diif - clsce to the


to

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5. Bagg T'rousos 41

z with lilt

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5. Bagg Troasers +J

lRccceyerBadJoc
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Wel - cmc to thc li m's den- rmp -a-tim's 6 his wey Wel - cme to the li - m's den -
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I (+ Tpt/Su)
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< - tcmp -a-tion's o his wey Wel

6
- cme to tlrc l-i m's da- tdp -E-tim's m his vay

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< Temp - a - tim's on his wey Brg -g

t{
tou-se6 Brg - gy ro -sen

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--.
4 B"g - gy trou -sc6. Temp - te - tim's on his wey. B.g - gr tld - ses.

a Tcmp -u-tim's d his wey.

B B b

a
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44 5. Bag T'rousers
e
^-
F
li - oi's Huh hlfi lruh huh -
F
\{.e1 - fome to lhe
- ra - tiotlti on his $-i-a
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Hrrtr huh h{h hgb


- seli

t=
t-
Bag - uolt
- t(ou - se{i &o
Bng S'

huh
Hrh h!!tr hnh
-
Na oa oa oa lll ll'

Drum sola F
C
C
t44i 5;
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-
time it seemed so bad'
but at tltc
Oh vhat fur *e hrd
huh llrh hdr ll*t
huh h{il t-

B B b A A h
gh Bh1 F !'m
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R4 - ff tfo0
r diff - eletlc' to the
to 04ke
ditT -e*lt /
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Tt - i"g weP

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Bb Bbm

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B B b
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IMD/ K."b"*dil
r j l 45
=

=
5a.SimpleEquarion(Reprise)
= After applause - lio cue

j=152
=

a
a
=

=
cor - tec -uql el - sti - *tes rnake yot
il cor - rect

Em
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=

Sure - h' rcn'e goilr avodd r.lrcre you'c on dre rig.ht prrh ,ght qr.tcs right gilp
=
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46 -
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IMD/ K.J'T"--dl] ^J

6. Embarrassment F
e
'Take me or leave me'"
Q - Joe:

)=rsztGffi-l
/--
Re - ctived I let - ter lst the oth - d@'t sem they wm M
t-
Bbme Abe Frra Fm
Bbme/C Bbm
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knov you flo tuolc. Th.y leid it dow sv


- mg you
t
Bbm Bbme B b m > >
Fma Frt Bbme/C
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With - in the fiet two lines it blwt - Yo're not to c@e md see
F
Eb6 Eb
Ab9 Fma Fm Fma
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C
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s
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=?
=

47
=

Dm't c@e rmd herc no - more. What on eerth did y@

= Bbn Bbme Bbm Cm7 Fm


Bbme

1
5

--,
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a Our A@t shc dorlt wrf, - @ knov she says

Eb6 Eb F.b' Eb
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=
wbet vill - the neigh - bor dint, th.y'll tbi.k. We dm't. Tluds

= Gma Gm Gma Grt Bbm9 Btm

-a vhet they'll think. We don'l &.rt I will


'cos
I know th"y tlink - I d@'t.

Bbrne Bbm Fm Crf, Fm

.2
3

<
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-
F
e
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- gnce drt
- he says \it ere a dis to
-
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Our uo - cle he don'r $ao rla - knoq'

Db Fma Fm
Dt6 Db Dk

-
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-
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hu - oao - tacc - Hc aais

Fma Fm
-1^

6. Ernbanassment 49
-

1
'44,

a
=

",..and sar-that f'rrr .


Q.- Ioe: _
- "...Hoo rIotn)ru )orutg ousqer.
Q to cut Dog Maa: hoo!"
= lscc"riry G*ds I
A

No conr - ruit - nrmt Tou'rc an ql - b*r - sss - 6enl.


=
Bbme Bbrn
-5
a
a + + -U.

a
t, 7J.
'--r'\--l

-
lir it em - bnr - 6ss - otnt e [ir- - i0g etr - do6a - fleoL f'hc in - to - tiod dut

< Abe Fnf Fm Fma Fm Bhne/C Bbm

-5,

I -'-/

harc bmked. - \Tas eo il - rn - rion drat


50x
=
Bhm, Bbm 6lo Fma Fm Fmr Fm

=
e
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t

6. Embarrassment t-

E=
,-
F
sby

Eb6
^ - e1y

Eb Gma
D@'t vdt

Gm
Yd

e
t-a

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/-
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--
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hme to &y frm our - dool F


Bbme Bbm
Gma Gnt --
IF
-
F
-
F
-
F
Dm't cde roud here f,o - mole
-
Cm7 Fm Cn/ Fm F
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-

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C
G
G
tr
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=

6. Embanassment 51
=

-<
To l.te to r e c d - s i d - e t No - me's gm -m sd - fl knov y^l

= Bbme BDm Bbme Bbm Cm7 Fm Cm7 Fm

1
<-
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1 6
Middre
|c"".t-JA |rnnol

1 Ou Mm She D@'t wm - tu know she seys,

Db6 pb pbo pb Fma

I
a Mce as - old - shc seid Thought she hrd

= im. Fm 6b

.a heed m her shoul - der


'Co
Im feel qg m i c c r o l d - c !

abe Ab F.b7

2
2

4
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6. Embanassment
e
,-
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--

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t
n...and sav drat I'm a
"...Uh-huh-" Q - loe:

E
- reiormed'rourg oflendet."
Q to art Clou'n:
Slow

t--

F
-
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4
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6a.Embarrassmenr
Playoff
=

a
4
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1
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--
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54

MD / Keyboard1

6b. BaggyTrousers(Underscore)

"But
Q - foe: the chances of anYone
6;.s6yg.i.g that are very slight."

"I
Q - [mmo: thought you didn't wmt
tJ "od up housebre;king Like your dad."

lr
=t
=
IlaDTKtffiaI 55
= 7. Embarrassment
(Reprise- EncouragementVersion)
=
"Ap ap ap!"
Q,Joe:
Slightly freter J. : tOO
=
Iffil
.=
day !?e've hed se - cmd thoglr

-a Bbm Abs
> >
Fm

, 5

a I.
\-- -/
'c'.

a b@t rhrt 4-l,m

4
a
z
a
7 +'
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f
7
-

3 Ooh - veh - A.h

E.b7 Eb/r

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7. Embarrassrnent(Reprke - Encourngenent l/ersian) /.J
56
e
|L*J;CIfr;l ' -
ispoket linu, no rhyrhn. a$er -Lah's)
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Here he is. The rising st r, C*ey "{s Disrrct ll*reger here rt
-Joe
--
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5

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5

s
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o,l (rcdt srlcs ligucr.


l-o{don ,{larms. let ee cooFetulste ,vot Toru
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Bbme B[n
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7. Embanassment (Reprise- Encouragementtr/ersion
) 57
=

1
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4
a
I Thc po oise tlr*r he ht* rhou Th;s is the shrt of { loog tcra re - La - tim - rhip.

AW FMA
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-- Faster J: l?O
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rryi56Q

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--

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7. Em barr n sment (Rq rise - En cour agemen t lers ion)


58
r-
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_? 7. Embarrassment (Reprise- Encouragementl/ersion) 59

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a (slide)
O

a Hc's m en - cou - lge - mdt Ooh weh.

a
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60

MD / KeyboardI /-
5-
-

,1-

F
Ta.BaggyTrouserc/ Our House -a
E
:r
(Underscore)
-
E_\9-

/a

Q - Reecev:
"HeyJo-io." Q - loe:
"lt's okReecey. t-
.-:9- -
Iin irot g.tting irrto all that" Diak:gue

-
E
la
E
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-
.E
-
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"An'persorrall-t
Q - Reecer':
Ii* "lo'"r'i tbund-cals easier." -
g
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61
---? 7a.Bagg T\ousers/ Our Hoase (Undtrscore)

lX: Trt
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62 t-

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8. Driving in MY Car b
-/

/-
t:
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- Bf,lie + Argie: "GoodbYe " E
-
Q

-
5-
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-
Kbd2Q(MadnesPiano)
5-
-

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F \E

E
\!E

-
tE

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t\|E
['ve beo &i - urg m mY cu

D A M a
F
E

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t-

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ifl Prim - rosc Hilt /I

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63
=

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1 It seys Mor -ris m thc door, the G. p. O. omed it be -fore I drive in it for my job the Guv - c - nor cells me e slob

D Arr D Art
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A m D A m

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Bus Q

a 25
Bridge
Sm solo

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8. Driaingin My Car
e
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F
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