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PnoVoc

No.1:Prologue
TheStoryofChess
q=ca.128
Music&lyrics:B.Andersson/T.Rice/B.Ulvaeus

3
Orchestrations:AndersEljas

b
4
Allegro brilliante

Vb
3
Arbiter

b
&b 4
3
S

b
&b 4
3
A

b
Vb 4
3
T

B
? b
b 4q
. .
3 . .
=ca.128

b
4 .
Allegro brilliante

&b



Fl/Kb's/Str


. . . .
. .
p .

3
? bb
4
Pno

. . . .
b . ggg bbb
&b

. g

. . .
. . . .
? b
b . . - bbb
5 .
. .
b . . .
&b b n n


. . . . . . .
? b
bb
9

. . .
b . . .. n gg b
& b b n n . gg nb

. .
. .
? b . .
bb
. - nbb
13

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No.1:Prologue(PnoVoc)

p Vln1 F
b j j
A
j
& b
j
. .

P . . . . . .
? bb
17


b . . . .
&b bbb n
Vln1

. . .
. .
.

? bb bbb
Hn/Vla

. .
21
.

F . .
j
j j
b n n n
j
&b b

.
.

. . . .
? b
Vln2/Vla

bb
25

. . . . 2
b

. n n
. . .
. j
4
B

Ob/WW

& b b n n .
J . . .
p
n n 2
? b
bb
. .

4
29 . n

b 2 n 3 j 2
&b b 4 . . . 4 . . . .

.
j
. . . .
j
4
2 3 f
2
? bb
4 4 4
cresc.

b
33

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No.1:Prologue(PnoVoc)

bbb 2 3 n . . . .
. j 2 3
4 4 4 . n . . 4
Tpt's

& n
J . . .
p
2 3 n 2 3
? bb
b 4 4 n

4 4
37

3 . . . . . . . . 2 3
& bbb 4 . J J 4 n 4
J
3
f

2 3
? bb
4 4 4
cresc.

b
41

3 . F . - .
bbb 4 .
C

j
& J
Vln

J
p
3 n n



45
? b
bb 4


.. . .
b n
& b b .. . .

. . . . . .
f
? b ... .. .
Hn/Tbn

bb n . . . .
49
n .

b
& b b n ggg nbb
ggg
. . .
ggg
? bb gg
b . .
gg nbb
53 . n . . .

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No.1:Prologue(PnoVoc)

F
D Arbiter

b
Arb. Vb

. .
Each game of chess means theres one less
D
b . .
& b

Fl/Kb's/Str

. .
. .

p


. .
. .
? bb
56

b bbb
Arb. Vb

. . . .
g
va ri a tion left to be played.

b
&b

.
. ggg bbb
. .
. . .
. .

? bb . . - bbb
60 .

b
Arb. Vbb n

. .
. .
Each day got through means one or two

b n n .

&b b . . .



. .
. .
? bb
b
64

b b
Arb. Vbb nb
. . .
. . . . ggg
less mis takes re main to be made.

b n nbb
& b b n n . g
. .
. .
? b . .
bb . - nbb
68

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No.1:Prologue(PnoVoc)

b p

E
S &b

p
Each game of chess means theres one less
b
A &b

p
Each game of chess means theres one less
b
T Vb

p
Each game of chess means theres one less

B
? bb

. . . .
Each game of chess means theres one less

b
E
& b

Fl/Kb's/Str

. . .
. . . . .


p
? bb
72

b bbb
S &b n
va ri a tion left to be played.
b bbb
A &b


va ri a tion left to be played.
b bbb
T Vb


va ri a tion left to be played.

B
? bb bbb

.
va ri a tion left to be played.

. . .
b . ggg bbb
&b

. g

. . .
. . . .
? bb . . - bbb
76 .

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No.1:Prologue(PnoVoc)

b
S &b b
Each day got through means one or two
b
&b b

A


Each day got through means one or two
b n
T Vbb

n
Each day got through means one or two
? b
B bb
. .
. . .
Each day got through means one or two

b
&b b n n


. . . . . . .
? b
bb
80

b
S &b b n nbb
less mis takes re main to be made.
b b
&b b nb

A


less mis takes re main to be made.
b
T Vbb nbb

less

mis

takes

re main to be made.
? bb
B b nbb

. . .
less mis takes re main to be made.

.
b b n . . . gg
& b n n gg nbb
. .
. . .

? bb . . - b
b . nb
84

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No.1:Prologue(PnoVoc)

F
b p
S &b

p
Each game of chess means theres one less
b
&b




A

b F
Each game of chess means theres one less

T V b J
J j

F
Not much is known of ear ly days of chess be yond a fair ly vague re port, that

? bb J J J
B

p Vln1 F
Not much is known of ear ly days of chess be yond a fair ly vague re port, that

b
F

b
j
j j



j
& . .
.
P . . . . .
? b
b
88

b bbb
S &b
va ri a tion left to be
b bbb
&b

A

va ri a tion left to be
b bbb
V b

T


? bb
fif teen hun dred years a go two prin ces fought though bro thers, for a Hin du

B bbb

.
fif teen hun dred years a go two prin ces fought though bro thers, for a Hin du

b . . .
&b bbb
. . .

? bb
bbb
Hn/Vla

. .
.
92

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No.1:Prologue(PnoVoc)

b j F
&b b j J
S

F
played Their mother cried, for noone really likes their off spring fighting to the death. She
b j j
&b b
j

A

p
played Their mother cried, for noone really likes their off spring fighting to the death. She
b j n n
T Vbb
p
throne. Each day got through means one or two

? bb .
B b
throne.
F
means one or two

j
j
bbb
j j
n n .

Vln1

& .
. . . . .
. .
? bb
b
95

b
S &b b n n nbb
beggedthem stop the slaughter with her ev ry breath, but sure enough one bro ther died.

b nbb
&b b
n n
A


b n n bb
begged them stop the slaughter with her ev ry breath, but sure enough one bro ther died.

Vbb n
T

less mis takes re main to be made.

? bb nbb
B b
. . . . .
.
less mis takes re main to be made.

b
&b b n n n n
n n b b
.
. .
? b nbb
Vln2/Vla

bb .
99

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No.1:Prologue(PnoVoc)

.
. . .
b . .

G
&b


Fl/Kb's/Str


. . . .
. .

. . . .
p
? bb
103

.
b . bbb n .
&b . . .
. .
n
.

. .
? bb . . bbb
108 .
. . . .
b . . . . . .
& b b n n n
. . . . . .
. . .
? b
bb . .
.
112

b
F

j 2 n 3 j
4 4
H
& b b n

S
J
bb F 2 3
Sad beyond be lief, she told her winning son: You have caused such

& b j j 4 4 j
A

2 3
Sad beyond be lief, she told her winning son: You have caused such
b
T Vbb 4 4

2 3
B
? b
bb 4 4

.j . . . . . . . . . . 2 . . . . 3 . . . . . .
H
b
& b b . . 4 4 .
Str

P n 2 3
Hn/Tbn


117
? b
bb
n

4 4
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No.1:Prologue(PnoVoc)

b 2 3
S &b b j
j 4 4
2 3
grief, I cant for give this e vil thing youve done.
b
A &b b

j
j
4 n 4
b 2 3
4 4
grief, I cant for give this e vil thing youve done.

T Vbb

2 3
B
? bb
b 4 4
.j . . . . . . .
b 2
n
3
& b b . .
4 4
2 f 3
? bb
4 4
cresc.

b
121

b 3 2 3
S &b b 4 4 4

b 3 2 3
A &b b 4 4 4

b 3F J 2 n 3 j
T Vbb 4
J

4 4

? b b 3 n 2 3
F
He tried to ex plain how things had real ly been but he tried in

b 4 J
4 4
J
B
J

. .j . . . .j . . . . . . .j . .
He tried to ex plain how things had real ly been but he tried in

b 3
n 2 3
Ob/WW

n
&b b 4
4 4
P
3 2 3
Fl

n
124
? bb
b 4 n

4 4

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No.1:Prologue(PnoVoc)

2 3 FJ
Arbiter

bbb 4 4
I
Arb. V

b 2 3 Pj
4 4
And so he asked

S &b b

bb 2 3 Pj
4 4
And so he asked

A & b
b 2 3 p n
j J 4 4
And so he asked

T Vbb n

J J 2 3 p
vain, no words of his could mol li fy the queen. He asked
? b
B bb 4 4
. .j . . .
vain, no words of his could mol li fy the queen. He asked

b j 2
n
3
4 4
I
& b b
Vln

p
2f 3 n
? b
bb 4 4
cresc.


128

b b b J
Arb. V J
the wi sest men he knew the way to les sen her di stress. They told him hed be pret ty
b j
S &b b

the wis est men he knew the way to less en her dis tress.
b j
A &b b


the wis est men he knew the way to less en her dis tress.
b
T Vbb

n
wise men had to what on

? b
B bb

. F . - .
wise men had to what on

b
j
j

j j
. .
&b b J . .

J .

? bb n ..

Hn/Tbn

b .
132

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No.1:Prologue(PnoVoc)

b bb
n
Arb. V
cer tain to im press by u sing mo del sol diers on a che quered board to
b
S &b b
b
A &b b
b
T Vbb

? b
B bb

b bb
. . n
& ..
.
.
.
. . .
F
? b .. n . .
bb . . n . .
136


J
nnn
Dance sequence
b
Vbb n

Arb.

b F
nnn
show it was his broth ers fault, they thus in ven ted chess.

&b b j


n
S

F
bbb nnn
They thus in ven ted chess.

& j
A
n
F They thus

bbb J n nnn n
in ven ted chess.

T V

F
They thus in ven ted chess.
? b
B bb
J
n nnn
They thus in ven ted chess.

n
J Dance sequence
b
&b b n n n
.
Fl/Kb's/Str

.
. . .
p
? b
bb . . nnn
139 . n . . .
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No.1:Prologue(PnoVoc)

. .j .
.j .
.j

.


&
.

. . . .

. .

?
142

.
.j .
. . ggg
& . g
.
. .

. .

? -

146

. j
. .

&
. j


. . n . . n

. .

?
150

. nnnnbb
.
. j . . j g
gg
. n . .
& g
. . . .
.
? nnnn b
- b
153

K
b . .
.
&b .
. . .

.

j
.
? bb .
157

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No.1:Prologue(PnoVoc)


b
&b . bbb n
Vln1


. . . . . . .

. .
. j
? b b
bbb
. .
161
.
F
bb
j

j
n
j

j
& b .




. . .
. .
? bb
b
165

. . . . . . .
. . . j
Ob/WW

b n n .
L
&b b n n
n . n

P
. .
Hn/Tbn

? bb n
Vln2/Vla

b .
168 n

. .j . . . . .j . . . . . .
b 2 n 3
& b b .
4 4
. . j

2 3
cresc.

172
? bb
b


4 4

.
bbb 2 n 3 n . . . .
. j 2
& . j 4 4 J

. . . 4
P
f
2 3 n 2
? bb
b 4 4 n

4
176

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No.1:Prologue(PnoVoc)

2 n 3 . . . . . . . . 2
& bbb 4 . . . 4 . J J 4
J
f
2 3 2
cresc.


? bb
b 4 4 4
180


2 3 . F . - . j
j j
bbb 4 n 4
M

& J
Vln

p
2 3 n n

? bb
b 4 4

184

b . . . . . n
j
&b b . . .

J
. . . .
F
..
? b .. .
Hn/Tbn

bb . n . .
188

b
& b b n nbb
. . . . . .
? bb b
b . n . . . . nb
192 . n . . .

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No.1:Prologue(PnoVoc)

b p
N
S &b
p
Each game of chess means theres one less
b
&b




A

F .
Each game of chess means theres one less

V bb
J
T
.
F .
Chess dis played no in er tia,

? bb . J
B

Chess dis played no in er tia,

. . .
N
b
&b .
. . .

.

. j

? bb .
Vlc

196

b F
&b bbb

S

F
va ri a tion left to be played. Next
b bbb
&b


A

b bbb
va ri a tion left to be played. Next

Vb . .
T
J
soon spread to Per sia, then west.

? bb
.
B J bbb

.
ggg
soon spread to Per sia

b bbb
&b
.
. . . . . g
. -
j
? b b
. -
bbb
Vln's


. .
200
.
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No.1:Prologue(PnoVoc)

b j
&b b .
.
S

the A rabs re fined it,

b j
&b b .
.
A

p
the A rabs re fined it,

b j
T V b b n

p n
Each day got through means one or two

? bb n
B b

. . .
Each day got through means one or two

b . .

. .
&b b n

. n n

. j

? bb .
b
204

b
&b b .
j nbb
S
n
thus re de signed, it pro gressed.
b
&b b .
j nbb
A
n

thus re de signed, it pro gressed.
b n b
T Vbb nb


less mis takes re main to be made.

? bb n n
B b nbb
less mis takes re main to be made.

b n . . . . . n b
&b b .
n . - nb
. j -
n
? bb
b . . nbb
208
. -

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No.1:Prologue(PnoVoc)

p
b
O
S &b

p
West and more west chess moved pro gressed

b
&b





A

b F
West and more west chess moved pro gressed

T V b J J j

F
Still fur ther yet, and when Constan ti no ple fell in four teen fif ty three, one

? b J J J
B b

pVln's F
Still fur ther yet, and when Constan ti no ple fell in four teen fif ty three, one

b
O
b
&

j
j

.
. .

.
F

. . . .

? b
b
Bsn

212

b bbb
S &b
seemed like the world had one set

b bbb
A &b


seemed like the world had one set

b bbb
T Vb


would have no ticed ev ery o ther re fu gee in clu ded in his bags a

? bb
B bbb
would have no ticed ev ery o ther re fu gee in clu ded in his bags a


& bb bbb
. . . . . .
? bb . bbb
Hn

.
216 .

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No.1:Prologue(PnoVoc)

b j F
S &b b

bb j F
each. Once in the hands and in the minds of lead ing fig ures of the

& b
A

p
each. Once in the hands and in the minds of lead ing fig ures of the

b j
T Vbb n
n

p
set. The Re nais sance gave chess

? b .
B bb
F
set. gave chess

b
j

n

&b b n
Vln's


. . .
. . .
? b .
Cl

b b
219

b n
&b b J
S

Ren ai ssance, the spi rit and the speed of chess made swift ad vance through
b
&b b
j
n
A


Ren ai ssance, the spi rit and the speed of chess made swift ad vance through
b n
T Vbb
the chance to reach parts most

? bb
B b
the chance to reach parts most

bbb n .
j

&
. . .
. .
? b n n
bb

222

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No.1:Prologue(PnoVoc)

b n n 2 3
Half sing "lands"

n
4 4
P
&b b
half sing "Where"

all of Eur opes vi tal lands. we must re cord The game was fur ther changed

2 3
Where

b
Half sing "lands"

&b b 4 4
half sing "Where"

A
n

2 3
all of Eur opes vi tal lands. we must re cord The game was fur ther changed

b
Where

n
T Vbb . . 4 4
F
2 3
games do not reach.

? bb
B b n 4 4
. . . . . .j . . . . .
2 3
games do not Each game of chess means theres

b .
. n j
Str

n 4 n
4
P

&b b
.
P
2 3
Cl

? b b . .
b .
n 4 4
225

b 3 2 3
&b b 4 4 4
cresc.
S

3 2 3
right a cross the board the west ern touch u pon the pie ces ranged

b
&b b 4 4 4
cresc.
A
n
F
3 2 3
right a cross the board the west ern touch u pon the pie ces ranged

bbb 4 4
4
cresc.
T V

3 2 3
va ri a tion to be played.

n
? b
4 4 4
cresc.

B bb

. .j . . . .j . . a. tion j
3 2 3
one less va ri to be played.


& b bb 4
4 n 4
3 2 3
? b
bb 4 4 4
cresc.


229

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No.1:Prologue(PnoVoc)

bbb 3 f 2 3
S & 4 J J 4 n 4
3 f
2 3
King and queen and rook and bis hop, knight and pawn

b
A &b b 4 j
j
4 n 4
3 f 2 3
King and queen and rook and bis hop, knight and pawn

bb
T V b 4 J J 4 n 4
f
3 2 n 3
King and queen and rook and bis hop, knight and pawn

B
? bb
b 4 J J 4 4
3 2 3
King and queen and rook and bis hop, knight and pawn

n
& bbb 4
n



4
4
f
3 .. .. 2 n 3
233
? bb
b 4 n. . 4 4

bbb 3 j

2 3
& 4 j j 4 4
cresc.
S

3
2 3
all took on the look we know to day, the modern game was born.

b j
&b b 4 j j 4 4
cresc.
A

3
2 3
all took on the look we know to day, the modern game was born.

bbb J
J
V 4 J 4 4
cresc.
T

3
2 3
all took on the look we know to day, the modern game was born.

? b
bb 4 J J J 4 4
cresc.
B

.
3
2 n
3
all took on the look we know to day, the modern game was born.


& bbb 4

4
n
4
J J

3 . 2 3
? b
bb 4
.
J
4 4
236

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No.1:Prologue(PnoVoc)

b 3
4
Arbiter

Arb. Vbb J J

3
And in the end, we see a game that star ted by mis take in
b
S &b b 4

b 3
A &b b 4

b 3
T Vbb 4

3
B
? b
bb 4
p F
bbb 3 j
j

4
j
n .

Vln's

&
. n
. .
p
3 .
? b
4
Vla/Vlc

bb
240

b
Arb. Vbb J

.
Hin du stan and boo sted in the main by what is now I ran be

b . j

j
&b b

.
. .
.
? bb . ...
b .
243

b b n b
Arb. V b
come the simp lest and most com pli ca ted plea sure

n n
b
&b b
. f
? b b . n .
.

b n
246

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Legalactionswillbetaken. 22(24) Version:20160120(newend)ChessLondonRev.1(4str)
No.1:Prologue(PnoVoc)

b n b
Arb. Vbb
yet de vised for just the kind of mind who would ap

b
& b b b n n b

? b b b
b n n
248

b
V b b b
U 4
4
rit.

Arb. n .
pre ci ate this well re searched and fa sci nat ing yarn.

b b U 4
b n - 4
rit.

&b b
- b - - - - - n - - gg ...
- - - gg
gggU
? b gg . 4
250
bb n
n
b
b -

-

-
ggg .
g . 4
q=ca.138

4
Tempo

b U U
4
R
Arb. Vbb

q=ca.138

4 U
. .
U

R
bb 4
Tempo

& b . . . . . .
WW/Str

w .
P F
? b 4Uw w U
w
bb 4 w
253

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No.1:Prologue(PnoVoc)
q=ca.120

b U
nnnbbbb 3
4
not too slow

Arb. Vbb

. . .
. . . . . b .
q=ca.120

b U
nnnbbbb 3
4 j
not too slow

b
& b w n
Str

nw n .

p
? b w U
w 3 .
256
bb nnnbbbb 4
q.=ca.82

j j 6 . j j
Calmato
b
& b bb
8 .
Clar


n
. .

? bb b . . 6
259
b 8

. j

Ob

b
& b b b . n .
b . n .
b. n

? bb b
.
b
263

b b n n .
. n n . n n ... . nnnn

& b b . n ..
. . n n
B-Cl

? bb b nnnn
b
266

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Legalactionswillbetaken. 24(24) Version:20160120(newend)ChessLondonRev.1(4str)
PnoVoc No.2ABC:Merano
MeranoRockMeranoMeranoReprise
Music&lyrics:B.Andersson/T.Rice/B.Ulvaeus
2A: Merano

6
With ease... e.=ca.86
Orchestrations:AndersEljas


Frederick V 8

6
Mayor V 8

6
Girls & 8

6
8
Pop Choir

Boys V

6
S & 8

6
A & 8

6
T V 8

? 6
B
8

.j
e.=ca.86

. . . . ~~~~~~~~~~~
2A: Merano

.
6 ..
~~~~~~~~~~~ ~~~~
With ease...

.
Fl

& 8 ..
J
.
. 2

p .
2

.
? 6 .
Str
Pno

1
8 .
J &

. . . .
J J J J ...
poco rit.

& J J J J
. . . . .. . .. . ..
?
Hn
. . .
&
.

6

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Legalactionswillbetaken. 1(36) Version:20160120ChessLondonRev.1(4str)
No.2ABC:Merano...(PnoVoc)

P A Calmato F
. j
j j j j
Citizens

j
S & .
Citizens P F
.
O light the heart that lin gers in Me ra no, Me

j j j j j j
& .

A

P j F
O light the heart that lin gers in Me ra no, Me

V . J j . .
Citizens

T
J J J

P j j F
O light the heart lin gers in Me ra no, Me
j j j .
? . .
Citizens

.
J
B

j
O light the heart
.
lin gers in Me ra no, Me
U j L.H.

Harp

.. .
A
& . .
j

Calmato L.H.

.
j
.
..
.
U J J J
.
Str

.. j j j j j j - .
? . .
. - . - . . .
J
*
11

P
j
S & . .
j
. j . .

ra no!
P
The spa no con noisseur of spas would miss,
F
& j j .
A
. . . . . .
P
ra no! The spa no con noisseur of spas So health y,
j j
T V . . . j . .
P F
.
ra no! The spa no con noisseur of spas would miss,

? . .
B . J J . . . .


ra no! The spa no con noisseur of spas So health y,


& ... ... j j . .. . . .
. .
J . .
? .
.
.
. . . .. .. .
J J . .
16

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Legalactionswillbetaken. 2(36) Version:20160120ChessLondonRev.1(4str)
No.2ABC:Merano...(PnoVoc)

F j
S & j
. . .

F
high ly re com mend ed is men tal and phys i cal

j j j
A & . . . . . .

F j
high ly re com mend ed is this sweet me trop o

V . . . . . ..
T
J J J
F j
.
high ly re com mend ed is this sweet me trop o

? j j .
. . . . .
J
B

high ly re com mend ed is this sweet me trop o


& . . . . . . . .
..
. . . ..
.
.
? j j . . . . . . .
. . . .
22

e.=ca.104
U F
j
B poco mosso
j j
S & . j
j j

j
.

U F
bliss! The gods have smiled and bless ed is Me ra no, Me

j j j
A & . j
j j

j
.
U The F
j
lis. gods have smiled and bless ed is Me ra no, Me

.
V . n j j j j j
T
( )
J
J .
U F j
j
lis. The gods have smiled and bless ed is Me ra no, Me

? .. j j j j
j .
B
( ) J

j
lis. The gods have smiled and bless ed is Me ra no, Me
e.=ca.104
j
.
.
L.H.
B

poco mosso

j .
N U .
j
Gl-sp

&
..
L.H.

.. . .
+WW


. J F J
J J . .
? . U

j j

j j
. . .

j
- .
- . . .
27

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Legalactionswillbetaken. 3(36) Version:20160120ChessLondonRev.1(4str)
No.2ABC:Merano...(PnoVoc)

f

.
S & . .
. . .
f
ra no! There are no Such vig our!

& .
. . . . .
A

f p
ra no! There are no Such vig our!

. . . . .
T V J J J
f p
ra no! There are no fit ter burgh ers to be found.

? . . .. . .
B
J J J


ra no! There are no fit ter burgh ers to be found.

& .. .. .. j .. . .. .
. .
-
? . . . . - . -
.
. . .. .
. . . J
32 J
(e.=ca.108)

F j
C Giocoso

& j .
S

F
Take the time to taste us, well give you a wel come thats

& j j
A
.

F
Take the time to taste us, well give you a wel come thats
j
T V
J .
F
Take the time to taste us, well give you a wel come thats

B
?

j

j
.
Take the time to taste us, well give you a wel come thats
(e.=ca.108)

. .

C Giocoso
j
& . - .. .
J

J

.
. . . .
? j j
. . . . .
Bsn

.
38

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No.2ABC:Merano...(PnoVoc)


&
S
J


typ i cal Ti rol for then we are sure of our ground. Right

&
A
J


typ i cal Ti rol for then we are sure of our ground. Right

V
T
J

typ i cal Ti rol for then we are sure of our ground. Right

B
? J
typ i cal Ti rol for then we are sure of our ground. Right

. . .
& .. .
Ob

J J J J
J

? . . . . . . . . . . . .
. &
41


S &
now were I tal ian, we used to be Ger man, the bor der keeps shift ing a


A &


now were I tal ian, we used to be Ger man, the bor der keeps shift ing a

T V
now were I tal ian, we used to be Ger man, the bor der keeps shift ing a

B
?
now were I tal ian, we used to be Ger man, the bor der keeps shift ing a


& . . . . . . . . . . . .
. . . . .
.
. . . .
j
& J J J J
?
J
44

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Legalactionswillbetaken. 5(36) Version:20160120ChessLondonRev.1(4str)
No.2ABC:Merano...(PnoVoc)

f Sing
j U .
Mayor molto...
rit.

.
with "Italian tenor hero voice"...
May. V J - - - .
P U. .
Speaking as one of the pa tri archs, I dont mind tak ing your li ra or marks.

S & . .


round.
P U
A & . . . .

P U. .
round.

V
T
. .
P U. .
round.

B
? . .

U .
round. rit. molto...

&
.. .. . ... . ... .. n ...
. . .
? N j j j U .

47
- - - . .
e.=ca.114

f
D
j

alla tarantella/marcia

j j j
S &
.
f j

Oh I get high when I saun ter by the moun tains of Me ra no,

j j j
A & .
f j
Oh I get high when I saun ter by the moun tains of Me ra no,

T V

j
j
j
.

f
?
Oh I get high when I saun ter by the moun tains of Me ra no,

J

J .
B
J J
Oh I get high when I saun ter by the moun tains of Me ra no,
e.=ca.114
m
m j m
D
j

alla tarantella/marcia

j j
& ..

f
?

. - . -
52
sim. artic.

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Legalactionswillbetaken. 6(36) Version:20160120ChessLondonRev.1(4str)
No.2ABC:Merano...(PnoVoc)

F dolce espr.
.. .. n .. j j j
&
J J J
S

j F dolce espr.
ros y cheeked Me ra no, flour ishing to a fault. The sparkl ing streams, the
j j
& .. .. n .. j j j

A

F dolce espr.
ros y cheeked Me ra no, flour ishing to a fault. The sparkl ing streams, the

V . . J . j j j
T
J J
F jdolce espr.
ros y cheeked Me ra no, flour ishing to a fault. The sparkl ing streams, the

? J
.. .. .

B J J J J
. .
.
ros y cheeked Me ra no, flour ishing to a fault. The sparkl ing streams, the

.
. ..
dolce espr.

j j
&
. .
F
? .
.
56

f
j j j j j .
S & .

f
brac ing air, the ther a peu tic salt. Id have to be car ried a way

j j j j j .
A & .
f
brac ing air, the ther a peu tic salt. Id have to be car ried a way

j j j j j .
T V .
f
brac ing air, the ther a peu tic salt. Id have to be car ried a way

?
J
.
J .
B
J J J
brac ing air, the ther a peu tic salt. Id have to be car ried a way


j j j j . ...
&
. . .. . . .
f
? .
.
61

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No.2ABC:Merano...(PnoVoc)

j
j
E
& .
S
J
to call a halt! Oh I feel great in this bounc ing state, o
j
&
J
.
j

A


to call a halt! Oh I feel great in this bounc ing state, o

j
T V
J
.

j


?
to call a halt! Oh I feel great in this bounc ing state, o


B J . J J

m
to call a halt! Oh I feel great in this bounc ing state, o

j m j
j
E
&
. .

? . .
.
66 J


j
j j j ~~~~ J . j
shout

S & .


hail to thee Me ra no. Heart y hale Me ra no, an y ob jec tions?

j j j j j
shout
A & . . .


hail to thee Me ra no. Heart y hale Me ra no, an y ob jec tions?

j j
j j

V . . .

T


hail to thee Me ra no. Heart y hale Me ra no,

? . j

j
. .
B
J J
. . . .
hail to thee Me ra no. Heart y hale Me ra no,

m j j .
& .. .


?
70

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Legalactionswillbetaken. 8(36) Version:20160120ChessLondonRev.1(4str)
No.2ABC:Merano...(PnoVoc)

. F dolce espr.
& j j j j j j j .
S
.

. F dolce espr.
Where breath ing in will turn you on, where wa ter tastes like wine.

& j j j j j j j .
A
.

F dolce espr.
Where breath ing in will turn you on, where wa ter tastes like wine.

j j j j j j j .
shout
T V .
F dolce espr.
Nein! Where breath ing in will turn you on, where wa ter tastes like wine.

? j J . .
shout
B
J J J J J
Nein! Where breathing in will turn you on, where wa ter tastes like wine.

. j j
dolce espr.

& . j j j j
. . . .. .
F f
? . .
. .
75

f . j
&
(c#!)

S
J
f
Get out your get up and go and get in line, its living your life in a

& . J j

(c#!)

f
Get out your get up and go and get in line, its living your life in a

V . j

(c#!)

T
J
f
Get out your get up and go and get in line, its living your life in a

? . J j
(c#!)

Get out your get up and go and get in line, its living your life in a

. ... j j .
bring out

&
. . . . .
.
.
? J.
80

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No.2ABC:Merano...(PnoVoc)

. .
S & J .


show by Rodg ers and Ham mer stein!

& . j .
A
.

.
show by Rodg ers and Ham mer stein!

. .
T V J
show by Rodg ers and Ham mer stein!

? . . .
B J
show
. . .
by Rodg ers
.
and Ham
-

.j
mer stein!

. .

Hn

& .
J .
sub p

? .
J .
85

F F
. j j j
& j j j


S

F
O sad the soul who pass es by Me

. j j j j j j
&

A

F
O sad the soul who pass es by Me

V . J J J
J
T
J J
F
O sad the soul who pass es by Me

? . j J j
J
J
B
J

. .
O sad the soul who pass es by Me

m Fl .
. .
.
F
j .


& J
J J
J
P
? }

89

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Legalactionswillbetaken. 10(36) Version:20160120ChessLondonRev.1(4str)
No.2ABC:Merano...(PnoVoc)

f F
j
S & . . .
j
.
j

f
ra no, Me ra no! So far no soul has ev er passed us

&
A . . .
. f
ra no, Me ra no! So far no

T V . . .

f F
ra no, Me ra no! So far no

? . .. .
.
.
.
j
.
j
B
J

.. . . . . . j
ra no, Me ra no! So far no soul has ev er passed us

& .

F P J J
-. . - ...
.

? ... J

94 J

p F p
. j . .
S & . .
j
.

f F f
by. Why not stay for ev er? All,

. j j
A &
. . . . . . . .

. f F p
They love us Why not stay for ev er? Oh so man y

. . j j . .
T V . .
p F f
They love us Why not stay for ev er? All,

? . . . . . . . .
B
J J
by. Why not stay for ev er? Oh so man y

. .. ..
. . . . . . . . .
& . . . .
.
. . . . .
? . .
.
99

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No.2ABC:Merano...(PnoVoc)

f j
F G
j
S &

j j

F
all those in fa vour say Aye Aye! So sing a song, lets

j j
A & . .

j j

F
f
rea sons why Aye! So sing a song, lets

J
T V j
J
J

. F
all those in fa vour say Aye Aye! So sing a song, lets

? . j
B
J J J

. . .
.
rea sons why Aye! So sing a song, lets

. . . . . .

j .

J J
G
&
Tpt

J J J J
f F
? . j .
J . J .
105

f
j j
S & . .

f
hear it for Me ra no, Me ra no! So pra no,

j j
A & . .
f
hear it for Me ra no, Me ra no! So pra no,

. . j
T V J J

f .
hear it for Me ra no, Me ra no!

? .
J J
B
J

. . . .
hear it for Me ra no, Me ra no!

. . ..

&
f
? }
...
. ...
.

J J
109

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No.2ABC:Merano...(PnoVoc)

f ..
& . .. .. J
S
J

F p f
Were wholesome, what a hap py ha ven.

j j
A &

j
. j . . j
.
F p f

al to, ten or, bass a gree, what a hap py ha ven.

V j j
J .
T
. j . . J
F p f
al to, ten or, bass a gree, what a hap py ha ven

? j . j . . j
B J J .
al to, ten or, bass a gree, what a hap py ha ven.

j . .. .. . ..
& .
. . .
j .
F
? . . j j .
. . .
113


H
S &


A &


This is a place where your ar ter ies sof ten, cho les ter ol has nt a

T V

?
This is a place where your ar ter ies sof ten, cho les ter ol has nt a

B

This is a place where your ar ter ies sof ten, cho les ter ol has nt a


H
& .
J J J
f
?

119

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No.2ABC:Merano...(PnoVoc)

.
S & J


From mountain to val ley the nat u ral good ness is

&
. J
A


chance. From mountain to val ley the nat u ral good ness is

V
. J
T


chance. From mountain to val ley the nat u ral good ness is

? . J
B

. . . . . . . . . . .
chance. From mountain to val ley the nat u ral good ness is


J . .
&

? ggg ggg ggg ggg


ggg gg ggg ggg
122 g

f

Mayor

V . J J J
May.
J J

P
So come to us and feel the force, all

&
Time "s" with "s" in "force"

S
. .
P
fight ing pol lu tions ad vance.

&
A
. .
P
fight ing pol lu tions ad vance.

V
T
. .
P
fight ing pol lu tions ad vance.

B
? . .

. . . . . .
fight ing pol lu tions ad vance.

... .. ..
& . . .
F

? gggg
j
j
gg J J J
125

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No.2ABC:Merano...(PnoVoc)

j U
rit.

.
molto...

May. V - - - . .
U.
ma jor cred it cards tak en of course.

S &

U.
A &
U.
T V

? U.
B

U
.
rit. molto...

.. ... .. .
& ... . . n .. .
p
? j .
- - - . U.
128

f
a tempo

j
j
I
& j
j
.


S

f
Oh I get high when I saun ter by the moun tains of Me ra no,
j
A &

j
j
j
.

f
Oh I get high when I saun ter by the moun tains of Me ra no,
j
T V

j
j
j
.


f
Oh I get high when I saun ter by the moun tains of Me ra no,

? .
B J J J J
m
Oh I get high when I saun ter by the moun tains of Me ra no,

m

a tempo

m m .
I
& J J J J .
J
f
?
131

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No.2ABC:Merano...(PnoVoc)

.. .. n
&
J J J
S


ros y cheeked Me ra no, flour ish ing to a
j j j
A & .. .. n


ros y cheeked Me ra no, flour ish ing to a

. .
T V J J J

.. ..
ros y cheeked Me ra no, flour ish ing to a

?
J

J
B
J

. .
~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~
. . n . . .
ros y cheeked Me ra no, flour ish ing to a


& J


?
135

. F dolce espr. f
& . j j j j j j j j
S
.

F dolce espr. f
fault. The sparkl ing streams, the brac ing air, the ther a peu tic salt. Id

& .. j j j j j j j j
A
.

. F dolce espr. f
fault. The sparkl ing streams, the brac ing air, the ther a peu tic salt. Id

j j j j j j j j
T V .
F f
? N.
fault. The sparkl ing streams, the brac ing air, the ther a peu tic salt. Id

j J J J . J
dolce espr.
B
J J J
fault. The sparkl ing streams, the brac ing air, the ther a peu tic salt. Id

.

dolce espr.


& J
F

? . .
. .
* * * *
138

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No.2ABC:Merano...(PnoVoc)

. J
& J .
S


have to be car ried a way to call a halt! Once

& . J
A J .

have to be car ried a way to call a halt! Once

V . J
T
J .
J
have to be car ried a way to call a halt! Once

B
? . J .

. .
have to be car ried a way to call a halt! Once

j
. j
& .
f
?
.
.
143 J .


J
j
S &
j
j
j
.


in a while all the gods will smile on lit tle old Me ra no,

j
A & j
j
j
.

j
in a while all the gods will smile on lit tle old Me ra no,

T V

j
j
j
.

?

in a while all the gods will smile on lit tle old Me ra no,

J

J
.
B
J J

m
in a while all the gods will smile on lit tle old Me ra no,

m
m
J
.
& J J J J .

f
?
.
147 .
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No.2ABC:Merano...(PnoVoc)

j .
S &
j ~~~~~~ J J


hum ble shy Me ra no sud den ly hits the

j
& j j . . n

A

j j
hum ble shy Me ra no sud den ly hits the

V . .
T J
hum ble shy Me ra no sud den ly hits the

? j j . .
B J

. .
~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~
. n . .
hum ble shy Me ra no sud den ly hits the

. .

& J

?

151

F dolce espr.
j j j
S & J j j j

j
j .

j F dolce espr.
press! And I re port with all the pride and joy that I pos sess.

j j j
A & j

j j

j
j .

F dolce espr.
press! And I re port with all the pride and joy that I pos sess.

j j j
T V J j j j

j
j .
F dolce espr.
press! And I re port with all the pride and joy that I pos sess.

? J j .
B
J J J J J J J
press! And I re port with all the pride and joy that I pos sess.

.
dolce espr.


& J
F
? . .
. .
* * * *
154

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No.2ABC:Merano...(PnoVoc)

f . J .
S & J

f
Half of the world and his wife has our ad dress,

& . J .
A
J

f
Half of the world and his wife has our ad dress,

V . J .
T
J
f J
Half of the world and his wife has our ad dress,

B
? . J .

. .
Half of the world and his wife has our ad dress,

j
bring out

j
& .

f
?
J
159

. . .
&
S


our lit tle town will be rife

& . . . .
A


our lit tle town will be rife

V . . . .
T


our lit tle town will be rife

B
? . . .
our lit tle town will be rife


. . ... . .. ..
& . .

?


163

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No.2ABC:Merano...(PnoVoc)

j j
Whistle K
& . . . . .
S
J


with games of chess!

j j
Whistle

A &
J
. . . . .

j
with games of chess!

j
Whistle

V & . . . . .
T
J

with games of chess!

? j
Whistle

B J J & . . . . .
with games of chess!

. j j
. . .
. .
K
n J
non div.

& .
p
? j .
j
.
167
. .

. . .
S & . . . . . .

. . .
A & . . . . . .

. . .
T & . . . . . .

. . .
B & . . . . . .

.

.

.
. . . . . .
& J J

. . . .
? .. ..
171

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No.2ABC:Merano...(PnoVoc)

. .
.
S &

. .
.
A &

. .
.
T & V

. .
.
B & ?

.
. .

. . . .
j
Ob/Vln

& . .
F
. .
? ..

175

U
.
rit. molto...

S &

U
A & .

U
T V .

? U
B .

j j . .
. . . . n ..
rit. molto...

&

. . U
? .. ..
.
180

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No.2ABC:Merano...(PnoVoc)

f .

L
& j

(c#!)

S
J
f
Get up your get up and go and get in line. Its

& . J j
(c#!)

A

f
Get up your get up and go and get in line. Its

V . j
(c#!)

T
J
f
?
Get up your get up and go and get in line. Its

. J j
(c#!)

.
Get up your get up and go and get in line. Its



. .
bring out

J
L
& J
f
. . . .
?
.
J

J
185

. 4
S &
J 4
4
liv ing your life in a show by Rodg ers and Ham mer


A & .
j
4
4
liv ing your life in a show by Rodg ers and Ham mer


T V . J 4
4
liv ing your life in a show by Rodg ers and Ham mer

?
B
. J 4
. . 4
liv ing your life in a show by Rodg ers and Ham mer

j

&
4

?

4
189

4

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No.2ABC:Merano...(PnoVoc)

4
2B: Rock-Merano
8-beat rock q=ca.102

S & 4 w

4
4
stein!

A & w

4
4 w
stein!

T V

? 4 w
4
stein!

B
stein!

4
2B: Rock-Merano


8-beat rock q=ca.102

& 4
n

n

n


f (Main riff)
? 4
Guit

j . n
192
4 . - n . j
. n

- .
j
(Opt. play bass line in Rock Merano 8:va down...)

F
Frederick


M
Fred. V
What a scene! What a joy! What a love ly sight


M
&
n n n
j
?
j . j j
Drums

. n n . n
195

. .
V
(BAR 10 was originally cut)

Fred. J J J

2
when my game is the big sen sa tion! (BAR 10 was originally cut)

&
n n
2
? j n j
. n .
198

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No.2ABC:Merano...(PnoVoc)

Fred. V

Has the mobs sporting taste al tered o vernight? Have they found new so phis


&
n n n
? j j j
. n . n . n
202

w
V J
N
Fred. J
ti ca tion? Not yet! They just

morefreely with in style...


N
&
n
f
? n
D/G
n
D j E/D
j

205
. n n


Fred. V J


want to see if the nice guy beats the bum. If its

&

B
n
? j j j
E
j
-
208


Fred. V .


East West and the mo neys sky high, they all come.

&

? j j A j j

D A/G D
n j
211 - . - .

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No.2ABC:Merano...(PnoVoc)

.
Fred. V J

n

n n n
&
n n

? j j j j
- . - . n n

214


(BAR 26&27 was originally cut)


O
Fred. V
(BAR 26&27 was originally cut)


You can raise all you want
n
O
&
n n n

?
j n
j
n
j .
n
217

V


J
Fred. J J J
if you raise the roof, scream and shout and the gate in creas es.

n n
&

n n n

? j j j
. n . n . n
220

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No.2ABC:Merano...(PnoVoc)

.
J
(BAR 33 was originally cut)

Fred. V
Break the rules, break the bank,

n n

(BAR 33 was originally cut)

&
n n n
? j j . j
. n . n n

223

V


Fred. J J


Im the liv ing proof, they dont care how I move my piec es.

&

n n n
? j .
j nn
D/G

. n n . n
226

w
P
Fred. V
I know Im the best there is but all they


P more freely with in style...

&
fD
j E/D j
? n j -
n
229


Fred. V J


want is a show. Well thats all right, Ill be

&
n
j j
B
? j
j
E D
j
232

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No.2ABC:Merano...(PnoVoc)

6 U.
8
rit.

Fred. V


f S. R. O.
6 U ..
glad to o blige S. R. O.

&

8
f
6 U
S. R. O. S. R. O.

8
P. Chr.

.. 6 U ..
S. R. O. S. R. O.


. 8 .
rit.

& J
F
? j j 6U
235
- . n j


. 8 .
2C: Merano reprise
e.=ca.114

. j
Q

alla tarantella/marcia

& ..
Cl.

. . .
p
. .
? j

239
.

.
. . . . . . . .
pociss. ten...

&

? ... ... ..
.
243

.j . . . . . .
. j
Fl


a t:o

& n.
. . . . . . . . . .


? ..

J J J
247

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No.2ABC:Merano...(PnoVoc)


S &


A &


T V

B
?
. . . . Tutti


&

. . . .

?

251
J

f j
j
R Citizens

j j
S & .

f
Citizens Oh I get high when I saun ter by the moun tains of Me ra no,

j
A &
j
j
j
.

f
Citizens Oh I get high when I saun ter by the moun tains of Me ra no,

j
T V
j
j
j
.


f
Oh I get high when I saun ter by the moun tains of Me ra no,

?
Citizens

J J J .
B
J
m
Oh I get high when I saun ter by the moun tains of Me ra no,


m m
m
.
R
& J J J J .

f
? j
.
254

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No.2ABC:Merano...(PnoVoc)

.
S & J J J


ros y cheeked Me ra no, flour ish ing to a

j j j
A & .


ros y cheeked Me ra no, flour ish ing to a
j
T V
j ~~~~~~ J
J

j
ros y cheeked Me ra no, flour ish ing to a
j
? ..
J
J J
B

. .
~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~
. n . .
ros y cheeked Me ra no, flour ish ing to a

. .

& J


?
258

. F
j j j j j j j
dolce espr.

&

S

F
fault. The sparkl ing streams, the brac ing air, the ther a peu tic

. j j j j j j j
dolce espr.
A &

F
fault. The sparkl ing streams, the brac ing air, the ther a peu tic

j j
V . j j j j j
dolce espr.
T

F j
fault. The sparkl ing streams, the brac ing air, the ther a peu tic

? n.
dolce espr.

B
J J J J J J
fault. The sparkl ing streams, the brac ing air, the ther a peu tic

.

dolce espr.


& J
F
? . .
. .
* * *
261

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No.2ABC:Merano...(PnoVoc)

f .
j
S & . J

f
salt. Id have to be car ried a way to call a

& . j
A
. J

f
salt. Id have to be car ried a way to call a

j .
T V . J
f
salt. Id have to be car ried a way to call a

? . . J
B
J

. .
salt. Id have to be car ried a way to call a

j
&
f
?

*
265

j
j
S
j j
S & J .


halt! Oh I feel great in this bounc ing state, oh, hail to thee Me
j
A & J .
j
j

j


halt! Oh I feel great in this bounc ing state, oh, hail to thee Me

j
T V J .
j
j

j


halt! Oh I feel great in this bounc ing state, oh, hail to thee Me

? J . J

J

B
J J
halt! Oh I feel great in this bounc ing state, oh, hail to thee Me
m
j . m m
S

& J J J
J
.
f
.
?
. .
269 J . .

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No.2ABC:Merano...(PnoVoc)

j j
~~~~~ J
shout
S & . J

j
ra no. Heart y hale Me ra no, an y ob jec tions?

& .
j
~~~~~ J J
shout


ra no. Heart y hale Me ra no, an y ob jec tions?

V .
T
. J J
ra no. Heart y hale Me ra no,

? .
.
B J J

~~~~~~~~~~~~ ~~~~~~~~~~~~
. . n . . .
ra no. Heart y hale Me ra no,

m . .
.
& . J


?

273

. F
j j j j
dolce espr.

& j

S

. F
Where breath ing in will turn you on, where

j j j j j
dolce espr.

&

A

F
Where breath ing in will turn you on, where


V J j j j j j
shout dolce espr.
T

F j
Nein! Where breath ing in will turn you on, where

?
shout dolce espr.
B J J J J J
Nein! Where breath ing in will turn you on, where

.
dolce espr.


& J
F
? . .
. .
* *
277

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No.2ABC:Merano...(PnoVoc)

f
j j . .
S & .

f
wa ter tastes like wine. Get up your get up and go

&
j j . .
A
.

f
wa ter tastes like wine. Get up your get up and go

V
j j . .
T
.
f
wa ter tastes like wine. Get up your get up and go

? . . .
B J J

. .
wa ter tastes like wine. Get up your get up and go


&

f
?

* *
280

.
&
J
j

S


and get in line. Its liv ing your life in a show

&
j .
A
J

and get in line. Its liv ing your life in a show

V
J
j .

T

j
and get in line. Its liv ing your life in a show

B
? J .
and get in line. Its liv ing your life in a show

. .
j
bring out

j ...
& . .

? .
J
284

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No.2ABC:Merano...(PnoVoc)

. . . . . .
S &
by Rodg ers and

. .
A & . . . .
by Rodg ers and
. . . . . .
T V
by Rodg ers and

B
? . . . . . .
by Rodg ers and

.
& . . .
. . . . . .

?
288

. . j F
T
S &

j F
Ham mer stein! Now for the sell We put the

A & . .



. F
Ham mer stein! Now for the sell We put the

V
.
T
J
F

Ham mer stein! Now for the sell We put the

? . . J .
B

. . .
Ham mer stein! Now for the sell


T
&
.
sub p F

? .
293
.

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No.2ABC:Merano...(PnoVoc)


S & .


ice in to par a dise, we are the salt of the earth.

& .

A



ice in to par a dise, we are the salt of the earth.

T V



ice in to par a dise, we are the salt of the earth. Sound as a

? .
B

.
.
. . . . . . . . . .
Sound as a

& .
f

?


297

p

& . n
sub

sub p
Check out the wa ters and check out the hy giene at which we ex

.
A & n
p
Check out the wa ters and check out the hy giene at which we ex

n

sub
T V
p
bell Check out the wa ters and check out the hy giene at which we ex

?
sub

B

bell
. . .
Check out the
.
wa ters
. . .
and check out
. .
the
. .
hy giene at which we
. . . .
ex

. n
& a
. . .
sub p

?
300

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No.2ABC:Merano...(PnoVoc)

f . . n.
& n

S

f
cel. Check in to a ho tel and

& n n. n.
A
.
f n.
cel. Check in to a ho tel and

. .
T V
f n. n.
cel. Check in to a ho tel and

? .
B


cel. Check in to a ho tel and

.
& . n n n . n
f . . . . . .
?
303

. . .
S & J


schnell bo dy and soul get
j . .
A & .

. .. ..
schnell bo dy and soul get

T V J

. .
schnell bo dy and soul get

B
? J .
schnell bo dy and soul get
j
. . .
&


. . .
?
307

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No.2ABC:Merano...(PnoVoc)

.. .. .. .. ..
S &


well!

A & . . . . .

.. .. .. .. ..
well!

T V

? . . . . .
well!


well!


&
j .

? . . . .
. . . .
311

.. U U
G.P.

S & J .

U U
A & . .
J

.. U U
T V J .

B
? . .
J
U

U

U
U
. . . . .
G.P.

& ..
. . . . . .
f
U U
?
. . . . .
316 . . . . .

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PnoVoc1 No.34:CommieNewspapers
PressConference
3:CommieNewspapers

4
q=ca.128
Music&lyrics:B.Andersson/T.Rice/B.Ulvaeus

U
4
Orchestrations:AndersEljas

&b
Medium fast 8-beat
Florence

4 U
Frederick Vb 4

4
S+A &b 4

4
T+B Vb 4
3:CommieNewspapers
q=ca.128
4 . . . . . . . . sempre staccato

&b 4
KB1 Medium fast 8-beat

P P F
4 U|
Tutti


Reh-pno

?
4
cluster

b | |
1 F Drums

Flor. &b

Fred. Vb


& b
KB2

P
?b . j . . . . .
Reh-pno

5 Guit/Bass
. . J .

& b

. . . . . .
j
Reh-pno

?b
+Fl&Ob

. .
+Cl's&Bsn

8
. J .
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No.34:C_News&PressConf.(PnoVoc1)

j j
A
&b j j
Florence

j

Flor.

Well, we cant com plain that youre be ing ig nored by the

Fred. Vb

^
^

A
&b
F P
. j . .
. . . . . . .
Reh-pno

?b
11
. . .

Flor. &b j
.


press. Theyre not too po lite!

Vb J
Frederick spoken:
Fred.

Whatd they say? Whatd they say? They

& b

KB2

. j . . . .
Reh-pno

?
b . .
14
. .

B
&b j w
Flor.


Well, yes in five

Fred. V b

w
say Im a shit? B

& b
Str.

F
. .
Reh-pno

?
b . . . j

17 . . .

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No.34:C_News&PressConf.(PnoVoc1)

&b w
spoken:

Flor. J
dif frent lan guages! The Times: You Thrive

Fred. Vb

w
&b
J
J
Reh-pno

? b j . . j j j
. .
21

2
Flor. &b . j
4

2
on un pleas ant ness

Fred. Vb 4


2
&b J n 4 n
sub p

2
Reh-pno

25
? b j .
.
j

j 4

4
OPEN

4
(move on when C
& b .. ..
cond. cues vocalist)

Flor.

4
Fred. V b .. J ..
4
J J
I dont be lieve that they cant see my game.

4 .
.
OPEN
.j .
. . . . . .
(move on when Play on cue

4
C

cond. cues vocalist)

& b .. ..



? b .. 4
Reh-pno

28
..
4
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No.34:C_News&PressConf.(PnoVoc1)

2 4
Flor. &b 4 4

2 4
snap finger

Fred. Vb
4 4
. . . . . . 2 4
Im like that ten nis play er, whats his name?

j
. . .
&b 4 4
skip if to hectic...

( ) J
F
2 4
?b
4 4
Reh-pno
+WW

30

+Bari/Str

4 2
Flor. &b 4 4
4 2
Fred. Vb 4 . j
4

4 2
They love to hate me and for us thats dol lars!

j

&b 4
4
4 2
?
4 4
Reh-pno

b J J
33
.
+Tpt's

2 4
4 4
D
.. ..
OPEN ON CUE

Flor. &b

2 4
Fred. Vb 4 .. .. J 4 J
J
Hey look heres a piece that some

2 .. .. ^ ^ 4

4 4
OPEN ON CUE D
&b J J
p f P
2 . j 4 . . .
?
4 4
Reh-pno

b .. .. . .
.
36

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No.34:C_News&PressConf.(PnoVoc1)

2
4
OPEN

Flor. &b .. ..

2
Fred. Vb J J 4 .. ..

2
i diots writ ten on you!

..
4 ..
OPEN

& b
p
. . 2
Reh-pno


?
b . . . . 4 .. ..
+Brass

39
.

4
ON CUE

Flor. &b 4

4 J
Fred. Vb J 4 J J

4
His gen tle compan ion, huh! If they on ly knew!

^ ^
ON CUE

&b 4
KB2

J J
f P
. j 4 . . . . . .
Reh-pno

?
b 4 . . . . .

+Brass/Bari/Bsn

42
.

E
&b w j

Flor.

w
She stands by her cham pion


spoken:

Fred. Vb
She stands by her cham pi on I like

w
E

& b J
Str.


F
? j.
Reh-pno

b .
j .
j

46

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2
Flor. &b

w . j
4
2
whose de mands are so in fan tile

Fred. Vb

w . j
4
this, whose de mands are so in fan tile


w


J 2
&b
4

J
subn p
2
? j j . j j 4
Reh-pno

b . j .
.
50

2 4
OPEN
(move on when

4 4
F
&b .. j .. j
cond. cues vocalist)

j
Flor.

2 4
If you dont like it, then its up to you.

Fred. Vb 4 .. ..
4

4 . . . . . .
.
2
OPEN
.j .
.
(move on when Play on cue

4 n 4
F
.. ..
cond. cues vocalist)

&b


2
.. 4
?b
4 4
Reh-pno

..
54

Flor. &b
j
j

j
They like the Rus sian, they could like you too.

Fred. Vb

.
.
. . .
. .
. j .
&b
skip if to hectic...


( ) J J

Reh-pno

?b
+Brass/Bari/Bsn

57
.
+Fl/Ob/Cl's

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Flor. &b

Fred. Vb . j
Of course the bas tards all sup port the Russian.

. .
b



&


Fl/Cl's


F sub p


Tbn/Hn

?b
Reh-pno

. .
60
+Bari/Bsn

Flor. &b . j j
But Ser gi ev sky seems a sweet op ponent, so why do you a buse him all the time?

Fred. Vb

. . . . - j
Ob=Voc


Fl/Ob/Str

&b J
. . . . . -
. . . .
Reh-pno

? J
b . . . . . .
64 .
4:PressConference
q=ca.142
U
n 2 4
4 .. ..
4
Slightly "hectic" OPEN ON CUE

Flor. &b

4:PressConference
q=ca.142
U
n w 2 ..
.. 4

KB2 Fnissel

w
4 4
Slightly "hectic" OPEN ON CUE
b
KB1 Str

& w w

?b 2
n . . . . . . . . 4 .. . . . .
4
. . . . 4
Reh-pno

..
KB3 SynBass

68 F

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4
G
V 4
4
Fred.


S+A & 4

4 n
4
Reporter 1

T+B V

4
Does your opponent de serve such a buse?


G KB2 Fnissel


& 4
KB1 Str

........ .......
4
p
?
4 .. . . . . . . ... . ...
Reh-pno

v
72 sempre staccato

Elbass fill


Fred. V



Reporter 2

& n n

S+A


But e ven you must con cede he can play.

T+B V


&
. . .. . . .. . . . . . . .
?
Reh-pno



v
76


Elbass fill

S+A &

n
Reporter 1

V J J
T+B

He has nt lost for a long time, he could be a tough nut to crack.


&

?
Reh-pno


80

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5
8
H
V .. ..
OPEN ON CUE

Fred.


f
5
j 8
Reporters

& .. .. n
A Group
S+A

f
5
Why do you per sist with

n
8
Reporters

V .. .. J
A Group
T+B

Why do you per sist with

5
j 8.
H
& .. ..
OPEN ON CUE
. . n . .
+WW

.
p f
5
Reh-pno

83
? ..
..

8
.

.

.

.

.
+El bass

[B Group sub p
6 n 9 5
S+A & 8 8 8
[ B Group sub p
vicious at tacks, un gracious remarks re op ponents? It smacks of a lack of con

6 n 9 5
T+B V 8 8 8
6 n 9 5
vicious at tacks, un gracious remarks re op ponents? It smacks of a lack of con


& . . .
. . 8 8 . . . . . 8
p
6 9 5
Reh-pno sub

? 8 8 8
86
sempre staccato

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f
5 7 6 5
S+A & 8 8 8 n 8
f
5 7 6 5
vic tion, ad mit youre un der du ress and that your on ly skill left is for

n
T+B V 8 8 8 8
vic tion, ad mit youre un der du ress and that your on ly skill left is for

5 7 6 5
& 8 . . . . 8 . . . . . 8 n 8
. . .
f
5 7 6 5
Reh-pno

89
?
8 8 8

8

5 6
I

[ A Group
S+A & 8 n 8
mon ey, not chess. If So vi et lifes as grim as you claim, then

5 n 6
[ A Group

T+B V 8 8
5 6
mon ey, not chess. If So vi et lifes as grim as you claim, then


8 . . n . 8
I
& . . . . .
. . .

5 6
Reh-pno

92
?
8





















8

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6 n 9 p 5
[B Group

& 8 8 8
sub
S+A
how come their boys are so good at the game? Though you swear the A

6 n 9 5
[B Group
p

V 8 8
8
sub
T+B

6 n 9 5
how come their boys are so good at the game? Though you swear the A


& 8 8 . . . . . 8
p
6 9 5
Reh-pno sub

95
?
8











8





8

f
5 7 6
S+A & 8 8 8 n

f
5 7 6
mer i can dream is clear ly the best, youre no ad ver tise ment for life and

n
T+B V 8 8 8

5 7 6
mer i can dream is clear ly the best, youre no ad ver tise ment for life and


& 8 . . . . 8 . . .
. . . 8 n
f . .
5 7 6
Reh-pno

97
?
8 8 8


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4
4
Florenceenters

&
S+A

times
4
4
in the West.
T+B V

4
times in the West.

j 4
KB2 Fnissel

&
KB1 Str

...

[ sub p
4 F [

4
Reh-pno

?
100


J
Fred. V


S+A &

n
V
Reporter 4

T+B

. . . . . . . . . . . . . . . . . .
Why did you risk the whole match breaking down?


J

KB1 Str

&

?
Reh-pno


. .
v
103


Elbass fill

Fred. V

Reporter 1
& n n

S+A


All your out ra geous demands, your con ceit,

T+B V

. . . . . . . . . . . . . . . . . . . . . . . .
&

?
Reh-pno


107
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Fred.

V C
S+A

& C

n C
Reporter 5

T+B V

. . . . . . . . . . . . . . . . . . . . . . . . . . . . C
They pay you all that you ask for and then you demand even more.

&

? C
Reh-pno


111

Go Latin q=q

C
K
V
in 2 feel...
Fred.

f

C . j j j
n j j j j
Reporters

S+A & .
.
f Its

C n .
hard to believe what were re port ing,

J
Reporters

T+B V J J J J J J
Its hard to believe what were re port ing,

q=q
. .
. . .
- - .
C
.
K Go Latin in 2 feel...


Steel Drum

&
F
? C . . . . .
Reh-pno

j j j j
115
- . - . - . -
This bass line is just to help latin groove...

j j j j
& . j
. j j

j j
.


S+A

. . .
why so dis par ag ing? Not ver y sport ing.

V J J J J J J J J
T+B
J



why so dis par ag ing? Not ver y sport ing.

&
. .
? . .
Reh-pno
. . -j
j . j j
119 . - - . - .

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No.34:C_News&PressConf.(PnoVoc1)

j j j j j j j
L
S+A & . n .

.
Tell

all

this

to the
n
U nit ed
.
Na tions,

T+B V J J J J J J J


Tell all this to the U nit ed Na tions,




L Tutti stabs

& J
J J J J J
?
Reh-pno Steel Drum riff cont...


123
q=q
4
. j j j j j 4
in 4 feel...

j
(Latin ends...)
S+A & w .

. 4 w .
are you an as set to East West re la tions?

T+B V J J J J J 4 J
are you an as set to East West re la tions?

4
q=q in 4 feel...

w 4 . . . . .
(Latin ends...)
& ww . .
w v
p f
4
Reh-pno

? w
w 4 . . . . . j
w w . ....
127
v KB3 SynBass


Fred. V


S+A &


T+B V


KB2 Fnissel

&

F n
KB1 Pno
Reh-pno

?
. . . . . . . .
132
sempre staccato
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No.34:C_News&PressConf.(PnoVoc1)


M
Fred. V


S+A &


n
Reporter 6

T+B V


M Whats your im pres sion of our lit tle town?

&
j

Reh-pno

?

v
136


Elbass fill

Fred. V


& n n

Reporter 2


S+A


Where wouldyou ra ther have played? Leningrad?

T+B V


&


Reh-pno

?

140
v v

S+A &

n
V
Reporter 3

T+B J
They on ly tried to be friend ly, they would have played in New York.

&
n

?
Reh-pno



v
144

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Go Latin q=q

C
N
V
in 2 feel...

Fred.


C . j j j n j j
j
Reporters
S+A &
. pro
J

C n
You test too much, we see your ploy,

J
Reporters

T+B V J J J J
You pro test too much, we see your ploy,
Go Latin in 2 feel... q=q

C . . . - . .


N
- .

n
Steel Drum

&
F
? C . . .
Reh-pno

j -j -j
-
.

.

.

147 This bass line is just to help latin groove...


Fred. V

j j j j j
& . . j . j j j j .

S+A

. . . .
a big noise to hide your fears, pure par a noi a.

T+B V J J J J J J J J J J
a big noise to hide your fears, pure par a noi a.

.
&
. .
? . . .
Reh-pno

j j . j j . j
. - . - . - . -
151 . -

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Legalactionswillbetaken. 16(26) Version:20160126ChessLondonRev.1(4str)
No.34:C_News&PressConf.(PnoVoc1)

j
O
j j j j j j
S+A & . n .

. n .
Tell all this to the U nit ed Na tions,

T+B V J J J J J J J
Tell all this to the U nit ed Na tions,
O


Tutti stabs

&
J J J J J J
?
Reh-pno Steel Drum riff cont...


156

q=q
4
j j j j
4
in 4 feel...

S+A & . j
w

. 4
are you an as set to East West re la

w
T+B V J J J J
J 4
are you an as set to East West re la
q=q

4
in 4 feel...


& w
w

ww . . 4 . . . . .
v
p f
4
Reh-pno

? w
w w 4 . . . . .

160 w v

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P

(Latin ends...)

Fred. V

& j
.
S+A


tions? Reporter 7

T+B V J .
tions? Will you be quit ting for good
P

.
. .
KB2 Fnissel

& . . . . . . . .

(Latin ends...)

F

. . . . .
Reh-pno Drums

?


J . . . . . . . . . . . . . . . .
164 F

S+A &

n
T+B V

. . . . . . . . . . . . . . . . .
if you lose?

&

?
Reh-pno



v v v
167 sempre staccato


Fred. V


&
Reporter 2

n n

S+A



How come your se conds a girl, lov er boy?
T+B V
. . . . . . . . . . . . . . . . . . . . . .
&

?
Reh-pno



v
170

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&
n n

S+A


How come your se conds a girl, lover boy?

T+B V

. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
&
Reh-pno

?


v
173

n
j n b 5 n 6
8 8
Reporters Q
S+A &
A Group
n

5 6
Well what did I say, hes out of his tree. Hes
j n n b n
8 8
Reporters

T+B V
A Group
n
Well what did I say, hes out of his tree. Hes

j n n b 5 . . . n . . . n 6
Q

. 8 . . . . 8
+WW

& |
Tutti

cluster f
? U 5 6
nnb
8 8
Reh-pno

|
177 . . . . . sempre staccato

6 b [ B Group
9 p
5 7
&b 8 8 8 8
sub

S+A

fi nally flipped and be tween you and me, hes no hope of re taining his crown in
p
6 b [ B Group
9 5 7
8 8 8 8
sub

T+B Vb

6 b 9 5 7
fi nally flipped and be tween you and me, hes no hope of re tain ing his crown in

&b 8 8
. . . . . 8 . . . . . 8
sub p f
6 9 5 7
?b
8 8 8 8
Reh-pno

181
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7 6 2 C
8 8 4
[ All
S+A &b n
this frame of mind. In fact he should nt have come here, he should have re

7 6 2 C
8 8 4
[ All
T+B Vb n

7 6 2
this frame of mind. In fact he should nt have come here, he should have re

&b 8 . . . . . . . 8
n 4 C
.
7 6 2 C
?b
8 b b 8 4 n
Reh-pno

n.
184 . n. n

f
C j j j
Florence

.
R
&b n . b
Flor.
J J
p
C
Smile, you got your first ex clu sive sto

S+A &b
j

p
C
signed. Well what did I say, hes out of his

T+B Vb
j

signed. Well what did I say, hes out of his

C
R
&b
Str marcato

n
f
?b C
Reh-pno

j j j
187 . . .

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. j j j
Flor. & b J .
ry. Now you can bask

S+A &b
tree. Hes fi nal ly flipped and be tween you and me, hes no hope of

T+B Vb
tree. Hes fi nal ly flipped and be tween you and me, hes no hope of

&b



?b
Reh-pno

j
190 .

j j j
Flor. &b
j
in his re flect ed glo

&b

S+A

re tain ing his crown in this frame of mind. In fact he should nt have

Vb

T+B

re tain ing his crown in this frame of mind. In fact he should nt have

n
&b

?b
Reh-pno

j j
192 . .

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. j
S
Flor. &b .

ry. Na ked,

S+A &b
come here, he should have re signed. In this frame of mind, he should nt

T+B Vb
come here, he should have re signed. In this frame of mind, he should nt

j
.
S
& b .. n

? j j
Reh-pno Tutti stabs

b j
194 .

j j
Flor. & b n J b
J
un pro voked Yan kee ag gres

S+A &b
come, he should re sign. When he is in this frame of mind, he should nt

T+B Vb
come, he should re sign. When he is in this frame of mind, he should nt

& b


















?b j j
Reh-pno


196

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. j j j
Flor. & b J .
sion. Oh what a cred

&b
S+A

come, he should re sign. When he is in this frame of mind, he should nt

T+B Vb
come, he should re sign. When he is in this frame of mind, he should nt

.. j j j
& b
.



J
? j
Reh-pno

b j
198 .

b j j
Flor. & w
it to your

S+A &b

come, he should re sign.

T+B Vb

come, he should re sign.

j j
& b ww
n

?b
Reh-pno

j
200 .

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5 6
T
Flor. &b 8 j

8
5 6
great pro fes sion!
fj

&b 8 n n 8
A Group
S+A

fj
5 6
Much bet ter to quit while still num ber one than


Vb 8 n n
8
A Group

T+B
Much bet ter to quit while still num ber one than

^ j 5 . . n . 6
T

8 . . 8
Str.

. n
+WW

&b . . . . .
n

v
f^ 5 6
?b
8 . 8
Reh-pno

.

202

p
6 b 9 6
[ B Group

8 8 8
sub

S+A &b
crash to de feat, rep u ta tion un done.Though hes proved to him

p
6 b 9 6
[ B Group

8 8 8
sub

T+B Vb

6 b 9 6
crash to de feat, rep u ta tion un done.Though hes proved to him

&b 8 8 . . . . . 8
sub p

6 9 . . n . n . b . 6
Reh-pno

205
?
b 8 . . 8 . 8

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6 f 5
8 8
[A Group
S+A &b n

f
6 5
self its a commun ist plot, if you ask me its mon ey that did it and

V b 8 8
[ A Group
T+B
n

6 5
self its a commun ist plot, if you ask me its mon ey that did it and

&b 8. . . n 8
f
6 . . . 5
?b
8 . 8
Reh-pno

J n.
207

5 6
8
[ B Group U morendo poco a poco al fine
S+A &b n n 8
5 6
start ed the rot. Its sad that the best his coun trys pro duced, is


8 8
[ B Group
Vb n n

T+B

start ed the rot. Its sad that the best his coun trys pro duced, is

5 . . . n . . 6
8 8
U
.
morendo poco a poco al fine

&b . n . . . .
.
5 j 6
?
8 8
Reh-pno

b .
210 .

6 b 9 p
5
[ All

&b 8 8 8
sub
S+A
crumbling in front of our eyes and re duced to a mind less a

6 b 9 p
5
[ All

Vb 8 8 8
sub
T+B

6 b 9 5
crumbl ing in front of our eyes and re duced to a mind less a

&b 8 . . 8 . . . . . 8
sub p
6 9 5
?b
8 . 8 . 8
Reh-pno

. . . n . n b
. .
213

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5 P
7 6
(sempre morendo...)

S+A &b 8 8 8
P
buse and as sault on all of man kind. In fact he

5
Vb 8
7 6
T+B 8 8
buse and as sault on all of man kind. In fact he

5 7 6
8 . 8 . . 8
(sempre morendo...)

&b . . . . . . . . .
P
5 7 6
?
8 . 8 . 8
Reh-pno

b
215


6
Attacca No. 5

S+A &b 8 n
j


6
should nt have come here, he should have re signed!

T+B Vb 8 n
j

6
should nt have come here, he should have re signed!

&b 8 . . n . . . . . . .
j

6
?b
8 .
Reh-pno

j j j
217
n .
Attacca No. 5

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PnoVoc No.56:AnatolyandMolokov
WhereIwanttobe
5:Anatoly&Molokov Music&lyrics:B.Andersson/T.Rice/B.Ulvaeus

6
Orchestrations:AndersEljas
Slowly q.=ca.54

Anatoly V 8

6
Molokov
?
8

6
Girls & 8

6
8
PopChr

Boys V
5:Anatoly&Molokov

.. .. . . .. .. . .
6
Slowly q.=ca.54

& 8
. . . .
Gtr.

p
? 6 .
Str.


. .
Reh-pno

8 . . . j
Dr / Log-Dr

. .
1
J J


Anat. V

Mol.
?


& . . .
J .
Reh-pno F
? j . . .
5
. .

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No.56:Anat&MolWhereIwant...(PnoVoc)


A
V .. ..
OPEN ON CUE

Anat.

? .. ..
Molokov
Mol.

What weve just seens a pa thet ic display from a man whos be gin ning to
A
.
OPEN ON CUE

& . ..
. p
Reh-pno
? .. . . ..
9
.

Mol.
? b. . n
J .
crack. Hes a fraid,


& b n n
j j
. N
. . ..
Reh-pno

? b. .
.
12



Anatoly

Anat. V

? . n
Nonsense!

Mol.
J
he knows he is nt the play er he was and he wont get it back.

f
& . .
. .

? ^ ^ ^
Reh-pno

. .
. .
J J
15

v v v
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No.56:Anat&MolWhereIwant...(PnoVoc)

.
Anat. V
. . . b
Why do my sec onds al ways want to be lieve

j j
b b
Hn.

& n.
b
b

? .
Reh-pno

. .
18
. . .


B
Anat. V . n


third rate prop a gan da?
? .
Mol. J

...
My friend, please re lax, were


Flt / Str
B
& . . .
F
^ ^ ^
Reh-pno

?
. .
J
21

p
Bsn / El-bass

j
Anat. V

? .
I

Mol.

all on your side. You know how you need us...

..
& . .
. .
f F
? ^ ^ ^
Reh-pno

. . . . . .
. . . . . .
J
24

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No.56:Anat&MolWhereIwant...(PnoVoc)


poco a poco cresc.

Anat. V . . . .
dont need my ar my of so called advi sors and help ers to tell me the


& . .

sub pp poco a poco cresc.

? .. .. . .. .
Reh-pno

. .
Hn.

27
J

F
n
Anat. V
man, whos re vi tal ised chess sin gle hand ed, is more or less out of his

&

. .


F
? ..
Reh-pno

n. . . . . n.
30

2 5 6
4 n 8 8
C
V n. j


n
Anat.

brain, when its ver y clear hes sane.

n. 2 5 6 ..
Flt / Ob / Vln

4 8 8
C
& n. .
f
2 n . 5 6 .
(N.C)

? n.
4 8 n 8
Reh-pno

.
Bsn / El-bass

j .
33
n.
Timp

. . .. ... .. .. . .
&
.
. .
Reh-pno
~gliss.
~~~~ .
? . . . ~~~~ . . .
~~ .
37 . . . . . . .

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No.56:Anat&MolWhereIwant...(PnoVoc)

?
D
Mol.
Lis ten, we dont un der es ti mate an y one,

.
D

& . ..
f F
?
Reh-pno

. .
42
. . . .

? b . n
Mol. J
we wont get caught in that trap. Af ter


& b n
j
? .. N
Reh-pno

b. . .
46

j
Anat. V
Aah, dont

Mol.
? . n
all, win ning or los ing re flects on us all...


& n . . .

j ^ ^ ^
Reh-pno

? .. . . .

J J
49

v v v

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No.56:Anat&MolWhereIwant...(PnoVoc)


Anat. V .
give me that crap! I win, no one else does, and I take the rap if I


& .

Reh-pno

? . .
52
. . . .


E
Anat. V b.

?
lose.
.
Mol. J
Its not quite that sim ple, the

b j j E
..
Hn.

& n. b b b
Reh-pno F
? .
55
. . .

.
Mol.
? R
whole worlds tuned in, were all on dis play. Were not mere ly


& ...
. . . n n
Reh-pno
f p f F
? ^ ^ ^ ^ ^ ^
.. .. ..

J J
58

Bsn / El-bass

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No.56:Anat&MolWhereIwant...(PnoVoc)


Anat. V j . .

?
Oh please dont start spouting that old par ty line, yes, I know

Mol.


sports men...

&
.
sub pp

. ..
Reh-pno poco a poco cresc.

? . . . . . .

Hn.

61 . . . J


Anat. V . n
its your job but just get out and get me a

.
&
. .
F
? .. .
Reh-pno

. . .
. n.
64

2
Anat. V

. n.
j
4
chess play ing second, in thir tysix hours we be gin.


. n. 2
&


n. 4
F
n. 2
Reh-pno


4
(N.C)

? . .
. . . n. n.
66

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No.56:Anat&MolWhereIwant...(PnoVoc) 6:WhereIwanttobe

2 n 3 6 .
Like a waltz
poco meno mosso q.=ca.50
n
F

4 4 n 8 .
poco rit.

Anat. V

2 3 6
?
4 4 n
8
That is if you want to win!

Mol.
6:WhereIwanttobe
Like a waltz
poco meno mosso q.=ca.50

2 n 3 n 6 .
F

4 n 4 n 8
poco rit.

&

F
2 n 3 n 6 .
4 4 n 8 .
Reh-pno

? n
69

& . .
. b n
f
? . .
b n
Reh-pno

. .
2

V .. ..
Repeat 3 X

Anat.

Mol.
? .. ..

Repeat 3 X

& .. . . . . b n
..
f
F
? .. . b n
Reh-pno

. . . . . ..
5

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No.56:Anat&MolWhereIwant...(PnoVoc)


rit.
Anat. V

rit.
& . . .
F . . . . . . . . . . . .
?
Reh-pno

J J J J
9 J J

q.=ca.48
Anatoly G con moto

V . . .
e poco meno mosso
Anat.

Who needs a dream? Who needs am
q.=ca.48
con moto


e poco meno mosso

U
G
& . .
p Keyb 1
U
.
? .
Reh-pno DX7

.
Toy Pno

. & . . .
12 .

Anat. V . . . . .
bi tion? Whod be the fool in my po


&
Reh-pno

& . . . . . . .
15
.

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No.56:Anat&MolWhereIwant...(PnoVoc)

Anat. V . . . . .
si tion? Once I had dreams, now theyre ob


&

j
Reh-pno

& . . . . . . .
19

V . . . .
Anat.

ses sions. Hopes be came needs,



&
Reh-pno

& . . .
j
.
23 .

V . . . .
Anat.

lov ers pos ses sions. Then they move


&
Reh-pno

& n. . . . . . ?
26

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No.56:Anat&MolWhereIwant...(PnoVoc)

H
V . . . .
Anat.

in, oh so dis creet ly.





H
&

. . . . . .
. . .
Reh-pno

? . . .
29

Anat. V . . . . .
Slow ly at first, smil ing too sweet ly.

.
& . N . .
.

.
.
? . . . . .
Reh-pno

32

Anat. V .
I o pened doors, they walked right


&

. . . . . .

. . . .
? . .
Reh-pno

36

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No.56:Anat&MolWhereIwant...(PnoVoc)

V . . . .
Anat.

through them. Called me their friend,


& . . .
.

n
. .
? . . . . . .
Reh-pno

39

V . . .
Anat.

I hard ly knew them.




&

. . . .
.
Reh-pno

? . . .
42

Aggressive

b
I a tempo

V . .
poco rit.

Anat.

Now Im where I want to be and who I want to be and

f

This Pop Choir was TACET this scene in the original version!

Girls &

f
where I want to be and who I want to be and
b
PopChr

Boys V

. b . . . . . .
poco rit.

. . . . .
Aggressive


a tempo

I
&
f b
? .
Reh-pno

. b.
44 .
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No.56:Anat&MolWhereIwant...(PnoVoc)

n .
Anat. V
do ing what I al ways said I would and yet I feel I have nt won at all.

&
Girls
.

n .
PopChr do ing what I al ways said I would and yet I feel I have nt won at all.

Boys V
. . . . . . . . . . . .
. . . . . . R
&
n
.
Reh-pno

? . .
.
46

b
Anat. V
Run ning for my life and nev er look ing back in

Girls &

b
PopChr Run ning for my life and nev er look ing back in

Boys V

. . . . . . . . b . .

.

.

.
.
&

b
?
Reh-pno

. b.
48

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No.56:Anat&MolWhereIwant...(PnoVoc)

n .
Anat. V
case theres some one right be hind to shoot me down and say he always knew Id fall.

Girls & .

n .
PopChr case theres some one right be hind to shoot me down and say he always knew Id fall.

V
.
Boys

. . . . . . . . . . . . . . . .

. R
&

n
.
Reh-pno

? . .
.
50

V . . n. . .
Cantabile

Anat.
.
When the cra zy wheel slows down,
Cantabile

.
. . . .
& . .

F p
? .
Reh-pno

.
. & .
52

V . . .
Anat.

where will I be? Back where I


&
. n. .
.
Reh-pno

& . . ?
56

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No.56:Anat&MolWhereIwant...(PnoVoc)

V . . . .
Anat.

start ed? Dont get me wrong,

J

& . .

.
? J
Reh-pno

59

V . . . . .
Anat.

Im not com plain ing. Times have been good,




&

. . . .

. J ..
Reh-pno

?
.
62

Anat. V . . . .
fast, en ter tain ing. But whats the


&

. .
. . J .
Reh-pno

?
66

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No.56:Anat&MolWhereIwant...(PnoVoc)

j j
Anat. V . . . .
point if Im con ceal ing not on ly


&

.
b .
Reh-pno

? . .
69

V . . . .
Anat.

love, all oth er feel ing.


n
&

. . . . .
Reh-pno

?
73

Aggressive

b
a tempo

V . .
poco rit.
Anat.

Now Im where I want to be and who I want to be and

f (TACET in the original version...)


Girls &

f
where I want to be and who I want to be and
b
PopChr

Boys V

. . . . . . b . . . . . .
poco rit. Aggressive


a tempo

&
f b
? .
Reh-pno

. b.
. . .
76

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Legalactionswillbetaken. 16(19) Version:20160202ChessLondonRev.1(4str)
No.56:Anat&MolWhereIwant...(PnoVoc)

n .
Anat. V
do ing what I al ways said I would and yet I feel I have nt won at all.

&
Girls
.
n .
PopChr do ing what I al ways said I would and yet I feel I have nt won at all.

Boys V
. . . . . . . . . . . .
. . . . . . R
&

n
.
Reh-pno

? .
. .
78

b
Anat. V
Run ning for my life and nev er look ing back in

Girls &

b
PopChr Run ning for my life and nev er look ing back in

Boys V

. . . . . . . . b . .

.

.

.
.
&
Reh-pno
b
? . b.
80

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No.56:Anat&MolWhereIwant...(PnoVoc)

n .
Anat. V
case theres some one right be hind to shoot me down and say he always knew Id fall.

Girls & .
n .
PopChr case theres some one right be hind to shoot me down and say he always knew Id fall.

Boys V

. . . .
.
. . . . . .
. . . . . . . R
&

n
.
Reh-pno

? . .
.
82

. . n. . .
V
Cantabile

Anat.

When the cra zy wheel slows


Cantabile

.
. . . .
& . .
F
? .
Reh-pno


84
.

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No.56:Anat&MolWhereIwant...(PnoVoc)

V . . .
Anat.

down, where will I be?

.
& n. .

.
Reh-pno

? .
87

. . U
poco rit. meno mosso e smorzando

Anat. V .

?
Back where I start ed?
U
Mol.

U
meno mosso e smorzando

..
gggg ..
poco rit.

. .
& .
. ggg .
ggg
ggg
gggU
? n. gg ... .
Reh-pno

. & . . . .
90

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Legalactionswillbetaken. 19(19) Version:20160202ChessLondonRev.1(4str)
PnoVoc
No.7:Diplomats
q=ca.94
Music&lyrics:B.Andersson/T.Rice/B.Ulvaeus

?3
Orchestrations:AndersEljas

4
Medium-slow 8 beat

Molokov

Walter
3
V4

T
3
V4

?3
4
Americans

T
3
V4

?3
4
Russians

B
q=ca.94

3 ..
Fl/Str

. .
&4
n
Medium-slow 8 beat


p
?3 . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . .
4
Reh-pno

1
B.Cl/Vlc/

j

. . 4

4 . . . . . . . . . . . .
Bsn/Ob

& J
p
. . . . . . 4 . . . .
?
4 .
Pno

. . . . . . . . .
6

. . . . . . . .
. . . . R
Kb2(Block) skip last 16:thn


& . . . . . . . . . . . .
Pno
? . . . . . . . . . .
.
. .
. . . . . . . . . . .
F
9
Bsn solo

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No.7:Diplomats(PnoVoc)

p
T V

p
?
No one can deny that these are dif fi cult times

Amer.

p
T V

p
?
No one can deny that these are dif fi cult times

Russ.


&
. . . . . . . . . . . . . . . . . . . . .
. .
? . -
. . -
Pno

. .
J J
12

? 2 4
f
Mol. 4 4
2 4
4 4
Its the

Wal. V

2 4
T V 4 4

? 2 4
No one can de ny that these are dif fi cult times

4 4
Amer.

2 4 f
T V 4 4

? 2 4 f
No one can de ny that these are dif fi cult times Its the

4 4
Russ.

2 4
&
. . 4
4
. . . . . . . . . . . . . . .
? . j 2 4 w
4 4
Pno


J w
16

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Legalactionswillbetaken. 2(15) Version:20160216ChessLondonRev.1(4str)
No.7:Diplomats(PnoVoc)
Quasi funk-reggea...

?

A stay in t:o

Mol.
F

U. S. versus U. S. S. R. Yet we more or less are.

T V

F
No one can deny that these are

?
Amer.


T V

?

Russ. U. S. versus U. S. S. R. Yet we more or less are.

B
A Quasi funk-reggea...

Kb1 FunkyStrings
stay in t:o

&
.. ... . .. ... . . . . . . . . .
F . .
? . .
Pno


19
. . . . . . .

?
Mol.


To our cred it put ting all that a side,

T V
Amer.
?
dif fi

cult times

B


T V

?
Russ. To our cred it put ting all that a side,

. . . . . . .

Kb2(Block)

&
Kb1 Funky Strings

J . . . . . .
? . . . .
Pno

22
. . . .
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Legalactionswillbetaken. 3(15) Version:20160216ChessLondonRev.1(4str)
No.7:Diplomats(PnoVoc)

?

Mol.


we have swallowed our pride. F
Wal. V
These are ver y dangerous and dif fi cult times It



T V

?
Amer. These are ver y dangerous and dif fi cult times It


T V

?
Russ. we have swallowed our pride.

. . . . . . .
Kb2(Block)


&
. . . . . . J -
. . . . . . . .
? . .
.
Pno

j j
24
. . . - . . - . -

2
4
Solo

V j

Wal.

2
real ly does nt mat ter who comes out on top, who gets the chop,

T V 4
? 2
real ly does nt mat ter who comes out on top,

4
Amer.

. . . . . . . . . . . . . .

. . . . . . . . b . . j 2
4
3

& . .
? 2
4
Pno


27 . . . . . . . .

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Legalactionswillbetaken. 4(15) Version:20160216ChessLondonRev.1(4str)
No.7:Diplomats(PnoVoc)

2 4 j 2
T V 4 4 . 4
? 2 4
.. 2
no ones way of life is threat ened by a flop!

4 4 4
Amer.

B J

2 f
4 j . 2
T V 4 4 4
? 2 f
4 .. 2
no ones way of life is threat ened by a flop!

4 4 4
Russ.

B J

2 4 . . 2
& 4 . 4

j

... 4
? 2 4 2
4 4 4
Pno


29 . . n .

2 3 4
B

T V 4
4 4

2 3 4
But were gon na smash their bastard,

Amer.


B
?
4 4 4
2 3 4
T V 4
4 4

2 3 4
But were gon na smash their bastard,


Russ.


B
?
4 4 4
2 . . 3 . . . 4
B

4
4 4
Kb3 Synth lead
Tutti

&
f
. . .

2 3 4
Pno

?
32
4 4 4

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Legalactionswillbetaken. 5(15) Version:20160216ChessLondonRev.1(4str)
No.7:Diplomats(PnoVoc)

4 f n
T V 4 n

? 4 n
f n
Amer. make him wanna change his name. Take him to the clean ers and devas tate him,

B
4

4 f n
T V 4 n

? 4 n
f n
Russ. make him wanna change his name. Take him to the clean ers and devas tate him,

B
4

. . . . .
4
Fl's


n
4 n n
Ob

&
J
f
4
Hn
Pno

? . . . . .
34
4 . . . . . . . . . . .

n
V

T

n
?
wipe him out, hu mil i ate him. We dont want the whole world say ing:

Amer.

n
V

T

n
?
wipe him out, hu mil i ate him. We dont want the whole world say ing:


Russ.

. . .

Ob/Cl

. . n n
Tutti

& . .
.
. . . .
Hn

? . . . .
Pno

. . . .
36

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Legalactionswillbetaken. 6(15) Version:20160216ChessLondonRev.1(4str)
No.7:Diplomats(PnoVoc)

2 4
T V n 4 4
?
n 2 4
Amer. they cant e ven win a game. We have nev er reckoned on

B 4 4
2 4
T V n 4 4
? n 2 4
Russ. they cant e ven win a game.

B 4 4
. . .
2 4
Fl's



&
n n
4 4
J
2 4
Pno

? . . . .
38
. . . . 4 4

4 n
f
4
sempre
T V J

4 n f
coming sec ond. Its the


Amer.

?
4 J
sempre
B

4
T V 4
~~~~~~~~~~~~~
~~

4
Theres no use in los ing.
~~~~~~~~~~~~~
Russ.

?
B
4 ~~
. .
4 . n . . . . . . . . . . . . . . . .
4
Kb3


& J J F
? 4
Pno

40
4
j



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No.7:Diplomats(PnoVoc)

T V

?
red flag up a gainst stars and stripes, but were peace lov ing types.


Amer.


C

&

Kb1 Funky Strings

. . . . . . . . . . . .
F
? . . . .

Pno

43
. . . .

F
Wal. V
F

Its a

T V

F
No one can de ny that these are dif fi cult times

?
Russ.

. . . . . . .

Kb2(Block)

&
. . . . . . . . J
? . .
Pno


45 . . . . .


Wal. V


sweet hail fel low well met af fair for both eag le and bear.



Kb1 Funky Strings

&
. . . . . . . . . . . .
? . . . .

Pno

47
. . . .

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No.7:Diplomats(PnoVoc)

F
Mol.
?


To

Wal. V

F j

T V J
F
?
Amer. These are ver y dan ger ous and dif fi cult times

B J

. . . . . . .
Kb2(Block)

&
J -
. . . . . . . .
? .
Pno

j j
49 . - . . - . -

? 2
Mol.
4
. . . . . . . . . .
. . . . . . . . . b 3 . . . . j 2
those that say that this is not a friend ly clash, dont be so rash!

.
& . . 4
? 2
4
Pno


51 . . . . . . . .

? 2 4 2
Mol.
4 4 J . 4

2 4 . . 2
I as sure you com rades, that is Bal der dash!


& 4 . 4


j .
..
4
? 2 4 2
4 4 4
Pno


53 . . n .

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No.7:Diplomats(PnoVoc)

2 3 4
C

T V 4
4 4
2 3 4
What a load of whinge ing peas ants!


Amer.


B
?
4 4 4
2 3 4
T V 4
4 4
2 3 4
What a load of whinge ing peas ants!

?
Russ.

B
4 4 4
2 . . 3 . . . 4
C

4
4 4
Tutti Kb3 Synth lead

&

. . .
2 3 4
Pno

?
56
4 4 4

4f n
T V 4 n

4 f
n n
Think ing they can win, they cant! What an ex hi bi tion of self de lu sion,

Amer.

?
B
4

4f n
T V 4 n

4 f
n n
Think ing they can win, they cant! What an ex hi bi tion of self de lu sion,

Russ.

?
B
4

. . . . .
4
Fl's


n
4 n n
Ob

&
J
4
Hn
Pno

? . . . .
58
4 . . . . . . . . . . . .
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No.7:Diplomats(PnoVoc)

n
V

T

? n
this ones a fore gone con clu sion. But enough of all this beat ing


Amer.

n
V

T

? n
this ones a fore gone con clu sion. But enough of all this beat ing

Russ.

.
. .
. n n
Ob/Cl


Tutti

& . . . . Hn

? . . . .
Pno

. . .
60
. . . . .

2 4
T V n 4 4
? n 2 4
Amer. round the bush es of de tente.

B 4 4
2 4
T V n 4 4
? n 2 4
Russ. round the bush es of de tente. We in tend to col lar the

B 4 4
. . .
2 4
Fl's



&

n n

4 4
J
2 4
Pno

? . . . .
62
. . . . 4 4

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No.7:Diplomats(PnoVoc)

? 4 U F
J
Mol.
4

4 f U
How

T V 4

4 f U
We shall thrash them, thrash them!


Amer.

?
B
4

4 n
T V 4
J

4 n
Yan kee dol lar.

?
Russ.

B
4 J

4 U
Brass

. n
& 4
J
. -





? 4
4
Pno

j

64

?
D

Mol. J

F
good to feel that as this great e vent be gins, it un der pins

Wal. V j

. . . . . .
. . . . . . . . . . . . . . . . j
our
D

b . . .
WW/Kb1/Kb2
3

& .

?
Pno


67 . . . . . . . .

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No.7:Diplomats(PnoVoc)

?
ritardando molto...

J
ten.

Mol.


of East and West,

j
V
ten.
Wal.

f
quest for peace, the bonds of com mon in te rest as



V
ten.
T
J
f
as

? J
Amer.


ten.
B


molto...
(
ritardando


ten. Tpt/Brass

&
)


(
Pno caesura only in voc...

? j

)

69 . . . .

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No.7:Diplomats(PnoVoc)

? U. 2 4
Mol. J 4 4
U j 2 4
As long as our man

Wal. V . 4
4
2 4
long as our man wins! As long as our man

nU
..
T V 4 4
U
. 2 4
long as our man wins!

?
Amer.

B .. 4 4
U
j j
U. j 2 4
T V
J 4 J J 4
U
As long as our man
j j

2 4
Russ.

? U.
B J 4
J

J 4
U
2 U 4
& ..
4 4
U
? . 2 U 4
Pno

71
. 4 4

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No.7:Diplomats(PnoVoc)

? 4 ~~ ~~~~ ~~~
4
sub. poco presto Attacca No. 8

~ ~~~~~ ~~~ j
Mol.

4
wins!

w U
Wal. V 4 J

j
wins!

4 www U
T V 4 J

4 ww
wins!

U
Russ.

?
B
4 J

i
4 . . ~ ~
n .
J U ^
sub. poco presto

& 4 . . . .
j
Tutti

f
. . i ~~
6

4 n . . . n . . n n ^
Pno

?
4 j j
6

n
73

Attacca No. 8

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Legalactionswillbetaken. 15(15) Version:20160216ChessLondonRev.1(4str)
PnoVoc No.89:Arbiter/HymntoChess
8:Arbiter Music&lyrics:B.Andersson/T.Rice/B.Ulvaeus

4 3 4 2
8 beat rock q=ca.128

Orchestrations:AndersEljas

Arbiter V 4 4 4 4
4 3 4 2
Girls & 4 4 4 4
4 3 4 2
4 4 4 4
Pop Choir

Boys V

4 3 4 2
S & 4 4 4 4
4 3 4 2
A & 4 4 4 4
4 3 4 2
T V 4 4 4 4
? 4 3 4 2
B
4 4 4 4
8:Arbiter
8 beat rock q=ca.128

4 Uw 3 4 . 2
4w . . ww
4 ..
4 . 4
Kb1 Brass

&
f .... .
. .... ........ ...... .
4 U j 3 4 2
Reh-pno Kb3 synth Guit

?
4
. . . . 4 4 4
1
J . . DX7: Bsn
El-bass/Kb2 Synbass

2 4 . ..
4 4 . ww
Kb1 Brass

&

. . . . . . . . . . . . . . . . . . . . . . . .F
2 . . 4
Reh-pno

?
6
4 4 . . . . .
Kb2 Synbass

Copyright1984ThreeKnightsLTD.
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Legalactionswillbetaken. 1(19) Version:20160222ChessLondonRev.1(4str)
No.89:ArbiterHymn(PnoVoc)


A

Arbiter

Arb. V

ww
Ive a du ty as the ref er ee at the start of the match.
A
&

j
F m
j j j Dj j j j
?
Reh-pno


. . . . . . . . - . . - . . . . - . .

10

j n 2
Arb. V
4
2
On be half of all our spon sors I must wel come you, which


& ..
j
4
DX7: Bsn


. . . . . . . . . . .
n
j j
? j
j j j . 2
Reh-pno
F m E D C m


A B
. 4
. - . . - . . - . . . . .
()
13

2 4
Arb. V 4 4 j

2 4
I do, theres a catch. I dont care if youre a


& 4 4
DX7: Bsn


. . . . . . . . .
.
n n
2 . . 4 .
j j j Fj m j j j
Reh-pno
Bm F m B
?
4 4 J
- . . - . . - . . -


()
16

Copyright1984ThreeKnightsLTD.
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Legalactionswillbetaken. 2(19) Version:20160222ChessLondonRev.1(4str)
No.89:ArbiterHymn(PnoVoc)

j
Arb. V

..
cham pi on, no one mess es with me.


Kb1 Pno

& .
J J J

j
F m
j j j Dj j j j j
F m
j j
F m/E
j

?
Reh-pno


. - . . - . . . - . . - . . - .
. -
()
19

n 2 4
Arb. V 4 4
.. .. .. 2 4
I am ruth less in up hold ing what I know is right, black or white,

... n
& . .
J J
. J
J
4 4
n n
2 . . 4
D E/D A B C m

Bm
? j j
Reh-pno

. . 4 4
. - . . . . .
()
22

4 2 4
4 4 4
B
Arb. V J J
as youll see. Im on the case, cant be fooled.

4 . - 2 j 4
4 4 4
DX7: Bsn B
&


f
4 2 4
Reh-pno F m F m
? -
4.
.
. 4 4
()
25
loco

Copyright1984ThreeKnightsLTD.
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Legalactionswillbetaken. 3(19) Version:20160222ChessLondonRev.1(4str)
No.89:ArbiterHymn(PnoVoc)

4
J
Arb. V 4

4 . . . .
An y ob jec tion is o verruled. Yes Im the Ar bi ter and


4
Brass

&


? 4
.
A

Reh-pno
D

28
4 . . . .

. . .


Arb. V

f
I know best. Pop Group You got your

Girls &

f
Hes im par tial, dont push him, hes un impressed.


Pop Choir


Boys V

. . .. j

DX7: Bsn

& .

n
.
Reh-pno
Bm D E/D A/C E
? j - - . .
E

.
31
. - .

2 4
Arb. V J J 4 4
2 j 4
tricks, good for you. But theres no gam bit

&

4 4


2 4
F m
?
4 4 .
Reh-pno

. .
. . .
34

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No.89:ArbiterHymn(PnoVoc)


Arb. V J

. . . . . .
I dont see through. Oh, Im the Ar bi ter, I know the score.


Brass

&
n

.
.
D A E Bm
? j
Reh-pno

.
37
. .


V j
Arb.
. . w
From square one Ill be watch ing all six ty four.

j
Girls & .. .. ww

j
From square one hell be watch ing all six ty four.


Pop Choir

V . . ww
. .
J
Boys

.. .
& . j ww
J w

.
Reh-pno D E/D A/C
?
E F m F m

- - . . .
40


Arb. V

^
If youre think ing of the


Guit

&
? &
sub F
Reh-pno

?
44
. . . . . . . .

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No.89:ArbiterHymn(PnoVoc)

j
C
Arb. V
kind of thing that weve seen in the past.


C
&
DX7: Bsn


. . . . . .

j j j j j j j j Ej
j j j
Reh-pno
F m D F m
?
- . . - . . - . . - . . - . . - .

46

n 2 4
Arb. V 4 4
2 4
Chant ing gu rus, walkie talk ies, walkouts, hyp no tists, tem pers, fists,


&

..
j
4 4
. . . . .
n n
? j j . 2 . . 4
Reh-pno
B C m Bm


D A

. 4 4
. - . . . . .
()
49

4
Arb. V 4 j

4
not so fast. This is not the start of World War Three,


& 4
DX7: Bsn


. . . . . . . . . .
n
? 4 .
j j j j j j j j j j j
F m F m
Reh-pno
B F m

4 J - . . - . . - . . - . - . . -

.
()
52

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No.89:ArbiterHymn(PnoVoc)

j
Arb. V


no po lit i cal ploys. I think both your con sti

..
Kb1 Pno

& J .
J J

? j j j j j j j j j j
Reh-pno
D F m F m/E D E/D


. - . . - . . - . . - . . - . . . . .
()
55

n 2 4
Arb. V
4 4

2 4 -
tu tions are ter rif ic so now you know, be good boys. Im on the

-
4 4
DX7: Bsn

&
f
n n
2 . 4
Reh-pno
A B C m Bm F m
?
. . 4 . 4- -


()
58

2 4

D
Arb. V J J 4 4
2 4
case, cant be fooled. An y ob jec tion


D
j
&
4 4


2 4
Reh-pno F m
?
61
. . 4 4 . . . .
loco

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No.89:ArbiterHymn(PnoVoc)


Arb. V J

. . . . . .
is o ver ruled. Yes Im the Ar bi ter and I know best.


Brass

&
n

.
Bm

Reh-pno
D A E
? . j
64
. .


Arb. V
You got your


Girls &


Hes im par tial, dont push him, hes un im pressed.


Pop Choir


Boys V

.. j

DX7: Bsn

& .


.
Reh-pno D E/D A/C E
? - . . .
- . - .
67

2 4
Arb. V J J 4 4
2 4
tricks, good for you. But theres no gam bit

j
&

4 4




2 4
Reh-pno F m
?
69
.
. 4 4 . . . .

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Legalactionswillbetaken. 8(19) Version:20160222ChessLondonRev.1(4str)
No.89:ArbiterHymn(PnoVoc)


Arb. V J

. .
I dont see through. Oh, Im the Ar bi ter, I know the score.

. . . .

Brass

&
n

.
.
D A E Bm
? j
Reh-pno

.
72
. .


V . j
Arb.
. w
From square one Ill be watch ing all six ty four.

j
Girls & .. .. ww

j

From square one hell be watch ing all six ty four.

.. .
Pop Choir

V ww
.
J
Boys

.. . j ..
. .. ..
&
Brass

J
J



D E/D A/C

.
Reh-pno

? j
- - . . . . . - . w
75

5 ^
Dance section

w . ^ ^
4
E
& j
Guit

w . n
?
Tutti

& n
n v
F f
w .. 5 ^
Reh-pno

? w
w .
4


v
79

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No.89:ArbiterHymn(PnoVoc)

^j ^ ^ ^j ^ ^ ^j ^
4
&












4
F f F f^ F f^
?
^
4
Reh-pno





4
v v v .
82

4
& 4 n n n n
n n




n nn
p f v v
4
Reh-pno

?
85
4 n
















J
F
Arb. V J
Im on the case, cant be fooled!

J

F
&
Rhythm


Str


Reh-pno

? .
. .
88

Timp on sfz


2
Arb. V J J 4
2
You got your tricks, good for you!

& 4
2
Reh-pno

?
.

.

. . 4
92

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Legalactionswillbetaken. 10(19) Version:20160222ChessLondonRev.1(4str)
No.89:ArbiterHymn(PnoVoc)

2 4
4 4
G
Arb. V

2 4 ^
^ ^

G

4 4
Brass Str

&
p f p f
2 4
Reh-pno

?
4 4 .

.

95
.
v

v
v

^
Brass ^ .
. ^
& . . . . . . . .
WW


Brass WW

Reh-pno
p f p f p f
? j . j

v v
j
v
v
100
Slap Bass


nn Brass n n ^ ^ 2 n 4 wn nn ^
Str/Guit


. . n n 4 4
Brass

& . .
p f p f p f
~~~~~~ 2 4
Reh-pno

?
n 4 4
104 v n v v

n n ^ 2 n nnn 4 w ^ ^
Guitar solo

4 n 4
H
& n
Str Str
Brass

p f
2 4
Reh-pno

? n nnn
n 4 n 4
108
v

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No.89:ArbiterHymn(PnoVoc)

^ ^
& ...
Brass Str

Tpt's v
Reh-pno

?

112
()

^
b
^



^ 3 b ^
^ 4
& b 4 4
Brass Str Tutti

f f
? b n 3 ^ ^ 4
Reh-pno

b n 4 J 4
()
116

4
&4
^

j
j j ..
b b ^ 2

.

b b
4
v
?4 2
Reh-pno


4 j j . b 4
loco

v J
121 v v

2 4 2 4

4 4 4 4
I Vocal chorus

Arb. V J J J
Im on the case, cant be fooled. An y ob jec tion

2 4 2 j 4
Vocal chorus

4 4 4 4
I
&
DX7: Bsn


f F m
2 4 2 4
Reh-pno

?
125
4 4
. . 4 4 . . . .

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Legalactionswillbetaken. 12(19) Version:20160222ChessLondonRev.1(4str)
No.89:ArbiterHymn(PnoVoc)


Arb. V J

. . . . . .
is o ver ruled. Yes Im the Ar bi ter and I know best.


Brass

&

n
.
Reh-pno
D A E Bm
? . j
129
. .

2
Arb. V J J 4
2
You got your tricks, good for you.

Girls & 4
2
Pop Choir Hes im par tial, dont push him, hes un impressed.


Boys V

4
.. j
2
4
DX7: Bsn

& .



. 2
D E/D A/C E F m
?
Reh-pno

132
- - . . .
. - .
.
. 4

2 4 J
Arb. V 4 4
2 4
But theres no gam bit I dont see through.

j
4 4
Brass

&

? 2
4
4 4 .
Reh-pno


135
. . . . .

Copyright1984ThreeKnightsLTD.
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Legalactionswillbetaken. 13(19) Version:20160222ChessLondonRev.1(4str)
No.89:ArbiterHymn(PnoVoc)


Arb. V

. . . . . .
Oh, Im the Ar bi ter, I know the score.


&
n
? . . j
Reh-pno
D A E Bm
.
138


V j
Arb.
.

j
From square one Ill be watch ing all six ty four.

Girls & ..

j

From square one hell be watch ing all six ty four.

.
Pop Choir

V .
J
Boys

.. . j
& .

J

.
Reh-pno D E/D A/C
? - . . . . .
- . . .
140


Arb. V

. . . . . .
Oh, Im the Ar bi ter, I know the score.


&

? . . .
Reh-pno

. . .
143
J .

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Legalactionswillbetaken. 14(19) Version:20160222ChessLondonRev.1(4str)
No.89:ArbiterHymn(PnoVoc)

. 2 U U 4
(Applause)

Arb. V J 4 4
2 U 4
From square one Ill be watch ing all six ty four.
j U
Girls & .. 4 4
U U
j . 2 4
From square one hell be watch ing all six ty four.


Pop Choir


Boys V .
J 4 4
.. j

.. 2 U U 4
(Applause)

4 4
Tutti

& . ..
J J J
? . .
j
. 2 U U 4
Reh-pno


145
J

J
J
. - . 4 4

4
a tempo

4
J
Arb. V


4
WW/Pizz/Kb


a tempo

4
J
& J
.

.

.

.

.

.

.

.
? 4 P
4
Reh-pno


Kb1 Pno

149

. 2 4
OPEN

4 4
6x (can alter)

Arb. V . .. .. ..

. 2
.. 4 .. ..
4
4
6x (can alter) OPEN

& .
. . . . . . . . . . . . . . . . . . . . . . . . . . . .
? .. .. 2 .. 4

4 ..
4
Reh-pno


152

El-bass
. . . .

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No.89:ArbiterHymn(PnoVoc)

4 2 4
4 4 4
ON CUE

Arb. V


4 . . 2 4
ON CUE WW

& 4 . . . . . . . . . . . . . . 4 . . . . 4

4 2 4
Reh-pno

?
156
4 4 4

4 2 4
4 4 4
K OPEN
.. .. .. ..
3x (can alter)

Arb. V

4 .. .. 2 .. .. 4
4 n . . . . . . . . n . . . . . . . . n . . . . . . . . 4 n . . . . 4
K 3x (can alter) OPEN

&

? 4 .. n n . 2 .. .. 4
Reh-pno

159
4 . n n . . ..
4 4

4 2 4
4 4 4
ON CUE

Arb. V


4 n . . n 2 4
ON CUE


n . . . .
. . n . . . . . . . .
4 4 n . . . . 4
WW

&

4 2 4
Reh-pno

?
163
4 4 4

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Legalactionswillbetaken. 16(19) Version:20160222ChessLondonRev.1(4str)
No.89:ArbiterHymn(PnoVoc)

4 2 .. 4
4 4 4
3x (can alter) OPEN

Arb. V .. .. ..

4 .. n n .. 2 .. n .. 4
OPEN

4 . . . . . . . . . . . . . . . . 4 . . . . 4
3x (can alter)

&

4 .. n . . .. 2 .. .. 4
Reh-pno

?
166
4 n n .
. 4 4

4 2
4 4
ON CUE

Arb. V

4 2
ON CUE

& 4 . . . . . . . . . . . . . . . . . . . . . . . . 4 . . . .
? 4 2
Reh-pno

169
4 . . . . . .

4 . .

4 . . . . . . .
U
2 4
WW/Str/Pno


& .. . ..
4 4 4
OPEN ON CUE


. . .
p
4 . . . . . 2U 4
Reh-pno

? ..
173
..
4 . . 4 4

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Legalactionswillbetaken. 17(19) Version:20160222ChessLondonRev.1(4str)
No.89:ArbiterHymn(PnoVoc)

9:HymntoChess

q=ca.60
Slowly like a hymn

4 . .
U
rit.

4
+Str

&

PWW U
? 4 .
Reh-pno


176
4

q=ca.56

F
a t:o poco meno

j j
L
& . j .
.
S

F
Dont you find it ra ther touching to behold the game that came in from the cold.

& . j . j . j

A

F
Dont you find it ra ther touching to behold the game that came in from the cold.

. j . j
T V
F
Dont you find it ra ther touching to be hold the game that came in from the cold.

? a . ..
n
B
. J J
Dont you find it ra ther touching to be hold the game that came in from the, seen for what it,

L q=ca.56

a t:o poco meno

j
&

.. j . ..
j







F
Choir solo

j
?
Reh-pno
.. .. n

. J J
179

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Legalactionswillbetaken. 18(19) Version:20160222ChessLondonRev.1(4str)
No.89:ArbiterHymn(PnoVoc)

,
& .
S
J J
,

Seen for what it is, re li gion plus fi nesse.
j j
A & . n

,
Seen for what it is, re li gion plus fi nesse.

.
T V J J
,
Seen for what it is, re li gion plus fi nesse.

?
B J
Seen for what it is, re li gion plus fi nesse.


,
. j
&

J
. n
J
, j
.
?
Reh-pno

J
183

Attacca No. 10: Merchandisers

U
.
rit.

S & w

U
Coun tries, clas ses, creeds as one in love of Chess.


A & .. ww

U
Coun tries, clas ses, creeds as one in love of Chess.

.
T V

U
w
Coun tries, clas ses, creeds as one in love of love of Chess.

?
B w
Coun tries, clas ses, creeds as one in love of Chess.


rit.

& .. ww
.

.
Reh-pno

?






w
185
Attacca No. 10: Merchandisers

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Legalactionswillbetaken. 19(19) Version:20160222ChessLondonRev.1(4str)
PnoVoc No.10:Merchandisers
q=ca.104 Music&lyrics:B.Andersson/T.Rice/B.Ulvaeus

2
Orchestrations:AndersEljas

b
4
March

S &b

b 2
A &b 4

b 2
T Vb 4

2
B
? bb
4
q=ca.104

bb 2
4
March

&
f
2 j
j
j
j
j
j

Reh-pno

? bb
4


1
simulating drums...

b b
A
b
Tpt's

&b b b b
sempre f
3

? b b
3
j
Reh-pno


7
Tbn's

j j j
b

n .. b b . . . .
& b .
3 Tutti


Reh-pno

? bb j
+ Elbass

n
13

Copyright1984ThreeKnightsLTD.
Usewithoutlicenseagreementprohibited.
Legalactionswillbetaken. 1(13) Version:20160312ChessLondonRev.1(4str)
No.10:Merchandisers(PnoVoc)

F
bb
B
& j
S

b F
Whether you are pro or an ti or could not care less,

&b
j

A

b F
Whether you are pro or an ti or could not care less,

V b
T
J
F
Whether you are pro or an ti or could not care less,

B
? bb J

.
Whether you are pro or an ti or could not care less,

. -
b . . . . . . .
Tpt/Cl


B
& b .
J
P
? bb j j j
Reh-pno 3

j j j j

18

b
S &b .

b
we are here to tell you, we are here to sell you chess.

A &b .

b
we are here

to

tell

you, we

are
.
here

to sell you

chess.

T Vb .


we are here to tell you, we are here to sell you chess.

B
? bb .

. . . . . .
we are here to tell you, we are here to sell you chess.

. . . . .. . . -
Fl's

b
& b .
J
? bb j j j j
Reh-pno

j j
.
22 .

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Legalactionswillbetaken. 2(13) Version:20160312ChessLondonRev.1(4str)
No.10:Merchandisers(PnoVoc)

b j j
&b .
S
.
b
Not a chance of you es cap ing from our wiles, weve

&b j j
. .
A

b j j
Not a chance of you es cap ing from our wiles, weve

T Vb . .

j
Not a chance of you es cap ing from our wiles, weve
? bb .
B . J

. . .j - Hn
Not a chance of you es cap ing from our wiles, weve

b . .
.
j
b
& . .
Tpt's

J
J
J F
P J J
j j
Reh-pno

? bb j j j j

26

F

b j
S & b .

b
locked the doors, weve blocked the aisles.

&b j
A
.
b
locked the doors, weve blocked the aisles.

V b .
T
J

locked the doors, weve blocked the aisles.
? bb .
B
J
locked the doors, weve blocked the aisles.

b j . . .
& b .
Tpt's


. . .
J J
j
.... .
j j j j j j P3 j

Reh-pno

? bb n
n
30

Copyright1984ThreeKnightsLTD.
Usewithoutlicenseagreementprohibited.
Legalactionswillbetaken. 3(13) Version:20160312ChessLondonRev.1(4str)
No.10:Merchandisers(PnoVoc)

b
&b
S
J

b j
Weve a fran chise worth ex ploit ing and we will!

A &b
f
b
Weve a fran chise worth ex ploit ing and we will!

T Vb J
f yes
b
Weve a fran chise worth ex ploit ing and we will, we

B
? bb J

. . . . .
Weve a fran chise worth ex ploit ing and we will, yes we

.
bb
WW

& J

.
.J j j j f
j j b
Reh-pno

? bb j j
b
34

S
b
&b

When it comes to mer chan dis ing we could kill! When you get up,
b
&b

J
A

F
When it comes to mer chan dis ing we could kill!

bb
Only if you have the range...

T V J
F
? b b
will! mer chan dis ing we could kill!

B J

. . .
. . . .
will! mer chan dis ing we could kill!

b
Tpt's

& b ...

. J
P3 j j j f
j j j
Reh-pno

? bb
j
. J
38

Any cluster will do...
simulate percussion cr
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Legalactionswillbetaken. 4(13) Version:20160312ChessLondonRev.1(4str)
No.10:Merchandisers(PnoVoc)

b
C
S &b

b
A &b

b
Vb



j

T

j
? bb
When you get up in the morn ing till you crash at night

.
When you get up in the morn ing till you crash at night

bb
. . . .
nn
.
C
J
WW

&

.
P
. . . .
. .
Tbn's

j j
Reh-pno

? b
b b b j j
b
J
J J
43

b
S &b

b
A &b

b
T Vb .

.
you will have to live your life with bish op, rook and knight.

B
? b
b
you will have to live your life with bish op, rook and knight.

j
b
&b
. . . .

. .
. .

. J
.
j
? b j j j
Reh-pno

j j
b
47

Copyright1984ThreeKnightsLTD.
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Legalactionswillbetaken. 5(13) Version:20160312ChessLondonRev.1(4str)
No.10:Merchandisers(PnoVoc)

bb j
cantabile

S &

bb
Our

& j

A

b
Our

T Vb
. j
.

? bb j
Clean your teeth with cheq uered tooth paste, wear our vests.
.
B .

.
Clean your teeth with cheq uered tooth paste, wear our vests.


b .
Tpt's