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Micro Four Thirds Lenses

Four Thirds Lenses


http://www.four-thirds.org/en/

Catalog contents as of January 2016


1 Difference between 35mm film camera lens and Four Thirds lens
Digital-dedicated design for achieving
both high picture quality and compact size
Image clarity assured by digital-dedicated design
Picture taken
When you mount a lens designed for a 35mm film camera on a digital SLR camera, Picture taken with a Four
with a 35mm Thirds System
you'll find that picture quality is degraded in peripheral areas and that there is an film camera digital-
lens dedicated lens
increased tendency for ghosts and flares to occur. Flaring can occur in the entire
2 ZUIKO DIGITAL 14-54mm F2.8-3.5 II lens at 14mm (equivalent to 28mm of 35mm film camera lenses)
picture taken with a 35mm film camera lens, with distortion increasing from the center
(Scheme)
to the periphery. A Four Thirds System lens, on the other hand, captures a uniform,
sharp image with minimal ghosts and flares, and no distortion in the periphery . 1

Image sensor

Image sensor
Telecentricity for straight-line transmission of light
Light rays
to the image sensor
The image sensor in a digital camera can be compared to a deep well because the
light receptors for the RGB components are placed at the bottom of partitioning walls
35mm film camera zoom lens at 28mm
installed to protect the receptors against diffused light reflections, like the water
(Scheme)
surfaces at the bottom of multiple wells. To utilize the light rays incident through the
lens efficiently and guide them perpendicularly to the sensor surface, the lens should

Image sensor

Image sensor
be capable of maintaining telecentricity. However, lenses from the 35mm film camera
era are very susceptible to distortion and chromatic aberration due to oblique
Light
incidence of light on the image sensor. rays
The digital-dedicated Four Thirds System lenses were created to solve this problem.
With a mount diameter that exceeds the sensor size with large headroom, resulting in
telecentricity, these lenses offer sharp, clear image reproduction throughout the image
plane .2

3 About 50% reduction of flange back thanks to mirrorless design


Micro Four Thirds Four Thirds flange back
with Further Size Reduction Micro Four Thirds flange back
Optimized for digital photography to offer both
precision optical quality and compact size
The mirror box is a key component of SLR cameras. It enables subjects to be viewed Mirror box
through a viewfinder, while providing assurance that what the photographer sees
conforms to reality. On the downside, however, the image that the mirror shows us on
the focusing screen is not identical to the one imaged on the film or image sensor. In
addition, the mirror is a major contributing factor to camera size and weight. Four Thirds System
Elimination of the mirror box in the Micro Four Thirds System has made it possible to
benefit from a more compact size and take advantage of movie shooting capability,
while maintaining the high picture quality of the class of the Four Thirds System. The
Micro Four Thirds System is a new standard of mirrorless system camera, which
dramatically expands the potential of photography, taking it beyond even that made
possible by previous SLR cameras.

Optical design that enables further reduction in


size and future expandability
Micro Four Thirds System
The elimination of the mirror box has made it possible to reduce the size of the flange
back by half relative to the Four Thirds System ,3 and to reduce the lens mount

diameter by about 6mm . 4

The flange back is an important picture quality factor that is associated with a large
number of properties such as the image sensor size and lens design. A short flange
Image sensor
back or back focus theoretically enhances the performance of wide-angle lenses by
Micro Four Thirds lens mount
adopting a symmetrical design in front of and behind the lens, but negative effects can
include distortion in the center as well as peripheral areas. Four Thirds lens mount
With the Micro Four Thirds System standard, the balance between the diagonal length 5 Optical design expanding the scope
4 6mm reduction of the mounts diameter
of the lens development
of the image sensor and the lengths of the flange back and back focus has been
optimized to facilitate maximum flexibility in design/production and performance of Mount
Mount plane

The active force


Four Thirds Micro Four Thirds
lenses in the future .5

Mount adapters allow a wide variety of lenses to be mounted Image


sensor
Micro Four Thirds System Micro Four Thirds cameras not only work with dedicated Micro Four Thirds lenses, plane

they can also accept any existing Four Thirds lens when an adapter is used. As an

An extraordinary combination of unlimited mobility added bonus, the short flange back makes it possible to use classic lenses from the
age of film, ensuring that youll be able to continue putting your favorite lenses to good
Two additional signal pins
to support comfortable Live View
Lens rear end

and unprecedented image quality


Flange back
and movie shooting
use.
Back focus

1 2
Micro Four Thirds Micro Four Thirds
Lenses covering focal lengths from semi-wide-angle between 12mm and 18mm
Wide Zoom Lenses Lenses covering wide-angle focal lengths of less than 12mm (equivalent to 24mm of 35mm film camera lenses). S t a n dard Zoom Lenses (equivalent to between 24 and 36mm of 35mm film camera lenses) to telephoto.

14-28mm (35mm equivalent) 14-28mm (35mm equivalent) 18-36mm (35mm equivalent) 24-64mm (35mm equivalent) 24-70mm (35mm equivalent) 24-80mm (35mm equivalent)
OLYMPUS : M.ZUIKO DIGITAL Panasonic : LUMIX G VARIO OLYMPUS : M.ZUIKO DIGITAL Panasonic : LUMIX G VARIO Panasonic : LUMIX G X VARIO OLYMPUS : M.ZUIKO DIGITAL
ED 7-14mm F2.8 PRO 7-14mm F4.0 ASPH. ED 9-18mm F4.0-5.6 12-32mm F3.5-5.6 ASPH. MEGA O.I.S. 12-35mm F2.8 ASPH. POWER O.I.S. ED 12-40mm F2.8 PRO
EDA lens DSA lens HR lens Super ED lens ED lens Aspherical lens ZERO coationg MSC Splash-/dust-proof ED lens Aspherical lens DSA lens HR lens ED lens Aspherical lens MSC ED lens Aspherical lens Optical Image Stabilizer (inside lens) UHR
UED lens UED lens Aspherical lens Optical Image Stabilizer (inside lens) Splash-/dust-proof EDA lens DSA lens HD lens HR lens ED lens Aspherical lens ZERO coating MSC Splash-/dust-proof

Max. dia. x Length = 78.9mm x 105.8mm Max. dia. x Length = 70mm x ca. 83.1mm Max. dia. x Length = 56.5mm x 49.5mm (when retracted) Max. dia. x Length = 55.5mm x ca.24mm (when retracted) Max. dia. x Length = 67.6mm x ca.73.8mm Max. dia. x Length = 69.9mm x 84mm
Weight = 534g Weight = 300g Weight = 155g Filter diameter = 52mm Weight = ca.70gFilter diameter = 37mm Weight = ca.305gFilter diameter = 58mm Weight = 382gFilter diameter = 62mm

Ultra-wide-angle zoom boasting maximum portability, brightness and optical performance Ultra-wide-angle, ultra-compact 14-28mm zoom lens Ultra-wide-angle zoom with a wide angle of view Compact standard zoom lens with 24mm wide angle (35mm equivalent) capability Compact, lightweight wide-angle zoom lens with full-range F2.8 brightness Dustproof/Splashproof with bright F2.8 throughout the zoom range
An ultra-wide-angle zoom lens featuring high Taking full advantage of Micro Four This ultra-wide-angle zoom lens sets a A compact, lightweight lens ideal for use in With F2.8 throughout the zoom range, this lens With an aperture of F2.8 fixed throughout
mobility and excellent optical performance Thirds Systems short flange back, this new standard in compact design. Ideal many different shooting situations, from captures sharp, crisp images with high resolution the zoom range, this mid-range zoom
featuring an F2.8 aperture at all focal compact lens captures breathtaking for snapshots and landscape shooting. taking everyday snapshots to shooting a and contrast. Outstanding portability makes this lens meets professional requirements for
lengths. This lens excels at architecture, wide perspectives with an angle of view group photo in a small room or capturing an excellent choice for everything from snapshots a quality zoom lens that's compact,
night-sky and astrophotography. of 114. scenic landscape while traveling. and family photos to spectacular landscape shots. lightweight, dustproof/splashproof.

24-90mm (35mm equivalent) 24-100mm (35mm equivalent) 24-120mm (35mm equivalent)


Kodak : PIXPRO SZ OLYMPUS : M.ZUIKO DIGITAL Panasonic : LUMIX G VARIO
ED 12-45mm F3.5-6.3 AF ED 12-50mm F3.5-6.3 EZ 12-60mm F3.5-5.6 ASPH. POWER O.I.S.
Aspherical ED lens ED lens Aspherical lens DSA lens HR lens ED lens Aspherical lens MSC Electronic zoom Splash-/dust-proof Macro mode ED lens Aspherical lens Optical Image Stabilizer (inside lens) Splash-/dust-proof

Max. dia. x Length = 58.1mm x 63mm Max. dia. x Length = 57mm x 83mm Max. dia. x Length = 66mm x ca.71mm
Weight = ca.182.5gFilter diameter = 49mm Weight = 212gFilter diameter = 52mm Weight = ca.210gFilter diameter = 58mm

Standard zoom lens covering an ample focal range Standard movie lens with motorized zoom mechanism Dustproof/Splashproof standard 5X zoom lens
Four aspherical lens elements and two Features a motorized mechanism that ensures With an extended focal length range
ED lens elements ensure low distortion stable zooming at a constant rate with steady starting at wide angle of 24mm (35mm
for a wide zoom range. A standard focusing thanks to a new MSC mechanism that equivalent), this dustproof/splashproof
zoom lens ideal for everyday use. achieves faster, quieter AF control. This dustproof 5X zoom lens is the ideal choice for
/splashproof lens also offers macro capability. just about any shooting situation.

28-84mm (35mm equivalent) 28-84mm (35mm equivalent)


OLYMPUS : M.ZUIKO DIGITAL OLYMPUS : M.ZUIKO DIGITAL
ED 14-42mm F3.5-5.6 EZ 14-42mm F3.5-5.6 II R
Super HR lens ED lens Aspherical lens MSC Electronic zoom Aspherical lens MSC

Max. dia. x Length = 60.6mm x 22.5mm (when retracted) Max. dia. x Length = 56.5mm x 50mm (when retracted)
Weight = 93gFilter diameter = 37mm Weight = 113gFilter diameter = 37mm

Motorized standard zoom lens boasts worlds thinnest profile* Standard zoom lens with compact size and light weight
Incorporating a motorized zoom mechanism With a compact size and light weight of
in a slim profile that's just 22.5mm thick, 113 grams, this standard zoom lens is
this standard zoom lens offers high optimized for daily use on the street, as
operability, while ensuring uniform, sharp well as for portrait shooting. It incorporates
image quality throughout the image plane. the MSC mechanism for fast, quiet AF.
M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO : 15sec. F2.8 * As of January 29, 2014. Among standard 3x zoom lenses for mirrorless system cameras.

3 4
Micro Four Thirds
Lenses covering focal lengths from semi-wide-angle between 12mm and 18mm
S t a n dard Zoom Lenses (equivalent to between 24 and 36mm of 35mm film camera lenses) to telephoto.

28-84mm (35mm equivalent) 28-84mm (35mm equivalent) 28-90mm (35mm equivalent)


Panasonic : LUMIX G X VARIO PZ Panasonic : LUMIX G VARIO Panasonic : LUMIX G VARIO
14-42mm F3.5-5.6 ASPH. POWER O.I.S. 14-42mm F3.5-5.6 II ASPH. MEGA O.I.S. 14-45mm F3.5-5.6 ASPH. MEGA O.I.S.
ED lens Aspherical lens Optical Image Stabilizer (inside lens) Moterized zoom Aspherical lens Optical Image Stabilizer (inside lens) Aspherical lens Optical Image Stabilizer (inside lens)

Max. dia. x Length = 61.0mm x ca.26.8mm (when retracted) Max. dia. x Length = 56mm x ca.49mm Max. dia. x Length = 60mm x ca.60mm
Weight = ca.95gFilter diameter = 37mm Weight = ca.110gFilter diameter = 46mm Weight = ca.195gFilter diameter = 52mm

Standard lens with built-in motorized zoom Sophisticated design and reduced size/weight Compact, lightweight standard zoom lens
The compact, lightweight retractable The compact, lightweight design of this With a wide focusing range of about
mechanism improves portability of the camera, lens lets you enjoy photography in a 3.2x zoom ratio from wide-angle 28mm
while at the same time ensuring high contrast wide range of situations, from (35mm equivalent), this lens ensures
all the way to the image periphery. The quiet everyday snapshots to landscape and exceptional shooting performance
noise design is suitable for movie shooting. portrait shooting. under a wide range of conditions.

28-280mm (35mm equivalent) 28-300mm (35mm equivalent) 28-300mm (35mm equivalent)


Panasonic : LUMIX G VARIO Tamron : OLYMPUS : M.ZUIKO DIGITAL
14-140mm F3.5-5.6 ASPH. POWER O.I.S. 14-150mm F/3.5-5.8 Di III Model C001 ED 14-150mm F4.0-5.6 II
ED lens Aspherical lens Optical Image Stabilizer (inside lens) Molded-Glass Aspherical lens AD(Anomalous Dispersion) lens LD(Low Dispersion) lens Hybrid Aspherical lens EDA lens DSA lens HR lens E-HR lens ED lens Aspherical lens ZERO coating MSC Splash-/dust-proof

Max. dia. x Length = 67mm x ca.75mm Max. dia. x Length = 63.5mm x ca.80mm Max. dia. x Length = 63.5mm x 83mm
Weight = ca.265gFilter diameter = 58mm Weight = 285gFilter diameter = 52mm Weight = 260gFilter diameter = 58mm

Sophisticated design and reduced size/weight Lighter. Smaller. Sharper. Compact, lightweight dustproof/splashproof zoom with excellent mobility
The compact, lightweight design and high A high power zoom lens helps swiftly A lightweight 10.7X zoom lens featuring
mobility of this powerful zoom makes it an capture different views at the angle of the ZERO coating. With its dustproof
excellent choice for a wide range of field you choose. Incorporating /splashproof design, this rugged lens is
applications ranging from landscape and specialized glass elements for excellent as comfortable in extreme situations as
portrait shooting to sport photography. imaging performance. it is in casual photography.

LUMIX G VARIO 14-140mm F3.5-5.6 ASPH. POWER O.I.S. : 0/60sec. F7.1 Upper photo: M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO : 1/1600sec. F6.3Lower photo: 14-150mm F/3.5-5.8 Di III Model C001 : 1/200sec. F5.6
5 6
Micro Four Thirds
Lenses covering telescopic focal lengths of 100mm
Telephoto Zoom Lenses (equivalent to 200mm of 35mm film camera lenses) or more.

70-200mm (35mm equivalent) 70-200mm (35mm equivalent) 80-300mm (35mm equivalent) 200-600mm (35mm equivalent) 200-800mm (35mm equivalent)
Panasonic: LUMIX G X VARIO Panasonic: LUMIX G VARIO OLYMPUS: M.ZUIKO DIGITAL Panasonic : LUMIX G VARIO Panasonic : LEICA DG VARIO-ELMAR
35-100mm F2.8 POWER O.I.S. 35-100mm F4.0-5.6 ASPH. MEGA O.I.S. ED 40-150mm F2.8 PRO 100-300mm F4.0-5.6 MEGA O.I.S. 100-400mm F4.0-6.3 ASPH. POWER O.I.S.
UED lens ED lens Optical Image Stabilizer (inside lens) Splash-/dust-proof ED lens Aspherical lens Optical Image Stabilizer (inside lens) EDA lens HD lens Super ED lens ED lens Aspherical lens ZERO coating MSC Splash-/dust-proof ED lens Optical Image Stabilizer (inside lens) UED lens ED lens Aspherical lens Optical Image Stabilizer (inside lens) Splash-/dust-proof

Max. dia. x Length = 67.4mm x ca.99.9mm Max. dia. x Length = 55.5mm x ca.50mm (when retracted) Max. dia. x Length = 79.4mm x 160mmWeight = 760g (w/o tripod Max. dia. x Length = 73.6mm x ca.126mm Max. dia. x Length = 83mm x ca.171.5mm
Weight = ca.360gFilter diameter = 58mm Weight = ca.135gFilter diameter = 46mm adapter / tripod adapter: 120g)Filter diameter = 72mm Weight = ca.520gFilter diameter = 67mm Weight = ca.985gFilter diameter = 72mm

Telephoto zoom lens featuring compact size, light weight, high image quality and dustproof/splashproof Lightweight telephoto zoom lens that's retractable for easy storage Telephoto zoom lens with high image quality and maximum portability 600mm (35mm equivalent) super-telephoto zoom lens Ultra-telephoto zoom the longest in the Micro Four Thirds family
The large F2.8 aperture enables high-speed Featuring a manually-operated retraction mechanism Top-notch performance in every aspect from With high-speed AF capability, this lens Built to LEICA's most exacting standards, this is the first
shutter release in sport and railroad photography, built into the cylinder, this lens delivers high image brightness and close-up capability to portability brings distant subjects close at hand, zoom model in the LEICA DG lens series. And despite
as well as allowing you to take advantage of quality in a compact, lightweight design made and operation. It incorporates Olympus's making it ideal for various applications offering amazing 800mm (35mm equivalent)
various effects such as defocusing in portrait possible by matching the optical configuration to the exclusive DUAL VCM focus system, the world's from shooting professional sports and ultra-telephoto capability, this lens is surprisingly compact
shooting, as well as close-up shooting. mechanism and reducing the weight of mobile parts. leader* in terms of precision and AF speed. wild animals to a school sports day. and light weight, featuring a splash-and-dustproof design.
* Based on Olympus industry survey.

80-300mm (35mm equivalent) 85-320mm (35mm equivalent) 90-300mm (35mm equivalent)


OLYMPUS : M.ZUIKO DIGITAL Kodak : PIXPRO SZ Panasonic: LUMIX G VARIO
ED 40-150mm F4.0-5.6 R ED 42.5-160mm F3.9-5.9 AF 45-150mm F4.0-5.6 ASPH. MEGA O.I.S.
HR lens ED lens MSC ED lens Aspherical lens UHR lens Aspherical lens Optical Image Stabilizer (inside lens)

Max. dia. x Length = 63.5mm x 83mm Max. dia. x Length = 58.7mm x 80.4mm Max. dia. x Length = 62mm x ca.73mm
Weight = 190gFilter diameter = 58mm Weight = ca.205gFilter diameter = 49mm Weight = ca.200gFilter diameter = 52mm

Telephoto zoom lens lets you preserve great memories in grand images Mid-telephoto lens offers a new type of photographic experience Ultra compact telephoto zoom lens with high optical performance
Featuring extremely high portability, In spite of its compact size and light The UHR (Ultra High Refractive Index)
this lightweight telephoto zoom lens weight, this telephoto lens covers a lens and 2 aspherical lenses achieve
employs an ED lens element to correct wide range from mid-telephoto to full uniform image depiction from the center
color aberration and a circular iris to telephoto. to the corners. Smooth, silent focusing
render natural bokeh. in both photo and video recording.

90-350mm (35mm equivalent) 90-400mm (35mm equivalent) 150-600mm (35mm equivalent)


Panasonic : LUMIX G X VARIO PZ Panasonic : LUMIX G VARIO OLYMPUS : M.ZUIKO DIGITAL
45-175mm F4.0-5.6 ASPH. POWER O.I.S. 45-200mm F4.0-5.6 MEGA O.I.S. ED 75-300mm F4.8-6.7 II
ED lens Aspherical lens Optical Image Stabilizer (inside lens) Moterized zoom ED lens Optical Image Stabilizer (inside lens) HR lens Super ED lens ED lens ZERO coating MSC

Max. dia. x Length = 61.6mm x ca.90mm Max. dia. x Length = 70mm x ca.100mm Max. dia. x Length = 69mm x 116.5mm
Weight = ca.210gFilter diameter = 46mm Weight = ca.380gFilter diameter = 52mm Weight = 423gFilter diameter = 58mm

Telephoto lens with built-in motorized zoom Telephoto zoom lens in a compact design Super-telephoto zoom captures dynamic images of distant subjects
The multi-actuator flowing inner focus This lens employs a 13-group, The 600mm (35mm equivalent) super-telephoto zoom is
mechanism enables this lens to offer 16-element configuration including compact and lightweight enough for use in handheld
sharp, clear images in a compact, three ED lens elements. This design shooting. The ZERO coating on the lens surface eliminates
lightweight design. Low-noise operation effectively corrects aberrations to reflections and other distortions to ensure outstanding
makes it suitable for movie recording. achieve high picture quality. results, even with pictures taken at a long distance.
M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO : 1/2000sec. F4.0
7 8
Micro Four Thirds
Wide-Angle, Single-Focal-Length Lenses
P r i m e Lenses -Wide- for Wide-Angle with Focal Length below 20mm (40mm of 35mm equivalent).

16mm (35mm equivalent) 16mm (35mm equivalent) 17mm (35mm equivalent) 34mm (35mm equivalent) 35mm (35mm equivalent) 38mm (35mm equivalent)
OLYMPUS: M.ZUIKO DIGITAL Panasonic : Kowa : OLYMPUS : M.ZUIKO DIGITAL Voigtlnder : SIGMA :
ED 8mm F1.8 Fisheye PRO LUMIX G FISHEYE 8mm F3.5 KOWA PROMINAR 8.5mm F2.8 17mm F2.8 NOKTON 17.5mm F0.95 SIGMA 19mm F2.8 DN | Art
Super HR lens HR lens Super ED lens ED lens Aspherical lens ZERO coationg MSC Splash-/dust-proof ED lens XD lens Aspherical lens Manual focus Aspherical lens Aspherical lens Manual focus Aspherical lens

Max. dia. x Length = 62mm x 80mm Max. dia. x Length = 60.7mm(fixed hood section) x ca.51.7mmWeight = ca.165g Max. dia. x Length = 71.5mm x 86.8mm Max. dia. x Length = 57mm x 22mm Max. dia. x Length = 63.4mm x 80mm Max. dia. x Length = 60.8mm x 45.7mm
Weight = 315g Filter diameter = Front: Not mountable, Rear: Sheet filter holder 22mm x 22mm Weight = 440gFilter diameter = 86mm (attach to lens hood) Weight = 71gFilter diameter = 37mm Weight = 540gFilter diameter = 58mm Weight = 160gFilter diameter = 46mm

Worlds first* fisheye lens with large F1.8 aperture Worlds smallest, lightest* high-performance fisheye lens Ultra-wide-angle lens realistically depicts scenes with breathtaking scope Pancake lens that never misses a great shooting opportunity F0.95, Wide-angle lens with fast aperture High-performance wide-angle lens, ideal for snapshots and indoor shooting
With a larger F1.8 aperture and 180 angle of view, this A diagonal angle of view of 180 and With a dynamic diagonal angle of view of 106, This wide-angle pancake lens features Wide angle lens of 35mm (35mm An ideal lens for casual snaps, as well
fisheye lens boasts superior optical performance with short focal length lets you capture the this lens minimizes distortion and enhances a focal length suitable for a wide range equivalent) with F0.95 at wide open. as for indoor photography which benefits
excellent imaging from the center to edges. A rugged distortion and exaggerated perspective contrast in peripheral areas, providing superb of applications, from snapshots and "Selective Aperture Control System" from its wide-angle of view. The superior
dustproof/splashproof design makes sure this lens is that fisheye lenses are known for. optical performance suitable for use with a portraits to landscapes and close-ups. allows you to set the lens precisely at telecentric optical design improves
ready for action wherever and whenever you need it. * As of July 21, 2011. Among the AF-compatible fisheye high-resolution 4K camera. any aperture. image quality throughout the frame.
* As of May 2015, based on Olympus survey. lenses for inter-changeable-lens type digital cameras. * Cannot be used with Panasonic LUMIX DMC-G1.

21mm (35mm equivalent) 24mm (35mm equivalent) 24mm (35mm equivalent)


Voigtlnder : Kowa : OLYMPUS : M.ZUIKO DIGITAL
NOKTON 10.5mm F0.95 KOWA PROMINAR 12mm F1.8 ED 12mm F2.0
Aspherical lens Manual focus XD lens Aspherical lens Manual focus DSA lens Super HR lens ED lens Aspherical lens ZERO coating MSC

Max. dia. x Length = 77mm x 82.4mm Max. dia. x Length = 76.5mm x 90.5mm Max. dia. x Length = 56mm x 43mm
Weight = 585gFilter diameter = 72mm Weight = 475gFilter diameter = 72mm Weight = 130gFilter diameter = 46mm

Super wide-angle lens with fast aperture Wide-angle lens for natural, true-to-life imaging of a wide range of scenes High-grade snapshot lens with metallic finish
Two aspherical lenses with 3 aspherical Great for outdoor shooting thanks to the sharp, With a large aperture of F2.0 and a wide
surfaces are used to ensure super-sharp crisp, detailed imaging made possible by its wide angle of 24mm (35mm equivalent), this
images even when the aperture is fully angle of 24mm (35mm equivalent) and very lens offers high picture quality, while
open. A selective aperture control system, low distortion, this lens boasts high brightness boasting a more compact design
with and without click-stops, is also built in. of F1.8 so it can be used indoors as well. optimized for snapshot shooting.
* Cannot be used with Panasonic LUMIX DMC-G1.

28mm (35mm equivalent) 30mm (35mm equivalent) 34mm (35mm equivalent)


Panasonic : Panasonic : LEICA DG SUMMILUX OLYMPUS : M.ZUIKO DIGITAL
LUMIX G 14mm F2.5 II ASPH. 15mm F1.7 ASPH. 17mm F1.8
Aspherical lens Aspherical lens DSA lens HR lens Aspherical lens ZERO coating MSC

Max. dia. x Length = 55.5mm x ca.20.5mm Max. dia. x Length = 57.5mm x ca.36mm Max. dia. x Length = 57.5mm x ca.35.5mm
Weight = ca.55gFilter diameter = 46mm Weight = 115gFilter diameter = 46mm Weight = 120gFilter diameter = 46mm

Wide-angle pancake lens with compact size and light weight Compact, lightweight F1.7 SUMMILUX lens with high image quality High-grade F1.8 snapshot lens with metallic outer finish
The high brightness of this lens makes it With brightness that surpassed Leica's Combining the brightness of an F1.8
handy in daily use, from shooting vast most stringent optical standards, this open aperture and high Image quality in
landscapes to compositions with wide lens features a lovely soft defocusing a compact package, this lens is ideal
perspectives that take advantage of the effect that makes it perfect for for snapshots. A snapshot focus
28mm wide angle (35mm equivalent). snapshots. mechanism is also incorporated.
M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO : 1/60sec. F1.8
9 10
Upper photo: LUMIX G FISHEYE 8mm F3.5 : 1/5000sec. F7.1Lower photo: KOWA PROMINAR 8.5mm F2.8 : 1/40sec. F11 Upper photo: NOKTON 10.5mm F0.95 : 1/160sec. F1.4Lower photo: KOWA PROMINAR 12mm F1.8 : 5sec. F16
11 12
Micro Four Thirds
Single-Focal-Length Lenses with Focal Lengths
P r i m e Lenses -Standard - from 20-40mm (equivalent to 40-80mm of 35mm camera).

40mm (35mm equivalent) 50mm (35mm equivalent) 50mm (35mm equivalent)


Panasonic : Voigtlnder : Voigtlnder :
LUMIX G 20mm F1.7 II ASPH. NOKTON 25mm F0.95 NOKTON 25mm F0.95 Type II
Aspherical lens Manual focus Manual focus

Max. dia. x Length = 63mm x ca.25.5mm Max. dia. x Length = 58.4mm x 70mm Max. dia. x Length = 60.6mm x 70mm
Weight = ca.87gFilter diameter = 46mm Weight = 410gFilter diameter = 52mm Weight = 435gFilter diameter = 52mm

Pancake lens with large aperture, light weight and slim design F0.95, Standard lens with fast aperture Movie compatible, fast aperture standard lens
Despite its reduced size and weight, this lens Standard lens of 50mm (35mm 25mm angle of view with Selective Aperture
delivers impressive performance with a large equivalent) with F0.95 at wide open. Control System. Aperture can be controlled
high-brightness F1.7 aperture that enables Full metal barrel and manual focusing without click-stop and any noise that is ideal
you to capture gorgeous photographs with for high durability and reliable for setting aperture at any points between
high contrast and beautiful defocusing effects. operation. the range and video shooting.

50mm (35mm equivalent) 50mm (35mm equivalent) 50mm (35mm equivalent)


Panasonic : LEICA DG SUMMILUX Panasonic : Kowa :
25mm F1.4 ASPH. LUMIX G 25mm F1.7 ASPH. KOWA PROMINAR 25mm F1.8
UHR lens Aspherical lens UHR lens Aspherical lens XD lens Aspherical lens Manual focus

Max. dia. x Length = 63mm(fixed hood section) x ca.54.5mm Max. dia. x Length = 60.8mm x ca.52mm Max. dia. x Length = 60mm x 94mm
Weight = ca.200gFilter diameter = 46mm Weight = ca.125gFilter diameter = 46mm Weight = 400gFilter diameter = 55mm

Single-focus lens with excellent brightness Standard lens that can provide a soft defocus effect for creative photography F1.8 standard lens featuring beautiful defocusing effects
A compact lens with high imaging This large-aperture standard lens features a With a standard angle of view of 50mm
performance that features the soft, beautiful defocus effect to make your subjects (35mm equivalent) that matches natural
beautiful defocusing effect that Leica really stand out. The F1.7 brightness at the open vision and a bright open aperture of F1.8,
lenses are renowned for. aperture captures beautiful, stabilized images even this lens is able to realistically depict a wide
outdoors at twilight outdoors or in a dimly lit room. range of images, from snapshots to portraits.

50mm (35mm equivalent) 60mm (35mm equivalent) 60mm (35mm equivalent)


OLYMPUS : SIGMA : SIGMA :
M.ZUIKO DIGITAL 25mm F1.8 SIGMA 30mm F1.4 DC DN | Contemporary SIGMA 30mm F2.8 DN | Art
Aspherical lens ZERO coating MSC Aspherical lens Aspherical lens

Max. dia. x Length = 57.8mm x 42mm Max. dia. x Length = 64.8mm x 72.1mm Max. dia. x Length = 60.8mm x 40.5mm
Weight = 137gFilter diameter = 46mm Weight = 260gFilter diameter = 52mm Weight = 140gFilter diameter = 46mm

Bright standard lens that enhances the joy of photography with beautiful defocus effect Large-aperture standard lens with excellent optical performance High-performance standard lens, ideal for portraits and snapshots
A single focal length lens with high imaging Bright standard lens with F1.4 open aperture lets you Ideal for portraits and snapshots, this
power and beautiful defocus effect thanks experience the photographic thrill that comes from the high-performance standard lens features an
to the large F1.8 aperture, this lens versatility that a truly large aperture makes possible. inner focusing system that corrects any
features a natural angle of view close to the Enjoy the enhanced defocus effect available only with a fluctuations or aberrations to maintain image
human visual field. large aperture and crisp, clear optical performance. quality regardless of the focusing position.
Upper photo: LEICA DG SUMMILUX 25mm F1.4 ASPH. : 1/100sec. F2.2 Lower photo: SIGMA 30mm F1.4 DC DN | Contemporary : 1/100sec. F1.4
13 14
Micro Four Thirds
Single-Focal-Length Lenses for Telephoto Domain with Focal Lengths
P r i m e Lenses -Telephoto - over 40mm (equivalent to 80mm of 35mm camera).

85mm (35mm equivalent) 85mm (35mm equivalent) 85mm (35mm equivalent)


Voigtlnder : Panasonic : LEICA DG NOCTICRON Panasonic : LUMIX G
NOKTON 42.5mm F0.95 42.5mm F1.2 ASPH. POWER O.I.S. 42.5mm F1.7 ASPH. POWER O.I.S.
Manual focus UHR lens ED lens Aspherical lens Optical Image Stabilizer (inside lens) Aspherical lens

Max. dia. x Length = 64.3mm x 74.6mm Max. dia. x Length = 74mm x ca.76.8mm Max. dia. x Length = 55mm x ca.50mm
Weight = 571gFilter diameter = 58mm Weight = ca.425gFilter diameter = 67mm Weight = ca.130gFilter diameter = 37mm

Mid-telephoto lens with fast aperture Mid-telephoto lens with F1.2 large aperture capable of expressing beautiful defocusing effect Middle telephoto portrait lens with large F1.7 open aperture
An angle of view of 85mm (35mm A bright F1.2 open aperture and outstanding With a mid-range telephoto focal length of
equivalent) and a beautiful defocusing imaging performance enforced by Leica's 85mm (35mm equivalent), this lens is
effect produced by the ultra-fast F0.95 rigorous optical standards make this suitable for portrait shooting. Features a
aperture make this lens ideal for large-aperture, mid-telephoto lens a good natural-looking perspective, capturing the
portrait photography. choice for portrait shooting. details of a subject as seen by the human eye.

90mm (35mm equivalent) 120mm (35mm equivalent) 150mm (35mm equivalent)


OLYMPUS : M.ZUIKO DIGITAL SIGMA : OLYMPUS : M.ZUIKO DIGITAL
45mm F1.8 SIGMA 60mm F2.8 DN | Art ED 75mm F1.8
E-HR lens ZERO coating MSC SLD glass Aspherical lens HR lens ED lens ZERO coating MSC

Max. dia. x Length = 56mm x 46mm Max. dia. x Length = 60.8mm x 55.5mm Max. dia. x Length = 64mm x 69mm
Weight = 116gFilter diameter = 37mm Weight = 190gFilter diameter = 46mm Weight = 305gFilter diameter = 58mm

Family portrait lens with beautiful defocusing capability High-performance telephoto lens featuring a natural feeling of perspective and beautiful defocus effects High-grade portrait lens with highest picture quality
The F1.8 brightness and shallow Featuring a natural feeling of perspective and With the highest picture quality of all
depth-of-field of this lens let anyone beautiful defocus effects, this lens allows the M.ZUIKO DIGITAL lenses and an
shoot portraits in which soft, beautiful photographer to zoom in on distant objects and elegant metallic finish, this lens is ideal
background defocusing makes the capture a single part of a subject. It brilliantly for studio portrait, stage and indoor
subject very prominent. realizes the photographer's intentions. sports photography.

600mm (35mm equivalent) 600mm (35mm equivalent)


OLYMPUS : M.ZUIKO DIGITAL Tokina :
ED 300mm F4.0 IS PRO Reflex 300mm F6.3 MF Macro
HR lens E-HR lens Super ED lens Z coating Nano MSC Optical Image Stabilizer (inside lens) Splash-/dust-proof Manual focus

Max. dia. x Length = 92.5mm x 227mm(when food retracted) Weight = 1,270g Max. dia. x Length = 66mm x 66mm
(w/o tripod adapter / tripod adapter: 205g)Filter diameter = 77mm Weight = 298gFilter diameter = 55mm

Super-telephoto lens with handheld shooting capability Palm-size super-telephoto lens with closest focusing distance of 0.8 meter
In addition to excellent mobility made possible by its The use of reflex optics and reduction of
compact size, light weight and dustproof/splashproof the overall lens length have resulted in a
design, this lens features 5-axis image stabilization lens with a previously unconceivable length
making handheld shooting with a super-telephoto lens of 66mm, a maximum diameter of 66mm
much easier than it's ever been in the past. and a weight of 298 grams.
LEICA DG NOCTICRON 42.5mm F1.2 ASPH. POWER O.I.S : 1/320sec. F1.2
15 16
Upper photo: SIGMA 60mm F2.8 DN Art : 1/200sec. F2.8Lower photo: Reflex 300mm F6.3 MF Macro : 1/2000sec. F6.3 M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO : 1/400sec. F5.6
17 18
Micro Four Thirds
P r i m e Lenses - M acro/O ther- Macro lenses with a taste proper to single focal length, other highly distinct lenses.

Macro Macro Macro

60mm (35mm equivalent) 90mm (35mm equivalent) 120mm (35mm equivalent)


Panasonic : LUMIX G MACRO Panasonic : LEICA DG MACRO-ELMARIT OLYMPUS : M.ZUIKO DIGITAL
30mm F2.8 ASPH. MEGA O.I.S. 45mm F2.8 ASPH. MEGA O.I.S. ED 60mm F2.8 Macro
Aspherical lens ED lens Aspherical lens Optical Image Stabilizer (inside lens) E-HR lens HR lens ED lens ZERO coating MSC Splash-/dust-proof

Max. dia. x Length = 58.8mm x ca.63.5mm Max. dia. x Length = 63mm x ca.62.5mm Max. dia. x Length = 56mm x 82mm
Weight = ca.180gFilter diameter = 46mm Weight = ca.225gFilter diameter = 46mm Weight = 185gFilter diameter = 46mm

Single focal length macro lens with 1X life-size close-up capability Outstanding image quality that Leica is known for Nature Macro lens with dust-/splash-proofing capability
With a single focal length of 60mm With imaging performance that meets 1x macro lens featuring an internal
(35mm equivalent), this macro lens can Leicas demanding performance focus system that does not alter the
be used in a variety of applications, from evaluation criteria, this lens offers lens length. A focus limit switch is built
high-powered macro photography to consistently high contrast and in for quicker focusing.
landscape shooting. resolution.

3D

65mm (35mm equivalent)*


Panasonic :
LUMIX G 12.5mm F12
Max. dia. x Length = 57mm x ca.20.5mm
Weight = ca.45g

Worlds first ** interchangeable 3D lens


This easy-to-handle compact lens allows
instant 3D still-picture shooting with two
built-in optical systems. The left and right
images are shot without time lag so even a
moving subject is not distorted after synthesis.
* When the aspect ratio is set at 16:9 with DMC-GH2.
** As of September 21, 2010. Among the interchangeable lenses for digital SLR cameras.

M i c r o F o u r T h i r d s S y s t e m c o m p a t i b l e Te l e p h o t o L e n s K i t

Kowa: KOWA PROMINAR 500mm F5.6 FL Standard Kit


Fluorite crystal XD lens Manual focus

350mm, 500mm, 850mm.


Telephoto lens kit for shooting in three focal lengths with a single lens
To minimize the chromatic aberrations (color fringing) that lenses with long focal lengths tend to
produce, this lens employs one fluorite crystal and two XD (extra-low Dispersion) lens elements.
Based on advanced optical technology developed originally for spotting scopes, this lens features
the high contrast and crisp imaging performance required of a camera lens.
The standard focal length of the master lens in the Standard Kit is 500mm F5.6, but it can be
converted into a brighter telescopic lens of 350mm F4.0 (using the optional TX07 mount adapter)
or a more telescopic lens of 850mm F9.6 (using the optional TX17 mount adapter). The mount
adapters for the 350mm and 850mm conversion are specifically designed to be combined with the
master lens. Each adapter incorporates an XD lens element to ensure excellent optical performance
comparable to dedicated lenses.

T X10 T X07 T X17


(500mm F5.6) (350mm F4) (850mm F9.6)

Upper photo: LUMIX G MACRO 30mm F2.8 ASPH. MEGA O.I.S. : 1/80sec. F2.8 Lower photo: LEICA DG MACRO-ELMARIT 45mm F2.8 ASPH. MEGA O.I.S. : 1/200sec. F2.8
19 20
By utilizing the accurate, quick phase-detection AF, the traditional Four Thirds System format allows you
Four Thirds Lenses to fully enjoy the high image quality of the full lineup of Four Thirds lenses.

Super High Grade series

14-28mm (35mm equivalent) 28-70mm (35mm equivalent) 70-200mm (35mm equivalent) 180-500mm (35mm equivalent) 300mm (35mm equivalent) 600mm (35mm equivalent)
OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL
ED 7-14mm F4.0 ED 14-35mm F2.0 SWD ED 35-100mm F2.0 ED 90-250mm F2.8 ED 150mm F2.0 ED 300mm F2.8
ED glass moulded aspherical lens Super ED lens ED lens Aspherical lens Splash-/dust-proof ED glass moulded aspherical lens ED lens Aspherical lens Supersonic Wave Drive (SWD) Splash-/dust-proof Super ED lens ED lens Splash-/dust-proof ED lens Splash-/dust-proof Super ED lens ED lens Splash-/dust-proof ED lens Splash-/dust-proof Built-to-order manufacturing

Max. dia. x Length = 86.5 mm x 119.5 mm Max. dia. x Length = 86 mm x 123 mm Max. dia. x Length = 96.5 mm x 213.5 mm Max. dia. x Length = 124 mm x 276 mm Max. dia. x Length = 100 mm x 150 mm Max. dia. x Length = 127 mm x 285 mm
Weight = 780 g Weight = 900 g Filter diameter = 77 mm Weight = 1,650 g (w/o tripod adapter) Filter diameter = 77 mm Weight = 3,270 g (with tripod adapter) Filter diameter = 105 mm Weight = 1,465 g (w/o tripod adapter) Filter diameter = 82 mm Weight = 3,290 g (with tripod adapter) Drop-in filter diameter = 43 mm

Ultra-wide-angle zoom lens with an angle of view of 114 F2.0 standard zoom lens with outstanding brightness Excellent defocusing effect throughout the zoom range Coverage up to 500mm 300mm in a compact lens just 15 cm long Experience a whole new dimension of brightness and picture quality
Designed to capture the most This large-aperture standard zoom lens The large open depth of field value of An aperture of F2.8 throughout the zoom One Super ED lens and one ED lens Available only on a made-to-order basis, this superb,
mind-boggling perspectives, this lens boasts high imaging performance and this lens makes it ideal for shooting range provides uncompromised imaging elements provide almost perfect carefully crafted large-aperture, super-telephoto lens
incorporates large-aperture lens brightness of F2.0 throughout the zoom portraits and nature scenes, as well as performance that is particularly noticeable compensation to minimize the axial delivers imaging performance that simply outclasses
elements with aspherical surfaces on range. It incorporates a mechanically- for indoor sports that need high shutter in such demanding applications as nature chromatic aberration common with anything youve ever seen. Three ED lens elements
both sides to minimize distortion. interlocked manual focusing mechanism. speeds. photography or shooting indoor sports. telephoto-type lenses. eliminate chromatic aberration to the limit.

LEIC A D LENS

28-100mm (35mm equivalent) 28-100mm (35mm equivalent) 28-300mm (35mm equivalent) 50mm (35mm equivalent)
PanasonicLEICA D VARIO-ELMARIT Panasonic : LEICA D VARIO-ELMAR PanasonicLEICA D VARIO-ELMAR PanasonicLEICA D SUMMILUX
14-50mm F2.8-3.5 ASPH. MEGA O.I.S. 14-50mm F3.8-5.6 ASPH. MEGA O.I.S. 14-150mm F3.5-5.6 ASPH. MEGA O.I.S. 25mm F1.4 ASPH.
Aspherical lens Optical Image Stabilizer (inside lens) ED lens Aspherical lens Optical Image Stabilizer (inside lens) ED lens Aspherical lens Supersonic wave motor (XS) Optical Image Stabilizer (inside lens) Super ED lens ED lens Aspherical lens

Max. dia. x Length = 78.1 mm x 97.4 mm Max. dia. x Length = 74 mm x 93 mm Max. dia. x Length = 78.5 mm x 90.4 mm Max. dia. x Length = 77.7 mm x 75 mm
Weight = 490 g Filter diameter = 72 mm Weight = 434 g Filter diameter = 57 mm Weight = 535 g Filter diameter = 72 mm Weight = 510 g Filter diameter = 62 mm

Standard zoom with Leicas acclaimed imaging capabilities Standard zoom with superb expression capabilities worth the name of Leica First high-power telephoto zoom lens in the LEICA D series Large-aperture standard lens with aperture ring equipped, achieving F1.4
The LEICA D lenses are the first interchangeable This lens boasts superb performance, This lens achieves high contrast and This lens combines outstanding F1.4
lenses for D-SLR cameras developed by Leica minimizing aberrations to produce an high-resolution image throughout the zoom range. brightness at maximum aperture with
Camera AG in collaboration with Panasonic. This image with high contrast and The focusing drive employs a supersonic wave exceptional imaging performance
lens incorporates the MEGA O.I.S., which is a sharpness to the periphery. monitor with the XS (Extra Silent) technology for thanks to high resolution and high
gyro-type optical image stabilizer. smooth, accurate autofocusing. contrast.
ZUIKO DIGITAL ED 300mm F2.8 : 1/1250sec. F5.0

High Grade series

22-44mm (35mm equivalent) 24-120mm (35mm equivalent) 28-108mm (35mm equivalent) 100-400mm (35mm equivalent) 16mm (35mm equivalent) 100mm (35mm equivalent)
OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL
11-22mm F2.8-3.5 12-60mm F2.8-4.0 SWD 14-54mm F2.8-3.5 ED 50-200mm F2.8-3.5 SWD ED 8mm F3.5 Fisheye ED 50mm F2.0 Macro
Max. dia. x Length = 75 mm x 92.5 mm Max. dia. x Length = 79.5 mm x 98.5 mm Max. dia. x Length = 74.5 mm x 88.5 mm Max. dia. x Length = 86.5 mm x 157 mm Max. dia. x Length = 79 mm x 77 mm Max. dia. x Length = 71 mm x 61.5 mm
Weight = 485 g Filter diameter = 72 mm Weight = 575 g Filter diameter = 72 mm Weight = 440 g Filter diameter = 67 mm Weight = 995 g (w/o tripod adapter) Filter diameter = 67 mm Weight = 485 g Weight = 300 g Filter diameter = 52 mm
Wide zoom boasting bright F2.8-3.5 aperture High-quality 5x standard zoom with fast AF High-performance zoom lens with High-Speed Imager AF compatibility Super-telephoto zoom lens with large aperture, high image quality and fast AF Diagonal fisheye lens featuring a deformation effect Medium-telephoto macro lens with excellent resolution and contrast

Standard series

18-36mm (35mm equivalent) 28-84mm (35mm equivalent) 36-360mm (35mm equivalent) 80-300mm (35mm equivalent) 140-600mm (35mm equivalent) 70mm (35mm equivalent) 50mm (35mm equivalent)
OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL OLYMPUSZUIKO DIGITAL
ED 9-18mm F4.0-5.6 ED 14-42mm F3.5-5.6 ED 18-180mm F3.5-6.3 ED 40-150mm F4.0-5.6 ED 70-300mm F4.0-5.6 35mm F3.5 Macro 25mm F2.8
Max. dia. x Length = 79.5 mm x 73 mm Max. dia. x Length = 65.5 mm x 61 mm Max. dia. x Length = 78 mm x 84.5 mm Max. dia. x Length = 65.5 mm x 72 mm Max. dia. x Length = 80 mm x 127.5 mm Max. dia. x Length = 71 mm x 53 mm Max. dia. x Length = 64 mm x 23.5 mm
Weight = 275 g Filter diameter = 72 mm Weight = 190 g Filter diameter = 58 mm Weight = 435 g Filter diameter = 62 mm Weight = 220 g Filter diameter = 58 mm Weight = 615 g Filter diameter = 58 mm Weight = 165 g Filter diameter = 52 mm Weight = 95 g Filter diameter = 43 mm
Ultra-wide-angle zoom lens with lightweight, ultra-compact design Standard zoom with high image quality and compact size Standard 10x zoom lens that's truly cost-effective 300mm lens elements in a short 72 mm body Compact super-telephoto zoom lens with handheld shooting capability Macro lens with 1x shooting capability Pancake-type lens weighing only 95 g

21 22
Micro Four Thirds / Four Thirds
Accessories Cap lenses, converter lenses, adapters.Expand your creativity and range of expression with these valuable tools.

Body Cap Lenses for Micro Four Thirds Four Thirds Adapters for Micro Four Thirds

Splash-/dust-proof

OLYMPUS : Fisheye Body Cap Lens BCL-09809mm F8.0 Fisheye OLYMPUS : Body Cap Lens BCL-158015mm F8.0 OLYMPUS : Four Thirds Adapter MMF-3 Panasonic : DMW-MA1
Ultra-thin cap lens that gives you an ultra-wide-angle fisheye view Only 9mm thick, this lens can be used as both a body cap and as a Mount adapter to enable a Four Thirds lens to be mounted on a Mount adapter to enable a Four Thirds lens to be mounted on a
of 140. The simplified MF lever enables easy one-touch pan-focus pan-focus lens for ready-when-you-are snapshot changing. Micro Four Thirds lens mount. Micro Four Thirds lens mount.
and close-up shooting. Available in two colors. Available in four colors.
* When using the image stabilization mechanism built into the camera, set the focal length to * When using the image stabilization mechanism built into the camera, set the focal length to
9mm or 8mm if the 9mm setting is not available. 15mm or 16mm if the 15mm setting is not available.
* Focus adjustment is possible by rotating the MF lever manually. Autofocusing is not available. * Focus adjustment is possible by rotating the MF lever manually. Autofocusing is not available.
* Communication function with the body not available. (Exif data not provided.) * Communication function with the body not available. (Exif data not provided.)

Converter Lenses for Micro Four Thirds Classic Lens Adapters for Micro Four Thirds

Splash-/dust-proof

OLYMPUS : M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 OLYMPUS : Fisheye Converter FCON-P01 OLYMPUS : Wide Converter WCON-P01 OLYMPUS : OM Adapter MF-2 Panasonic : DMW-MA2M Panasonic : DMW-MA3R
This extends the focal length of the master lens by 40% with very When attached to the M.ZUIKO DIGITAL 14-42mm F3.5-5.6 II R lens (set When attached to the M.ZUIKO DIGITAL 14-42mm F3.5-5.6 II R lens (set to the Mount adapter to enable an Olympus OM system lens to be Mount adapter to enable an M-mount lens of Leica Camera AG to Mount adapter to enable an R-mount lens of Leica Camera AG to
little image quality degradation. This lens is also to the wide-angle end of 14mm), enables fisheye photography that offers wide-angle end of 14mm), this converter makes it possible to shoot wide-angle mounted on a Micro Four Thirds lens mount. be mounted on a Micro Four Thirds lens mount. be mounted on a Micro Four Thirds lens mount.
dustproof/splashproof and resistant to low temperatures. an optimum distortion effect with an angle of view of 120. pictures with a focal length of 11mm (equivalent to 22mm of 35mm film cameras). * Only a limited number of OM system lenses can be used with this adapter.
* Applicable lenses: M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO, * Applicable lenses: M.ZUIKO DIGITAL 14-42mm F3.5-5.6 II R * Applicable lenses: M.ZUIKO DIGITAL 14-42mm F3.5-5.6 II R Manufacture of the OM system lenses has been discontinued.
M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO * Use at the wide-angle end (focal length 14mm) is recommended. * Use at the wide-angle end (focal length 14mm) is recommended. For details, visit the website of Olympus Imaging Corp.
* The effective f-number of the lens drops by one step when this converter is attached. * The decorative ring cannot be used in combination with this lens. * The decorative ring cannot be used in combination with this lens.

Converter Lenses for Four Thirds

OLYMPUS : Macro Converter MCON-P02 Panasonic : Fisheye Conversion Lens DMW-GFC1 Panasonic : Wide Conversion Lens DMW-GWC1
Splash-/dust-proof Splash-/dust-proof Splash-/dust-proof
A macro converter lens attachable to seven different M.ZUIKO Features 120 angle of view. Allows you to shoot unique images This wide-angle converter makes it possible to capture a larger area
DIGITAL lenses to enable macro shooting. with the curved fisheye effect. Just attach it to the front of the lens in the frame, without interfering with the optical performance of the OLYMPUS : ZUIKO DIGITAL 2x Teleconverter EC-20 OLYMPUS : ZUIKO DIGITAL 1.4x Teleconverter EC-14 OLYMPUS : Extension Tube EX-25
* Applicable lenses: M.ZUIKO DIGITAL 14-42mm F3.5-5.6 II R, M.ZUIKO DIGITAL ED 14-42mm to take advantage of this extraordinary and impressive effect. optical lens to which it is attached. Useful in enhancing the depth of
F3.5-5.6 EZ, M.ZUIKO DIGITAL 45mm F1.8, (The included Step-up Ring is Doubles the focal length of the master lens. Extends the focal length of the master lens by 1.4x. This is an intermediate ring that enables close-up photography when
required for use with the three lenses listed above.)
* Applicable lenses: LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S., the image by broadening the landscape or the background.
M.ZUIKO DIGITAL 25mm F1.8, M.ZUIKO DIGITAL 17mm F1.8,
LUMIX G 14mm F2.5 II ASPH.
* Magnification: 0.79x
* The effective F-number of attached lens drops by 2 steps. * The effective F-number of attached lens drops by 1 step. mounted between the camera body and an interchangeable lens.
* Before using the EC-20, be sure to update the camera firmware to the latest version to assure * Before using the EC-14, be sure to update the camera firmware to the latest version to assure
M.ZUIKO DIGITAL ED 12mm F2.0 * Applicable lenses: LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S., * Manual focusing is recommended.
optimum focusing accuracy. For details, visit the website of the product manufacturer. optimum focusing accuracy. For details, visit the website of the product manufacturer.
* Do not attach the macro converter to an inapplicable lens. Doing so could damage the lens. LUMIX G 14mm F2.5 II ASPH. * Image magnification is variable depending on the master lens.
* Cannot be used in combination with a protection filter or automatic opening lens cap. * For details on lens combinations, visit the website of the product manufacturer.

Clas sic Lens Adapter for Four Thirds

Panasonic : Macro Conversion Lens DMW-GMC1 Panasonic : Tele Conversion Lens DMW-GTC1 Kenko : Extension Tube Set
This converter enables imaging of fine details that may not be This converter lets you shoot a telephoto image, while maintaining the optical Designed to fit in between the camera body and interchangeable OLYMPUS : OM Adapter MF-1
clearly visible when viewed with the naked eye. Useful for shooting performance of the optical lens to which it is attached. When the converter is lens, an extension tube is an intermediate ring that enables
Mount adapter to enable an Olympus OM system lens to be
things such as small objects with finely detailed decorative attached to the LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER close-up photography when mounted. This set includes two rings
engravings of small flowers. O.I.S., the combination can be used as a 168mm telephoto lens with up to 2X one 10mm long and one 16mm long. mounted on a Four Thirds lens mount.
* Maximum image magnification: 0.35x magnification at the telephoto end. * Manual focusing is recommended.
(With LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S., at Tele end) * The total combined length of the rings must be shorter than the focal length of the lens.
* Applicable lenses: LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S., * The photographing magnification is variable depending on the master lens.
LUMIX G 14mm F2.5 II ASPH. * For details on the lens combination, visit the website of the product manufacturer.

for Micro Four Thirds for Micro Four Thirds


Splash-/ Lens Construction Diameter() x Length Weight Lens Rear Cap Lens Front Cap Lens Manufacturer Splash-/ Lens Construction Diameter() x Length Weight Lens Rear Cap Lens Front Cap
Lens Manufacturer Dust-Proof Elements - Groups (mm / in.) (g / oz.)
Dust-Proof Elements - Groups (mm / in.) (g / oz.)
Fisheye Body Cap Lens BCL-09809mm F8.0 Fisheye OLYMPUS - 5-4 5612.8 / 2.20.5 30 / 1.1 LR-2 - Four Thirds Adapter MMF-3 OLYMPUS Yes - 6519.5 / 2.60.77 42 / 1.5 LR-2 BC-1
Cap

Body Cap Lens BCL-158015mm F8.0 569 / 2.20.35 ca.71ca.24 / ca.2.8ca.0.94 ca.87 / ca.3.1
Adapter

OLYMPUS - 3-3 22 / 0.8 LR-2 - Four Thirds Adapter DMW-MA1 Panasonic - - - -


M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 OLYMPUS Yes 6-3 58.814.7 / 2.31058 105 / 3.7 LR-2 BC-3 OM Adapter MF-2 OLYMPUS - - 6226.5 / 2.441.0 78 / 2.8 - -
Fisheye Converter FCON-P01 OLYMPUS - 3-3 6238 / 2.441.5 112 / 4.0 LR-3 LC-62C DMW-MA2M Panasonic - - ca.61ca.13 / ca.2.4ca.0.51 ca.60 / ca.2.1 - -
Wide Converter WCON-P01 OLYMPUS - 2-2 6230.5 / 2.441.2 85 / 3.0 LR-3 LC-62C DMW-MA3R Panasonic - - ca.67ca.33 / ca.2.64ca.1.3 ca.90 / ca.3.2 - -
Converter

Macro Converter MCON-P02 OLYMPUS - 2-1 5315.1 / 2.090.59 (with step-up ring) 52 / 1.8 (with step-up ring) LR-4 LC-53
Fisheye Conversion Lens DMW-GFC1 Panasonic - 3-3 ca.60.5ca.28.4 / ca.2.4ca.1.1 ca.77 / ca.2.7 Available Available for Four Thirds
Wide Conversion Lens DMW-GWC1 Panasonic - 3-3 ca.60.5ca.28 / ca.2.4ca.1.1 ca.70 / ca.2.5 Available Available Splash-/ Lens Construction Diameter() x Length Weight
Lens Manufacturer Lens Rear Cap Lens Front Cap
Macro Conversion Lens DMW-GMC1 Panasonic - 3-2 ca.53.5ca.24.2 / ca.2.1ca.1.0 ca.46 / ca.1.6 Available Available Dust-Proof Elements - Groups (mm / in.) (g / oz.)
Tele Conversion Lens DMW-GTC1 Panasonic - 6-4 ca.53.5ca.47.4 / ca.2.1ca.1.9 ca.81 / ca.2.9 Available Available ZUIKO DIGITAL 2x Teleconverter EC-20 OLYMPUS Yes 7-5 6841 / 2.681.61 225 / 7.9 LR-1 BC-1
Extension Tube Set Kenko Tokina - - 5710 / 2.240.39 : 5716 / 2.240.63 48 / 1.7 : 70 / 2.5 - - ZUIKO DIGITAL 1.4x Teleconverter EC-14 OLYMPUS Yes 6-5 6822 / 2.680.87 170 / 6.0 LR-1 BC-1
Extension Tube EX-25 OLYMPUS Yes - 6825 / 2.680.98 150 / 5.3 LR-1 BC-1
OM Adapter MF-1 OLYMPUS - - 627.5 / 2.680.3 50 / 1.8 - -

23 24
Micro Four Thirds
Movie Equipments Digital Cinema Cameras

Blackmagic Blackmagic Blackmagic Blackmagic Blackmagic


Micro Cinema Camera Pocket Cinema Camera Cinema Camera MFT Micro Studio Camera 4K Studio Camera
Mobility Changes Movies.
Innovative Camera Systems

Inspire 1 Zenmuse X5 Zenmuse X5R Osmo Zenmuse X5 MFT 15mm F1.7 ASPH

Professional Camera Systems

AG-AF105A GY-LS300CH HORSEMAN TS-pro

Industrial Camera Systems

AH-4413 FASTCAM Multi SVCam-EVO Tracer

Cinema Lenses

Compact Prime CP.2 Series 11-16 T3 CINEMA LENS Cine Prominar


Compact Zoom CZ.2 Series lenses are also applicable.
8.5mm T3.0 / 12mm T1.9 / 25mm T1.9
25 * These products also accept the use of lenses and cameras compliant with the Micro Four Thirds System. However, as there are functional restrictions with certain models, please consult the manufacturer of each product for details. 26
O LY M P U S Te c h n o l o g i e s P a n a s o n i c Te c h n o l o g i e s

ZUIKO LENS SYSTEM Great Lenses Make Great Cameras.

High-quality PRO lenses expand the world of field photography Lumix andWith their outstanding imaging capabilities,
Leica lens technologies deliver superb picture quality
5-axis Sync IS LEICA DG Lens
the worlds most powerful image stabilization with up to 6 steps *1 Leica, the pioneer of compact camera systems, has long impressed professionals the
The M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO has a built-in image stabilization world over with its lenses. Its worldwide fame as a manufacturer of precision optical
mechanism built that effectively minimizes the image blurring common in telephoto devices is built on a constant stream of innovations and inventions that go back more
shooting with a compensation effect equivalent to up to 4 steps. When combined with than a century.
the in-body 5-axis image stabilization built into the latest Olympus system cameras *2, The LEICA DG lens designed for Panasonic's LUMIX G Series is another innovation
the resulting 5-axis Sync IS stabilization effect can be expanded to as many as 6 made possible by LEICA's command of the latest technology in optics and mechanisms.
steps *1 the worlds highest, assuring super-telephoto shooting with unprecedented Natural imaging performance with rich gradations throughout the image plane creates
stability. Together with the excellent mobility offered by the lightweight, compact an extraordinary sense of texture so real you can almost touch it. The result is
Coordination of the 5-axis IS in the camera body and design, this makes handheld super-telephoto photography possible something which extraordinary expressive power that will allow you to truly realize your creative vision.
IS in the lens maximizes the compensation effect at super telephoto. until now has been extremely difficult to achieve.
*1: As of December 2015. CIPA standard compliant. Under vibrations applied in 2 axes (pitch/yaw), image stabilization during half-press: OFF.
*2: Applicable camera bodies: OM-D E-M1 Ver. 4.0 or after, E-M5 Mark II Ver. 2.0 or after, PEN-F. Aspherical Lenses
To assure superior image quality while reducing size and weight, each LUMIX G/LEICA
M. ZUIKO DIGITAL ED 300mm F4.0 IS PRO
Super ED lens x 3
Superior optical performance DG lens features a number of aspherical lenses that effectively prevent lens aberrations,
with high resolution and high image quality such as spherical or distortion aberration. Each aspherical lens has the effect of several
Taking advantage of Olympuss long tradition of leadership in optical technology, the spherical lenses, so a higher magnification ratio can be achieved with fewer lenses. The
M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO incorporates a special high-precision result is smaller overall size and weight. Aspherical lenses are extremely difficult to
large-aperture lens and thin glass polished lens elements. Three Super ED (Extra-low produce, however, because they demand high dimensional accuracy. In the past this
Diffusion) lens elements are employed to minimize problems typically associated with restricted the applicable lens shapes and materials, but Panasonic has made great
telephoto lenses such as color fringing and chromatic aberrations. The result is the strides in this area. Our Yamagata Plant began developing cutting-edge production
E-HR (Extra-High Refractive index) lens x 1 highest level of resolution ever offered by an Olympus lens. technologies for molded lenses early on, and today the plant manufactures a wide
HR (High Refractive index) lens x 3 variety of lenses, including concave lenses that have a large difference in thickness and
measure a mere 0.3mm at the thinnest part. The aspherical lenses with superb image
rendering ability produced at this plant are now in widespread use.
New Z Coating Nano coating technology
Incident light Multi-coating Nano-surface coating
The M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO features new Z Coating Nano
Nano Surface Coating
Reflected light technology, in addition to the conventional ZERO coating. The new technology coats Reflected light
Nano-particles
The Nano Surface Coating was developed originally by Panasonic. By forming a thin Reflected light
the lens surface with nano-size particles containing an air layer in the center to form a
Air layer film with an ultra-fine nano-level structure and a super-low refractive index on the lens
coating layer with a refractive index close to that of air. The low surface reflections
surface. Panasonic has achieved a dramatic reduction in the
achieve sharp, clear imaging with greatly reduced ghost and flare.
Evaporated thin film amount of light reflection over the entire visible light range
(from 380 to 780nm). This significantly decreases ghosts
Lens
and flaring and renders pure, clear images. This advanced
coating technology is highly acclaimed by the camera and Lens Lens
lens industry.

27 28
S I G M A Te c h n o l o g i e s Vo i g t l n d e r Te c h n o l o g i e s

A new-the
system for a new era. Introducing Sigmas all-new DN series of lenses
ultimate lenses for mirrorless interchangeable lens cameras The Lichtriesen of Voigtlnder Nokton series

Sigmas innovation-renewed! A lens design ideal for Five of the Voigtlnder lenses are specifically designed for use on Micro Four Thirds-cameras. They are real stars
With their compact bodies and diverse range of designs, mirrorless interchange- a mirrorless interchangeable lens camera the "Lichtriesen" of Voigtlnder
able lens cameras have been evolving in their own unique way. To achieve a lens The simple shape of the focus ring, varying textures that distinguish each part of Serving as a so-called "standard lens", the Nokton F0.95/25mm provides pictures that correspond to the angle of view of the human eye.
system ideally suited to the cameras of the new era, Sigma has redoubled its the lens, the use of metal on almost all external areas of the lens, the unibody Aperture is critical to the impression that people receive from a photograph.
innovation efforts to create a high- performance wide-angle lens for mirrorless design of the hood -- all of these elements add up to a lens design that is ideal for The extremely fast F0.95 aperture makes it easy for you to capture stunning,
interchangeable lens cameras that is more polished and refined than ever before. mirrorless interchangeable lens cameras. crystal-clear images under virtually any conditions.
In order to maximize the performance of mirrorless cameras, this lens takes By using a shallow depth of field, you can create a series of different impressions from the same scene.
advantage of the most advanced optical technology to achieve expressive The superb bokeh of the Nokton makes the subject stand out for extraordinary overall results.
performance worthy of Sigma's lenses.
Video- and film-making enthusiasts will be especially impressed
by the selective aperture control system featured on Nokton Micro Four Thirds-lenses.
Brass bayonet mount Evaluated with Sigma's own A1 MTF measuring system
This enables smooth, stepless and noiseless changing of the aperture.
This lens incorporates a brass bayonet mount which features both high accuracy We've now developed our own A1* proprietary MTF (modulation transfer function)
and extended durability. A special treatment to reinforce the mount's strength has measuring system using 46-megapixel Foveon direct image sensors. Applying this
Another highlight of five lenses is the very short closest focusing distance. NOKTON 10.5mm F0.95
been applied to the surface, giving it greater strength and making it highly system, we check each lens in our new lines at our Aizu factory, our sole
At macro setting, coupled with the fast aperture,
resistant to long-term use. production site. Even previously undetectable high-frequency details are now
this gives you tremendous scope for image design.
within the scope of our quality control inspections, allowing us to deliver
consistently high lens performance. *A1Aizu 1
With their large, fast aperture, these lenses are extremely bright,
making them able to operate very effectively in low light.
Made in Japan With a Nokton lens, you'll suddenly find yourself seeking out difficult lighting conditions
All Sigma's manufacturing plant, everything right down to molds and parts is such as those at dawn or under heavy clouds,
carried out under an integrated production system. We are now one of the very so that you can capture beautiful atmospheric images.
few manufacturers whose products are solely made in Japan. We like to think NOKTON 25mm F0.95 NOKTON 25mm F0.95 Type II
our products are somehow imbued with the essence of our homeland, blessed as The outstanding manufacturing quality of these lenses puts them
it is with clean air and water, and focused, hard-working people. We pride at the top of their class in every respect.
ourselves on the authentic quality of Sigma products, born of a marriage between A smooth turning focus ring and click-response aperture ring
highly attuned expertise and intelligent, advanced technology. Our sophisticated reflect the high precision of our manufacturing process.
products have satisfied professionals and lovers of photography all over the world,
because our manufacturing is based on genuine craftsmanship, underpinned by
the passion and pride of our experts.

NOKTON 17.5mm F0.95 NOKTON 42.5mm F0.95

29 30
Ke n k o To k i n a Te c h n o l o g i e s Ta m r o n Te c h n o l o g i e s

Actual Size

Tokina expands the new option of lightness Tamrons constantly evolving high-magnification zoom lenses have
finally arrived in the world of Micro Four Thirds
Tokina decided to participate in the Micro Four Thirds System for one very simple reason. The small image sensor and shorter flange back of the Micro Four 14-150mm F/3.5-5.8 Di III Model C001
Thirds System offer a tremendous advantage in optical design. This makes it possible to develop new lenses completely different from conventional ones.
The essence of Tamron technology in a compact, all-in-one zoom MTF
What kind of lens will users of Micro Four Thirds cameras most appreciate?
that minimizes aberrations and maximizes image quality (14 -150mm F/3.5-5.8 Di III Model C001)
Tokina's answer to this question a lens that offers characteristics matching those of the camera body is based on the deep understanding and
The optical design of Tamron 14-150mm includes one LD (Low Dispersion) glass element, two AD (Anomalous 100%

knowledge it has gained over its many years as a dedicated lens manufacturer. Dispersion) glass elements, two Molded-Glass Aspherical elements, and one Hybrid Aspherical element. This formula
75%
reduces aberrations to a bare minimum to achieve exceptional class-leading image quality. The 14-150mm zoom is the
14
fruit of Tamron's 20+ years of experience in mm 50%
designing and manufacturing world-class
all-in-one zoom lenses. 25%

Reflex 300mm F6.3 MF Macro (Manual Focus) Building an impressive 10.7x zoom range into an
0%
ultra-compact lens body is made possible by adopting 0mm 2mm 4mm 6mm 8mm 10mm

Super-telephoto lens that fits in the palm of your hand Manual focusing for maximum accuracy a more sophisticated multi-stack-cam layout. This 100%

The Reflex 300mm F6.3 MF Macro lens employs Reflex optics to reduce the overall Tokina chose not to provide this lens with AF because of the large focusing rotation advanced cam layout draws on Tamron's extensive
75%
length of the lens by reflecting light with a mirror. The result is previously angle from to the closest focusing distance of 0.8 m and of the requirement for engineering expertise, which is focused on innovative
space-saving zoom cam structures. 150
inconceivable a compact lens with a length of 66mm, maximum diameter of very precise focusing with some very narrow angles of view, 48 at 300mm, for mm 50%
66mm, and weight of 298g. example. Consequently, we decided that manual operation would make focusing
more accurate and allow users to feel the joy of photography. Nevertheless, this 25%
High-precision mirror and aluminium enhanced-reflection mirror coating
lens incorporates a distance encoder just like AF lenses so it is capable of
The key to Reflex optics is the surface accuracy of the mirror, so this lens employs 0%
interfacing with the camera to provide distance information. 0mm 2mm 4mm 6mm 8mm 10mm
a mirror polished with OSCAR-type low-speed grinding to provide a high accuracy
Distance from image center
equivalent to the test plate glass (Newton gauge). In addition, the aluminum S 20 lines/mm M 20 lines/mm
reflection film is treated with special processing to improve the reflection index of S 40 lines/mm M 40 lines/mm

the reflection mirror.

Closest focusing distance of 0.8m Reflex 300mm F6.3 MF Macro A Stepping Motor for quick, quiet auto-focusing Steppong Motor Schematic Diagram Lead screw

The Reflex 300mm F6.3 MF Macro lens is not only a super-telephoto lens. It can
100%
The stepping motor provides fast, quiet, and comfortable autofocus. Nut

also approach subjects to a closest focusing distance of 0.8 meters and shoot 75%
The stepping motor's actuator allows precise control of angular rotation, and since it
pictures with a macro magnification of 1:2. This telephoto macro lens is capable of drives the focusing mechanism directly without any intermediary reduction gear, it is Lens holding
frame
macro shooting while reserving a working distance.
50% also exceptionally quiet.
These features also give the lens a seamless, fluid auto-focusing action when shooting
25%
video.
0%
Stepping motor
0mm 2mm 4mm 6mm 8mm 10mm
Guide shaft
Distance from image center
S 20 lines/mm M 20 lines/mm
S 60 lines/mm M 60 lines/mm

31 32
KO D A K Te c h n o l o g i e s Ko w a Te c h n o l o g i e s

HD Lens Combines KODAK's Heritage of Quality With The Latest Optical Technology
carrying on theKowa Micro Four Thirds lenses
tradition of the prestigious PROMINAR brand
ED Lens and Aspherical Lens PROMINAR A half century of excellence
To control chromatic aberration, ED glass lenses are now incorporated even in the Beginning with the Kalloflex Automat twin-lens reflex in 1954, Kowa Optical Works produced a succession of one-of-a-kind cameras for about 25 years, culminating with the
standard KODAK PIXPRO Lens. In combination with an aspherical lens, which Kowa Super 66. For over half a century that tradition of original design and advanced technology has been diligently maintained until finally reborn under the name of
effectively compensates for lens distortion and aspherical aberration, the PIXPRO lens PROMINAR Micro Four Thirds lenses.
can obtain clear high-resolution pictures with high contrast and reduced color blurring
throughout the zoom range.

PROMINAR Inherited design concept


To reproduce natural colors as they are seen by the human eye this is the key
concept driving the design of Kowa PROMINAR lenses. Comprising XD (eXtra-low
Dispersion) lens, high-precision aspherical lenses and a multilayer film coating, these
lenses are able to capture brilliant images with extremely accurate color reproduction,
crisp high resolution and the lowest possible distortion all the way to the edges.
Special coating ensures superior color reproduction
Advanced technology and rigorous production management minimize the any variability
between each layer of coating to assure consistent, reliable response. By reducing
redundant reflections from the lens surface and lens barrel, the multi-layer coating
ensures excellent color reproduction with virtually no flares or ghosts.
PROMINAR The quality of tradition
Crafted individually by master artisans who fabricate each part individually, then
carefully assemble and inspect them, these lenses are reminiscent of a bygone era.
Metallic materials are painstakingly shaved to produce a lens with a luxurious texture
that feels good to the touch and provides the precision response you would expect from
a made-in-Japan product.

Adoption of stand-alone small-size lightweight sealed construction


Thanks to optimized glass lens construction enables control over the moving
dimensions of the focus lens, KODAK PIXPRO Lens features a miniaturized lens design
and faster focus time. A micromini stepping motor assures smooth, efficient zooming, PROMINAR Technologies leading the way to what's next
while the stand-alone sealed construction minimizes AF noise from video filming, The use of a 9-blade circular aperture diaphragm enables beautiful and natural
prevents sound leakage, and helps keep out dirt, dust, and other foreign material. defocusing effects appropriate to a PROMINAR lens. The aperture ring has a dual link
iris system with click/silent switching capability compatible with both still picture and
movie shooting.

33 34
B l a c k m a g i c D e s i g n Te c h n o l o g i e s J V C K E N W O O D Te c h n o l o g i e s

4K Memorycard Camera Recorder


Blackmagic Micro Cinema Camera GY-LS300CH

New style of movie recording made possible by the Blackmagic design Super 35 CMOS image sensor creates professional 4K images

Blackmagic Micro Cinema Camera Variable Scan Mapping maintains native angle of view
for a variety of lenses
The worlds smallest digital film camera with innovative remote control! JVC's unique variable scan mapping allows you to dynamically map the pixels on the
Introducing the Blackmagic Micro Cinema Camera, a miniaturized Super 16mm digital film camera with 13 stops of dynamic range and a revolutionary expansion port with GY-LS300 4K image sensor to your target output resolution. It enables use of a wide
PWM and S.Bus inputs! You can operate Micro Cinema Camera remotely and capture the action anywhere by using commonly available model airplane remote controllers and variety of high quality lenses maintaining their native field of view without vignetting.
video transmitters! Imagine adjusting focus, iris and zoom wirelessly! Micro Cinema Camera is a true digital film quality camera with up to 13 stops of dynamic range, an MFT This feature, coupled to the zoom control capabilities of the camcorder, allows you to
lens mount and built in RAW and ProRes recording! magnify the image of fixed focus lenses, or extend the range of zoom lenses while
shooting.
Vignetting occurs Adjust mapping area within vignetting eliminated

Blackmagic Pocket Cinema Camera


Blackmagic Pocket Cinema Camera is a pocket sized Super 16 digital film camera
that's small enough to take with you everywhere, so you'll never miss a shot! You JVC Log captures 800% dynamic range,
get true digital film images with 13 stops of dynamic range, Super 16 sensor, RAW and enables color grading
and ProRes recording, built in SD card recorder, 3.5 LCD screen and the flexibility JVC has added a Log Gamma mode that expands the dynamic range by 800% with
of an active MFT lens mount. You can easily monitor and review files on the high film-like latitude, preserving more information over the entire dynamic range of the
resolution LCD, precisely check focus with 1:1 zoom and check camera status with sensor. In this mode, the log images will look extremely flat and lack contrast, but will
on screen display. You even get built in metadata entry! contain more information for grading and manipulation in post production, giving you
Blackmagic Pocket Cinema Camera
the opportunity to create truly cinematic results. To assist you in determining the
correct exposure when shooting, the camera's LCD and viewfinder can be mapped to a
look-up table (LUT mode) that will approximate the application of grading in post. Recorded with JVC-Log After color grading (Film-like)

Blackmagic Micro Studio Camera 4K


The Blackmagic Micro Studio Camera is an incredibly small Ultra HD studio camera
that can be remote controlled via SDI and completely customized so you can mount
Cinema 4K, Cinema 2K recording for the ultimate cinema look,
it virtually anywhere! You get a broadcast quality Ultra HD sensor, MFT lens mount,
and more
built in primary color corrector, talkback, tally and a unique expansion port that
Cinema 4K (4096 x 2160) and Cinema 2K (2048 x 1080) with 17:9 aspect ratio
features PTZ control, lens control and more! Micro Studio Camera is the perfect
recording expand GY-LS300s range of applications, for cinema quality documentaries
camera for live studio production, sports flyovers and hidden camera work in both
or for film-quality resolution and presence. The GY-LS300 is also equipped with
Blackmagic Micro Studio Camera 4K HD and Ultra HD!
professional features such as a 3-position ND filter (1/4,1/16,1/64), recording on 2
SDXC/SDHC cards in succession or simultaneously, live 4K output, XLR audio input,
and a long life battery.

35 36
Micro Four Thirds
Specif ications

35mm Equivalent Splash-/ Motorized Image Lens Construction Minimum Closest Focusing Maximum Image Filter Size Weight Lens Rear Cap Lens Front Cap Lens Hood
Lens Manufacturer Angle of View Number of Blades Magnification Diameter() x Length
Focal length Dust-Proof zoom Stabilizer* Elements - Groups Aperture Distance (m / in.) (mm) (mm / in.) (g / oz.) (): Optional (): Optional (): Optional
(35mm equivalent)
M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO OLYMPUS 14-28mm Yes - - 14 - 11 114 - 75 7(Circular aperture diaphragm) 22 0.2 / 7.87 0.12x0.24x - 78.9105.8 / 3.124.17 534 / 18.8 LR-2 LC-79 -
Zoom
Wide

LUMIX G VARIO 7-14mm F4.0 ASPH. Panasonic 14-28mm - - - 16 - 12 114 - 75 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.08x0.15x - 70ca.83.1 / 2.76ca.3.27 ca.300 / ca.10.58 AvailableDMR-LRC1 Available -
56.549.5 / 2.221.95
M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 OLYMPUS 18-36mm - - - 12 - 8 100 - 62 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.10x0.20x 52 155 / 5.5 LR-2 LC-52C LH-55B
(when retracted)
0.2 / 7.87(at 12-20mm of focal length) 55.5ca.24 / 2.19ca.0.94
LUMIX G VARIO 12-32mm F3.5-5.6 ASPH. MEGA O.I.S Panasonic 24-64mm - - Yes 8-7 84 - 37 7(Circular aperture diaphragm) 22 0.3 / 11.81(at 21-32mm of focal length) 0.13x0.26x 37 (when retracted) ca.70 / ca.2.47 AvailableDMR-LRC1 AvailableDMR-LFC37 -

LUMIX G X VARIO 12-35mm F2.8 ASPH. POWER O.I.S. Panasonic 24-70mm Yes - Yes 14 - 9 84 - 34 7(Circular aperture diaphragm) 22 0.35 / 13.78 0.17x0.34x 58 67.6ca.73.8 / 2.66ca.2.91 ca.305 / ca.10.76 AvailableDMR-LRC1 AvailableDMR-LFC58 Available
M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO OLYMPUS 24-80mm Yes - - 14 - 9 84 - 30 7(Circular aperture diaphragm) 22 0.2 / 7.87 0.30x0.60x 62 69.984 / 2.743.31 382 / 13.47 LR-2 LC-62D LH-66
KODAK PIXPRO SZ ED 12-45mm F3.5-6.3 AF KODAK 24-90mm - - - 11 - 9 88.2 - 28.8 7 22 0.35 / 13.78 0.045x0.08x 49 58.163 / 2.292.48 182.5 / 6.44 LR-BK01 LC-BK01 -
0.35 / 13.78( Normal mode) 0.36x0.72x 5783 / 2.243.27 LH-55B /
M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ OLYMPUS 24-100mm Yes Yes - 10 - 9 84 - 24 5(Circular aperture diaphragm) 22 0.2 / 7.87(Macro mode) (Macro mode) 52 212 / 7.48 LR-2 LC-52C LH-55C

0.2 / 7.87(Wide) 66ca.71 / 2.602.80


LUMIX G VARIO 12-60mm F3.5-5.6 ASPH. POWER O.I.S. Panasonic 24-120mm Yes - Yes 11 - 9 84.05 - 20.44 7(Circular aperture diaphragm) 22 0.25 / 9.84(Tele) 0.27x0.54x 58 ca.210 / ca.7.41 AvailableDMR-LRC1 AvailableDMR-LFC58 Available
Standard Zoom

0.2 / 7.87(at 14mm of focal length) 60.622.5 / 2.380.89


M. ZUIKO DIGITAL ED 14-42mm F3.5-5.6 EZ OLYMPUS 28-84mm - Yes - 8-7 75 - 29 5(Circular aperture diaphragm) 22 0.25 / 9.84(at 42mm of focal length)*1 0.23x0.46x 37 (when retracted) 93 / 3.27 LR-2 LC-37BLC-37C -

0.25 / 9.84(at 14-19mm of focal length) 56.550 / 2.221.97


M.ZUIKO DIGITAL 14-42mm F3.5-5.6 R OLYMPUS 28-84mm - - - 8-7 75 - 29 7(Circular aperture diaphragm) 22 0.3 / 11.81(at 20-42mm of focal length) 0.19x0.38x 37 (when retracted) 113 / 4.0 LR-2 LC-37B LH-40

0.2 / 7.87(at 14-20mm of focal length) 61ca.26.8 / 2.40ca.1.06


LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S. Panasonic 28-84mm - Yes Yes 9-8 75 - 29 7(Circular aperture diaphragm) 22 0.3 / 11.81(at 21-42mm of focal length) 0.17x0.34x 37 (when retracted) ca.95 / ca.3.4 AvailableDMR-LRC1 AvailableDMR-LFC37 -

0.2 / 7.87(at 14-20mm of focal length) 56ca.49 / 2.20ca.1.93


LUMIX G VARIO 14-42mm F3.5-5.6 ASPH. MEGA O.I.S Panasonic 28-84mm - - Yes 9-8 75 - 29 7(Circular aperture diaphragm) 22 0.3 / 11.81(at 21-42mm of focal length) 0.17x0.34x 46 ca.110 / ca.3.88 AvailableDMR-LRC1 AvailableDMR-LFC52 Available

LUMIX G VARIO 14-45mm F3.5-5.6 ASPH. MEGA O.I.S. Panasonic 28-90mm - - Yes 12 - 9 75 - 27 7(Circular aperture diaphragm) 22 0.3 / 11.81 0.17x0.34x 52 60ca.60 / 2.36ca.2.36 ca.195 / ca.6.88 AvailableDMR-LRC1 AvailableDMR-LFC37 Available
0.3 / 11.81(at 14-20mm of focal length) 67ca.75 / 2.63ca.2.95
LUMIX G VARIO 14-140mm F3.5-5.6 ASPH. POWER O.I.S Panasonic 28-280mm - - Yes 14 - 12 75 - 8.8 7(Circular aperture diaphragm) 22 0.5 / 19.69 (at 21-140mm of focal length) 0.25x0.5x 58 ca.265 / ca.9.35 AvailableDMR-LRC1 AvailableDMR-LFC58 Available

Tamron 14-150mm F/3.5-5.8 Di III Model C001 Tamron 28-300mm - - - 17 - 13 75 - 8.2 7(Circular aperture diaphragm) 22 0.5 / 19.69 0.26x0.52x 52 63.5ca.80 / 2.503.15 285 / 9.2 Available Available Available
( Flower-shaped lens hood)
M.ZUIKO DIGITAL ED 14-150mm F4.0-5.6 OLYMPUS 28-300mm Yes - - 15 - 11 75 - 8.2 7(Circular aperture diaphragm) 22 0.5 / 19.69 0.22x0.44x 58 63.583 / 2.503.27 285 / 9.2 LR-2 LC-58F LH-61C
LUMIX G X VARIO 35-100mm F2.8 POWER O.I.S. Panasonic 70-200mm Yes - Yes 18 - 13 34 - 12 7(Circular aperture diaphragm) 22 0.85 / 33.46 0.1x0.2x 58 67.4ca.99.9 / 2.66ca.3.93 ca.360 / ca.12.7 AvailableDMR-LRC1 AvailableDMR-LFC58 Available
55.5ca.50 / 2.19ca.1.97
LUMIX G VARIO 35-100mm F4.0-5.6 ASPH. MEGA O.I.S. Panasonic 70-200mm - - Yes 12 - 9 34 - 12 7(Circular aperture diaphragm) 22 0.9 / 35.43 0.11x0.22x 46 (when retracted) ca.135 / ca.4.76 AvailableDMR-LRC1 AvailableDMR-LFC46 Available

M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO OLYMPUS 80-300mm Yes - - 16 - 10 30 - 8.2 9 (Circular aperture diaphragm) 22 0.7 / 27.56 0.21x0.42x 72 79.4160 / 3.136.30 760 / 26.8 *3 LR-2 LC-72C LH-76
M.ZUIKO DIGITAL ED 40-150mm F4.0-5.6 R OLYMPUS 80-300mm - - - 13 - 10 30 - 8.2 7(Circular aperture diaphragm) 22 0.9 / 35.43 0.16x0.32x 58 63.583 / 2.503.27 190 / 6.7 LR-2 LC-58E LH-61D
Telephoto Zoom

KODAK PIXPRO SZ ED 42.5-160mm F3.9-5.9 AF KODAK 85-320mm - - - 15 - 10 29 - 7.9 7 22 1.0 / 39.4 0.042x0.08x 49 58.780.4 / 2.313.17 205 / 7.23 LR-BK01 LC-BK01 -
LUMIX G VARIO 45-150mm F4.0-5.6 ASPH. MEGA O.I.S. Panasonic 90-300mm - - Yes 12 - 9 27 - 8.2 7(Circular aperture diaphragm) 22 0.9 / 35.43 0.17x0.35x 52 62ca.73 / 2.44ca.2.87 ca.200 / ca.7.05 AvailableDMR-LRC1 AvailableDMR-LFC52 Available
LUMIX G X VARIO PZ 45-175mm F4.0-5.6 ASPH. POWER O.I.S Panasonic 90-350mm - Yes Yes 14 - 10 27 - 7.1 7(Circular aperture diaphragm) 22 0.9 / 35.43 0.2x0.4x 46 61.6ca.90 / 2.43ca.3.54 ca.210 / ca.7.41 AvailableDMR-LRC1 AvailableDMR-LFC46 Available
LUMIX G VARIO 45-200mm F4.0-5.6 MEGA O.I.S. Panasonic 90-400mm - - Yes 16 - 13 27 - 6.2 7(Circular aperture diaphragm) 22 1.0 / 39.4 0.19x0.38x 52 70ca.100 / 2.76ca.3.94 ca.380 / ca.13.4 AvailableDMR-LRC1 AvailableDMR-LFC52 Available
0.9 / 35.43(at 75mm of focal length) 69116.5 / 2.724.59
M.ZUIKO DIGITAL ED 75-300mm F4.8-6.7 OLYMPUS 150-600mm - - - 18 - 13 16 - 4.1 7(Circular aperture diaphragm) 22 1.5 / 59.06(except 75mm of focal length) 0.18x0.36x 58 423 / 14.92 LR-2 LC-58E LH-61E

LUMIX G VARIO 100-300mm F4.0-5.6 MEGA O.I.S. Panasonic 200-600mm - - Yes 17 - 12 12 - 4.1 7(Circular aperture diaphragm) 22 1.5 / 59.06 0.21x0.42x 67 73.6ca.126 / 2.90ca.4.96 ca.520 / ca.18.3 AvailableDMR-LRC1 AvailableDMW-LFC67 Available
LEICA DG VARIO-ELMAR 100-400mm F4.0-6.3 ASPH. POWER O.I.S. Panasonic 200-800mm Yes - Yes 20 - 13 12 - 3.1 9 (Circular aperture diaphragm) 22 1.3 / 51.18( FULL) 5.0 / 196.85( LIMIT) 0.25x0.5x 72 83ca.171.5 / 3.27ca.6.75 ca.985 / ca.34.7 Available Available Available
M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO OLYMPUS 16mm Yes - - 17 - 15 180 7(Circular aperture diaphragm) 22 0.12 / 4.72 0.2x0.4x - 6280 / 2.443.15 315 / 11.1 LR-2 LC-62E -
LUMIX G FISHEYE 8mm F3.5 Panasonic 16mm - - - 10 - 9 180 7(Circular aperture diaphragm) 22 0.1 / 3.96 0.2x0.4x 2222 60.7ca.51.7 / 2.39ca.2.04 ca.165 / ca.5.82 AvailableDMR-LRC1 Available -
KOWA PROMINAR 8.5mm F2.8 Kowa 17mm - - - 17 - 14 106 9 (Circular aperture diaphragm) 16 0.2 / 7.87 0.08x0.16x 86 71.586.8 / 2.813.41 440 / 15.52 Available Available Available
NOKTON 10.5mm F0.95 Voigtlnder 21mm - - - 13 - 10 93 10 16 0.17 / 6.69 0.12x0.24x 72 7782.4 / 3.033.24 585 / 20.6 Available Available Available
KOWA PROMINAR 12mm F1.8 Kowa 24mm - - - 12 - 10 86.8 9 (Circular aperture diaphragm) 16 0.2 / 7.87 0.1x0.2x 72 76.490.5 / 3.013.56 475 / 16.76 Available Available Available
M.ZUIKO DIGITAL ED 12mm F2.0 OLYMPUS 24mm - - - 11 - 8 84 7(Circular aperture diaphragm) 22 0.2 / 7.87 0.08x0.16x 46 5643 / 2.201.69 130 / 4.6 LR-2 LC-46( LC-48B) LH-48
Wide

LUMIX G 14mm F2.5 II ASPH. Panasonic 28mm - - - 6-5 75 7(Circular aperture diaphragm) 22 0.18 / 7.09 0.1x0.2x 46 55.5ca.20.5 / 2.19ca.0.81 ca.55 / ca.1.9 AvailableDMR-LRC1 AvailableDMR-LFC46 -
LEICA DG SUMMILUX 15mm F1.7 ASPH. Panasonic 30mm - - - 9-7 72 7(Circular aperture diaphragm) 22 0.2 / 7.87 0.1x0.2x 46 57.5ca.36 / 2.26ca.1.42 ca.115 / ca.4.06 AvailableDMR-LRC1 AvailableDMR-LFC46 Available
M.ZUIKO DIGITAL 17mm F1.8 OLYMPUS 34mm - - - 9-6 65 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.08x0.16x 46 57.535.5 / 2.261.40 120 / 4.23 LR-2 LC-46LC-48B LH-48B
M.ZUIKO DIGITAL 17mm F2.8 OLYMPUS 34mm - - - 6-4 65 5(Circular aperture diaphragm) 22 0.2 / 7.87 0.11x0.22x 37 5722 / 2.240.87 71 / 2.5 LR-2 LC-37B -
NOKTON 17.5mm F0.95 Voigtlnder 35mm - - - 13 - 9 64.6 10 16 0.15 / 5.91 0.25x0.50x 58 63.480.0 / 2.503.15 540 / 19.0 Available Available Available
SIGMA 19mm F2.8 DN | Art SIGMA 38mm - - - 8-6 59.3 7(Circular aperture diaphragm) 22 0.2 / 7.87 0.14x0.27x 46 60.845.7 / 2.391.80 160 / 5.6 LCR LCF 46 LH520-03
LUMIX G 20mm F1.7 ASPH. Panasonic 40mm - - - 7-5 57 7(Circular aperture diaphragm) 16 0.2 / 7.87 0.13x0.25x 46 63ca.25.5 / 2.48ca.1.00 ca.87 / ca.3.07 AvailableDMR-LRC1 AvailableDMR-LFC46 -
NOKTON 25mm F0.95 Voigtlnder 50mm - - - 11 - 8 47.3 10 16 0.17 / 6.69 0.26x0.52x 52 58.470 / 2.302.75 410 / 14.5 Available Available Available
NOKTON 25mm F0.95 Type Voigtlnder 50mm - - - 11 - 8 47.3 10 16 0.17 / 6.69 0.26x0.52x 52 60.670 / 2.392.75 435 / 15.34 Available Available Available
Prime

LEICA DG SUMMILUX 25mm F1.4 ASPH. Panasonic 50mm - - - 9-7 47 7(Circular aperture diaphragm) 16 0.3 / 11.81 0.11x0.22x 46 63ca.54.5 / 2.48ca.2.15 ca.200 / ca.7.05 AvailableDMR-LRC1 AvailableDMR-LFC46 Available
Standard

LUMIX G 25mm F1.7 ASPH. Panasonic 50mm - - - 8-7 47 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.14x0.28x 46 60.8ca.52 / 2.39ca.2.05 ca.125 / ca.4.41 Available Available Available
KOWA PROMINAR 25mm F1.8 Kowa 50mm - - - 8-6 50.2 9 (Circular aperture diaphragm) 16 0.25 / 9.84 0.15x0.3x 55 6094 / 2.363.7 400 / 14.12 Available Available Available
M. ZUIKO DIGITAL 25mm F1.8 OLYMPUS 50mm - - - 9-7 47 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.12x0.24x 46 57.842 / 2.281.65 137 /4.83 LR-2 LC-46 LH-49B
SIGMA 30mm F1.4 DC DN | Contemporary SIGMA 60mm - - - 9-7 39.6 9 (Circular aperture diaphragm) 16 0.3 / 11.81 0.14x0.28x 52 64.872.1 / 2.552.84 260 / 7.62 LCR LCF 52 LH586-01
SIGMA 30mm F2.8 DN | Art SIGMA 60mm - - - 7-5 39.6 7(Circular aperture diaphragm) 22 0.3 / 11.81 0.12x0.24x 46 60.840.5 / 2.391.59 140 / 4.99 LCR LCF 46 LH520-03
NOKTON 42.5mm F0.95 Voigtlnder 85mm - - - 11 - 8 30.5 10 16 0.23 / 9.06 0.25x0.50x 58 64.374.6 / 2.532.94 571 / 20.14 Available Available Available
LEICA DG NOCTICRON 42.5mm F1.2 ASPH. POWER O.I.S Panasonic 85mm - - Yes 14 - 11 29 9 (Circular aperture diaphragm) 16 0.5 / 19.69 0.1x0.2x 67 74ca.76.8 / 2.91ca.3.02 ca.425 / ca.15.0 AvailableDMR-LRC1 AvailableDMR-LFC67 Available
LUMIX G 42.5mm F1.7 ASPH. POWER O.I.S. Panasonic 85mm - - Yes 10 - 8 29 7(Circular aperture diaphragm) 22 0.31 / 12.20 0.2x0.4x 37 55ca.50 / 2.17ca.1.97 ca.130 / ca.4.59 Available Available Available
Telephoto

M.ZUIKO DIGITAL 45mm F1.8 OLYMPUS 90mm - - - 9-8 27 7(Circular aperture diaphragm) 22 0.5 / 19.69 0.11x0.22x 37 5646 / 2.201.81 116 / 4.1 LR-2 LC-37B LH-40B
SIGMA 60mm F2.8 DN | Art SIGMA 120mm - - - 8-6 20.4 7(Circular aperture diaphragm) 22 0.5 / 19.69 0.14x0.28x 46 60.855.5 / 2.392.19 190 / 6.7 LCR LCF 46 LH520-03
M.ZUIKO DIGITAL ED 75mm F1.8 OLYMPUS 150mm - - - 10 - 9 16 9 (Circular aperture diaphragm) 22 0.84 / 33.07 0.1x0.2x 58 6469 / 2.522.72 305 / 10.76 LR-2 LC-58ELC-61 LH-61F
Reflex 300mm F6.3 MF Macro Kenko Tokina 600mm - - - 7-3 48 None( Reflex type) - 0.8 / 31.49 0.5x1.0x 55 6666 / 2.602.60 298 / 10.51 Available Available BH-552
M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO OLYMPUS 600mm Yes - Yes 17 - 10 4.1 9 (Circular aperture diaphragm) 22 1.4 / 55.12 0.24x0.48x 77 92.5227 / 3.648.94 1,270 / 44.8*3 LR-2 LC-77B Build in
LUMIX G MACRO 30mm F2.8 ASPH. MEGA O.I.S. Panasonic 60mm - - Yes 9-9 40 7(Circular aperture diaphragm) 22 0.105 1.0x2.0x 46 58.8ca.63.5 / 2.31ca.2.5 ca.180 / ca.6.35 Available Available Available
LEICA DG MACRO-ELMARIT 45mm F2.8 ASPH. MEGA O.I.S. Panasonic 90mm - - Yes 14 - 10 27 7(Circular aperture diaphragm) 22 0.15 / 5.91( FULL) 0.5 / 19.69 ( LIMIT) 1.0x2.0x 46 63ca.62.5 / 2.48ca.2.46 ca.225 / ca.7.94 AvailableDMR-LRC1 AvailableDMR-LFC46 Available
Macro

M.ZUIKO DIGITAL ED 60mm F2.8 Macro OLYMPUS 120mm Yes - - 13 - 10 20 7(Circular aperture diaphragm) 22 0.19 / 7.48 1.0x2.0x 46 5682 / 2.203.23 185 / 6.53 LR-2 LC-46 LH-49
LUMIX G 12.5mm F12 Panasonic 65mm*2 - - - 4 - 3 (x2) 37*2 Fixed diaphragm 12( Fixed) 0.6 / 23.62 0.02x0.1x*2 - 57ca.20.5 / 2.24ca.0.81 ca.45 / ca.1.59 AvailableDMR-LRC1 Available -
*1: 0.29 in certain focal length range. *2: When setting the aspect ratio to 16:9 with DMS-GH2. *3: Weight without the tripod adapter.

* Since Olympus incorporates image stabilizers in the bodies of its cameras, image stabilization is available with any lens. (Corresponding models: OLYMPUS OM-D series,
For full specifications of the Four Thirds System lenses, please visit the following manufacturers websites: OLYMPUS PEN series)
The compression level of product photographs shown in this catalog varies. Check the above tables for actual sizes.
Panasonic http://shop.panasonic.com/ Olympus http://www.getolympus.com/us/en/lenses/slr.html Specifications and design are subject to change without notice.
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