LADY OF THE LAKE AUDITION PACKET

Kevboard l/Conductor Spamalot

Tour

WHATEVER HAPPENED TO MY PART?

*f Pop ballad

\6u_t.-u". hap-pened to my part? It was ex - ci-ting at the

"'J'i+'
Now we're haliway through Act Two And I've had nothing yet to I've been off

+K2: Stgs. o's

-169-
 2. WHATEVER HAPPENED TO MY PART? Spamalot - Tour

15

one un-hap-py di The Pro - du-cer's a de-cei - ver There is no-thing I can sing from my

+Drs: lite time

Em,
Em7 A7 Em am/D

heart Wha - te - ver hap-pened to my part?

Vln, K2 (+8vb

Hn,
Bs. Cl.

mf
G
Drs: fill

- (Tbn.
out) !
=

love life is a mess I've got con-stant P. M. S. My ca reer a- bout as AS

Vln, K2 (+8vb)

nf
+Shaker .t\'s, Tamb. on'4'

nfe+e;;ee sim.
Drs: Time (X-stick backbeat)
*6x.. >>> +Tbn.
>>

-170-
 3. WHATEVER HAPPENED TO MY PART? Spamalot - Tour
45

hate me there back-stage they say too old for my age.

f (Gtr. out) cf,ntbs Ffit Bm7 am/A

try - ing to re - place me with Posh

+Alto
cfesc_
Sax
(Shaker out) wlTpt2,Tbn.

Asus abmi'=S
+Tbn. Em7
ilGtr.* +Bs.Cl. "rnt".
Drs: filI

J'
+K2: Stgs, Tbn.

tr A tempo

Wha-te-ver hap-pened to my show?

b) +l fr

+Cym.
roll
DbIEb
At7 emzls
' 9l
E
Drs:time (Snare, Ride)
-

- 17',1 -
 4. WHATEVERHAPPENED TO lvfY PART? Spamalot - Tour

54

:_I>-
know- I'm with bunch of Bri-tish knights
Jr
a

-2 Vln, K2 (+8vb)

Hn.e a
Tbn. F-
l-l -F

cb
+Gtr.
ab+
arp's

Pran-cins round in tights! I might as go to the

(3 8ves) )

'5 r' +Alto Alto,

Tpt,
-l <Tbn.
Drs: fill

.rt
Gb nblcb
Ebmt 4p7sus 4[z ob cbrcbobn Drs, Gtr: time
"i,obl

w/Bs Cl, K2 o's

They've been out ching for shrub

G1 J

\-.-'l

l+l-J -==--
6[aoo o7E[
obG wvtEb
"t "%
 5. WHATEVER HAPPENED TO MY PART? Spamalot - Tour

63 I

shop-ping for a bush- they can kiss my tush seems to me they've real-ly lost the
o+8vb)

Alto, t.
Hn, Tbn.
p
+Gfr.

p
tDmr
-r'
-l.vttta
Drs:time (Rim, Hi-hat)
^t
A.o,
^v
'+Tamb.
on
r4t

(Bs Cl, K2 out)

Wha-te-ver hap-pened to my call my

{l,ql

I
(no Tamb.)
u. d, 5

w/Gtr.
f cb Db
Drs: time w/tom fills

+K2: Stgs, Tbn.

Wha-te-ver happened to my- Not vours not yours But

A
4
a+ -a_

:sfz

Cb Db Dbsus Db

>>>
+Timpani
 6. WHATEVERHAPPENED TOMY PART? Spamalot - Tour
Kbd. l/Cond.

lENprNG A1
A tempo
@

pan

\7

al
\J2
cbbb {o^"^r Bb
Drs: w/Cym's

+Timp, Tbn.

-174-
 SPamalot Tour
2. FIND YOUR GRAIL
LADY OF THE LAKE:

Rds., Brass, K2,K3, Vln'

out

6 p
totor,*
aggressively' !oud and sustained

-
€>+
=l
o +Mark Tree
w/Bs, TimP. roll cont'd'

the goal
soul Keep Your eyes

?.=
lr., o.r., rimp. o.,tTt

That's Your Grail

you won't fail That's Your

-90-
Keyboard l/Conductor

sffong Keep right on

Gtr.

=
p..
I
I

wlK2&3, Bs., Drs.

Find your Grail

-91 -
 Spamalot Tour
4. FIND YOUR GRAIL

zo

you- must choose what to- pur-sue-

up to You

I(2wlK3

w/Gtr. rhYthm (2&4)

at-" t> ::-

w/Drs. full

what to find- Andthere's no-thing you can't Oo'J;.

Set yourmind- on
*r*,
+

to
Solo

to the end you'll find Your

T)T,'
'rsl{u 1"t
l,/
\----
\l
t trl I

'SLLt!J
w/K2 cont'd. 8va sim, -
 Spamalot Tour

Keyboard l/Conductor

37

Find Your
Grail Find your
fail Find Your

*J -'--) K2 gliss.
1'tl7
P:i- tsJ-.t{JJ 1 l.

-93-
Kevboard l/Conductor Spamalot
Tour

THE SONG THAT GOES LIKE THIS

Once in ev'ry show There comes a song like this It startsoffsoftandlow And endsupwithakiss
Vln, K3: Stgs.

ffirr
Solo '

the song that goes like Where is it? Where is it? Where where where?
Vln, K3: Stgs.
K2:Oboe solo

u./_
Hom solo i-,
npv

+K3: Bsn/Stgs. o 's

-49-
 2. THE SONG THAT GOES
LIKE THIS

That casts a ma-gic sPell

sen-ti-men-tal song
K2: Oboe, Vln, K3: Stgs'

Ft.,Dm Gm7 c7

isl
Y
I
l-)
J

+Toms fill, CYm. roll

 LIKE THIS Spamalot - Tour
3. THE SONG THAT GOES

18

Now we can go straight In to the mid-dle eight A bridge

N t | | |
Flute, Vln, K2, +'tJ
|

K3: Stgs +
I'ltt-ltlt
!!) - 4 )
I

j cTsus c7
f B,
" w/Gtr. strum's

far for me.- I'll sing it in your face While we both em-brace

,=;nt
li, 4 ilJ )

A7 t.7
"lt

Dm c7 (Tamb.
w/Tbn. . out)
 Spamalot - Tour
GOES LIKE THIS
4. THE, SONG THAT
Kbd

tr
But e'very-one can see
aw-fullY high for
me

Now we're intoE Tt ats J j

FI,K2, I
Vln. -t'

-.---.--- (Tpts. outl

::=-' ttme nf
w/Drums:

GMajzl'

I
+iumu. .N ''

that goes like

in D J J
should have staYed
I
4

fi

-.
"/D_^rAnA
D

i -Tor,
firr. lyrn 911
 Spamalot - Tour
5. THE SONG THAT GOES LIKE THIS

DENNIS: 35

You're sing-ing far too loud

tn" this song goes
feel-ing varY Proud

) IF +l2
I
!t
'_! )

I7n,Tpt2 f ' Horn

1 f
w/Drums: time

G> mf Em GMajzTO

wiK3

ing our that goes

on mY toes Sing
stand-ing
{

C BmAm

D/E E (Tamb.
'mp c/D
sub.f Tom fill
out)
A
 Spamalot - Tour
6. THE SONG THAT GOES LIKE THIS
Kbd

far too long l'm sure That's the trou-ble with this song
can't b+lieve there's more
K2. Vln 8va (Flt out)
)

Horn solo 4p

wlGtr' arq's
'rpy

€>
Drs: Clm. on 'l' (K3. Bs' Cl' out)

song too
For this
on and on and on
G

Drs. lite time

,np
Esus E
'"!*#" Ffi
ro- r,u
+Bs Cl, K2: Tbn.
Kbd.t 7. THE SONG THAT GOES LIKE THIS Spamalot - Tour

DENNIS: so LADY:

wish that you weren't bom Let's

'l
f
w/Drums: time

w/Gtr, strum's
fe (Timp. out)

a' 1 C a'
+Tbn. J's. w/Bs Cl.K2: Tbn. o 's

LADY:

stop this damn re - frain Be Iore we go ln - sane

[T) M !!
--

cfm/Fil

-55-
Kbd.l 8. THE SONG THAT GOES LIKE THIS Spamalot - Tour

Rall.

AJ
I
I
r
ends like
song al ways

l* WOMEN:

ends like

) ) J

1 7
Hn, tbn. f:
I
r +Tpt2
>
V

tt .-4 >

ai3: >l -'=t +;e::

,ffof,n > cf' Cfimz Ffisus Ffi
+Timp. to end
,r€rlS.++l

(Tbn. out)

L Ffztus
D,t
^ Rfi

Segue

-56-
PATSY: Oh no you're not
ARTHUR: So all alone
PATSY: I'm here you twot.
ARTHUR: All by myself I'm all alone
2-9-29

The Stage fills with Knighrs.

KNIGHTS: He's all alone!
ARTHUR: I'm all alone
KNIGHTS: All by himself
ARTHUR: All by myself
KNIGHTS: There is no one here beside him
He's all alone
ARTHUR: I'm all alone
KNIGHTS: Apart from us
No one to comfort him or guide him
ARTHUR: Each one of us is all alone
So what are we to do
In order to get through?
We must be lonely side by side
It's a perfect way to hide.
KNIGHTS: We're all alone
ARTHUR: We're all alone
KNIGHTS: Yes all alone
ARTHUR: So all alone
Each by ourselves
We're all
Alone.

The Ladv of the Lake descends the stairs.

LADY: But you're not alone Arthur. Haven't you noticed? I've been

with you all the time. Who gave you the sword, who made you

King, who welcomed you to Camelot, who helped you off on your

quest?

Arthur realizing it was her.

Sure I've been off stage for far too long but I am here to help you

and I always have been.

ARTHUR: Patsy, I'm not alone.

PATSY: No, sir.

ARTHUR: The Lady of the Lake has been with me all the time.
 z-9_30

LADY: And so has patsy.

ARTHUR: Ah, yes but...Patsy's family.

LADY: You see, Arthur dear, we're all here to herp each other.

ARTHUR: Can you help me put on a Broadway show?

LADY: Yes. You're in a Broadway show.

Sparkling stage Effect. Arthur looks out at the audience.

ARTHUR: Oh my.

LADY: You've been in a Broadway show all the time.

ARTHUR: oh. who knew? (To audience) Arethere any Jews here?

PATSY: The truth is, Sire, I'm Jewish.

ARTHUR: You are?

PATSY: Yes, sire, on my mother's side.

ARTHUR: Well why didn't you say so?

PATSY: well, [t's not the sort of thing you say to a heavily armed

Christian.

ARTHUR: So now what?

LADY: well you have to finish the show. It is a musical, so you

have to find the Grail and end with a wedding.

ARTHUR: Well who could I possibly marry?

LADY: Well, it would have to be someone who loved you and cared for

you enough to give you a sword, to make you King, to welcome

you to Camelot, to help you off on your quest...

He is a little slow off the mark. Patsy whispers in his ear.

 2-9-3r

ARTHUR: You?

LADY: Oh. that's an idea.

ARTHUR: But I thought you were a fairy.

LADY : Oh no, that's Lancelot. Oh you missed that scene. Anyway,

Arthur, I'm as human as you are.

ARTHUR: And you would consent to be my bride?

LADY: Are you asking?

ARTHUR: Are you saying yes?

LADY: Oh Arthur.

They embrace. They lean infor a kiss and suddenly turn away to sing.