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A.O.M.

Audio Plug-ins Documentation
Release 1.8.2

A.O.M. Corporation

Dec 28, 2017

CONTENTS

1 Introduction 1
1.1 Product Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
1.2 Prerequisites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
1.3 Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

2 Authorize plugins 3

3 Common Menubar 5
3.1 Menu Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
3.2 Factory Preset Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
3.3 Reset Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
3.4 Undo/Redo Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
3.5 A/B Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
3.6 License Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
3.7 Status Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

4 Cyclic Panner 9
4.1 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
4.2 Controls and Displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

5 Invisible Limiter 13
5.1 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
5.2 Controls and Displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

6 Invisible Limiter G2 19
6.1 Block Diagrams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
6.2 Operation Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
6.3 Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
6.4 Meter Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

7 Stereo Imager D 31
7.1 Mid/Side and Correlated/Decorrelated Decompositions . . . . . . . . . . . . . . . . . . . . . . . . . 31
7.2 Controls and Displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
7.3 Backward Compatibility Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

8 tranQuilizr 35
8.1 Equazlier Sections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
8.2 Filter Sections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
8.3 Total Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
8.4 Paragraphic Equalizer Area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
8.5 Paragraphic Equalizer Area Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

i

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 8. . . . . .6 Others . . . . . . . 45 A Technical Resources 51 A. .2 libpng . . . . 59 ii . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Plugin Latency . . . . . . . . . . . . . . . 44 9 Wave Shredder 45 9. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 B.1 Controls .9 Metropolis font . . . . 53 B. . . . . . . . . . . 58 B. . . . . . . .8 JUCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Botan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Ear-Only Mode . . . . . . 59 B. .5 Boost . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8. . . . . . . . . . . . . . . . . .3 Eigen . . . . . . . .6 General Purpose FFT (Fast Fourier/Cosine/Sine Transform) Package . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 B. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 picojson . . . . . . . .1 Supported Channel Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 B. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1 zlib . . . 51 A. . . . . . 51 B Library Licenses 53 B. . 53 B. . . . . . . . . . . . 56 B. . . . . . . . . . . . . .

10 • Mac OS X 10.11 • macOS X 10. It is provided as pluggable software component (a. Digital Performer. 1 .O.O. This document describes instructions and related technical resources of A. Audio Plugins. REAPER. and works as a part of your digital audio software. CHAPTER ONE INTRODUCTION Thank you for choosing A. Logic Pro.a.12 Plugin Format • VST (32bit/64bit) • VST3 (32bit/64bit) • Audio Unit (32bit/64bit) • AAX Native (32bit/64bit) Other prerequisites • Processors must support SSE3 instruction set Plugins are tested with the latest version of major plugin hosts. Pro Tools.1 • Windows 10 • Mac OS X 10. FL Studio. Tracktion and WaveLab. Live. Audio Plugins is a collection of professional quality audio processors.M. such as Cubase. “plugins”). Studio One.k.8 • Mac OS X 10. 1.1 Product Overview A.M. SONAR.7 • Mac OS X 10. Samplitude.2 Prerequisites Operating System • Windows 7 • Windows 8.O.9 • Mac OS X 10.M. Audio Plugins. 1.

Release 1.g.2 1.3 Support Online support is available.10) • Your DAW and its version (e. Support staff can communicate in English or Japanese. ProTools 11.jp. Please include following information if you need technical support. Introduction . VST 32bit version 1.O. • Your OS and its version (e.3) • Problem description: which step you are trying.M. Mac OS X 10. Live 9 32bit) • Plugin format and version (e.A. what you got actually 2 Chapter 1.7. Windows 7 Pro 64bit. what you expected.g.g. You will receive automated re- sponse from support ticket system when your message has been received successfully. Audio Plug-ins Documentation.8. Please email us to helpdesk@aom-factory.

Audio Plugins’ licenses are managed by A.M.M.O. 3 . CHAPTER TWO AUTHORIZE PLUGINS A. Unauthorized plugins generate periodical small noise (-40dBFS). Please see License Manager’s manual for details. License Manager.O.

A.O.M. Audio Plug-ins Documentation, Release 1.8.2

4 Chapter 2. Authorize plugins

CHAPTER

THREE

COMMON MENUBAR

3.1 Menu Button

About this product Shows plugin name, version, build date, plugin format and other information.
Manual Opens installed manual (this document).
A.O.M. Website Opens A.O.M. website using default browser.
Show/Hide status bar Toggles status bar on the bottom of plugin window.
Diagnostic Log Opens diagnostic log file. A.O.M. Audio Plugins record their important behavior, such as authenti-
cation failure or fatal errors, to diagnostic log file. Our support staff may ask you to send the diagnostic log for
troubleshooting.

5

A.O.M. Audio Plug-ins Documentation, Release 1.8.2

Copy System Stats to Clipboard Copies several system information to clipboard. It’s helpful to add this information
to support request email.
Plugin-specific Settings Shows Plugin-specific menu if exist. See plugin’s page for details.

3.2 Factory Preset Controls

Some plugins employs factory presets.
Left Triangle button Selects previous preset.
Right Triangle button Selects next preset.
Preset Selector Selects preset with drop-down list.

Note: Factory presets are read-only and independent from other preset mechanisms. Please use DAW’s user-preset
functionality to store your own presets.

3.3 Reset Button

Sets all plugin parameters to each default value. Undoable.

3.4 Undo/Redo Buttons

Undo button Cancels the last operation.
Redo button Does previously cancelled operation again.
These buttons become clickable only if undo-/redo-able.

3.5 A/B Controls

This buttons can be used to compare between two sets of plugin setup.
“A|B” button Toggles between settings.
“A->B” “A<-B” button Copies from active setup to another setup.

Note: The inactive setup is volatile. Only the active setup is stored to DAW project and the inactive setup will be just
discarded on project close.

3.6 License Status

Shows current license status.
Key icon License is valid.
Key icon, yellow background License is valid, however, it expires within 30 days.

6 Chapter 3. Common Menubar

Status bar visibility can be toggled by Show(Hide) Status Bar menu.O. Status Bar 7 . 3.M. format and version information by default. When mouse cursor hovers on knobs or other controls. red background License has been expired or there is no valid license.8.7. Release 1. Audio Plug-ins Documentation. 3.7 Status Bar Status bar shows plugin name.2 Cross mark over key icon. tooltip text of the control appears. A.

A.M. Audio Plug-ins Documentation.2 8 Chapter 3.O. Release 1.8. Common Menubar .

Available values for INPUT: • Stereo: do nothing 9 .1 Input / Output Channel Matrix Controls the behavior of input/output channel matrix.2 Controls and Displays 4.1 Block Diagram 4. CHAPTER FOUR CYCLIC PANNER 4.2.

a lowpass filter is inserted into the opposite channel of current pan slider place. Smoothing window size can be changed by SPEED control.4 Field Meter Displays current distribution in sound field.2.O.2 PAN / WIDTH Controls the behavior of Pan/Width block. L-R compoennt to right channel Available values for OUTPUT: • Stereo: do nothing • Left: copy left channel to right channel • Right: copy right channel to left channel • M/S Encode: set L+R component to left channel.2. Audio Plug-ins Documentation.8.3 LPF LINK Controls the behavior of LPF blocks. Release 1. See also: LPF behavior. L-R compoennt to right channel • Swap L/R: swap left and right channel 4.2 • Left: copy left channel to right channel • Right: copy right channel to left channel • Mid: set L+R component to both channels • Side: set L-R component to both channels • M/S Decode: set L+R component to left channel.2.M. When enabled.A. Cyclic Panner . 4. 10 Chapter 4. 4.

Audio Plug-ins Documentation.2. Release 1. Controls and Displays 11 . A.1: Various styles of panning.M.O. 4. 4. Cyclic Panner employs the right-bottom one.8.2 Fig.

Cyclic Panner . 4. Release 1.M. Audio Plug-ins Documentation.O.8.A.2 Fig.2: LPF behavior 12 Chapter 4.

1 Block Diagram 13 . CHAPTER FIVE INVISIBLE LIMITER 5.

8. Release 1. 5.A.01dB step] 14 Chapter 5.O.1dB for one step.2 Limit Level This knob controls the threshold used in “Limit” block above. this is the control you should use.3 Output Gain Controls the gain applied to signal before final output.2 5. Audio Plug-ins Documentation.2.1 Input Gain The knob controls the gain applied to signal before limiting. Ctrl+Click sets value to default (0dB). Note: If you want to use Invisible Limiter as an one-knob limiter.M.2. 0. 5. Wheel operation in- creases/decreases 0.2. Invisible Limiter .2 Controls and Displays 5. [-10dB to +10dB.

Higher factor brings cleaner sound and higher CPU load. Audio Plug-ins Documentation. Controls and Displays 15 . A. M/S Middle and side channels are processed separately.8.O.4 Channel Mode Controls how should Invisible Limiter deal channels. 5.2 5. This is default.6 Oversampling Controls oversampling factor. 5. L/R Left and right channels are processed separately.2.2.2. Setting “1x” means no oversampling.M. See the figure below to find the shape of each option. 5.2. Release 1.5 Shape Controls the curve shape of time-varying reduction amount.

5.10 Bypass Bypass all processing when enabled.A.2.2 5. This is useful for limiter chaining. 5.M.9 Unity Gain Monitoring When enabled. Audio Plug-ins Documentation.8. 5. Invisible Limiter .O. Suppress Removes overshoot by adding small amount of reduction.7 Latency Controls plugin latency. This feature helps users to monitor output at the same level of input.2. 16 Chapter 5. Release 1. Clip Removes overshoot by clipping.8 Overshoot Controls the behavior of overlevel protection.2. Thru Does nothing. the negative of input gain is added to output gain. See Technical Resources for actual value of plugin latency. This setting is unavaliable in AAX Native versions.2.

Release 1. Controls and Displays 17 .2.11 Reduction Meter Displays current peak reduction amount.2 5. The number at top-right indicates a long-term maximum reduction level.O. Audio Plug-ins Documentation.8. 5.2. 5.M.2. It can be reset by single click.12 Output Level Meter Displays current peak output level. A.

2 18 Chapter 5.M.O.A. Audio Plug-ins Documentation. Invisible Limiter . Release 1.8.

CHAPTER SIX INVISIBLE LIMITER G2 Advanced Mode Easy Mode 19 .

O. 6.2 6.M. Audio Plug-ins Documentation.2 Operation Modes Invisible Limiter G2 has two operation modes. Release 1.2 shows structure of limiting sub-block. Easy mode is the default mode. Advanced mode is for experts. Invisible Limiter G2 . 6. allows full control of the limier. Fig.1 shows overall structure of Invisible Limiter G2.8. There is no difference in 20 Chapter 6.1 Block Diagrams Fig. Fig. 6.1: Block diagram of overall structure. only includes essential controls for final brick-wall limiting. 6.A.

When lock icon is active (red color). the state of this switch is just ignored.3. A. Release 1.O. Mid/Side processing is effective only in stereo channel configuration. 6. Mid / Side Toggles MS Encode/Decode sub-blocks.3 Controls 6. the related parameter ignores preset loading.1 Switches Bypass Toggles bypass. Unity Gain Monitoring When enabled. most of signal path works for M/S pair instead of L/R pair. Controls 21 .8. 6. 6.2 Fig.3. inverse gain is applied the end of processing path. When enabled. BIAS Make sound fat/warm a bit. Modes can be toggled by square-shaped button at the right top of GUI or “Switch to [Advanced/Easy] mode” menu.2: Block diagram of limiting sub-block. Under other channel config- urations. Audio Plug-ins Documentation.M. internal algorithm of the limiter.

0. Actual over- sampling ratio and internal frequency are displayed below. Six-segment gain button enables stepwise control in 1dB. Suppress This mode is similar to Invisible Limiter’s Suppress mode.1dB.2 6. 0. 6. Invisible Limiter G2 .O. Through This mode is similar to Invisible Limiter’s THRU mode. With higher value. Choose this value carefully with your perception. 6. Release 1.2 Quality Selects processing quality. When lock icon is active (red color). Note: It’s not true that the higher value always brings ‘good’ result.3. Clip This mode is similar to Invisible Limiter’s Clip mode. the limiter selects higher ratio of oversampling process. 22 Chapter 6.M.3. Audio Plug-ins Documentation.3 Mode Selects current processing mode.8.01dB. Modern This mode has been newly introduced in Invisible Limiter G2.3. This parameter can be operated by MIDI note-on.A. Slightly tight sound. this parameter ignores preset loading.4 Gain Controls gain amount applied before limiting.

8.1: MIDI note number for gain parameter operation Note Number International Yamaha Operation 66 F#3 F#4 +1dB 65 F3 F4 -1dB 68 G#3 G#4 +0. this control is useful. this parameter ignores preset loading. When lock icon is active (red color).5 Ceiling Sets threshold which the output signal should not exceed.2 Table 6. the limiter enters ‘Compressor-Style’ because it cannot guarantee nonex- istence of peak exceeding in output signal.M. A.3.1dB 67 G3 G4 -0.01dB 69 A3 A4 -0.01dB 6.O.6 Wet Mix Controls mix ratio between input signal and processed signal. 0. 6. When lock icon is active (red color). Audio Plug-ins Documentation.1dB 70 A#3 A#4 +0. When this control is set to except for 100%. You can set this control to lower value if you use the limiter in tracks or buses.3. 6. this parameter ignores preset loading.00dB is not recommended when using dither. Controls 23 .3. If you’re intended to do parallel compression. Release 1.

7 SC HPF Controls cutoff frequency of high-pass filter inserted into internal envelope detector chain (See Fig. Release Shape LED Button When enabled (blue). or to configure the limiter as a simple de-essor.3. Audio Plug-ins Documentation.2).1) is activated.9 Shape Controls Attack Knob Controls transition curve of reduction amount in attack phase. See Fig.O.8 DC Cut When LED-style lamp is lighting. This will be effective only in Modern mode. the shape of transition curve in attack phase is changed from ex- ponential to sigmoidal. Shape Mode Select Changes behavior of internal reduction-shape control. 24 Chapter 6. Invisible Limiter G2 .4 for curve shapes.3. When SC HPF is enabled. 6.M.2 6. the limiter enters ‘Compressor-Style’ because it cannot guarantee nonexistence of peak exceeding in output signal. Attack Shape LED Button When enabled (blue). Release Knob Controls transition curve of reduction amount in release phase. 6. This feature can be used to exclude bass frequency from peak detection. 6. 6.3. Release 1. 6. 6.8. the shape of transition curve in release phase is changed from exponential to sigmoidal.A.3 and Fig. the high-pass filter before limiting (Fig.

Controls 25 . 6.3. 6. A. Release 1. Audio Plug-ins Documentation.3: Reduction curves for several attack shape settings.8. from 0dB to 6dB reduction.O.M. Time series. Fig. from 6dB to 0dB reduction.4: Reduction curves for several release shape settings. Time series.2 Fig. 6.

3. Invisible Limiter G2 . 100% means fully linked.8.10 Soft Knee Controls soft knee amount.5 shows compression curves for typical settings.A. 6. Fig. 6. 6.11 Channel Link Controls channel link amount.2 6. 26 Chapter 6. Fig.O.M. Release 1. 0% means fully unlinked.3.5: Compression curves for typical soft knee settings. Log scale. Audio Plug-ins Documentation.

Controls 27 .14 Compressor-Style indicator 6.12 Manual Attack/Release Controls Attack Time LED Button Activate or deactivate manual attack time behavior. Audio Plug-ins Documentation. dither signal is automatically muted for very low level input signal. the limiter enters ‘Compressor-Style’ because it cannot guarantee nonexistence of peak exceeding in output signal.3.2: Dither Type Name Description —. 6. Electronic Applies original noise-shaped dither. Dithering block is completely bypassed. Flat Applies 2-LSB TPDF dither.2 6. Acoustic Applies original colored dither.M. Dither Bit Depth Select Selects dither bit depth.O. Release Mode Select Changes internal behavior related to manual release time setting. Does nothing. When manual attack is enabled.3.13 Dither Controls Dither Type Select Selects dither type. Release Time LED Button Activate or deactivate manual release time behavior.8.3. A. Auto Black Button When active.3. Attack Time Knob Controls attack time. Truncate Truncates signal to selected bit-depth. Table 6. This will be effective only in Modern mode. See the table below for each type. Release 1. 6. Release Time Knob Controls release time.

K-12/VU. Single White Segment Represents long term maximum value of reduction amount.1 Reduction Meter Shows current reduction amount. K-14. 6. K-12.html 28 Chapter 6. Meter scale is optimized for K-System1 K-12/K-14/K-20. Release 1.A.3 Meter Controls Peak-RMS Shows RMS and Peak value.2 Output Level Meter Shows current output level. Peak-VU Shows VU and Peak value. Note: Static offset is added to raw RMS/VU computed value to follow AES17 standard. K-20/VU Shows VU and Peak value. Single Segment (Green / Yellow / Red) Represents the latest sample peak level of output signal. Audio Plug-ins Documentation. Invisible Limiter G2 . Single Blue Segment Represents short term maximum value of reduction amount.2 When this indicator is visible. Can be reset by clicking meter. the limiter will allow peak exceeding in output signal. 6. 1 http://www. Clicking magnifier icon toggles zoom level of the meter. Bar Represents the latest RMS/VU level of output signal. K-20 Shows RMS and Peak value. Meter scale is optimized for K-12/K-14/K-20. K-14/VU.4.8.4.O.digido. Single Segment (White) Represents current value of CEILING parameter. Bar Represents the latest value of reduction amount.com/how-to-make-better-recordings-part-2. Note: Integration time of the RMS/VU meter is fixed to 600ms to follow K-System specification. Clicking magnifier icon toggles zoom level of the meter. 6.4 Meter Section 6.M.4.

A.pdf 6.1770-3 Annex 12 ) is applied before RMS/VU calcula- tion.M.4.int/dms_pubrec/itu-r/rec/bs/R-REC-BS.O. Audio Plug-ins Documentation. 2 https://www. Meter Section 29 .1770-3-201208-S!!PDF-E. “K” frequency weighting (specified in ITU-R BS. Indicates sample peak exceeding 0dBFS is detected at the entry of plugin.2 When active. Release 1.8.itu.

A.M.2 30 Chapter 6. Audio Plug-ins Documentation.8. Invisible Limiter G2 .O. Release 1.

7. CHAPTER SEVEN STEREO IMAGER D 7.1: Mid/Side decomposition is a conventional method to decompose stereo signals into center and side compo- nents.1 Mid/Side and Correlated/Decorrelated Decompositions Fig. 31 . The side includes only out-of-phase component in original stereo singals.

2 Fig.M.2.8.1 Center Gain Controls the gain change about center component. 7. Unity gain is applied when 100%.2 Side Gain Controls the gain change about side component. Audio Plug-ins Documentation. Stereo Imager D .2: Stereo Imager D uses correlated/cecorrelated decomposition that is another method to decompose stereo signals. 7. 32 Chapter 7.A. Unity gain is applied when 100%.2 Controls and Displays 7. The side includes both in-phase and out-of-phase component in original stereo signals.2.O. Release 1. 7.

O.3.3 Auto Gain Apply inverse of (center + side) gains. thus the plugin uses old algorithm for compatibility.2.g.8. Backward Compatibility Menu 33 .5 Phase Meter Phase Meter displays processed signal in Lissajous style. Release 1. This menu is ticked by default. By turning off this menu. 7. Audio Plug-ins Documentation. A. that the frequency range above 1/4 sampling rate (e. 11025-22050Hz under 44100Hz sampling rate project) doesn’t get processed.2. 7.M.2 7.3 Backward Compatibility Menu Older versions of Stereo Imager D had a bug in processing algorithm. the new (bug-fixed) algorithm becomes active. 7. 7.2.4 Bypass Bypass all processing when enabled.

4. Existing plugin instances and cloned plugin instances are not affected.A. Release 1. 34 Chapter 7. Note: Backward compatibility mode setting is memorized. The last selected mode becomes startup mode of new plugin instance.8. Audio Plug-ins Documentation.2 Introduced in version 1.O.M.7. Stereo Imager D .

CHAPTER EIGHT TRANQUILIZR 35 .

Bright button indicates “in”.1.1. tranQuilizr .1. When at least one band is set to solo mode.2 8.4 Gain knob 36 Chapter 8. 8. 8. Audio Plug-ins Documentation. all other bands are muted.3 Frequency knob Controls center frequency of each equalizer band.1.1 In button Toggles band on/off.O.M. 8. Release 1.8. Disabled band doesn’t use CPU.A.1 Equazlier Sections 8.2 Solo button Toggles band solo mode. Bright button indicates “solo”.

8.7 Shelf button Toggles peaking / shelving equalizer. Audio Plug-ins Documentation. Bright button indicates shelving. Bright button indicates current equalizer type. Type B Original maximum-phase equalizer.O.8 Channel knob Selects the channel that the equalizer should process. Release 1. 8. For example.2 Controls gain of each equalizer band. Type A Original minimum-phase equalizer.1.8. under selection L the equalizer works on only left component of input signal.1.1. 8. 8.1. 8.5 Width knob Controls band width of each equalizer band. Equazlier Sections 37 . Type C Conventional biquad equalizer.6 Equalizer Type buttons Selects equalizer’s sound.1. A.M.

4 Slope knob Selects filters slope.A. Bright button indicates “in”. When at least one band is set to solo mode.2 Filter Sections 8.M.8. Disabled filter doesn’t use CPU. 8. Audio Plug-ins Documentation. tranQuilizr .1 In button Toggles filter on/off.O. For larger value.2 8.2. 38 Chapter 8.2. Release 1.3 Frequency knob Controls center frequency of each equalizer band.2. all other bands are muted.2 Solo button Toggles filter solo mode. 8. 8. the filter reduces stopband more.2. Bright button indicates “solo”.

3. under selection L the equalizer is available on only left component of input signal. Audio Plug-ins Documentation.1 Total-In button Toggles overall on/off of plug-in processing.2. 8. just before output meter.5 Channel knob Selects the channel that the equalizer should process. 8. For example.3 M/S Width knob 8.O.3.8. Total Section 39 .3 Total Section 8.3. 8.2 Output Gain knob Controls output gain. A.3. Output gain is applied at the end of processing chain.2 8.M. Release 1.

3. tranQuilizr . 8. 8. 40 Chapter 8.M. Plug-in’s internal sample rate is changed according to the table below. Existing plugin instances and cloned plugin instances are not affected.3.A.7 Quality buttons Choice quality settings. Turning to left. compensational total gain is added to set averaged gain to 0dB. 8. 8.3. The last selected mode becomes startup state of new plugin instance. Release 1.6 Automatic Gain Compensation (AGC) button Toggles on/off of Automatic Gain Compensation (AGC).2 Controls mid/side width.O. Note: This setting is memorized. middle component is boosted and side component is reduced. Audio Plug-ins Documentation. Lo.3.4 Phase Invert button Toggles phase invert.and Hi-Cut filter settings don’t affect to AGC behavior. If AGC is enabled. White line indicates actual equalizing curve.8.5 Monitor Channel knob Selects channel to be monitored.

8kHz 705.2kHz 96kHz 96kHz 192kHz 384kHz 768kHz 1536kHz 176.4.2: Knot Operations (Windows) Modifier Operation Action (none) Left Drag Changes frequency and gain Ctrl Left Drag Changes frequency Shift Left Drag Changes gain Ctrl + Shift Left Drag Changes bandwidth Alt Left Drag Changes bandwidth (none) Right Click Toggles band on/off Ctrl Right Click Toggles band solo Shift Right Click Toggles equalizer types or filter slopes (none) Wheel Changes gain Ctrl Wheel Changes frequency Ctrl + Shift Wheel Changes bandwidth Alt Wheel Changes bandwidth 8.2kHz 88.4kHz 176.6kHz 1411.O.8.4 Paragraphic Equalizer Area White line indicates total gain curve of all enabled equalizers and filters.2kHz 176.4kHz 352.4. Audio Plug-ins Documentation.1kHz 88.6kHz 1411. A.6kHz 1411.1: Effective internal sample rates Project samplerate 1 2 3 4 5 44.2kHz 176.8kHz 705.4kHz 352.4kHz 176.4kHz 352.8kHz 705.2 Table 8. 8.1 Equalizer/Filter knots Controls each parameter of the selected band. Table 8.2kHz 192kHz 192kHz 192kHz 384kHz 768kHz 1536kHz 8.2kHz 48kHz 96kHz 192kHz 384kHz 768kHz 1536kHz 88. Paragraphic Equalizer Area 41 . Release 1.M.

M.2 Analyzer Menu Controls analyzer behavior. 8. Peak indicators are placed at the top of input/output meters. 42 Chapter 8.2 Peak meter Shows current peak of input and output signals.1 Quick Help Button Shows graphical operation guide on the top of plugin GUI.5.2 Table 8.5. 8. tranQuilizr . Peak indicators get active (red color) when the meter found a sample peak exceeding 0dB full scale.4.5 Paragraphic Equalizer Area Controls 8.O.3: Knot Operations (Mac OS X) Modifier Operation Action (none) Left Drag Changes frequency and gain Command Left Drag Changes frequency Shift Left Drag Changes gain Command + Shift Left Drag Changes bandwidth Option Left Drag Changes bandwidth (none) Right Click Toggles band on/off Command Right Click Toggles band solo Shift Right Click Toggles equalizer types or filter slopes (none) Wheel Changes gain Command Wheel Changes frequency Command + Shift Wheel Changes bandwidth Option Wheel Changes bandwidth Note: Alt or Option modifier key may not work on some hosts. Audio Plug-ins Documentation. Release 1.8.A. 8.

8. Paragraphic Equalizer Area Controls 43 . Audio Plug-ins Documentation. Existing plugin instances and cloned plugin instances are not affected.7.O.M. Accumulate Displays average level after last reset.7. The last selected mode becomes startup state of new plugin instance. when you select visible channel “L” and then touch some equalizer/filter in “R” channel. this button clears analyzer internal state. Speed Selects falldown speed. 8. Slope Selects tilt offset added to frequency response curve. Introduced in version 1.2 Show PRE Toggles pre-processing analyzer visibility Show POST Toggles post-processing analyzer visibility Mode Selects analyzer mode. Instant Displays plain frequency response. Range Selects visible range of equalizer/filter curve. tranQuilizr changes visible channel to “R”. 8.4. Peak Hold Displays maximum level after last reset.4. (except for Channel=ALL setting) For example.5. Release 1. Note: Analyzer settings are memorized. Introduced in version 1.4. 8. Offset Selects constant offset added to frequency response curve.7.3 Reset Button In Peak Hold mode and Accumulate mode.4 Hold Button Suspends updating frequency response curve. The last selected mode becomes startup state of new plugin instance. Channel Selects visible channel of equalizer/filter curve. Bands Selects octave band display.5. A. Existing plugin instances and cloned plugin instances are not affected. Note: Range setting is memorized.5 Curve Menu Controls equalizer/filter curve display.5. Range Selects level range to display.8. Introduced in version 1. Note: Channel setting follows operations in “Channel” knob in equalizer/filter sections.5.

Existing plugin instances and cloned plugin instances are not affected.1 All Equalizers Type button Selects the type of all equalizer’s type by clicking. 44 Chapter 8.O.6. This mode is useful to avoid affection to sound perception by visual presentation. Audio Plug-ins Documentation. The last selected mode becomes startup mode of new plugin instance.2 8. Release 1.6 Others 8. tranQuilizr .A.8. 8.7 Ear-Only Mode Ear-Only mode hides all contents in paragraphic equalizer area. Note: Ear-only mode setting is memorized.M.

45 . CHAPTER NINE WAVE SHREDDER 9.1 Controls Examples in this section are obtained from the input waveform below.

O. 46 Chapter 9.1.A. When mode is DC.2 9. Rate reduce control specifies the duration of holding.1. Wave Shredder .M. Release 1.1 Rate Reducer Performs zero-order hold.8. the gate performs zero-order hold at the threshold. 9. Audio Plug-ins Documentation. to zero.2 Gate Drops waveform under the threshold.

3 Chop Drops waveform over the threshold.1. Audio Plug-ins Documentation.8. A. When mode is DC. to zero.M.O. the chopper performs zero-order hold at the threshold.1.2 9. Release 1. Controls 47 . 9.

4 Cut/Fold For removing settings. 48 Chapter 9. Release 1. Audio Plug-ins Documentation.8. we have the waveform below. For the setting of 2.O. For folding settings.2 9. Wave Shredder inverts positive or negative part of input waveform.1.5 Bit Crush Performs bit-depth reduction. 9. Wave Shredder removes positive or negative part of input waveform.A.1. Wave Shredder .M.0 bit.

9.1.1. Audio Plug-ins Documentation.1.M.6 DC Cut When DC Cut is enabled. A.2 9. For rate reducing and mix at 50%.8. we have the waveform below. The filter removes offset from waveform.O. The following example is applied DC Cut after folding up.7 Mix Specifies the ratio of original input waveform and processed waveform. 9. Release 1. Controls 49 . Wave Shredder applies high-pass filter at very low frequency.

Introduced in version 1.A. Release 1.4.O.7.9 Gain Adds gain to output signal.M. Wave Shredder .1.1.2 9.8. 50 Chapter 9. 9.8 Bypass Bypass all processing when enabled. Audio Plug-ins Documentation.

2k 96k 176.2 Plugin Latency Table A. APPENDIX A TECHNICAL RESOURCES A.2: Plugin Latency in samples Plugin | Sampling Rate (Hz) 44.1 Supported Channel Configuration Table A.4k 192k Cyclic Panner 0 0 0 0 0 0 Invisible Limiter (normal) 2301 2496 4506 4896 8916 9696 Invisible Limiter (low) 316 336 537 576 978 1056 Invisible Limiter G2 3675 4000 7350 8000 14700 16000 Stereo Imager D 4096 4096 8192 8192 16384 16384 tranQuilizr 64 64 64 64 64 64 Wave Shredder 0 0 0 0 0 0 51 .1k 48k 88.1: Supported Channel Configuration Plugin | Configuration (in/out) 1/1 1/2 2/2 3/3 4/4 5/5 6/6 7/7 8/8 Cyclic Panner no yes yes no no no no no no Invisible Limiter yes no yes yes yes yes yes yes yes Invisible Limiter G2 yes no yes yes yes yes yes yes yes Stereo Imager D no no yes no no no no no no tranQuilizr yes no yes yes yes yes yes yes yes Wave Shredder yes no yes yes yes yes yes yes yes Note: Configurations from 3/3 to 8/8 are not supported in VST2 format A.

9 85.0 5.0 0.5 50.3 83.3 Wave Shredder 0.0 0.3 83.0 0.A.1k 48k 88.9 85.9 85.3 Stereo Imager D 92. Audio Plug-ins Documentation.3 83.3 83.2 Table A.3 83.0 0.5 1.4k 192k Cyclic Panner 0.0 0.7 0.O.0 0.0 0.0 50.5 Invisible Limiter G2 83.3 tranQuilizr 1.2k 96k 176.8.0 6. Technical Resources .5 Invisible Limiter (low) 7.3 92.0 0.4 0.2 7.5 5.1 51.3 0. Release 1.2 52.0 51.M.0 0.7 0.0 52 Appendix A.3 92.3: Plugin Latency in milliseconds Plugin | Sampling Rate (Hz) 44.1 6.0 0.0 Invisible Limiter (normal) 52.

org madler@alumni.net/ zlib.1 zlib http://www. In no event will the authors be held liable for any damages arising from the use of this software. without any express or implied warranty. If you use this software in a product.caltech.org/pub/png/libpng. subject to the following restrictions: 1. including commercial applications. Jean-loup Gailly Mark Adler jloup@gzip. Permission is granted to anyone to use this software for any purpose.libpng. 2017 Copyright (C) 1995-2017 Jean-loup Gailly and Mark Adler This software is provided ‘as-is’.html This copy of the libpng notices is provided for your convenience.edu B. The origin of this software must not be misrepresented.2 libpng http://www. 3. APPENDIX B LIBRARY LICENSES B. and must not be misrepresented as being the original software. and to alter it and redistribute it freely. an acknowledgment in the product documentation would be appreciated but is not required. 2.zlib.11.h – interface of the ‘zlib’ general purpose compression library version 1.2. you must not claim that you wrote the original software. Altered source versions must be plainly marked as such. In case of 53 . January 15th. This notice may not be removed or altered from any source distribution.

96. accuracy.8.0. January 1998.6. This code is released under the libpng license.A.96.h that is included in the libpng distribution.0. 2000. 2000 through 1.M. Audio Plug-ins Documentation.29. This library is provided with all faults. March 16.0. with the following individuals added to the list of Contributing Authors: Tom Lane Glenn Randers-Pehrson 54 Appendix B. Vadim Barkov and with the following additions to the disclaimer: There is no warranty against interference with your enjoyment of the library or against infringement. and are distributed according to the same disclaimer and license as libpng-0.97. performance. are derived from libpng-1. Raymond Mans Rullgard Cosmin Truta Gilles Vollant James Yu Mandar Sahastrabuddhe Google Inc. COPYRIGHT NOTICE. July 1.7.6 with the following individuals added to the list of Contributing Authors: Simon-Pierre Cadieux Eric S. Release 1. 2004.O. DISCLAIMER. and effort is with the user. and the entire risk of satisfactory quality. libpng versions 1.6. There is no warranty that our efforts or the library will fulfill any of your particular purposes or needs. the latter shall prevail. March 20.6. are derived from libpng-0. libpng versions 0.0. 2017 are Copyright (c) 2000-2002. through 1. are Copyright (c) 1998-2000 Glenn Randers-Pehrson. 2006-2017 Glenn Randers-Pehrson.2 any discrepancy between this copy and the notices in the file png. and are distributed according to the same disclaimer and license as libpng-1. Library Licenses . and LICENSE: If you modify libpng you may insert additional notices immediately following this sentence. Some files in the “contrib” directory and some configure-generated files that are distributed with libpng have other copyright owners and are released under other open source licenses.

88.2 Willem van Schaik libpng versions 0. with the following individuals added to the list of Contributing Authors: John Bowler Kevin Bracey Sam Bushell Magnus Holmgren Greg Roelofs Tom Tanner Some files in the “scripts” directory have other copyright owners but are released under this license. A. Audio Plug-ins Documentation. or consequential damages. indirect.88. expressed or implied. including. The Contributing Authors and Group 42. even if advised of the possibility of such damage. Release 1.8. subject to the following restrictions: 1. or portions hereof. modify. and are distributed according to the same disclaimer and license as libpng-0. Inc. Inc.O. which may result from the use of the PNG Reference Library.88. Inc. libpng 55 . exemplary.M.89. June 1996. special.96. the warranties of merchantability and of fitness for any purpose. assume no liability for direct.5. B. libpng versions 0. without limitation. and distribute this source code. without fee. May 1995. Group 42. For the purposes of this copyright and license. are derived from libpng-0. 2. Permission is hereby granted to use. The Contributing Authors and Group 42. “Contributing Authors” is defined as the following set of individuals: Andreas Dilger Dave Martindale Guy Eric Schalnat Paul Schmidt Tim Wegner The PNG Reference Library is supplied “AS IS”. Altered versions must be plainly marked as such and must not be misrepresented as being the original source. are Copyright (c) 1995-1996 Guy Eric Schalnat. for any purpose. The origin of this source code must not be misrepresented. incidental. January 1996. through 0. copy. disclaim all warranties. May 1997.2. are Copyright (c) 1996-1997 Andreas Dilger. through 0.

acknowledgment is not required but would be appreciated. Inc. TRADEMARK: The name “libpng” has not been registered by the Copyright owner as a trademark in any jurisdiction. that does not contain any encryption software.O.2 3.benoit.guennebaud@inria.0. which means not subject to export controls or International Traffic in Arms Regulations (ITAR) because it is open source. because libpng has been distributed and maintained world-wide.sourceforge. paragraphs 734. If you use this source code in a product.com> 56 Appendix B. Audio Plug-ins Documentation. DISCLAIMER. However.7.fr> Copyright (C) 2007-2011 Benoit Jacob <jacob. END OF COPYRIGHT NOTICE.8. This Copyright notice may not be removed or altered from any source or altered source distribution. OSI has not addressed the additional disclaimers inserted at version 1.3 Eigen http://eigen. 2017 B. publicly available software.net March 16.org/ Copyright (C) 2008 Gael Guennebaud <gael. OSI Certified Open Source is a certification mark of the Open Source Initiative. EXPORT CONTROL: The Copyright owner believes that the Export Control Classification Number (ECCN) for libpng is EAR99. OSI CERTIFICATION: Libpng is OSI Certified Open Source Software. without fee. The Contributing Authors and Group 42.3(b)(3) and 734.1@gmail. continually since 1995.M. and LICENSE.7(b).A. See the EAR. Glenn Randers-Pehrson glennrp at users. specifically permit. the Copyright owner claims “common-law trademark protection” in any jurisdiction where common-law trademark is recognized. and encourage the use of this source code as a component to supporting the PNG file format in commercial products.tuxfamily. Library Licenses . Release 1.

August 17th. You can obtain one at http://mozilla.0 . B.Version 1.org/MPL/2.8.5 Boost http://www.M. INCIDENTAL.O. OR CONSEQUENTIAL DAMAGES (INCLUDING. THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. Redistributions of source code must retain the above copyright notice.com/kazuho/picojson Copyright 2009-2010 Cybozu Labs. to any person or organization obtaining a copy of the software and accompanying documentation covered by this license (the “Software”) to use. this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.4. EXEMPLARY. INCLUDING.4 picojson https://github. 2003 Permission is hereby granted.2 This Source Code Form is subject to the terms of the Mozilla Public License v. picojson 57 . BUT NOT LIMITED TO. Copyright 2011-2014 Kazuho Oku All rights reserved. WHETHER IN CONTRACT. this list of conditions and the following disclaimer. DATA. Redistribution and use in source and binary forms. SPECIAL. B. THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES. PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES. OR PROFITS. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT. free of charge.org/ Boost Software License . LOSS OF USE. 2. OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY. reproduce. with or without modification. 2. If a copy of the MPL was not distributed with this file. Inc. are permitted provided that the following conditions are met: 1. OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE. BUT NOT LIMITED TO. Redistributions in binary form must reproduce the above copyright notice. Release 1. distribute. display. B.0/. A.0.boost. Audio Plug-ins Documentation. INDIRECT. STRICT LIABILITY. EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

kyoto-u. OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.2014. ARISING FROM. Library Licenses . unless such copies or derivative works are solely in the form of machine-executable object code generated by a source language processor. copy. 2. this restriction and the following disclaimer. B.html Copyright Takuya OOURA. Redistribution and use in source and binary forms. are permitted provided that the following conditions are met: 1.kurims. THE SOFTWARE IS PROVIDED “AS IS”. in whole or in part.2015.ac. and the following disclaimer. Redistributions in binary form must reproduce the above copyright 58 Appendix B.2017 The Botan Authors All rights reserved. and to prepare derivative works of the Software. Audio Plug-ins Documentation. including the above license grant. this list of conditions. must be included in all copies of the Software.2 execute. modify and distribute this code for any purpose (include commercial use) and without fee. Release 1.7 Botan http://botan. and to permit third-parties to whom the Software is furnished to do so.M. TORT OR OTHERWISE. IN NO EVENT SHALL THE COPYRIGHT HOLDERS OR ANYONE DISTRIBUTING THE SOFTWARE BE LIABLE FOR ANY DAMAGES OR OTHER LIABILITY.2016. FITNESS FOR A PARTICULAR PURPOSE.A. B.6 General Purpose FFT (Fast Fourier/Cosine/Sine Transform) Pack- age http://www. and all derivative works of the Software. all subject to the following: The copyright notices in the Software and this entire statement. INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY. Please refer to this package when you modify this code. TITLE AND NON-INFRINGEMENT.randombit. and transmit the Software.jp/~ooura/fft. EXPRESS OR IMPLIED. Redistributions of source code must retain the above copyright notice. WHETHER IN CONTRACT.net/ Copyright (C) 1999-2013. WITHOUT WARRANTY OF ANY KIND.O.8. 1996-2001 You may use. with or without modification.

com/ Commercial License B. Release 1. STRICT LIABILITY.juce. with Reserved Font Name: “Metropolis”. DEFINITIONS B.1 . studied.8.2 notice. THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES. EXEMPLARY. A. The fonts.26 February 2007 —————————————————————————————- PREAMBLE The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects. this list of conditions. EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. to support the font creation efforts of academic and linguistic communities.O. OR CONSEQUENTIAL DAMAGES (INCLUDING. INDIRECT. however. Version 1.M. THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. WHETHER IN CONTRACT. OR PROFITS. and to provide a free and open framework in which fonts may be shared and improved in partnership with others. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives.9 Metropolis font SIL Open Font License Copyright (c) 2015. Chris Simpson. OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY. cannot be released under any other type of license.sil. redistributed and/or sold with any software provided that any reserved names are not used by derivative works. INCLUDING. This license is copied below. PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES. JUCE 59 . and is also available with a FAQ at: http://scripts. including any derivative works. OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE. BUT NOT LIMITED TO. SPECIAL. This Font Software is licensed under the SIL Open Font License.8 JUCE http://www. modified and redistributed freely as long as they are not sold by themselves. DATA. Audio Plug-ins Documentation.8. INCIDENTAL. can be bundled. The OFL allows the licensed fonts to be used.org/OFL —————————————————————————————- SIL OPEN FONT LICENSE Version 1. BUT NOT LIMITED TO. embedded. LOSS OF USE. The fonts and derivatives. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT. and the following disclaimer in the documentation and/or other materials provided with the distribution. B.1.

PATENT.O. embed. 3) No Modified Version of the Font Software may use the Reserved Font Name(s) unless explicit written permission is granted by the corresponding Copyright Holder. WHETHER IN AN ACTION OF CONTRACT. 2) Original or Modified Versions of the Font Software may be bundled. Release 1. DAMAGES OR OTHER LIABILITY. human-readable headers or in the appropriate machine-readable metadata fields within text or binary files as long as those fields can be easily viewed by the user. INCIDENTAL. “Original Version” refers to the collection of Font Software components as distributed by the Copyright Holder(s). build scripts and documentation. endorse or advertise any Modified Version. programmer. WITHOUT WARRANTY OF ANY KIND. IN NO EVENT SHALL THE COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM. TRADEMARK. free of charge. and must not be distributed under any other license. and sell modified and unmodified copies of the Font Software. or substituting—in part or in whole—any of the components of the Original Version. This may include source files.8. OR CONSEQUENTIAL DAMAGES.2 “Font Software” refers to the set of files released by the Copyright Holder(s) under this license and clearly marked as such. PERMISSION & CONDITIONS Permission is hereby granted. ARISING FROM. modified or unmodified.A. INDIRECT. This restriction only applies to the primary font name as presented to the users. 4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font Software shall not be used to promote. to any person obtaining a copy of the Font Software. TERMINATION This license becomes null and void if any of the above conditions are not met. INCLUDING ANY GENERAL. OR OTHER RIGHT. technical writer or other person who contributed to the Font Software. “Modified Version” refers to any derivative made by adding to. The requirement for fonts to remain under this license does not apply to any document created using the Font Software. subject to the following conditions: 1) Neither the Font Software nor any of its individual components. These can be included either as stand-alone text files. DISCLAIMER THE FONT SOFTWARE IS PROVIDED “AS IS”. redistributed and/or sold with any software. 5) The Font Software. deleting. provided that each copy contains the above copyright notice and this license. INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF MERCHANTABILITY. TORT OR OTHERWISE. except to acknowledge the contribution(s) of the Copyright Holder(s) and the Author(s) or with their explicit written permission. EXPRESS OR IMPLIED. FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT. “Reserved Font Name” refers to any names specified as such after the copyright statement(s). engineer. merge. Library Licenses . in part or in whole. OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS IN THE FONT SOFTWARE. modify. Audio Plug-ins Documentation. must be distributed entirely under this license. by changing formats or by porting the Font Software to a new environment. 60 Appendix B. in Original or Modified Versions. SPECIAL.M. may be sold by itself. study. redistribute. copy. to use. “Author” refers to any designer.