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VOLUME 202
FROM METAPHYSICS
TO RHETORIC
Edited by
MICHEL MEYER
University of Brussels, Belgium
1
2 MICHEL MEYER
being. Now, the unicity of the answer (thus, simply, the answer) is precisely
what Socrates puts radically into doubt until proof to the contrary. Ontology
consists in affirming what should be justified. Whence my expression of
"stroke of the magic wand". Ontology can thus only be circular. Furthermore,
Plato draws up all questions concerning any X in such a way that it is a
question not about X but about its being as the sole condition for an answer.
Thus doing, he subordinates questioning to ontology and thereby generally to
propositional ism. Let us take up this last point. The essence of things informs
us about what they are, while excluding what they are not. This amounts to
making the Idea the criterium of identification - of identity as well as the
foundation of that of which one is speaking. This foundation makes specific
to us why they are this and not the contrary. What courage is, for example,
allows us to identify any act of courage and not to confuse it with anything
else; the being, the Idea, the essence of courage is thus indeed that which
justifies the truth of any utterance on the subject of courage by virtue of the
fact that the essence justifies anything one might say, either directly or by
deduction, about courage. The first point brought up earlier is of importance
as well. With the advent of ontology, questioning and, consequently, non-
propositional rhetoric (i.e. rhetoric which refuses to sub-contract) are dead.
We always already know what we are looking for as soon as we are told that
we can only seek the being of what we are analyzing. Intuition and deduction
will ensure the coherence of this Platonic logic (which is still to a large extent
ours) - a coherence which, in the final analysis, is founded merely on the
ontological decree. Let it be noted, as Pierre Aubenque has, that ontology will
never be but a science to be sought, a science which is impossible to find. It
was necessary to wait until the present day in order to see the propositional
model collapse without, for all that, being replaced.
Ontology is born of the need for answers which, it must be recognized,
Socrates did not satisfy. But, the primacy of being - ontology - can only
evacuate the very practice of philosophizing as Socrates understood it. The
being to which one would be able to relate back all interrogation (an idea that
we encounter, moreover, up to and including Heidegger's Introduction to
Metaphysics) must inevitably be covered by the answer. There is henceforth
no difference between what is in question (being) and what the answer will
say. Without this difference, questioning, which articulates problems and
solutions, would disappear as such. Being resolves problems by suppressing
them at the outset, by transforming them into the forms of the answers to be
found. Consequently, we have ready-made solutions to problems not
formulated to begin with. Resolution through suppression and not through
FOREWORD 5
answer as such - this is really all that ontology offers us. But in dogmatically
affirming what each answer must be (not as such, for questioning has not
been questioned, but de/acto), metaphysics has, throughout its history, given
the impression that it resolves when in fact it simply prevents questioning -
whence the illusion of questioning. Listening to being is indeed one of those
illusions. Just because it has been decreed that to answer is to utter the
essence and not anything else, does not mean that even the plural which was
decreed impossible and overcome has been suppressed in reality. From that
moment on, it was inevitable that metaphysics be constantly wandering and
at the prey of "conflicts of reason".
This displacement, which would establish the propositionalist norm, was
fatal for rhetoric. Rhetoric is not to be understood outside the interrogativity
of logos. Only a question to be resolved creates debate: an opposition of
propositions maintained by its pure contradictoriness is difficult to imagine
without there being a subjacent problem to which, precisely, there is a choice
between at least two answers that confront each other. With propositionalism,
questions, far from being primary, are derived: as Aristotle says, they are but
the interrogative form of assertions about truth upon which it behoves us to
pronounce judgement (Topics I.iv.lOlb.33-36). A real problem cannot exist
since it is but a sentence whose content, precisely, is a proposition. As for the
proposition itself, it is of course an answer, but one which, referring back to
no question, is not really an answer. It is quite simply the minimal support of
the truth that it expresses; it is the unity of the thinkable which cannot be
measured by the subjective yardstick of individual questions. If there no
longer remains but the propositional, there is no longer but the axis of truth
and science, at least as far as a norm. Situated on this side of the true, where
truth is not yet decided or even decidable, rhetoric will inevitably be of
inferior stature. The propositions discussed are at best awaiting confirmation
concerning their truth. On the other hand, logic puts order into truths, which
confers a superiority upon it if one refers to the values of propositionalism.
Henceforth either the dialectic prepares us for science and is useful at that
level (this is Aristotle's argument), or else, on the contrary, it cannot ascribe
to itself such a task because it places itself outside established truth. And
since it (supposedly) operates with propositions, it succeeds in getting what
only has the appearance of truth accepted as truth. For this reason it is pure
manipulation, the very leading astmy of the propositional order which only
knows truth and its indubitable justification. For debates, there are proposi-
tions, but we are not here in the realm of the true; and the propositional is
indeed that which always possesses a truth-value. Consequently, the propos i-
6 MICHEL MEYER
tion at hand can only have propositional appearance, the appearance of truth,
the opinion hiding behind a reasoning that is only illusorily so. How would
we expect that a proposition (thus, what is true) only be problematic without
the essence of the proposition being, in the same stroke, betrayed? Of course,
we will have recognized Plato's argument in this second path of the alterna-
tive.
But his critique has no other validity than that which propositionalism,
with its corresponding idea of truth, enjoys. Aristotle perpetuates the model.
And even if he handed down to us both a theory of argumentation and a
theory of science, he did so only in order to show that the positivity of
dialectic resides in the fact that it can be useful to establish a propositional
order of science. Let us not forget that in his dialectic, Plato had mixed the
scientific with the interrogative which are nevertheless incompatible if one
confines oneself to his own conception, thus leaving only the manipulatory
path to rhetoric stricto sensu.
If we give up the propositional model, we eliminate at the same time the
Platonic condemnation. Logos grounded in the evidence of universal
assertability has today lived itself out. The crisis of reason has also become a
crisis of language. We know that to argue is to discuss a question; it is from
this that the contradictory alternatives that define rhetoric spring. But, in
general, speaking equals answering and, by extension, the raising of ques-
tions. Logos, as it is emerging in the new rationality that we must institute, is
problematological and, as such, meant for argumentation. Ontology bas now
proven its failure. It has closed up the logos on the problematic which,
nevertheless, must be increasingly sayable because it is the very
problematicity of our logos which must be faced and expressed. Dogmatic
reason can only conceive of the problematic as inconceivable; and it can only
say it as the unsayable. And yet, with the crisis of Western thought in-
augurated in Marx, Nietzsche and Freud, reason finds itself once again
problematized in its very foundation, i.e. the Cartesian subject, dubbed
transcendental by Kant. Unable to enunciate its new condition in order to
overcome it, logos created a new absurd, a new irrational: the impossibility of
calling itself Reason, whence silence - or the opposite solution, the reassur-
ing cult of science with its machinery for answering. At the basis of all this is
the famous concept of proposition which evacuates, a priori, any referral to
the interrogativity of logos. And it is too often forgotten that Being appeared
as philosophical concept in order to ensure the function of universal respon-
dent for rhetorical and assertorialized questions. Heidegger's endeavor may
have been the last great ontological adventure (in spite of a repeatedly
FOREWORD 7
While the concept of fonnallogic has been known since the time of Aristotle,
the idea that logic and fonnallogic are synonymous by virtue of an elimina-
tion of any conception of infonnal logic becomes generalized in the mid-
nineteenth century under the influence of mathematician-logicians. Father
Bochenski, who is one of the representatives of this tendency, expressed as
much once again in a recent colloquium held in Rome in 1976 on the theme
of modem logic. In a communication entitled "The General Sense and
Character of Modem Logic",1 he identifies modem logic (ML) with fonnal
logic. He characterizes ML by three methodological principles: the use of an
artificial language, fonnalism, and objectivism.
He also stresses the great progress that recourse to an artificial language
has made possible by allowing for the elimination of misunderstandings,
ambiguities, and controversies which are not easily avoidable with natural
languages.
Indeed, the fundamental condition for the construction of an artificial
language is that each sign, as well as each well-conceived expression, have
one and only one meaning. The objectivism to which he alludes presupposes
that modem logic only deals with objective properties, truth, falseness,
probability, necessity, etc., independent of humans' attitudes, independent of
what they think or what they believe. The same would be true of the system's
axioms (enumerated at the outset), as well as of the substitution and deduc-
tion rules which indicate which operations are allowed (in accordance with
the rules) and which enable one to tell a correct deduction from an incorrect
one.
Every formal system will thus be limited in its possibilities of expression
and demonstration in such a manner that, given an artificial language, it does
not permit everything to be said; given a set of axioms and rules of deduction,
one must allow (at least if the system is coherent) the existence of irresolv-
able propositions, i.e. those whose affirmation, no more than whose negation,
may be resolved.
By these various requirements, an artificial language and a formal system
9
10 CHArM PERELMAN
latter often resorts to fuzzy notions which give way to numerous interpreta-
tions, varied definitions, quite often compels us to make choices and
decisions which do not necessarily coincide with them. Then, we are very
often obliged to justify these choices and to provide motives for these
decisions.
In law, usually (contrary to what happens in a formal system), the judge is
simultaneously obliged to make a decision and to justify it. The famous
Article 4 of the Code Napoleon indeed proclaims that "the judge who shall
refuse to give judgment under pretext of the silence, obscurity or insuf-
ficiency of the law, may be prosecuted as guilty of denying justice". Even
when, at first glance, the law appears to contain a loophole, an antinomy or
an ambiguity, the judge must interpret the system by means of legal reason-
ing techniques, in order to find a solution and justify it. In all such cases, one
must appeal to informal logic which is the logic which justifies action, which
allows a controversy to be settled and a reasonable decision to be made.
It is thus that when it is a matter of bringing out the reasonable opinion
(euAo)Qc;), Aristotle opposed analytical reasonings, such as syllogisms, with
dialectical reasonings, that is, those one encounters in debates and con-
troversies of all sorts.
While formal logic is the logic of demonstration, informal logic is that of
argumentation. While demonstration is either correct or incorrect and binding
in the flISt case or worthless in the second, arguments are more or less strong,
more or less pertinent, more or less convincing. In argumentation, it is not a
matter of showing (as it is in demonstration) that an objective quality (such as
truth) moves from the premises toward the conclusion, but rather it is a
matter of showing that one can convince others of the reasonable and
acceptable character of a decision, based on what the audience already
assumes and based on the theses to which it adheres with sufficient intensity.
Persuasive discourse therefore aims at a transfer of adhesion, of a subjective
quality which may vary from mind to mind.
That, moreover is the reason why the error in reasoning called "begging
the question" is an error in argumentation, for is supposes that a contested
thesis is granted. Conversely, the principle of identity, "if P, then P", far from
being an error in reasoning, is a logical law that no formal system can fail to
recognize.
A formal system shows us what consequences stem from axioms whether
the axioms be considered to be like obvious propositions or simple
hypotheses which are conventionally granted. In a formal system, axioms are
12 CHAW PERELMAN
never the object of controversy; they are taken to be true, either objectively or
by convention.
Such is not the case in argumentation where the starting point must be
granted by the audience one wants to persuade or convince by one's dis-
course. The original arguments consist in commonplaces, i.e. in commonly
held propositions, whether they be propositions of common sense or uncon-
tested arguments in a particular discipline. Sometimes, as in the Socratic
dialogues, the speaker will make certain, in expressed manner, of the
adhesion of the interlocutor to the theses upon which he builds his argumenta-
tion.
But contrary to axioms, which do not give rise to controversy inside the
system, commonplaces, about which there exists a general consensus,
concern vague, scrambled, controversial notions from which one cannot draw
consequences without seeking to clarify them. It is thus that everyone will
agree that freedom is better than slavery and that justice and the common
good must be sought; but in order to derive a particular line of conduct, one
must clarify what one means by these theses which initially seemed uncon-
tested. Moreover, the commonplaces which are presumed granted at the
outset and that no one objects to when they are taken individually, may give
rise to incompatibilities. What is to be done when the seeking of the common
good hinders the realization of justice, at least at first? Some would say that
the good opposed to justice is but an apparent good; others would say that the
common good is opposed to an apparent justice. How do we decide what is
authentic value and what is only illusory? We must give a customary notion a
new meaning - one that is more adapted to the situation. But this change of
meaning cannot take place without reason, for contrary to the generally
granted meaning, the change in meaning must be justified. The burden of
proof befalls the opponent to the customary meaning. This notion of the
burden of proof, unknown in fonnal logic (as the notion of presumption is
unknown there) is borrowed from law where it dispenses one of factual proof.
It is thus that the presumption of innocence imposes the burden of proof upon
he who would reverse it. Similarly, since the spouse of the mother is
presumed to be the child's father, he does not have to produce proof of
paternity.
This notion of presumption, along with the corresponding notion of the
burden of guilt, is of common usage in the area of nonns and values. And this
explains philosophical pluralism, as P. Day showed in his communication
entitled "Presumptions".3 As soon as we adhere to a principle or a value, we
have not to justify what is in accordance with it, but only what violates or
FORMAL LOGIC AND INFORMAL LOGIC 13
NOTES
t UnpUblished text of a lecture given in Maurice Loi's seminar at the Ecole Normale
Superieure in Paris on 23 February 1981.
1 In the volume Modern Logic edt by E. Agazzi (Dordrecht: Reidel, 1980) pp. 3-14.
2 Pascal, Pensees 555 (31)(inL'Oeuvre "Pleiade") p. 1003.
3 Appeared in the Acts of the XIVth International Congress of Philosophy (Vienna:
Herder, 1970), vol. V, pp. 137-143.
JEAN LADRIERE
At fIrst glance, logic is paradigmatic. It provides us with the model for valid
reasoning and, in its fIgures, proposes the exemplar which any procedure
pretending to a rational foundation should try to approach. If it is such, it is
undoubtedly because logic creates an ideal situation (ideal in the way one
speaks in physics of an "ideal gas"), perhaps inspired by what effectively
happens in the scientifIc pursuit, and - in a singular manner - what happens
in mathematics, but free from any contingency. The notion of form expresses
this well. Logic appears as soon as we discover that it is possible, in any
proposition, to isolate an organizing diagram (which is available for an
infinity of possible applications) and the terms organized by this diagram.
The terms constituting a scientifIc language are generally divided into two
classes: "purely logical" terms on the one hand, and, on the other,
"descriptive" terms. This classification indeed corresponds to the presupposi-
tion of logic. It then appears that certain typical relationships between
propositions are, in reality, relationships between their organizing diagrams,
the "descriptive" terms being neutral, in a way, in these relationships. The
usual procedures of modelling reflect this propositional behavior. If we take a
language L and a universe U, in which we propose to construct an interpreta-
tion of language L, we will have to specify the interpretation of the individual
and predicative constants of L by relating these elements of L respectively
with well-defIned individuals of U and with well-defined subsets of U. An
elementary proposition of L like "a is P" can thus be interpreted by means of
a set proposition expressing the allegiance on the part of the individual
corresponding to a to the subset corresponding to P. But if it is a matter of
interpreting, for example, the conjunction, we can no longer simply establish
a correspondence with an element of U or constructed upon U. We must have
recourse to the metatheoretical predicate ''True in relation to an interpreta-
tion". We may say, for example: "A proposition of L like A & B is true in
relation to a given interpretation (for the constants of L) if and only if the
propositions A and B are both true for this interpretation" (which we may
express by saying that the set propositions corresponding to A and B by virtue
of the interpretation are true in the universe under consideration). The
15
16 JEAN LAORIERE
distinction in the treatment that a semantic interpretation must set aside for
"logical terms" and for "descriptive terms" shows that "logical terms" are not
directly related to elements (individuals, classes, properties, processes, or
whatever) of the universe upon which the discourse turns, but rather are
related to the manner in which the repercussions of the arrangement that they
impose upon the descriptive terms are felt in the validity of what the proposi-
tion states.
This duality between constituent elements in the proposition is also, to a
certain extent, the duality that exists in language between "descriptive terms"
and the propositions themselves. A descriptive term and a proposition mayor
may not be endowed with meaning. But in either case, it does not take place
in the same way. A descriptive term endowed with meaning indicates (or
names) an individual, denotes a class, connotes a property (either monadic or
relational), but cannot be true or false. The proposition, on the other hand,
expresses a fact and may be true or false depending on whether the fact that it
expresses happens to be realized or not in the form of an effective state of
things. In sum, the proposition affords the speaking subject the possibility of
taking a position with respect to the behavior of the world's elements which
are described by the terms which it puts into place. Now, it is precisely these
elements which are dubbed "logical", which allow us to construct proposi-
tions. Furthermore, these elements seem to possess the remarkable property
of introducing a relationship to truth.
These elements are, in fact, operators. One may, indeed, interpret them as
abstract objects acting upon descriptive terms in the language in order to
produce propositions. The central problem in logic is to study the relation-
ships between propositions which depend solely on their form, that is, on
their mode of construction. In other words, the problem consists in studying
the behavior of propositional operators. Still more precisely, it consists in
studying the effect upon the propositions' truth value of the transformations
which can be performed upon these operators (or, what amounts to the same
thing, of the relationships existing between these operators). The most
obviously interesting aspect of this problem concerns the transformations
which leave the truth value constant. This, however, can be considered from
two different perspectives: either that which amounts to making the conse-
quences of a given set of propositions known, or that which consists in going
back to general propositions of which the given set could be considered an
exemplification. The first view only gives results which are certain. The
second view inevitably brings in the concept of probability (under the guise
of the degree of confirmation, of acceptability, plausibility, etc.). And even
LOGIC AND ARGUMENTATION 17
entirely upon the intuitive notion of deduction. Suppose the proposition "If A,
then B" appearing in an axiomatized (but not necessarily strictly formalized)
deductive theory T. It may be interpreted as follows: if we add A as a new
axiom to those of T, then the proposition at hand is true if B is a theorem of
the theory thus enriched. In a formal structure, we can attempt to depict to
ourselves the intuitive notion of deduction by means of the notion of the
"deductive tree". We say that a proposition B is deducible, or derivable from
the propositions A l , ••. , An if a set of propositions arranged in the form of a
tree exists in which each proposition occupies the position of a node in the
tree. The tree itself will be constructed according to certain rules in such a
way that the proposition B occupies the last node in the tree and so that the
nodes above be either occurrences of the propositions Al' ... , An or proposi-
tions eliminated in a move from one node to another (on the path leading
from the upper nodes to the lower node). The "truth" of the proposition "If A,
then B" will be representable by the "derivability" of this proposition. And,
depending on the interpretation proposed, we will be able to say that this
proposition is derivable if there exists a deductive tree for which it is the last
node, such that the part of the tree above this node constitutes a deductive
tree for the proposition B, it being possible to eliminate all of the occurrences
of the proposition A in this tree. (In other words, the proposition "If A, then
B" can be deduced from the axioms of the theory under consideration if by
means of the supposition of A, one can derive B from these axioms.) Let us
now suppose that we in fact have a derivation of "If A, then B". In pursuance
of the proposed interpretation, this implies that the situation just described is
in place. Henceforth, we have a derivation of B at our disposal in which the
proposition A intervenes by way of supposition. Let us assume that A be
derivable. If we place the derivation of A above each occurrence of A in the
derivation of B, we obtain a tree of derivation constituting a complete
derivation of B (without supposition this time). In short, if the propositions
"If A, then B" and A are both derivable, then the proposition B is also
derivable.
We have assumed in the preceding that the "truth" can be represented by
"derivability". Only a completely relative notion has thus been understood
since derivability must always be understood "in relation to certain axioms
and certain rules". We will be able to state the nature of the correspondence
under consideration more precisely by introducing the notion of validity; a
proposition belonging to an axiomatized theory is valid if it is an axiom of
that theory or if it is derivable in that theory. One could then say that the
"validity" of a proposition (in an axiomatized validity) represents the
LOGIC AND ARGUMENTATION 19
of logic. If need be, the preferences could be brl:' keted. Then, one would
obtain metatheoretical propositions like "If we grant such and such an
interpretation of negation, then such and such a proposition is a theorem and
such and such other one is not". But, of course, these very propositions
presuppose the existence of rules which function according to the general
criterium of the transfer of validity. For to say "Such and such a proposition
is a theorem" is to in fact say "The granted rules guarantee the derivability of
this proposition on the basis of accepted axioms". Thus, even within this
hypothesis of a neutralization of controversy, one is led back to the problem
of the justification of rules. It becomes clear that the concept of validity is
always relative to rules which are assumed to be accepted, but this relativity
of the notion of validity is, in fact, already inscribed in the very notion of
derivation. The philosophical implication of the variability of rules is that it
shows us -- if we at least accept that the truth may be represented by validity
-- that there is a certain relativity in the notion of truth itself. The effects of
the decisions made concerning formal rules are felt like aftershocks, if you
will, on the criteria of truth. Thus the variety of the possible interpretations of
negation leads us to recognize that there are "intuitionistically true" proposi-
tions and "classically true" propositions.
But throughout all this, axioms have been bracketed. And, consequently,
we have confined ourselves to discussing "assumed truth". If we now wish to
speak simply of truth, then we must obviously take an interest in the premises
of the argument, and thus in those propositions which, in the deductive
representation which we conjure up of a theory, play the role of axioms. The
case of mathematics is exemplary here. What is interesting is not deductions
as such, but rather problems. Yes or no, can a fifth degree equaLion be solved
by radicals? Yes or no, can a sphere be turned inside out in a continuous
manner? Yes or no, can the structure of continuum be represented by means
of the structure of the class of countable ordinals? And so on. In each case,
the sole basis for departure is the nature of the objects at hand. But it is a
matter of discovering methods of analysis which would allow us to penetrate
quite deeply into the comprehension of the nature of these objects in order to
find the answer to the problem posed. In the case, for example, of the
problem of continuum, the method consisted in exploring the properties of
certain classes of models of the axiomatic theory of sets. We were able to
perceive that, in certain models, the continuum hypothesis is verified; in
others, it is not. This allows for the reformulation of the problem with much
greater precision. Finally, it is always a matter of revealing certain properties
via detours which are sometimes of extraordinary complexity, along the lines
LOGIC AND ARGUMENTATION 21
nature and properties being identified with the procedure which constructs it.
By constructively demonstrating the non-contradiction of a theory which has
recourse to the agency of non-constructive procedures, one only renders
plausible the acceptability of non-constructive propositions on the basis of
the acceptability that one supposes to be recognized of constructive proce-
dures (the notion of constructivity being, of course, acceptably defined). The
method used to ensure this transfer of acceptability is itself merely a plausible
argument whose entire strength consists in convincing us that by accepting
such a transfer, we run no risk of ending in total confusion (if the theory is
contradictory, anything can be demonstrated in it). It remains to be said that
this is only a guarantee that one offers oneself a posteriori and that the true
indicator of research remains the discovery of interesting properties, the
solution of problems remaining open, the formulation of new problems, and,
if possible, the revelation of yet unknown domains. Moreover, this is why
there is absolutely nothing dramatic in the difficulties encountered with
regard to demonstrations of non-contradiction.
* **
We thus see that logic, considered in its most meaningful nucleus - which is
the theory of deduction - refers us to argumentation. It is thus not the idea of
deductive reasoning which appears exemplary, but rather that of a procedure
that provides a justification. Deduction ensures the transfer of the assumed
truth of certain propositions to certain others. The procedure which provides
a justification must render a proposition acceptable, i.e. have its truth
recognized, if possible, or, if not, have the title it may have as a candidate for
truth recognized. But how is the acceptability of a proposition established?
Only two methods are possible: either an intrinsic method or an extrinsic one.
The intrinsic method consists in showing the acceptability of the proposition
in question directly, by simple monstration. This, in short, corresponds to the
traditional idea of "self-evident truths". Of course, some preparation may be
necessary: an explanation of the meaning of terms, the elimination of
misunderstandings which may arise from certain ambiguities in the language
used or from certain inopportune comparisons, possibly the contrast with
other propositions or suggestive comparisons with other propositions. In
short, it is a question of revealing the proposition considered according to its
peculiar meaning, by eliminating any interference, so that it may itself show
its validity. The extrinsic method consists in connecting the proposition
considered to already accepted propositions according to a determined link.
24 JEAN LADRIERE
***
It seems then that there must be a common root to logic (understood in the
narrow sense of deductive logic) and to argumentation. And this common
root must be such that it can account both for the difference between the two
procedures and for what in each of them refers to the other. In both cases, it is
a matter of the possibilities of discourse and, even more precisely (and
although according to different modalities) of the relation between discourse
and truth. The main theme which should allow us to understand both the role
of logic and that of argumentation is the notion of "logos". "Logos" is a
measure within things. It is also that which, within us, allows us to take note
of and to measure up to that measure: the sensible word in that, according to
the meaning which carries it, it attempts to fit together with the hidden word
which dwells in the world and makes it a comprehensible world. There is a
word which recounts, one that celebrates, one which institutes, another which
interpellates, questions, entreats, one which expresses admiration and pity,
love and disappointment, joy and abandonment, and there is that free word
which speaks only for its own delight. But there is also the word which
attempts to say what is, in truth - what must be said thus because of the
nature of things. The truth, however, does not allow itself to be captured
easily. In order to tame it, many tricks and long patience is needed. Since it is
26 JEAN LADRIERE
a matter of coming into harmony with a hidden "logos", the art of making
one's way to the encounter with truth could be called, in an altogether general
way, "logic". However, this must be clarified in two directions. On the one
hand, 3ince truth (in general, in any case) does not reveal itself in an ir-
refragable evidence, one must almost always proceed by conjecture: the
crucial problem thus becomes justification. Whence the idea of acceptability.
Something is acceptable, from the point of view of the discourse which
attempts to come into harmony with the truth, if its claim to truth appears
sufficiently founded. And since justification can be unequally well es-
tablished, there must be degrees of acceptability. In any case, justification
and acceptability are correlative concepts: something is acceptable in a
certain measure if it is justified in this same measure and reciprocally.
Furthermore, the very idea of justification leads to an extension of "logic" (in
the general sense) beyond what is marked by the notion of truth. This is
because there exist, beside descriptive propositions which attempt to express
how things are in the world, propositions which are normative with respect to
the orientations of action, and propositions which are evaluative with respect
to works and thus to the order of "technique" (in the most general sense,
covering all forms of art: that of the technician, the politician or the doctor, as
well as that of the artist, properly so-called). All of these propositions (in that
they are not simply the expression of subjective preferences as such) utter
claims to validity. These claims can only be supported with appropriate
justifications. A judgment which is normative with respect to a particular
situation can be justified by connecting it to more general norms. But, finally,
what can justify a norm is its ability to express the requirements which are
inscribed in the very structure of action. A judgment which is appreciative
with respect to a particular work can be justified with respect to criteria
which are contingently of very great generality. But what justifies the criteria
themselves is their ability to express the constitutive rules of the "art" that
they concern. There is thus an obvious analogy between the three types of
propositions considered from the viewpoint of problems of justification. In
each case, it is a matter of showing the acceptability of a proposition. In the
case of descriptive propositions, the criterium is the adequation with what
reality reveals of itself - what the notion of truth expresses. In the case of
normative propositions, the criterium is the adequation with the ethical order
(insofar as the inner requirements of action mean its ordering after the ethical
order). And in the case of appreciative propositions, the criterium is the
adequation with what could be called the "poetic order" (insofar as the rules
constitutive of an "art" mean making states of things exist in conformity with
LOGIC AND ARGUMENTATION 27
an inspiring "idea" such as that of the city in the case of political art, or that
of health in the case of medical art). Because of this analogy, the term
"logic", in the general sense indicated above, can be extended to all the
contexts of justification which have their counterpart in discourse. And this
extension may be made explicit by saying that "logic", in the most general
sense, is the art of advancing towards the encounter with the acceptable
(whether the acceptable be defined with respect to the order of truth, the
ethical order or the "poetic order"). However, we must account for the
difference which appeared, in the effective practice of this art of justification,
between logic in the narrow sense and argumentation. The difference must
come from the very nature of what is under consideration. In order to explain
it, we can stick to the case of descriptive propositions, since the other cases
may be dealt with through analogy. A proposition is never absolutely
isolated; it only takes on its full meaning and value in the context of a
discourse which connects propositions to each other, thus creating, in a sense,
a solidarity between them. Deduction (studied by logic in the narrow sense) is
a very particular modality of sequencing which ensures, as we have seen, the
transfer of assumed truth. Argumentation establishes relationships between
propositions which could be characterized by the notion of "support". To
attempt to justify a proposition A on the basis of a proposition B is, in effect,
to reveal the truth of B as support for the truth of A. The strength of the
argument results from the acceptability of the proposed support relationship.
Deduction allows for the complete reduction of justification of a proposition-
consequence to the justification of its premises, and, in this sense, it can be
considered a privileged case of argumentation in which the degree of support
is the greatest. But the precisely deductive moment does not yet bring in
justification; it is only a possible instrument of it (in case it is feasible). In
general, argumentation implements quite varied support processes which the
theory of argumentation attempts to record and whose mechanisms it
attempts to analyze.
In both cases, there is a relationship to truth; on the one hand, in the form
of a relationship of transfer, and, on the other, in the form of a relationship of
support or foundation. A dual possibility thus seems to be inscribed in the
relation which the discourse can entertain with truth. If the propositions that
present themselves as true only appear so in a presumptive manner, it is
because their relation to truth is always indirect. Even if we grant that self-
evident propositions exist, it seems problematic to take evidence for a sort of
unconditional, definitive and absolutely indubitable revelation of the truth.
Evidence, after all, is but an index - although a privileged one. However,
28 JEAN LADRIERE
***
What has been said about descriptive propositions could easily be extended to
the case of normative propositions and to that of appreciative propositions.
The acceptability of the former is measured by the intensity according to
which the force of the originary giving is refracted within them. What is
made manifest by this giving is everything that happens, with all the condi-
tions which govern the production of what happens. In this sense, this could
be called the "evenementiel". In an analogous manner, an originary giving
refracts within normative propositions, viz. that original experience in which
ethical requirements are asserted. Here, it is the ethical order which is made
manifest. Similarly, in evaluative propositions, we see a refraction of that
originary constitution in which the requirements characteristic of the poetic
order (in the sense indicated above) are instituted. It would be well, of course,
to specify the nature of the criterium of validity peculiar to each of these
areas, as well as to distinguish (as in the case of descriptive propositions) the
LOGIC AND ARGUMENTATION 35
INTRODUCTION
These arguments are part of the field which we call natural logic, by which is
understood the system of operations which allow thought to manifest itself
through discourse. It is characterized by two essential features. First, it is the
logic of the subject: each of the propositions has an enunciator who takes
responsibility for it. Next, it is the logic of objects in that their construction is
more important to him than predication.
This study will be devoted to this second type of argument. I must
nevertheless first make one thing clear. This text is meant to be an homage to
Chaim Perelman, to his work, and to the realms of thought that he opened. If
it is true that lowe him much (and probably even my taste for argumenta-
tion), the same is true, directly or transitively, of my collaborators. That is
37
38 JEAN-BLAISE GRIZE
why it will not be a question of my "ideas" in what will follow, but rather of
some research results of our Center. Since I am the senior member (and only
for this reason), I will consider myself their spokesman and thus take up the
pen for those who have reflected on what "to reason while speaking" means.
1. NON-FORMAL ARGUMENTS
1. And first, the discourse itself. It is generally granted, since the work of
Benveniste, that the dialogue is the very condition of human language
(Benveniste 1966, 60) and that, consequently, every speech-act is an
exchange between an I and a YOU. Now, the discourse of formal arguments
is characterized, on this point, not only by the fact that it erases the inter-
locutors, but also aims to do so. Expressions like "I say that the triangle ABC
is equal to the triangle A'B 'c'" are purely stylistic clauses. Indeed, one can
say, expanding Perelman's terminology, that "I" is the universal speaker who
adresses a universal audience. Better yet, it is reason speaking to reason. This
is, moreover, what allows a computer ultimately to be entrusted with
calculating arguments of this sort. Non-formal arguments. on the other hand.
are expressed in discourses where receiver and sender remain present. The
obligation of a dual adjustment [double reglage] falls upon the orator: on the
one hand, that obligation demanded by cognitive necessities (which are only,
by right, present in formal arguments), and on the other, that which requires
the presence of YOU. This last remark implies that we have gone beyond the
demonstrative framework and penetrated the argumentative order.
More precisely, as M.-J. Borel has shown (Grize 1984, 12ff, 13Of!), the
signs of these discourses refer to three levels which are linked, but function-
ally distinct.
TO REASON WHILE SPEAKlNG 39
5. It is known that a formal system comprises two parts. One is called pure
and its role is to provide the deductive apparatus. The objects that it deals
with are totally empty or banal, as F. Gonseth says (Gonseth 1937). And this
follows from the fact that deduction strives to be pure form. As for the second
part, called "applied", it quite obviously contains objects, but which are
entirely determined from the outset by the axioms to which they are subor-
dinated. These are artificial objects, created by the researcher, that is, which
amount to a few properties that seemed important to him.
For everyday arguments, the situation is totally different. Here, the objects
exist prior to the discourse to be held forth about them. Their properties, the
relationships that are maintained between them are limitless and we never
grasp but a few of them. In other words, in arguments founded on language
as it exists - and not as the scientist constructs it - two facts thrust themselves
upon us:
TO REASON WillLE SPEAKING 41
4. The above text is only given by way of illustration and other operations are
required in order to elaborate object-classes. It follows that, contrary to what
happens with ordinary mathematical classes which only pertain to the relation
"is an element of' (e), object-classes (loci of non-formal arguments) enjoy
several distinct appurtenance relations. D. Apotheloz (Grize 1984, 197-201)
discerns five types:
a) Is an element of. "The rectangle is a quadrilateral".
b) Is part of. "Ixelles is part o/the Brussels urban area".
c) Belongs to the realm of. "The experimental method belongs to
the realm of contemporary psychology".
d) Belongs through restriction to. "Animal psychology belongs
through restriction to psychology".
e) Belongs through overdetermination to. "The advances in biology
belong through overdetermination to biology".
It is obvious that we are dealing with qualified relations, that the two latter
ones are even of a specifically speech-related nature, and that we are in an
entirely other context than that of formal logic.
TO REASON WlllLE SPEAKING 43
1. Even if, as I have stated above, the operations of non-formal arguments are
not all of a propositional nature, it nevertheless remains true that, at a primary
level of analysis, such an argument appears as an ordered (and obviously
fmite) series of statements. The difficulty here is that a description, narrative,
or narration appear under the same aspect.
I will thus posit that an argument is characterized by the presence of a
specific statement: a conclusion. Let us suppose provisionally that we know
how to recognize a conclusion. Under these conditions, it is legitimate to
classify all other statements in a single category. I will call these premises.
Thus conclusion and premise(s) are two notions that are relative to each other
and nothing in an isolated statement allows us to determine anything about its
statute.
This is perhaps trivial, but it allows us to understand why it is necessary, in
formal arguments, to come to an advance agreement concerning what is
going to serve as premise and to mark it linguistically.
''If a triangle has two equal sides, then it has two equal angles". Such a
conditional proposition is a sort of reserve which means that in the case that I
encounter an isosceles triangle, I can affrrm that it has two equal angles. This
is nothing other than a modus ponens. It is nothing else than this, but nothing
less either. This in effect means that under the right circumstances, the
conclusion stands out from the premises.
Yet, remaining for the moment on the theoretical plane, and in a quite
general fashion, this allows us to posit that a conclusion is a statement that
distinguishes itself from others under the terms of a particular relationship
that it maintains with them.
Fortunately, it happens that discourse marks this distinction. The following
is an example:
The young of man can be situated with respect to verbal activity: the word enfant
["child"] is composed of two unities, "in" and "farl", which signify "to not speak".
Thus the child is perceived from the perspective of a lack or an absence. (D. Bouvet,
La parole de I'enfant sourd. Paris, PUF, 1982, p. 15). The "thus" signals that what
follows is the conclusion.
It may be noticed that the text (discourse) brings about a whole operation
upon the objects of discourse. First, there is an expansion:
animals ~ satisfaction of their sexual needs ~ an adult male ~ any female ~ the
female who gave birth to him ~ females born of the same mother as him.
And it is known that such a choice was not in the least bit obvious. Thus,
as long as a knowledge is groping, several points of view remain in competi-
tion, or in a polemical relationship in regard to each other. It follows that in
TO REASON WlllLE SPEAKING 45
4. I have just spoken from a point of view presented as legitimate. Now this
poses a delicate problem. A non-formal argument has no necessity characteris-
tic. How, therefore, can it be convincing? I would answer that it is so by
giving a certain characteristic of the obvious to its conclusion, as in the
famous phrase, "one can thus see that".
In order to bring out the general mechanism, I will freely use as my
authority M. Meyer's extraordinarily fertile concept of problematology
(Meyer 1979, 1983). I stress [retiens] the following idea.
Every text and, particularly, every statement has two sides:
46 JEAN-BLAISE GRIZE
The difficulty is that this definition is much too broad. When Caesar said
"Veni, vidi, vici", he might have been inferring "I conquered" from the two
other propositions (modesty was apparently not his strong point), but
certainly not "I saw" and "I came" even if the coming was the necessary
condition for observing the situation. I would thus posit that in order for there
to be an operation of inference between two propositions, there must be a
specific relationship which I will call founding relation between them. In
formal arguments, this relationship is unique: it is the relation of implication
which is entirely determined by the truth value of the propositions. In non-
formal arguments, on the other hand, the nature of the founding relation may
be of many types: causal, significative, lexical, ideological, etc. This diversity
moreover shows that the conclusion of such an argument cannot simply be
transferred into another context. Since it is qualified, it necessarily remains
more or less particular.
CONCLUSION
It is obvious - and it shows - that all of this still needs to be checked and
refined. Nevertheless, it seems that to argue while speaking corresponds
fairly closely to what L. Apostel calls "consolidation", a procedure which he
characterizes by four features (AposteI1981).
1) The whole text is at stake. This is indeed what happens with
expansion-condensation couples.
2) We are dealing with a process. I have stressed the importance of
transformational strength in discursive activity.
3) The consolidation activity is finalized. The entire argumentative
aspect of arguments of this type depends on this.
4) Finally, this activity is guided by the very thing that it makes
possible. This is what I have called the construction of a fibered
space.
BmLIOGRAPHY
Apostel, L. (1981): Refiexions sur la tMorie de l'action dialectique: implication et
signification, Communication & Cognition. 14(4),285-342.
Benveniste. E. (1966): Problemes de linguistique generale. Paris. NRF.
Borel. M.-J .• Grize. I.-B .• Mieville. D. (1983): Essai de /ogique nature/Ie. Berne.
Frankfurt am Main, New York, P. Lang.
Gonseth. F. (1973): Qu'est-ce que la logique? Paris. Hermann.
48 JEAN-BLAISE GRIZE
I.INTRODUCfION
49
50 PIERRE OLERON
situation is even in play when true association, the taking up again of a word,
the evocation of a word closely connected with a word from pI set off pR.
Association is exploited, not suffered; it is integrated into the procedure.
The storehouse of messages can become the object of an inductive study.
On the basis of a given orator's productions, a list of messages can be
established and even the frequency with which each of them is produced can
be determined. Of course, such a list is subject to variations according to
events and various aspects of situations extrinsic and/or intrinsic to the
exchange situation, as well as according to individual personalities. (This
development and the role of the influencing variables may also be studied in
an inductive manner.)
The plurality of messages in the storehouse does not at all exclude the
possibility of regularity in the production of pR (and of pI) and even of a play
of quasi-automatisms. The limited character of the storehouse and its
dependence with respect to identifiable variables should allow for a certain
amount of precision. With certain orators, given the expression of certain pI,
the probability of such or such pR should be assessable, at least ap-
proximately.
2. Dynamic structure
Verbal exchanges, like conversations, are characterized by exchanges of
roles: intervening participants taking turns at speaking, alternating in the roles
of speaker and listener. A first characteristic which is quantitative and is
immediately apparent to observation concerns the frequency of these
alternations. When things unfold canonically, i.e. when to each pI cor-
responds a pR, this frequency is reduced to the number of each of these
(which are, by definition, quantitatively equal). Relating to a determinate
duration, it is a matter of the density of alternations. This density may vary
considerably according to situations (here, broadcasts) and, in the case of a
same situation (one broadcast under the same title), according to the interven-
ing participants. If we disregard speed of delivery (which is nonetheless not a
negligible variable) these variations are essentially due to the duration of each
intervention. A low frequency of alternation corresponds to longer turns at
speaking: he who has the floor keeps it longer. The opposite is true when the
frequency is high.
These quantitative characteristics and variations reflect the underlying
mechanisms determining the dynamics of the exchanges. It is not necessary
here to recall known notions. The main point is that control of the floor is an
objective. When several speakers are together, they are also in competition
and conflict. The situations considered here are not of the inconsiderate type
in which the winner is he who is able to speak the loudest for the longest time
and without pausing, which would allow the other to step in and establish
himself in tum. But this eventuality is not excluded, even if its manifestations
are a bit more subtle (as the tactics of insertion into discussion and the
maintaining of the floor are more subtle in informal conversational ex-
changes). Relations of power between speakers are at play. Much could be
said on this point. Let us note simply that the questioner is endowed with
power by the fact that he is supposed to thus direct the conversation (cf.
Owsley and Scotton, 1984), but let it also be noted that when he who is
questioned exercises power (in the case of the politician with his authority
and stature), the scales often tilt in his favor in reality.
To remain with the idea of the density of exchanges, it may be remarked
that we are in the presence of two types of factors:
A rhetorical element comes into the picture when I (or any other intervening
participant hostile to R) justifies his interruption by some declaration like
"Such a view is inadmissible" or "I cannot allow such an affirmation or such
an accusation". It appears determined by passion, conviction, such an intense
concern for the truth that it cannot allow a view contrary to it to not be
immediately countered...
thus deferring the examination of pI until a later moment in the debate. This
may be accompanied by references to norms: the right to express oneself
completely on the point one was asked to deal with, the condemnation of an I
who interferes with the normal unfolding of the debate, preventing one from
dealing with an important point, the lack of consideration for a guest or for a
person who is not of the I's orientation ... This kind of behavior typifies, let
us say, an extreme R, but one represented by certain very real characters and
which are more or less similar to certain others. The existence of notable
differences between R's must be remarked. Certain ones lend themselves
more willingly to the game of interruptions and agree to react to most of the
pI's. Global attitudes underlie these variations and analyzing them could
dissociate the aspects concerning the personalities of the intervening
participants from the aspects corresponding to the choice of a role to play,
even those concerning different conceptions of what exchanges are - and
perhaps, even, of what relations between individuals are... not to forget
intellectual characteristics like the sharing of one's attention between one's
own view and that of others, and the plasticity in the articulation of the latter.
These are problems which call for specific analyses which we merely point
out here.
The structuring of exchanges depends on the nature of the pI's which not
only intervene, as we have seen, like "launchers" [diclencheursJ of pR's, but
also contribute to determining their content. It is logical to investigate their
nature in order to understand their influence on this structuring.
The exchanges under consideration here are, theoretically and from the
formal point of view, of the question-answer type. pI is thus a question - still
theoretically - for observation shows, as we shall see, that this is not always
the case. Not going beyond the case where pI actually has the form of a
question, it would be as well to define the actual statute of the view expressed
in this form. Classical studies on the social rules of conversational exchanges
have familiarized us with the idea that a question may be hidden under
formulations which do not directly express the point about which the speaker
wishes to be informed. One must delve deeper. The relationship between
question and answer here is not simple and univocal. Simplicity and
univocity characterize questions whose finality is authentically informative,
with answers which are situated in a closed storehouse - for example, a
registry office questionnaire, a tax declaration, a curriculum vitae, a lest, or,
VERBAL EXCHANGES 57
in daily life, a request for the time, directions, or the price of a good... In
many other cases, the gmmmatical identity (like the interrogative form of the
verb, the question mark in writing) hides a variety of aspects and functions.
Analyses of them pertain to specific studies which it is out of the question to
approach here. Only a few points will be recalled that help in apprehending
the structure of exchanges.
When exchanges involve individuals whose relationship is characterized
by polarity, those exchanges are rarely neutral and purely informative. This is
the case with politicians, all representatives of tendencies, doctrines,
interpretations which are in conflict with others; one is for or against them or
the groups or ideas or values that they defend, just as they are themselves for
certain of these and against others. This polarity orients their views and
determines a selection within the framework of the storehouse alluded to
above, but it orients the views which are addressed to them as well. The
public complexion which media rebroadcasting confers upon these exchanges
only amplifies these aspects.
This holds true for questions. In debates where speakers who are at polar
opposites intervene, speakers who are of the same level and function (two
politicians, for example), the finality of a question posed by one or the other
of them is practically never informative. I does not seek to inform himself (in
general, he knows the answer), nor does he seek to inform the audience. On
the contrary, for this would run counter to his objective and would favor the
communication of the arguments of his adversary. The question is a move
made, as in tennis or chess, and the goal is to inconvenience the other, to put
him in an awkward situation from which it is hoped he will not escape or will
escape with difficulty and hence a point be scored against him.
In the exchanges studied here, where I is a journalist and R is a politician,
one expects that the questions would have an informative finality. Actually,
such questions are posed, but the participating journalists are not inves-
tigators whose essential aim is to enlighten the public as to facts, opinions,
programs, reactions to events or declarations. More often than not, they
themselves have opinions certified by their attachment to the media to which
they habitually offer their contribution. Thus their questions often have the
same finality as those of politicians: to inconvenience the questioned and, if
possible, to make him lose a point in the exchange.
This is not the general rule. Certain journalists are specialists in a technical
area (the economy, for example), others are of the same orientation as the
politician questioned and the finality of their questions may actually be
informative or play the role of an investment. 2 In any case, the spectacle
58 PIERRE OLERON
while not forgetting that the rule of coherence of an expressed view implies
the existence of links between them.
Beforehand, it is fitting to reserve a place for non-answers which constitute
a separate category of reactions.
1.lVon-responses
The rules of the game of verbal exchanges imply that R is required to react
before a pI which interpellates him (which is the case for a question, but also
for any affirmation which runs counter to his positions and constitutes an
attack against his person or his group). Silence would be tantamount to the
loss of a point to the adversary or, worse yet, the loss of "face".
(Abandonment, i.e. leaving the exchange situation, physical exiting from the
"stage" can be, on the other hand, a means of protest with real scope,
although it must be submitted to a different evaluation, but which, in any
case, comes up more often than not to react to a mode of debate conduct, to
the impossibility of answering, or, in public meeting situation, to an
audience's reactions and/or attitudes.)
What we call "non-response" is not silence, but rather an actually produced
pRo We must distinguish between two categories. The first includes explicit
declarations which make known, unequivocally, that R will not answer. The
second concerns pR's that R presents as answers to pI, but whose meshing
with the latter is contested by I, possibly by the game leader, or, in certain
cases, by the audience.
A. Refusals to answer. The refusal to answer (in order that it not be confused
with the loss of a point) is normally accompanied by a justification through
which R makes known the reasons for his not answering. In the framework of
actual exchanges, this justification is generally brief. One could comment
upon it at greater length in order to show some of the presuppositions that are
not at all or not completely mentioned by R. Justifications are of several
types which are not necessarily exclusive.
be contrary to the discretion implied by the intimacy of a third party and the
trust associated with it.
demonstrate mastery of their art by knowing how to dodge. The same is true
for a speaker in a debate. But points are not scored on the basis of dodges, but
on that of "touches" and punches which actually reach the opponent. Whence
the importance for R to unite positive elements (positive from his point of
view), i.e. elements of his own message, with criticism of his opponent in the
very framework of his answer to I.
The fact of comprising various degrees or various forms of freedom
characterizes the relationship between pI's and pR's. This is the opposite of
the relationship between answers that fit together with the question. It is a
freedom which allows R not to get closed into a framework that I might like
to impose upon him and to introduce elements of his own message into his
answer. The manners liable to ensure this freedom are several and we will not
claim to propose an inventory or a systematization of them here. We will
only mention three around which it appears possible to group statements
covering a great diversity of contents.
Now, a general principle is evoked and from this point of view, p'R is
situated at a higher level than pIon the scale. The question concerning a
particular fact has become an occasion to present a philosophical justification
of the attitude with regard to capital punishment. (A reference to this attitude
not being excluded, at the implicit level, from the question.)
(It would be easy to find other examples in which in response to a general
question about the justification for capital punishment, answers will be given
which evoke particular cases of murder or, in an inverse direction, legal
errors committed against "guilty parties" given the death penalty. This is a
change in level going in the opposite direction from that which was just
illustrated.)
values and norms. This allows for either positive or negative justifications
and assessments concerning persons, actions, words, etc.
This situation is comparable to the one we described with the emotional
charge. Moreover, values and norms include emotional components which
are difficult to disregard and which often motivate the references that the
authors make to them. Thus, pI may be neutral and not include any reference
to values or norms. On the other hand, R may answer with a statement which
does mention them or which, without explicitly mentioning them, criticizes
or approves (or refutes). Criticism or approval and justification are but the
application, within the domain of discourse and its objects, of norms and
values which are, for the moment accepted within the circle of speakers and
listeners.
Values are normally bipolar (good/bad, just/unjust, freedom/oppression.
equality/inequality, etc.). The change in level can take place in the shift from
one orientation to another.
Consider the following pI:
"Doesn't your preference for election by majority hinge on the fact that you count on
it to help you win the next elections?"
c) Links of cause and effect. Links of causality are important in the ex-
changes considered here, for the questions treated relate to action: a domain
VERBAL EXCHANGES 67
where such links are often mentioned (the causes for a situation or for events;
the effect of decisions or of steps taken). Furthermore, causality easily leads
to the charge, the attribution of responsibility which, in the area of polemics,
is often invoked. Links of causality must be considered broadly to include
reasons, motives, intentions, etc. which determine action - and may also
justify action or propose a condemnation of it.
The link between cause and effect is generally loose in subjects where the
effects are determined by a plurality of causes and the mechanism uniting
cause and effect is a matter for conjecture. It is also difficult, in these cases,
to predict the consequences which would result from a decision or an
intervention. This is where R's freedom comes from when utilizing this type
of link and all the more so because a report on the origin of the facts con-
sidered is sometimes not demanded by the question itself. R uses it to more
effectively have his argument accepted. The same holds true in the case of
the motives which are supposed to explain the opponent's actions or deci-
sions.
It should be noted that the rubrics discussed in this section are not ex-
clusive. An exchange can be dealt with within several of them. For example,
the mark of an opposition to an adversary can be made by invoking a value or
a norm. Historical causality is an "intellectual" connection exploited on the
level of opposition of actions and successes, etc. The pluridimensionality of
the "space of exchanges" constitutes an additional difficulty for analysis, but
it does not furnish the material for a theoretical objection since the "space of
referents", i.e. the realities to which the exchanges refer, is itself multidimen-
sional.
The statute of the dimensions remains to be clarified and the dimensions
which can be isolated are not necessarily situated on the same level. For
example, those considered in 3. have a more direct relationship than others to
the finalities of the polemical exchanges and may be considered to play a
mobilizing role (cf. the distinction between sub-registers of components and
of actualization, Oleron, 1984b) This is a distinction which the theory of
argumentation. and, in general, the whole theory of action, implies.
VERBAL EXCHANGES 69
VII. CONCLUSION
We will not repeat once again that the elements for analysis proposed in this
contribution are an outline which calls for numerous expansions, as much
from the inventory point of view as from that of systematization. But to work
in the direction proposed is a manner of trying to introduce rigorous elements
in an area which escapes the rigor of logical models but in which all is
nevertheless not nebulous and fluid or impressionistic and subjective. This is
in conformity with Perelman's efforts to characterize and illustrate the modes
of rationality peculiar to argumentation.
One can hardly challenge the existence of a rationality underlying verbal
exchanges. Even if, particularly in polemics, these exchanges manifest the
play of automatisms, cliches, repetitions, mobilization of the irrational, even
bad faith, and even if their effectiveness on the level of action can be
questioned (not, however, irremediably), they are acts of intelligence. Our
knowledge of them should widen and, we could say, "disenclave" the
classical representation of intelligence which psychologists construct and in
which the incorporation to the social and to the verbal is overly neglected.
NOTES
1 We have based ourselves on samplings of radio programs, principally: Le club de la
presse (Europe 1), Le Grand jury (R.T .L.) and Face au public (France Inter) in which
politicians are questioned by journalists and/or debate with them. The material limits
of this contribution did not permit the inclusion of the specimens recorded in order to
illustrate the analyses. In the case of those we did cite as examples, we have remained
faithful to their mood and general meaning.
2 When the listeners intervene, if their anonymity is preserved, the questions they ask
also suggest a polarity and intentions that are not purely informative.
BIBUOGRAPHY
Oleron, P. (1983): L' argumentation. ColI. Que sais-je? Paris, PUF.
OlelOn, P. (1984a): Elements pour une analyse de l'argumentation poIemique.
Colloque Association pour la Recherche Cognitive, Les modes de raisonnement,
Orsay, 25-27 April, pp. 390-405.
Oleron, P. (1984b): Sur les echanges poIemiques et Ie probleme des macrostructures
du langage. Bulletin de Psychologie, 38, 1-12.
Owlsey, H.H. and Scotton, C.M. (1984): The conversational expression of power by
television interviewer. Journal ofSocial Psychology, 123,261-271.
Perelman, Chai'm and Olbrechts-Tyteca, L. (1970): Traite de I' argumentation, Ed. de
l'Universite de BruxelIes, Bruxelles.
JEAN-CLAUDE ANSCOMBRE AND OSWALD DUCROT
INTRODUCTION
Studies in the new rhetoric have accustomed us to minimizing the role played
in argumentation by facts and deduction from facts. More precisely,
C. Perelman and L. Olbrechts-Tyteca have pointed out the many inter-
ferences that exist between this factual or objective basis (in the usual sense
of the term "objective") and the intersubjective relationships that the speaker
establishes with his audience.
Moving further in this direction, intersubjective relationships could be
claimed to be not only parallel to but the very foundation of apparently
objective data. As far as we are concerned however, our research on argumen-
tation, carried out from a different point of view (i.e. that of linguistics),
shows a similar evolution. Investigating the argumentative role played by the
linguistic rendition of facts, we no longer distinguish the facts themselves
from this rendition.
The aim of the present article is to describe this evolution and its theoreti-
cal implications.
Indeed, we think that four stages can be distinguished in our study of
argumentation. The rrrst consisted in considering language and argumentation
as being entirely separate, in accordance with a prominent rhetorical position.
71
72 JEAN-CLAUDE ANSCOMBRE AND OSWALD DUCROT
1. RADICAL DESCRWfIVISM
will not enter to a discussion about such a description of "little" and "a little".
We prefer to bring in another couple of examples meant to reveal another
aspect of the linguistic semantics imposed by "radical descriptivism".
Consider the following:
(3) Peter is as tall as Mary.
(4) Peter is the same height as Mary.
How can it be accounted for the differences between these two utterances?
For they notably diverge as regards their argumentative potentialities in
discourse. For example:
(5) Peter is not really tall for his age: he is as tall as Mary.
seems problematic (unless "as" is read as rectifying a "more", and then is - or
could be - followed by a "no more") compared to:
(6) Peter is not really tall for his age: he is the same height as Mary.
which carries no rectifying intention. If argumentative dynamics relies on the
facts referred to by utterances, then we have no alternative but to postulate
that (3) and (4) do not refer to the same facts. From this point of view, a
possible solution would be to assign contrasting descriptive values to the
expressions. "To be the same height as" would refer to numerical equiv-
alence, and "to be as tall as" to a quantative relation similar to what is called
"greater than or equal to" in mathematics. Used as an argument, (3) would
then not exclude a situation in which Peter is taller than Mary: hence the
impossibility of (5).
Let us merely mention one theoretical consequence of this kind of
hypotheses. They make it necessary to introduce something similar to the
Laws of discourse - if only to explain why, in a multitude of contexts, and
from an informative viewpoint, "as ... as" means equality. It is usual for
example, to conclude that Peter and Mary are approximately the same height
on the basis of (3) (otherwise, why else would we speak of a comparison of
equivalence?). A solution frequently used by radical descriptivism is to
assume that communication and information are governed by such a law of
discourse (namely our Law of Exhaustivity'l), which requires that the
maximum amount of information be given regarding the topic. Uttering (3) in
a situation where Peter is known to be taller than Mary (even though such a
situation would not entail the falsity of (3» would be to transgress this law.
The use of "as ... as" therefore implies an equality of height between Peter and
Mary.
ARGUMENTATIVITY AND INFORMA TIVITY 75
2. PRESUPPOSmONAL DESCRIPTIVISM
We will not go into too much detail for the second stage since it is only, all
things considered, a kind of extension of the first. The claim that argumenta-
tive sequences are strictly of factual origin remains. But they are no longer
based on all the facts referred to by utterances: they only take some of them
into consideration. This selection among facts is made on the basis of the
linguistic properties of sentences. Taking inspiration from the philosophy of
language, we will for instance split the semantic value of utterances into an
asserted value (or assertion) and a presupposed value (or presupposition).
Hence, the information in the utterance can be asserted or presupposed. It
will then be postulated that argumentative sequences, like all sequences,
hinge only on presupposed values. If we assume that assertion and presupposi-
tion correspond to two specific attitudes in the speaker as regards the
information provided, the second stage then implies a connection between
argumentations and illocutionary attitudes.
The examples of the preceding paragraph can be dealt with in such a
framework; in order to distinguish "little" from "a little", they will be
described as ascribing different values of assertion and presupposition to the
utterances in which they occur. Thus:
(1) Peter has worked little.
would have the presupposition "Peter has worked" and the assertion "The
quantity of work Peter has put out is low", which is an analysis in keeping
76 JEAN-CLAUDE ANSCOMBRE AND OSWALD DUCROT
with the usual criteria for presupposition_ Similarly, it will be postulated for:
(2) Peter has worked a little.
the assertion "Peter has put out some quantity of work", and the presupposi-
tion "in case some work has been put out, the quantity is low". Since
argumentation relies only on the assertion, it is clear that the conclusions
drawn from (1) only involve the low amount of work put out, while those
drawn from (2) only bring out the existence of some work.
The advantage of this solution over the one given at the first stage is that it
evades the assumption of a quantitative difference between "little" and "a
little", while accounting in some degree for their contrastive argumentative
potentialities.
The second example, "as ... as" can be dealt with in a similar manner, by
ascribing to:
(3) Peter is as tall as Mary.
the presupposition "Peter's height ~ Mary's height", and the assertion
"Peter's height = Mary's height".4 On the contrary:
(4) Peter is the same height as Mary.
would consist in the sole assertion "Peter's height = Mary's height". As
above, such a solution accounts for argumentative data: (3) only allows us to
draw conclusions from Peter's tallness (since the assertion brings out the
possibility of Peter's being taller); while the equivalence asserted in (4) is
compatible with any conclusion depending on what is known or believed
about Mary's height. This in no way prevents (3) from involving the same
indication of equivalence as (4), which is obtained by combining both the
assertion and the presupposition. The cleverness - or the trick - of such a
technique is fairly obvious. The argumentative effects are accounted for on
the basis of the asserted indication of the possibility of Peter being taller. But
to take the informative value into account, this indication is discarded by
means of the presupposition.
What are the differences between these two stages? At the level of
discourse, we find in both cases the claim that argumentation proceeds from
fact to fact and consists in particular in drawing conclusions from facts. The
second stage diverges from the first in that not all the facts referred to are
involved in the argument, but only some of them, namely those which are
meant to be asserted within the linguistic structure of the sentence. Thus the
second stage assigns a decisive role in argumentation to the linguistic
ARGUMENTATIVITY ANDINFORMATIVITY 77
structure, since it tells us which facts are and which are not argumentatively
relevant. That is, the choice of one linguistic expression over another (for
example "little" rather than "a little") entails the simultaneous selection
(based on the same facts) of one type of conclusive objective over another. If
at this second stage, argumentation is bound to linguistic structures, it is so by
virtue of very general properties (the assertion/presupposition distinction and
its role in the sequencing of utterances), and not because of a specifically
argumentative property that would be an inherent semantic feature in the
sentences.
We will now outline the third stage, which corresponds principally to the
research collected in L' argumentation dans la langue. On thinking it over, we
now consider it more justified as a transition towards the fourth stage than as
an improvement over the second one. Nevertheless, it allows us to evade
some of the fallacies involved in the solutions considered in the preceding
section.
For instance, these solutions consisted in introducing, for the sake of
agreement with empirical data, presuppositions which would sometimes meet
no real independent justification. Of course, in the above mentioned ex-
amples with "little", the presupposition postulated meets the usual criteria
(the interrogative and the negative are presupposition preserving). But the
problem is more complex in the case of "a little" and "as ... as" (and the same
holds for other examples not examined here). We had for example ascribed
to:
(2) Peter has worked a little.
the presupposition, due to "a little", "if some work has been put out, the
quantity is low". Now this component of meaning is certainly not apparent in
(2), which may be meant for an addressee unaware of Peter's work. If we
take such a component of meaning for granted, we must postulate it: it is then
natural to consider it as a presupposition, since it apparently comes out in the
question "Has Peter worked a little?". Strictly speaking, we cannot claim that
this component is found both in the statement and in the question. All that
may be said is that if it is assumed to be brought in by the statement, it is also
found in the interrogation, and must then be granted the status of a presupposi-
tion. This ad hoc approach at least provides a rationale for looking into other
solutions.
78 JEAN-CLAUDE ANSCOMBRE AND OSWALD DUCROT
bring in, at the very level of the sentence, two semantic components: a factual
one and an argumentative one. Factually, (3) brings up the equivalence of
Peter and Mary's height. In this, the utterance is analogous to:
(4) Peter is the same height as Mary.
But in addition, (3) entails argumentative directives: the equivalence of
heights calls for the same type of conclusions that would be drawn from
"Peter is tall". 5
We will deal with the case of "little" and "a little" in a very similar
fashion. From a factual point of view, (1) and (2) are perfectly synonymous.
That is, they both refer to a quantity which, in the meaning of the sentence, is
ascribed to the same parameter and thus meant to be interpreted in the same
way in the utterances. In a situation where "to work little" would mean "to
work for one hour", in that same situation (and factually speaking), "to work
a little" would also mean "to work for one hour". The difference between the
two lexical items lies only at the argumentative level. (1) must be used to
draw the type of conclusion which "Peter has not worked" would lead to,
while (2) would argumentatively parallel "Peter has worked".
The comparison between the second and the third stages may be outlined
as follows. Both stages have in common that the utterance meaning involves
factual indications which are determined by a factual component of the
sentence meaning. They also both support the claim that the argumentative
dynamics lie, at least partially, upon this factual component inherent in
sentence meaning. On the other hand, the second and third stage differ in two
respects. First, strictly speaking, only the third brings argumentative values
into the semantic structure. Moreover, the second only brought out that the
semantic structure of the sentence entailed the impossibility of some
argumentative structures. The third goes further: it states that at least some
sentences (e.g. those with "little", "a little", "as ... as") not only can exclude
certain argumentative structures, but must also include others. They demand
that their utterances must also be used argumentatively and in a given
direction.
4. RADICAL ARGUMENTATIVISM
book. To be sure, the third stage is based on theoretical positions that provide
useful tools for detailed analyses. 6 But they underlie an image of language
which we do not consider to be linguistically adequate, even if corresponds
fairly well to a common viewpoint about language.
For example, the third stage preserves the idea that argumentative dis-
course is based on facts which are referred to as necessarily bringing in other
facts (or belief in other facts). This is because of the nature of the facts. On
this view, the intellectual process governing argumentative discourse would
be logical or empirical deduction. For example, that of a detective who
deduces that someone used a gun because there are fingerprints on it. In our
opinion, it is on the contrary a matter of the process that consists in taking
aspirin for a headache. In doing so, we merely apply a rule - that aspirin
cures headache - without trying to find out the exact relationship between the
physiology of the headache and the chemistry of aspirin. In a more general
way, we will say that the discursive sequence leading from an utterance-
argument to an utterance-conclusion always involves the application of
general principles which we call topoi (pace Aristotle). If we conclude
utterance B from utterance A, it is not because A refers to a fact F, and B to a
fact G, and that referring to F necessarily brings G in. It is because A brings
in F in a way that justifies the application of a topos (or a series of topoi)
leading to an utterance B which appears to be a linguistic rendition of G. For
us, the meaning of a sentence is the set of topoi whose application is said to
be valid when uttered. To choose to utter, in a given situation, one sentence
rather than another is to choose to apply certain topoi rather than others in
this situation. Here is another formulation: the semantic value of sentences
consists in allowing and focussing on facts from an argumentative viewpoint.
To choose to describe an object as expensive and not cheap is not to provide
some information on its price, but to choose to apply topoi regarding
expensiveness rather than cheapness. For example, "The less expensive it is,
the better deal it is", as opposed to "The more expensive a thing is, the less a
good deal it is". Through this rough formulation of two specific topoi, we
bring in a general hypothesis which in our opinion, is fundamental: a topos
consists of a correspondence between two non-numerical gradations, even
though some interpretations consist in mapping familiar numerical scales
onto these gradations. For instance, such a notion as cost is not primarily
numerical, even if it is usually interpreted as an amount of money.
ARGUMENTATIVITY AND INFORMA TIVITY 81
G"2
that it does not show that each summit may itself be reached by a multitude
of topoi. The word "work" may be understood without assuming it is the only
source of success.
A final remark: we in no way claim that all individuals of the same
linguistic community share the same topical field, nor even that a given
individual always uses the same one.
We will re-examin the examples in the preceding paragraph from within
this new framework. It will be remembered that in order to describe "little"
and "a little" at the second stage, we had to appeal to the notion of low
quantity considered as a factual data. Having noted the basically argumenta-
tive nature of the concept of lowness, we had to give up this notion at the
third stage. We substituted a purely factual parameter common to both "little"
and "a little" for this concept, which had to support contrastive argumentative
orientations. The relevance of such a parameter is what is brought into
question in the fourth stage. What might the notion of low quantity mean?
This is indeed a valid question: the fact that "low quantity" is a commonly
used expression (whose directives for use are provided by language) does not
entail any a priori status of a concept valid for a linguistic description with
scientific objectives in mind. To show what kind of objective we are aiming
at, we will analyze (1) and (2) as follows. (2) will be described by assigning
to the expressed sentence the set of topoi involved in the predicate "to work",
i.e. ''The more work there is, the more y". Thus, amongst other properties, the
operator is topoi preserving when applied to a predicate. The sentence
therefore stipulates that when uttering (2), a selection will have to be made
between these topoi, and a conclusion like "He is tired" or "He is meritful" -
or conclusions drawn from them - will have to be considered. We have
frequently referred to this selection of topoi as argumentative orientation.
But, besides argumentative orientation, the sentence expressed by (2)
involves other directives relating to its argumentative force. That is, it
locates, for example, Peter's work at the bottom of the gradation Go of work.
In our structuralist perspective, such a force simply means that from ut-
terances like (2), the only conclusions that can be drawn are related to an
equally low position on the gradation Gi put into correspondence with Go in
the selected topos. (2) could then be followed by "We must give him a little
something", but not by "He deserves a big reward". Unless some extra
argument is brought in, such as "The weather is unbearably hot", which
would then allow for "moving upwards" in the gradation G~.
The case of "little" is more complex and has to appeal to two more notions.
The first - often referred to in our research - is that of polyphony.7 The
ARGUMENTATIVITY AND INFORM ATIVITY 83
restricted role of the operators is to specify the way the topoi must apply.
Should direct or converse topoi or both be selected? What argumentative
force will the utterance have? etc.
Within such a framework, and if we extend this argument to its logical
conclusion, it should be claimed that there are no informative values at
sentence level. Not only would there be no purely informative sentences, but
there would not even be any informative component in the sentence meaning.
This does not mean that there are no informative uses of sentences. But it
does in fact mean that informative-like uses are derived from a deeper
component which is purely argumentative. They result from a utilitarian use
of language, a certain rationalizing ideology (Benveniste called it
"logicizing") which is hidden in the utterances and which can only hide by
granting to words an intrinsic power to represent things. The gradation Go
which, in our opinion, is involved in any linguistic predicate, thus tends to be
viewed as a measurement of reality: work, niceness, intelligence, etc., could
be quantified.
It will doubtless be objected that such things as numbers and measure-
ments are, indeed, found in natural languages: there are nouns for numbers
and units of measurement. The solution which we are presently considering is
the following: numerical indications are operators, but contrary to the other
operators mentioned here, they do not give argumentative results when
applied. Of course, they also apply to basic sentences involving argumenta-
tive values. A sentence like "Peter has worked for three hours" comes from
the application of an operator to an initial sentence "Peter has worked", just
like "Peter has worked a little". But the operators examined in this article
differ from the numerical operators. The latter cancel the constraints involved
in the initial sentence with regard to the use of topoi: whereas the former re-
enforce, invert or attenuate them. In this respect, numerical operators look
more objective - or less argumentative - than the other operators. They open
up potentialities that argumentative operators constrain.
To examplify this idea, let us compare:
(7) Sue has some children.
and
(8) Sue has two children.
A relevant fact for the description of this comparison is the following. Let us
imagine a speaker unaware of whether two or three children are required to
be granted some family subsidy. He could normally say: "Sue has two
86 JEAN-CLAUDE ANSCOMBRE AND OSWALD DUCROT
children. I think she can get the family subsidy" as well as "Sue has two
children. I'm not sure she can get the family subsidy." He might also state:
"Sue has some children. I think she can get the family subsidy". But it would
sound bizarre to say: "Sue has some children. I don't think she can get the
family subsidy" - a statement which would require a "but". As French "des",
"some" thus demands that only a direct topos ''The more children one has,
the more y" be applied, while "two" simultaneously allows for the use of the
direct topos and its converse.
This example illustrates the manner in which we are attempting to deal
with quantitative operators and more generally, apparently objective sen-
tences. Far from being a primitive fact, this "objectivity" would only be the
result of a cancellation of argumentative constraints - a cancellation which,
while leaving all the argumentative objectives open, generates the illusion
that none exist. The informative aspect would therefore be only a by-product.
NOTES
1 Cf. on this point A. Ibrahim: "Y-a-t-il deux manieres de dire la meme chose", La
nouvelle revue du Caire (1978), No.2.
2 Already fonnulated in O. Ducrot: "Peu et un peu", 1970.
3 The fonnulation will be found in Anscombre-Ducrot, 1983.
4 Here we are following a suggestion by R. Zuber.
S In this paper, we only consider the case in which the comparative structure occurs
with Peter as its topic. When it occurs with Mary as its topic, the equivalence of
heights leads to a conclusion which could be drawn from "Mary is not tall".
6 See for example O. Ducrot et al. Les mots du discours, 1980.
7 On this notion, see O. Ducrot: Le dire et Ie dit, fmal chapter.
s This is particularly obvious in all the works with a pedagogical vocation, and is not
limited to grade-school grammars. As an example, here are the adjectives used to
illustrate the comparative degree in the opuscu1es of the Que sais-je? series devoted to
specific languages: B. Pottier, Grammaire de I'espagno/: "aimable", "grand";
A. Tellier, Grammaire de L'anglais: "grand"; D.J. Veyrenc, Grammaire du chinois:
"grand", "cher"; P. Guiraud, La syntaxe du fraru;ais: "rouge", "vite"; G. Giraud,
Grammaire du grec: "grand", "bon"; J. Allieres, Les basques: "vieux", "bon";
J. Varenne, Grammaire du sanskrit: "bon", "lourd", "petit". There is an exception: in
his Physiologie de la languefraru;aise, G. Galichet takes "courageux" as the prototype
of scalar adjectives.
9 In the case where Mary is the topic (case which is not examined in this paper), the
sentence then stipulates that in the utterance, the sole converse topoi is to be applied to
Mary.
ARGUMENTATIVITY AND INFORMATIVITY 87
BffiUOGRAPHY
Anscombre, J.C. (1973): "Meme Ie roi de France est sage", Communications, 20,
p.40-82.
Anscombre, IC. (1975): "n etait une fois une princesse aussi belle que bonne",
Semantikos, 1, 1, p. 1-28.
Anscombre, J.C. (1976): "n etait une fois une princesse aussi belle que bonne",
Semantikos 1, 2, p. 1-26.
Anscombre, J.C. (1984): "Argumentation et topoi", in Argumentation et valeurs,
Actes du 5e colloque d'Albi, p. 45-70.
Anscombre, IC., Ducrot, O. (1977): "Deux mais en franyais?" Lingua, 43, p. 23-40.
Anscombre, J.C., Ducrot, O. (1983): L' argumentation dans la langue, Ed. Mardaga,
Bruxelles.
Ducrot, O. (1970): "Peu et un peu", Cahiers de iexicologie p. 21-52.
Ducrot, O. (1973): La preuve et Ie dire, Marne, Paris, 1973.
Ducrot, O. (1982): "Note sur l'argumentation", Cahiers de linguistique fr~aise, 4,
p.143-153.
Ducrot, O. (1985): Le dire et Ie dit, Ed. de Minuit, Paris.
Ducrot, O. et al. (1980): Les mots du discours, Ed. de Minuit, Paris.
Perelman, C., Olbrechts-Tyteca, L. (1970): Traite de l'argumentation, Ed. de
l'Universite de Bruxelles, Bruxelles.
JUDITH SCHLANGER
89
90 JUDITH SCHLANGER
thinking, plays but an auxiliary role. This brings forward the notion of a non
discursive abstraction, a conceptless abstract thought If verbal thinking is
understood as an articulate operating behavior, what comes into focus is the
notion of abstraction.
On the other hand, if one states that the non verbal aspect of thought is not
articulate but mute, and cannot be put directly into words, them what comes
into focus is the notion of intuition. The name of Bergson, and the tradition it
symbolizes, can be useful here as kind of shorthand. If the intuitive core of
philosophical vision goes much deeper than language, then the formulation of
this vision will be its clothing, or its make-up. A deep intuition has to be
formulated, expressed, expanded: this is part of the social constraints of
communication; but it leaves us on the surface, and leads us no further.
Besides, verbal clothing itself is said to be insufficient, ineffective, inade-
quate. There are different ways of being dissatisfied with language, especially
with natural language. It can be for 'baconian' reasons, because it interferes
too much since its grid is too compelling; or, for the opposite reason, because
it is amorphous and fuzzy. Some physicists consider conceptual language as a
"semantic mud" that sticks to theoretical conceptualisation and weighs on it.
Anyway, whether language is taken to task for being too interfering or for
being too vague, it would clearly be a good thing, in order to think rigorously,
to bypass its muddle - especially through formalisation. On one side, an
essentially non verbal theoretical intuition gets poorer and distorted as soon
as it is put into words; and on the other side, the right way to deal with a
theory is to overcome verbal fuzzyness through formalisation. In between,
words disturb.
Let us now look at the other side, to those who stress that language, far
from being a secondary substance that dims the sharpnes and rigour of
thinking, is indeed the very medium of thought. They too speak from
different points of view, and from various domains.
One way of taking into account the verbal nature and texture of thought, is
to acknowledge the weight of language in the shaping of reality. This is the
perspective of linguistic relativism: language shapes and interprets the world,
and to belong to a linguistic community is to share its interpretation of reality
as invisibly self-evident. Since meaning is accessible only through a linguis-
tic community, the plural situation is a "natural" one, and everybody's
outlook is necessarily partial. One recognizes here Sapir's and Whorf's
perspective, and also, with a somewhat different inflexion, Trier's and
Weisgerber's. Where Sapir and Whorf stress syntax as the grid of perception
and conceptualisation, Trier and Weingerber, through their theory of
92 JUDITH SCHLANGER
apart does not appear at this level, where the history of scientific thought is
studied as an aspect or a mode of intellectual history. What all intellectual
enterprises have in common is the need for conceptualisation and formula-
tion. They all have to go through the verbal substance of thought.
Let us go back to non verbal abstract activity and the question of its
intellectual cognitive function. What is at stake here is the nature and scope
of intellectual knowledge. It seems clear that the non verbal can fulfill some
intellectual functions, but not all of them. There is definitely room for a non
verbal abstraction and a non verbal intuition, but conception has to be verbal.
And this is the point where knowing, as an intellectual activity and as the
general venture of thought, is directly linked to language. At this level,
language is more than the medium of conceptualisation: it is coextensive to
the intellectual and cultural range of knowledge. I want now to underline
briefly some aspects of this speculative function of conceptuallanguge.
a) If it is to be relevant to intellectual knowledge, conceptualisation has to
relate to some problematic concern. It usually relates to an acknowledged
problematic frame, the normal frame of debates in such a field at this time.
Sometimes, conceptualisation is linked to a conceptual displacement, as the
established problematic is challenged or even rejected. Whatever the case,
relevant intellectual activity is related to a problematic field, that gives any
particular piece of reasoning its meaning and its scope. Outside of a
problematic frame, be it an established one or a new one struggling for
recognition, a conceptual utterance cannot be relevant to knowledge, since it
is, properly speaking, meaningless. One of the disquieting limits of intellec-
tual heuristics is precisely the question of meaninglessness. Any intellectual
problematic brings forth immediately the sharpness of thinking into the
texture of past problematics, of cultural memory, and of the history of
meaning. One reason that makes it difficult to say that non verbal activity
pertains directly to intellectual knowledge, is not only that the medium of
reflection is verbal, but also, and more importantly, that the odds of
know ledge are semantic.
b) An idea focuses on a term, or on a set of terms. Those are often loaded
terms, loaded by their present rational success in a given domain, or by the
historical inheritance of their previous uses. Terms have, among other aspects
and characteristics, a heuristic dimension. They enable us to point out
something that has not yet be conceived, and has therefore neither place nor
name. A new conception can take shape along such verbal schemes, borrow
them or move them. If we could not borrow terms and notions, and tranfer
partial languages from one domain to another, we could not conceive
94 JUDITH SCHLANGER
something that would be different, which means that we could not think. At
this level, it is difficult to see how what is non verbal, what is basically
foreign to language, can enable us to explore thought and move on. The point
is not only that discursivity needs terms, which is a technical necessity; it
goes deeper, as any displacemennt of meaning is related to the historical and
cultural accumulation of past meanings. In other words, it is possible to say
new things intelligently because others have already spoken. What is at stake
in this relationship between new meanings and previous words is the
historical essence of thought.
c) Conceptualisation is a process, and this discursive process is in itself an
intellectual reflexive dimension. A new theoretical outlook does not turn up
as an intuitive gift, instantaneous and complete, which only needs to be put
into words in order to become the lineary exposition of an intellectual work.
A new thought thinks itself through its own development. Through the ways
and means of the discursive exposition, through adjustments and modifica-
tions, even through the constraints of genre and mode, the intellectual process
unfolds, changing some of its proportions or accentuations - and this
discursive process is fundamental to any theoretical intuition. On the non
verbal side can be found a strategy of means, such as, for instance, the trials
and errors of problem-solving; but what happens in the process of semantic
abstraction goes much further: it does really affect and shape the organisation
and significance of what is being thought. Therefore the discursive develop-
ment of thought, and the formulation of thought, is not a technical but an
intellectual dimension of thought.
If a real discussion on the verbal and the non verbal nature of thought is to
take place, it has first of all to take into account the strength and scope of
language. I have just underlined some aspects of conceptual language:
problematics as a necessary frame of relevance, the fruitfulness of loaded and
borrowed terms, the fruitful adjustments of discursivity as a process. This all
points to what makes knowledge intellectually meaningful. Can something
meaningless be relevant to knowledge? This starts another discussion, about
knowledge: is it essentially intellectual or not?
LAMBROS COULOUBARITSIS
The term "dialectic" is one of those words which philosophers have not
stopped making use of since Antiquity, enriching it with such a variety of
meanings that today, when we go to use it, we are deeply troubled. In
Aristotelian terminology, it has become a plurivocal or equivocal term, a
pollacMs legomenon. It is henceforth easy to understand that at the moment
when contemporary philosophy undertook a spectacular return to Aristotelian
methodology, it was very scrupulous in its use of it. These scruples are most
clearly exemplified by Charm Perelman who, when he introduced the "new
rhetoric" with L. Olbrechts-Tyteca, preferred to eliminate it from the theory
of argumentation. 1 Moreover, it is in this context that argumentation subse-
quently developed, claiming, as it did, to go beyond the field of rhetoric.
Now, it is not without interest to remark that there is a certain hesitation in
Perelman himself at that time: shortly before, in a lecture, he notes the
existence of a "dialectical argumentation" and deems "philosophical dialogue
par excellence to be dialectical" in that philosophical method cannot be
founded upon intuitions and evidences considered to be irrefragable but
rather upon conceptions generally considered to be granted and which are
confronted and contrasted with each other.2 Furthermore, by basing himself
upon Aristotle's Sophistical Refutations, where Aristotle distinguishes
various types of speeches - didactic, dialectical, critical and eristic - without
referring to rhetoric (cf. 1. 165b.1-5), Perelman supports the expression
"dialectical argumentation". Paradoxically, three years later, in The New
Rhetoric,3 this text by Aristotle no longer.appears. In its place, there emerges
a critique of "the very spirit in which Antiquity busied itself with dialectic
and rhetoric". Referring principally to Aristotle, Perelman explains that:
Dialectical reasoning is considered as running parallel with analytic reasoning, but
treating of that which is probable instead of dealing with propositions which are
necessary. The very notion that dialectic concerns opinions, i.e. theses which are
adhered to with variable intensity, is not exploited. One might think that the status of
that which is subject to opinion is impersonal and that opinions are not relative to the
minds which adhere to them. On the contrary, this idea of adherence and of the minds
to which a discourse is addressed is essential in all the ancient theories of rhetoric.
95
96 LAMBROS COULOUBARITSIS
Our "rapprochement" with the latter aims at emphasizing the fact that it is in
terms of an audience that an argumentation develops; the study of the
opinionable, as described in the Topics, will have a place in this framework.4
In thus shifting the Aristotelian view of dialectic toward a rhetorical context
in which the "opinionable" would have a place, Perelman ensures the theory
of argumentation of the destiny recognized for it today. All the same,
something seems to remain in the shadows of this development: what
Perelman reveals as being an "impersonal opinionable" of dialectic and
which he avoids examining thoroughly by not pursuing further a confronta-
tion between dialectic and rhetoric in Aristotle. Now, when we know, on the
other hand, that philosophical argumentation in Aristotle cannot be related
back to rhetoric discourse, whereas on the contrary it seems bound to critical
discourse (1tEtpacrtt1CJl) whose theory is established precisely in the
Sophistical Refutations which The New Rhetoric disregards,S we may well
wonder if the salvaging of dialectical argumentation by the new rhetoric does
not, in some way, obliterate something important in Aristotelian dialectic.
In order to answer such a question, it seems indispensable to clarify the
relationships between dialectic, rhetoric and critique in Aristotle. It is to this
preliminary task that we shall devote the lines which follow.
certain extent all men attempt to discuss statements and to maintain them, to
defend themselves and to attack others. Now, the majority of people do this
either at random or with a familiarity arising from habit." (1354a.4-7) Under
these conditions, it is obvious that if dialectic and rhetoric can be produced
by familiarity, it may be possible to discover the cause with a view to raising
them to the rank of coherent technai (l354a.6ss). This is the delicate task that
the Stagirite ascribed to himself and whose results, as we know, are con-
signed to the two series of treatises which are, on the one hand, the First
Analytics, the Topics, and the Sophistical Refutations, and, on the other, the
Rhetoric. No confusion may be made between them.
In the well-known Sophistical Refutations, Aristotle asks for our indul-
gence for the gaps that we might discover in his way of establishing dialectic:
in this area, nothing precise had been written before him. This was not the
case for rhetoric since the rhetorics of his day were the inheritors of a long
tradition which explains why this art had attained "a certain amplitude"
(34.183b.33-36; 184a.7-b8). The importance of this affirmation increases by
the fact that Aristotle himself immediately recognizes that even in the area of
rhetoric, inadequacies persisted since rhetorical art was taught less than were
the recipes of this art (l84a.lft). In his Rhetoric, he specifies that those who
in his day busied themselves with the technique of discourse were mostly
preoccupied with exterior problems aimed at influencing the judge (by pity,
anger, the passions of the soul, etc.), and made no use of enthymemes which
constitute, in the syllogistic mode, the rhetorical proofs and demonstrations
(1354a.ll-18 and 1355a.2-8). In actuality, dialectical syllogism and
enthymeme are indeed Aristotle's discoveries: they constitute the specificity
of his dialectic and of his rhetoric as well. Moreover, he hastens to emphasize
that the study of syllogism belongs to dialectic: to all dialectic or to a part of
it. So that he who masters the syllogism and who establishes the origin and
the manner of its production "will also be best skilled in the enthymeme,
when he has further learned what his subject matter is and in what respects it
differs from the logical syllogism." (1355a.8-14) In other words, for
Aristotle, the syllogism constitutes the condition sine qua non enabling
empirical rhetoric to transform itself into a technique or an authentic techne.
That is why, at the end of the Sophistical Refutations, when he stresses the
originality of his procedure, he refers to the syllogism: "regarding reasoning
we had absolutely no earlier work to quote but were for a long time laboring
at tentative researches." (34.184b.1-3) Henceforth the question which is
posed is that of knowing what certifies the difference between dialectic and
rhetoric in spite of this deep relationship in the order, on the one hand, of the
98 LAMBROS COULOUBARITSIS
3. DIALECTICAL PROOF
Aristotle uses several terms whose specifications are not always very clear, in
order to take "critical" discourse into account: peirastike, exetastike, kritike,
elenchos, epitimesis, etc. Since our study only aims at bringing out the
generic character of dialectic with regard to rhetoric as well as to critique, the
nuances between these various terms matter little. Among the various modes
of critique, the only one which it would seem imperative to dismiss is
apparent critique which unfolds during sophistic debates, and which the
Stagirite calls agonistike, its syllogistic articulation being eristic. For the
difference between authentic critique and the latter lies in the very intention
of the critique's agent. IS So that, one is compelled to conclude that for
Aristotle, sophistic critique only aims at an apparent wisdom, while authentic
critique leads to the clarification of the debate with a view to knowledge. But
DIALECTIC, RHETORIC AND CRITIQUE IN ARISTOTLE 103
here again it does not seem that its position is monolithic since critique may
lead to a general knowledge, a sort of general culture, or to a more precise
knowledge on the order of general principles. The fIrst type of knowledge is
that of the learned man «(, 1t£1tO,tB£UIl£VO<;), the second, that of the
philosopher (0 <ptAOcrO<pO<;). Let us take a closer look at these types of
knowledge and the critique that accompanies each, starting with the frrst.
In the Protagoras (312b), Plato had already noted that one may acquire an
art not only in the capacity of a professional, like a demiurge, but also in
order to become learned (btl 1tO,tBefq.). Aristotle goes further, since he
considers that a learned man may acquire a set of knowledge, thus moving
freely from one domain to another, and reach an ability to judge (KptV£tv)
which is no less important than that of the specialists (Pol. III.l1.1282a.2-7).
This is why, in another passage, he specifies that "every systematic research,
the humblest and the noblest alike, seems to admit of two kinds of
profIciency; one of which may be properly called scientific knowledge of the
subject, while the other is a kind of educational acquaintance with it. For an
educated man should be able to form a fair off-hand judgment as the
goodness or badness of the method used by a professor in his exposition."16
To which he immediately adds that a man thus considered as a learned man is
such especially because he is considered to be able, in away, to pass
judgment about everything (1t£p\ 1tw'tCJ)v Kpt'ttKOV), while the specialist
only is considered so for a well-defined area (De part. animo 1.1.639a.l-1O).
In short, culture in the Aristotelian sense implies not only an extensive
knowledge, but also and especially the possibility of judging and criticizing.
The learned man is he who can, on his own merit and thanks to the extent of
his knowledge, evaluate a situation or a thing, criticize and decide. But while
this point of view opens important horizons on the ethical and political levels
where this requirement seems to be the very condition of a democratic
system,11 it nevertheless also bears witness to the opening ihto a more
systematic knowledge in which it becomes a matter of taking a poSItion with
respect to a given episterne and a given techne. However, in this domain, the
ability to criticize does not necessarily and without further ado signify the
ability to carry out just any critique. Aristotle calls the particular type of
critique periastike which, while it is the critique of the specialist, may also be
that of a man capable of handling, in a scientifIc manner - and no longer in
his capacity as a learned man -, a more universal knowledge. This type of
critique belongs to the dialectician as well as to the philosopher. It is what
leads to wisdom (cro<ptO,) and constitutes the goal of the philosopher.ls
In an important passage of the Metaphysics (Gamma, 2) which we have
104 LAMBROSCOULOUB~ffi
inaccurate. Thus they all practice refutation; for they perform unmethodically
(Cl-tEXVroc;) the task which dialectic performs methodically (£vtExvroc;), and the man
who carries out an examination by means of an art of reasoning is a dialectician."
(11.172a.30-36).
philosophical reflection.
When Aristotle poses an aporia, he considers it not to be enough, in order
to resolve it, to take into account what has been said about it. One must also
take into account what was not said, what could have or could still be said.
Based on this principle, one can form various endoxa in order to undertake a
refutation. 28 This, in fact, means that every philosophical quest supposes the
consideration of all the possibilities concerning the matter at hand, that is, the
aporia being discussed. This process had already had a first expression in
Plato's Parmenides in which he studies the One from the perspective of all
possibilities, and thereby constitutes the nine hypotheses of the One.29 In
Aristotle, this procedure finds an application fairly quickly in the quest for
happiness and in the search for the number of principles of becoming. We
will take up this second example here. 30
Indeed, to consider all the possibilities that exist for the number of
principles means, by Aristotle's reckoning, that the possibilities are: one or
many; if there is one, it will be mobile or immobile; if there are several, they
will befinite or infinite in number. Considering the opinions advanced by the
philosophers of his time, he tags the various doctrines to each of these
possibilities which he refutes one by one and coming to the conclusion that
the number of principles must be finite. A [mal critique, addressed to
Empedocles, allows him to conclude that the number of principles must be
greater than two and less than four. 31 The refutative analysis thus leads the
Stagirite to dismiss a set of possibilities. This analysis is dialectical or, more
precisely, "critical" (1retp(l<rn~). However, the question of the ultimate
choice between two or three principles remains open - so much so that, on
this subject, Aristotle speaks of a "great aporia" (a7topt(lv EX£l 7tOAJ.:Tlv)
(Phys. I.6.189b.27-29). This means that the dialectical procedure, thanks to
which Aristotle reaches this result, this possibility of a choice between two or
three principles, is insufficient to deciding as to the exact number of these
principles. That is why the Stagirite undertakes another study whose proce-
dure is constructive, that is, which establishes a positive knowledge
()'VCOPl<rnlCT)) which is the essence of the philosophical procedure.32 This
latter leads to the thesis that holds the principles to be two (matter and form)
or three (matter, form, and privation) according to whether one conceives of a
static point of view or one of becoming.33 But whatever the result of this
analysis may be, it is certain that neither this philosophical procedure nor the
critical one which precedes it has anything to do with rhetoric. For their aim
is the institution of principles, whatever they be, on the basis of a reflection
on all the possibilities for considering a given problem.
108 LAMBROS COULOUBARITSIS
4. CONCLUSION
NOTES
1 Ch. Perelman and L. Olbrechts-Tyteca, La nouvelle rhetorique. Traite de
I' argumentation, Vol. I, Paris, 1958, pp. 1-13, esp. pp. 6-8.
DIALECTIC, RHETORIC AND CRITIQUE IN ARISTOTLE 109
111
112 MICHEL MEYER
It is the same with subjects as it is with the rest: excess is always harmful [Ie
trop nuit en tout]. With Descartes and his successors, the subject is seen as
granting subjectivity a founding, constitutive, and (as Kant would say)
transcendental role. What did Descartes accomplish in thus doing other than
prevent rhetoric from encroaching upon the entire logos? When 1 say that he
sought an answer to every possible question, one must not for an instant think
that there is any concern with questioning in Descartes. On the contrary, all
he wants is to put a stop to the rhetoricization which consists in questioning
without ever being able to answer once and for all. Causality is solution and it
is also science. This is sufficient to suppress interrogativity, which is
considered a failure of the mind. Besides, what is doubt but an assertive mode
of our thinking process? When 1 say to myself "I doubt", Descartes states, I
cannot but conclude that 1 am. It is not because 1 doubt that I am, it is because
1 can say the one that 1 can affirm the other. We never stop affirming - even
when we doubt. We do not really question, unless we make a rhetoric of
assertivity out of this "questioning", in which case doubt would merely be the
rhetorical question referring to the preliminary assertion that 1 think - the
supreme condition of all possible assertivity. Thus no matter what may be
said, we always fall back on the subject and its absolute identity: 1 can say
that I am no matter what problem is posed. The subject prohibits all questions
by being a priori the ultimate answer before any question is even asked. It is
truly that A which subtends B as non-B, the opposite. No other subject has
this force, for all can be denied with the exception of the fact that 1 am, for if
1 deny, I still think. Every question is necessarily rhetorical in that the subject
renders any debate, for which it is not a priori the judge, impossible. By
anticipation concerning the very nature of the question asked, the subject
literally has the answer to everything. The subject is that authority of
automatic closure of logos upon itself. Judgement ensures its perenniality as
TOWARD AN ANTHROPOLOGY OF RHETORIC 117
absolute model. Once we realize that the Aristotelian subject does not prevent
dialectic opposition which can, furthermore, disguise itself in syllogisms Gust
like any proposition), we understand the deep significance of the
anthropological redefinition of the subject, i.e. of the recentering of
propositionalism in the classical age. If A is a real subject in a proposition
like "A is B", it excludes its opposability which must confirm its identity.
Now, according to Descartes, only the thinking subject possesses this
property since it maintains itself through all negation. On the other hand,
nothing prevents a judgement from being handed down upon rhetoricization
with the possibility of having non-A with B like A with non-B as well as with
B. The subject loses its identity through opposable predication and is no
longer really the subject. The Aristotelian subject gives no guarantee of the
power to face the rhetoricization of reason, especially as Aristotle accords
acceptance to rhetoric and recognizes its right to use syllogism. As judging is
nothing other than judging of the permanence of the subject beyond all
possible discussion on the SUbject, the rhetoricization of logos destroys the
idea of subject in its very function. Through the primacy of consciousness, of
its necessity and, in general, of the transference through reflexivity of the
concept of substance, the subject, born of the thinking subject, once again
becomes possible. This subject is then the concept which restores validity to
the proposition in which the out-of-question identity of this subject must be
ensured.
But the centuries passed, exhausting more and more the resources of
Cartesianism. In the nineteenth century, under the critiques of Marx,
Nietzsche, Freud, and Darwin, the anthropological primacy collapsed,
plunging thought into the confusion of the "trace" and the "lack" whose
stigmata contemporary thought still bears in the depths of its irrationalism.
How could the shock of History thus break the well-rounded closure of
propositional logos? All contradictions are reducible if the locking
mechanism is automatic: is not man as a foundation the identical mainstay of
any contradictority that may arise? In fact, if it is not recognized that the
change must always be integrated from the reduction of permanency which
establishes its authority upon this historical becoming, it will not be under-
stood that even though it is closed, the Cartesian model had to, in the end,
renounce its theoretically indefinite perpetuation. The latter rests upon the
nature of the Ego which effects the closure of logos. The Ego is thus the
rhetorical authority through which rhetoric repudiates itself. This may seem a
curious remark at fIrst reading. It must be reread and pondered. It means that
the Ego functions by closing logos upon itself because it has an answer for
118 MICHEL MEYER
everything, for every question. This implies the reducibility of all contradic-
tions to the identical which absorbs them. But the Ego cannot admit itself to
be a rhetorical authority because it functions the way it does precisely in
order to prevent rhetoric from invading logos in order to establish itself as
out-of-question before all problematization which should be taken into
account as such. The Ego must be able to answer everything. But it can
succeed in doing so only if it evacuates a priori the possibility of having true
questions to which, directly or indirectly it does not have the solution or the
resolution. Every problem encountered must be rhetorical in the sense that
one usually speaks of the rhetorical question: it must be exclusively a purely
formal question in that it refers back to some preliminary assertion which it
vehicles by way of implication. By denying rhetoric, the Ego cannot recog-
nize itself as rhetoric, i.e. as something that turns any new question back
toward an old one to which it already knows the answer. Given a question
that presents an opposition, the Ego that must face this alternative brings it
back, by intuition or deduction, to what it is not: a pre-constituted solution.
This process is well known under the name of rationalization or of that of
derivation. The Ego suppresses the question which was a real question,
resolving it by automatic suppression and thus transforming the dialectical
relation instituted by the confrontation with the newness of the real into an
implicit confirmation of that which is old, while at the same time, the Ego
represses itself in doing so. Rhetoricization consists in displacing real
questions, questions of the real, into questions to which one already has
(intuition) or can recover (deduction) the answer.
In the Ego, the unconscious is problematicity repressed and displaced into
rhetorical problems and denied as such. Irreducible problematicity which
weaves the web of the unconscious, manifests itself by a contradictority
which is reabsorbed, processed, displaced, and rationalized by the Ego in the
relation to the real - a problematicity that has its own sources in addition to
everything that derives from historicization, that is, from temporalization
springing from outer reality which must ceaselessly be refit to its reality
coherence as such. It may come as a surprise to read that reality constitutes
itself rhetorically. This is not the traditionally held image of the real.
Independent from us, solid, invariable, permanent as well as the cause of
many unexpected novelties, the real imposes itself as something that is not of
the rhetorical order. However, this image of reality, which we will not
contest, is not a given, but the result of a process that involves the Ego. The
Ego is confronted with problems, alternatives and contradictions which it
must answer. Opposition only makes sense with respect to answers which are
TOWARD AN ANTHROPOLOGY OF RHETORIC 119
already granted, at least some of which are imbedded in the far reaches of
ourselves, doubtlessly to our great relief. The continuity of the world requires
precisely that any new question be reducible to an old one; if not, we will be
confronted with a conflict which/or me is insoluble and the world will appear
shattered [se presentera en rupture]. The continuous identity of reality
therefore me3IlS nothing other than the assimilation of the new - of difference
- to identity (which really is not identity except rhetorically) by means of a
displacement which translates the problematic into the non-problematic, the
unknown into the already known (or the knowable). It is not that we cannot
accept the irreducible newness, but we must always be able to express it in
relation to that which it is not in order to accept it as it is. This supposes a
rhetorical transformation that rationalizes and recovers the opposition,
turning it into a question that the Ego can discuss - a rhetorical question. Let
us understand one another well: if the real can appear to the Ego as it is -
renewed, unexpected, and identical in its solidity outside the subject - it is
because the subject rhetoricizes and rationalizes the information, that is,
coordinates it and, quite simply, names it and thus recognizes it. When we
affirm that reality is constituted rhetorically, it is not a matter of content but
rather of form, of the very possibility of a real which is stable because it is
treated so by the Ego. In order for the real to indeed be the real, this rhetoric
of the subject must be repressed by it. This entails a derhetoricization of
reality which imposes itself in its objective identity. All of this follows from
the fact that we must resolve the problems of existence, life, and survival, and
that this ceaseless questioning of ourselves has to be elaborated collectively
as well as individually, based on the experience of past resolutions, based
upon the quasi-automatic suppression of the destabilization caused by the
problematization of our commerce with the world. This problematization is, I
repeat, not independent of us, for the problem only exists in relation to us.
Once it is evacuated and rhetoricized by the Ego, the solution asserts itself as
being independently valid, without any further reference to the problematic,
i.e. to that which moves us and situates the real in relation to us. If the
conscious Ego is often likened to the act of taking charge of the real, it can
only be so once the relation between them is already played out, when they
can be posited separately. Idealism and empiricism have defined themselves
on the basis of the moment of which we speak, in order to reflect upon the
subject's possibility to leave himself in order to approach the object and
constitute it in its objectivity. Both were destined to fail because they posed a
process-problem based on the results of that process. Thinking only in terms
of results, idealism could no more retrieve the object than empiricism could
120 MICHEL MEYER
the subject Subject and object being separated both for idealism and for
empiricism, the question of the process of knowledge became insoluble. How
could the real emerge from the Ego? How can the real engender its own
perception, thus its own fracture? In short, the implications of the affrrmation
that the Ego integrates the real into its independence are too often forgotten.
And the implications are ideologization as well as all less specific forms of
rationalization by which the reality of the real arises [surgit] while concealing
something from us: an irreducibility that would destabilize us. In order for the
Ego to accept the real as is, its looming appearance [surgissement] must be
rhetoricized - an appearance which introduces difference or alterity: the
question which, in the final analysis, is an "I question myself' [je
m'interroge], since in it I am always in some way put back into question.
Of course, there is still science: one tends to think that by accepting the
newness of experience in its very irreducibility, it states the real non-
rhetorically. Here, once again, one must be careful with respect to inherited
images. A theory is rarely abandoned because of the authority of problems
challenging it. A purely ad hoc process of integration and of partial revision
takes place well before scientists, who have judged a theory irremediable,
decide to abandon it for another. Resistance to problematization is to be
found in science just as it is in the rest of our intellectual pursuits. In order to
save a certain image of the real, science rhetoricizes questions by various
means that range from neglect to conventional explanation through the
declaration of irrelevance and factual minimalization without forgetting the
challenging of factual interpretation which cannot be dissociated from the
latter. Moreover, the Ego also ends up rejecting rationalizations which open
onto incoherence and the inassumable just as it does onto the increasing
impossibility to take into account new realities on the basis of old ones.
The Ego, the subject, is the authority which mediates our corporeality, our
instincts, our problematicity (in the broad sense), and that which is outside
and opposes itself to the free flow of solutions which an inertia of our inner
tendencies would find natural to put into practice. The world is only a
problematizing one because it checks these solutions. The unconscious is
woven with problems because the solution to them is impossible, in considera-
tion of the fact that we are in the midst of things and beings, that life is not
self-evident and that, consequently, the unconscious exists as insurmountable
problematicity. Between this problematicity and that which puts us back into
question from the outside (but in the early times, this in the same thing), there
is the Ego.
The closure of the Ego corresponds to the necessity of facing all
TOWARD AN ANTHROPOLOGY OF RHETORIC 121
problematization which emerges both from the depths of our being and from
outside necessities. It is easy to imagine that the equilibrium is fragile and
that any pressure that is too strong from either side could entail breakages. To
avoid this from happening, the Ego closures itself [se cloture], thus managing
to live in a world which seems essentially stable to it. The infinite resolutive
capacity of logos derives from this. But the infinitude of this automatism in
resolution denies itself. Hence, the unconscious is the human condition of
reality. The Ego must repress the part of itself which represses the
problematic - suppressing it and turning it into pat answers. It must be the
answering process and by itself respond to questions which cannot really be
posed. In brief, the Ego is rhetorical in order to combat rhetoric, in order to
provide itself a real. Because this rhetorical component cannot be expressed,
it must be occulted. This explains the repression which splits the subject into
conscious Ego and unconscious Ego. Thus, the Cartesian subject is only a
subject in that it answers all possible questions ahead of time, thus to the
extent that it places itself beyond all debates in the capacity of outside-the-
debate. But the rhetoricization of all new problems in the uninterrupted
continuity of subjectivity is hidden by the apodictic character of the affmna-
tion of this subjectivity. One gets the feeling that science fulfills this rhetori-
cal role while, at the same time, denying it. Consciousness, as it was to define
modem subjectivity, was to allow rhetoric to function without having to be
expressed as such. Once the breaking down of subjectivity as foundation was
consummated in radical problematization, consciousness could not continue
to cover the totality of the subject. And the unconscious emerged as the other
side of the mirror - as negation of consciousness - with all of its rhetorical
properties of condensation and displacement. The resurgence of rhetoric in
the twentieth century has no other origin than the crisis of the subject.
Psychoanalysis was to be the avant-garde of this renewal. It arises when we
become aware of the role played by the rhetorical component of the Ego
which closures its logos. But because it is not the Cartesian master of it, it
cannot help but let this rhetoric appear as what it is. The subject is then
unmasked. Rhetoric will not really be studied for itself until later. Through
recognition of the role of rhetoric, the subject both saves and loses itself. As a
Cartesian subject, the human subject, which is foundational, is dead; but, as
an open articulation of the problematic, the subject can be understood to be at
the crux of a new anthropology, even though the very problematic which
concerns it cannot be thought of as such, precisely because there is no
problematology as yet. Rhetoric remains understood under the definition
which Plato and Aristotle, then Perelman, preserved for it, i.e. , the contradic-
122 MICHEL MEYER
more anonymous than ever. It is at this stage that literary criticism joins the
Marxist criticism of the dehumanized and atomized world which mechanizes
the subject. Work, once liberating for the protestantism of the individual
entrepreneur, becomes enslaving, once again, when the enterprise grows,
becomes capitalized and hierarchical by means of the factory.
Through increased abstraction and the loss of stable and unique meaning,
fiction, as in the nouveau roman, becomes non-story and becomes more and
more problematized. In this, it reflects a relationship to the real which is
perceived more and more problematically, thus throwing into question the
possibility of apprehending it as such. The very resources of discourse
undergo the ordeal. The language of fiction changes into the object of fiction
itself because the rhetoric of the real asserts itself as rhetoric. It is a matter of
maintaining the identity of the real through all oppositions that signify
difference, change, and non-identity. A non-identity which is thought (of)
rhetorically and is reabsorbed since difference is purely rhetorical: it
expresses what is non-identical by presenting it metaphorically as identity.
Rhetoric maintains the identity of the real by virtue of fiction. The work of art
in general - aesthetics - could well be a response to the need to cultivate a
rhetorical relationship with reality in order, precisely, to preserve its meaning
as externalized and identical. By its rhetorical structure, the Ego fulfills this
role, even when it is a producer and consumer of ideology.
The problematization that was to affect discourse reflexively, without yet
being able to understand itself as such, was to have as its effect the opening
of modem culture to a plurality of meanings. Shattered identity must re-
establish itself rhetorically, that is, as I have suggested, by the work of art, by
form and by symbolization. Through the rhetoricization of the real (which
grows quite generally so that reality in its very nature is maintained), the
rhetorical component will assert and reveal itself in its role. The real which
presents itself as rhetorical product discloses its imaginary and fictive unity
which only the symbolic allows us to apprehend. Here is indeed an image
which suits a broken real. But the closure of logos, finally representing what
it is, unable to continue repressing itself in a putative opening which would
ensure, as if by magic, the eternal continuity of the world, this identity of the
world detaches itself from reality in order that it be instituted on the rhetorical
level as a figurative identity. Reality is restored. This discrepancy, or
difference, becomes the literality of the logos that states the real which is the
same thing as the impossibility of stating the real in its own essential unity -
in its evident unity. Literality is then itself the fiction of this logos. One
cannot express things as they are without invoking what they are not.
TOWARD AN ANTIIROPOLOGY OF RHETORIC 125
Heidegger very rightly stated this, thus bearing witness to the concern of
maintaining a certain logos - be it poetic, but never interrogative, and
reflexively so - allowing man to grant himself a sense of the lost identity
elsewhere. The world according to Being and Time is made up of sign
referrals, directions for use which solidify as soon as they point out things.
Identity as image, as figure, as sign, as fiction with respect to a real identity
(therefore unconscious of being an identity) is still reality in its irreducible
form - with, as its keystone, a rhetoric whose forgetting is finally forgotten
[dont I' oubli est enfin oublie1 but whose interrogative nature remains
unthinkable. The literal non-identity of the world would be dreadful if it
could not be re-established at another level. And the price to be paid is this
level of rhetoricization which the entirety of twentieth century thought - from
Heidegger to Perelman - has circumscribed in a multiplicity of ways. The
breakage of the world - its fragmentation - is thinkable thanks to this: the
meaning we can see in the loss of meaning will constitute its explication in
the discourse that expresses the real as broken. Contradiction? No, metaphor
- the supercession of fragmentation in its articulation. We of course know
that when a Joyce, for example, speaks of everyday existence like a mythical
epic, he immediately raises the question of whether it is so because he
considers it impossible or if, on the contrary, he demands that we see life for
what it is: a heroic adventure for each of us, but banal for everyone else. It is
a bit like the cinematographer who films scenes of violence which we cannot
decide whether he is condemning or praising. To speak is indeed to evoke a
question, an alternative, by means of the answer which alone is delivered to
us. "Under the short story and the chronicle, behind the blurry or brutal
visions which form an unfinished whole, something of a mystery which
remains an enigma imposes itself whose secret must not be provided by the
organizer of these estrangements [itrangements]: at the same time as the
novel becomes a difficult reality, it becomes a myth." R.M. Alreres,
Metamorphoses du roman, p. 133, Albin Michel, Paris, 1966). Here, the
unified and coherent expression of the fragmentary along with the reflection
of this discourse on itself is the proof of this rhetorical and mythical rees-
tablishment of the whole.
Abstract art is thus the most realistic (art) there is: it makes sense of the
nonsense by giving it a form, an appearance. The unity of Gestalten is
displaced outside the literality of works, therefore outside of that to which
they refer. One must search and search elsewhere. This is what a symbolic
system, which signifies literally nothing, forces us to do. Discontinuity results
from the fragmentation of the literal and the figurative into a quest which is
126 MICHEL MEYER
split off from the unity by rhetoric. "Discontinuity summons the notion of a
world whose order is either absent or invisible", writes Ralph Heyndels in La
Pensee fragmentee (Bruxelles: Mardaga, p. 22) - an alternative, a problem
which may be summed up in the fact that a Gestalt is literally asked as the
rhetorical and subjacent figure behind this discontinuity. The entirety of art
becomes enigmatic by allowing itself to be apprehended as rhetorical or
formal: what it represents (because it is represented) is not expressed but
suggested, evoked, dispersed in a whole that literality can only announce.
From the expressed, we move to the expression. The subject will be found
everywhere - in the intentionality of language acts as well as in rhetoric in
the broad sense - because, no longer "pure" as in Kant, subjectivity can
finally be empirical, thus circumscribable. But subjectivity, which associates
subjectively and sometimes with arbitrariness, is to be found especially in the
receiver of works which no longer can have decipherable interpretations
without an active intervention on his part. A hermeneutic act always results
when something in the work abruptly confronts the receiver with the
necessity of an interpretative demand. This receiver, reader, or listener must
answer concerning the unity or the Gestalt of the work of which he has
become the depositary. The whole so-called School of Reception (Jauss, Iser)
has shown this, but by emphasizing one aspect which should be, nevertheless,
correlated with Deconstruction (Derrida) which has tried to show how all
works deconstruct their unity by moving all the literal of its expression
toward the impossibility of expressing itself as work. The text is thus a
plurality of intertexts. Deconstructivism loses sight of the receiver's role and
reception loses sight of the reflexivity of rhetoric that finally expresses and
signifies itself at the outcome of its autonomization. But the process at the
base is the same: radical problematization which both removes us from the
real and puts us back into question in the evidence of what we are with
respect to the world, and, consequently, by this questioning, refers us to a
multiplicity of possibilities. These possibilities, being enigmatic as they
express literally something other than what they express, demand answers
from those to whom they are intended: the audience. The work questions us
even more, presents more of a problem, because it refers more to its
problematicity, because it has rhetoric as its theme. "The novel itself, in its
most recent forms, no longer attempts to represent a reality outside the work,
but rather to lay bare the powers of writing as an operation upon language."
(p. Van Rossum-Guyon, Critique du roman, p. 28, Gallimard, 1970).
Because of this very fact, enigmaticity arises (it is indissoluble from the
deconstruction of every answer about the meaning of the text), leaving us
TOWARD AN ANTHROPOLOGY OF RHETORIC 127
The literal, the appearance, that which shows itself the most directly, leads
us to proceed further, demanding an interpretation because enigmaticity is
this demand. The figurative of the literal is the articulation of a question and
of an answer. Identity is the figurative: a question which is expressed in the
fact of saying and which, for that reason, is never said (literally). Gestalten
are no longer constituted but rather to be constituted. He who receives the
artistic message knows full well that it is, as the term goes, "auto-referential"
and that the gap it produces in relation to our references is meant to put us
back into question. Thus the receiver becomes the producer of meaning -
even of textuality - because he will have to structure it in its subjacent unity
which is figured in and by the text. Because the work responds by question-
ing (questioning its own meaning) and because the nature of a question is to
refer to several possibilities for answering, the plurality of interpretations
follows in entirely legitimate fashion. One could even say that if the meaning
- in its unicity - still makes sense as a notion for the subject who receives the
work, it is as question. Meaning as question is the answer to the question of
the meaning insofar as the text always solicits its reader by a figurative
demand. The content (thus the answer) varies; an answer which is all the
more figurative because the text is literally enigmatic. The reader, the
listener, the spectator are the respondents, just as an audience responds by
agreement or disagreement
At the dawn of the twentieth century, Western reason was shaken in its most
solid foundations. In the final analysis, Descartes had given it the grounding
that Aristotle had failed to find. Cartesian thought was nevertheless to repeat
the circularity of the Aristotelian foundation. Reason could make reason of
everything except of the fact that it must make reason of everything. What
was to become of rationality once its initial weakness was perceived? It
would become increasingly technical: since global rationality is impossible,
there only remain partial and analytic rationalities adapted to limited ends
even though these are often very complex. Adaptation to these ends was to be
the byword of this Western rationality, impregnated as it was with the
paradox of its existence beyond its successes. For analytic reason may well
be efficient (since it is centered on discrete and circumscribed objectives), it
is no less paradoxical in its very foundation. For the very reason that it is
partial, partial rationality which expresses Western rationality is no longer
TOWARD AN ANTIIROPOLOGY OF RHETORIC 129
Is it, as some claim, a legacy of positivism from the beginning of the century?
From the moment that discourse can only gloss endlessly upon the impos-
sibility of all discourse, discursivity, through the reflection of its own
fundamental problematicity escapes its former coherence for want of
problematological discourse. Not only can it no longer be resolved, but it
cannot be expressed. The propositional model is in-different to this move
from the answer to the problematic. The silence in the last aphorism in
Wittgenstein's Tractatus, like that associated with Being through the silent
and attentive listening that it demands, according to Heidegger, points to the
horizon. Thought, deprived of the possibility of resolving the questions it
poses, cannot answer this challenge otherwise than by the impossibility of
answering. This is nihilism.
The other path has consisted in taking science as the resolutive model.
Science resolves all questions without necessitating an anthropological
foundation. This is positivism. Philosophy must not only study science, but
also become science. If nihilism is contradictory in the very terms by which it
must be formulated, logical empiricism - which is neither empirically
founded nor logically valid - bears testimony to an identical self-defeating
discourse. These two moments could not survive as such. But responding to
an insurmountable crisis of propositional rationality, they displaced them-
selves in other forms while maintaining, nevertheless, their own "principles."
The two reactions to the radical problematization of Western thought
proceed from a process perpetuated in contemporary reflection .- always with
the same blinding. The death of the subject - which closely follows the death
of God, as we know - is not conceived of in terms of problematization since
only propositionalism is available. Propositional ism knows neither answer
130 MICHEL MEYER
nor question but only the proposition, even when it questions or answers,
which are two modalities distinguishable for it only by the psychological and
intellectual activity which is implemented in it. For nihilism, answering has
become impossible, while for positivism only science possesses efficacy in
answering. These two conceptions will face off throughout the century. But
what must be noted, instead, is that the fate always reserved for propositional
logos continues to be decided on its own basis, without our feeling obliged to
conceptualize the interrogativity of logos, thus to radically change what
Western tradition has conceived as logos. Problematicization is not ap-
prehended in itself but rather through the propositionalist prism along with
the correlative question: can we still put forth propositions? Some answer no,
others answer yes, by accepting efficacity, technical operatory, analytic and
scientific reason. This very vision of what answering means has not been put
into question in itself. This conception results from the disappearance of the
pre-existing framework and of the limited headlong flight which a science
with ungeneralizable mechanisms offers up very reassuringly in that its
operationality rests on the partial and concentrated areas of the realms of
masterable objects. All of this perhaps explains why the thought that issued
from nihilism has hardly advanced any more than that born of analytic reason
and logical empiricism. The fact that man ceases being what he was and
institutes himself in a discrepancy with himself, in the non-identity with self,
appears in different forms in structuralism, with Foucault, Derrida, Lacan,
and even with Sartre. When Sartre speaks of the for-itself as being that which
it is not and as not being what it is, with "bad faith" as this very alterity in the
tissue of consciousness, it is difficult to identify consciousness in its tradi-
tional Cartesian texture. We could expound on the flight into history and into
literature in order to face the impossibility of maintaining a non-absurd
discourse upon the absurdity of existence. Western reason, Foucault says,
owes its putative universality solely to the exclusion of all transgression:
madness, the prison and sexuality each illustrate the cracks in this rationality
which universalizes at little cost without being able to explain or at least
which remains silent about what constitutes its margins. These areas, which
classical reason was unable to integrate, should give birth to a new anthropol-
ogy. The discrepancy with self in time is already to be found in Heidegger
where the accent is on temporality which re-establishes non-identity without
contradiction. But it is principally with Derrida and Lacan that this dis-
crepancy can be discerned the best. With Derrida, it is differance, but above
all absent presence (A and non-A); with Lacan, it is desire without saturation,
thus a unconscious semiotized by the discrepancy without any identity
TOWARD AN ANTHROPOLOGY OF RHETORIC 131
only constitutes a breakage by virtue of the very terms that are put to use.
What could be more disruptive than a beginning or an end? But all of this
takes place on a canvas of negation of questioning. By introducing strict
causality, the classical mechanism needed man or even God as a sup-
port/mainstay. When this causality disappears, (amongst other reasons
because it is incapable of covering the entire modem and contemporary
explanatory field), Man-foundation disappears in the wake of God's disap-
pearance. Inference becomes flexible to the point that it ends up reflexively
integrating the initial problematization upon which it rests. Failing to refer to
types of problematics which inference resolves differently for different
historical periods, it will appear to us that there are successive moments
considered autonomous, distinct, fragmentary whereas they have a hand in
the laws of questioning as these unfold historically. Man-foundation no
longer has a raison d' etre when rationality becomes rhetoricized. As a result
of a greater problematization. The closing of logos then passes through the
thematicization of the field of argumentation. This closure thus becomes a
rhetoric of reason, an ideologization which says itself [qui se dit].
Closure may then be perceived as unmasked on the individual
(psychoanalysis) as well as on the collective (Marxism) level. But in thus
doing, these "new rhetorics" reveal themselves immediately for what they
are: guarantors of the closure of propositional logos. These guarantors are
themselves closed rhetorically which is something that Popper denounced
with regard to psychoanalysis and the ideological analysis of ideology, that is
Marxism as well. The function of the rhetoricization of logos is to preserve
the resolutive automatism of the latter. This in tum maintains the sophistic
role of rhetoric which allows it to reduce any question to an "already there"
answer. The fracture caused by the radical problematization of the last
century is thus swallowed up in a purely rhetorical non-identity. It is perhaps
to this phenomenon that we owe the survival of propositional logos. In spite
of this, this logos cannot perpetuate itself, for a rhetoric which expresses
itself as such may very well be also propositionalized (which circularizes the
"solution''), it nevertheless reveals the essential fracture of which this logos
suffers. Unmasked closure can only make reason, in spite of its denials, take
the alternative to logos that is expressed inside logos into account. This forces
reason to change itself in order to think itself through alternatives
(alternatives which would no longer be some proposition existing before all
question) this is to say that it is important to be atile to assume interrogativity
as such from itself. Explaining, unveiling and autonomizing itself, rhetoric
appears to fictively restore identity and, at the same time, to rip logos from its
134 MICHEL MEYER
World Wars. From the moment one ceases to treat the other as subject, the
way to barbarianism is opened. Instrumentality in human relations has, of
course, less terrible manifestations, but it is never but the consequence of the
generalization of an exchange economy in which one gives only in order to
receive and in which it is enough that taking advantage of the other be
rational. Valueless and idealless materialism has thus been able to implant
itself in other cultures, like in Japan, without really upsetting existing values,
to the extent that, with us, there was nothing which could have contradicted
anything whatsoever. On the other hand, other societies - like a certain Islam
of today - which are both more fragile and more archaic in many respects,
have preferred to reject the West. Perhaps the most appalling spectacle is that
of our own dissolution and of ,a progression in cynicism with its cohort of
sophists. Rhetorical awareness derives from a need for closure in broken
logos. In this perspective, rhetoric swallows all opposition; it is assimilated
into the sophistic by this function of automaticization of the resolutive. If, on
the other hand, it is realized that rhetoric is in the service of insurmountable
questions per se, automatism is broken and propositional logos becomes a
true answer [repondre]. Sophist thought is spineless [moUe] and will fail to
convince when it comes time to erect a rampart to protect the highest values
like the rights of Man. Under these conditions, how will we defend the
dignity of the human being who is scoffed at in so many areas in the name of
sacrifices imposed by History and its radiant future. Have we, in the end,
nothing other than a hazy and empty thought (attended, it is true, by a
thousand rhetorical devices) to set over against historicism which indeed
appears to represent the last substantial anthropology? On the other hand,
how is one to accept such a conception of man which reduces him to a mere
instrument at the service of a destiny which inevitably swallows him up? A
rhetorical anthropology founds the right of the other to throw any answer
back into question. It not only gives him eo ipso the right to free expression,
to difference, it also confers upon him the freedom to put it into practice.
Because each of us is both the questioner and the respondent, the respon-
sibility which compels us to justify ourselves in consideration of these
fundamental rights proceeds from their very exercise. And because this
practice is ours as well as that of the other, the universality which respects the
problematicity of the other will ensue necessarily.
136 MICHEL MEYER
BIBUOGRAPHY
Grize, J.B. (1982): De la logique a l' argumentation, Droz, Geneva.
Heyndels, R. (1985): La penseefragmentee, Mardaga, Brussels.
Janicaud, D. (1985): La puissance du rationnel, Gallimard, Paris.
Meyer, M. (1979): Decouverte etjustification en science, Klincksieck, Paris.
Meyer, M. (1983): Meaning and Reading, Benjamins, Amsterdam.
Meyer, M. (1985): "Pour une rhetorique de la raison", Revue Internationale de
Philosophie, No. 155, fasc.4, Langage, argumentation et pedagogie.
Meyer, M. (1986): De la problematologie, Mardaga, Brussels.
Meyer, M. (1988): "The Interrogative Theory of Meaning and Reference" in
Questions and Questioning, M. Meyer ed., De Gruyter, BerlinlNew York.
Perelman, Chaiin (1977): The Realm ofRhetoric, Vrin, Paris.
PAULRICOEUR
The following study arises from a lecture given in 1970 at the Institut des
Hautes Etudes in Belgium in the presence and under the presidency of
Professor Perelman. This lecture having never been published, it is an honor
to be invited by his friends and disciples to join in the homage to the man
who for several decades was the master philosopher of Brussels.
The difficulty in the theme submitted here for investigation results from
the tendency of the three disciplines of the title to overlap with one another to
the point that they let themselves be led on by their totalizing aims at
covering the entire terrain. What terrain? That of discourse, articulated in
configurations with more extended meaning than the sentence. By this
restrictive clause, I wish to situate these three disciplines at a higher level
than that of the theory of discourse considered within the limits of the
sentence. At this level of simplicity, the definition of discourse is not the
object of my investigation, even though it constitutes its presupposition. I ask
that the reader grant (in accordance with Benveniste and Jakobson, Austin
and Searle) that the first unit of meaning in discourse is not the sign under the
lexical form of the word, but rather the sentence, i.e. a complex unit which
coordinates a predicate on a logical subject (or, using P. Strawson's
categories, which unites an act of characterization by a predicate and an act
of identification by positing a subject). Thus taken into employ in its basic
units, language may be defined by the phrase: someone says something to
someone about something. Someone speaks - a speaker makes something
happen, that is, an utterance, a speech-act whose illocutionary force adheres
to precise constitutive rules which alternately make of it a statement, an
order, a promise, etc. Something about something: this relationship defines
the statement as such, by uniting a meaning to a reference. To someone: the
word addressed by the speaker to the interlocutor turns the statement into a
communicated message. It falls to a philosophy of language to distinguish
within these coordinated functions the three major mediations which make it
so that language is not unto itself its own end: lhe mediation between man
and world, the mediation between man and another man, the mediation
between man and himself.
137
138 PAULRICOEUR
1. RHETORIC
the typical situations described by the political, legal, and the festive
assemblies. In relation to these audiences, that of the philosopher, by
Perelman's own admission, can only be a universal audience, i.e. virtually all
of humanity, or, at the least, its competent and reasonable representatives. It
is to be feared that this extrapolation beyond typical situations corresponds to
a radical change in the discursive realm. As for the finality of persuasion, it
cannot be sublimated to the point of fusion with the disinterest of authentic
philosophical discussion either. Indeed, I am not naive enough to believe that
philosophers free themselves not only from the constraints but also from the
pathology which infects our debates. It remains that the aim of philosophical
discussion, in its most honest forms which prevail in the typical situations
described above (if it is equal to what we have called the universal audience),
transcends the art of persuasion and of pleasing.
This is why it is necessary to consider other constitutional seats of
discourse, other arts of composition and other aims of discursive language. l
2. POETICS
If we do not confine ourselves to opposing rhetoric and poetics (in the sense
of writing with rhythm and versification), it may appear difficult to distin-
guish between the two disciplines. If we return once again to Aristotle,
poiesis means production or manufacturing of discourse. Now, is not rhetoric
also an art of composing discourse, thus a pOiesis? Furthermore, when
Aristotle considers the coherence which renders the plot of the tragic, comic,
or epic poem intelligible, is he not saying that the assembly or juxtaposition
(sustasis) of actions must satisfy verisimilitude and necessity (Poetics
1154a.33-36)? Even more surprisingly, does he not say that in pursuance of
the meaning of the probable and the necessary, poetry teaches universals and
thus proves to be more philosophical and of a more elevated character than
history (1451b.5)? There can be no doubt then that poetics and rhetoric
intersect in the region of what is probable.
But if they thus intersect, it is because they come from different origins
and make their way toward different goals.
The initial place from which poetry radiates is, according to Aristotle, the
fable or the plot which the poet invents when he borrows the material for his
episodes from traditional narratives. The poet is an artisan not only of words
and sentences, but of plots which are fables or fables which are plots. The
localization of this nucleus - which I call the initial site of diffusion or of
extrapolation of the poetic mode - is of the utmost importance for the
142 PAUL RICOEUR
confrontation which follows. At fIrst glance, this site is very restricted, since
it only covers the epic, the tragedy, and the comedy. But it is precisely this
initial reference which allows the opposition between the poetic act and the
rhetorical act. The poetic act is the invention of a fable-plot; the rhetorical
act, an elaboration of arguments. Indeed, there is poetry in rhetoric to the
extent that "finding" an argument (euresis in Book One of The Rhetoric) is
the same as a true invention. And there is rhetoric in poetry to the extent that,
for every plot, one can fInd a corresponding theme or thought (dianoia is
Aristotle's expression). But the accent does not fall in the same place: the
poet does not argue, stricto sensu, even if his characters argue; argument only
serves to reveal the character in that he contributes to the progress of the plot.
And the rhetorician does not create any plot or fable even if a narrative
element is incorporated into the presentation of the case. Argumentation
remains fundamentally dependent upon the logic of the probable, i.e. of the
dialectic in the Aristotelian (and not in the Platonic or Hegelian) sense, and of
the topic, i.e. of the theory of "loci" or topoi which are schemes of conven-
tional ideas appropriated to typical situations. On the other hand, the
invention of the fable-plot remains fundamentally an imaginative reconstruc-
tion of the fIeld of human action - an imagination or reconstruction to which
Aristotle applies the term mimesis, i.e. creative imitation. Unfortunately, a
long, hostile tradition has led us to think of imitation as a copy or a replica of
the identical. And thus we understand nothing in the crucial declaration of
Aristotle's Poetics according to which the epic, the tragedy, and the comedy
are imitations of human action. However, precisely because mimesis is not a
copy but rather a reconstruction through creative imagination, Aristotle does
not contradict himself. He explains himself perfectly when he defines
mimesis by emplotment, and the plot itself as "the arrangement (sustasis) of
incidents" (Poetics. chapter VI).
What then is the initial nucleus of poetics? It is the relation between
poiesis, muthos and mimesis, in other words, it is the relation
"production/fable/plot!creative imitation". As creative act, poetry imitates to
the exact degree that it engenders a muthos or a fable-plot. It is this invention
of a muthos which must be opposed to argumentation, insofar as it is the
generating nucleus of rhetoric. Whereas the ambitions of rhetoric fInd their
limit in its attention to the listener and its respect for conventional ideas,
poetics points to the breach of newness that the creative imagination opens in
this fIeld.
The other differences between the two disciplines issue from the last one. I
have characterized rhetoric not only by its method (argumentation) but also
RHETORIC - POETICS - HERMENEUTICS 143
by its relation to typical situations and by its persuasive aim. On these two
points, poetics differs. The epic or tragic poem's audience is brought together
by the recitation or by the theatrical representation. It is a people, no longer in
their role as arbiters of rival discourses, but as people offered to the cathartic
process exercised by the poem. Catharsis must be understood as an equiv-
alent of medical purging and of religious purification: a clarification carried
out by intelligent participation in the muthos of the poem. Catharsis must,
finally, be opposed to persuasion. Contrary to all seduction or flattery, it
consists in the imaginative reconstruction of the two basic emotions by which
we participate in any great deed: fear and pity. Fear and pity are in turn
metaphorized, in a way, by this imaginative reconstruction in which, thanks
to muthos, the creative imitation of human action consists.
Thus understood, poetics too has its seat of diffusion: the
poiesis/muthos/mimesis nucleus. From this center, it can radiate and cover the
same field as rhetoric. In the political domain, while ideology bears the stamp
of rhetoric, utopia bears that of poetics to the extent that utopia is nothing
other than the invention of a social fable capable, it is believed, to "change
life". And philosophy? Is it not also born under the sun of poetics? Does not
Hegel himself say that philosophical and religious discourses have the same
content and differ only as the concept differs from representation
(Vorstellung), a prisoner, as it is, of narration and of symbolism? Does not
Professor Perelman vindicate me just a little bit in the "Analogy and
Metaphor" chapter of The Realm of Rhetoric? Speaking of the creative aspect
connected to analogy, the model, and the metaphor, he concludes in these
terms: "[ ... ] philosophical thought, incapable of empirical verification,
develops by an argumentation that aims to have certain analogies and
metaphors accepted as central elements in a world view." (125)
Conversion of the imaginary is the central aim of poetics. With it, poetics
stirs up the sedimented universe of conventional ideas which are the premises
of rhetorical argumentation. At the same time, this same break-through of the
imaginary shakes up the order of persuasion, from the moment that it is less a
matter of settling a controversy than of generating a new conviction.
Henceforth, the limit of poetics is, as Hegel knew, the powerlessness of
representation to equal the concept.
144 PAUL RICOEUR
3. HERMENEUTICS
What is the initial seat of foundation and dispersion of our third discipline? I
will start with the definition of hermeneutics as an art of interpreting texts.
Indeed, a special art is required as soon as the geographical, historical,
cultural distance which separates the text from the reader gives rise to a
situation of misunderstanding which can only be overcome in a plural
reading, that is, a multivocal interpretation. Under this fundamental condi-
tion, interpretation - the central theme of hermeneutics - is seen to be a
theory of multiple meaning.
I will take up a few points concerning this initial insertion. First, why the
insistence on the notion of text or of the written work? Is there not a com-
prehension problem in conversation, in the oral exchange of the word? Is
there not misunderstanding and incomprehension in what claims to be
dialogue? Most certainly. But the face to face presence of interlocutors
allows the play of question and answer to gradually rectify mutual understand-
ing. With regard to this play of question and answer, a case can be made for a
hermeneutics of conversation. But that would only be a pre-hermeneutics in
that the oral exchange of the word does not reveal a difficulty that only
writing gives rise to, that is, severed from its speaker, the meaning of
discourse no longer coincides with the latter's intention. Henceforth, what the
author wanted to say and what the text signifies undergo separate destinies.
The text, which according to Plato's Phaedra is a sort of orphan, has lost its
defensor which was its father, to confront alone the adventure of reception
and reading. With regard to this situation, Dilthey, one of hermeneutics'
theoreticians, wisely proposed reserving the term of interpretation for the
comprehension of works whose discourse is fixed by writing or deposited in
monuments of culture which lend to meaning the support of a sort of
inscription.
And now, what text? It is here that, if it must be distinguished from that of
rhetoric or poetics, the originary place [lieu originaire] of the work of
interpretation must be recognized. Three places have successively stood out.
First, in our judeo-Christian culture, there was the canon of the Biblical text.
This origin [lieu] is so decisive that many readers are tempted to identify
hermeneutics with Biblical exegesis. This identification is not quite true, even
in this limited framework [Le. the Bible], because exegesis consists in the
interpretation of a well-defined text, whereas hermeneutics is that of a
secondary discourse concerning the rules of interpretation. Nevertheless, this
first identification of the originary place of hermeneutics is not without
RHETORIC - POETICS - HERMENEUTICS 145
tion of the fable-plot should be recalled. The work of innovation thus resides
inside the unity of discourse which makes up the plot. Moreover, even though
poiesis was defined as mimesis of action, Aristotle will no longer make any
use of the notion of mimesis, as if it were enough to disconnect the imaginary
space of the fable from the real space of human action. It is not a real action
that you see there, the poetician suggests, but only a simulacrum of action.
This disjunctive, rather than referential, use of mimesis is so characteristic of
poetics that it is this sense which has prevailed in contemporary poetics
where the structural aspect of muthos has been retained while the referential
aspect of fiction has been abandoned. Against structural poetics, it is this
challenge that hermeneutics takes up. I would like to state that the function of
interpretation is not only to have a text signify something else or even signify
everything it can and signify always something more (to take up the expres-
sions already used), but its function is to unfold what I now call the world of
the text.
I readily admit that this task is not the one which romantic hermeneutics,
from Schleiermacher to Dilthey, liked to emphasize. For them, it was a matter
of reactualizing inspired subjectivity hidden behind the text in order to make
themselves contemporary with that subjectivity and to equal it. That path is
today closed. And it became so precisely by the consideration of the text as
an autonomous space of meaning and by the application of structural analysis
in this purely textual sense. But the alternative does not lie with a
psychologizing hermeneutics or with a structural or structuralist poetics. If
the back door of the text is closed, that is, the side of its author's biography,
the front door, if I may say so (i.e., the side of the world which it discloses),
is open.
I am well aware of the difficulties in this argument which I defended in
The Rule of Metaphor. Nevertheless, I maintain that the power of reference is
not an exclusive feature of descriptive discourse. Poetic works point to a
world as well. If this argument appears difficult to defend, it is because the
referential function of the poetic work is more complex than that of descrip-
tive discourse, and even, in a sense, quite paradoxical. Indeed, the poetic
work only unfolds a world under the condition that the reference of descrip-
tive discourse be deferred. The poetic work's power of reference then appears
as a secondary reference by means of the deferral of the primary reference of
discourse. The poetic reference may thus be characterized, as Jakobson has
said, as an undoubled [dedoubtee] reference. There is some truth in the
widely accepted thesis in literary criticism that in poetry, language only has a
relationship to itself. By deepening the abyss that separates signs from things,
148 PAUL RICOEUR
poetic language celebrates itself. It is for this reason that poetry is commonly
held to be a discourse without reference. The thesis that I am maintaining
here does not negate the preceding one, but rather is based upon it. It posits
that the deferral of the reference (as defined by the norms of descriptive
discourse) is the negative condition for a more fundamental mode of
reference to be brought out.
It will still be objected that the world of the text is yet a function of the
text, its signified, or, in Benveniste's words, its intente. However, the
hermeneutic moment is the work of thought by which the world of the text
faces what we conventionally call reality in order to redescribe it. This
confrontation may range from denial or even destruction (which is still a
relation to the world) to the metamorphosis and the transfiguration of the real.
It is here as it is with models in science whose ultimate function is to
redescribe the initial explanandum. This poetic equivalent of redescription is
the positive mimesis which is lacking in a purely structural theory of poetic
discourse. The impact between the world of the text and, simply, the world,
within the space of reading, is the ultimate stake of the productive imagina-
tion. It engenders what I would dare to call the productive reference proper to
fiction.
It is with this task in mind that hermeneutics can, in turn, erect a totalizing,
or even totalitarian, claim. Wherever meaning constitutes itself within a
tradition and demands a translation, interpretation is at work. Wherever
interpretation is at work, a semantic innovation is at stake. And wherever we
begin to "think more", a new world is both discovered and invented. But this
totalizing claim must, in its tum, be subjected to the trial of criticism.
Hermeneutics only has to be brought back to the center from which its claim
arose, that is, the foundation-bearing [[andateurs] texts of a living tradition.
Now, the relation between a culture and its textual origins falls under another
sort of criticism: the criticism of ideologies, illustrated by the Frankfurt
School and its successors, K.O. Apel and J. Habermas. What hermeneutics
tends to be unaware of is the more fundamental relationship between
language, work, and power. For hermeneutics, it is as if language were an
origin without origin.
This criticism of hermeneutics at its very source becomes, at the same
time, the condition by which the rights of the two other disciplines are
recognized. We have seen that these disciplines radiate from different seats.
In conclusion, it seems to me that one must leave each of these three
disciplines undisturbed in their three respective birthplaces which are
irreducible one to another. And there is no super-discipline which would
RHETORIC - POETICS - HERMENEUTICS 149
NOTE
1 In The Realm of Rhetoric, Perelman affords a place to modalities of argumentation
which confme to what I will later call poetics: the analogy, the model, and the
metaphor. He also affords a place to interpretative procedures which pertain to what
will later be held to be an illustration of the discipline of hermeneutics.
MICHEL BEAUJOUR
151
152 MICHEL BEAUJOUR
cultural heirs have sole rights. To be sure, the creation of rhetorical art (like
that of grammatical or logical art) is the result of circumstances peculiar to
ancient Greek society and culture, and of the role played there by eloquence
and the elaboration of mental tools oriented toward the analysis of language,
thought and power in the context of a limited democracy. But this history is
too well-known for us to dwell on it. It behoves us to stress, however, that the
elaboration of a technique and the institutionalization of a rhetorical paideia
bring about, at least in certain conventional contexts, a noticeable transforma-
tion in the wild rhetoric which is revealed in the analysis of any speech act. In
social circumstances that demand the production of "eloquent" discourses or
texts, the use of arguments and figures (to restrict ourselves to essentials) is
itself conventionalized and aestheticized. Thus it is with rhetorical art as it is
with the other arts through which a human techne is analyzed, codified, and
stylized: from that moment forth, the wish for efficiency is no longer
separable from aesthetic judgements. An efficient speech can acquire an
additional value, that of being beautiful.
Experts (and all those who have a background in rhetoric are experts to
some degree) know how to assess the effects of a discourse. They are also
capable of analyzing it technically. In the rhetorical regimen, the production
and judgment (if not, always the reception) of a discourse, are thus founded
on a learned ability: each orator is a critic, and vice versa. And this technique
is the prerogative of a whole class (or at least some members of that class), of
a milieu which cultivates the eloquent word. This word is thus not first and
foremost an individual gift, although inequality of talent is a recognized fact
which rhetorical art must, as far as is possible, remedy. If the practice of
language arts is an instrument of power within this dominant class, it is also
apt to procure aesthetic satisfactions which certain individuals cultivate
assiduously and with delight. The same would be true, mutatis mutandis,
within medieval clericature, among learned gentlemen in the classical age,
and right up to the late constitution of a literary profession in the West (when
typography finally makes the book an object of wide consumption), and of a
literature that will claim a status distinct from the practical and usual arts of
language.
This is to say that rhetoric precedes literature in all senses of the verb. It
precedes it historically (if it is true that literature as such is a recent institu-
tion), but it precedes it ontogenetically to the extent that rhetorical appren-
ticeship was shared by the whole class of those who, by their social position,
were apt, before the advent of literature, to become orators or poet'!; at diverse
degrees of amateurism, that is, producers of texts (which were not purely
RHETORIC AND UTERATURE 153
From that moment on, all Western literature, or at least older literature
(which, following Marc Fumaroli and Renaissance humanists, I would prefer
to call res literariif'), with its philosophical (ethical, political, etc.), cos-
mographical, historical, even rhetorical works as well as its epics, drama,
novels, and lyrical poems, appears every bit as much a receptacle of topoi (of
reality and of the preferable, amongst others) as it is the result of using those
topoi; both a treasure and the modalities of exploiting it to various ends, the
least of which is not the increasing of capital for its investment into sectors
which, at a given period and in a given genre, appear to be the most likely to
procure dividends, i.e. heretofore unknown combinations. Rhetoric is also the
locus of its dilapidation, even its devaluation through repetition, pedagogical
usage, and loss of functionality. Since the Renaissance, the West has not
RHETORIC AND UTERATURE 155
ceased being concerned about this erosion, which seems to lead to psittacism,
to inflation, and to scarcity, to which it ceaselessly searches for a remedy: the
most radical of which consists in getting rid of rhetoric and reducing
literature to that which is uttered in anguish, verging on the ineffable and the
incommunicable.
The great cultural break, after which literature triumphs as value, and
which according to Paul Benichou's phrase "consecrates the writer", is
framed by a "before" in which all things literary of the past constituted a
virtual treasure of invention that any writer could take advantage of, and an
"after" in which each text claims either an auto-referential self-sufficiency or
at least a reference, limited to the author and to the world as he "perceives" it,
which would in principle exclude all the commonplaces which have gained
authority by their ancientness and their frequent usage. From then on, in
genres elevated to the status of "literature", invention ceases to be methodical
research, ceases to be a regulated and systematic hunt through loci, and
becomes a fortuitous encounter or an epiphany of the unprecedented in the
course of an existential quest pursued at the risk of aphasia, endless repeti-
tion, exhaustion and madness: pathological states whose stigmata become
emblematic of an agon by means of which the writer attains the authenticity
of transgressor and outcast, whose paradoxical status is opposed to that of
men of letters, servile piece-workers whose facileness is at the cost of
bondage to the rhetorical system, to commonplaces, to the copia and to
copying. Henceforth, "true" literature distinguishes itself from the false by an
"anxiety of influence" (Harold Bloom), by concerns about originality, even
by a denial of intertexts and of topical matrices.
Assuredly, "true literature" is only a narrow sector of literary production
(that which is marked out, roughly speaking, by the various "French avant-
gardes"), and it alone is radically affected by the historical break indicated
above: perhaps one should reserve the word literature for it, despite the
anathemas and sarcasms which - from symbolism to the present - French
avant-garde movements have rained upon the putative referent of this word,
doomed from the start to misunderstanding and polemics. The vast remaining
sector could conveniently be referred to as letters. But post-rhetorical anxiety
has even spread to users of proven formulae, to those scribblers or ecrivants
(Roland Barthes) who, knowing nothing of the traditional procedures of
rhetorical invention, are presently incapable of recognizing their own
practices as bastardized variations thereof, and glory in the unparalleled
difficulties encountered in their own "creation". Just as in the time of
Aristotle, "the art which imitates by means of words only, whether in prose or
156 MICHEL BEAUJOUR
verse, whether in one meter or a mixture of meters, this art is without a name
to this day" ,S there is no longer a common name for the mass of writings,
contemporaneous with literature, which are still produced according to a
rhetorical or pararhetorical procedure: journalism, essay writing, political
science, philosophy, sociology, psychology, etc. There are as many names as
there are "disciplines" or opinions: fragmentation and specialization in the
field of writing are distinctive features of the post-rhetorical regime. They
seem inseparable from the evolution of culture in an advanced capitalist,
technological and democratic society.
The historical advent of literature has thus institutionalized, down to the
taxonomy of letters, an obvious break with rhetoric and topics. Moreover,
literature founds its ideology upon this break, which it enjoys acting out
repeatedly. By attempting to exorcise rhetoric and imitation, post-romantic
poetics eventually parody or repress them in favor of new skills whose
dominant characteristic is the promotion of the individual singularity:
peculiarity of subjective source (imagination, anamnesis, unconscious, etc.),
individuality of the "gaze" turned upon the empirical world. Or else, along
the lines of a more daring (but half-conscious) manoeuvre, rhetoric is
subjected to modifications whose principal effect is to foreground (a
hyperbole of the laying bare of devices so dear to the Russian formalists) the
functioning of a disjectum membrum - invention, disposition, style, memory,
even elocution - of the art which used to stipulate the procedures to follow in
the elaboration of a text, without appearing as such in the finished work. This
promotion of the fore-text (Jean Bellemin-Noel) is what I have called neoteny
elsewhere. It is a ''regressive'' phenomenon which confers an unfinished,
rough, premature physiognomy upon certain characteristic works of moder-
nity.6 This is to say that repressed and diverted as it is from its persuasive
function, reduced as it is to bare fragments, rhetoric sometimes returns in
unexpected ways: it figures, paradoxically, in Mallarme's "disparition
elocutoire" by which invention's lineaments represent themselves, as it often
happens in "self-portraits".
The promotion of a putative ''poetic thought" in "images" may also be
mentioned. It is distinct from and contrasts with logical thought. Figuration
(as in Freudian oneirology) plays the role of local generator, while the figures
of thought (irony, allegory, hyperbole, etc.) supposedly substitute themselves
for the processes of invention in order to engender the great syntagmatic of
the poetic text, unless the places and images of memoria become in turn the
matrix of texts which unfold the genesis of the writing subject or that of his
culture.
RHETORIC AND LITERATURE 157
It would be easy to multiply the variants and thus saturate the field of
modem poetics which would then appear like a set of metamorphic versions
of classical rhetoric. After all, these variants have a common characteristic
already mentioned above: the forgetting or the refusal of persuasion, a refusal
that may go as far as to invert the ideology according to which true literature,
far from having a persuasive function, is not even communicative in its
unpower [impouvoir), unless it becomes an inaugural break from all theses
accepted by the public which, in tum, would lead to failure and reprobation.
But, once again, an obvious fact must be insisted upon. When the various
avant-gardes proclaim their aversion for rhetoric, and their aversion is shared
by most literate people, and when, consequently, the old works produced in
the rhetorical regimen cease to be read spontaneously and become a corpus
for university specialists, at that very moment a great portion of the literary
production remains persuasive, shifts to the topics of the preferable, of the
honorable, or of the useful, refers to concrete (fidelity, loyalty, solidarity,
honor) or abstract Uustice, truthfulness, etc.) values and to their opposites.
The modem rhetorician (whether he be a historian of this art or one who
strives to renew it) may know that many contemporary "essays" are of the
legal, deliberative or epidictic (in all senses of the term) type, but the authors
no longer do?
It is doubtless not coincidental that this "forgetting" of rhetoric - a
forgetting that affects even the practitioners of genres which traditionally
resorted to argumentation and aimed at persuasion - is accompanied by a
challenge to author and authority. Indeed, classical rhetoric is perceived as
the matrix of a redundant and impersonal discourse that is destined to
ostentatious psittacism (now modernity, as Jean Paulhan perceived so well,
only feels at ease in terror, in distrust or abdication before "language": the
writer must be compromised by what he writes or else he is but a man of
letters), and at the same time felt as the poorly disguised exercise of an
authority which horrifies. Rhetorical discourse authorizes itself by its own
skillfulness, but it also exercises an impersonal and diffuse authority: a class
authority, an ideological authority which stems precisely from the recourse to
topics and authorities. This authority transcends each particular utterance and
each author presents himself to his audience as mandated or "covered" by a
truth established by the best minds of the past to whom the best minds of the
present and of the future will have to adhere in tum. It is thus legitimate to
wonder whether rhetoric, in spite of the imputations of frivolity and even of
perversity which have weighed for a long time upon the art of arguing
indifferently the pro and the contra, is not irremediably condemned in the
158 MICHEL BEAUJOUR
practice of an elitist literature which has come to consider the contra as well
as the pro as the sides of a self-same reaffmnation of outdated and iniquitous
values, of a self-same reiteration of "commonplaces" which should really be
subjected to doubt and deconstructed in order to make them own up to their
participation in an ideology or even a Western onto theology of which rhetoric
would never be more than a "technological" fall-out. It is possible.
The examination of the contemporary literary sectors where rhetoric has
obviously prospered, at the cost of occasionally abjuring its name, seems to
confmn this analysis a contrario: those sectors are situated in authoritarian
and even totalitarian ideological contexts. Thus the "roman a these" and
socialist realism.s Let us frrst consider the latter whose definition is inscribed
in the charter of the Union of Soviet Writers:
Socialist realism is the fundamental method of Soviet literature and literary criticism.
It demands of the artist a true and historically concrete representation of reality in its
revolutionary development. The true and the historically concrete in the artistic
representation of reality must be combined with the task of reforming the ideas of the
workers and of educating them in the spirit of socialism.
One would think that he had never been "Brechtian", that he had never read
Aragon or Nizan and that he knows nothing about socialist realism. To be
sure, he addresses "us", the leftist, non-communist intellectuals whose desire
to persuade is a bit reluctant about the concessions that must be made in order
to acquire fictive authority. And yet, we could do better (than Stil's novels or
Vailland's plays?): if mediocre oeuvres a these persuade, then what might
they do if they were good? But what is a "good" roman athese?
Barthes' questions, like Barres' and Nizan's enthymeme and the argument
of socialist realism, derive from a massive confusion which I have done
nothing up until now to remove because it is too crucial for one to even think
about undertaking its critique in a parenthetical clause. A secular and
fundamental confusion which encumbers and nourishes Western reflection on
letters, particularly since the rise of literature to the pinnacle of literary
production. Now, this confusion was first avoided by Aristotle at a time
when, it is true, the corpus to be considered was still thin and genres were
apparently poorly established. One could do worse than to return briefly to
his writings in order to get things straight.
160 MICHEL BEAUJOUR
Let us first recall pro forma that Aristotle wrote a Poetics and a Rhetoric
separately and that they refer one to the other.l0 The Rhetoric is the theory of
persuasive practice, while the Poetics treats the production of poetic works
(essentially epic poems and dramas, then, incidentally, a great number of
other diverse "genres" which, as we have said before, have not yet been given
any collective name).l1
According to the Poetics, the poem has two essential aspects: the represen-
tation of human actions (mimesis) and the modelling plot (muthos).12 Certain
poems are recounted by a narrator who is present in his narration and who
may (or may not) make his characters speak; others, like the dramatic genres,
"represent human actions but do not utilize narration" (1449b, ch. 6). As
everyone knows, Aristotle justifies the existence of poetry by the pleasure of
representation (mimesis) which is, moreover, a common effect of several arts
(painting, sculpture, music, dance, etc.). The specificity of poetic art results
precisely from the representation of human actions by the construction of a
well-formed plot which is carried out by characters.
As such, mimesis and muthos have nothing to do with persuasion as far as
Aristotle is concerned. Tragedy may well act upon the spectator's emotions,
but it does so by provoking terror and pity, then purging the passions,
whereas persuasion excites the emotions of the audience in order to instigate
an action or at least create a disposition for action (perelman). But, very early
in the Poetics (1448b, ch. 4), Aristotle introduces the idea that, from the
outset, poets, according to the greater or lesser seriousness of their nature,
constructed either noble deeds accomplished by good men (hymns, encomia,
then epic poems and tragedies) or low actions ascribed to inferior characters
(satire, comedy, burlesque). It is easy to see that this ethical, social and
formal bipartition intersects the one which, in rhetoric, separates the encomia
from the vituperation. In other words, if mimesis and muthos are in principle
neutral, and are only justified by the pure pleasure procured from the
representation of actions and a well-made plot (without moral incidence),13
this relative gratuity, or rather the function of ontological clarification and
psychological purification attributed to the poem, risks turning surreptitiously
into an educative function if the poem also presents dazzling examples of the
best and of the worst as regards human actions and characters. 14
Yet, if there still prevails a certain ambiguity as to the relation between
mimetic poetry and the teaching of virtue, Aristotle's Poetics takes care not
to subordinate poetry to persuasion. On the other hand (but this is an aspect
internal to mimesis), the persuasive discourses of characters fall under the
jurisdiction of rhetoric. That is why Aristotle's Rhetoric, like so many others
RHETORIC AND UTERATURE 161
subsequent to it, seeks examples of eloquence in the epic poem and the
drama.
The statuts of plot and of narration remain to be examined as such. There
thus exist works (said to be poetic) in which persuasion (either global or
intradiegetic) is subordinated to the mimetic dominant In such a work the
characters, even the narrator, may well construct their discourses with a view
to persuasion by mobilizing all the resources of the rhetorical arsenal, yet
their action does not, for all that, become a simple vector of persuasion
between the addresser and the addressee of the text as a whole. For, though
muthos might be a likely blueprint as well as a model, one cannot concede to
Barres that it "eliminates in order to prove". It eliminates - in a pinch - in
order to incite emotions and to procure the pleasure of (re)cognition which
constitutes the specific benefit of good mimesis.
But all "narratives" are not found in works with a poetic dominant. And it
is for this reason that an almost inextricable confusion has become es-
tablished over the centuries in which poetics and rhetoric were mingled. It
will be recalled that in the Rhetoric (I ii 7-8, 1356 a and b), Aristotle states
the following:
Thus it appears that Rhetoric is as it were an offshoot of Dialectic and of the science
of Ethics, which may be reasonably called Politics. [ ... ] For, as we said at the outset,
Rhetoric is a sort of division or likeness of Dialectic, since neither of them is a science
that deals with the nature of any definite subject, but they are merely faculties of
furnishing arguments.
But - (and here we come to the heart of the matter) for purposes of demonstration,
real or apparent, just as Dialectic possesses two modes of argument, induction and the
syllogism, real or apparent, the same is the case in Rhetoric [ ... ]. Accordingly I call an
enthymeme a rhetorical syllogism, and an example rhetorical induction. Now all
orators produce belief by employing as proofs either examples or enthymemes and
nothing else [... ].
Here, we will deal with the example which is "a sort of induction", a "relation
[.•. J of part to part, of like to like, when both come under the same genus, but
one of them is better known than the other" (I.ii.19-1357b). Thus, "to prove
that Dionysus is aiming at a tyranny, because he asks for a bodyguard, one
might say that Pisistratus before him and Theagenes of Megara did the same,
and when they obtained what they asked for made themselves tyrants" (ibid.).
Here, the examples are reduced to minimal narratives, liable to be developed
and detailed according to the aimed-for contexts and audiences. The impor-
tant thing is that, as regards persuasion, historically these "anecdotes" serve
162 MICHEL BEAUJOUR
dominant thus tend to be excluded from "literature" in which certain texts are
only tolerated by virtue of their being well-written, obscure or picturesque
aberrations.
It nonetheless seems that this tendency has recently been inverted, at least
in France, due to the favor from which the "human sciences" and historiog-
raphy have benefited. This is a promotion which entails a widening of the
"literary" canon: the rhetoricaVargumentative works of the past (philosophy,
history, or natural sciences) may henceforth be read not only as archives of
somewhat outdated "facts" and "ideas", but especially as systematic texts
whose epistemology or argumentative structure are intrinsically linked to the
more or less conscious and conventional implementation of tropes and
figures. From the research of Bachelard and Canguilhem to Foucault's
archeology (which circumscribe the probability of an episterne through its
major arguments and tropes) even to the work of a Derrida (who divulges a
latent metaphysics in figures) a vast movement on the margins of scholarly
and explicit rhetorical research undertaken independently by Perelman and a
few Anglo-Saxon researchers contributes to the promotion of an attentive yet,
at the same time, loose reading of the neglected areas of the rhetorico-
argumentative archive. Meanwhile, contemporary argumentative texts which
thoroughly exploit, against "positivism", the sophistic fallacies, the
"liberties" of the rhetorico-poetic lexis and aU the ambiguities of the prob-
able, the possible, increasingly acknowledge themselves to be "literary". This
displacement is accompanied by a decline in the poetic-mimetic productions
known as avant-garde. But this is perhaps a local mutation, particular to the
French culture, whose weight and significance within Western "literature"
remains to be evaluated and whose epistemological and socio-cultural
determinations do not yet appear to us clearly. Let us merely note that
rhetoric - like sophistics - enjoys renewed favor in historical and theoretical
research and a new audience among writers who have discovered it to be a
powerful means of undermining and eluding the monumentality of systematic
philosophy and of challenging the metaphysics of representation, a genus of
which mimesis and poetic expressivity are the species. But if it is so that
mimesis and expression are henceforth the objects of a disfavor and a
desperate undermining effort on the theoretical level, what then is the status
of "poetry"?
We will henceforth no longer take poetry in the Aristotelian sense of epic
and dramatic mimesis, since this role has been assumed in a large part by the
"novel" and the audio-visual media. But instead, we will take it in the sense,
which in Aristotle and in all the great traditional Western poetics is marginal,
164 MICHEL BEAUJOUR
NOTES
1 Jean-Louis Galay, Philosophie et invention textuelle, Paris, Klincksieck, 1977, p.
25. Here, oeuvre refers to the making of the end-product: ouvrage.
2 Perelman, as we know, added the idea that "discourse addressed to the universal
audience aims to convince" to classical theory. The Rhetorical Realm, Paris, Vrin,
1977, p. 31.
3 Perelman, op. cit., p. 37.
4 Marc Fumaroli, L' age de I' eloquence, Geneve, Droz, 1980, pp. 17-2fl,.
S Aristotle, Poetics ...
6 Michel Beaujour, Miroirs d'encre, rhetorique de I'autoportrait, Paris, Seuil, 1980,
p.I25.
7 Chaim Perelman, The Rhetorical Realm, op.cit., p. 83: "Epideictic discourse
nonnally derives from the edifying genre, for it is less concerned with bringing about
immediate action than with creating a readiness for action which waits for the
appropriate moment [... ]. Thus it is that all practical philosophy derives from the
epideictic geme."
8 Cf. Susan Suleiman's excellent study, Authoritarian Fictions: The Ideological
Novel as a Literary Genre, New York, Columbia University Press, 1983, and Rufus
W. Mathewson, Jr., The Positive Hero in Russian Literature, New York, Columbia
University Press, 1958.
9 Suleiman stresses that numerous practitioners of this geme denied that they
practiced it. A "roman a these" is that of an ideological adversary.
10 The Rhetoric of course refers also to the Organon, to the Poetics and generally to
the Ethics.
11 The Poetics' orientation allows us, without stretching the point, to anachronisti-
cally extend its sphere to the novel and the narrative cinema.
12 I am borrowing the model concept (modelling system) anachronistically from Iouri
Lotman (La structure du tate artistique, Paris, Gallimard, 1973) in order to stress that
Aristotelian muthos is not a simple "slice" of life or a segment of action but, on the
contrary, the poet's active structuring of the mimetic material.
13 The Rhetoric (1371b) and the Poetics (1448b) indicate that the arts of imitation
procure the dual pleasure of wonderment and of discovery: the imitated thing itself
168 MICHEL BEAUJOUR
does not procure these pleasures, but "the recognition that the imitation and the
imitated thing are identical in such a manner that we learn something." Pleasure of re-
cognition or of pre-cognition by which we learn to either "see" better or to see into the
future [prevoir). This is the educative pleasure peculiar to the drama, the epic poem
and fiction. These pleasures are analogous to those obtained from the metaphor: a
delayed pleasure derived from a difference which is then resolved in a resemblance.
Thus the metaphor can represent a sort of "microcosm" of mimesis. This is what
Derrida seems to be suggesting in a striking aside: ''now, if metaphor (or mimesis in
general) aims at an effect of knowledge ... ". "La mythologie blanche" in Marges de la
philosophie, Paris, Minuit, 1972, p.294.
14 We know that for the Greeks, the poet (Homer in particular) was a (good or bad)
educator, and that epic and tragic poetry was constantly exploited by educators (the
Sophists, for example) who found in them examples of virtue (arete).
15 Karlheinz Stierle, "L'histoire comme exemple, l'exemple comme histoire",
Poetique 10, 1972, pp.176-195.
16 Historiography may, alternately, according to ideologies and contexts, belong to
one or the other type of narration.
17 It would be good for the reader to refer to the introduction to Wilbur S. Howell's
book, Poetic, Rhetoric and Logic, Ithaca and London, Cornell University Press, 1975.
OUVIER REBOUL
169
170 OUVIER REBOUL
hand, appears "natural", i.e. the most normal in the argumentative situation
and context, the one in the absence of which one would think something had
been lost. In brief, instead of seeing the figure as a "deviation" or expression,
extrinsic to thought, it is made an element of thought, a means of fmding and
proving, even if what it finds and proves is never more than probable. Just as
is probable everything that results from argumentation. That is, in the end,
almost everything.
Now, this functional theory of the figure perhaps omits an essential
element - I mean to say, pleasure. The pleasure which may derive from
emotional disturbance or, on the contrary, from laughter, but which in any
case constitutes a specific element of persuasion. In terms of this, there exists
either a "well-placed" poetry or a "well-placed" humor. Olbrechts-Tyteca's
The Comic of Discourse seems to me to correct what was too intellectualist in
the theory, at least as regards laughter, by showing us the pleasure it may
procure.
Based on these remarks, I will attempt to answer the three following
questions in order of increasing difficulty. First, in what ways do figures
facilitate argumentation? Second, can the figure itself constitute an argu-
ment? Third, is not the argument itself a figure, more or less?
I will classify the figures in the most traditional manner, which at least has
the advantage of being clear: figures of words, meaning, construction and
thought.
Figures of words (or metaplasms) seem limited to poetry or else to the
comical. Nevertheless, they must indeed play an argumentative role since the
most rationalistic philosophers do not hesitate to use them, starting with
Plato's paronomase: soma. sema. The force of expression results from the
rhythmic repetition: - , - , as well as from the repetition of all the
phonemes, except for 0 and e. The proof is in the fact that one need only to
translate - "the body is a tomb" - in order for this force to disappear;
however, the power of metaphor remains.
In this type of figure, everything happens as if - an "as if' which quite
exactly constitutes the figure - the arbitrariness of the sign were abolished, as
if the sequence of phonemes responded to a sequence of thoughts to which it
brought an added measure of proof, all the stronger for its unexpectedness.
One may object that this example is unconvincing, that a pun can only be the
argument of the simple-minded. Is this so certain?
mE FIGURE AND mE ARGUMENT 171
depreciatory one that reduces the army to the practice of extermination and
that of the church to superstition. But, in any case, we associate one reality
with another by playing on the feeling of familiarity that creates often that of
evidence. Most symbols - cross, crescent, crown, tricolor - are on the order
of the metonymy. And, metonymy may be considered to be a condensed
argument that plays on the symbolic link.
Figure of familiarity? It may, however, happen that the metonymy is new,
surprising, in the sense that Ricoeur speaks of the "metaphore vive". "There
are no Pyrenees any more", declared for the first time (in 1659?), must have
produced this effect of surprise. "Pyrenees" is a metonymy for "border", with
the connotation of a dangerous, hostile and almost insurmountable mountain
range; there is, in addition, a metalepse, for the "there are no more" evokes
the power of kings, capable of moving mountains. A living metonymy, for it
tacitly introduces a new symbol, "the plain", that evokes peaceful communica-
tion. But it is a symbol that the audience could nonetheless decipher.
Familiarity, newness: like all figures of meaning, the metonymy oscillates
between two rocks: the enigma and the cliche. A metaphor like "that fox", a
synechoche like "a hundred heads to feed", a metonymy like "his hearth", are
codified to the point that they are no longer figures. Their force of persuasion
is only that of naming with all its reductiveness. To the contrary, a new figure
is often enigmatic; its strength thus comes from the fact that it forces one
away - if only for an instant - from received ideas. Every true figure of
meaning keeps to the center in this tension between the mystery of the
enigma and the familiarity of the clicM.
Over and against the illusory couple of German ideology (Term I: earth, life I
Term II: heaven, consciousness), Marx sets the couple which expresses the
real hierarchy by inverting Term I and Term II. The argument's X-shape
seems to provide him with the evidence of necessity. However, we find the
same abuse of logic as in Comeille; indeed, is the alternative (consciousness
determining life or life determining consciousness) really one? It is plausible
that if life determines consciousness, then the latter transforms life, in
response, etc. The chiasmus renders the argument dramatic. Or else comical,
like Marx's answer to Proudhon: "Philosophy of misery or misery of
philosophy?" But it simplifies it to the point of reductiveness.
Figures of thought, of which the most well-known are the allegory and
irony, are characterized by two features. First, they pertain not to a part of the
discourse, but to the discourse as such; a sentence may contain a pun, but it is
the entire sentence or a whole series of sentences that are ironic. Then, they
are liable to multiple readings. A metaphor, ''This chief of State is the
shepherd of this people", has only one sense, the figurative sense. While an
allegory, like the parable of the good shepherd can be read in the literal sense
or in the figurative. Just as an ironic sentence: "You are the phoenix ..... can
be taken to the letter or as an antiphrasis. This double meaning has argumenta-
tive value.
Thus the allegory, like Plato's cavern or the sower of the Gospels, presents
174 OUVIER REBOUL
consist in going an accusation one better in order both to show its im-
probability and that the accused is not bothered by it (cf. Angenot, p. 277).
But it also has a more general function. This is the case for he who invokes
his own incompetence in order to challenge someone else's competence.
Thus, Sganarelle to Moliere's Don Juan:
As for myself, sir, I have never studied like you, thank God, and no one could boast of
having taught me anything; but with my little sense, my little judgment, I see things
better than all the books ...
We notice that the phore is in general more concrete, and in any case more
familiar than the theme. And it is the resemblance between the two relations
which allows us to infer the fourth term from the three others; in our proverb,
we prove B given A, C, and D, since the relation between A and B resembles
that between C and D: "one has no right to generalize".
Metaphor occurs when analogy is condensed through the omission of
certain terms. Suppose these three diagrams:
1) Allegory
theme phore
A C One swallow
B D does not make a summer
2) Metaphor in praesentia:
theme phore
A This good piece of news C is but one swallow
B D
3) Metaphor in absentia:
theme phore
A C This swallow
B D
We note that the metaphors are only understood thanks to a code which in
this case is the proverb. Sometimes it is a matter of the linguistic code, when
the metaphors are lexicalized: "this fox", ..this tiger"; or it is a matter of a
cultural code as in: ..this thinking reed", "these paper tigers".
In what respect is the metaphor an argument? The simplest answer consists
in saying that it draws its strength from the analogy that it condenses. Thus, if
I wish to reassure an old person anxious about death, I could tell him that it is
only a kind of sleep, implying the following analogy:
theme phore
A Death C Sleep
B is to life is (like) D is to waking
What is the resemblance between the relations? The normal, natural outcome:
rest, requies. We will notice that the metaphor argues by being reductive; it
reduces the resemblance to an identity by evacuating the difference (the sleep
of death is without dreams and without waking... The metaphor lulls the
THE FIGURE AND THE ARGUMENT 177
theme phore
A The enzymes (in this detergent) C Gluttons
B absorb dirt (like) D devour
We note that "gluttons" introduces, moreover, a hyperbole: the glutton
devours everything, and could devour even more! Now, the argument was
refuted by playing on the phore, both on the metaphor and on the hyperbole:
the enzymes are so gluttonous that they even devour the material!
It might be thought that the production of metaphor by condensing
analogies is a scholarly and reductive explanation; fundamentally, this is
what Ricoeur says (cf. p. 37). I will respond in two ways: first, thanks to
resemblance, the metaphor lends the power of naming which is the basis of
all argumentation (sleep, thinking reed, paper tigers, ... that thingamajig [ce
machinl, de Gaulle once said at the UNO. It was undoubtedly not his best
expressed statement, but it shows well the power of a word. After this, can
we be content to say that the metaphor draws its strength from the analogy
that it condenses? I think that on this point, Perelman omitted an important
178 OllVIER REBOUL
aspect which is that in general, the metaphor is stronger than the developed
analogy would be - the excess strength coming from the condensation itself
between the theme and the phore. Thus in the witticism quoted by Olbrechts-
Tyteca, "He runs after the witticism [mot d' esprit)" - "I'm betting on the
mind [I' esprit)". No analogical diagram will ever account for the pleasure
one feels and which gives this argument its strength. This pleasure of laughter
and poetic emotion tends to transform resemblance into identity, the "is like"
of analogy into that metaphorical "is" that enriches our vision of a thing by
revealing its resemblance with another (cf. Ricoeur, p. 109). The metaphor is
more than a simple argument by analogy.
audience: a tribunal, a medical board, a synod, etc. For these very reasons,
the premises of argumentation are not logical evidences, nor are they
demonstrated facts, but rather propositions granted by the target auctience.
The notion of objectivity gives way to that of consensus: a durable
agreement of a certain public upon certain fundamental points.
In order to be effective, then, an argumentation must depend on this
consensus. It must take into account the level of the audience and its
expectations as well. Whence the role of figures. Thus the metaphor
"gluttonous enzymes" is a condensed and adapted argument through analogy:
1) to the cultural level of the public at large, and 2) to the consensus of
modem Western public concerning cleanliness and hygiene (cf. Oleron,
1983, pp. 28ft). Similarly, irony reveals an incompatibility (e.g. between the
pretensions of a speaker and his acts) but by relying on the consensus that
qualifies it as such: "What is capitalism? The exploitation of man by man.
And socialism? The opposite." It is self-evident that a Marxist public will
only see in this a bad play on words (on the meaning of "opposite"), while a
non-Marxist public will find in it the condensed expression of an irresistible
argument: you in no way eliminate exploitation, you merely change ex-
ploiters.
- Second feature: argumentation uses natural language. For that very reason,
its terms are often vague or polysemous. Thus, the word "democracy" in a
political or pedagogical debate. Even in a very intense economic debate, it
happens that the word "francs" is used without making clear whether one
is referring to floating [courant] or stable [constant] francs.
Natural language: language that is naturally figured. First of all, because
we use words in a sense which is not always the proper sense; then also, we
do it without saying so, without even saying so to ourselves.
It has happened that I have analyzed an article by an eminent economist in
just such a manner (pascal Salin, Le Monde, 8.vii.80). He asked that the
power of professors be re-established in the university councils. The basis of
the argumentation is the following: university teaching is a product, univer-
sity professors the producers, the students the consumers. The author then
thrashes the current situation in which the product ends up being judged by
the consumers who "by defmition are ignorant of the technical processes by
which the product is manufactured". This argumentation uses a running
metaphor (cf. O. Reboul, 1984, pp. 114ff), but without flagging it, without
even being conscious of it From "professors are like producers", we slide to
180 OUVIER REBOUL
by showing that the tenns borrowed from economics, like "producers" and
"consumers", cease to be pertinent in the area of teaching, that his view opens
onto a pedagogy of passivity, etc. But one can also play his game: if students
are consumers, then there are consumer organizations interested in "the
technical processes by which the product is manufactured". This second type
of objection is as effective as the first; perhaps more so.
We may conclude that a figure is an argument as soon as it is impossible to
translate, paraphrase or otherwise express it without weakening it
I can now respond to the three initial questions. Yes, the figure facilitates
argumentation. Yes, it contributes to argumentation. And, these two functions
are almost always indiscernible - this indiscernibility being the very essence
of rhetoric.
Finally, yes, the argument itself may be a figure. More generally, it
possesses the same status of imprecision, intersubjectivity, and polemic as the
figure. It could be said that I am diminishing argumentation, stripping it of
any chance of being logical and objective. I wish, on the contrary, that it seize
this chance when it encounters it. But this is rarely the case. For the domain
of argumentation is that of "life's actions", as Descartes said, a domain in
which we hardly ever have logical evidences and objective certainties at out
disposal, in which most truths are on the order of the probable and in which
objectivity must make way for dialogue. And we dialogue with our whole
being. Whence the figure.
BmLIOGRAPHY
Angenot, Marc (1982): La parole pamphlitaire, Payot.
Aristotle, Rhetoric, Bude, 3 vols.
Dispaux, Gilbert (1984): La logique et Ie quotidien, Minuit.
Fontanier, Pierre (1968): Les figures du discours, Flammarion.
Olbrechts-Tyteca, Lucie (1974): Le comique du discours, University of Brussels.
Oleron, Pierre (1983): L' argumentation, "Que sais-je?", PUF, 1983.
Perelman, Ch. and Olbrechts-Tyteca, L. (1976): Traite de l' argumentation (The New
Rhetoric), University of Brussels and Vrin.
Quintillian, Institution oratoire, Bude, 7 volumes.
Reboul, Olivier (1984): La rhetorique, "Que sais-je?", PUF.
Reboul, Olivier (1984): Qu' est-ce qu' apprendre?, PUF.
Ricoeur, Paul (1975): The Rule ofMetaphor, Seuil.
ROMAIN LAUFER
Theodorus:VVhatnarnes?
Socrates: Sophist. statesman, philosopher.
(Plato, The Sophist)
1. Rhetoric in politics
To the sophists who argue freely that rhetoric is the entirety of politics (as it
is the entirety of every matter, moreover), Plato and Aristotle retort that it is
but its auxiliary since politics is defined as a science, "the most authoritative
of the sciences - some science which is pre-eminently a master-craft
[architektonikus]".4
Even though Plato and Aristotle's assessments of rhetoric differ (in one, it
is described as "the power to persuade the crowd and the populace by telling
them stories, instead of instructing them", in the other it is "the most highly
esteemed of the faculties" along with "strategy and domestic economy"),
both agree that it is a technique subordinated to the science of politics.
It could even be stated that rhetoric constitutes, along with violence, one of
the principle means of political action - means which must absolutely remain
subordinated to politics.S The parallel between persuasion and force is
evoked by Aristotle when he says that it is as shameful to not know how to
fight with words as it is to not know how to defend oneself with one's body.6
Thus, it seems that one can sum up the question of the place of rhetoric in
politics for philosophers in two propositions: it is an instrument of political
science; it is an alternative to the other instrument of power - force.
This simple solution supposes that the two proposed distinctions
(power/instrument of power, persuasion/force) be definable with clarity.
Now, Plato must recognize that the regal science which affords access to this
RHETORIC AND POLfTICS 185
knowledge is not the most widely possessed thing in the world: 7 it will thus
be difficult for him to impose himself in the eyes of the majority of the
population.
Young Socrates: Tell me about them You seem to look upon a strange sight.
Stranger: Yes, strange until recognized! I was actually impressed by them myself at
flrst sight. Coming suddenly on this strange cry of players acting their part in public
life I did not know what to make of them.
Young Socrates: What players can these be?
Stranger: The chief wizards among all the sophists, the chief pundits of the
deceiver's art. Such impersonators are hard to distinguish from the real statesmen and
kings; yet we must distinguish them and thrust them aside if we are to see clearly the
king we are seeking.8
By making rhetoric the entirety of politics, the sophist seals the confusion
between power and its instrument, but also that between force and persua-
sion, with the chance that certain individuals consider persuasion to be a way
of avoiding violence while still others see it as the very manifestation of the
rights of the strongest. The exposition of an argument of this type, moreover,
leads Plato, at the beginning of the Republic to counter it with his vision of
the ideal city. In "The Laws" (which is generally agreed to be a more realistic
description of political functioning), Plato cannot do otherwise than to take
into account the ignorance of the masses and to recommend the use of
rhetoric to make them understand laws by preceding them with a persuasive
discourse: "the prelude".9
Thus, behind rhetoric are profiled institutions composed of texts (the Bible,
the Constitution, scholastic texts, codes), of the definition of interlocutors and
that of their meeting places. All of rhetoric thus supposes a "legislation"
186 ROMAIN LAUFER
defining the places, characters and canvasses for the social game rules which
it institutes.
We will consider certain of these presuppositions by distinguishing those
which strictly concern places from those concerning arguments.
public rhetoric which is the object of our study. However, we will not
approach law directly, but rather via the notion of legitimacy system.
a) Non-pragmatic legitimization
This is a legitimization by means of the cause. If the cause is legitimate, the
action is legitimate. For the system to function, one need only to be able to
isolate the legitimate causes. This is what can be realized by the well-
192 ROMAIN LAUFER
3. The/orms o/rhetoric
We can now follow the destiny of political rhetoric during the three periods.
To illustrate our argument, it is possible to consider the history of the
institutional status of political parties in France in that they represent, par
excellence, the incarnation of the "taking of sides" [prise de parti] in political
debate.
During the frrst period, there is no legitimate rhetoric either in the private
sector nor in the administration. Tribunals alone know the debates of lawyers,
intended to elucidate the law's truth and to allow State power to be
legitimately exercised upon that which eludes the presupposition which
founds it. Political rhetoric, during elections and voting, is supposed to
engage in conflict only rational individuals for whom the debate represents a
procedure (itself rational) intended to discover the laws of nature. 20
All during the nineteenth century, political parties only have an informal
existence in the country as well as in the assemblies. 21
During the second period, positivistic science allows for the legitimization
of organizational functioning thanks to the recognition of the scientist's or the
specialist's authority. The notion of rhetoric is manifested through the
practice of pedagogy. This holds true for the public services (and, in par-
ticular, that of public instruction) which constitute the locus of an intense
rhetorical activity which obviously has a political significance: the construc-
tion of a national consensus (Emile Durkheim).
In order for pedagogy to be a rhetoric of science conforming to positivism,
the very notion of rhetoric is banished from secondary education where it had
survived until then. At the level of political life, this period corresponds to the
development of organized parties whose propaganda activity is itself
legitimized by the idea that political specialists who constitute the party have
194 ROMAIN LAUFER
the pedagogy of the masses they represent as their role. From a legal point of
view, the first organized parties date from the end of the nineteenth century
and the official recognition of parties in the National Assembly dates from
1910.
As for the private sector, even if firms become big enough that the
positivist administrative language of "scientific management" establishes
itself there, they remain small enough that this management can still be
considered related to the private sphere and thus escapes the definition of
political rhetoric. Let it be noted that law (whether public or private) remains
the place of a public legal rhetoric (while being modified by the theory of
public service or the creation of limited liability companies for example).
The third period consecrates the crisis of law: the crisis of the limit
between public and private. Henceforth, it is impossible to suppose that "no
one is supposed to be ignorant of the law". To hold forth a legitimate
discourse, it becomes impossible to anticipate the law and necessary to
produce a discourse whose legitimacy resides only in the fact that it is
actually accepted. We thus enter into the sophistic logic which consecrates
the development of the "realm of rhetoric".
However, the sophistic rhetoric corresponding to the crisis of legitimacy of
the liberal system must mimic science; for this purpose, it will have systems
analysis at its disposal. This analysis describes the world with "circles" and
"arrows". Each organization (circle) will produce an image of the world
made up of circles and arrows - an image which will constitute the web of its
administrative language (called management). In this image, the
"organization" circle addresses another circle: market or segment of market,
or public or segment of public (often called targets). But since this image of
the world does not possess intrinsic legitimacy, it will be necessary to ensure
that the public considers the organization thus defined as legitimate. And thus
another schematic of circles and arrows will be constructed (marketing
public) which allows the organization to pragmatically ensure its legiti-
macy.22
From the perspective of the institutionalization of parties, this period
corresponds in France both to the recognition of their role by the Constitution
of 1958 and to the development of political marketing. No longer able to be
based on the knowledge of specialists in order to legitimately lend themselves
to pedagogy of the masses, the parties must have recourse to polls to find out
what their electors want and to define a program apt to attract their votes.
Today's return to rhetorical studies corresponds to the crisis of the
legitimacy system which had organized their disappearance. However,
RHETORIC AND POLmCS 195
modem political rhetoric differs from that which Aristotle described in that it
is linked to the development of the modem "systemic" bureaucracy. If
marketing is the modem (bureaucratic) form of sophistry,23 and if all
sophistry is dependent on the philosophy whose decomposition it mimics, it
is logical to consider that modem rhetoric refers to an epistemology (systems
analysis as the decomposition of Kantian science) where classical rhetoric
referred to an ontology (the enthymeme as the decomposition of the syl-
10gism).24
BY WAY OF CONCLUSION
NOTES
1 Gerard Genette, "La rhetorique restreinte", Communication No. 16, 1970.
2 See for example D. Kambouchner et al., "Le retrait du politique", Editions Galilee,
1983, and "Politique Fin de siecle", Traverse, pp. 33-34, January 1985.
3 We would like to thank Charles Leben, Yves Lichtenberger, and Michel Narcy for
their precious advice in the areas of law and political institutions, of the practice of
negotiation and of classical philosophy.
4 Plato, Statesman,259d. Aristotle, Nichomachean Ethics I.ii.4.
5 Plato, Statesman, 291e
6 Aristotle, Rhetoric, 1355b.
7 Plato, Statesman, 297c, 301e.
8 Statesman 291.c.
9 Plato, Loeb Classical Library, Laws, Book X, n, p. 305.
10 Chaim Perelman, L' Empire Rhetorique, Vrin, p. 23.
11 Chaim Perelman, "Rhetorique et Politique", in Langage et Politique, Ed. Marcel
Granston and Peter Mair, Bruylant, Brussels.
12 Barbara Cassin, "Si Parmenide", Presses Universitaires de Lille, 1980.
13 On the fact that the question of rhetoric is at the heart of the debate between
philosophy and sophistry, see Perelman and Olbrechts-Tyteca, The New Rhetoric,
Brussels, pp. 35-38.
14 "Rhetoric is the analogue of the dialectic", Aristotle, Rhetoric, 1354a.
15 Plato, Phaedrus, p. 273: on this point about Cartesian thought and its consequences
for the negation of rhetoric, see, for example Charles S. Pierce. "Descartes is the
father of modem philosophy and of the spirit of Cartesianism - what differentiates
him from the scholastics which he displaces may be succinctly formulated as follows:
RHETORIC AND POLITICS 197