You are on page 1of 16

2-346-297-21 (1

)

AUDIO MIXER
Table of Contents
SRP-V110
Main characteristics ............................... 2
Operating instructions Dimensions .............................................. 2
Before operating the unit, please read this manual and the supplied
“WARNING” thoroughly and retain it for future reference.

Precautions
On safety (Refer to the supplied “WARNING”.)
• Should any liquid or solid object fall into the cabinet, unplug the unit and
have it checked by qualified personnel before operating it any further. Connections example ............................ 3
• Unplug the unit from the wall outlet if it is not to be used for an extended
period of time. To disconnect the cord, pull it out by grasping the plug. Name and function of each part ........... 4
Never pull the cord itself. MONO INPUT section .............................. 4
On installation
• Do not install the unit in a location near heat sources such as radiators or STEREO INPUT section ............................. 6
air ducts, or in a place subject to direct sunlight, excessive dust, MONITOR section ................................... 8
mechanical vibration or shock.
On operation MASTER section ..................................... 9
• Before making program source connections, be sure to turn the power Back panel section ................................. !º
switch off and unplug the unit.
• When the unit is not used, turn the power off to conserve energy and to
extend the useful life of your unit.
On cleaning the cabinet
Clean the cabinet, panel and controls with a soft cloth lightly moistened
with mild detergent solution. Do not use any type of abrasive pad, scouring
powder or solvent such as alcohol or benzine. Block diagram ......................................... !™
On repacking
Do not throw away the carton and the packing material. It makes an ideal
Main specifications ................................ !£
container for transporting the unit. Trouble-shooting guide ......................... !¢
When shipping the unit for repair work or to another location, repack it as it
was.

If you have any questions or problems concerning your unit, please contact
your nearest Sony dealer.

To prevent fire or shock hazard, do not This symbol is intended to alert the user to the
expose the unit to rain or moisture. presence of uninsulated "dangerous voltage"
within the product's enclosure that may be of
To avoid electrical shock, do not open sufficient magnitude to constitute a risk of
the cabinet. Refer servicing to qualified electric shock to persons.
personnel only.

This symbol is intended to alert the user to the
presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the appliance.

*The caution marking is put on the bottom enclosure.

 1998 by Sony Sound Tec Corporation

multi-functional eight-group buses audio Equipped with 8 AUX channels mixer combined with a small/mid-sized SR system and AUX 1/2 can be used as STEREO AUX of the pre-fader. monitored in stereo. and DIRECT buttons. channels of stereo input. Main characteristics This is a small. AUX 3/4 can (simultaneously) switch between the pre and post faders. it can provide support in various AFL is installed in all outputs. 4 fader. connectors are equipped with 8 channels enabling simple connection to multi-track recorders. GROUP and AUX 1/2 can be ways using a variety of input systems. AUX5/6 can be switched to AUX7/8 using the Equipped with 10 channels of mono input. etc. that supports recording systems. multi track recorder. and 4 channels of auxiliary stereo input All output systems can be monitored Despite its small size. MONI. Simple connection to multi-track recorders This (9U) size can be installed onto a standard 19 inch rack The TAPE IN connectors and GRP/DIRECT OUT using the optional MU-110BK. Dimensions 120 (43/4) 86 (31/2) 396 (155/8) 36 (17/16) 430 (17) Unit : mm (inch) 2 . Smooth operations are possible from recording to mixing down each track This enables all operations up until the mix down stage without changing connections by simply switching between the TAPE.

Connections example SR system connection Dimensions Main characteristics Keyboard Compressor AUDIO MIXER SRP-V110 CD or MD Player Microphone Compressor Connections example Graphic Equalizer Graphic Equalizer Effector Power Amplifier Power Amplifier Main Speaker Monitor Speaker Recording system connection Keyboard Compressor Multi Track Recorder CD or MD Player Microphone AUDIO MIXER SRP-V110 Monitor Speaker Effector DAT(Master Recorder) 3 .

it can be controlled between +10 - ON –40 dBu. the power is turned on. can be 6 100 10K 100 10K 100 input to each channel without changing connections.8 only) 7 -15 +15 -15 +15 -15 4 LCF (Low Cut Filter) button 8 LOW LOW This suppresses frequencies of 80 Hz or lower from the -15 +15 -15 +15 -15 channel signal at 12 dB/oct (12 decibels per octave) AUX AUX when it is on. and “blow noise” caused by !º 0 0 breathing. The equalizer is a 40 Hz peaking type. The equalizer is a 12 kHz shelving type. Name and function of each part MONO INPUT section 1 POWER switch When the switch is pressed to the ON side.5K 500 1. Using this 5 -15 +15 HIGH -15 +15 HIGH -15 function.5K 500 recorder connected to the TAPE IN connectors. The equalizer is a peaking type. the input signal level can be controlled between –10 .+15 dB. -∞ 0 -∞ 0 -∞ !£ 57 5 7 6 MID (Mid equalizer) frequency control -∞ 0 -∞ 0 -∞ !¢ This varies the central frequencies of the mid equalizer 68 68 between 100 Hz .+15 dB. and when connected to the LINE connector. 3 2 LCF LCF 3 TAPE button +10 -10 -40 -60 +10 -10 -40 -60 +10 -10 4 This switches the signal input from the MIC/LINE connectors to the TAPE IN connectors. MID MID (Channels 1 . turn the 1 2 LEVEL control to control the signal so that 0VU LEVEL TAPE LEVEL TAPE LEVEL display on the meter is lit sometimes.10 kHz. When connected to the MIC connector. press the PFL button of the channel to be controlled to display the signal level on the meter. set the meter to VU operation. -∞ 0 -∞ 0 - !∞ !§ 7 MID (Mid equalizer) level control ON ON PFL PFL L R ODD EVEN L ODD R EVEN L ODD !¶ This varies the mid equalizer level between –15 dB . This function is very effective for 9 1-2 MONI 1-2 MONI removing “touch noise” that occurs when a !¡ 1 2 1 2 1 microphone is being held. -5 5-6 -5 5-6 !ª -10 -10 7-8 7-8 -20 -20 DIRECT DIRECT -∞ -∞ @¡ 4 . In this state. PEAK PEAK +10 +10 !• 8 LOW (Low equalizer) level control L-R L-R +5 +5 1-2 1-2 This varies the low equalizer level between @º 0 3-4 0 3-4 –15 dB . sounds. In order to control the input signal at a POWER OFF 1 suitable level. -∞ -∞ -∞ !™ -∞ 0 3 -∞ 0 3 -∞ 5 HIGH (High equalizer) level control This varies the high equalizer level between 4 4 –15 .+15 dB.–60 dBu. such as those from a multi-track 500 1. 2 LEVEL control This controls the input signals from the MIC or LINE connectors at a suitable level.

9 AUX 1-2 PAN control !§ PAN control When turned towards the “1”. and when turned in the “R EVEN” maximum in either direction. change it to the LINE connector. the signal is routed to the pre-fader and post fader (splitting the signal after it the MASTER L/R bus.8 are output to the GRP/DIRECT OUT 1 . the signals from the channels are routed to each output. * 0 dBu=0. and when turned in the “2” direction. to be connected post fader signals from the MONO INPUT channels externally. When PFL buttons !¡ MONI button for a number of channels are pressed simultaneously. GROUP 1. the signal is routed to each PRE switch. etc. 5/6 or has passed through the channel fader) by using the 7/8 buttons are pressed. 5 . and 8 (even channel) buses. When it is on. (MONO INPUT 1 . These AUX’s can switch between When the L-R button is pressed. 5 and 7 (odd shifted to the AUX 2 bus. while displaying the level on the meter. and the MONITOR OUTPUT connectors. the signal is excessive.775 V !∞ ON button When turned on. This controls the level that is sent to the AUX 1/2 buses. signals from off. However. the sending signals to the effector. and when it is turned on. !™ AUX 3 and 4 controls These control the levels that are sent to the !ª Assign buttons AUX 3 and 4 buses. 6. Sounds. 2. it is shifted to the MASTER L. the input output. button”) @º Channel fader !£ AUX 5/7 and 6/8 controls This sets the signal level for the channels.8 connectors. signals from the TAPE IN connectors (or MIC/LINE connectors if the TAPE button is turned on) are sent to !• PEAK indicator the AUX 1/2 buses. (Refer to the MASTER section “2 PRE group bus. It is used to create a separate When turned on. This AUX is a pre-fader (splitting the signal !¶ PFL button before the channel fader). In this case. the AUX 1-2 PAN control and AUX 1-2 control channels whose AFL button is turned on are not operate as normal AUX. sound is shifted to the MASTER R. as it does not depend the channel fader are routed to the PHONES connector on the position of the channel fader. the AUX level changes depending on the When this button is turned off. the signals before they pass through balance mix and stereo monitor. and to the AUX 7/8 buses when turned on. the PFL function is available even if this switch is turned off. 1 . These AUX’s are post faders. 3. !¢ AUX 7/8 button These send the signals to the AUX 5/6 buses when turned off. a each part Name and function of This changes the function of the AUX 1/2. is within 3 dB of the maximum TAPE connectors. When the only) MIC connector is used. When turned to the maximum in either direction. the output level is direction. These control the levels that are output to the AUX 5/7 and 6/8 buses. @¡ DIRECT button As a result. When this LED is lit. sound is shifted to the When turned in the “L ODD” direction. When turned to the channel) buses. after passing multi-track recorder that has been connected to the through the equalizer. such as those from a This is lit up whenever the signal level. This is used when GROUP bus are output. the signals from the position of the channel fader. 3/4. and when the 1/2. and 1/2 output using this function.8 must be controlled using the LEVEL control. When it is mixed signal is routed. 4. GROUP increased by +3 dB. the output level is !º AUX 1-2 control increased by +3 dB. can be monitored through the AUX level. sound is AUX 1 bus.

Name and function of each part STEREO INPUT section ST5 ST6 ST7 ST8 !∞ 0 0 0 0 -∞ -∞ -∞ -∞ ST1 ST2 ST3 ST4 -10dBs -10dBs -10dBs -10dBs 1 2 -15 +15 HIGH -15 +15 HIGH -15 +15 HIGH -15 +15 HIGH 3 MID MID MID MID -15 +15 -15 +15 -15 +15 -15 +15 4 +15 LOW +15 LOW LOW +15 LOW -15 -15 -15 +15 -15 AUX AUX AUX AUX 5 -∞ 0 1-2 -∞ 0 1-2 -∞ 0 1-2 -∞ 0 1-2 3 3 3 3 -∞ 0 -∞ 0 --∞ 0 -∞ 0 6 4 4 4 4 -∞ 0 -∞ 0 -∞ 0 -∞ 0 5 7 5 7 57 57 -∞ 0 -∞ 0 -∞ 0 -∞ 0 8 7 68 6 8 68 68 -∞ 0 ON -∞ 0 ON -∞ 0 ON -∞ 0 ON 9 !º PFL PFL PFL PFL L R ODD EVEN L ODD R EVEN L R ODD EVEN L R ODD EVEN !¡ !™ PEAK PEAK PEAK PEAK +10 +10 +10 +10 L-R L-R L-R L-R +5 +5 +5 +5 1-2 1-2 1-2 1-2 !¢ 0 3-4 0 3-4 0 3-4 0 3-4 -5 5-6 -5 5-6 -5 5-6 -5 5-6 !£ -10 -10 -10 -10 7-8 7-8 7-8 7-8 -20 -20 -20 -20 -∞ -∞ -∞ -∞ 6 .

When turned in the “L ODD” direction. and when the 1/2. and when it is turned on.ST4 channels When turned on. 7 AUX 5/7 and 6/8 controls These control the levels that are sent to the AUX 5/7 and 6/8 buses. When PFL buttons for a number of channels are pressed 5 AUX 1-2 control simultaneously. the signal is excessive. sound is shifted to the MASTER R. it is –10 dBu. the signal is routed to each (which splits the signal after the channel fader) using group bus. the output level is 3 MID (Mid equalizer) level control increased by +3 dB. this is used to create a separate balance mix and through the equalizer. The signals from channels whose AFL button is turned on signal that has been input to L is routed through the are not output. 6 AUX 3 and 4 controls !£ Assign buttons These control the levels to be sent to the AUX 3/4 When the L-R button is pressed. This AUX is a pre. These AUX’s are post faders. sound is shifted to the MASTER L. 4. When this LED is lit. and to the AUX 7/8 buses when turned on. In this case. 5. the mixed signal is routed. the AUX level changes depending on the ST5 . 1 –10 dBs button When this button is turned off. the signals in stereo before they pass 4 LOW (Low equalizer) level control through the channel fader are routed to the PHONES This varies the low equalizer level between connector and the MONITOR OUTPUT connectors. 3. However. The equalizer is a 12 kHz shelving type.5 kHz peaking type.+15 dB. etc. 7 . externally. while the signal that has been input to R is routed through the AUX 2 bus.ST8 channels are auxiliary stereo input channels. The equalizer is a 2. and the channel fader. Signals from these channels are only routed to the MASTER L/R buses. the PFL function is available even if this switch is turned off. the L and R signals are mixed. !¡ PFL button each part Name and function of When turned on. and 7 (odd 2 HIGH (High equalizer) level control channel) buses. This the MASTER L/R buses. 9 ON button ST1 . 6. !™ PEAK indicator fader (splitting the signal before the channel fader). This controls the level that is routed to the MASTER L/ R buses. In this case. GROUP 1. the reference input !º Balance control level is +4 dBu. the PRE button. after passing Thus. (Refer to the MASTER section “2 PRE button”) !¢ Channel fader This sets the signal level for the channels. The equalizer is a 40 Hz peaking type. and when turned in the “R EVEN” This varies the high equalizer level between direction. This varies the mid equalizer level between –15 . the signal is routed to buses. while displaying the level on the meter. This is used when sending signals to the effector. –15 . 2. AUX can switch between the pre-fader and post fader or 7/8 buttons are pressed. This controls the level to be sent to AUX 1/2 buses. and 8 (even channel) buses. 8 AUX 7/8 button These output the signals to the AUX 5/6 buses when !∞ Channel volume control turned off. the L and R signals are mixed. is within 3 dB of the maximum stereo monitor.+15 dB. When turned to the maximum in either direction. AUX 1 bus.ST8 channels position of the channel fader. This is lit up whenever the signal level. as it does not depend on the position of level. the signals from the channels are routed to each output. As a result. 3/4. to be connected ST5 . must be controlled using the LEVEL control. 5/6. In this case. GROUP –15 .+15 dB.

Ring: R. During PEAK or MONITOR AFL MONO VU operation. -∞ 0 5 POWER indicator AUX MASTER 2TR IN 0 AFL 1-2 +10 This is lit up when the power is turned on. -∞ +10 GRP3-4 8 PEAK button AFL 0 7 -∞ +10 GRP5-6 When off. and when the -20 R/EVEN button is turned on. -∞ -∞ 0 PRE 0 AFL AFL 3 6 +48 V indicator -∞ +10 PRE 0 AFL TO L-R This is lit up when the power (DC +48 V) for condenser 4 microphone is output. AFL AFL AFL AFL AFL 9 MONITOR control 1-2 3-4 5-6 7-8 L-R This controls the output levels of the PHONES and +10 MONITOR OUT connectors. 8 . 5 PEAK VU POWER +15 +13 +5 +3 4 LEVEL meter +11 +1 This displays the level of whichever channels PFL or 6 +48V +10 0 4 AFL buttons are turned on. and signals from channels whose PFL or AFL buttons are turned on can be confirmed. The same signals are output as those from the MONITOR OUTPUT connectors. -5 When the L/ODD button is turned on. Name and function of each part MONITOR section 1 PHONES (headphones) connector Phone jack (Tip: L. Sleeve: GND) This is the connector that the headphones are connected to. 1 PHONES 3 VU meter indicator This is lit up when the level meter is used as a VU 2 3 meter. AUDIO MIXER SRP-V110 2 PEAK meter indicator This is lit up when the level meter is used as a peak meter. the “0 ” represents the reference level in 9 L/ODD R/EVEN !º both the PEAK and VU meters. Whichever of the PEAK or VU meters 8 PEAK -10 -20 L R indicator is lit shows the scale to use. sound is only routed -∞ through the R and even channels. The level meter in this +9 -1 +7 -3 system can be switched between PEAK operation and 7 +5 -5 PFL +3 -7 0 -10 VU operation. +5 !º AFL MONO buttons 0 This outputs an AFL mono signal that is routed through the PHONES and MONITOR connectors. the level meter operates as the VU meter. -∞ +10 2TR IN 0 AFL 5 7 PFL indicator +10 AUX 1-2 -∞ This is lit up when the PFL button of any channel is 0 AFL 6 GRP1-2 turned on. AFL 0 8 GRP7-8 and when on it switches to operating as the PEAK -∞ +10 meter. sound is only -10 routed through the L and odd channels.

When the AFL buttons for a number of channels are turned on simultaneously. and only signals from channels whose PFL +13 +3 +11 +1 +48V buttons are pressed are routed. and each 0 AFL channel is not controlled one by one. AFL MONO MONITOR L/ODD R/EVEN 5 TO L-R button -∞ 0 This sends each signal to the MASTER L/R bus. signals PEAK VU POWER from channels whose AFL buttons are pressed are not +15 +5 routed. signals GRP7-8 -∞ +10 from channels whose AFL buttons are pressed are not routed. 1 5 +10 AUX 1-2 -∞ 0 AFL 6 GRP1-2 7 AFL buttons -∞ +10 5 The signals after the GROUP fader or L/R fader are 3 0 AFL 7 GRP3-4 routed to the PHONES and MONITOR OUT -∞ +10 GRP5-6 connectors. and displays their levels on the meter. Each GROUP fader -∞ +10 2TR IN controls the signal level of every 2 channels. when a PFL button is turned on.MASTER section 1 AUX MASTER controls This controls the output level to the AUX OUTPUT connector. a mixed signal is routed. 2 PRE buttons This switches AUX 3 and AUX 4 for all channels between the pre-fader and post fader. It is switched to pre-fader when it is on. and post fader when it is off. AUX MASTER 2TR IN 0 AFL -∞ +10 1-2 -∞ 4 6 GROUP faders 0 PRE 0 AFL AFL This controls the level of the signals to be routed to the 3 MASTER L/R bus when signals are routed from the 2 PRE -∞ +10 0 AFL TO L-R GROUP bus to the GRP/DIRECT OUT connector and 4 the TO L-R button is turned on. -10 -20 -∞ 9 . AUDIO MIXER SRP-V110 3 AFL buttons The signals after the AUX MASTER volume are routed to the PHONES or MONITOR OUT connectors. +10 0 +9 -1 4 2TR IN level control +7 -3 +5 -5 PFL +3 -7 0 -10 This controls the level of the signals that are input PEAK -10 -20 L R from the 2TR IN connector. they are output after being mixed. When the AFL buttons 1-2 3-4 5-6 7-8 L-R for a number of channels are turned on simultaneously. each part Name and function of However. 0 AFL 8 However. and PHONES displays the level on the meter. when a PFL button is turned on. and only signals from channels whose PFL 7 AFL AFL AFL AFL AFL buttons are pressed are routed. +10 +5 8 L-R fader This controls the level of the signals that are routed 6 0 8 from the MASTER L/R bus to the MASTER OUTPUT -5 connectors.

No. reference level: –10 dBu) Phone jacks These are input connectors for the STEREO INPUT (Balanced. and are used for output post fader signals from each MONO INPUT monitoring or laying down tracks. Ring: input. they become direct output connectors that as from a multi-track recorder. such turned on. are connected. Name and function of each part Back panel section 5 74 GRP/ TAPE STEREO INPUT DIRECT IN MONO INPUT OUT ST6 ST5 ST2 ST1 8 MIC R L(MONO) L R L(MONO) R L(MONO) 7 INSERT LINE ON OFF !£ +48V R 8 MONITOR ST8 ST7 ST4 ST3 10 MIC OUT L(MONO) !º R L R L R L(MONO) R L(MONO) INSERT LINE R INSERT OUTPUT R L R L L 8 7 6 5 4 3 OUT IN R MASTER 2TR AUX OUTPUT !™ !¡ 96 8 1 MONO INPUT MIC connectors 5 STEREO INPUT connectors XLR-3-31 type Phone jacks (ST1 – ST4) (Balanced. Sleeve: ground) (Pin No. Sleeve: ground) Phono jacks (Unbalanced. reference level: +4/ –10 dBu) These are input connectors for the MONO INPUT Phone jacks (ST6. Sleeve: ground) reference level of between +4 dBu and –10 dBu can be These are input connectors for the MONO INPUT connected for ST1 . reference level: –10 dBu) These are INSERT IN/OUT connectors for the MONO These are connectors to input signals.3: cold) (Balanced. etc. ST6 and ST8.–10 dBu) (Tip: hot. reference level: –60 . reference level: –10 dBu) Phono jacks (ST5.. reference level: –3 dBu) 6 2TR IN connectors (Tip: output. ST7) 2 MONO INPUT LINE connectors (Unbalanced. Line level output equipment can be equipment with a reference level of –10 dBu can be connected. etc.1: ground. Compressors and gates. channel. When the These are TAPE IN connectors for MONO INPUT DIRECT button for the MONO INPUT 1 .2: hot. Line level output equipment with a (Tip: hot. the 2TR IN level control on the MASTER section. 10 0 . Ring: cold. The level is controlled by before the installed equalizer. Ring: cold. reference level: –10 dBu) These output each GROUP bus signal. No. ST8) channels. Microphones can be connected. Phone jacks (Unbalanced. They connect the output for each track. reference level: –10 dBu) Phono jacks (Unbalanced.ST4. External equipment can be inserted from DAT or MD recorders. and line level output channels. such as those INPUT channels. connected for ST5 .ST4. reference level: –40 .ST8 in stereo.8 channels is channels. (Unbalanced. 7 GRP/DIRECT OUT connectors 4 TAPE IN connectors Phono jacks (Unbalanced.+10 dBu) channels. Signals are internally distributed to the R side when only the L (MONO) 3 MONO INPUT INSERT connectors connector is connected for ST1 .

!¡ MASTER OUTPUT connectors XLR-3-32 type * 0 dBu=0. reference level: +4 dBu) This is the button to supply power (DC +48 V) for condenser microphones to the MIC connectors of the 9 2TR OUT connectors MONO INPUT channels 1 . reference level: +4 dBu) • When a dynamic microphone is used in conjunction with a These output the same signals as the PHONES microphone that uses +48 V power. etc. reference level: –10 dBu) turned on. They are connected to the compressor or gate. reference level: +4 dBu) (Pin No. and signals from any channels whose PFL may under-perform. Phone jacks (Unbalanced. No. the dynamic microphone connector. • Before turning on the +48 V button or after changing the cable connection. Ring: input. These distribute and output the MASTER OUTPUT L/ R signals. External equipment can be inserted before the L/R fader.775 V (Balanced. 3: cold) !™ MASTER INSERT connectors Phone jacks (Unbalanced. They are connected to DAT or MD recorders. 1: ground. When this button is Phono jacks (Unbalanced. 3 2 GRP/ TAPE MONO INPUT DIRECT IN MONO INPUT 7 OUT 2 1 MIC MIC MIC INSERT LINE 1 INSERT LINE INSERT LINE 2 9 4 3 MIC MIC MIC INSERT LINE 3 INSERT LINE INSERT LINE 4 each part Name and function of 6 5 MIC MIC 2 1 5 INSERT LINE INSERT LINE 6 1 74 8 AUX OUTPUT connectors !£ +48 V button Phone jacks (Unbalanced. DC +48 V is output to all MIC connectors. Caution or equivalent. Sleeve: ground) These are the INSERT IN/OUT connectors of the MASTER OUTPUT. or AFL buttons are turned on can be confirmed. 2: hot. !¡ 11 . reference level: –6 dBu) (Tip: output. No.8. turn down the output fader or the output volume. !º MONITOR OUT connectors • The line equipment must be connected to the LINE input side.

-40dBs LEVEL 5-6 LEVEL LOW MID HIGH 7-8 STEREO R INSERT OUTPUT +4dBs MONI PAN INSERT TAPE INPUT AUX1-2 -10dBs AUX3 AFL ATT 2TR GROUP/DIRECT OUTPUT AUX4 -10dBs OUTPUT ATT DIRECT ATT -10dBs AFL MONO 7/8 AUX5/7 LEVEL METER 7/8 PEAK AUX6/8 L/ODD PFL PHONES MONO INPUT 1-8 R/EVEN +48V MONITOR PEAK OUTPUT L-R +4dBs MIC LCF ON FADER PAN -10 .-40dBs LEVEL FADER 5-6 LEVEL LOW MID HIGH 7-8 INSERT PAN AUX1-2 TO L-R GROUP1-2/3-4/5-6/7-8 OUTPUT AUX3 AFL AUX4 7/8 AUX5/7 7/8 AUX6/8 AUX1-2 AUX1 OUTPUT PFL +4dBs MONO INPUT 9-10 AUX2 OUTPUT +4dBs AFL PEAK ON FADER BAL TO L-R L (MONO) L-R +4/-10dBs -10dBs EQ + + 1-2 R 3-4 AUX3/4 +4/-10dBs 5-6 AUX3/4 OUTPUT LEVEL +4dBs PRE AFL LOW MID HIGH 7-8 AUX1-2 AUX5/6/7/8 AUX5/6/7/8 OUTPUT AUX3 +4dBs AFL AUX4 AFL 2TR IN 7/8 2TR AUX5/7 INPUT -10dBs 7/8 TO L-R AUX6/8 PFL +48V +48V STEREO INPUT 1-4 LEVEL L -10dBs R -10dBs STEREO INPUT 5.8 12 !™ .7 LEVEL L (MONO) -10dBs R -10dBs STEREO INPUT 6. Block diagram AUX 3-4POST AUX 3-4PRE GP OUT1-8 GROUP 1-8 CONTROL AUX 5-8 AUX 1-2 PFL R PFL L L-R +48V PEAK FADER L-R STEREO L MIC TAPE LCF ON FADER PAN OUTPUT +4dBs -10 .-60dBs 1-2 EQ LCF INSERT LINE 3-4 -20dB FREQ +10 .-60dBs 1-2 MONITOR EQ LCF LINE 3-4 -20dB FREQ +10 .

1 kHz) Less than –98 dB (ON button: OFF.775 V) for improvement without prior notice.20 kHz.+27 dBu 22 kΩ — jack TAPE INPUT Phono jack Unbalanced –10 dBu +13 dBu 10 kΩ — INSERT ø 6. WARNING (1) GROUP OUTPUT FADER: 0.3 Phone Balanced –10/+4 dBu +13/+27 dBu 3.3 Phone Unbalanced –3 dBu +20 dBu 30 kΩ — INPUT jack INSERT –3 dBu +20 dBu 47 Ω 600 Ω or more OUTPUT STEREO INPUT 1-4 ø 6.7 Phono jack Unbalanced –10 dBu +27 dBu 10 kΩ or — more 6.3 Phone Unbalanced –10 dBu +27 dBu 10 kΩ or — jack more AUX OUTPUT ø 6. Less than –95 dBu (20 Hz .005% Operating temperature (MIC INPUT: –60 dBu.20 kHz.N Less than –129 dBu –20°C – 60°C (MIC INPUT: –60 dBu) Mass Approx.2 kΩ — LINE ø 6.20 kHz.7 kg Residual noise level Less than –95 dBu (20 Hz . 1 kHz) Specifications and external appearance are subject to change (0 dBu=0. L-R OUTPUT: 0°C – 40°C +14 dBu. Total harmonic distortion Power consumption 50 W Less than 0.–10 dBu –37 .5 dB (20 Hz – 20 kHz) Refer to the supplied “WARNING ”. excluding L-R OUTPUT FADER: 0.3 Phone Unbalanced — 40 mW + 40 mW — 8 Ω or more jack Audio section General section Frequency response +0.3 Phone –40 . Supplied Accessories GROUP OUTPUT FADER: – ∞) Operating instructions (1). 8.+10 dBu –17 . 14 ch routed) protruding parts) Less than –106 dBu (20 Hz .20 kHz.+13 dBu 2.5/–0. !£ 13 .5/–1.3 Phone Unbalanced +4 dBu +20 dBu 100 Ω 600 Ω or more jack GROUP/DIRECT OUTPUT Phono jack Unbalanced –10 dBu +10 dBu 320 Ω 10 kΩ or more 2TR INPUT Phono jack Unbalanced –10 dBu +27 dBu 10 kΩ or — more OUTPUT Phono jack Unbalanced –10 dBu +10 dBu 320 Ω 10 kΩ or more STEREO OUTPUT XLR-3-32 type Balanced +4 dBu +24 dBu 47 Ω 600 Ω or more Main specifications Block diagram INSERT ø 6. External dimensions 430 × 120 × 396 mm L-R OUTPUT FADER: – ∞) (17 × 4 3/4 × 15 5/8 inches) Less than –82 dBu (20 Hz . 14 ch routed) Crosstalk Less than –90 dB (Fader down.3 Phone Unbalanced –6 dBu +20 dBu 30 kΩ or — INPUT jack more INSERT –6 dBu +20 dBu 47 Ω 600 Ω or more OUTPUT MONITOR OUTPUT ø 6.8 ø 6.I.3 kΩ or — jack more 5. 1 kHz) Storage temperature E.3 Phone Unbalanced +4 dBu +20 dBu 100 Ω 600 Ω or more jack PHONES ø 6. Main specifications Name Connector type Circuit Reference level Maximum level Impedance Suitable load impedance MONO INPUT MIC XLR-3-31 type Balanced –60 .0 dB (20 Hz – 50 kHz) Power supply voltage +0. (width/height/depth.

Although the POWER indicator is lit. contact the store from which the item was purchased. nor is any sound output. MONITOR OUT connector. If after that. no sound is • Check whether or not the ON button is turned off. or your nearest Sony dealer. output. (Page 10) 14 !¢ . please double-check the following points. • Check whether or not the DIRECT button is turned on. (Page 9) The sound is distorted. (Pages 5 and 7) No sound is output from the PHONES connector or the • Check whether or not all of the AFL buttons are turned off. (Page 9) No sound is output from the AUX 5. through the MASTER OUTPUT. normal operation cannot be resumed. (Pages 5 and 7) Sound from the AUX 1/2 and GROUP bus is output • Check whether or not the TO L-R button is turned on. (Pages 5 and 7) • Check whether the assign button is correctly pressed. (Pages 4 and 7) • Check whether or not the line level output equipment is connected to the MIC connector. indicator does not light up. Condition Causes/Solutions When the POWER switch is turned on. the power • Check that the power cord is connected. 7 and 8 buses. • Check whether the settings of the LEVEL controls and –10 dBu button are correct. Trouble-shooting guide In the event of any unexpected problems. 6. (Page 4) No sound is output from the GROUP bus. (Page 5) No sound is output from the 2TR IN connector. (Pages 5 and 7) No sound is output from the TAPE IN connector. • Check whether or not the TAPE button is turned off. (Page 9) • Check whether or not the PFL button is turned on. • Check whether or not the TO L-R button is turned off. • Check whether the AUX 7/8 button is pressed correctly.

15 .

Printed in Japan .