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BEGINNING

THE GENTLE ART OF MINIATURE TREE GROWING

Shirley and Larry Student

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BEGINNING
BONSAI
THE GENTLE ART OF MINIATURE TREE GROWING

by
SHIRLEY & LARRY
STUDENT

TUTTLE PUBLISHING
Tokyo • Rutland, Vermont • Singapore
In the pursuit of bonsai,
search for the ideal,
where the mind, heart, and hand are one.

Acknowledgments Published by Tuttle Publishing, an imprint of


Periplus Editions (HK) Ltd., with editorial offices at
Our life in horticulture in general and bonsai in 364 Innovation Drive, North C larendon, Vermont 05759; and 130
particular has been enriched by the many Joo Seng Road, #()6-0 I, Singapore 368357.
wonderful people we have met working with © 1992 by C harles E. Tuttle Publishing Company, Inc.
plants and trees. We have studied with many of All rights reserved
the leading bonsai artists in the United States, LCC Card . No. 94-80694
ISBN 0-8048- 1729-4
including John Yoshiyo Naka, whom we are
ISBN 978-0-8048-1729-5
honored to call friend and mentor.
We express our gratitude to the bonsai First ed ition, 1992
Printed in Singapore
teachers who have given so freely of their
knowledge, sharing with us their love of this Distributed by:
wonderful art form. Japan: Tuttle Publishing, Yaekari Building, 3F
5-4-12 Osaki, Shinagawa-ku, Tokyo 141 -0032
To our students and readers we express our Tel: (03) 5437 0 171; Fax: (03) 5437 0755
appreciation for their curiosity, which stimulates Email: tuttle-sa les@gol.com
and excites our own study.
North America, Latin America & Europe: Tuttle Publishing, 364
We cannot personally acknowledge all the Innovation Drive, North C larendon, YT 05759-9436
people who helped with the book but we wish to Tel: (802) 773 8930; Fax: (802) 773 6993
thank our illustrator and photographer, Robert Email: info@tuttlepublishing.com
Johnson, well-known watercolor artist and teacher. www.tuttlepublishing.com
Finally, we appreciate the support and en- Asia Pacific: Berkeley Books Pte Ltd.,
couragement of our daughter Toby, a bonsai 130 Joo Seng Road, #()6-01, Singapore 368357
artist herself, and her husband Michael, our son Tel: (65) 6280 1330; Fax: (65) 6280 6290
Emai l: inquiries@periplus.com.sg
Michael and his wife Barbara, and our grandson www.periplus.com
Sandy, whose smile lights up the day.
10 09 08 07 06 18 17 16 15 14

TUTTLE PUB L1 S HI N G®is a reg iste<ed tr.demark of Tuttle Publish ing. a


division of Peri plus Edi tions (HK) Ltd.

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Contents

1 A SHORT INTRODUCTION TO BONSAI 5

2 BONSAI FROM DIFFERENT SOURCES 7

3 CHOOSING A BONSAI STYLE 10

4 ESSENTIAL TECHNIQUES AND MATERIALS 12

5 GETTING STARTED 22

6 FORESTS, GROVES, AND SAIKEI 38

7 CARE OF BONSAI: A FIVE-POINT PROGRAM 40

8 ROOT PRUNING AND REPOTTING 45

9 SEASONAL CHANGES 47

10 ADVANCED TECHNIQUES 49

11 VARIETIES OF BONSAI TREES 51

12 COMMON QUESTIONS ABOUT BONSAI 56


FIG. 1 The juniper, with its needlelike foliage and aromatic wood, makes an attractive bonsai.

4 CHAPTER 1

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D
A Short Introduction
to Bonsai

Bonsai is the Oriental art of creating Unlike the wealthy man, the common
miniature versions of nature's wondrous man could not travel to the mountains to
trees; it is the reproduction, on a small collect trees. He had to rely on whatever
scale, not only of the dwarf trees of the was easily obtained, the trees and
mountains but also of the giant trees of seedlings near his home or at the
the forests. outskirts of his town or village. To these
In ancient China naturally dwarf trees young trees he collected, he began to
were collected from mountainous areas apply what he had seen nature do to
and revered throughout the country. trees over the years. He observed the
The trees were potted in beautiful, wonders of nature that created strong,
highly decorated containers and en- old trees, sometimes showing beauty,
joyed as "artistic pot plants," as they often dignity and character, and always
were then called. It is thought that little the ability to survive.
else was done to the trees to keep them The working class, who first saw the
alive other than attending to their basic wonder of dwarf trees, soon began to
horticultural needs. These "artistic pot establish the elementary guidelines of
plants" were kept behind palace walls what would become a sophisticated
for the ruling classes. horticultural art form. From that time
Over the centuries much of China's on, the art of bonsai would be continu-
culture was sent to Japan. The Japanese ally studied and expanded by its masters
absorbed and refined this culture, which and their followers.
included elements of religion, govern- Bonsai, as we know it today, evolved
ment, architecture, and the "artistic pot from its Chinese origins into an art form
plants" that were sent to Japan as gifts that produced smaller, more refined
for the aristocracy. These plants might trees. Chinese gardens were loose, free,
have remained behind palace walls had expansive. Their "artistic pot plants"
not Chinese monks introduced them to reflected that horticultural approach. On
the public as they taught Zen Buddhism the other hand, Japanese gardening was
to the common people. The miniature more precise, contained, and refined.
trees were ideal teachers of philosophi- Moreover, because the space for living
cal principles concerning the harmony and the time for gardening for ordinary
of nature, man's place in the universe, Japanese were limited, their tree de-
and the harmonious blending of heaven, signs and containers became smaller and
earth, and man. From this beginning, more refined. In Japan, the tokonoma, a
bonsai emerged as the horticultural art small ceremonial alcove, became an im-
form we practice and study today. portant part of every home. Trees were

A Short Introduction to Bonsai 5


brought into the house and placed in the think he had perfected or completed the
tokonoma for short periods of time. development of a tree in a single
In the past, as now, the primary lifetime. The study of bonsai in this
concern was to keep the trees alive and book derives from the teachings of
healthy after they were root pruned and generations of masters who have spent
planted in shallow pots. The develop- their lives acquiring horticultural knowl-
ment of tree design and style would edge as it merged with the art of
evolve slowly, but from early on, the designing miniature trees.
trees that were used were small and Today the artistry and technique of
young, and the artistic goal was to create bonsai are universal. With the spread of
the illusion of an old tree with strength bonsai throughout the world, many
and character. species of trees from many countries
Oriental philosophy and religion have become proper subjects for bonsai.
taught that the world was ordered yet Bonsai belongs to everyone.
asymmetrical. The concepts of heaven, As you approach the study of bonsai,
earth, and man, fitting within a triangle, know that you and your trees will
brought peace and harmony to daily life. change. You will bring your own feelings
These concepts formed the basis for and artistry to bonsai. The goal of your
many art forms, including bonsai. first venture into bonsai should be to
Nature's work was not to be copied learn the techniques of the art-hands
exactly but to be reproduced in minia- on, step by step, tree by tree. Strive
ture. Unlike nature, man does not create always for the harmony of heart, mind,
big trees; but as in nature, man's work on and hand.
his "created" tree is never complete. After World War II, our returning
Each tree, whether tiny or large, is a servicemen spoke with wonder and awe
unique creation, ever changing. of beautiful japanese trees hundreds of
Stories are told of trees being passed years old, growing in shallow pots. As it
down from generation to generation, a was with them, may you too be caught
tradition recognizing man's imperfec- up in the beauty of your own miniature
tions and humble reverence for nature. trees and never get over the mystery and
A single man would not presume to romance of bonsai.

FIG.2
Miniaturebonsai are 10"
orunder. Youcan growa
number ofthem even when
space is limited.

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Bonsai from
Different Sources

Not enough can be said about the everywhere as a sign of my serious


collecting of the naturally dwarf trees interest in bonsai, bought me a complete
that originated bonsai. Collected trees set of bonsai tools. With pruner in hand,
represent many of the finest bonsai in I sat and waited for something tall
existence in the world today. For the enough to make a cut on. What a waste
most part these trees are obtained from of time for the novice! The time would
mountainous areas. Collectors search far have been much better spent working
and wide for specimens that display the my hands in the soil, or working on trees
protection and care of nature, as well as that had enough development to allow
the fury of the elements. Well-known me to practice pinching, pruning, and
examples include the magnificent juni- wiring. Although obtaining bonsai from
per of California, the splendid pine of seeds may sound appealing, it takes a
Colorado, and the larch of Nova Scotia. very long time to obtain specimens large
As stated in the previous chapter, not enough to work on. However, planting
everyone is able to plan trips or excur- seeds is a good way to obtain unusual
sions to the out-of-doors to collect trees. trees.
Moreover, trees should not be gathered
by those who have not perfected the
techniques needed to keep them alive.
CUTTINGS
The horticultural component of bonsai Making cuttings of plant material is a
is the most important area of study for convenient method of propagation. Al-
the obvious reason that horticultural most everything can be easily rooted,
knowledge maintains the life of trees. except pines and some of the other
Besides collecting plants in the wild, conifers, which require a specific sched-
you can obtain bonsai from seeds, ule for taking cuttings to be rooted.
cuttings, the air-layering technique, and With a clear plastic box (available in
nurseries. There are certain advantages housewares departments) and two inches
and disadvantages to these methods. of moist sand in the bottom, a jar of
rooting hormone containing a fungicide,
and a sharp knife or scissors, you are
SEEDS ready to begin rooting. The box keeps
Many early books recommended plant- cuttings moist and does not require you
ing seeds to obtain bonsai samples. to think about daily watering and mist-
Following that advice, I filled dozens of ing. Place the box in strong light, but not
small pots with seeds. My husband, in the sun, as the sun will cook the
taking the sight of black plastic pots contents. You will know when your

Bonsai from Different Sources 7


FIG. 3
Stock plants from a garden
center allow you to select the size
of the material you want to
work with.

cuttings are rooted, since the clear box gently place the cut area in a hole in the
will allow you to watch the root develop- ground, and cover it with soil. Roots
ment. should develop. If necessary, place a
A cutting should have four to six rock on the branch to keep it in place.
healthy leaves. No leaves should be on Cut the branch from the parent and pot
the stem inserted into the damp sand. it when it has rooted.
Cuttings taken when new growth hard-
ens, before it turns woody, root more
easily. As you become more adept, you NURSERY STOCK
will want to take thicker cuttings and The quickest and in many ways the best
cuttings with interesting shapes. way to get started in bonsai is with
nursery stock. As already implied in this
AIR LAYERING chapter, most beginning students are
very interested in working on their bon-
This technique allows you to select a sai-pinching, pruning, and wiring-
branch that looks like a tree and root it and beginning with nursery stock
while it is still attached and being provides that opportunity.
nourished by the parent tree. Most bonsai people eventually be-
In the spring, select the desired come involved in various methods of
branch. With a knife, cut one-third of propagation. You will probably find that
the way into the branch, just below a leaf there is always something you would
node. Nature will want to start healing like to have, that often seeds are avail-
this wound as soon as the cut edges able, or a friend is willing to give you a
meet, so keep them separated by insert- cutting. Browsing in garden centers and
ing a toothpick. Dust the cut area with greenhouses becomes part of the lifestyle
rooting hormone containing a fungicide, of many bonsai aficionados. By browsing
then wrap it with damp, sphagnum moss. and buying when you see desired mate-
Next, wrap the moss with plastic, and rial, you end up always having pots of
close the top and bottom with twist-ties. plant material waiting to be worked on.
When the plastic has filled with roots, This stockpile provides a fine opportu-
cut the branch off just below the root nity to broaden your knowledge by ob-
system. Remove the plastic and moss serving plant material in various stages.
and then pot the rooted branch.
The same process can be used with a
branch that reaches the ground. Make BUYING BONSAI
the cut on the bottom of the branch, Today there are many bonsai nurseries
insert a toothpick to keep the cut open, and retailers offering quality trees and

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supplies. Sales personnel at a good bon- An indoor tree should be placed by a
sai nursery will inform you about the window that receives the proper light for
environmental and care needs of your that species. Bonsai are living, growing
trees, especially the matters of light, trees and cannot be placed permanently
water, and winter storage. They will on bookshelves or coffee tables. They
give you the proper name of the tree you are objects of artistic design, but their
choose to ensure that you can seek horticultural needs come first.
additional information from others, as
well as do your own research. BONSAI BY MAIL
We get many phone calls requesting
information about trees the owners do Beware of ordering a bonsai or kit from a
not know the names of, though they catalog house that is not a nursery.
usually assure us that their trees have Photographs of plants are often mislead-
green foliage! Needless to say, such ing, and too often trees are not the size or
information is almost useless, and in age indicated on advertisements.
such cases we can give only general Chances of survival are slim. Avoiding
information instead of a specific re- this type of purchase saves you not just
sponse. By all means, get the proper money but the disappointment of losing
name and any other available informa- a bonsai. This warning does not apply to
tion about a plant when you buy it. established nurseries that publish cata-
Unfortunately some trees come with logs, advertise in bonsai periodicals, and
wrong or misleading information. One stand behind the trees they sell.
common example is a phrase like "keep
it moist," which means almost nothing Bonsai Publications and Organizations
and too often misleads people into The following well-known publications
overwatering. When you are given vague can assist students of all levels:
information like this, you must ask ques-
tions until you completely understand Bonsai: Journal of the American Bonsai
how to take care of the plant you are Society
talking about. ABS Executive Secretary
The day you buy a tree, you have to Box 358
pay some attention to the weather. In Keene, NH 03431
winter, be sure the tree is wrapped for
protection against the cold. A tree can- International Bonsai
not be left in an unheated car while you William N. Valavanis
continue your shopping. In very warm PO Box 23894
weather, trees left in cars can cook. Rochester, NY 14692-3894
When purchasing a tree, look for good
color and freshness in needles or leaves. Bonsai Clubs International
Also, the size of the tree should be right Virginia Ellermann
for the pot. Many trees are planted in 2636 W. Mission Road #277
pots that are too large, resulting in water- Tallahassee, FL 32304
ing problems.
Before you leave the retailer, you Bonsai Today
should know what kind of light the tree W. John Palmer, Publisher
requires. Outdoor placement in the right Stone Lantern Publishing Co.
light should be no problem because of PO Box 816
the many choices of location you have. Sudbury, MA 01776

Bonsai from Different Sources 9


IJ
Choosing
a Bonsai Style

As bonsai evolved, designs that use the should serve as models to inspire you to
trunk, branches, and surface roots in the create trees with good balance and
most natural way became the art's pleasing design. Viewing different styles
classic styles. In the transition from should stimulate your creativeness and
China to Japan, designs became more make you aware of the individual parts
clearly defined, emphasizing balance as (the trunk, branches, etc.) that make up
well as beauty. This refinement of the whole tree. But though established
bonsai styles was the result of pinching, styles provide invaluable models, they
pruning, and wiring. In the dwarf trees do not tell the entire story of bonsai. At
he worked on, man reflected what he no time should you hesitate to design a
saw in the trees around him. The art of bonsai just because it does not conform
bonsai continues to be refined even to an established style. Remember that a
today. good bonsai is one that draws the viewer
As many trees lend themselves to into the tree and reveals the wonder of
more than one style of bonsai, you have nature.
to decide how you want to design your
tree. It is important to approach a tree to
be worked on with an open mind, to look
STYLES OF TREES
carefully at the trunk and branches. Trees growing in nature are formed by
Every plant has its own character. The the elements. Wind, storms, and the
ideal is to bring out the best tree from a need for light cause trunks to move from
certain piece of material. As our Japa- the straight, upright style. The follow-
nese bonsai masters remind us, "Bend ing sketches remind us that trees adjust
like the willow, not like the oak." to the environment that nature has
In creating bonsai you concentrate on placed them in, be that environment
the trunk and on the placement of gentle or harsh.
branches. By doing this, you create an
essential part of bonsai design-nega- 1. straight upright (FIG. 4)
tive space, the space between the The tip of the tree is directly over the
branches, the open area that allows base of the trunk. The tree has a well-
"little birds to fly through." In the defined branch structure.
finished design there should be a har-
mony between the parts of the tree and 2. curved upright (FIG. 5)
the open space. The tip of the tree is over the base of the
There are many more bonsai styles trunk. In between, the trunk has devel-
than those shown but the following oped a long, gentle curve.

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3. slanting upright (FIG. 6) 6. cascade (FIG. 9)
The tip of the tree has grown away from Think of this as a tree clinging to the
the base of the trunk and is over the soil side of a cliff. The trunk line is flowing
mass. The tree must be stable and not downward. The cascade bonsai should
appear about to tip over. be put in a container specifically de-
signed for that style of bonsai. The
4. windswept (FIG. 7) container represents the cliff from which
The leaning trunk, branches, and foli- the tree grows.
age show the effect of constant wind.
7. grove (FIG. 10)
5. semicascade (FIG. 8) An uneven number of trees is planted
The tree has more slant than the together. See Chapter 6.
slanting-upright trunk. Often the trunk
extends across the pot, and slightly
beyond the edge of the pot. The foliage
may occur below the rim of the pot.

-~ '---
FIG. 4 FIG. 5 FIG. 6

FIG. 8

FIG. 7

FIG. 9

FIG. 10

Choosing a Bonsai Style 11


D
Essential Techniques
and Materials

Today more and more people are living rally over the years, removing this lower
in apartments in large cities, surrounded foliage adds the illusion of age to young
by more blacktop than green space. For trees. Loss of inner foliage occurs less on
such people the rewards of bonsai are the tree's upper portions, where branches
especially great. Central to successful are younger. No loss occurs on the new
bonsai are the actions of pruning, pinch- growth at the top of the tree. This area,
ing, and wiring. of course, is young and vigorous, and
receives full light.
The best time of the year for pruning
PRUNING
is late winter or early spring. As spring
Pruning enables you to shorten the can come early or late, you should pay
height of a tree, remove unwanted close attention to the change of seasons
branches, and shorten others. Bonsai are in your own locale.
pruned with the same basic techniques
used for pruning other trees. How to Make Cuts
An example of unwanted material The most important tool for making cuts
within a tree is crossed branches, which is pruners, which should be sharp and
should be removed. A tree flows from clean. If pruning is a new experience for
the inside out, with new growth devel- you, get plenty of practice before begin-
oping outward in an uncluttered line. All ning to work on your bonsai. For
branchlets growing inward, toward the practice, prune outdoor shrubs or
trunk of the tree, should be removed. branches collected from the woods. If
However, before cutting off an un- the pruners were a Christmas gift, you
wanted branch, be certain it cannot be can get a lot of useful experience by
wired to an area where it is needed. In practicing on a discarded Christmas
the sketches of bonsai in this book, tree. When you are pruning, keep in
unwanted branches have been removed. mind an image of the tree you desire.
Also absent from the sketches are To remove a branch, place a pair of
signs of youth, including "sucker concave pruners close against the trunk,
growth," branchlets growing straight up and make a sharp, flush cut. Do not tear
or straight down from the main limbs. the branch.
On the main lower branches, the foliage To shorten a branch, make a cut just
from the trunk a third to halfway out the above the fork of the branch. Whenever
branch is missing. This is where age, it's possible, make the cut toward the
lack of light, or lack of nutrients causes back so the cut will not show. When
foliage loss. Since this loss occurs natu- shortening a branch, you can very often

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choose the direction of new growth that
will occur on the branch. If you want the
new growth to follow a line on the left of
the branch, prune above the bud on that
side. Pruning above the bud will allow
the bud to "break," resulting in new
growth where you want it. Prune as close
as possible to avoid leaving an unsightly
stub, but do not press so close that you
injure the bud. Practice finding the bud
and pruning near it without injuring it.
As you get used to pruning, you are
bound to gain confidence.
Pruning begins the process of chang-
ing a tree in a pretty container into a
bonsai. Pruning also makes your tree FIG. 11
healthier, allowing light to fall on all its This sketch shows a branch as it would appear if
parts. If a dark area is apparent, espe- you were looking down on it. Notice that the
cially an area that is difficult to see, thickest, longest branchlets taper down in size,
correct the problem at once, as the area giving the branch the triangular shape that occurs
will become weak over time due to lack naturally in many trees. In this sketch, half ofthe
of light. Wire and reposition branches branch has been pruned. That half is now ready
from dark areas into light areas. for pinching. With your fingers, you would
Severe pruning is usually not done in remove all growing tips on the pruned half of the
the fall. To survive the winter, trees branch, those outside the triangle's left line.
store energy and food in their various
parts. Do not change that balance by
unnecessary pruning. Indoor tropical
bonsai, which go through a moderate
dormant period, may be pinched and
pruned when they send out new growth.

PINCHING
Pruning and pinching go hand in hand
for the health and beauty of the tree.
Pruning is done with scissors and prun-
ers; pinching is done with the fingers.
Pinching is a natural process, as no
plant can support all the foliage it
produces. A plant either sheds com-
pletely, as deciduous trees do, or sheds
the older, inner foliage it produced
several years before, as conifers do. By FIG. 12
pinching new growth, you nourish older This sketch shows half of a tree pruned to expose
growth, ensure new bud formation, and the best view of the trunk, as well as lower
avoid ending up with branches that are branches that have shed their inner foliage due to
bare except for green tips. age or lack of light or nutrients.

Essential Techniques and Materials 13


Pinch new growth as soon as it
appears. Do not let it grow and become
WIRING
woody. Deciduous and leafy material In some ways you use wire the way an
should be pinched after two to four new artist uses a paintbrush. Wire permits
leaves have opened. Always leave some you to design the tree you envision,
leaves and nodes on each branch. Conif- enabling you to create natural, flowing
erous new growth pushes out in clusters lines as you reposition branches.
of needles. Pinch as the clusters start to Branches growing above each other can
open. Grasp a cluster with one hand, and be wired to allow sunlight to reach both.
pinch about half of it with your finger- A gentle curve can be put in the trunk, or
tips, using a grasp, twist, and pull action. the trunk can be straightened.
If a branch needs to be longer, do not Study your tree carefully to deter-
pinch it until the desired length has mine which parts require wire to achieve
developed. Juniperus procumbens nana the shape you desire. Do not hesitate to
should be pinched in the spring, when it use wire. Even at those times when you
explodes into new growth. Pines are are unsure whether or not to wire a
better left for later, after you have more branch, wire it. T he wire can always be
experience. Pines are not as forgiving as removed if it is not needed.
many other species, especially since Different sizes of wire are used on
they do not bud up on old wood. different parts of trees. In general, use
Pinching should be ongoing, as new 1.5 or 2 mm aluminum-coated wire for
growth will continue to appear as long as branches and branchlets, and 1 mm wire
the plant lives. Pinching all these grow- for very thin branchlets. For heavier
ing tips nourishes dormant buds, caus- branches and trunks, use 2.5, 3, 3.5, 4, or
ing them to start growing. Later, pinch 5 mm wire.
those, and the cycle continues. The As for length, cut a piece of wire one
development of twigs, twiglets, and lots and a half times the length of the branch
of side growth results in a fine bonsai. to be wired. When applying the wire, do
By pinching and pruning you control not try to shape the tree, but concentrate
the growth cycle and hence the growth on putting the wire on. Wrap the wire
of your bonsai. Once you decide on the with one hand, and support the trunk or
height and width of your tree, keep branch being wired with the other hand.
growth and development within your Both hands should move together up
design. Do not allow the tree to grow out the tree. L ater, when you shape the tree,
of that design. again use both hands, one hand doing

FIG. 13
You will need different sizes of
wire for different types of trees
and different parts of the same
tree.

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the shaping and the other hand support-
ing the part of the tree being adjusted.
The wire goes onto the trunk first,
then onto the branches, and finally onto
the twigs, if needed. Start at the bottom
of the tree and work up and out. Always
anchor or secure the wire, so that when
you begin shaping it the wire will hold
what you are wiring where you want it.
When wiring the trunk, insert the wire
into the soil directly behind the trunk.
When wiring a branch, take two or three
turns around the trunk before you begin FIG. 14
to wire the branch.
When wiring the trunk, insert the wire in the soil
The wire should be put directly on
behind the trunk.
the surface being wired, but not so tight
to bruise it. Loose wire, wire that allows
free space between the wire and the
bark, will not provide the strength to
shape the tree, nor will it hold the part of
the tree you have worked on in position.
Neatly applied wire, the technique of
which comes with practice, does not
detract from the tree's appearance.
Apply the wire at a 45° angle, an
application that works well and also
looks good. However, you will have to
adjust the angle to accommodate
branches and twigs.
The wire should be checked often to FIG. 15
make sure it has not cut into the bark. If When wiring a single branch, stabilize the wire on
it looks like it has, remove the wire by the trunk.
cutting it off with your wire cutters. It is
always better to rewire a branch than to
scar the bark of the tree.
If the wiring is successful and the
bonsai holds the desired position when
the wires are removed, no further wiring
is required. On young material, the
position of the wired trunk or branches
may be set after a full growing season.
But if there is movement after the wires
have been removed, or the desired
shape is not attained, rewire the plant.
When you are shaping it, the tree
should be a little on the dry side, so it
will be less turgid. This means that it FIG. 16
will have less water in the trunk, and the You can use one wire to shape two branches.

Essential Techniques and Materials 15


branches will be more flexible. Of wire and copper wire, neither of which
course, not all plants can be wired the harms the tree. Today aluminum-coated
same way. Some species are naturally wire is more popular than copper wire,
brittle and should be shaped with care. which was the wire of tradition. Alumi-
Gently test branches for movement and num-coated wire is easier to use because
brittleness by moving them with your it is more flexible. However, aluminum-
fingers. coated wire does not have the holding
When removing wires, do not attempt power of copper wire, so you must use a
to unwire. It is safer to take blunt-nose heavier weight than you would if you
wire cutters and cut the wire along the were using copper. Copper wire may
curves of the trunk and branches. Just still be preferable when you are wiring
let the cut pieces of wire fall off. heavy, older trees.
Refining the tree to the desired shape Wire, like other bonsai supplies, is
can be done over the next several days or more readily available now than previ-
weeks. Move the branches gently, a ously. In a hardware store, check the
little bit at a time. Occasionally it is electrical-supply section for copper wire.
necessary to put on a second wire to
accomplish the results you want. The
second wire should follow the same line
BONSAI CONTAINERS
as the first wire. Dwarf trees evolved from the "artistic
To practice wiring, cut a branch from pot plants" of China, eventually becom-
a tree growing in your yard. The branch ing the bonsai of] a pan. Their containers
should resemble a tree with a trunk and also underwent considerable change,
branches when held up. Insert the the most obvious being the change from
branch into a block of wood in which a the ornate, decorated pots of China to
hole has been drilled to hold it in an the more subdued pots of Japan. Pots
upright position. Practice brings confi- also became smaller, to accommodate
dence, and soon you will be wiring with smaller plants. Today pots made in
ease.

The Wire to Use


FIG. 17
The two most common types of wire Pot collecting is not only fun but also ensures that
used for bonsai are aluminum-coated you will have different sizes and shapes to select
from for your bonsai.

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Japan set the standard as the finest trunk. Slender trunks look stronger in
bonsai containers in the world. shallow pots. Heavy trunks require
Bonsai students are naturally attracted deeper pots. A two-inch-diameter trunk
to pot collecting, since a variety of sizes often needs a pot two inches deep to
and shapes ensures having the proper bring out the best of the trunk. How-
pot when it is needed. Choose a pot with
a size and shape that harmonize with the
tree you are raising.
A terra-cotta pot, unglazed and brown
in color, complements many trees. This
type of pot most resembles the earth,
and the color does not detract from the
tree. The unglazed pot also has the
advantage of not cracking in tempera-
tures below freezing when trees are in
winter storage. Glazed pots, if frozen,
may crack, or the glaze may separate
FIG. 18
from the clay.
This pot is too small for the tree.
Trees that require winter storage
must be removed from glazed pots.
Remove the tree with the root system
intact, and wrap the root ball in alumi-
num foil. Make a few drainage holes in
the bottom of the foil so the water will
drain out. The tree can then be stored.
Colored glazed pots should be used
selectively to enhance the color of the
foliage of flowers. One popular color for
glazed pots is cobalt blue.
Most styles of trees look natural when
planted in rectangular or oval contain- FIG. 19
ers. Bonsai containers are usually shal- This pot is too large for the tree.
low, as shallowness enhances the tree's

FrG. 20
There is a good bal-
ance between the pot
and the tree, and the
position of the tree
in the pot.

Essential Techniques and Materials 17


that allow you to make cuts that do not
harm or disfigure the tree.
Choose tools that are well balanced
and comfortable in your hand. Buy the
best you can afford. With proper care,
well-made tools last a lifetime. Keep
them clean, free of rust, and sharp.
Quality tools stay sharp longer and are
more easily sharpened than inexpensive
tools.

Shears and Scissors


Cutting tools are a must for bonsai
growers. Bonsai scissors are designed to
cut at all points, from the tips of the
blade to the V. The tips let you get into
FIG. 21 a tree without having to open the blades
The pot was selected to enhance the beautiful wider than is necessary. This allows you
curvedtrunk as it sweeps across the soil mass. The to remove unwanted foliage with ease
tree is Juniperus chinensis shimpaku kishu. and at the same time avoids damaging
foliage left on the tree. Many bonsai
people like the larger butterfly-handle
ever, a trunk with a diameter of one-half shears for cutting heavier branches.
inch will not look right in a pot one-half
inch deep, especially if the plant is tall Concave Branch Cutter
and slender. View oversize containers This tool, available in several sizes, is
with caution. In most cases they hold too used to remove branches close to the
much soil for the root systems of trees. trunk and limbs. When a branch is cut
When looking at bonsai containers, be with a concave cutter, the shape of the
sure to choose one with adequate drain- cut allows it to heal fast. One useful tool
age holes. Never plant anything m a to start with is an eight-inch cutter, as it
container without drainage holes. has a good-sized cutting surface.
Selecting the right pot for a tree
requires experience, study, and a variety Tweezers
of pots to choose from. With regard to Consider a pair of bonsai tweezers as an
price, remember that harmony between extension of your hand and fingers.
tree and container is your goal, and that Tweezers can easily remove a leaf,
the plant will live in the chosen con- needle, or small twig without disturbing
tainer for many years. other foliage on the tree. Tweezers are
also great for removing growing tips.
The spatula end is useful for smoothing
INTRODUCTION TO TOOLS soil, scraping moss before applying it to
Bonsai tools, like the tools for any craft, the soil, and tamping moss onto the soil
should help you accomplish your work and firming it against the rim of the
in the quickest and easiest manner. In container. The tweezer end, held lightly,
particular, cutting tools, which come in is used to rake down the loose soil of
many styles and sizes, are instruments small plants.

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Chopsticks like jin and shari, discussed in Chapter
Chopsticks that are slightly sharpened 10. Grip this tool as you would any pair
are used for tapping soil into, around, of pliers and run it along the dead
and under a root ball that has had excess portion of the branch. The pliers will
soil removed, has been root pruned, and loosen the bark and allow you to peel it
has been placed in a pot. Tapping the off easily.
root ball's soil helps stabilize the tree in
the pot, remove air pockets, and smooth Other Tools
off the soil around the base of the tree. As your trees become heavier and
thicker and you work on larger material,
Root Rake your skills will become more advanced
The root rake is used for loosening and and you will want to add to your tool
removing soil from the root ball of the collection. Heavier pruners and shears
stock plant when you are preparing to will allow you to make cleaner cuts and
put the tree into a bonsai pot. By raking will not tear at the plant. A clean cut not
down the top, sides, and bottom of the only looks better, but makes for a
firm root ball, you remove spent soil and healthier tree. As you begin to use
expose the roots to be cut. heavier wire, heavier wire cutters will
also be needed.
Wire Cutters Also available are various sizes of
Bonsai wire cutters have a rounded head branch benders, or levers, which are used
to prevent damaging the bark, therefore when a large trunk or branch, in addition
allowing you to get close to the branch or to being wired, must have additional
trunk to cut wire. Cutters come in pressure to bend it slowly into a differ-
various sizes. The thicker the wire to be ent position. Actually the bender works
cut, the larger the cutter needed. as a combination vise-lever, moving the
branch or trunk until it attains the de-
}in Pliers sired placement.
This tool is used to create special effects Another tool to consider is a folding

FIG. 22 Tools shown are bud scissors (shears), long tweezers, tweezers, concavepruners, bamboo chopstick,
root rake, large wire cutters, wire cutters, brush, and butterfly-handle shears.

Essential Techniques and Materials 19


saw, which is useful for removing a large one that allows the ongoing exchange of
branch close to the trunk. The folding moisture and air. When root tips sense
saw is also good for working on a heavy dryness (air), they begin to move, seek-
root system. Saws of several sizes are a ing moisture. As they rub against sharp
must when you collect trees. objects like small stones, they divide and
Taking good care of your tools is an go around them. Roots surrounded by
important part of successful bonsai grow- water do not have to move to find a water
ing. Do not use your bonsai tools for source, but instead of increasing, they
anything other than working on trees. begin to rot away. All water and a lack of
Keep an old pair of scissors on hand for air amounts to suffocation.
cutting screen and other chores. The basic mix of equal parts of loam,
humus peat moss, and coarse sand meets
the needs of most trees. The loam pro-
SOIL MIXES
vides nutrition. The humus peat moss
When ten bonsai people get together to retains moisture and supplies various
discuss soil mixes, you end up with ten stages of decaying matter as texture for
different "recipes" for the ideal mix. roots to hold onto. The most important
Thus, the subject of potting mix can ingredient is the sand, which must be
become complicated and confusing, but coarse, with lots of little stones and grit.
there is no need to let that happen. Do not use fine sand, as it will make the
Potting soil should support your tree soil unusable. Poultry grit or aquarium
in two ways. First, the soil should have gravel can be used in place of sharp sand.
enough texture to stabilize the tree in Do not use beach sand or anything else
the container. (Refer to the explanation suspected of containing salt.
of chops ticking in the At Home section The basic soil mix can be adjusted for
of Chapter 5.) Second, the soil should be climate and type of plant. In very warm,
a mixture that stimulates the feeding dry climates, peat moss provides more
roots that supply nutrients to the tree. moisture retention. In cold, damp cli-
A basic soil mix should be easily un- mates, additional sand allows the soil to
derstandable and readily available, and dry more quickly. For bonsai like pines
should allow you to grow all types of that require more dryness between
bonsai, with minor adjustments for dif- waterings, increasing the sand allows for
ferent species of trees. The mix should quicker drainage. Bonsai maples, which
drain fast, so most water passes through suffer leaf burn during hot spells when
and does not sit in the container. How- planted in shallow containers, benefit
ever, some water retention should occur. from extra peat moss in the mix.
Texture is an important element, for the There are many soil mixes and various
roots need something to hold onto to individual ingredients, but the ingredi-
provide stability for the tree. Nutrients ents described here-loam, humus peat
are another important element in the moss, and coarse sand-are familiar, in-
basic mix. The soil you use should also expensive, and readily available.
be clean and insect-free. In most areas soil mixes are offered
In most outdoor areas the soil down already bagged and sterilized, and are
where the roots are growing looks dark available under many trade names. Usu-
and rich, has texture from decaying mat- ally they do not list their ingredients.
ter, and lots of small stones and grit from Many contain mostly water-retaining
erosion. View this as a basic soil mix. components that permit slow drainage.
Roots develop in a quick draining soil, Soil varies from place to place, and a

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book like this one cannot begin to de- from, and many people believe that an
scribe the differences. Search out infor- occasional change of diet is a good idea.
mation about local soil conditions, and The most convenient fertilizers to use
rely on advice from your garden center. are water-soluble and are applied as the
soil is watered. Never fertilize the plant
when the soil is dry.
FERTILIZER Fertilizers prepared for regular-size
It is a myth that bonsai are kept small by plants are too strong for bonsai; cut the
being starved. When bonsai are actively amount given to bonsai by half. Feed
growing, they require fertilizing, not so every two weeks when the trees are grow-
much to stimulate new growth but to ing actively. At the end of August you
maintain health. Nutrients are used up should begin slowing down the fertiliz-
and washed out of the soil during water- ing in climates cold enough to require
ing. Like soil preparation, fertilizing is a special winter storage for plants.
subject that can become very compli- Do not feed sick trees. Feeding is for
cated, but, again, that is not necessary. trees in active, healthy growth. Trees
The three major ingredients in fertil- grown indoors may be fertilized when
izer-nitrogen, phosphorous, and potas- new growth is visible.
sium-provide for the most important Outdoor trees should be fed every
needs of trees. These ingredients are two weeks, as the fertilizer is leached out
indicated by three numbers that appear of the pot by daily watering. Indoor trees
on a package of fertilizer. The first num- do not require as much feeding. Since
ber indicates the amount of nitrogen, they are usually watered with a watering
the middle number the amount of phos- can or with a sink sprayer, the fertilizer is
phorous, and the last number the amount not leached out as rapidly. Trees grown
of potassium. If a fertilizer is called all- indoors can be fertilized when new
purpose, it also contain small amounts of growth is visible.
the trace elements.
Nitrogen promotes healthy green
SUPERTHRIVE
growth. Phosphorous is important for the
development of inner structure, and also Superthrive is a vitamin and hormone
promotes heavy flowering and fruit pro- treatment that minimizes shock after root
duction. Potassium seems to develop pruning, after reporting, and when seeds
disease-resistant plants. The trace ele- are planted or roots cut. After root prun-
ments, which vary somewhat according ing and reporting a plant, place the plant
to the brand of fertilizer, provide nutri- in a tray of tepid water containing ten
ents for plant health and growth. drops of Su perthrive per gallon of water.
A mixture of 20-20-20, i.e., all three The solution should come about half-
numbers the same, is considered nitro- way up the pot. When the soil has soaked
gen feeding, and is good for all green up the moisture, that is, when the top of
growth. A mixture of 15-30-15, or phos- the soil from the edge of the pot to the
phorous feeding, is used on trees like trunk is moist, remove the plant from
Serissa foetida that flower all year. If flow- the tray and allow it to drain.
ers occur once a year, as with azalea, both Superthrive is not a fertilizer and
formulas should be used, one to nourish should not replace a tree's feeding pro-
green growth, and the other when the gram. However, bonsai that appear less
plant is setting flower buds. than vigorous should benefit from a wa-
There are many fertilizers to choose tering containing Superthrive.

Essential Techniques and Materials 21


Getting
Started

A garden center can be the best resource observe flowering foliage and fruit trees,
facility in your area. The staff at a good often in several stages of their normal
garden center should be knowledgeable growth. Azaleas are a good example of
and helpful, willing to answer your material that varies greatly, both in
questions even if they have to search out foliage as well as in flowers. Some
the information. These answers should azaleas grow upright; others are of the
be given in a manner you can easily spreading variety, wider than they are
understand and should encourage you to tall. Such variations occur in many
ask more questions. Look for a center species of woody plants. It is of great
that is clean and insect-free, one with advantage to see what a species looks
various kinds of plants that appear to be like in a one-gallon container, and after
healthy and well cared for. several years of growth, in a three- or
It is often written that out behind the five-gallon container. Seeing a tree at
garden center you will find material that different stages gives you an indication
has been rejected because it does not of how a species matures.
conform to the uniform look of the rest
of that size and species of stock. Because
a tree is different, twisted, or stunted, WHAT TO CHOOSE
some people think it will make a good You should look for a tree or woody
bonsai, but this is not necessarily true.
When living material is rejected and put
out back, it is no longer cared for. It
should not be purchased unless you plan
to cultivate it until it regains the health
and vigor necessary to withstand root
prunmg.
A garden center offers you the oppor-
tunity to observe and compare plants.
Stock plants grown in containers have
numerous feeding roots and little, if any,
taproot. These feeding roots are impor-
tant to the tree's health. Having the
roots intact in a nursery pot allows you to
study the plant's root syste m, knowl- FIG. 23
edge that is essential in bonsai. This is a one-gallon Junipe rus procumbens
At the gardening center you can also nana growing in a nursery pot.

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shrub with compact growth and small several styles of the same species gives
leaves or needles, characteristics that you the opportunity to improve your
help improve the proportions of your ability to "find" a tree in a stock plant.
overall design. Juniperus procumbens nana If you live in a climate where winter
fits this description and is readily avail- temperatures are freezing and below,
able. It is an excellent plant to start with the trees that grow naturally in your area
because it grows rapidly, making it a are "outdoor bonsai." Their life cycle is
forgiving material for the novice. Its based on a period of winter dormancy at
ability to send out new growth on temperatures natural to your areas. Many
hardwood is another useful characteris- trees are lost because their owners do
tic. Because Juniperus procumbens nana not understand the importance of out-
grows fast, it provides the opportunity to door wintering-over for those species that
practice and learn the techniques of require it. "Indoor bonsai," tropical trees
pinching and pruning. that will not survive a freezing winter,
Chapter 3 lists the parts of a tree to be are kept indoors for the winter months.
considered when you select stock plants. Understanding your trees' needs is
You should begin with the trunk, which very important. Do not proceed without
should be thick. Gently move the essential information about material you
foliage away so you can select a plant are interested in working on. In cold
with a thick trunk. At the same time, climates, where tropicals will not sur-
make sure you choose a plant with a vive the winter, the garden center will
multitude of branches, as that will allow keep them in a greenhouse. However,
you more choices in designing the tree. do not assume anything about the care
Since the amount of roots pruned and of your trees. Ask!
the amount of foliage removed should
be roughly equal, you should select the
largest plant available to guarantee more
AT HOME
than enough foliage to compensate for Juniperus procumbens nana lends itself to
root pruning. Some branches will need all styles of bonsai. Do not accept only
to be pruned and others wired or the manner in which the tree has been
pinched. Underneath all that mass of grown at the nursery. Wiring allows you
foliage, you will discover a tree that had to wire a trunk into one of the upright
not been visible in the nursery con- styles, or to create a trunk in the cascade,
tainer. It is upon making this discovery semicascade, or windswept style. (See
that many people become hooked on Chapter 3.)
bonsai. Another important lesson to be Take the tree out of the pot by gently
learned from beginning with mature tapping the bottom of the pot and
plants is that you will realize all the time sliding the tree out with the root ball
that is lost in waiting for cuttings or small intact. To avoid root damage, do not pull
plants to grow large enough to work on. the tree out. Turn the empty pot over
To try different styles of bonsai buy and place the root ball on the upturned
two or three stock plants of the same pot. This allows you to look into the
species. Having to care for plants with heart of the material. Make sure that
the same horticultural needs is easier for enough of the trunk at the base of the
bonsai beginners. Also, you will become soil is exposed. This can be done by
more comfortable with the techniques removing the soil around the trunk with
of design by repeatedly using them on tweezers or gently with your fingers.
plants of the same species. Choosing Turn the tree to view it on all sides, so

Getting Started 23
the clear, clean lines of your chosen
design. With the size and design of your
tree decided, now give your attention to
potting the tree before the roots dry out.
Keep the roots moist by wrapping them
in newspaper or by misting them, but
pot the tree as soon as possible.
The next step is to rake down the soil
from around the trunk and all sides of
the root system, with a rake, chopstick,
or tweezers. Do this with a gentle raking
action, not by pulling and tearing at the
root system. More soil should be loos-
ened from the bottom of the root ball
than from the sides, as the root system
FIG. 24
must be shallow enough to fit into a
bonsai container. When one-third to
Styling of a one-gallon Juniperus procum-
one-half of the old soil is removed and
bens nana can begin when the tree is in a
many roots are exposed, it is time to root
nursery container.
prune. When pruning roots, use sharp
scissors and make clean cuts. Do not tear
the roots.
you can determine which is the best Remove heavy roots, especially those
view of first the front, then the sides, and with few fibrous feeding roots. Also
finally the back. Continue turning your remove any corkscrew or wiry roots that
tree, looking for the best view of the will not allow the root ball to sit flat in
trunk. That view is where the trunk the bonsai container. The inner root
looks the strongest and gives you a feel ball, directly under the trunk, should be
for the overall design of the tree. The compact, with many loose, fine roots all
best view of the trunk will become the around. When placed in the container,
tree's front. Place a marker in the root the roots should gently spread out on all
ball to remind you where the front is. sides to receive the new soil. When
Now that you have determined the potting your tree, always use fresh soil
tree's front, clear out all debris within mix and be sure to discard the used soil.
the tree. Remove dead and broken As a general guide, Juniperus pro-
branches, crossing branches, and cumbens nana looks best in brown terra-
branches growing inward toward the cotta containers that are oval or
trunk. Remember that all growth should rectangular. The one-gallon nursery
flow out from the trunk. Cut out young, stock usually comes in a round growing-
thin branches growing below what you container approximately 7\1.!'' tall and 6"
have chosen as your lowest, heaviest wide. The bonsai pot you will put the
branch. Remove the same kind of raked-down tree in will be about 7" long,
growth if it obscures the view of the 5" wide, and 2" deep.
trunk. Also remove anything growing Prepare the container by covering the
straight down or straight up from the holes of the pot with a piece of fiberglass
main branches. Eliminating these signs screen about an inch larger than the
of youth will expose the older wood. holes. Next, put in a layer of small stones
Continuing this pruning will reveal (about W' in diameter) to cover the

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Pinus paruiflora, japanese five-needle white pine

25
Eugenia unijlora, Surinam cherry

26

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Malus, crab apple

27
Rhododendron, satsuki azalea

28

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(

..
----- -

Elaeagnus commutatus, silverberry

29
Buxus microphylla compacta, Kingsville boxwood

30

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Ulmus parvifolia neri, cork bark elm

31
Chamaecyparis pisifera squamata g/auca, blue moss cypress

32

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bottom of the pot about ·W' deep. On top allowed to develop. Proper potting of
of this, place a layer of your prepared soil the tree ensures its health and growth.
mix about the same depth. Place the potted tree in a deep tray or
Most bonsai are designed to be saucer, and pour in enough Superthrive
asymmetrical. The tree will appear solution to fill half of the pot. (As de-
more natural if placed slightly back of scribed in Chapter4, the mixture should
the center and slightly to one side. consist of ten drops of Superthrive per
Choose the side that allows the heavier gallon of water.) Make sure the water
foliage to be over the wider expanse of used in the solution is tepid. The tepid
soil. If the longest branch of the tree is water will be absorbed by the soil through
on the right side of the tree, place the the drainage holes in the pot. You will
tree slightly to the left side in the know it has been absorbed when the top
container. This position allows the tree of the soil is moist and dark. Remove the
to look balanced in the pot; otherwise, pot from the tray and let the excess
the tree will appear to be falling out of water drain.
the pot. Place the potted tree on the upturned
After the tree is properly placed in the nursery pot and lay collected moss on
container, cover the root ball with an the moist soil. Use thin moss, piecing it
abundance of fresh, loose soil. Take together and firming it onto the soil with
your slightly sharpened bamboo chop- the spatula end of your tweezers. Roll
stick and, starting at the outer rim of the the moss in along the edge of the pot so
container, work the new soil gently the moss complements the tree. In
under the root ball. Use the chopstick to addition to making the tree look good,
fill in the soil around the root ball and to the moss prevents the soil from washing
tamp new soil into the pot. While away when the tree is watered.
chopsticking, be sure to hold the trunk Now is the time to continue refining
of the tree in the proper position so the your design. At this point you must be
tree doesn't walk across the pot. sure that enough top growth has been
Chopsticking should be done with a removed to compensate for the amount
light, quick touch. Each time you pull of roots pruned. At the same time it is
the chopstick out, the hole will fill with important to leave enough foliage for
soil. Continue to work the soil gently the newly trimmed tree to photosynthe-
under and around the root ball. After a size and manufacture food.
few minutes you will feel resistance to Photosynthesis is the process by which
the chopstick from the added soil. a plant manufactures sugar and starches
Continue until the root ball is covered to nourish itself. The leaves of the plant,
and the tree sits securely in the con- through their pores, take in carbon
tainer. dioxide during daylight hours and give
Proper chopsticking of the soil is off oxygen at night. Sunlight falling on
important for a number of reasons. First, the green leaves of plants is absorbed by
it provides new soil for the fine feeding chlorophyll in the leaves, and water and
roots to grab onto as they grow. Second, carbon are converted into the sugar that
chopsticking eliminates air pockets that feeds the plant. Photosynthesis is con-
allow for water accumulation and even- tinuous as long as sunlight falls on the
tual root rot. Third, chopsticking firms plant. Roots supply water and essential
up and stabilizes the tree in the pot. minerals. Transpiration is the process by
When a tree trunk moves in the pot, the which leaves give off excess moisture; it
roots are torn and new roots are not too occurs during daylight hours. The

Getting Started 33
FIG. 25-A
The selection ofthis tree, a one-gallon Juniperus
procumbens nana, was discussed earlier in the
chapter. This example was the largest found and
appeared to have an interesting tronk, as much as
could be seen through the foliage.

FIG. 25-B
Remove the tree from the pot and elevate it for
study and observation. The more you turn the tree,
looking at it from all sides, the more familiar it
A
will become. Decide on the front of the tree, the
view that shows the tree at its best.

FIG. 25-C
Having determined the front of the tree, begin
initial proning. This proning will reveal the
tronk and give you a better look at what is inside
the foliage.

FIG. 25-0
Continue pmning to expose the clean line of the
tronk. This will allow you to see notjust the tronk
and its movement but also the heavy branching
you will have to work with.

FIG. 25-E
Further pmning shows proportion and the
genera/line ofthe design. This stage should begin
to set the overall size and shape of the tree.

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FIG. 25-F
Begin to rake down the soilfrom the top and sides
of the root system. The raking action should be
light and quick. Do not dig and tear at the roots.
Prepare the raked-down plant for the bonsai
container as quickly as possible to prevent the
roots from drying out.

FIG. 25-G
Remove more soil from the bottom to make the
root system shallow. Use a bonsai container to
judge how much soil to rakefrom the bottom ofthe
root ball. Rake until the root ball is shallow
enough to fit into the container.

FIG. 25-H
Remove the heaviest roots, as they contain few
feeding roots.

FIG. 25-I
Prune additional roots, to leave a compact root
ball. Loose roots radiating around the root ball
will be covered with fresh soil mix.

FIG. 25-J
Prepare the container with fiberglass screen and
stones. The screen should be about an inch larger
than the hole in the bottom of the container.

Getting Started 35
FIG. 25-K
Cover the bottom with small stones.

FIC;. 25-L
Place Yx" ofsoil over the stones. Whm putting in
soil, make a smooth ,flat surface for the root ball
to sit on. The corners of the pot should be filled
level with the rest ofthe surface so they do notform
indentations when watered.

FIG. 25-M
K
Place the tree in the container, and cover the root
ball with new soil. Use a chopstick to f eed soil
under and around the root ball. Keep adding new
soil to chopstick in. Take time to make sure soil
particles are chopsticked into place and no air
pockets are present.

FIG. 25-N
When the tree is firm in the container, place it in
a tray filled with the Superthrive solution to half
the depth of the container. Watch as the soil
absorbs the liquid,first at the edge ofthe container
L
andfinally in the area around the trunk.

FIG. 25-0
Drain and moss the tree.

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FIG. 26
Remember what you
started with?

processes of photosynthesis and transpi- into the heart of the tree. At first it may
ration enable trees (and humans) to live. seem difficult to work on your bonsai
when it is elevated on an upturned pot,
NEWLY POTTED BONSAI yet that is the best way, perhaps the only
way, to design from the heart of the tree.
The completed tree should be placed in
bright light, not direct sun. Shelter it As early as possible, try to develop the
from the wind, which is very drying. habit of working on a tree that is
elevated on an upturned pot.
Light misting of the foliage is beneficial
and cuts down on stress.
Feeding roots develop when they
move in search of moisture. Be certain
that air has returned to the soil
surrounding the root ball by checking
daily how quickly moisture has left the
soil.
These first waterings are very impor-
tant. The root ball directly beneath the
trunk should never be allowed to dry
out. Roots left dry will callus over and
not take in water. On the other hand,
too much water will rot the roots.
Adding water on top of water is like
wrapping the root ball in a wet blanket.
Check every day, twice a day in warm
weather, to determine when most of the
moisture has left the newly added soil
and air has reached the newly cut roots.
As new growth begins to show, slowly
Frc;. 27
(over a period of weeks) move the tree
into the amount of sun the species This photograph shows what the tree could look
requires. like after a short period of continued pinching,
Japanese bonsai masters h ave pointed pruning, and wiring. With work and time the tree
out that when we walk outdoors we do ru•i/1 become more refined, ru>t"th a thicker trunk
not look up at the top of a tree, nor do and thicker branches. From the branches you will
we stare down at the base of the trunk. get many twtj;s and twiglets, developing planes of
Instead, we walk along, looking ahead foliage.

Getting Started 37
m
Forests, Groves,
and Saikei

Your bonsai experiments do not have to to create perspective. Though trunks


be limited to single plants. Multiple can vary in thickness, they should all be
planting is a creative and fun way to of the same line, that is, all straight or all
utilize inexpensive materials. In this slanted in the same direction. If some of
book, multiple plantings are referred to the trunks need wiring to conform to the
as forests and groves. line, wire them before planting.
Forests and grqves basically differ in Before you plant your landscape,
the number of trees used. A forest arrange and rearrange the trees until you
utilizes many trees, so many that the are satisfied with the overall design.
actual number is not important. A grove Create this design by giving the most
usually has as few as three trees, or as prominent place to your dominant tree.
many as eleven, but always an uneven For a more natural arrangement, avoid
number. This is because an uneven placing the dominant tree in the center
number of trees is easier to position in a of the container. Position the other trees
natural way. An even number, on the so their trunks are visible. Do not place
other hand, often looks as if the trees one tree directly behind another, and do
were lined up by man, not created by not plant trees where their trunks might
nature. In a grove the eye is able to cross in front of another's.
discern the approximate number of The strongest branching should occur
trees, which should all be of the same on outside trees and, of course, at the
species. tops of trees. The design of a multiple
When you are selecting material for a planting is created by the line formed by
multiple planting, you can use smaller, the outside trees and treetops, as though
less expensive trees. However, your the entire planting were a single tree. It
dominant tree, the one on which the is important to remember that the
planting is centered, should be chosen foliage on the top of trees in a forest
with great care. This tree should have shades the rest of the branches. You do
the thickest trunk and the best branch not see as many branches on the trunks
arrangement. The other trees need not of old trees growing together. To create
be perfect, and probably would not be a similar effect in a multiple planting,
good enough to make a single bonsai. you may want to cut back inner branches.
Look for trees with different heights Containers used in forest plantings
and trees with trunks of different thick- are necessarily large, to allow for the
ness. If the trees' heights are too similar, numerous trees and also to create
adjust them by pruning. The variation in unplanted land area. As these containers
the thickness of the trunks enables you hold more soil than a regular bonsai

38 CHAPTER 6

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container does, you should check differ- saikei should all be in harmony, that is, all
ent areas of the container to determine if straight or all leaning in the same
the trees need to be watered. direction, as though the wind has bent
When you finish your forest or grove, them.
refer to the section Care of a Newly Rocks used in saikei should be com-
Potted Bonsai in Chapter 5. patible with the plants used, ones that
could appear together in a natural
landscape. Rocks should not look as
SAIKEI though you simply placed them on top
A saikei is a miniature landscape com- of the soil. To look both natural and old,
posed of rocks, trees, and often a they should be emerging from the earth.
riverbed of rocks or sand. For saikei you If only a portion of the rock is available,
can use smaller, younger, and less it invites the imagination to guess its
perfect trees, material that would prob- size. Large rocks should be placed in the
ably not develop into a first-rate bonsai. empty tray before the soil or trees.
The landscape you create can represent Florists' clay placed on the bottom of a
a mountainous area, a coastal region, or rock and pressed against the bottom of
even a desert scene with succulents. As the container should secure the rock.
with bonsai, with saikei you should strive Arrange and rearrange the rocks and
to reproduce what is found in nature. trees until you create the landscape you
Containers used for saikei are often envision. Wire the trunks of the trees if
oval trays, brown and unglazed. The tray they need it. Branches too should be
should be shallow, but large enough not wired, pruned, and pinched as neces-
just for the trees, rocks, and riverbed but sary. If any grasses or accent plants are
also for open space. Miniature houses, used, be certain they have the same care
animals, or figurines can be included, requirements as the trees.
but they should be used with care. The care of a saikei planting is a little
Material used for regular bonsai is different from that of a bonsai. Saikei
appropriate for saikei, but is usually trays hold more soil and will not dry out
smaller and younger. Trees should be of as quickly as most bonsai containers.
the same species, of assorted heights Water according to the trees' needs. If
and trunk sizes. Material with a bare side your trees need a little dryness between
can be planted with similar material, waterings, be sure to check several
allowing the bare areas to mesh. As in different parts of the landscape to be
other multiple plantings, the trunks in a certain there are no wet areas of soil.

FIG. 28
The trees used in this saikei are
Chamaecyparis pisifera
squarrosa glauca, a species of
cypress. Growing from the rock
are a clump of dwarf mondo
grass and miniature creeping
fig.

Forests, Groves, and Saikei 39


Care of Bonsai:
A Five-point Program

An important consideration in selecting Indoor bonsai do not usually have the


bonsai is that species vary in the amount problem of too much light; however, if
of attention they require. Still, which- the sun is too strong, the leaves will
ever species you choose means a com- burn, becoming scorched across the
mitment of your time. If you cannot middle of their surface. These leaves
envision checking and watering your will lose their rich green color and be-
plants regularly, then the joy of bonsai come pale green (a color not to be mis-
may not be for you. But taking care of taken for the vigorous light green color
bonsai is not all that difficult. By paying of new growth). From too much light the
attention to five important points-light, foliage will press down, as though push-
soil, water, temperature, and humidity- ing away from light and heat.
you should be able to meet the environ-
mental needs of most plants. Periods of Adjustment to light Change
When trees recently root pruned are re-
turned to normal light after a period of
LIGHT
recuperation, they need a period of ad-
Light is the most important factor gov- justment. Also needing adjustment time
erning your trees' health. Photosynthe- are newly purchased bonsai being intro-
sis proceeds at the appropriate rate if duced to a different environment.
your tree is in the amount oflight proper Indoor bonsai that are moved outdoors
for that species of plant. Too little light should be acclimated to stronger light
will slow down the rate of photosynthe- slowly. Once they are outdoors, gradu-
sis. The lack of nutrients will damage ally move them from shade into partial
the tree's health, affecting production of sun, and, if the species requires it, into
new growth as well as the nourishment full sun, until the desired amount of
of existing foliage. New growth will be light is reached. Trees outdoors, receiv-
weak and elongated, with greater space ing more light and moving air around
between the leaf nodes. The foliage will them, dry out faster than plants indoors.
become larger, as the plant develops a Check for water daily, twice a day in hot
larger leaf surface to trap more light. weather. When preparing to bring trees
Trees in too little light use much less back indoors, move them into less sun
water than usual, another sign of poor for two or three weeks to give them a
lighting. Bonsai in too little light are period to acclimate to less light.
easily overwatered, but not if you are The move inside will be less stressful
checking the soil first and not simply to your tree if you keep in mind you are
pouring water into the soil by habit. changing its environment. For one thing,

40 CHAPTER 7

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the light indoors is never as intense as
that outdoors. With the changes in light,
temperature, and humidity, the trees'
water needs will also change. Do not
water automatically; instead, check the
soil to be sure the tree is ready for water.
Also, to increase humidity begin misting
on a daily basis.
Once you move a tree inside, decide
the best location for the tree, then leave
it there; do not move the tree from spot
to spot or it will never adjust. Bonsai like
Serissa foetida will have a few yellow
leaves whenever you change its posi-
tion, whatever light it is in. Just let it
adjust to its new setting. Other species
too may have a few yellow leaves for one
or two weeks. This is normal, but you
should always remove discolored foli- FIG. 29
age, so you will know if and when discol- Ficus neriifolia, willow leaffig, will thrive in a
oration stops. sunny window. This tree tolerates a little dryness.
To allow the best light to reach all
parts of the tree, turn your bonsai at least
once a month. Turning is especially im- and the red and the far red rays promote
portant when you grow plants indoors on flowering.
a windowsill. There are several lengths of fluores-
cent tubes available, with the four-foot
Artificial Light and eight-foot models being especially
In areas where outdoor bonsai are in popular. All tubes lose a great deal of
storage from late fall to early spring, grow- light output over time and need to be
ing indoor bonsai has become more com- changed every year. Prices vary greatly.
mon. Artificial lighting can give your Some fluorescent "plant tubes" are ex-
trees light during the winter, but taking pensive and do little more for plants
plants indoors presents special problems. than cool white (fluorescent) or a combi-
Heating outlets are sometimes located nation of cool white and warm white. If
directly under windows, creating drafts space is available, use two four-foot tube
of hot air that dry trees out. Incandes- fixtures and a reflector. The light inten-
cent bulbs also give off too much heat, sity drops off greatly two to three inches
which means you cannot place trees too from each end of the tube, no matter
close to that type of lighting. what kind of tube you use. With artificial
Fluorescent tubes, the coolest light- light, there are no dark, gray days; in-
ing available, are your best indoor light stead, everyday is the fourth of July and
source. They are readily available and it's always noon. Artificial light allows
are also the least expensive to operate. you to do the following:
Plants utilize the same rays from fluores- 1. Provide strong, consistent light.
cent tubes that they do from the sun. In 2. Control the length of the day, and
terms of the color spectrum, the blue thus the flowering of trees by providing
rays keep plants healthy and compact, longer days.

Care of Bonsai 41
3. Set up trays under the lights, thus nents of a soil mixture do. Keep a record
making watering easier. This is espe- of when a bonsai was last potted and the
cially true if there is a bed of stones in amount of new soil added so you can
the bottom of the tray for excess water to anticipate root development. If you ac-
drain into. The bottom of the bonsai quire a new species that requires dry-
container must be kept dry. Set the tree ness between waterings, remember that
on an upturned pot to keep it above the you can add coarse sand for faster drain-
water. This arrangement creates a more ing and dryness. With soil mixes there is
humid area, a great benefit to trees. no mystery, as you simply make the ad-
4. Group trees, thus making them justment to the mix, an option you do
easier to care for. not have with prepackaged potting soil,
Place trees so their tops are six to which usually does not list ingredients.
eight inches from the fluorescent tube.
If the new growth is overly large or leggy,
WATER
consider placing the trees closer to the
tube or lengthening the hours of light. Japanese bonsai masters believe it takes
Ten to twelve hours is a good starting years to learn to water bonsai properly.
point that should keep your trees healthy Unfortunately your trees cannot wait
and compact. If flowering does not oc- years for you to learn this skill. And no
cur, increase light time by several hours. one else will be able to give you a useful
As consistency of the light is important, watering schedule. If you are given one,
consider purchasing a timer to turn lights view it not as information but as misin-
on and off. formation. Still, watering is an art that
Bonsai growing under artificial light can and must be learned because most
go into dormancy, but in most cases the plants are lost to overwatering, and many
dormancy is unnoticeable. Remember others dry out, usually because their pots
that for trees growing under lights, every are too shallow. Teach yourself proper
day is a sunny day. Such trees often watering by learning all you can about
require more water than trees on a win- the needs of your bonsai, and by seeking
dowsill. Watch for new growth, a sign of out information from other bonsai people,
an active tree. If plants are actively grow- horticultural societies, and your garden
ing, they may need fertilizer. center. Experienced gardeners can tell
you how to water a camellia, even if they
have no experience with bonsai camel-
SOIL lias. Adjust such general information
A problem that many beginners have is about watering to the confines of your
trying to use too many different soil bonsai container, which will dry our faster
types. Remember that growing four bon- than a garden-center container.
sai in four different or unknown types of Always water a plant from the top, as
soil calls for four times the amount of this allows water to come out through
thought and care. the holes in the bottom of the container.
It is easier to grow bonsai when you The plant will receive the water it needs,
use a soil mix you are familiar with. Know- and salts and chemicals that have built
ing which soil mixture your plant is pot- up in the soil will be washed our of the
ted in helps take some of the mystery pot. With a tree that is planted high, with
(and some of the danger) out of bonsai. the soil mounding upward from the edge
Review the Soil Mixes section in Chap- of the pot, the water often runs off, miss-
ter 4, which explains what the compo- ing the container. Go over the tree three

42 CHAPTER 7

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or four times with the watering can until a plant needing more water, you should
some water has come out of the bottom root prune and repot the plant.
of the pot. Overwatering, which causes roots to
rot, can be a long, slow process. The
Variations in Watering decline of the tree is gradual and often
The origin of the plant is a clue to its not visible for a long time. One sign of
water needs. Obviously plants from a too much watering is large weak growth.
rain forest have different water needs (Large weak growth is also caused by too
than plants from a desert. Also, plants' little light.)
water needs change with the tempera- Another sign of overwatering is dry
ture. The warmer the air, the more water foliage that appears over a long period.
a plant needs. When air is cool, plants Because the foliage feels dry, you may
require less water. In cool, damp weather, think it is due to lack of water. However,
do not overwater, especially during dark, the key is that the dryness has occurred
rainy spells. Plants also have different over an extended period, usually be-
water needs at different growth stages. cause of the slow rotting of roots.
Dormant plants should be watered Trees are harmed less by a little dry-
less, but even dormant plants need ness than from too much water, but be
enough water to keep the root ball from careful that your plants do not dry up. At
drying out. During active growth plants times total drying out occurs, and the
use more food and water and need to be tree is lost. Other times the drying out is
watched more closely. Plants setting partial, only the foliage is lost, and you
flower buds need more water, less when may be able to save the tree. Foliage
the flowers open. Finally, plants change approaching the danger stage of being
with age; older trees grow more slowly.
Junipers and pines require dryness FIG. 30
between watering wherever they are- Buxus microphylla compacta Kingsville,
in the ground, in a nursery, or in a bonsai Kingsville boxwood, requires some sun. Water as
container. The important difference is it starts to f eel dry, that is, when a great deal of
that a juniper in a container does not water has left the soil but some moisture remains.
have extra soil to act as a buffer if the The inner root ball directly under the tree should
tree does not receive water on time. You not dry out.
must water it at the first sign of dryness.
Moss used as ground cover is another
factor affecting watering. When moss
covers the soil, the soil is not exposed to
the air and does not dry out as quickly.
Moss often feels dry when the soil is not.
Pick up a corner of the moss to feel the
soil before watering. Water if the soil is
dry, but not if only the moss is dry.
A newly potted bonsai, one with new
soil around the root ball, will dry out
more slowly than when it was rootbound.
With bonsai in need of reporting, the
roots fill the pot. There is no extra soil
around the roots, and the tree requires
more and more water. When you notice

Care of Bonsai 43
too dry appears dull and has lost its shine. country, where some species of plants
This is most obvious with serissas and may prove difficult, rely on local advice.
azaleas. Bonsai in this condition should
be misted, watered a little, then given a
complete watering several hours later.
PESTS
If foliage is limp, check the condition The same pests that harm other plants
of the soil. If the soil is wet, the problem also harm bonsai. Avoiding pests is the
is overwatering. If the soil is dry, water best policy, since it is easier to prevent
and mist the plant the same way you problems than to save plants infested
would dull foliage. with insects. If you develop an insect
problem, segregate the tree. Wash the
infested tree, then wrap the pot to the
TEMPERATURE trunk level in aluminum foil or plastic,
Some trees grow in all temperatures but and spray the foliage with any kind of
others are much less tolerant. Your se- liquid soap and water. Seek further ad-
lection should be made according to vice at your garden center.
your ability to provide temperatures Avoid the pest problem by shopping
needed by those species. This is espe- in places that are clean, bug-free, and
cially important when you grow indoor where all material looks healthy. When
bonsai during the winter. A sunny win- making a selection, look the plant over
dow is usually fine for subtropical and carefully. Especially check the backs of
tropical material. leaves for insects or signs of insect dam-
age. Chewed foliage is a sign of bugs.
Upon arriving home with a new plant,
HUMIDITY go to the hose or sink and wash the
Humidity is an important factor in grow- foliage. Afterwards, each time you water
ing tropical bonsai indoors in the winter. the plant, also wash the foliage. Clean
In the northeast and other cold areas of trees will not allow a pest problem to
the U.S., houses are extremely dry dur- take hold. But be careful of overwatering.
ing winter months. There are various Wash the tree only when you water it.
ways to adjust the humidity to improve Bonsai, with less foliage and more open
your plants' chances of survival: growth, are easier to keep clean than
1. Use a humidifier. regular plants. Another advantage of bon-
2. Mist foliage daily with tepid water. sai is that you can hold a bonsai in your
Mist lightly, and be careful that you do hand and look at it from all sides. Re-
not allow drops of water to form on the member that observation is an impor-
foliage and drop into the soil. tant part of keeping trees healthy.
3. Group trees together. There are many products on the mar-
4. Grow trees on a tray or saucer with ket to deal with insects, and your garden
a layer of stones lining the tray. Keep center can make helpful recommenda-
bottoms of the bonsai containers dry, tions. However, if trees are kept clean
and do not let them sit in excess water. by frequent washings, you may never
However, keep water in the tray, as it have the pest problem. To keep your
will evaporate around the tree and in- collection clean and healthy, do not in-
crease humidity. troduce new acquisitions directly into
In outdoor areas that have heavy dew the area of your trees. Keep them segre-
at night, do not wet the foliage during gated for several weeks, as you observe
the evening hours. In dry areas of the and wash them.

44 CHAPTER 7

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Root Pruning
and Repotting

Bonsai is not a matter of squeezing all the container, while the roots of a plant
the roots of a plant into a container and in a nursery pot bear little resemblance
then shaping the top growth. The rela- to the shape of the bonsai pot. Of course,
tionship between the roots, the top you have to know when to repot a plant.
growth, and the container must be in The following are indications that your
balance. Root pruning and reporting are bonsai is ready for reporting:
techniques essential to maintaining this 1. Roots are growing through the
balance. screen that covers the drainage holes in
the bottom of the bonsai container.
2. The tree dries out more quickly
ROOT PRUNING
than it should.
Many trees are lost because root pruning 3. The tree is growing fast, is full of
is done at the wrong time of the year. healthy growth, and requires frequent
Although root pruning can be done any- pinching. These are signs of a fast-
time except when the plant is dormant, developing root system.
spring is the best time for root pruning 4. The roots seem to have raised the
your trees. Until you become comfort- tree in the container.
able with the root-pruning process and
familiar with the material you are work- FtG. 31
ing with, it is safer to root prune in the The roots in the sketch have consumed all the
spring. As a rule, indoor bonsai grow potting soil, leaving no loose soil to fall off.
faster than outdoor bonsai and may re-
quire root pruning more frequently. Gen-
erally, it is safe to remove one-third of \,
the roots. Concentrate on removing the I

heavier new roots. Remember that it is


the hairy, fibrous roots that nourish the
tree and keep the root system young and
vigorous.

REPOTTI NG A BONSAI
Repotting an established bonsai is never
as difficult as creating a new bonsai. The
reason is fairly simple: the roots of a
rootbound tree are the exact shape of

Root Pruning and Reporting 45


send out new roots and top growth
quickly. If a tree is rootbound in the fall,
reporting can be risky. Rather than repot,
it is better just to add a pad of fresh soil
under the root system. Of course,
reporting the plant should be the first
thing you do in the spring.
To repot, place the bonsai on the work
bench, and remove the moss and loose
soil from the top of the root system. Use
a rake or tweezers to rake across the top,
down the sides, and across the bottom,
removing old soil. Look at the root sys-
tem and remove the heavier new roots.
FIG. 32
Trimming the roots allows you to repot
Exposed roots radiating from the tronk add a
the tree in its original container. Before
sense of strength and age to a bonsai. A bonsai
doing that, wash the pot to remove any
with strong, exposed roots looks like it has sur-
remaining roots and debris. You can slip
vived hurricanes, blizzards, and whatever else
a tree in and out of a clean pot without
the elements presented. These desirable roots are
damage to the root system. If a pot is not
not usually present in young material but develop
clean, the roots will grow into the old soil
with age.
and the tree will not slip in and out easily
and safely. After washing the pot, re-
place the screen, then add stones and a
If you observe any of those signs, look pad of soil according to the potting pro-
at the plant's root system. Do not hesi- cedure described in the section At Home
tate to look at a tree's roots. Too often in Chapter 5.
beginning students fear that looking at While you have the plant outside the
the roots will harm the tree but that is container, keep the exposed roots moist
not true. by misting them. When you place the
To look at the roots, do not pull the tree back into the container, spread out
tree out of the pot. The best and easiest the roots on all sides. Be sure to repot
way to find out if a tree is root bound is to with a fresh soil mixture, and chopstick
turn the container over and gently slip the soil into and around the root ball as
the pot off, a procedure that does not needed.
harm the tree. It is much better to check If there are wires on the tree, make
the roots often, in this manner, than to sure they are not too tight. Do not allow
allow the tree to go into decline. Young wire to grow into the trunk or branches.
bonsai should be checked every year. As Be sure to use wire cutters to cut wire.
trees age, the interval between repottings Do not try to unwind wire, as that can
becomes longer. damage the bark. You also run the risk of
If no roots are visible and you see only breaking the branches you've been care-
soil, return the plant to the pot. But if the fully training.
roots have spread to the edge of the soil Pinch new growth, not only to refine
or across the bottom of the soil, and no the tree but also to conserve the tree's
loose soil falls off, it is time to repot. energy. Follow the instructions given in
The best time of the year to repot is the section Newly Potted Bonsai in
spring, when trees are most active and Chapter 5.

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Many bonsai need water every day, place one or two inches on top of the soil.
sometimes twice a day, so you should Do not cover the foliage, as air circula-
check them often. And summer heat tion is important.
and wind cause bonsai to dry out more In areas with harsh winters, you must
quickly than usual. As days grow longer, place your plants in some sort of winter
bonsai also grow more hours a day. They storage, as in one of the following:
use up and need more water. Also, with 1. In an unheated basement or attic
longer days and more active growth, that remains cold and where the tem-
plants should be fertilized. Watering also perature does not fluctuate a great deal.
washes needed nutrients from the soil, 2. In an unheated greenhouse. Again,
so you may want to review the section be certain that the temperature does not
Fertilizer in Chapter 4. fluctuate. Greenhouses are usually built
As days become shorter, growth slows in the sun, so be sure to watch the tem-
down and bonsai use less water. At this perature.
time, plants are preparing for the dor- 3. In the garage. Place the trees on a
mancy of winter. The rest of this chapter bed of mulch in a shallow tray with drain-
and the explanation of winter storage of age holes. Fill in the area around the
outdoor trees in the Bonsai Containers containers with mulch and also place
section of Chapter 4 should help you one or two inches of mulch on top of the
meet your plants' winter needs. soil.
4. In a cold frame, that is, an unheated,
boxlike, plastic- or glass-covered struc-
OUTDOOR TREES IN WINTER
ture for protecting young plants. These
In many areas of the world bonsai re- structures are easily constructed, and
quire no special winter storage. Bonsai various plans are available.
in warm areas remain outdoors during 5. In the ground. Where it is possible,
the winter, just as they do during the rest this is an excellent way to store trees in
of the year. However, these bonsai do winter.
experience some degree of dormancy. Prepare the spot before frost by dig-
In cold areas that experience only oc- ging a hole the shape of your container,
casional frost, trees should be grouped and about two inches deeper and two
together and mulched with leaves, peat inches wider than the container. After a
moss, or marsh hay. Mulch prevents hard, killing freeze, place the tree on a
evaporation of water from the soil and two-inch bed of mulch, then place mulch
freezing of roots. Spread the mulch un- around the container and over the top of
der and around the containers, and also the soil. Do not cover the foliage. Select

Seasonal Changes 47
FIG. 33

juniperus procumbens nana


is often referred to in this book
because it is rewarding in many
ways. It is tolerant of different
environments, being both a good
outdoor tree and a good indoor

-- --
tree.
' . '

' -.

an area where the foliage is free from be brought indoors. Bring your trees in-
drying winds and where snow does not side before the windows in the house are
slide off a roof, in other words, an area closed and the heat is turned on. This
where the tree will remain cold and dor- will allow them to adjust to the house
mant. A sunny spot can cause a thaw and climate more easily. The trees may or
freezing, neither of which is desirable. may not become dormant, but they will
The purpose of storage and mulching is keep their foliage and require good light.
to keep the temperature constant. In most cases a sunny window will suf-
An important advantage of outdoor fice. If artificial light is used, refer to the
storage is that trees do not have to be section Artificial Light in Chapter 7.
reintroduced to the elements. By being Indoor bonsai are not always dormant
outdoors, dormant trees go into and come during winter, and dormancy is not al-
out of dormancy naturally, adjusting ways easy to identify. If a bonsai contin-
smoothly to changes of temperature and ues to send out new growth, it is not
length of day. In contrast, trees coming dormant but merely growing at a slower
out of garages, cold frames, etc., should rate than at other times of the year. An
be watched carefully. A sudden expo- indoor dormant plant is often described
sure to wind can cause the tips of as "looking fine, but doing nothing." A
branches to dry and die back. plant holding its foliage and color but
All trees should go into winter storage showing no new growth is in a state of
with soil that is moist but not soaking dormancy, manufacturing food and us-
wet. Water plants a day or two before ing only enough water to maintain its
placing them in storage. Throughout the health. At this time be careful that you
winter, check the stored trees, and if do not overwater your bonsai. As a gen-
they are dry, water them. Watering eral rule, remember that throughout the
should be done in the morning so excess year the amount of light received and
water will drain out during the day, be- the amount of water needed are in direct
fore night falls. A long, unseasonable relation to each other.
winter warm spell requires more fre- Trees going into outdoor winter stor-
quent checking of stored trees' water age and, more important, trees being
needs. They should return to total dor- moved indoors should be clean and free
mancy when the cold returns. of insects. Areas to check are the foliage,
both top and bottom, under the rim of
the pot, and the drainage holes. If you
INDOOR TREES IN WINTER
find a problem, ask your local garden
In areas where tropical material will not center for advice. Remember to wash
survive winter temperatures, trees must the foliage when you water the tree.

48 CHAPTER 9

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Once a tree is growing as a bonsai and branches will thicken more quickly than
the container has become its home, usual. This is important to know be-
changes will occur. The first root prun- cause thick trunks and good branch struc-
ing, if done correctly and accompanied ture form the very heart of bonsai artistry.
by the removal of top growth, is a great Stock material planted in the ground
stimulus for the tree to develop a pot full will thicken more quickly than material
of feeding roots. With many species, es- kept in pots. In the ground a plant will
pecially fast-growing indoor trees, this likely develop a taproot, primarily to keep
can happen at the end of the first year. it upright, as well as feeding roots. To
When a young tree is in a container, some extent, you can control the root
the restricted room and feeding (for development of your plants.
health, not growth) cause thickening of Dig a hole two inches deeper than the
the trunk and slowing down of the size of your plant, then place small stones
branches' growth. In time the leaves in this two-inch area. Place a piece of
become smaller but the flowers and fruit screen over the stones, then plant your
do not reduce in size. At this stage, as a tree. Make sure the soil level remains
bonsai begins to show refinement and constant; do not plant the tree deeper in
develop character, much of the time you the hole than it was in the container.
previously spent on root pruning, The stones and screen will keep the
repotting, and constant pruning and new roots shallow and will inhibit growth
pinching can be spent on fine pinching of a long taproot. Every other year, meas-
and general refining. ure an inch beyond the spread of the
When you began working on your bon- foliage and use a spade or trowel to cut
sai, it may not have had roots under the straight down into the soil to prune the
soil radiating from the trunk, the kind roots in the ground. This action results
that eventually become "exposed roots." in a compact root system and a thicker
As such roots may develop with time, stock to work on.
check to see if candidates for "exposed While the plant is in the ground, some
roots" are present when you repot a tree. pruning and shaping can begin. How-
However, do not expose them unless ever, keep in mind that thickening the
you are certain they will make the tree trunk and branches is the main purpose
appear older and stronger. of planting the material. A trunk that is
allowed to grow taller will develop a
thicker base to support the taller growth.
THICKENING TECHNIQUES
Later on, you can prune the top of the
Under certain conditions trunks and trunk to create an older-looking and

Advanced Techniques 49
thicker- trunked tree. A trunk also thick- rough tear that looks as if it happened
ens in proportion to the number of naturally.
branches it has to support. In other words, For the present, view the creation of
the more branches to support, the thicker jin and shari as ways of dealing with
the trunk becomes. The same principle accidents to your bonsai. Intentional cre-
applies to the thickening of branches. ation of jin or shari should come only
The more foliage a branch has to sup- when you have considerable experience
port, the more the branch thickens. with trees.
Plant material that cannot be grown in
the ground because of adverse weather
conditions can still be thickened by be-
DEFOLIATING
ing placed in larger pots with ample soil. Defoliating is a technique used to speed
Your only concern here should be not to up the production of smaller leaves on
overwater the plants. An additional ad- deciduous bonsai. With time, all decidu-
vantage of using larger pots is that you ous trees will produce smaller leaves but
will be relieved of a great deal of the defoliating accomplishes the process
daily watering that plants in smaller pots sooner. However, it must be stressed
reqmre. that only very healthy trees should be
defoliated, and a newly root-pruned bon-
sai should never be defoliated.
JIN AND SHARI
Defoliating is best done as soon as the
Accidents do happen and sometimes a tree has leafed out. Remove the leaf and
branch is broken or dies, often for no its stem except for the very base of the
apparent reason. Do not be too quick to stem, which must be left on the tree to
cut off the dead or damaged branch, as it avoid injuring the bud that is located
can add the appearance of age to your there. The tiny piece of the stem that is
tree if you make it ajin, a dead branch or left dries up and falls off by itself.
dead portion of a branch from which all In parts of the country with a short
the bark has been stripped. When you growing season, defoliation should be
create ajin, try to preserve all the twigs, done as soon as the tree has leafed out,
as they can add to the design of your but to no more than one-third of the tree
plant. To create ajin, you will needjin in any one season. In southern climates,
pliers, described in the section called with much longer growing seasons, it is
Introduction to Tools in Chapter 4. Prac- easier to defoliate because trees in
tice creating jin by splintering and peel- warmer areas have a longer time to pro-
ing the bark from branches cut from duce new leaves.
trees outdoors. A totally defoliated tree should be
A dead portion of trunk that looks as kept in bright shade and out of the wind
though it has been struck by lightning is until the new buds swell. At that time
called shari. To create a shari, use the jin the tree can be moved into the sun, and
pliers to separate the bark from the trunk. new leaves will come in small. Partially
When you make either ajin or shari, do defoliated trees can remain in the sun.
not prune the branch or the trunk. Use Defoliating is not a technique to try
the pliers to squeeze or crush the bark of casually. Unfortunately, it is something
the branch or trunk you are working on. that many novices want to try. We urge
Peel back the crushed bark to the core of you to wait and be certain that you really
the branch. Then grasp the tip of the want to try defoliation, and then only on
peeled branch and pull at it to create a very healthy trees.

50 CHAPTER 10

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m
Varieties
of Bonsai Trees

The following lists include only a small


portion of the hundreds of plants used
for bonsai. Most plants described here
are readily available in most areas.

OUTDOOR BONSAI
Acer maple
There are numerous varieties of maples
used for bonsai. Leaves range in size
from small to large, and in shape from
almost round to the deeply cut, thread-
like varieties of the Japanese maple.
Through the spring and summer the
FIG. 34
foliage can vary from the lightest yellow-
green to the deepest burgundy. Some Trees that bearf17Jit make attractive bonsai. These
varieties have highly variegated foliage, include species of orange, quince, cherry, and this
with three or four colors on each leaf. In crabapple.
autumn, maples turn color, and the land-
scape is painted gold, orange, and red. Where maples grow naturally, seed-
Their magnificent colors make up for lings come up everywhere, often where
maples' short growing season and the you don't want them, like in your front
extra effort required for outdoor bonsai. lawn. Dig them up and pot or plant them
Maples can withstand a half day of in an area where they can be watched
sun, but noonday sun and a drying wind and tended as future bonsai. Patches of
are hard on them (and on most trees, in seedlings can be removed in clumps and
general). Maples' thin leaves and shal- replanted as groves or forests.
low bonsai pots can result in leaf burn
during hot spells. Check maples fre- Acer buergerianum trident maple
quently and water them as needed. As One of the most popular and certainly
was recommended in Chapter 4, extra the most photographed of the bonsai
peat moss can be added to the soil mix. maples, the trident maple has beautiful
Pinching and pruning help develop com- bark, shiny green foliage, and brilliant
pact growth and shorter spaces between autumn colors of orange and red. The
leaf nodes. leaves reduce in size considerably after

Varieties of Bonsai Trees 51


plantings. They flower in many colors,
some varieties producing different col-
ors on the same tree.

Chamaecyparis false cypress


The foliage of false cypress varies from
deepest green to lightest blue-green,
making this an interesting tree. False
cypress responds quickly to pruning and
pinching, and tolerates root pruning with
minimum stress.

Chamaecyparis obtusa hinoki cypress


FIG. 35
Hinoki cypress requires a great deal of
This Catlin elm is a fine example ofa bonsai in the pinching, pruning, and wiring in its de-
curved upright style. velopment stages. Some varieties of
Chamaecyparis obtusa nana grow slowly,
have small foliage, and make outstand-
defoliation or as the tree grows as a bon- ing bonsai.
sai. With age, the trident maple devel-
ops magnificent roots radiating out from Chamaecyparis pisifera glauca
the trunk. blue moss cypress
This tree is a good bonsai subject that
Acer palmatum Japanese maple benefits from an attractive blue-green
Highly prized for landscapes as well as color.
bonsai containers, the tree called Japa-
nese maple includes many varieties, from Cotoneaster cotoneaster
full-leaf to the feathery-leaf version that These small, woody shrubs, with their
looks like lace. Acer palmatum is a hardy strong, angular growth, require heavy
plant but the most highly cut, rarer vari- pruning in the early stages. Many lend
eties should be avoided by novices. themselves best to semicascade and
windswept styles. Tiny white flowers
Carpinus hornbeam and bright red fruit appear on the tree at
Several varieties of hornbeams can be the same time. Cotoneasters like to be
developed into bonsai. Young material dry between waterings.
that lacks strong branching makes nice
group plantings. Hornbeams, like juniperus juniper
maples, are sensitive to drying out. Junipers can be trained in all styles and
sizes of bonsai and thus are appropriate
Chaenomeles flowering quince for people of all levels of ability. Juni-
Flowering quinces are tolerant of a wide pers are excellent material for the novice
range of conditions and respond well to because they respond with vigor to all
root pruning and top pruning. They can techniques, budding up easily on hard-
be used for single trunk bonsai, but be- wood. For experienced people, junipers
cause they grow naturally in clumps, you are excellent subjects for advanced tech-
must constantly cut new growth coming niques like the making of jin and shari
from the ground. This same trait makes (discussed in Chapter 10).
flowering quinces ideal for multiple Junipers require sun, and should be

52 CHAPTER 11

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dry between waterings. A few varieties, start to feel dry. Check your plants often
especially Juniperus procumbens nana, can when they are actively growing, as they
be kept indoors during the winter. With use a lot of water. If you pruned the
indoor junipers, pay close attention to azalea right after it flowered, you can
water needs, and if you're in doubt, wait pinch the new growth lightly. But do not
until the next morning to water. Place pinch the next spurt of new growth, as
junipers in a sunny window, and keep in that growth will set new flower buds for
mind they like daytime temperatures in the following season.
the sixties. Junipers can also be put into Indoor azaleas can be put out in late
outdoor storage. spring and then left out in the fall. Out-
door azaleas should go into winter stor-
Rhododendron azalea rhododendron age.
A number of miniature rhododendron Because azaleas and rhododendrons
make fine bonsai. One that is especially vary in their cultural needs, learn which
hardy in colder regions is Rhododendron ones are best suited to your area.
moerheim, which becomes woody and has
small leaves and lavender flowers.
INDOOR BONSAI
Azaleas (of both indoor and outdoor
varieties) are nice to work with because Subtropical and tropical trees that will
they become woody, and many develop not survive outdoor cold become indoor
fine trunks and good branch structures. bonsai during the winter. Indoor bonsai
They take root pruning, respond well to should be placed next to a sunny win-
pinching and pruning, break new buds dow; their watering needs are covered in
on old wood, and are comfortable in small the sections on watering in Chapter 7
pots. Another advantage is that azaleas and the section Indoor Trees in Winter
give wide choices of size, color, and shape in Chapter 9.
of flowers. Disadvantages are that
branches tend to be brittle, and the bark Bougainvillaea bougainvillea
is easily scarred during wiring. Bougainvilleas are most attractive in cas-
Satsuki azaleas, many with variegated cade or semicascade styles, where flow-
and striped flowers, are very popular. ers are shown off to their best advantage.
Choose varieties with small leaves and Prune the branches back severely after
flowers. Although it takes many seasons the plant flowers. In very warm weather
of pruning and shaping to develop a keep the container in a saucer of water;
treelike structure, satsuki azaleas are well however, in winter when bougainvillea
worth the time. is indoors, let it get a little dry between
After blooming, azaleas (like most waterings.
flowering plants) go into their strongest
growing period. This is the time to root Buxus boxwood
prune your plants if they need it. Prune Woody boxwood makes fine material for
and reshape the top growth that may bonsai. Choose trees with very small
have become shaggy during flowering. leaves and compact growth.
Wire any plants that need it. Wire them
carefully, remembering that a tree is more Buxus microphylla compacta
flexible if it is slightly dry. Kingsville boxwood
Azaleas and rhododendrons do best in Kingsville boxwood is the aristocrat of
several hours of morning sun; noonday indoor bonsai. It has a rich, dark color,
sun should be avoided. Water as they small foliage, and develops heavy wood

Varieties of Bonsai Trees 53


sun. They should be watered just as
they start to feel dry and should not be
allowed to dry out. Camellias thrive in a
humid atmosphere.

Carissa carissa
Also called the natal plum, carissa has
white flowers, red fruit, and dark green
leaves. It is a good subject that naturally
tends to spread but with pruning be-
comes compact. Carissa needs a lot of
sun to produce flowers, so a sunny loca-
tion is the place to grow it. Water as it
FIG. 36 starts to feel dry.
Azaleas are one ofthe most popular bonsai trees.
Even without its pretty flowers this tree makes an Cuphea hyesopifolia elfinherb
attractive bonsai. This small shrub has small leaves and
charming pink flowers. It requires se-
vere pinching after flowering and should
when relatively young. It can be devel- be placed in a sunny window. Do not
oped into all styles of trees but is most allow it to dry out.
often seen as either a straight or slanting
upright. It takes root pruning and top Ficus fig
pruning, and responds well to wiring. In Figs are ideal candidates for indoor bon-
every way Kingsville boxwood is a fine sai. They are tolerant of imperfect light,
choice. of air that is a little dry or humid, and of
When a boxwood starts to feel dry, most indoor temperature ranges (from
water it thoroughly. This tree is sensi- the high fifties to the low seventies).
tive to careless watering that reaches Figs shed a little when the seasons
only part of the roots, so watering must change, but new growth appears imme-
be thorough. Boxwoods are tolerant of a diately. Leaves reduce, but many varie-
little more or little less light, but never ties begin with smaller leaves, and many
full sun. send down aerial roots.
Place your fig in the morning sun, and
Calliandra powder puff water it as it starts to feel dry. As it is fast
Powder puff is an attractive plant with growing, you will have to pinch and prune
pink flowers. It likes the sun, should not it as needed. When pruning, do not be
be allowed to dry out, and should be alarmed if the tree weeps a white sap.
pruned after flowering. Branch develop-
ment is slow. The dwarf variety is best Ficus benjamina weeping fig
because it has small leaves and flowers. Probably the most well-known fig, Ficus
benjamina has large leaves (that will re-
Camellia camellia duce) and develops thick surface roots.
Camellia shrubs and trees can be easily
wired into several upright styles to show Ficus diversifolia mistletoe fig
off their beautiful flowers. Many people The charm of this fig is the tiny fruit that
prefer varieties with smaller leaves. remains on the tree for a long time. The
Camellias do best in only morning color of the fruit changes from light or-

54 CHAPTER 11

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ange to red. Small black dots on the grown straight upright or slanting. Be-
backside of the leaves are part of the leaf tween periods of flowering it sends out a
and not insects. lot of new growth, which needs to be
pinched. Young serissas are very flexible
Gardenia radicans gardenia and can be easily wired.
Gardenias are loved for their beautiful Place serissa in a sunny window, and
and very fragrant flowers. Their shiny water it as it starts to feel dry. Yellow
green foliage is also very pleasing. Gar- leaves may appear when the plant needs
denias should be pruned after they feeding or its location changed. Do not
flower. They like warmth and sunny be alarmed and do not start overwatering.
windows, and should not get too dry. If the yellow leaves are from moving, let
them adjust. If the plant has not been
Malpighia glabra Barbados cherry fed for three or four weeks, give it a high
Several varieties of malpighias make at- phosphorous feeding (15-30-15).
tractive bonsai, especially the small, There are many varieties of serissa,
curved examples. Pruning and pinching including ones like the green-leafed
throughout the growing season produce serissa snow rose that flowers almost con-
more compact plants. Flowers and fruit tinuously. Many have variegated foliage
are very nice. A sunny window and a that can be white- or yellow-edged.
little dryness between waterings keep Serissa Mount Fuji has beautiful white
malpighias happy. variegation that calls to mind Japan's
famous snowcapped mountain.
Olea olive
Though not easily found, the European Ulmus elm
olive makes an attractive bonsai. New Many elms make fine outdoor bonsai,
growth must be pinched often, as branch but they require winter protection. How-
structure develops slowly. This plant ever, the Catlin elm is an indoor tree,
likes morning sun and should be wa- which, if placed in a sunny window and
tered when it feels dry. watered only when it's dry, makes a very
pleasing bonsai. Bonsai elms are most
Podocarpus podocarpus satisfying when they are designed as
Podocarpus, especially the short-needle elms in nature.
variety, is not easily found, but when
available it makes fine bonsai material. During winter's short days, many of
It is very easy to live with, and will adjust which are cloudy, bonsai rarely get
to lower light if necessary. Water enough sun. Fluorescent lights solve
podocarpus when it starts to feel dry. many light problems during the winter.
Outdoors for the summer most plants
Rosemarinus rosemary should get a half a day of sun. Morning
Pruned often, rosemary develops into a sun is preferable, as there is no heat
nice tree. Grow it in a sunny window, buildup; noonday sun should be avoided.
and water it only when it is dry. Do not As was mentioned previously, the in-
disturb the roots more than necessary, struction "water as it starts to feel dry"
and then only in late spring. means you should water when a great
deal of water has left the soil but some
Serissa serissa moisture remains. Of course, the inner
Serissa is an altogether pleasing plant, root ball, directly under the trunk of the
especially indoors. As a bonsai, it can be tree, should not dry out.

Varieties of Bonsai Trees 55


Common Questions about
Bonsai

What is the best way to get started in bonsai? Are bonsai kept small by lack offood?
Locate a bonsai club, attend a lecture or No. Bonsai are fed to maintain health.
classes, read whatever you can. Most
important, experiment. You'lllearn more Are bonsai delicate?
from hands-on experience than from
No. Bonsai are strong, hardy trees.
anything else.

Are bonsai difficult to take care of?


Do bonsai grow in the ground?
Not if you receive good instructions, es-
No. Bonsai are miniature trees grown in
pecially about light and water needs.
shallow containers.

Are bonsai easily lost?


Do bonsai have to be old?
Not easily, but they die when owners do
No. It is the illusion of age that is de-
not know how to take care of them or are
sired. Accomplishing this with a young
not committed to their survival. To lose
tree is great artistry.
a tree and not know why is an unquali-
fied loss. To lose a tree and learn why is
Am I too old to start bonsai? an essential part of your education.
Certainly not. No matter how old you
are, if you're interested in bonsai, you How often should I water my bonsai?
should not miss the joy of "finding a
Watering is a complicated matter, de-
tree" in an overgrown stock plant, or the
pending on such factors as light, tem-
pleasure of selecting a bonsai you would
perature, etc. You will have to learn
like to have.
watering on your own, but we have in-
cluded some guidelines in this book.
Are bonsai kept small by wire?
No. Wire is used only to help design a
How will I know if I'm doing something
tree.
wrong to a bonsai?
If there is a change in the tree's appear-
Do bonsai have to be wired.? ance, seek help at once. The problem
Not necessarily. Wire is used only where may be due to watering, poor light, or an
it is needed. Many trees are never wired. environmental factor. The sooner the
Such trees are designed by pruning and problem is corrected, the better the
pinching only. chance your tree will have to recover.

56 CHAPTER 12

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Other books of interest from Tuttle Publishing

IKEBANA Tropical Colors

ISBN 0-8048-3792-9 ISBN 0-7946-0056-5 ISBN 0-8048-3437-7

the art of
bonsai

ISBN Q-8048-2091-0 ISBN 0-8048-3598-5 ISBN 0-7946-0242-8

totally bonsai

ISBN 0-8048-3259-5 ISBN 0-8048-3420-2 ISBN 0-8048-2071-6


Gardening

Writing especially for those with no bonsai experience, Shirley


plant to creating a
miniature landscape of rocks, grasses, and trees. In between, they describe
different bonsai styles, list important tools, explain pruning and pinching,
tell what to do with trees in winter, and introduce advanced procedures
such as defoliation. In short, the authors cover all aspects of bonsai,
anticipating common problems and offering practical advice gained fro m
years of working with plants.

Shirley and Larry Student are charter members of the Northeast Bons a
Association, of which Larry Student was past president. They have the i
own bonsai nursery and teach bonsai at horticultural societies and garde n
centers throughtout the northeastern United States.

"A wonderful book for anyone intrigued by bonsai but hesitant to start.
It provides the beginner the excitement and confidence to launch into this
fascinating hobby"
-Kurt Seastrand, past president, Northeast Bonsai Associatiofl

"The book provides all the information you need to grow bonsai. It's
easily read, is fully illustrated, and entices one into the world of the
miniature."
- William Smedley V, bonsai enthusiast and past president,
American Bonsai Association

"The authors have clearly outlined the procedures to successfully achieve


the dwarfing of trees. Anyone who has thought of pursuing this hobby
will find the Students' book a friendly guide."
-John W Trexler, executive director,
Worcester County Horticultural Society

TUTTLE PUBLISHING
Tokyo • RutJand, Vermont • Singapore

'"' ww. tuttlepublishing.com


Printed in Singapore

ISBN-13 :
978-0-8048-1729-5
ISBN - 10 :
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