PRE FACE

On the Solemnity of the Epiphany in 2007, the work of Corpus Christi Watershed
officially began. Throughout, it has been a labor of prayer and trust, and a casting
of our nets into the deep waters: Duc In Altum (Lk 5:4). The labors become
especially worthwhile when we discover that we have made a successful catch,
which is to be found in the following Eucharistic Motets: they truly are a bountiful
catch for the Church and I trust will serve the Lord by inspiring and capturing the
attention of many souls who hear this music. Kevin Allen is a brilliant artist and a
living treasure for the Church. It is an honor for us to begin our commission of
publishing books of new liturgical music with him as our first artist in this field.
Corpus Christi Watershed is a 501(c)(3) non-profit apostolate dedicated to the
arts and creative media in the service of the contemplative life and the Church at
prayer. At Watershed, we seek to respond to the call of the Popes, and specifically
have allowed our course to be charted as an articulation of documents such as
Pope John Paul II's 1999 Letter to Artists written in anticipation of the Great
Jubilee of 2000 as a guide for Christian artists entering into the 21st Century. In
this letter he urges that “the Church needs art”:
In order to communicate the message entrusted to her by Christ, the Church needs art.
Art must make perceptible, and as far as possible attractive, the world of the spirit, of the
invisible, of God. It must therefore translate into meaningful terms that which is in itself
ineffable. Art has a unique capacity to take one or other facet of the message and
translate it into colours, shapes and sounds which nourish the intuition of those who
look or listen. (Par. 12)
These motets, set so beautifully by Kevin Allen, are an excellent example of such
art that the Holy Fathers have called artists to create. We are mindful of The
Constitution on the Sacred Liturgy Sacrosanctum Concilium: “The musical
tradition of the universal Church is a treasure of inestimable value, greater even
than that of any other art. The main reason for this pre-eminence is that, as
sacred song united to the words, it forms a necessary or integral part of the solemn
liturgy” (Par. 112). Artists such as Kevin Allen are the truly awaited fruits of the
inspired teachings of the Second Vatican Council. His music lives and breathes
within the living reality of the Church's liturgical traditions. It is at one and the
same time ever ancient and ever new, for the beauty of his melodic lines and
harmonization reflect something of the larger celestial beauty of the Beatific
BY DR. DANI EL VARHOLY,
PRESI DENT OF CORPUS CHRI STI WATERSHED
Vision. This is the noble call of the sacred artist who is called to touch these
heavenly realities through the humble offering of his art that is faithful to the
Church and her sacred liturgies.
We have included numerous features in the publication that give flexibility for the
singer, for example we have Latin/English Psalm tones owing to the fact that the
Church desires the use of Latin during the sacred liturgy, but also allows for
English, and some choirs may not yet be ready for the Latin. The English Psalm
tones are a translation of the Latin, and are a good way for choir directors to begin
helping the choir and congregation to understanding the Latin, as the Church
wishes.
We took great care to have no page turns during individual pieces, and have set
Kevin Allen's music in appropriately beautiful fonts and scripts with clearly
written typesetting that enables ease of singing. We also have included faithful
translations of the Motets themselves. Any sacred musician can use this music to
help improve the liturgical life of parishes, schools, seminaries and religious
institutes. Watershed is offering this book of compositions at a reasonable price so
that many people may have the gift of accessing this beautiful new work.
Kevin Allen is a truly gifted composer by any standard of place or time. His vocal
lines are stunning and flow with a natural beauty that is truly universal and
profound in scope. As a living artist, he avoids the easy temptation of taking for
his model the commercialism of secular musical trends that are fleeting and
lacking in suitability for truly dignified liturgical worship. Instead, Kevin places
himself under the inspiration of masters such as Victoria and Palestrina. His
preferred composer as a model is Orlando Lassus, and Kevin Allen finds a sure
place in this inspired tradition.
As President of Corpus Christi Watershed, I am very happy that we are publishing
this book. It is an honor and a great grace to be able to encourage Kevin Allen in
his work and to share the fruits of his musical gifts with the Church.
Daniel Varholy, D.Phil.
Corpus Christi
Feast of Pope Saint Pius V, 2010
TABLE of CONTENTS
1. Desídero Mi Jesu
. . . page 1
7. O Sacrum Convívium
. . . page 28
2. O Salutáris Hóstia
. . . page 5
8. Panis Angélicus
. . . page 33
3. Anima Christi
. . . page 9
9. Tantum Ergo
. . . page 37
4. Dómine, Non Sum Dignus
. . . page 15
10. Te Decet Laus
. . . page 41
5. Sicut Novéllae Olivárum
. . . page 19
11. Parátur Nobis
. . . page 46
6. Ave Sacer Christi Sanguis
. . . page 23
12. O Sanctíssima
. . . page 51














 
1. Desídero Mi Jesu
page 1
In addition to being sung by SSA and TTB choirs, these pieces also work well for mixed choirs.
In this case, trebles sing the PRIMUS line, men sing the TERTIUS line, and high tenors and/or
low altos sing the SECUNDUS line.
Those who choose to perform these pieces with mixed choirs may appreciate the following pitch
suggestions. It will be noticed that sometimes the Psalm verses require no transposition. Some choirs may
choose to have the men and women alternate (one group singing the Latin, and the other singing the English).
first
pitch

first
pitch
SUGGESTED TRANSPOSITION (for mixed choirs)
range
Psalm tone verses


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range




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2. O Salutáris Hóstia
page 5
first
pitch
range

first
pitch
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range Psalm tone verses


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3. Anima Christi
page 9
first
pitch
range

first
pitch
SUGGESTED TRANSPOSITION (for mixed choirs)
range
Psalm tone verses


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4. Dómine, Non Sum Dignus
page 15
first
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5. Sicut Novéllae Olivárum
page 19
first
pitch
range

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pitch
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range
Latin Psalm tone verses


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English Psalm tone verses



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6. Ave Sacer Christi Sanguis
page 23
first
pitch
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Psalm tone verses


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7. O Sacrum Convívium
page 28
first
pitch
range

first
pitch
SUGGESTED TRANSPOSITION (for mixed choirs)
range
Latin Psalm tone verses


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English Psalm tone verses



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8. Panis Angélicus
page 33
first
pitch
range

first
pitch
SUGGESTED TRANSPOSITION (for mixed choirs)
range Psalm tone verses


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9. Tantum Ergo
page 37
first
pitch
range

first
pitch
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range
Psalm tone verses


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10. Te Decet Laus
page 41
first
pitch
range

first
pitch
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Psalm tone verses


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11. Parátur Nobis
page 46
first
pitch
range

first
pitch
SUGGESTED TRANSPOSITION (for mixed choirs)
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Psalm tone verses


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12. O Sanctíssima
page 51
first
pitch
range

first
pitch
SUGGESTED TRANSPOSITION (for mixed choirs)
range Psalm tone verses
 



 
World-renowned vocalist Matthew J. Curtis has created more than fifty practice
videos for this collection, and Corpus Christi Watershed has made these videos
available online for free, to help choirs learn these beautiful pieces.
To take advantage of these free practice videos, or to purchase a CD recording of
MOTECTA TRIUM VOCUM, endorsed by the composer, please visit:
musicfortheliturgy.org/kevinallen




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Primus
Secundus
Tertius
De
mp
sí - de - ro, - mi Je su, - de sí - de - ro, - de sí - de - ro, - des sí - de - -
mp
De sí - de - ro, - de sí - de - ro, - des sí - de - -
mp
De sí - de - ro, - de sí - de - ro, - des sí - de - -
ro, mi Je su, - Hoc
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6
ro, - mi Je su, - Hoc
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ro, mi Je su, - Hoc
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me re fí - ci - as: -
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Fac, Je su -
mi be ní - gne, -
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Ac cé - dam - sem per - di gne - Ad
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has di ví - nas - é
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pu - las. -
13
mi be ní - gne, -
mf
Ac cé - dam - sem per - di gne - Ad
f
has di - ví nas - é pu - las. -
mi be ní - gne, -
mf
Ac cé - dam - sem per - di gne - Ad
f
has di - ví nas - é pu - las. -
¸
¸
¸
/

 
,
Desídero, mi Jesu,
Hoc Angelórum esu:
Ut me refícias:
I desire, O my Jesus
That You would refresh me
On this, the food of angels.
Fac, Jesu mi benígne,
Accédam semper digne
Ad has divínas épulas.
Make me, my kind Jesus,
Always worthily approach
To this divine repast.
Motecta Trium Vocum Kevin Allen, 2005 1. Desídero, Mi Jesu
/

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For free pract ice videos, visit : musicfort helit urgy.org/kevinallen






mp
Hic ci bus - nu tri - mén - tum, - hic ci bus, - hic ci bus, - hic ci bus - nu tri - mén - -
21
mp
Hic ci bus, - hic ci bus, - hic ci bus - nu tri - mén - -
mp
Hic ci bus, - hic ci bus, - hic ci bus - nu tri - mén - -
tum, Hic
mp
po tus - a li - mén
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- tum, - Sit
pp a tempo
me ae - á ni - mae: -
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Det grá ti - -
27
tum, Hic
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po tus - a li - mén - tum, - Sit
pp
me ae - á ni - mae: -
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tum, Hic
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po tus - a li - mén - tum, - Sit
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me ae - á ni - mae: -
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am - dum spi ro, -
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Sit in a gó - ne - di ro - pi
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gnus - fu tú - rae - gló
rit.
ri - ae. -
33
am dum spi ro, -
mf
Sit in a gó - ne - di ro - pi
f
gnus - fu - tú rae - gló ri - ae. -
am dum spi ro, -
mf
Sit in a gó - ne - di ro - pi
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gnus - fu - tú rae - gló ri - ae. -
/

 
,
Hic cibus nutriméntum,
Hic potus aliméntum,
Sit meae ánimae:
Let this food a nutriment,
Let this drink a nourishment,
Be unto my soul:
Det grátiam dum spiro,
Sit in agóne diro
pignus futúrae glóriae.
Let it give grace while I breathe,
In my final agony
Be it a pledge of future glory.
/

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2
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quando véniam, et apparébo ante fáci- em De- i? 3. Fu- é- runt
mihi lácrimae meae panes die ac nocte, dum dícitur mihi quo-tí-
di- e: Ubi est De-us tu- us? 4. Haec re-cordátus sum, et effúdi
in me ánimam me- am, quóniam transíbo in locum tabernáculi
ad-mi-rá-bi-lis. 5. Usque ad domum De-i, in voce exsultatiónis
et confessi- ó- nis, sonus e-pu-lán-tis.
Q
ad te, De- us. 2. Si- tí- vit ánima mea ad Deum fortem, vi- vum;
5====’’=2=’’=3====5===========================’’’’’’’=======’’’=’’’’’
5=========’’6==’=5’5=====|===5===========================’’=’’
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5====’’’’5=========================================’’4===’’’’’’’2=’’’=3===|====’2==3===5======’
uemádmodum desíderat cervus ad fontes
a-quá- rum, ita desíderat ánima mea
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 

s the hart pants af ter - the foun tains - of wa ter; -


 

so
A
my soul pants af ter - you, O God.


 

My
II.
soul has thirst ed - af ter - the strong liv ing - God;


 

when shall I come and ap pear - be fore - the face of God?


 

My
III.
tears have been my bread day and night,


 

whilst it is said to me dai ly: - Where is your God?


 

These
IV.
things I re mem - bered, - and poured out my soul in me:


 

for I shall go o ver - in to - the place of the won der - ful - tab er - nac - le. -


 

E
V.
ven - to the house of God: With the voice of


 

joy and praise; the noise of one feast ing. -
Psalm 42: 2-5


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4






Primus
Secundus
Tertius
O sa lu - tá - ris - hó - -
O sa lu - tá - ris - hó - - - - -
O sa lu - tá - ris - hó sti - a, -
hó - -
sti - a, - Quae coe li - pan dis - ó sti - um, - Bel la -
8
sti - a, - Quae coe li - pan - dis ó sti - um, - Bel la -
sti
-
a, - Quae coe li - pan dis - ó sti - um, - Bel la -
pre munt - ho stí - li - a, - Da ro bur, - fer au xí - li - um. -
16
pre munt - ho stí - li - a, - Da ro bur, - fer au xí - li - um. -
pre munt - ho stí - li - a, - Da ro bur, - fer au xí - li - um. -
,
,
,
/

 
O salutáris hóstia,
Quae coeli pandis óstium,
Bella premunt hostília,
Da robur, fer auxílium.
O Saving Victim,
that openest the gate of heaven;
hostile attacks oppress us,
give us strength, bring us aid.
Uni trinóque Dómino,
Sit sempitérna glória:
Qui vitam sine término
Nobis donet in pátria.
Eternal glory be
to the Triune God,
who giveth us life without end
in our native land above.
Kevin Allen, 2005 Motecta Trium Vocum
2. O Salutáris Hóstia
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For free pract ice videos, visit : musicfort helit urgy.org/kevinallen








U ni - - - tri nó - que - Dó - - -
23
U ni - - tri nó - que - Dó - - - - - -
U ni - tri nó - que - Dó mi - no, - Dó - - -
- mi no, - Sit sem pi - tér - na - gló ri - -
30
- mi no, - Sit sem pi - tér - na - gló ri - -
-
mi no, -
Sit sem pi - tér - na - gló ri - -
a: Qui vi tam - si ne - tér mi - no - No bis - do -
36
a: Qui vi tam - si ne - tér mi - no - No bis - do -
a: Qui vi tam - si ne - tér mi - no - No bis - do -
net in pá tri - a. - A men. - - - - - -
42
net in pá tri - a. - A men. - - - - - -
net in pá tri - a. - A men. - - - - - -
/

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6
·’’`’’’’’’·’’’’’’’’’’’’·’’·’’·’’-’’’’’’
·’’’-’’’·’’’`’’’’’·’’’’’’’
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·’’·’’’·’’’·-’-’’’·’’’’’’’’’’
sic péreant peccatóres a fá- ci- e De- i. 3. Et ju-sti epuléntur,
et exsúltent in conspé-ctu De- i, et delecténtur in lae- tí- ti- a.
4. Can-tá-te Deo; psalmum dícite nó-mi- ni e- jus: iter fácite ei qui
ascéndit su- per oc-cá- sum. 5. Dó-mi-nus nomen illi; exsultáte in
conspéctu e- jus. Turbabúntur a fá- ci- e e- jus. 6. Regna
terrae, can-tá- te De- o. Psállite Dómino; psál- li- te De- o.
E
2. Si- cut déficit fumus, defí-ci- ant; sicut fluit cera a fá-ci- e ig-nis,
·’’’’’’-’’’’·’’`’’’’’·’’’’’’’’’’
·’’’’’’’’’’’’’·’’·’’’·’’’’’’’’’-’’’’’’’’’
·’’’-’·’’’’’·’’’·’’’’’’’’’’’’`’’’’’’’·’’’’’’
·’’’’’·’’’·’’·--’·’’’’’’’’’’’
x- súrgat Deus, et dissipéntur ini-mí-ci e-jus;
et fúgiant qui odérunt eum a fá- ci- e e-jus.
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 
et God a rise, - and let his en e - mies - be scat tered: -


 
and
L
let them that hate him flee from be fore - his face.


 
As
II.
smoke van ish - es, - so let them van ish - a way: - as wax


 
melts be fore - the fire, so let the wick ed - per ish - at the pres ence - of God.


 
And
III.
let the just feast, and re joice - be fore - God:


 
and be de light - ed - with glad ness. -


 
Sing
IV.
to God,


 
sing a psalm to his name, make a way for him who as cends - up on - the west.


 
The
V.
Lord is his name. Re joice - be fore - him: but the wick ed - shall be


 
trou bled - at his pres ence. -


 
Sing
VI.
to God, you king doms -


 
of the earth. Sing to the Lord: Sing to God.
Psalm 68: 2-5, 33

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8




Primus
Secundus
Tertius
A
mf
ni - ma - Chri sti, - sanc tí - fi - ca - me. Cor pus - Chri -
Moderato
A
mf
ni - ma - Chri sti, - sanc tí - fi - ca - me. Cor pus -
A
mf
ni - ma - Chri sti, - sanc tí - fi - ca - me. Cor pus -
sti, sal va - me. San guis - Chri sti, - i né - bri - a - me.
7
Chri sti, - sal va - me, sal va - me. San guis - Chri sti, - i né - bri - a - me.
Chri sti, - sal va - me, sal va - me. San guis - Chri sti, - i né - bri - a - me.
,
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/

 
,
,
Anima Christi, sanctífica me.
Corpus Christi, salva me.
Sanguis Christi, inébria me.
Aqua láteris Christi, lava me.
Pássio Christi, confórta me.
O bone Jesu, exáudi me.
Intra tua vúlnera abscónde me.
Ne permíttas me separári a te.
Ab hoste malígno defénde me.
In hora mortis meae voca me.
Et jube me veníre ad te.
Ut cum sanctis tuis laudem te.
In saécula saeculórum. Amen.
Soul of Christ, sanctify me.
Body of Christ, save me.
Blood of Christ, inebriate me.
Water from the side of Christ, wash me.
Passion of Christ, strengthen me.
O good Jesus, hear me.
Within Thy wounds hide me.
Permit me not to be separated from Thee.
From the wicked foe defend me.
At the hour of my death call me.
And bid me come to Thee
That with Thy saints I may praise Thee
For ever and ever. Amen.
Kevin Allen, 2006 Motecta Trium Vocum
3. Anima Christi
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For free pract ice videos, visit : musicfort helit urgy.org/kevinallen






A
mp
qua - lá te - ris, - a qua - lá
mf
te - ris - Chri sti, - la va - me.
14
A
mp
qua - lá te - ris, - a qua - lá
mf
te - ris - Chri sti, - la va - me.
A
mp
qua - lá te - ris, - a qua - lá
mf
te - ris - Chri sti, - la va - me.
Pás
p
si - o - Chri sti, - con fór - ta - me, con fór - ta - me.
20
Pás
p
si - o - Chri sti, - con fór - ta - me, con fór - ta -
Pás
p
si - o - Chri sti, - con fór - ta - me, con fór - ta - me.
O
f
bo ne - Je su, - O bo ne - Je su, - ex áu - di, - ex áu - di -
26
me.
f
O bo ne - Je su, - bo ne - Je su, - ex áu - di, - ex áu - di -
O
f
bo ne - Je su, - O bo ne - Je su, - ex áu - di -
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10






me: In tra - tu
mf
a - vúl ne - - ra -
32
me: In tra - tu
mf
a - vúl ne - ra - ab scón - de -
me: In tra - tu
mf
a - - - vúl ne - ra - ab -
mp
ab scón - de - me. Ne
p
per mít - tas - me se pa - rá - ri - a
38
me.
mp
Ne per mít
p
- tas - me se pa - rá - ri - a
scón
mp
de - me. Ne
p
per mít - tas - me se pa - rá - ri - a
te. Ab
mf
ho ste - ma lí - gno - de fén - -
44
te.
mf
Ab ho ste - ma lí - - - gno -
te. Ab ho ste
mf
- ma lí - gno - de fén - de, - de -
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For free pract ice videos, visit : musicfort helit urgy.org/kevinallen






rit.
de - me. In
a tempo
ho ra - mor tis - me ae - vo ca -
49
de fén - - de me. In ho ra - mor tis - me ae - vo ca -
fén
-
de - me: In ho ra - mor tis - me ae - vo ca -
me. Et ju be - me ve ní - re - ad te. Ut cum san ctis - tu is -
55
me. Et ju be - me ve ní - re - ad te. Ut cum san -
me. Et ju be - me ve ní - re - ad te. Ut cum san -
lau dem - te. In saé cu - la - sae cu - ló - rum. - A men. -
62
ctis tu is - lau dem - te. In saé cu - la - sae cu - ló - rum. - A men. -
ctis tu is - lau dem - te. In sae cu - ló - rum. - A men. -
/

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12
5’’’’==============’’4==5==3==’’=2’2==’’|===’’’’2====3==’’5=========================’6==’’5===’’5’5=’’|’’
5’’’’=5=========================================’’’4===5==3===’’2’2====|====’’’’2====3===5====
5’’’’===============’4=’’’=5==’’’3==’’’2’2====|==========================’’’=====================
5’’’’======2==’’’’’3==’’’5====================================6===’’’5===’’5’5====|===’’’’5====’’’=====
5’’’’======================’’6===5===5’5===|==5=======================’’’4==’’’’5===’3===2’2==|=’’’
et laeténtur. 3. Magni- ficáte Dóminum me- cum, et exaltémus
nomen ejus in id-íp-sum. 4. Exqui- sívi Dóminum, et exaudí-vit me;
et ex ómnibus tribulatiónibus meis e-rí- pu- it me. 5. Ac-cé- dite
ad eum, et illumi-ná-mi- ni; et fácies vestrae non confundéntur.
6. Gu-stá- te et vidéte quóniam suávis est Dó- mi- nus; beátus
vir qui spe-rat in e- o.
B
2. In Dómino laudábitur ánima me- a: áudiant mansuéti,
5’’’’==’2===3==’’5============================’’’’6===’’’5===5’5===|==
5’’’’===’’5====================’’’4===5===’’’’3==2’2====|’’===========
5’’’’===’’’2====’3==’5==========================’’6==’5’5====|===’5==========================’’’=
5’’’’=’’4===5==’3==’’’2’2===|==’====’2==’’’3==’5====================’6===’’5’5===’’=|==’5============’’’=
e-ne-dícam Dóminum in omni témpo- re;
semper laus ejus in o- re me- o.
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 


will bless the Lord at all times,


 


his
I
praise shall be al ways - in my mouth.


 


In
II.
the Lord shall my soul be praised: let the meek hear and re joice. -


 


O
III.
mag ni - fy - the Lord with me; and let us ex tol - his


 


name to geth - er. -


 


I
IV.
sought the Lord, and he heard me;


 


and he de liv - ered - me from all my trou bles. -


 


Come
V.
to him and


 


be en light - ened: - and your fac es - shall not be con found - ed. -


 


O
VI.
taste, and see that the Lord is sweet: bless ed - is the man
Psalm 34: 2-6, 9
that hopes in him.


    

    






    

  






  

       



 

   


      



 

 
 

      






     

   



 
14






Primus
Secundus
Tertius

mf
mi - ne, - non sum di gnus, - non sum di gnus - ut
mf
Dó mi - ne, - non sum di gnus, - non sum di gnus - ut
mf
Dó mi - ne, - non sum di gnus, - non sum di gnus - ut






in tres - sub te ctum - me um: - um: sed
mp
tan tum -
1. 2.
6
in tres - sub te ctum - me um: - um: sed
mp
tan tum -
in tres - sub te ctum - me um: - um: sed
mp
tan -
dic ver bum, - sed tan tum - - dic ver bum, -
11
dic ver bum, - - sed tan tum - dic ver bum, -
tum
-
dic ver bum, - sed tan tum - dic ver bum, -
,
,
,
/

 
Motecta Trium Vocum Kevin Allen, 2006
4. Dómine, Non Sum Dignus
Dómine, non sum dignus ut intres sub tectum meum: sed tantum dic verbo, et sanábitur ánima mea.
Lord, I am not worthy that Thou shouldst enter under my roof: but only say the word, and my soul shall be healed.
/

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For free pract ice videos, visit : musicfort helit urgy.org/kevinallen






et
p
sa ná - bi - tur, - et sa ná - bi - tur - á ni - ma - me a, -
18
et
p
sa ná - bi - tur, - et sa ná - bi - tur - á ni - ma - me a, -
et
p
sa ná - bi - tur, - et sa ná - bi - tur - á ni - ma -
á
mp
ni - ma - me a, - - - á ni - ma - me
mf
-
24
á
mp
ni - ma - me a, - á ni - ma - me a, - á ni - ma - me
mf
-
me
mp
a, - á ni - ma - me a, - á
mf
ni - - - - ma -
a, á ni - ma - me a, - á
mp
ni - ma - me a. -
p
30
a, - me a, - me a, - á
mp
ni - ma - me a.
p
-
me a, - me a, - me a, - á
mp
ni - ma - me a.
p
-
/

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16
5’’’’=’’6=’==’’’4==’’’5==’3’3===|====’’’1===3==’5===============’’’’6===6==’5’5====|==’’’3==’’5===========’=
5’’’’==’=========================’’’6==’4===’4===5=’’3’3====|===’’’1====3==’5===================’
5’’’’================’’6=’’6=’’5’5==’’’|=’-’’’3====5============================’’’’6==’’4==’’’5=’’3’3==|==-’
5’’’’==’=====’1==3==’5===========6==6=’’’5’5=’|=’’5===’’6===’’’’4=’5==3’3==|=====’’1==3=’’’5=============
5’’’’==’=====================6=’’’’6==’’5’5=-’|=’’’3==5=====================’’6=====’4==’5==’3==’3’3=’|’
3. Qui loquí-tur veritátem in cor-de su-o: qui non egit dolum in
lingua su- a. 4. Nec fe-cit próximo su-o ma-lum, et oppróbrium
non accépit advérsus pró-xi-mos su-os. 5. Ad ní-hilum dedúctus est
in conspéctu ejus ma-lígnus; timéntes autem Dóminum glo-rí- fi-cat.
6. Qui ju-rat próxi-mo su-o, et non decí-pit. 7. Qui pecúniam suam
non dedit ad usúram, et múnera super innocéntem non accépit.
D
2. Qui ingré-ditur si-ne má-cu-la, et o-pe-rá-tur ju-stí- ti- a.
5’’’’==1===’3==’’5=================================’’’6==6=’’’5’5==|=’
5’’’’==’’’3=====’5=========================’’’’6====4=’=’’5==3’3==|’’’’’’’’’’’’
5’’’’==’=====1==’’’3===’’5===========’’’6===’’’6==’’’5==5’5==|=’’’’’3==’’5==’’’5==’6==’’4==’’’4===5==’’’’3==’3’3==|’’’’’
5’’’’==’=====1==3===5=========================’’6==6=’’’5’5===|=====’3==’5===================’’’’
ó-mi-ne, quis habitábit in tabernácu-lo tu-o?
aut quis requiéscet in monte sancto tu- o?
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 
ord, who shall dwell in your tab er - nac - le? -


 
Or
L
who shall rest in your ho ly - hill?


 
He
II.
that walks with out - blem ish, - and works jus tice. -


 
He
III.
that speaks truth in his heart, who has not used de ceit - in his tongue.


 
Nor
IV.
has done e vil - to his neigh bor: nor tak en - up a re proach -


 
a gainst - his neigh bors. -
V.


 
In his sight the ma lig - nant -


 
is brought to noth ing: - but he glo ri - fies - them that fear the Lord.


 
He
VI.
that swears to his neigh bor, - and de ceives - not.


 
He
VII.
that has not put out his mon ey - to u su - ry, -


 
nor tak en - bribes a gainst - the in no - cent. -
Psalm 15: 1-5a

 
    
  

 
 
 
  

 

 
 
  

 
 

 

 
 
  

 
   
 
 



 
   
  

 
     

 
 

 

 
    
 
  

 
   
 
  



 
 
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 
      
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   
 
 

 
18






Primus
Secundus
Tertius
Si cut - no vél - lae -
Andantino
Si cut - no vél - lae, - si cut - no -
Si cut - no -
o li - vá - rum, - - - - - - -
7
vél lae - - - - - - - o li - vá - rum, -
vél lae - - - o li - vá - rum, -
Ec clé - si - ae, - Ec clé - si - ae - fí li - i - sint in
13
Ec clé - si - ae, - Ec clé - si - ae - fí li - - -
Ec clé - si - ae, - Ec clé - si - ae - fí - -
,
,
,
/

 
-
5. Sicut Novéllae Olivárum
Sicut novéllae olivárum Ecclésiae fílii sint in circúitu mensae Dómini.
Motecta Trium Vocum Kevin Allen, 2007
Like new olive plants to the Church are children around the table of the Lord.
/

 
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- - - -
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For free pract ice videos, visit : musicfort helit urgy.org/kevinallen






cir cú - i - tu, - cir cú - i - tu, -
19
- - - i sint in cir cú - i - -
li - i - sint in cir cú - i - -
cir cú - i - tu, - Ec clé - si - ae - fí li - i - sint in
25
tu, - cir cú - i - tu, - Ec clé - si - ae - fí li - i -
tu, - cir cú - i - tu, - cir cú - i - tu, - cir cú - i - -
cir cú - - - i - tu - men
rit.
sae - Dó mi - ni. -
31
sint in cir cú - i - tu - men sae - Dó mi - - ni. -
tu - men sae - Dó mi - - - - ni. -
/

 
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20
7’’’’=5=’’4==’5========4==’’4==’’’’4=’’’’24-3=|==’’5=’’’4=’’5==================’’5=’’’4=’’’’6==’5==’5’5=’’|’’’
7’’’’=5==4==’5======’’4==’’’’4===4==24-3==|==’’5==’’’4==’’’5=========’’5==’’’4==6===’’5==’’’5’5===|’’’==
7’’’’==’5=’============’5==4====6=’’5=’’5’5==’’|=============’’’’4=’’’’4==4==24-3-=|
7’’’’=’5==’’4=’’’’’’’’5========================================’’’4==’’’4==’’4==’24-3==|===’5==’’’4’’’’
7’’’’===’’5==’5==’’’4===’4==’4=’’’24-3==|====5==’’4==’’’5===============5==’4==’’’6===’’5=’’’’5’5===|’’==
et bene ti- bi e- rit. 3. U-xor tua sicut vi- tis a- búndans,
in la-téribus do-mus tu-ae. 4. Fí- li- i tui sicut novél-lae o-li-vá-rum,
in circúitu men-sae tu-ae. 5. Ec-ce sic bene-di- cé-tur homo,
qui ti-met Dóminum. 6. Be- ne-dícat tibi Dó-mi- nus ex Si- on:
et ví- deas bona Jerúsalem ómnibus diébus vi- tae tu-ae. 7. Et vi-
déas fílios fili-ó- rum tu-órum, pacem su-per Isrä- el.
B
2. La- bó- res mánuum tuárum qui- a mandu- cá- bis: be- á- tus es,
7’’’’=’’5=’’’’’’4==’’’’’5============5==’’4===6=====’’’5===’’’’5==’’5’5====|’’’’’’’’’’
7’’’’====5==4===’’’’5=========’’’4=’’’4==’4==’’’’24-3===|’=====’’======
7’’’’=====5==’’’4===5===========================5==’’’4===’6===’5===’5’5==|===5=’’-’4===5=====’’
7’’’’===========’4==’’4==’’’4==’’’24-3==|====5==4==’’’’5==========5==’4==’’6===5===’’’5’5====|=’===
e- á- ti omnes, qui ti-ment Dó- mi-num,
qui ámbulant in vi- is e- ius.
N.B. This
tone starts on
B-natural and
ends on G-natural
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 
less ed - are all they that fear the Lord:


 
that
B
walk in his ways.
II.


 
For you shall eat


 
the la bors - of your hands: bless ed - are you, and it shall be well with you.


 
Your
III.
wife as a fruit ful - vine, on the sides of your house.


 
Your
IV.
chil dren - as ol ive - plants, round a bout - your ta ble. -


 
Be
V.
hold, - thus shall the man be bless ed - that fears the Lord.


 
May
VI.
the Lord bless you out of Si on: - and may you see


 
the good things of Je ru - sa - lem - all the days of your life.


 
And
VII.
may you see your chil dren's - chil dren, - peace up on -
Psalm 128: 1-6
Is ra - el. -
     
 


 
 

    
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 


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 
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    
 

 

 

  
22






Primus
Secundus
Tertius
A
mf
ve - sa cer - Chri sti - san guis, - I ter - no bis - re ctum - pan dis -
Moderato
A
mf
ve - sa cer - Chri sti - san guis, - I ter - no bis - re ctum - pan dis -
A
mf
ve - sa cer - Chri sti - san guis, - I ter - no bis - re ctum - pan dis -
Ad ae ter - na - gau di - a. - A
mp
ve - po tus - sa - lu ta - ris, -
7
Ad ae ter - na - gau di - a. - A
mp
ve - po tus - sa lu - ta - ris, -
Ad ae ter - na - gau di - a. - A
mp
ve - po tus - sa lu - ta - ris, -
Nul lus - un quam - fu it - ta lis - Bo ni - ta - tis - co
rit.
pi - a. -
14
Nul lus - un quam - fu it - ta lis - Bo ni - ta - tis - co pi - - a. -
Nul lus - un quam - fu it - ta lis - Bo ni - ta - tis - co pi - a. -
¸
¸
¸
/

 
,
,
,
,
Ave sacer Christi sanguis,
Iter nobis rectum pandis
Ad aetérna gáudia.
Hail sacred Blood of Christ,
You open for us the right path
to eternal joys.
Ave potus salutáris,
Nullus unquam fuit talis
Bonitátis cópia.
Hail saving Drink.
No one has ever been
such a source of goodness.
Motecta Trium Vocum Kevin Allen 6. Ave Sacer Christi Sanguis
/

 
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For free pract ice videos, visit : musicfort helit urgy.org/kevinallen






Mi
a tempo
mp
se - re - re - me i, - Chri ste, - Fi at - mi hi - ri vus - i ste - Pec ca - -
22
Mi
mp
se - re - re - me i, - Chri ste, - Fi at - mi hi - ri vus - i - ste Pec ca - to - -
Mi
mp
se - re - re - me i, - Chri ste, - Fi at - mi hi - ri vus - i ste - Pec ca - -
to - rum - ve ni - a. - Sal
mf
va - me ab om ni - ma lo, - Fac me
29
rum - ve ni - a. - Sal
mf
va - me ab om ni - ma lo, - Fac
to rum - ve ni - a. - Sal
mf
va - me ab om ni - ma lo, - Fac me
fru i - sum mo - bo no - In coe le - sti - pa
rit.
tri - a. -
36
me fru i - sum mo - bo no - In coe le - sti - pa tri - - a. -
fru i - sum mo - bo no - In coe le - sti - pa tri - a. -
/

 
,
,
,
,
Miserére mei, Christe,
Fiat mihi rivus iste
Peccatórum vénia.
Have mercy on me, O Christ,
May this stream be for me
the pardon of my sins.
Salva me ab omni malo,
Fac me frui summo bono
In coelésti pátria.
Save me from all evil,
Make me enjoy the highest good
in the heavenly fatherland.
/

 
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24
7’’’’==5======’’6-6=’’5’’=4===5’5==|==’’’5====================================’’4===’’3==’’4==’4’4==|’’’
7’’’’======3==’4===5===========================6-6==’’’5==4==’5’5===|====’5===============’’’’==
7’’’’====================’’’6-6==’5===4==5’5==|==’5===============’’4==3===’’4===’4===’4’4===|====
7’’’’=====’’6-6==’5=’’’’5==’’’4===5’5==|=’’5=========================4===3==4==’4’4=’’’-|==’3====’’’4=’’’5=’’
7’’’’============================’4===’’3==’’4==’4’4==’|=====’’3==’’4==’5=======================’
3. Hauri- é-tis aquas in gáudi-o de fóntibus salva-tó- ris. 4. Et di-
cétis in di- e il- la: Confitémini Dómino et invocáte no-men e-jus.
5. No-tas fácite in pópulis adinventi-ó-nes e-jus; mementóte
quóniam excélsum est no-men e-jus. 6. Cantá-te Dómino, quóniam
magní- fi-ce fe- cit; annuntiáte hoc in univér-sa terra. 7. Ampli- us
lava me ab iniqui-tá-te me- a, et a peccáto me- o munda me.
E
mea et laus me-a Dó-mi-nus, et factus est mihi in sa-lú-tem.
7’’’’=’3==’’4===’5======’’’’’’6-6==5====4==’’5’5===|===’’5===============’’
7’’’’==============’4===’3===’’’4===’’4’4===|=====’’’’3==’4==’’5====’===’’’’
7’’’’===============6-6=’’5===4===’5==’’’5’5==-|==5===================’’4===3==4==’’4’4===|’’’’’’’’’’’====
7’’’’======’’3=’’’4=’’’5=’’’5=’’’6-6===5==5===4===5=’5’5=’’|==5===========’’’4==’’3==’4==’’’4’4==|====’’3===4=’’’
c-ce Deus sal-vá-tor me- us; fiduciáliter
agam, et non ti- mé- bo. 2. Qui- a fortitúdo
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 




e hold, - God is my sav ior, - I will deal


 




con fi - dent - ly, - and will not fear.


 




Be
B
II.
cause - the Lord is my


 




strength, and my praise, and he has be come - my sal va - tion. -


 




You
III.
shall draw wa ters - with joy out of the sa vior's - foun tains. -


 




And
IV.
you shall say in that day: Praise the Lord, and call up on - his name.


 




Make
V.
his works known a mong - the peo ple: - re mem - ber - that his name is high.


 




Sing
VI.
to the Lord, for he has done great things: show this forth in all the earth.


 




Wash
VII.
me yet more frommy in iq - ui - ty, - and
Isaiah 12: 2-5 & Psalm 51
cleanse me from my sin.




 

   
   







    



     







 



   







 



    




 


   



   




 


   

 

  




 


   



  




 
Lord Jesus, Good Pelican,
wash me clean with your blood,
One drop of which can free
the entire world of all its sins.
Pie pellicáne, Iesu Dómine,
Me immúndum munda tuo sánguine.
Cuius una stilla salvum fácere
Totum mudum quit ab omni scélere.
According to legend, the pelican will wound itself
to feed its young, if no other food can be found,
rather than see any one of them perish.
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen




Primus
Secundus
Tertius
O
p
sa crum - con ví - - -
Larghetto
O
p
sa crum, - O sa crum - con ví - vi - um, - con -
O
p
sa crum - con ví - -
vi - um! - in quo Chri stus, - in quo Chri stus - sú
mf
mi - tur, - in
mp
quo
8
ví vi - um! - in quo Chri stus, - in quo Chri stus - sú
mf
mi - tur, -
vi um! - in quo Chri stus, - Chri stus - sú
mf
mi - tur, -
,
,
,
/

 
¸
¸
¸
O sacrum convívium! in quo Christus súmitur:
recólitur memória passiónis ejus: mens implétur
grátia: et futúrae glóriae nobis pignus datur.
- -
O sacred banquet! in which Christ is received,
the memory of his Passion is renewed,the mind is filled
with grace, and a pledge of future glory to us is given.
Motecta Trium Vocum Kevin Allen
7. O Sacrum Convívium
/

 
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28






Chri stus - sú mi - tur, - Chri stus - sú mi - tur: -
mp
re có - -
16

mp
mi - - tur, - in quo Chri stus - sú mi - tur: - re
mp
có - li - -
Chri
mp
stus - sú mi - tur, - in quo Chri stus - sú mi - tur: - re
mp
có - li - -
li
-
tur - me mó ri - a, - me mó - ri - - a, - me -
23
tur, - re có - li - - tur - me mó - ri - a, - me -
tur, re có - li - tur - me mó - ri - a, - me mó - -
mó ri - a - pas si - ó - nis - - e jus: -
p
mens
31
mó ri - a - pas si - ó - nis, - - pas si - ó - nis - e jus: -
ri
-
a - pas si - ó - nis - e jus, - pas si - ó - nis - e jus: -
/

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For free pract ice videos, visit : musicfort helit urgy.org/kevinallen






im plé - tur - - grá ti - - - a: -
38
mens
p
im plé - tur - grá ti - - - a: -
mens,
p
mens im plé - tur - grá ti - - a: -
et fu tú - rae - gló
mf
ri - - ae, -
45
et fu tú - rae - gló
mf
ri - - ae, -
et fu tú - rae - gló
mf
ri - - - - - -
gló ri - ae - no bis - pi gnus - da
rit.
tur. - - -
51
gló ri - ae - no bis, - no bis - pi gnus - da tur. -
ae no bis - pi gnus - - da tur. -
/

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30
7’’’’===’4==’’4==’’4===’24-3=’’’|===5=’4==’’5==========’5=’’’4==6===’5=’’’5’5=’|==’’5=’4====5========
7’’’’=====’4==’4==’4==’24-3’’=-=|====’’’5=’’’4==5========================’’5=’-’’4=’’’6=’’’’’5==’5’5==|=’’
7’’’’=====’’’5=’’4====6==’’5=’’’5=’’’5’5==|==5=’’’’4=’’’5=================’4=’’4==’’’4=’’’’24-3=|
7’’’’=5==’’4===’’6==’’5==’’5’5==|=’’’5==’4=’’5===========’’’4=’’4==’’’4==’’24-3==|==’’’5==’’’4==’5========’
7’’’’’’’5=================’’’’’’’’’’’’4=’’4===’’’4=’’24-3=’==’’|======’5=’’’’’4=’’’’’’5====================’’’’’’’’’’’’’’’
mi- ne. 3. Bo-num est spe-rá- re in Dómi- no, quam spe-rá-re in
prin-cí- pi- bus. 4. Be- á- ti immaculá- ti in vi- a, qui ámbulant in
le-ge Dómi-ni. 5. Be- á-ti qui scrutántur testimó- ni- a e-jus;
in toto corde exquí- runt e-um. 6. Non e-nim qui operántur
i- ni-qui- tá-tem in vi- is ejus ambu- lá-ve-runt. 7. In to-to corde
me-o exqui- sí-vi te; ne repéllas me a mandá- tis tu- is.
C
2. Bo- num est confí-de- re in Dómi-no, quam confí-de-re in hó-
7’’’’=’’5==’’4==’’5===================5==’4=’’’6====’5===’5’5=====|=’’=
7’’’’===’5’’’’’’’4=’’’5============================’4=’’4=’’’4==’24-3=|
7’’’’=====’’5==’’’4===’’5==========’’’5==4=’’’’’6====’5==’5==’’5’5==’|==’’’’’’5===’’4==’’5==’5==’5=’’’4===’4’=’’’’’’’
7’’’’==’’’4===’24-3=’|===’’5==4===’’5========’5=’’’4=’’’6====’5==’5===’5’5==|====’5====’’4=’’’’’5==’5=’’’5=’
on-fi- témini Dómino quó- ni- am bo-nus:
quó-ni- am in sæculum misericórdi- a e-jus.
N.B. This
tone starts
on F-sharp
and ends on
D-natural
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 



ive praise to the Lord, for he is good: for his mer cy -


 



en
G
dures - for ev er. -


 



It
II.
is good


 



to con fide - in the Lord, ra ther - than to have con fi - dence - in man.


 



It
III.
is good to trust in the Lord, ra ther - than to trust in princ es. -


 



Bless
IV.
ed - are the un de - filed - in the way, who walk in the law of the Lord.


 



Bless
V.
ed - are they that keep his stat utes: - that seek him with their whole heart.


 



For
VI.
they that work in iq - ui - ty, - have not walked in his ways.


 



With
VII.
my whole heart have I sought af ter - you: let me not stray


 



from your com mand - ments. -
Psalm 118: 1, 8-9 & Psalm 119: 1-3, 10
     



   



    
  



      



    



   


 
      



    



    


 
   



  


  
  



      



   



 
32






Primus
Secundus
Tertius
Pa nis - an gé - li - cus - fit pa nis - hó mi - num - Dat pa nis -
Pa nis - an gé - li - cus - fit pa nis - hó mi - -
Pa nis - an gé - li - cus - fit pa nis - hó mi - -
caé li - cus - fi gú - ris - tér mi - num. - O res mi -
6
num Dat pa nis - caé li - cus - fi gú - ris - tér mi - num. - O res mi -
num Dat pa nis - caé li - cus - fi gú - ris - tér mi - num. - O res mi -
rá bi - lis! - Man dú - cat - Dó mi - num - pau per, - ser vus, - et
11
rá bi - lis! - Man dú - cat - Dó mi - num - pau per, - - ser - -
rá bi - lis! - Man dú - cat - Dó mi - num - pau per, - ser vus, - et hú mi - lis, - et
/

 
Panis angélicus
Fit panis hóminum,
Dat panis coélicus
Figúris términum.
O res mirábilis:
Mandúcat Dóminum
Pauper, servus
et húmilis.
The Bread of Angels
becomes the Bread of men;
the Bread of Heaven
puts an end to prefigurations;
O wondrous thing
consumes the Lord
the poor, the servant,
and the lowly.
Te, trina Déitas
Unáque, póscimus,
Sic nos tu vísita,
Sicut te cólimus,
Per Tuas sémitas
Duc nos quo téndimus,
Ad lucem
quam inhábitas.
O Triune Deity,
we beseech Thee,
that Thou visit us,
as we adore Thee;
Lead us by Thy ways,
whither we direct our steps,
to the light
wherein Thou dost dwell.
Motecta Trium Vocum Kevin Allen 8. Panis Angélicus
/

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For free pract ice videos, visit : musicfort helit urgy.org/kevinallen








hú mi - lis, - hú mi - - - lis! - Te tri na - Dé i - tas -
18
vus, - et hú mi - lis, - hú mi - lis! - Te tri na -
hú mi - lis, - ser vus, - et hú mi - lis! -
Te tri na - Dé i - -
u ná - que - pó sci - mus, - Sic nos tu ví si - ta - si cut - te có li - -
25
Dé i - tas - u ná - que - pó sci - mus, - Sic nos tu ví si - ta - si cut - te có -
tas - u ná - que - pó sci - mus, - Sic nos tu ví si - ta - si cut - te
mus: Per tu as - sé mi - tas - duc nos quo tén di - mus - Ad
31
li - mus: - Per tu as - sé mi - tas - duc nos quo tén di - mus - Ad
có li - mus: - Per tu as - sé mi - tas - duc nos quo tén di - mus - Ad
lu cem - quam in há - bi - tas, - in há - - bi - tas. -
37
lu cem - quam in há - bi - tas, - in há - bi - tas. -
lu cem - quam in há - bi - tas, - in há - bi - tas, - in há - bi - tas, - in há - bi - tas. -
/

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34
f’’’’==========================-’’’’4==2===3’3======|=====’’’2===3===’’5=====================’’’
f’’’’==============’6=’’’’5’5=’|=’’5================================’’4=’2==’’3’3===|====’2====3===
f’’’’=’5============================’6===’’’5’5=’’|==’5=====================’’’4===’’2===’’3=’’3’3==|’
f’’’’===’’===================’6===’’5’5==|==’’’5=====================’4==’2=’’’3’3===|====’’’2==’’3==’’’’
f’’’’==’’5===============’6==’’5=’’’5’5==|==5===============’’’4==’’’2==’3=’’’3’3==|===2====’3=’’’5=====’’’
non minuéntur om-ni bo-no. 3. Ocu- li Dómini super justos,
et aures ejus in preces e- ó- rum. 4. Vul-tus autem Dómini super
faciéntes ma-la, ut perdat de terra memóriam e-ó-rum. 5. Et man-
dávit núbibus dé-super, et jánuas caeli a-pé-ru- it. 6. Et plu- it illis
manna ad manducándum, et panem caeli de-dit e- is. 7. Pa-nem
angelórum manducávit ho-mo; cibária misit eis in abundán-ti- a.
T
2. Dí-vi-tes eguérunt, et esuri- é-runt; inquiréntes autem Dóminum
f’’’’=’’2===3==’5==============================’6==’’’5’5====|====’’’
f’’’’====’’’5==================================’4==’’’2==3’3==’’’|==’
f’’’’====’’’2==3==5=======================’6==’’5’5====|==’’5================================’
f’’’’========================’’’’4==’’’2===3’3====|====’’’2==’3==’’5==================’’6==’5’5==-|’’’’’
i-mé-te Dóminum, omnes sancti e- jus,
quóniam non est inópia timénti-bus e- um.
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 
ear the Lord, all you his saints: for there is no want


 
to
F
them that fear him.
II.


 
The rich have want ed, -


 
and have suf fered - hun ger: - but they that seek the Lord shall not be de prived - of


 
an y - good.
III.


 
The eyes of the Lord are up on - the just:


 
and his ears un to - their prayers.
IV.


 
But the coun te - nance - of the Lord is


 
a gainst - them that do e vil - things: to cut off the re mem - brance - of them from the earth.


 
And
V.
he had com mand - ed - the clouds from a bove, - and had o pened - the


 
doors of heav en. -
VI.


 
And had rained down man na - up on - them to eat,


 
and had giv en - them the bread of heav en. -
VII.


 
Man ate the


 
bread of an gels: - he sent them pro vi - sions - in a bun - dance. -
Psalm 34: 10-11, 16-17
&
Psalm 78: 23-25


   

    
 
 




  
   

            
 




      

   
 




      
      

        
 




       

    

 




       

      
 





 

       
 


36






Primus
Secundus
Tertius
Tan
mp
tum - er go - Sa cra - mén - tum - Ve ne - ré - mur - cér nu - i: -
Moderato
Tan
mp
tum - er go - Sa cra - mén - tum - Ve ne - ré - mur - cér nu - i: -
Tan
mp
tum - er go - Sa cra - mén - tum - Ve ne - ré - mur - cér nu - i: -
Et
mp
an tí - quum - do cu - mén - tum - No vo - ce dat - rí tu - i: - Prae
mf
stet - fi -
7
Et
mp
an tí - quum - do cu - mén - tum - No vo - ce dat - rí tu - i: -
mf
Prae stet -
Et
mp
an tí - quum - do cu - mén - tum - No vo - ce dat - rí tu - i: - Prae
mf
stet - fi des -
des - sup ple - mén - tum - Sén su - um - de fé - ctu - i. - Ge
mp
ni - tó - ri, - Ge ni - -
14
fi des - sup ple - mén - tum - Sén su - um - de fé - ctu - i. - Ge
mp
ni - tó - ri, - Ge ni - -
sup ple - mén - tum - Sén su - um - de fé - ctu - i. - Ge
mp
ni - tó - ri, - Ge ni - -





 



Tantum ergo Sacraméntum Venerémur cérnui:
Et antíquum documéntum Novo cedat rítui:
Praestet fides suppleméntum Sénsuum deféctui.
Let us therefore, prostrate, adore so great a Sacrament,
and let the Old Law give way to the New Ordinance;
let faith supplement the weakness of the senses.
Motecta Trium Vocum Kevin Allen
9. Tantum Ergo


 





 





 





 





 





 





 





 






 
 
























 


  















 
 
  





  













 

 





  



 









 





 








 


 
 








 



  









 

 



 

   



For free pract ice videos, visit : musicfort helit urgy.org/kevinallen






tó que - Laus et ju bi - lá - ti - o, - Sa
mp
lus, - ho nor, - vir tus - quo que -
21
tó que - Laus et ju bi - lá - ti - o, - Sa
mp
lus, - ho nor, - vir tus - quo que -
tó que - Laus et ju bi - lá - ti - o, - Sa
mp
lus, - ho nor, - vir tus - quo que -
Sit et be ne - dí - cti - o: - Pro
mf
ce - dén - ti - ab u tró - que - Com par - sit
28
Sit et be ne - dí - cti - o: -
mf
Pro ce - dén - ti - ab u tró - que - Com par -
Sit et be ne - dí - cti - o: - Pro
mf
ce - dén - ti - ab u tró - que - Com par -
lau dá - ti - o. - A men. - - - - - - -
35
sit lau dá - ti - o. - A men. - - - - - - -
sit lau dá - ti - o. - A men. - - - - - - -


 



Genitóri, Genitóque Laus et jubilátio,
Salus, honor, virtus quoque Sit et benedíctio:
Procedénti ab utróque Compar sit laudátio.
To the Father and to the Son be praise, glory,
salvation, honor, power, and benediction also!
and to Him proceeding from Them both be equal praise.


 





 





 





 





 





 





 





 















 
 
 









 





















  



 






  
 



 






 

 






















 




 
 

 













 


 



  




 

 



 



 

 







 

 


38
5’’’’=’’’3=====5==================6====4==’’’5==’’’3’3====|=====’’1===3=’’’’5================’’=====
5’’’’=========6===6===’’’5’5===|====’3==’5===============================’’5=’’’’’5’5=====+===’’5===’’
5’’’’==’5=====================’’’6===’’’6==’5’5====|====’’3=’’’’5=================’’’’6=’’’4==’5==’’’3’3=--|-’’
5’’’’===’6==’’5==’’5’5=’-’|==3===’’’5===========================’’’6=’=’’4==’5==’3’3===|=======’’1===’’3==’’
5’’’’====================’6==’4===4==5=’’’3’3===|=======’’1=’’’3==’’’5=======================6==’’’’
praepa-rá-vit e- um. 3. Quis ascéndet in mon-tem Dó- mi- ni?
aut quis stabit in loco sancto e- jus? 4. Innocens mánibus et
mun-do cor-de, qui non accépit in vano ánimam su- am, nec
jurávit in dolo pró-xi-mo su-o. 5. Hic accipiet benedictiónem a
Dómi-no, et misericórdiam a Deo salu-tá- ri su- o. 6. Haec est
generátio quaerénti- um e- um, quaeréntium fáciem De- i Ja-cob.
D
2. Qui- a ipse super mária fundá-vit e- um, et super flúmina
5’’’’==1===’3==’’’5========================’’’’6==6==’’’5’5==|==’’3==’’5=’’’
5’’’’=====================================’6===’4==’’’5==’’’3’3==|=’’’
5’’’’=======’1=’’’3=’’’’5==========================’’’6==’6==’5’5====|===3===5==================’’’=
5’’’’==========’’6==’4==’5==’3’3======|=======’1==’3==’’5================’6=====’6===’’’5===5’5==’’’|=
ó-mi- ni est terra, et plenitú-do e- jus; orbis
terrárum, et univérsi qui hábi-tant in e- o.
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 



he earth is the Lord's and the full ness - there of: -


 



the
T
world, and all they that dwell there in. -


 



For
II.
he has found ed - it up on - the seas; and has pre pared - it


 



up on - the riv ers. -
III.


 



Who shall as cend - in to -


 



the moun tain - of the Lord: or who shall stand in his ho ly - place?


 



The
IV.
in no - cent - in hands, and clean of heart, who has not


 



tak en - his soul in vain, nor sworn de ceit - ful - ly - to his neigh bor. -


 



He shall re ceive - a bless ing - from the Lord, and mer cy - from


 



God his Sav ior. -
V.


 



This is the gen er - a - tion - of them


 



that seek him, of them that seek the face of the God of
Psalm 24: 1-6
Ja cob. -


       

 

 

 

 


      

    


 




   
    

  

  

 


      

  
    

     

 




      

   

 




      
 


      

 


40






Primus
Secundus
Tertius
Te
mf
de cet - laus, te
f
de cet - hym -
Te
mf
de cet - laus, te
f
de cet - hym -
Te
mf
de cet - laus, te
f
de cet - hym -
nus. - - - -
mp
Ti bi - gló ri - - -
7
nus.
mp
- - - - - Ti bi - gló -
nus.
mp
- - - - - Ti bi - gló ri - -
a Pa tri - et Fí li - o, - cum
mf
Spí ri - -
14
- ri a - Pa tri - et Fí li - o, - cum
mf
Spí ri - -
a Pa tri - et Fí li - o, - cum
mf
Spí ri - -





 


Te decet laus, Te decet hymnus.
Tibi glória Patri et Fílio, cum Spíritu
Sancto in saécula saeculórum. Amen.
Thou art worthy of praise, Thou art worthy of hymns,
to Thee be glory: to the Father and the Son with the
Holy Ghost, world without end. Amen.
10. Te Decet Laus
Motecta Trium Vocum Kevin Allen


 




 




 




 




 




 




 




 



 







 






 






  





 
 
  

 







 


 
 
 





 

 


  



 


 

 
 
   

 
 
 


 

 


 
 
 


 


For free pract ice videos, visit : musicfort helit urgy.org/kevinallen




tu San cto - in saé cu - - la - saé cu - lo - -
20
tu San cto - in saé cu - la - saé cu - lo - -
tu San cto - in saé cu - la - saé cu - lo - - - -
rum. - A
mf
a tempo
men.
rit.
- - - - - -
26
rum. - A
mf
men. - - - - - - - -
rum.
-
A
mf
men. - - - - - - - -


 




 




 




 




 




 


 

 

 



  


 

 

  







 

 

 



 















 





 
















42
5==’5============================================’4====’2==3’3====|=====’2===3==’’’5====’’’
5==============================’6==’5’5===|==’’5=’’===================================4=’’’
5===’’’6==’’5’5===|==’’’5============================’’4===’2==’’’3==’3’3===|====’’===============
5========================’’4==2==’’3’3=====-=|====’’’’’’2==’3==’’5===========================’’’
5==2==’3’3===|===’’’’2=’’’’’3==’5===============’’’’’’’6=’’’’5’5==|===’’5==============================’
laudá-te e- um. 3. Ipse castigávit nos propter iniquitátes nostras,
et ipse salvábit nos propter misericórdi- am su- am. 4. Be-ne-dícite
Dóminum omnes elécti e-jus: ágite dies laetítiae, et confitémi-ni
il-li. 5. Je-rú-salem cívitas De- i, castigávit te Dóminus in
opéribus mánuum tu- á-rum. 6. Te de-cet hymnus, Deus, in
Si- on, et tibi reddétur votum in Je- rú- sa-lem.
M
2. Confi-témini Dómino, fílii Is-ra- ël, et in conspéctu géntium
5===’2===’3==’’’5====================’’’6===’’’5’5=====|========’’’’
5===’’5==========================’’’4====’2==’’3’3===|========
5=======’2==’3==5=====================’’’6==’’’5==’5’5===|===’5============================’’
5==========’4==2==3’3=====|===’2==’3==’5=====================================’6===’5’5==|’’’
agnus es, Dómine, in ae-tér-num,
et in ómnia saécula regnum tu- um.
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 


ou are great O Lord, for ev er, -


 


and
Y
your king dom - is un to - all ag es. -


 


Give
II.
glo ry - to the Lord, you chil dren - of Is ra - el, - and praise


 


him in the sight of the Gen tiles. -
III.


 


He has chas tised - us


 


for our in iq - ui - ties: - and he will save us for his own mer cy. -


 


Bless
IV.
the Lord, all his e lect, - keep days of joy, and give


 


glo ry - to him.
V.


 


Je ru - sa - lem, - cit y - of God,


 


the Lord has chas tised - you for the works of your hands.


 


A
VI.
hymn, O God, be comes - you in Si on: - and a vow


 


shall be paid to you in Je ru - sa - lem. -
Tobit 13: 1, 3, 5, 10-11
&
Psalm 65: 2


   


      





       

   
    





  
  

        





   

     






    

        





     

   
     


 
44
Et misericórdia tua subsequétur me
ómnibus diébus vitae meae; et ut inhábitem
in domo Dómini in longitúdinem diérum.
And your mercy will follow me all the
days of my life. And that I may dwell in the
house of the Lord unto length of days.
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen




Primus
Secundus
Tertius
Pa
p
rá - tur, - pa
pp
rá - tur, -
mp
pa -
Moderato
Pa
p
rá - tur, - pa
pp
rá - tur, -
mp
pa -
Pa
p
rá - tur, - pa
pp
rá - tur, -
mp
pa -
rá tur - no bis - men sa, - men -
8
rá tur - no bis, - no bis, - no bis -
rá tur - no bis - men sa, -
,
,
,
/

 
Parátur nobis mensa
Dómini advérsus omnes
qui tríbulant nos.
In voce exultatiónis
résonent epulántes
in mensa Dómini.
The table of the Lord is
prepared for us against
those who oppress us.
In a voice of exultation
let the banqueters resound
at the table of the Lord.
11. Parátur Nobis Mensa
Motecta Trium Vocum Kevin Allen
/

 
/

 
/

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/

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46






sa Dó mi - ni - ad
mp
vér - sus - om -
15
men sa, - men sa - Dó mi - ni - ad
mp
vér - sus - om nes, - om -
men sa, - men sa - Dó mi - ni - ad vér
mp
- sus - om -
nes qui trí bu - lant - nos, qui trí bu - -
22
- nes qui trí bu - - lant, qui trí bu - lant -
nes, om nes - qui trí bu - lant - nos,
lant nos, trí bu - lant - nos.
più mosso
In
mf
vo ce -
29
nos, qui trí bu - lant - nos. In
mf
vo ce -
qui trí bu - lant - nos. In
mf
vo -
/

 
/

 
/

 
/

 
/

 
/

 
/

 
/

 
/

 
. .
. .
. . . .
.
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. ¸
. ¸
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. ,
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,
,
,
,
. . .
,
,
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,
,
. ¸ 
,
,
,
,
,
,
,
,
,
. . .
.
.
.
.
.
,
. .
. , . . ,
.
.
.
.
.
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen






ex sul - ta - ti - ó - nis - ré so - nent -
36
ex sul - ta - ti - ó - - - - - nis ré -
ce - ex sul - ta - ti - ó - nis -
e pu - lán - - tes, ré so - nent - e pu - lán - -
42
so - nent - e pu - lán - tes, - ré so - nent - e pu - lán - tes - in
ré so - nent - e - pu lán - tes - in men sa - Dó mi - -
tes - in men sa - Dó mi - ni, - in men
rit.
sa - Dó mi - ni. -
47
men sa - Dó mi - ni, - in men sa, - men sa - Dó mi - ni. -
ni, in men sa - Dó mi - ni, - in men sa - Dó mi - ni. -
/

 
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48
'’·’’’’’’`’’’’’’’’’’’’’’’’’’’’·’’’’·’’’’’
'’’’·’’’’’’’·’·’’’’`’’’’’’’’’’’
'’’`’’’’’·’’’’’·’’’’’
'’’’··’’’’’’’’’’·’’’’’’
'’’’·’’’’·’’’’’’·’`’’’’’
Dedúxit me super sémitas justítiae propter nomen su- um. 3. Nam
et-si ambulávero in médio umbrae mor-tis, non ti-mé-bo ma-la.
4. Quó-ni- am tu me-cum es. Virga tua, et báculus tu- us, ipsa me
conso-lá-ta sunt. 5. Impinguásti in oleo caput me- um: et calix
meus inébrians, quam praeclá-rus est! 6. Se-des tua, Deus, in
saéculum saé-cu- li; virga directiónis virga re-gni tu- i.
D
aquam refectiónis e-du-cá-vit me. 2. A-ni-mam meam convértit.
'’’·’·’’’’’’
'’’’’’’’`’’’’’’’’’
'’’’’’·’’’’’·’’’’’’’’’’’’’’’’’·’’`’’’’
'’’’’’·’’’’’·’’’’
ó-mi- nus regit me, et nihil mihi deé- rit:
in loco páscuae, ibi me collo-cá-vit. Super
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 
he Lord rules me: and I shall want noth ing. -


 
He
T
has set me in a place of pas ture. -


 
He has brought me up, on the wa ter - of re fresh - ment. -


 
He
II.
has con vert - ed - my soul. He has led me on the paths


 
of jus tice, - for his own name's sake.


 
For
III.
though I should walk


 
in the midst of the shad ow - of death, I will fear no e vils. -


 
For
IV.
you are with me. Your rod and your staff, they have


 
com fort - ed - me.
V.


 
You have a noint - ed - my head with oil;


 
and my chal ice - which in e - bri - ates - me, how good ly - is it!


 
Your
VI.
throne, O God, is for ev - er - and ev er: - the scep tre - of your


 
king dom - is a scep tre - of up right - ness. -
Psalm 23: 1-5 & Psalm 45: 7

 
      
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 

50






Primus
Secundus
Tertius
O
mf
San ctís - si - ma, - O Pi -
Moderato
O
mf
San ctís - si - ma, - O Pi ís - si - ma, - O Pi -
O
mf
San ctís - si - ma, - O San ctís - si - ma, - O Pi -
ís si - ma, - O Dul cis - Vir go - Ma rí - a, - O Dul cis - Vir go - Ma rí - a! - Ma ter - a -
8
ís si - ma, - Dul cis - Vir go - Ma rí - a! - Ma ter - a -
ís si - ma, - Dul cis - Vir go - Ma rí - a! - Ma ter - a -
má ta, - Ma ter - a má - ta, - In te - me - rá - ta, - In te - me - rá - ta, - In te - me - rá - ta,
17
má ta, - Ma ter - a má - ta, - In te - me - rá - ta, - In te - me - rá - ta, - In te - me - rá - ta,
má ta, - Ma ter - a má - ta, - In te - me - rá - ta, - In te - me - rá - ta, - In te me - rá - ta,
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 
,
,
O Sanctíssima,
O Piíssima
Dulcis Virgo María
Mater amáta,
Intemeráta
Ora pro nobis.
-
O most holy one,
O most pitiful,
O sweet Virgin Mary!
Mother best beloved,
Mother undefiled,
Pray for us!
-
Tu solátium
et refúgium
Virgo Mater María!
Quidquid optámus,
per te sperámus;
Ora pro nobis.
-
Thou art our comfort
and our refuge,
Virgin Mother Mary!
All that we long for,
Through thee we hope for;
Pray for us!
-
Motecta Trium Vocum Kevin Allen, 1999
12. O Sanctíssima
/

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For free pract ice videos, visit : musicfort helit urgy.org/kevinallen








O
p
ra - pro no bis, - O ra - pro no bis, - O ra
rit.
- pro no bis. -
27
O
p
ra - pro no bis, - O ra - pro no bis, - O ra - pro no bis. -
O
p
ra - pro no bis, - O ra - pro no bis, - O ra - pro no bis. -
Tu
mf
so lá - ti - um, - Et re fú - gi - um, -
37
mf
Tu so lá - ti - um, - Et re fú - gi - um, - Et re fú - gi - um, -
Tu
mf
so lá - ti - um, - Tu so lá - ti - um, - Et re fú - gi - um, -
Vir go - Ma ter - Ma rí - a, - Vir go - Ma ter - Ma rí - a! - Quid quid - op tá - mus, - Quid -
45
Vir go - Ma ter - Ma rí - a! - Quid quid - op tá - mus, - Quid -
Vir go - Ma ter - Ma rí - a! - Quid quid - op tá - mus, - Quid -
quid op tá - mus, - per te spe rá - mus; - per te spe rá - mus; - per te spe rá - mus;
55
quid op tá - mus, - per te spe rá - mus; - per te spe rá - mus; - per te spe rá - mus; -
quid op tá - mus, - per te - spe rá - mus; - per te spe rá - mus; - per te spe rá - mus; -
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52
f===’’2==3’3====|==’’’’’2==3==’5====================6=’’’5’5===|=’’’’5===============’’4==’’’2=’’’3’3=-|’’
f=====’’’2===’3===’5=======================’===’3’3====+====’’5===========================’’’
f=========================’6==’’’5’5===|==’’’5======================’4====’2==’’3’3====|=====’’
f========’’’6==5’5====|====5=======================4==’’’2==’’’3’3===|===’’’’2==3==’’5==========’’’
f==========6==’5’5==-|=’=’’5==========’’’4====2==’3’3====|====’’’’2===’3===5===================’’
circumdáta vari-e-tá-te. 3. Audi, fília, et vi- de, et inclína aurem
tu- am. 4. Et oblivíscere pópulum tu-um, et domum patris tu- i.
5. Et concupíscet rex decórem tu- um, quóniam ipse est Dóminus
Deus tu- us, et adorá-bunt e- um. 6. Addu-céntur regi vírgines
post e- am; próximae ejus afferén-tur ti- bi. 7. Affe-réntur in
laetítia et exsultati- ó-ne; adducéntur in templum re-gis.
E
in honóre tu- o: ástitit regína a dextris tuis in vestítu deau-rá-to,
f==’’2==’’3==’’5==========================’’’’6===5’5===|===’5===
f===================’’’4==’’’2==’3’3==-’’’|===’2=’’’’3==’5==========’’
f================’’’’’’’’’’3’3==-+=--’5===============================================’’6==’’5’5=|’’’
f===’’5================’’’4==’2==’3’3===|==’’’’’2==’3=’’’5========’6==’’’’5’5==|==’5==============4==’’’’
ructávit cor meum verbum bo-num: dico
ego ópera me-a re-gi. 2. Fí- li- ae regum
For free pract ice videos, visit : musicfort helit urgy.org/kevinallen


 


y heart has ut tered - a good word:


 


I
M
speak my works to the king.


 


The
II.
daugh ters - of kings have de light - ed - you in your glo ry. -


 


The queen stood on your right hand, in gild ed - cloth ing; - sur round - ed - with


 


va ri - e - ty. -
III.


 


Heark en, - O daugh ter, - and see,


 


and in cline - your ear.
IV.


 


And for get - your peo ple - and your


 


fa ther's - house.


 


And
V.
the king shall great ly - de sire - your beau ty; -


 


for he is the Lord your God, and him they shall a dore. -


 


Af
VI.
ter - her shall vir gins - be brought to the king: her neigh bors


 


shall be brought to you.
VII.


 


They shall be brought with glad ness -


 


and re joic - ing: - they shall be brought in to - the
Psalm 45: 2, 10-12, 15-16
tem ple - of the king.


    

   





          

         

    


 


   

 





 

  





       

     

  





       

  



 


    
 

         



54
World-renowned vocalist,
Matthew J. Curtis,
cares about your choir.
He’s recorded the
entire collection
of MOTECTA
TRIUM VOCUM
by Kevin Allen
in a series of
videos you’ll
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musicfortheliturgy.org/kevinallen
for free!
A CD r ecor di ng i s al s o avai l abl e.