You are on page 1of 105

from Red Hot Chili Peppers - The Getaway

Dark Necessities
Words and Music by Anthony Kiedis, Flea, Chad Smith, Josh Klinghoffer and Brian Burton

Intro
Moderately slow q = 92
**Ab F5
Riff A
Gtr. 1 (clean)

G   5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
mp
P.M. throughout

£
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

Riff A1
*Gtr. 2

G   
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
mp

£ 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
*Bass arr. for gtr.
**Chord symbols reflect overall harmony.

C5 Bbsus2
End Riff A

G  5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

End Riff A1

G 
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

Gtrs. 1 & 2: w/ Riffs A & A1 (3 times)


Ab F5 C5 Bbsus2

 5 : 5 5 5 5 5: 5 5 5 : 5 5 5 5 5: 5 5 5: 5 B :
Riff B End Riff B

G   :: ::
5: 5 5 5 5 5: 5 5
Gtr. 3 (slight dist.)

µ µ
mp

: 10 :
w/ heavy reverb
let ring let ring

: :
8 11
8 10 8 10 8 10 8 10 8 10 8 8 10 8 10 8 10

© 2016 WAGGING DOG TAIL MUSIC, EARL GREY SONGS and SWEET SCIENCE
All Rights for WAGGING DOG TAIL MUSIC and EARL GREY SONGS Administered by KBSK MUSIC
All Rights for SWEET SCIENCE Administered Worldwide by KOBALT SONGS MUSIC PUBLISHING
All Rights Reserved Used by Permission
1
Gtr. 3: w/ Riff B
Ab F5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 4
(clean)

 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G 
p

11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

C5 Bbsus2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G 
mp

11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

Gtr. 4 tacet
C5 Ab
Riff C
Gtr. 2
 5 2 2 2 5 5 5 5 5 2 2 2 5 5 5 5
G 
5 2 2 5 5 2 2 5
mf

5 X X X 3 5 3 5 X X X 3 5 0
3 X X 1
3 4 X X

C5 Ab
End Riff C

 5 2 !5 2 5 5 5 5 5 2 2 2 5 5 5 5
G 
5 2 2 5 5 2 2 5

5 X 4 X 3 5 3 5 X X X 3 5 0
3 X X
3 4 X X 4

Verse
Gtr. 2 tacet
Cm9 Ab,7
 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G  = =
1. Com - in’ on to the light of day, we got man - y moons that are deep at play. So I

55 :: 55 ::
55 ::
BB 55 55 55
5:
BB 55 55 55
Rhy. Fig. 1

 BB 55 55 55
5:
*Gtr. 5

 B 5 5 5
G  B 5 5 5 B 5 5 5 5:
mf
10 10 10 8 8 8
11 11 11 8 8 8
12 12 12 8 8 8
13 13 13 6 6 6
10 10 10
*Piano arr. for gtr.

2
Cm9 Ab,7
 5 5 5 5 5 5 5 5 5 5 5 
G  = 5 5 5 5 5 5 5 =
keep an eye on the sha - dow smile to see what it has to say.

55 :: 55 ::
55 :: 55M
BB 55 55 55
3 55::
BB 55 55 55 BB 55
5:
 B 5 5
G  B 5 5 5 B 5 5


10 10 10 8 8 8
11 11 11 8 8 8
12 12 12 8 8 8
13 13 13 6 6 6
10 10 10

G   =: =: 5k 5
Fm9 Ab

 $ 5 5
$ 5 5 5 5 5 5 5

=
5
5 5 5 5 5 5
5
Uh, you and I both know ev - ’ry - thing must go a - way.

55 :: 55 ::
5:
B 55 55 55
55 ::
 BB BB 55 55 55
55::
 5 5 5 BB 55 55 55
G  BB 55 55 55
B 5 5 5 5:
*T µ
8 8 8 4 4 4
8 8 8 4 4 4
8 8 8 5 5 5
6 6 6 6 6 6
8 8 8 X X X
4 4 4
*T = Thumb on 6th string

=:
Cm7
 $
G   5 = 4 5 5 5 5 5 0
Uh, what do you say?

5:
Gtr. 6 (clean)

G  0 ? =

µ
mp mf
*w/ delay

10

*Boss DD3, set for 32nd note regeneration.

5: 5:
55 ::: 55 :::
B 5 55 55 B 5 55 55
Gtr. 5 End Rhy. Fig. 1

 BB 55 BB 55

G B 5 55 55 5: B 5 55 55 5:
B 5 5 5 5 B 5 5 5 5

6 3 6 6 3 6
4 4 4 4 4 4
3 3 3 3 3 3
5 5 5 5 5 5
3 3 3 3 3 3

3
C Verse
Gtr. 5: w/ Rhy. Fig. 1

G   :: =
Cm9 Ab,7
 5 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 5
1. Spin - nin’ knot that is on my heart is like a bit of light in a touch of dark. You got
2. Stum - ble down to the park - in’ lot you got no time for the af - ter - thought. They’re like
3. Pick you up like a pa - per - back with the track rec - ord of a ma - ni - ac so I

G   :: 3 5 =
Gtr. 6
 5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
mp
w/ wah-wah

:
slight P.M. throughout

: 3 3 5 5 5 3 5 5 5 5 5 5 3 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5

Cm9 Ab,7
 5 5 5 5 5 5 5 5 5 5 5 
G  = 5 5 5 5 5 5 5 =
sneak at - tack from the zo - di - ac, but I see your fire spark.
ice cream for an as - tro - naut. Well, that’s me look - ing for we.
move it in and, uh, we un - pack it’s the same as yes - ter - day.


G  5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5:
*w/ delay µ

3 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 3 5 5 5 5 5

*As before

5k 5
Fm9 Ab

!5k 5
 5 5 5 5 5 5 5 5 5 
5 5  5 5
G  4 
= 4
Eat the breeze and go blow by blow and go a - way
Turn the cor - ner and find the world at your com - mand.
An - y way we roll, ev - ’ry - thing must go a - way.


5
G  5 5 5 5 5 5 5 5 5 5 3 5 3 5 = 5 5 5 5 5 5 5 5 5 5 3 5 5 5
_

1/4

4
3 5 5 5 5 5 5 5 3 5 5 5 3 5 5 5 5 5 5 5 3 5 5
3 5

=:
2
Cm7
 $
G   5 = 4 5 5 5 5 5 5

= 4 4

/
^

Uh, what do you say?


Play - in’ the hand. Yeah!

5:
Uh, what do you say?

 5 5 5 5 5 5 5 5 5M
G  5 5 = 5 5 5 5 5 5 5 5 5 5 5 5

w/ delay µ
6
5 5 3 5 5 5 3 5 5 5 5 5 5 3 3 5 5 5 5 5 5 3 5

4
Chorus
Gtr. 6 tacet

G   =:
Ab Fm7

5k 5
 5 5 5 5 5 5
$ 5 5 5 5 5 5 5 
4
5

^
Uh, you don’t know my mind. You don’t know my kind.

 5: 55 55:: 55:: 55 55::


Rhy. Fig. 2

55 55 55 55 55
Gtr. 4
55 55 55 55 55
G   5:
mf
w/ chorus
let ring throughout

8 10 8 10 8 8 10 8 10 8 8 10 8
10 10 10 10 10 10 10 10 10 10 10 10 10

5 5k 5 5
Cm Bb
 5 5 5 5 5 5 5 5 5 5 5 5
G  4

^
Dark ne - cess - i - ties are part of my de - sign. And

 5 5
G  0 ? 4 3
5 5
(Ah,

55 55 ::
 55 :: 55 5 : 5 5:
55 55 55 55 55 55 55 55 55
End Rhy. Fig. 2

55 55 55 55 55 5 5 5
G   5: 5 5 5: 5 5 =

3 3 3 3 6 6 6 6 6 6
4 4 4 4 4 4 6 6 6 6 6 6 6 6 6
5 5 5 5 5 5 7 7 7 7 7 7 7 7

Gtr. 4: w/ Rhy. Fig. 2


Ab Fm7
 5k 5̄ 5̄ 5̄ 5̄ 5̄ 5̄


G  4 5̄ 5̄ 5̄ 4 5̄ 5̄ 5̄ 5̄ 5̄
tell the world that I’m fall - in’ from the sky.

 5k 5 : 5k 5 :
 
5 5
G  5: 5:
5 4 3 4 4 3
5 5
5
 5 5

ah, ah,

1.
To Coda ;
k
Cm Bb
 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
G  4 5̄
Dark ne - cess - i - ties are part of my de - sign.

 5k 5 :

5 5
G  5:
5 4 3 4 ?
5 5 5
 5
ah.)

5
Interlude
Gtr. 2: w/ Riff C

::
C5 Ab C5 Ab

G   5̄ 4 ? 0 0 0

::
Gtr. 6
 5
G  0 0 0 ? 4
w/ delay µ
:
10 :

2.

k
Cm Bb
 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
G  4 4
Dark ne - cess - i - ties are part of my de - sign.

 5: 
G  5:
5 5 = ? 0
5 5

55 :: 5
Interlude

55 :: 5 5 5 5 : 55
55:: 5
Eb Db Fm Ab

 55 5: 5 5 5 5 5 5 BB 5 5 55 5 5 55 5 5:
Gtr. 5

G  5 = 55 5 = 5 5:
5
5 5
55
B
w/ pick & fingers

8 11
6 8 8 9 11 9 8 9 11 9 9 11 11 11 9 9 9 9 11
8 8 8 10 10 10 8 8
8 11 11 10 10
6 8 8 8
9

Bridge
Gtr. 5 tacet

5k 5 5k 5
Eb Db Fm
 5 55 5 5  5 5 5 5 5 5 5 5 5 5  5 55 5 = 5 5 5 5 5
G   5 5 5 5 5
^

Do you want this love of mine? Dark-ness helps us all to shine. Do you want it? Do you want it

5 5 5 5 k
Gtr. 7 (slight dist.)
5 5 5 5 5 5 5 5 5 5 5 5 5

G 
mp
w/ heavy reverb
1/2 1/2 1

15 15 13 11 13 13 11 9 11 11 11 9
10

6
=: 5 5 5 5k 5 5 5 5 5: 5
Ab Eb Db
 k $ 5 5 5 5 5 5 5 5 5 5 5 5 =
G  5 5 B 5 

^
now? Uh, do you want it all the time? But dark - ness helps us all to shine.

' 5 5 5 5 5 5 5 5 5
 5
G 
1/2 1/2

13 15 15 13 11 13 13 11 9

D.S. al Coda
(take 1st ending)
Gtr. 7 tacet

B:
Fm Ab
 k 5k 5
G  5 5 5 5 5 5 5 5 5 2

5 5 ? 4

^
Do you want it? Do you want it now? Ah!

5 5 ²²²²²²²²²²²²
5 5 '
 5
G  0
1
²²²²²²²²²²²²
11 11 9 11
10

; Coda
Guitar Solo
Ab Fm Cm

G   5̄ 4 ? 0 0

55555555
Gtr. 8 (slight dist.)
55555555
 55555555 5555 55555555
G  55555555 555
5
f

11 11 10 10 11 11 10 10
13 13 11 11 13 13 11 11
10 12 12 12 8 10 10 10 10 12 12 12 8 10 10 10
8 10 10 10
8 10 10 10 6 8 8 8
6 8 8 8

Bb
55555555
Ab Fm

 55555555 5555
G  5 5 5 5 5 5 5 5 5 5 5 5 55555555
5555 5555
11 11 10 10
13 13 11 11
10 12 12 12 8 10 10 10
8 10 10 10 8 10 10 10
8 10 10 10 6 8 8 8 8 10 10 10 6 8 8 8
6 8 8 8 6 8 8 8

7
Cm Bb Ab
55555555
 55555555 5 5 5
Riff D


G  5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5k 5 5
5
11 11 10 10
13 13 11 11
10 12 12 12 8 10 10 10
8 10 10 10 5 3 5 3 5 5
8 10 10 10 6 8 8 8 3 3 3 3 3 3
6 8 8 8

Fm Cm Bb
 5 5
G  0 0 ? 4 3
5 5
(Ah,


End Riff D

G  5k 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

3 5 5 5 5 3 5 5 5 5 3 1 0 1
3 3 3 3 3 3 3 3 3 5 3 3 3 3 3 3 3 3 3 3 3 3 3

Gtr. 8: w/ Riff D
Ab Fm Cm Bb

 5: 5k 5 :

B 5k 5 :

5: 5k 5 :

B 5k 5 :


5 5: 5 5:
G  5:
5 5 4 3 B 4 3 5:
5 5 4 3 5 5: B 4 3 5 5:
5 5   5 5  
ah, ah, ah. Ah,

Outro
Ab Fm

 5: 5k 5 :

B 5k 5 :


G  5: 5: 5:
5 5 4 3 4 3
5 5
5
 B 5

ah, ah,

5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5
Gtr. 9 (clean)

G   5: 5 5 5: 5 5
mf
w/ chorus

10 12 12 12 10 12 12 12
10 10 10 10 10 10 10 10 10 10 10 10

Cm Bb Ab

 5: 5k 5 :

B 
G  5:
5 5 4 3 5 5: ? 0
5 5  B
ah.)

5 5 5M 
 5
G  5 5 5 5 !5k 5 5 5 5 5 5 5 5 5 5 5 '
1

10 12 12 12 10 8 7 8
10 10 10 10 9 10 10 10 10 10 10

8
from Red Hot Chili Peppers - The Getaway

Detroit
Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer
Intro
Moderately slow q = 91

μ E5

E 5
Gtr. 1 (slight dist.)

G  5 5 5 5 5 5 5 5 5 5 55 5 5
5: 5: 5 5 22 5: 5: 5 5 22
f
steady gliss.

£
2
2 2 2 2 2 2 2 2 2 2 2 2
17 X X
17 0 0 0 0 X 0 0 0 0 X

E
Riff A End Riff A

G 5 5 5 5 5 5 5 5 5 5 5
5: 5: 5 5 22 5: 5: 5 5 55 5 5
1/2

2 2 2 2 2 2 2 2 2 2 2
X 0
0 0 0 0 X 0 0 0 0 0 2

E
G 5 5 5 5 5 5 5 5 5 55 55 55
5: 5: 5 5 22 5: 5 5 5 5 22

2 2 2
2 2 2 2 2 2 2 2 2 2 2 2
X X
0 0 0 0 X 0 0 0 0 0 X

E
Riff B End Riff B

G 5 5 5 55 55 3 5 5 5 5 3 5
5: 5: 5 5 5 5 5: 5: 5 5 5 5
1/2

2 2
2 2 2 2 2 2 2 2 2
0 0 0 0 2 0 0 0 0 0 3 17

Verse
Gtr. 1: w/ Riff A (2 times)
E5
E 5 
G 5 5 5 5 5 5  
5k 5
= 
5 5
1. Find me in the sub - urbs and the

© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS


All Rights Administered by KBSK MUSIC
All Rights Reserved Used by Permission 1
B:
E
5k 5 5 5k 5 4
 
5k 5
G  5
shad - ow of de - cay.

Riff C End Riff C

E
Gtr. 1

55 5
G 5 5 5 5 5 5 5 5 5 5 5
5: 5: 5 5 22 5: 5: 5 5 55

3 5
2
2 2 2 2 2 2 2 2 2 2 2
X 0
0 0 0 0 X 0 0 0 0 0

Gtr. 1: w/ Riff A (3 times)

E 5 
G 5 5 5 5 5 5  
5k 5
= 
5 5
Roll - ing rings of rub - ber and the

B:
Gtr. 1: w/ Riff B

E
5k 5 5 5k 5 4
 
5k 5
G  5
band be - gins to play.

Gtr. 1: w/ Riff A (2 times)

E 5k E5 !5k 5
 
5 5 5
G 5 5 5 5 5 5 5 5 5 5
 E5 =
Am I on the right side of the left side of your brain?

E
G 5 5 5 5 5 5
5 5 !5 5
5 5 5 5 5 5
4
Can you see the ris - ing of old yes - ter - day’s re - mains?

Riff D End Riff D

E
Gtr. 1

G 5 5 5 5 5 5 5 5 5 55 5 55 5
22
5: 5: 5 5 5: 5: 5 5 let ring µ
2 0 0
2 2 2 2 2 2 2 2 2 2 2 0
X
0 0 0 0 X 0 0 0 0

2
Pre-Chorus

¯ ¯ ¯ ¯ ¯k ¯ ¯ ¯ ¯ ¯ ¯
C G D A E5

¯ ¯ ¯ ¯ ¯

E 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
G 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ = 4
5̄ 5̄ 5̄
Funk - a - del - ic said it best, I think you know the rest.

E Voc. Fig. 1 End Voc. Fig. 1

G 4
5 5
4
E5 B:
(Ah.)

E 55 22 55 55
G 555 55
55
55
55
55
55
55
55
22
22
22
22 55 22 5
5
5
5
E55
5 5 5 5 5 5
3 5 5
5 5
5 55 22 5 5 5: 5: 5 5
3 X 2 2
1 1 1 1 1 X X 3 X 3 3 2
0 0 0 0 0 X X 0 X 2 2 2 0 0
2 2 2 2 2 X X 0 X 0 0 2 2 2 2 2 2 0 0
3 3 3 3 3 X X 2 X 0
3 X 0 0 0 0 0

Bkgd. Voc.: w/ Voc. Fig. 1

¯ ¯ ¯ ¯ ¯k ¯ ¯ ¯ ¯ ¯ ¯ ¯
C G D A E5 μ

¯ ¯ ¯ ¯ ¯

E 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
G 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ = 4
5̄ 5̄ 5̄ 5̄ 5̄
Time don’t stand a chance a - gainst this mo - tor mad - ness.

G 5555 ::::
E 55 22 55 55
55 55 55 22 22 55 22 5 5 E55  =
55 55 55 22 22 55 22 5 5 55 5 5 5 5 5
5 5: 5: 5 5
3 X 2 2
1 1 1 1 X X 3 X 3 3 2
0 0 0 0 X X 0 X 2 2 2
2 2 2 2 X X 0 X 0 0 2 2 2 2 2 2
3 3 3 3 X X 2 X 0
3 X 0 0 0 0 0

C Chorus

5:
Bm
E 5k 5 5k 5

5k 5

5 5 5k 5

5 5 5 5
G   
^

Don’t you wor - ry, ba - by, I’m like

E 5 55 55 55 55 55 5 D55 55 !55 55 55 55 55 55 55 55 55 55 55 55 5 D55 55 !55 55 55


*Gtrs. 1 & 2

G 5 55 55 55 55
mf
w/ chorus
1/4 1/4

7 7 7 7 7 7 7 9 9 9 9 9 7 7 7 7 7 7 7 7 7 9 9 9 9 9 7
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9

*Gtr. 2: w/ slight dist.


Composite arrangement

Riff E

E
Gtr. 3 (clean)

G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
mf
w/ chorus

9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9

3
2nd time, Gtrs. 1 & 2: w/ Fill 1

5:
Bb D
E 5k !5 5k E5 5k 5
  
5 5 E5
G 4   = 4

^
De - troit, I’m cra - zy.

E 5 55 55 55 55 55 5 D55 55 !55 55 55 :: 55 55 5 5 5 5 5 5 5 5 5
Gtr. 1

55 55 55
G 5 55 55 5: 5 5 5 5 5 5 5 5 5 5 5 !55
5 5
1/4

7 7 7 0
7 7 7 7 7 7 7 9 9 9 9 9 0 0 7 7 7 9 9 9 9 9 9 9 9 7 0
8 8 8 8 8 8 8 8 8 8 8 8 0 0 7 7 7 7 7 7 7 7 7 7 7 7 0
0

E 55 55 55 55 55 5 D55 55 !55 55 5 5 55 :: 55 55 5 5 5 5 55 55 55 55 55
Gtr. 2

G 55 55 55 55
5 5
5: 5 5 5 5 5 5 5 5 5 5 !55
5 5 5
1/4 let ring µ
7 7 7 7 7 7 7 7 0
7 7 7 7 7 7 7 9 9 9 9 9 0 0 7 7 7 9 9 9 9 7 7 7 7 7 0
8 8 8 8 8 8 8 8 8 8 8 8 0 0 7 7 7 7 X 7 7 7 7 7 7 7 X 0
0 0

End Riff E

E
Gtr. 3

G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 5 5 5 5 5 5 5 5 5 5 5 5 5 =

8 8 8 8 8 8 8 8 8 8 8 8 8 8 X 7 7 7 7 7 7 7 7 7 7 7 7 7

Gtr. 3 tacet

5:
F#m Gmaj7
E 5k 5 5k 5

5k 5

5 5 5k

5 5 5 5 5
G   

^
Don’t you wor - ry, ba - by, I’m like

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2
Rhy. Fig. 1 End Rhy. Fig. 1

E 55 55 55 22 55 55 55 55 55 55 55 55 22 22 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 22
Gtrs. 1 & 2

E E5 55 55 55 22 55 55 55 55 55 55 55 55 22 22 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2
G 5 5 5 2 5 5 5 5 5 5 5 5 2 2
let ring µ
9 9 9 X 9 9 9 9 9 9 9 9 X X 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 X
10 10 10 X 10 10 10 10 10 10 10 10 X X 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 X
11 11 11 X 11 11 11 11 11 11 11 11 X X 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 X
11 11 11 11 X 11 11 11 11 11 11 11 11 X X 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 X
9 9 9 X 9 9 9 9 9 9 9 9 X X

Gtr. 3: w/ Riff E

5:
Bm
E 5 5k 5
 5 5 5k 5 5 5 5 5
G 4   
^

De - troit, I’m cra - zy. I’m like

E 55 55 55 55 55 5 D55 55 !55 55 55 55 55 55 55 55 55 55 55 55 55 55 5 D55 55 !55 55 55


Rhy. Fig. 2 End Rhy. Fig. 2

G 55 55 55 55

1/4 1/4

7 7 7 7 7 7 7 9 9 9 9 9 7 7 7 7 7 7 7 7 7 7 9 9 9 9 9 7
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9

4
2nd time, Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A

5:
Bb D
E 5k 5 5k !5 5k 5
  
G 4 5 5 5 = 4
 

^
De - troit, I’m cra - zy.

55 55 55 55 55 5 D55 55 !55 55 55 55 55 5 5 5 D5 !5 5 5 5 5 5 5 5 2 !5
Fill 1 End Fill 1

E 5 55
Gtrs. 1 & 2

55 55 55
G 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 2 5
5
1/4 1/4 1

7 7 7 7 0
7 7 7 7 7 7 7 9 9 9 9 9 0 7 7 7 7 9 9 9 9 9 9 9 9 7 X 0
8 8 8 8 8 8 8 8 8 8 8 8 0 7 7 7 7 7 7 7 7 7 7 7 X 0

To Coda ;
Gtrs. 1 & 2: w/ Rhy. Fig. 1

F#m Gmaj7
E 5k 5 5k 5

5k 5

5 5 5k

G 5 5 5 5 5 5 E5 5
 
Don’t you wor - ry, ba - by, I’m like...

Interlude
Gtr. 1: w/ Riff A Gtr. 1: w/ Riff B
E5
E 
G 0 ? 4 =
5
2. The

Verse
Gtr. 1: w/ Riff A (3 times) Gtr. 1: w/ Riff C
E5
E 5 
5 5 5 5  
5k 5
=  5k 5
 5 5k 5 B 5 = 4
5k 5
G 5 5 5 5  5 
Stoog - es and J Dil - la, yeah, they tore this town a - part.

Rhy. Fill 1

E 55 55 5 5 5 !5 55 3 55 55 5 55 3 55 55 5
Gtr. 1

G 5 5 5 5 5 55
1/2 1/2

7 7 0
7 7 9 9 9 9 7 7 9 9 9 0
7 7 7 7 7 7 7 7 7 7 7 0

Rhy. Fill 1A

E 55 55 55 55 5 !5 55 3 E555 555 555 555 555 555 5


Gtr. 2

G 5 5 5 5 5 55
1/2

7 7 7 7 7 7 7 7 7 0
7 7 7 7 9 9 7 7 7 7 7 0
7 7 7 7 7 7 7 7 7 7 7 0

5
E 5 
G 5 5 5 5 5 5  
5k 5
= 
5 5
Put me back to - geth - er, well, I

E
Gtr. 1

G 5 5 5 5 5 5 5 5 5 5 5
5: 5: 5 5 22 5: 5: 5 5 5 55 5
1/2

2 2 2 2 2 2 2 2 2 2 2
X
0 0 0 0 X 0 0 0 0 0 2 2

E 5
5k 5 5 5k 5 B 4  =
 
5k 5
G  5
guess that’s quite an art. Hit!

E
G 5 5 5 5 5 5 5 5 5 5 5 5
5: 5 5 5 5 22 5 5 5: 5 5 5 5

2 2 2 2 2 2 2 2 2 2 2
X
0 0 0 0 0 X 0 0 0 0 0 2 8 0

Interlude
Em
E
G 5 5 2 2 5 5 2 2 5 5 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5
5M 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

5 5 X X 5 5 X X 5 5 X 5 5 X X 5 5 X X 5 5 X X 5 5 X X 5 5 X X 5 5 X X 5 5 X X 5
X X X X X X X X X X X X X X X X X X X
0

E
G 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5 2 2 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5

5 X X 5 5 X X 5 5 X X 5 5 X X 5 5 X X 5 5 X X 5 5 X X 5 5 X X 5 5 X X 5 5 X X 5 5
X X X X X X X X X X X X X X X X X X X X
0

6
Verse
Gtr. 1: w/ Riff A (2 times)

5k 5: =:
E5
E 5 5 5  $
G 5 5 5 5 5 5 5 5 5 5 E5 5
3. Hen - ry won the war, you see, but not with pen or sword. He

Gtr. 1: w/ Riff B Gtr. 1: w/ Riff D

E
G 5 5:
5 5 5 5 5 !5 5 5 5 4
5 5 5
did it with the lit - tle thing, I think it’s called a Ford.

Pre-Chorus
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)

¯ ¯ ¯ ¯ ¯k ¯ ¯ ¯ ¯ ¯ ¯
C G D A E5

¯ ¯ ¯ ¯ ¯

E 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
G 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ = 4
5̄ 5̄ 5̄
Funk - a - del - ic said it best, I think you know the rest.

E55 ::
E 55 22 55 55
Gtr. 1

G 555 55 ::
55 55 55 55 22 22 55 22 5 5 55
5 55 55 55 55 22 22 55 22 5 5 5 5 5 5 5 k 5
5: 5 5 5 5 5 5
3 X 2 2
1 1 1 1 1 X X 3 X 3 3 2
0 0 0 0 0 X X 0 X 2 2 2 0
2 2 2 2 2 X X 0 X 0 0 2 2 2 2 2 2 0
3 3 3 3 3 X X 2 X 0
3 X 0 0 0 0 0 3 7 0

D.S. al Coda

¯ ¯ ¯ ¯ ¯k ¯ ¯ ¯ ¯ ¯ ¯
C G D A Em μ

E 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5 5 5 5 5 5
G 5̄ 5̄ 5̄ 5̄ 5  = 4
Time don’t stand a chance a - gainst this mo - tor mad - ness.

E 5
0 
G = 4 ?
^

(Oo.)

55 55 55 55 55 55 55
E 55 22 55 55 5 5 5 5 5 5 5
G 555 55
55
55
55
55
55
55
55
22
22
22
22 55 22 5
5
5
5
E55
5 5 5
 =
5 55 22 5 5 5: 5:
3 X 2 2 12 12 12 12 12 12 12
1 1 1 1 1 X X 3 X 3 3 2 12 12 12 12 12 12 12
0 0 0 0 0 X X 0 X 2 2 2 12 12 12 12 12 12 12
2 2 2 2 2 X X 0 X 0 0 2 2 2
3 3 3 3 3 X X 2 X 0
3 X 0 0 0

; Coda
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gtr. 3: w/ Riff E

5k ¯5 5k ¯5 5¯¯ 5̄¯ :::


Bm
5k 5̄
E ¯ ¯ ¯ 5̄¯ 5̄¯ 5̄¯ 5̄¯
  
G 4   
^

De - troit, I’m cra - zy. I’m like


7
5k 5¯ ¯5 5¯¯ ¯5¯ ¯5¯ :::
Bb D Dsus4 D

¯ ¯ ¯
E 
 5̄
!
G 4 ?

De - troit, I’m cra - zy.

55 55 55 55 55 55 55 55 55 5 D55 55 !55 55 55
Rhy. Fig. 3 End Rhy. Fig. 3

E 55 55 55 55 55 55 55 55 55 55 55 55 55
Gtrs. 1 & 2

G 55 5 5 5 5 5 5 5 5 5 5 5 5 5 !55
5 5
1/4

7 7 7 7 7 8 8 8 8 8 8 8 7 0
7 7 7 7 7 7 7 7 9 9 9 9 9 7 7 7 7 7 7 7 7 7 7 7 7 7 7 0
8 8 8 8 8 8 8 8 8 8 8 8 8 8 7 7 7 7 7 7 7 7 7 7 7 7 7 0
0

Gtrs. 1 & 2: w/ Rhy. Fig. 1

F#m Gmaj7

E 5k 5 5k 5 5k 5 5k
5:
  
5 5 5 5 5 5 5
G   

^
Ev - ’ry - thing’s so ha - zy. I’m like

E 
Gtr. 4 (dist.)

G 0 ? 4 = 5
mf
w/ wah-wah

Gtrs. 1 & 2: w/ Rhy. Fig. 2


Gtr. 3: w/ Riff E

5:
Bm
E 5k 5 5 5k 5
 
5 5 5 5 E5
G 4   
^

De - troit, I’m cra - zy. I’m like

E k ²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5 5 ²²²²²²²²²²²²²²²²²²²²²
5 5 5 5 5 5 5
5k 5
5 5 5
G 55 5 = 5


²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 1
²²²²²²²²²²²²²²²²²²²²² 1

10
7 9 9 9 9 9 9 7
7 9 9 7 9 9

8
Gtrs. 1 & 2: w/ Rhy. Fig. 3

5k E5 5:
Bb D Dsus4 D

5k 5

E !5 5 
5 E5
G 4   = 4

^
De - troit, I’m cra - zy.

²²²²²² !5 5 5k 5
 5 5 5 5 5
5k 5 :
E  5 5 25 5 5 !5 5 E5 5 5 5 5 5 5 55 5 55 2 5
G
²²²²²² 1/2 1 1 1 1

7 7 7 17 17 15
X 9 9 7 9 7 7 9 9 9 X 14 16 14 16
7 8 8 8 9

Gtr. 1 & 2: w/ Rhy. Fig. 1


F#m Gmaj7
E 5k 5 5k 5

5k 5

5 5 5k

5 5 5 5 B
G  
Ev - ’ry - thing’s so ha - zy, I...

²²²²²²²²²²²²²²² 2 5k E 5

5 E 5k ²²²²²²²²²²²²
5: 5 5k 5
 55 E 5 5 55 :: 55 55 55 ::
E E5
5 !5 5 5

G 55
let ring µ
²²²²²²²²²²²²²²² ²²²²²²²²²²²²
1 1/2 1
1 1 1
14 14 14 14
14 X 14 16 14 13 14 17 14 17 17 17 17 17
0
0

Outro
Gtr. 4 tacet
E5
E
G 5 = 4 ? 0
^

E
Gtr. 1

G 5 5 5 5 5 3 5 5 5 5 5
5: 5: 5 5 5 5 5: 5 5 5 5 22 22
chorus off 1/2

2 2 2 2 2 2 2 2 2 2
X X
0 0 0 0 2 0 0 0 0 0 X X

E 5 5²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
μ

5 55 55 55 55 55 55 55 55 55 5 55 5  =
G 5 5 5 55 5 5 5
µ µ
5 5 5: 5 5
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
let ring let ring

0 0 0 0 0 0 0 0 0 0 0
3 5 5 5 5 5 5 5 5 5 5 0 0
X 0 2
0 0 2 2 2 2 2
0 0 0 0 0

9
from Red Hot Chili Peppers - The Getaway

Dreams of a Samurai
Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer
Gtrs. 3 & 4: Drop D tuning:
(low to high) D-A-D-G-B-E

Intro
Slow q = 71
** Dm['9] D5 G5

5: 5:
*Gtr. 1
5
G   5 5
5
5 5 5 5 5 5 5
5 5
mp
w/ fingers
let ring throughout

£
5 3 3 3 3
0 0
3 0
0 5 5
3
*Piano arr. for gtr.
**Chord symbols reflect overall harmony.

Play 4 times
Dm(add9) G5

G  :: 5 ::
5 5 5 5 5
5 5 5 5 55 5 5 5
5 5 5
mf

: :
: :
5 3 3 3 3
0 0
3 3 0 0 0
5 5 0 5
3 3

Dm(add9) G5

5 5 5  5 5 5 5 5 5 
G 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5:
5 5 5 5 5
5 3 3 3 3 3 3 3 3
0 0 0 0 0
3 3 3 0 0 0 0
5 0 5 0 5
3 3 3 3

Bb C Ebadd9

B: 5 5: B :
 5
G  B 5: = 
Female: (Ah. Ah.)

5 5
5 5 5 5 5 5
 5
G  55 5
5 5 5 5 5 5 5 5 5 
5 5 5 5 5 5 5

8 13
6 11 11
7 7 9 9 12
8 10 10 10 13
8 10 10 10 13 13
6 6 6 8 8 11 11

© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS


All Rights Administered by KBSK MUSIC
All Rights Reserved Used by Permission 1
Gtr. 1 tacet
Gm C'9 Dm7 G5


G 
B  B: 5
 ' 5

5 5 5 5

G  5
5  5 5 B  0
5
10 8 10
11
0
12
10 10
8

Dm7 G5 Dm7 G5 Dm7 G5

= 3 22 22 = : 22 22 = : =: 22 )))))) = :
Gtr. 2 (clean)
$ $ 3 2$))) = ?
G ? 4 4 22 ))))))= $ 3 4 22 )))))
4
  2 ))) 5 2 ))) )
µ
mp
w/ wah-wah & delay
string noise string noise

)))))) )))))) ))))))


))) )))
X X

)))
X X X X X X X
X X X X X X X
X 0
*Delay set for eighth-note regeneration w/ 4 repeats.

Verse
Dm7 G5 Dm7 G5

G 4 5k 5
 5 5k 5 5 5 5 5 5 5k 5
 5 = 4 5k 5
 5 5k 5 5 5 5 5 5 5 5 5
 =
1. Stand - ing na - ked in your kitch - en, feel - ing free that I could be a - live.

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22
G 3 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
delay off

X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X

=:
Dm7 G5 Dm7 G5

G 4 5k 5
 5 5k 5 5 5 5 5 5 5k 5
 5 = $ 5k 5 5 5 5 5k 5: !5 4
5
Clear - ly I’m a con - tra - dic - tion, too young to be my wife.

G  22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 3 = 5 5 322

steady gliss. µ
5

X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
0 18 13

2
G  =:
Dm7 G5

5k 5 5k 5 =

$ 5 5 5 5 5 5 5  5
5
A peace - ful storm is nev - er hec - tic,

5 5 5 2 2 2 2 5 5 2 2 2 2 5 5 5 2 2 2 5 5 5 5 2 2 2 5 5 5 5 5 2 2 5 2 5 2 5 2
G 5

5 7 7 7 X X X X 5 7 X X X X 5 7 7 X X X 5 7 7 7 X X X 5 5 5 7 7 X X 5 X 7 X 5 X

G  =:
Dm7 G5

$ 5k 5  =

5 5 5 5 5 5 5 5
5 5 5
her mel - low voice that I could be with - in.

5 5 5 2 2 2 2 5 5 2 5 2 2 5 5 5 2 2 2 5 5 5 2 2 2 5 + 3 5 2 5 2 2 5 5
G 5 5 5

6
5 7 7 7 X X X X 5 7 X 7 X X 5 7 7 X X X 5 7 7 X X X 5 7 X 0 0 X X 5 5

G  =:
Dm7 G5

5k 5 5k 5 =

$ 5 5 5 5 5 5 5  5
5
The u - ni - form is an - o - rex - ic,

5 5 5 2 2 2 5 5 5 2 2 2 2 5 5 5 2 2 2 5 5 5 5 2 2 2 2 5 5 5 5 2 2 5 5 5 2 2
G 5
5

5 7 7 7 X X X 5 5 7 X X X X 5 7 7 X X X 5 7 7 7 X X X X 5 7 7 7 X X 5 7 7 X X
0

G  =:
Dm7 G5

5k 5: !5 = 5 5

$ 5 5 5 5
5
a jeal - ous choice won’t win. Met - a -

5 5 5 2 2 2 2 5 5 5 5 2 2 5 5 5 2 2 2 2 2 5 5 5 5 5 5 5 5 !55 55 55 5 D55 D55 D55 D55


G 5 5
!5 !5 !5
55
1/4

0 0 0 0 0 0 0
5 7 7 7 X X X X 5 7 7 7 X X 5 7 7 X X X X X 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0
0

3
Pre-Chorus
Gtr. 2 tacet
Dm7
k 5k 5
G 5 5

5 5 55 5 5 5 55 = 5 5 5 5 5 5 5 5 5 5 5 5 = 5 5

^
mor - pho - sis sam - u - rai. You got a lit - tle lord fish and I don’t know why I got a met - a -

*Gtrs. 3 & 4 (dist.)

G ' 55 55 :: 55 55 55 55 55 55 55 55 55 5 5 55 55 55 55 55 55 55 55 55 55 55 55
5:
' 5
' 5 5

µ
mf
**w/ wah-wah & heavy reverb
let ring

0 0 0 0 0 0 0 0 0 2 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0
0 0
*Composite arrangement
**Wah-wah used as filter.

k 5
5k 5 5k 5
G 5 5 5  5 
5 B 5: = 4
mor - pho - sis sam - u - rai.

G  5k 5 5 5 5 5 5 5 5 5 5 5k 5 5 E5 5 5 5 5 5 5 !5 5
3

55 55 5 E 5 5 5 5 5 5 5 '
' 55
5 E5 5 5 5 5 5 5
5 5 ' 5
w/ bar µ
0 2 0 3 2 0
0 3 3 3 3 5 5 5 5 3 3 0
0 5 5 5 5 0
0 5 5 5 5 0
-1 -1
-1/2 -1/2 -1/2

Verse
Gtrs. 3 & 4 tacet
Dm7 G5

G 4 5k 5k 5 =

5 5 5 5 5 5 5 5  5
2. Paint your face ’cause I’m a black foot,

Gtr. 2

22 5 5 5 5 2 2 5 5 5 2 2 2 5 5 5 5 2 2 2 2 5 5 5 2 2 2 5 5 5 2 2 2
G =


5 7 7 7 X X 5 5 7 X X X 5 7 7 7 X X X X 7 7 7 X X X 5 7 7 X X X
X
X

4
G  =:
Dm7 G5

5k  =

$ 5 5 5 5 5 5 5 5 5
5 5 5
I thought I count - ed up the fire - flies.

5 5 5 2 2 2 2 5 5 5 5 2 5 5 5 2 2 2 5 5 5 5 5 2 2 2 2 2 2 2 2 2 5 5 5 2 2 2
G 5
5

5 7 7 7 X X X X 5 7 7 7 X 5 5 7 X X X 5 7 7 7 7 X X X X X X X X X 5 7 7 X X X
0

Dm7 G5

G 4 5k 5 5k 5 4

5 5 5 5 5 5 5 

Close e - nough to get a good look,

5 2 5 2 2 5 2 5 2 2 5 2 5 5 5 2 2 5 5 5 5 2 2 2 2 2 5 2 5 2 2 5 2 5 2 2
G 5 5

5 7 X 5 X X 5 X 5 X X 5 X 5 7 7 X X 5 7 7 7 X X X X X 7 X 5 X X 5 X 5 X X
0

Dm7 G5

G 4 5k 5: !5 = 5 5

5 5 5 5
time to mo - bi - lize. Met - a -

5 5 5 2 2 5 5 5 5 2 2 5 5 5 2 2 2 5 5 5 5 5 5 5 5 5 5 5 5
G 5 55 55 55 :: 55
5: 5

5 7 7 7 X X 5 7 7 7 X X 5 7 7 X X X 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0
0 0 0 0
0 0

5
Pre-Chorus
Gtr. 2 tacet
Dm7
k 5k 5
G 5 5

5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 5 5 = 5 5

mor - pho - sis sam - u - rai. You got a lit - tle lord fish and I don’t know why I got a met - a -

Riff A End Riff A


Gtr. 1
5 5 5 5 5 5 5 5 5 5 5
G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5

5 3 3 3 5 3 3 3 3
0 0 0 0
3 3 0 3 3
5 5 0 5 5 0
3 3

55 ::
55 ::
*Gtrs. 3 & 4

5  55 55 E5 5
G  55 55 ::
5 5 5 5 5
55 ::
55 55 55 55 55 55 55 55 55 55 55 55 55 55
55 5: 5 5 5 55 55 55 55 55 55 5 5 5 5 55

3 3 3 3
2 2 2 2 2 0 0 0 0 0 2 2 2 2 0 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Composite arrangement

Gtr. 1: w/ Riff A

k 5 
5k 5 5k 5
G 5 5 5  5 
5 B B 5
mor - pho - sis sam - u - rai.

%5 5 !5 :
Gtrs. 3 & 4

5 5: 5 5 5 5 
G 5 E5
' 55
'
5 ' 5
let ring µ
1/2 1/2
1/4 1/2

6 6 6 7 7 7 5
X 0
X 0
0 0

6
Chorus

5k 5
Bb C

5k 5 5 5


G  4
5 5 5 5 5 5 5 5 5 5 5 
5
I’m a lone - ly lad, I’ve lost my - self out on the range.

 5 ::
Voc. Fig. 1

G  '
''
B
BB 55 : =

Male: (Ah.

Riff B End Riff B


Gtr. 5 (dist.)
5 5
 5 5 5 5
G  5 5
mf
8
3 6 5 5
3 3 5

Rhy. Fig. 1
Gtrs. 3 & 4


G   55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5
1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3

Eb Gm C

G  =: $ 5 5 5 5 5 5 5 5 5k 5

5 5 5 5 5 5 5 5 
I don’t re - mem - ber much, so don’t ask me. I’ve gone in - sane.

End Voc. Fig. 1


' B !BB
G '
' BB B
Ah.)

5 5 5
5 5 5 5: 5 5
G 
1
13 10
11 11 11 13 13
12

End Rhy. Fig. 1

G  5 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 
 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5
1 1 1 1 1 1 1 1 1 1 1 1 5 5 5 5 5 5 5 5 5 5 5
1 1 1 1 1 1 1 1 1 1 1 1 5 5 5 5 5 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1 1 1 5 5 5 5 5

7
Verse
Gtr. 1: w/ Riff A (4 times)
Gtrs. 3, 4 & 5 tacet
Dm7 G5 Dm7 G5

  
G  5 = 5k 5
 5 5k 5 5 5 5 5 5 5k 5
 5 = 4 5k 5
 5 5k 5 5 5 5 5 5 5 4
5
3. Tak - ing ac - id in a grave - yard, steal - ing food to keep the night a - live.

Dm7 G5 Dm7 G5

G 4 5k 5
 5 5k 5 5 5 5 5 5 5k 5
 5 = 4 5k 5
 5 5 5 5k 5: !5 4
Ev - ’ry day I try to play hard, e - ven with my lies.

G  =:
Dm7 G5

5k 5 5k 5 =

$ 5 5 5 5 5 5 5  5
5
The day they found you on a tour bus

Riff C
Gtr. 2

G 5 5 5 5 2 2 2 2 5 5 2 2 2 2 5 5 2 2 2 2 5 2 2 5 2 2 2 2 5 2 2 2 2 2 5 5 2 2 2 2

5 7 7 7 X X X X 7 7 X X X X 5 7 X X X X 5 X X 7 X X X X 7 X X X X X 5 7 X X X X

G  =:
Dm7 G5

$ 5k 5  =

5 5 5 5 5 5 5 5
5 5 5
the news was bar - ren as a de - sert bone.

5 5 5 2 2 2 2 5 5 2 2 2 2 5 5 2 2 2 2 5 5 5 5 2 2 2 5 2 2 5 2 2 5 2 2 5 2 2 2
G 5

5 7 7 7 X X X X 5 7 X X X X 5 7 X X X X 5 7 7 7 X X X 5 X X 5 X X 4 X X 5 X X X

G  =:
Dm7 G5

5k 5 5k 5 =

$ 5 5 5 5 5 5 5  5
5
The tab - loids made a kind of small fuss,

2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 5 2 2 2
G 5
End Riff C

5 X X 5 X X 5 X X 5 X X 5 X X 5 X X 5 X X 5 X X 5 X X 5 X X 5 X X 5 X X 5 X X X

8
G  =:
Dm7 G5

5k 5: !5 5 =

$ 5 5 5 5
5 
a cou - ple pic - tures shown.

2 2 5 2 2 2 2 2 2 2 2 5 2 5 5 5
G 5 5 2 2 55 22 22 55 22 22 22 55 55 55 55
5 2 2 5 2 2 2 5 5 5 5
6 5
5 X X 7 X X X X X X X X 5 X 5 0 X X 0 X X 0 X X X 0 0 0 0
0 X X 0 X X X 0 0 0 0
X X X X X X X X X X X
3 X X 3 X X X 3 3 3 3

Interlude
Gtr. 1: w/ Riff A (2 times)
Gtr. 2 tacet

5 5 ¦5
Dm7

5 5 ¦5 5 5 5
_1

5 : !5 5k 5 5 E5 5 5 E5 5 5
_ 1 /4
Gtr. 3
5
55 ::
!5
G 5 5 5 !5
5: 5 E5 5 :
5
5
µ
¦ ¦
w/ bar w/ bar w/ bar w/ bar
_ 1 /4 _1

5 5 5 5 5 5 5 5 6 6 7 8 8 9 10 10 13 13 13
0 2 0
0
0
0 0 0
-1/2 -1/2 -1/2

G 0 0 55 55

? ? 5 5

Female: (Ah.)

5 ¦
5 ¦ 5 5 ¦
5 ¦
5 ¦
5 5 ¦
5 ¦ 5 5 5 %5 !5 5 ¦ ¦5 B
_ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _1

5: 5 5 5 5
G

2 )))) 
µ µ
¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦
w/ bar w/ bar w/ bar w/ bar string
_ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _1 noise

15 15 15 15 15 15 15 15 15 15 15 15 15 15 15

X ))))
-1/4

Chorus
Bkgd. Voc.: w/ Voc. Fig. 1
Gtrs. 3 & 4: w/ Rhy. Fig. 1
Gtr. 5: w/ Riff B

5k 5
Bb C
 4 5k 5 5

5 5 5 5 5 5 5 5 5 5 5 
5
G   '' 5
'
I’m a lone - ly lad, I’ve lost my - self out on the range.

9
Eb Gm C

G  =: 5k 5
$ 5 5 5 5 5 5 5 5 
5 5 5 5 5 5 5 5 
I don’t re - mem - ber much, so don’t ask me. I’ve gone in - sane.

5 5 5 5
Gtr. 5
5 5 5 5 5 5 5
G 
1 1
13 10
11 11 11 11 11 11
12

Interlude
Gtr. 1: w/ Riff A
Dm7


G  5 4 ? 4 0

5 5 5: 5: 55 55 55 55 55 55 5M
 =:
Gtr. 5


G 
 4 ? 4
1
10 10 10 10 10 10 10
13 10 10 10 10 10 10 13

Gtr. 3

G   B 55 :: 55 55 55 55 55 55 ' 55
5:
B '
B 5 5 5 5 5 5 ' 5

0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0

22 22 55 55 55
 =:
5 5 5 5 5M
Gtr. 4

 2 2
G  4 55 55
 = = 3 4
55 22 22 22 22 55 55 22 22
4
5 5 5 2 2 2 2 5 5 2 2
X X 10 10 10
X X 10 10 10
12 12 10 12 10 X X
0 0 X X X X 0 X X
0 0 X X X X 0 X X
0 0 X X X X 0 X X

Verse
Gtr. 1: w/ Riff A (4 times)
Gtr. 2: w/ Riff C
Gtrs. 3, 4 & 5 tacet
Dm7 G5 Dm7 G5

G 4 5k 5
 5 5k 5 5 5 5 5 5 5k 5
 5 = 4 5k 5
 5 5k 5 5 5 5 5 5 5  =
5 5
4. Slow - ly turn - ing in - to drift - wood, no one ev - er wants to die a - lone.

10
Gtr. 2: w/ Riff C (last meas.)
Dm7 G5 Dm7 G5

G 4 5k 5
 5 5k 5 5 5 5 5 5 5k 5
 5 = 4 5 5 5 5 5k 5: !5 4
Think - ing that a pret - ty gift could make you less un - known.

Dm7 G5

G 4 5k 5 5k 5 5k 5 =

 5 5 5 5 5 5  5
Dirt - y sneak - ers on the pave - ment,

22 22 2 2 2 2 22
Gtr. 2

5 5 2 5 5 5 22 22 5 5 2 2 2 2 5 2 22 22
G
5

X X X
X X 12 X X X X X 12 X 10 10 12 X X 10 12 X X X X 10 X X X
X X X 0 X

G  =:
Dm7 G5

$ 5k 5  =

5 5 5 5 5 5 5 5
5 5 5
the bril - liant fea - tures of a com - mon man.

5k 5 22 55 2 2 5 2 2 5 2 2 2 2 2 22 22

5 5 5 5 2 2 2 2 5 2 2 5 + 2 2 2 !55 55
G 5 5 5

X 10 0
10 12 10 0 X 10 X X 10 X X 10 X X X X X 0 X X
12 10 12 X X X X 10 X X 10 X X X 0 X X

Gtr. 2: w/ Riff C (last 2 meas.)


Dm7 G5 Dm7 G5

G 4 5k 5
 5 5k 5 5 5 5 5 5 5k 5 5 = 4 5 5 5 5 5k 5: !5 5 = 

See the mir - a - cle of your life, no one ev - er can.
Gtr. 3

G 0 
BB 55 55 55 55 55 55 55 55 55 55 55 
B 5 5 5 5 5 5 5 5 5 5 5

0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0

Chorus
Bkgd. Voc.: w/ Voc. Fig. 1 (1st 2 meas.)
Gtrs. 3 & 4: w/ Rhy. Fig. 1 (1st 2 meas.)
Gtr. 5: w/ Riff B

Bb C

5k 5 5k 5 5


G  4
5 5 5 5 5 5 5 5 5 5 5 
5 5
I’m a lone - ly lad, I’ve lost my - self out on the range.

11
Eb Gm F

3 5 5 5 5 5 5 5 5 5 5k 5 5 5:

5 5
G 5 5 5 5
I don’t re - mem - ber much, so don’t ask me. I’ve gone in - sane.

5:
5:
' B
55::
' B
G  '' BB =
Ah.)

5 5 5 5 5 5 5 5
Gtr. 5
5 5 5 5 5
G
1
13 10
11 11 11 13 13 13 13 13 11
12

*Gtrs. 3 & 4

G  5 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 5 55 55 55 22 22 22
 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 2 2 2

1 1 1 1 1 1 1 1 1 1 1 1 5 5 5 5 5 3 3 3 3 X X X
1 1 1 1 1 1 1 1 1 1 1 1 5 5 5 5 5 3 3 3 3 X X X
1 1 1 1 1 1 1 1 1 1 1 1 5 5 5 5 5 3 3 3 3 X X X
*Composite arrangement

Bkgd. Voc.: w/ Voc. Fig. 1

Bb C

5k 5
 5 5 5 5 5 5 5 5k 5 5 5 5 5 5 5 5 5
G 4
See the world go by, the chang - es that we en - ter - tain.

5:
5
5 5 5 5 5 5
G 5 5 5 5

13
7 7 10 9 9 9
8 8 8 8 10

G  55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 22 22
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2

3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 X X
3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 X X
1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 X X

12
Eb Gm C

3 5 5 5 5 5 5 5 5 5 5k 5 5 5:
G 5 5 5 5 5 5 5

I don’t re - call it all. Re - mem - ber, I have gone in - sane.

5 5 5 5 5 5 5
5 5 5 5 5
G 
1
13 10
11 11 11 13 13 13 11
12

G  5 55 55 55 55 22 22 55 55 5 5: 5 5 
55 55 55 55 55 55 55 55 55 55 55
5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 5 5
w/ bar

+1

5 5 5 5
1 1 1 1 1 1 1 1 1 1 1 1 5 5 5 5 X X 5 5
1 1 1 1 1 1 1 1 1 1 1 1 5 5 5 5 X X 3 3
1 1 1 1 1 1 1 1 1 1 1 1 5 5 5 5 X X

Interlude
Gtr. 1: w/ Riff A (2 times) Gtrs. 3 & 4 tacet
Dm7 G5 Dm7 G5

G  5 4 ? 4 ? =
5 5 5 55
(Do, do, do, do,

¦ ¦ ¦
5 5 ¦ ¦ ¦ ¦ ¦
5 ¦ 5 ¦
5 ¦
5 ¦
*
_ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2


5: 5 5 5 5 5 5 5 5
¥
5 5
22 )))) 2))))
G  2 ))))) 22 )))))))) = 4 4
string noise µ
3

µ
¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦
w/ bar

¥10 ¥10
_ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2

)))))) X ))))))
10 10 10 10 10 10 10 10 10 10 10 10

)))))) XX ))))))
X
X
X
*Played behind the beat.

 5 5 5 5 5 5 5 5
G  5 5 5 5 3 0
5k  5 5

5 5 5 5 5 E5 5 5 5 55
w/ bar µ w/ bar
+1 1/2 +1 1/2 +1/2 +1/2

5 5 5 5 5 5

0 0 0 0 5 6 3 3
-2 1/2 -2 -2
-1/2 -1/2

13
Dm7 G5

G 5 5 5
=
5 5 5 5 5
do, do. Do, do, do, do,

22 2 2 2 2 2 2 2 2
Gtr. 2

G = 2 2 2 2 2 2 2 2 5 + + 2 2 2 5 3 2 2 2 5 2 2 2 5 5 5 2 2 5 5 5 5 5

µ
*w/ delay
P.M. P.M. P.M. P.M.

X
X X X X X X X X X 10 X X X 12 X X X 10 X X X 10 10 10 X X 10 10 10 10 10
X X X X X X X X
*Set for eighth-note regeneration w/ 1 repeat.

Dm7 G5

G 5 5
=
5 5 5 5
5
do, do. Do, do, do, do.

G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ? = 5 5 5 5

P.M.
delay off
µ
10 10 10 10 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12

Outro
Dm7 G5 Dm7 G5 Dm7 G5 Dm7 G5
5 5 
G 55 55 55 = 55 55 555 555 55 55 55 = 55 55 555 555 55 55 55 = 5 55 55 55 = 5 55 55 55 = 5 55 55
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Do, do, do, do, do, do, do. Do, do, do, do, do, do, do. Do, do, do, do. Do, do, do, do. Do, do, do, do. Do, do,

55 5
G 4  = 4 =  4 0 0 0
**w/ delay
5 6
3

**Set for eighth-note regeneration w/ multiple repeats.

Dm7 G5 Dm7

G
55 = 55 55 55 =  55 55 5k BB  ' BB ?

5 5 5 '
5 5 5 5 5 B ' B
do, do. Do, do, do, do. Do, do, do.)

BB
G 0  = 555  555 4 5 4 5 5 4
55
5 4
 5 5 5
let ring µ
*** †

5
6 6 6
7 7 7
7 7 7 7
5 5 5
***Delay set for eighth-note regeneration w/ 4 repeats. †Delay set for eighth-note regeneration w/ 3 repeats.


55 555 555 555 555 BBB
G  55 4
5
4
5
4
5
4
5
4
B
delay off ††w/ delay

6 6 6 6 6 6
7 7 7 7 7 7
7 7 7 7 7 7
5 5 5 5 5 5
††Set for eighth-note regeneration w/ 7 repeats.

14
from Red Hot Chili Peppers - The Getaway

Encore
Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb

Intro
Moderately q = 105
**Asus2 Gsus2
Rhy. Fig. 1
*Gtr. 1 (clean)


G 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5
mf
w/ fingers
let ring throughout

£
9 9 9 9 9 7 7 7 7 7
7 7 7 7 7 5 5 5 5 5
5 5 5 5 5 3 3 3 3 3
*Bass arr. for gtr.
**Chord symbols reflect overall harmony.

Fsus2 End Rhy. Fig. 1

G 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1 1 1 1 1

Gtr. 1: w/ Rhy. Fig. 1


Asus2 Gsus2 Fsus2
Riff A End Riff A

5 5 5 5 5 5 5 5 5
:
:
5 5 5: 5 5 2 2 5 5 5 5: 5 5 2 2 ::
Gtr. 2 (clean)

 5: B '
G
mf let ring µ
: :
***w/ reverb & delay

: 14
14 16
14
14 16
14 X X
14 16
14
14 16
14
14 16
14 X X
16
15
:
***Electro-Harmonix Cathedral reverb, set for infinite hold, w/ EarthQuaker Devices Afterneath.

Verse
Gtr. 1: w/ Rhy. Fig. 1 (4 times)
Gtr. 2: w/ Riff A (4 times)
Asus2 Gsus2 Fsus2

5 5 5 5 5 5 5 5 5 5 5 5 
G 5 5 5 5 5 5 5 5
 5 B
1. Lis - ten to the Beat - les and the sound of laugh - ing Ed Mc - Mahon, we got high.

Asus2 Gsus2

G 5 4 ? 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
 
Ed - u - cat - ed by a world so full of self and lost in space, too

© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS


All Rights Administered by KBSK MUSIC
All Rights Reserved Used by Permission 1
B:
Fsus2 Asus2

5k 5 5k 5 B: 5 5 5 5 5 5 5 5 5

G
 4 5
much pride. Cos - mo - nauts and dirt - y thoughts are

Gsus2 Fsus2

5k 5
G 5 5 5 5 5 5 5 5 5 5 5   4 ?
 B 5
jug - gl - ing the jug - ger - naut, So - vi - et Spy.

Asus2 Gsus2

5k 5

G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Ev - ’ry now and then when I re - mem - ber to be - friend the lit - tle things

:
Fsus2

G B 5k 5 5k 5 B: 4
 

in life.

Chorus
Dm F C

5k B 5k 5 5k 5 5 5 5 5 5 5 5 5k 5
  
 5 B = 5 5
G   5
Hey, you’re fine. I wan - na lis - ten to the ra - di - o driv -

5k 5 ::

5k 5
55 55 55 
55 55 55 5 55 5 5 5 5 5 5 5 5 5 5
Gtr. 3 (clean)
5 5k
 5 5 5 5 5 5 5 5 5 5 5

G = = =
mf
let ring µ
13 13 13 15 13 12 12 10 12 10 12 10
15 15 13 13 15 13 15 13 13 13 13 15 X X X X X X X
14 14 14 14 14 14 14 10 14 14 12 12 12 12 12 12 12

Rhy. Fig. 2

' ' '


Gtr. 4 (clean)
' ' '
G

15 13 13
14 14 12

2
5k 5 :
G Dm F
5 5 5 5 5 5 5 = 
5 = 5 5 5 5 5 5
G  B  
- ing down Ca - lex - i - co high - way. And now I know the signs

5k 5 5k 5 ::

5 55 5 3 55 55 55 55 55 55 5 55 55 55 55 5 55 
5 5 5
5k 5 5 5 5 5
5k
  5 5
G =  =  = 
let ring µ let ring µ
15 15 15 17 15 13 13 13 13 15 13
15 15 15 15 17 15 15 13 15 13 15 13 13 13 13 15
12 16 16 14 14 14 14 14 14 14 9 14 14 14

' '
' '
'
'
G

12 15 13
12 14 14

Am C Dm

 5 5 5k B 5k 5

G 5 5: 4 5 5: ?
 5 5
  
for sure. Hold my hand,

55 55 5 5 55 55 5 55 5 5 2 5 55 222 5 22 55 55
 5 5 5 5 5k

!5 5 3 5 3 2 5 55 55 55 55 55 55 55
G = =
let ring µ
12 12 12 12 12
13 13 13 13 13 13 13 13 13 13 X 13 15 X 13 X 15 17 15 13 15 15 13 15 13
14 14 14 14 X X X X X X 14 14 14 14 14 14 14 14
13 14 14 15 X 14 X 15 17

'
' ' '
' '
G

12
13 13 15
12 14

3
F C G
5 5 5 5 5 5 5k 5 5 5 5 5 5 5 5

G B = 5 5 5 5
I want to share it all with Mar - y. Re - sults are gon - na var - y

Voc. Fig. 1

G 0 5k
 B B 5k B

B
(Oo.

5k 5 :: 5k 5

55 :
! 55 55 
55 55 55 5 5 5 5 5 5 5 5 5 5 55 5 555
E5k
 5 5 5 5 5 5 5 5 5 5 5 5k
 5 5 5 5 5 5
G =  =  = 
µ µ µ
3
let ring let ring let ring

13 13 13 15 13 12 12 10 10 12 12 10 12 10 15 15 15 17 15
13 13 13 13 15 X X X X X X X X X 15 15 X 15 17 15
11 14 14 14 14 12 12 12 12 12 12 12 12 12 12 16 16 16 16 16

'
' '
' '
'
G

13 13 12
14 12 12

k 5 :
Fmaj7

G5 5 B 0

now.

End Voc. Fig. 1

G 4
5 BB 5k
 '
55 B
Ah.)

5 5: 5 5:
Fill 1 End Fill 1
5 5 5 5: 5 5
G 5 3 5 5 5 5 5
let ring

5 5 5 5
5 5 5 5
7 5 5 5 5

BB BB BB BB End Rhy. Fig. 2

13 13 13 13
14 14 14 14

4
Verse
Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 3 tacet
Gtr. 2: w/ Riff A (4 times)

Asus2 Gsus2 Fsus2



G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
 5 B
2. Lat - er on I’ll read to you the things that I’ve been need - ing to say good - bye.

Gtr. 4
5 5 5 5 5 5 5 5 5
0 = 5 5 5
G 5 5

µ
mp
let ring let ring

5 5 12 12 12
5 5 12 12 12
9 9
7 7

Gtr. 3

G ' 0 0
let ring µ

Asus2 Gsus2

5 5 5 5 5 5 5 5 5k 5

G B ? 5 5 5 5 5 5 5 5 5 5
Walk a - way from mom and dad to find the love you nev - er had, tell

Gtr. 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5
G
let ring

12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12
9 9 9 9 9 9 9 9

B:
Fsus2 Asus2

5k 5 5k 5 B: 4 5 5 5 5 5 5 5 5 5 5
 
G
no lies. Car - ry on and write a song that

5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5k 5 5 5 5: 5 5 5
G 5 5k 5
µ
mf
let ring

12 12 12 12
12 12 12 12
9 9 9 9 9 9 7 7 9 9 7 9
9 7 7 9

5
Gsus2 Fsus2

5 5 5 5 
G 5 5 5 5 5 5
 5 5 B 5 4 ?
says it all and shows it off ’fore you die.

5: 5 5k 5

G B 5 5 5 5 5: B B 5 5


9 7 7 9
9 9 10 12 10

Asus2 Gsus2

5k 5

G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Take a lit - tle breath be - fore you catch an ear - ly death, there is so

G
B 5 5 5 = 5k
 5 B 5: 5 5 5

1

9 7
7 9 9 10 9

B:
B:
Fsus2

5k 5 5k 5 4
 
G
much sky.

G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
p mp

9 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

C Chorus
Gtr. 4: w/ Rhy. Fig. 2
Dm F C

5k B 5k 5 5k 5 5 5 5 5 5 5 5 5k 5
 
 5 B = 5 5
G   5

5k 5 ::
Hey, you’re fine. I wan - na lis - ten to the ra - di - o driv -

55 55 55 55 55 55 55 !5 55 55 55 5 5 5 5 5 5 5 5
E5k
 5 5 5 5 5 5 5 5 5 5 5

G = = =
let ring µ
13 13 13 15 13 12 12 10 12 10 12 10
15 15 13 15 13 15 13 13 13 13 13 15 X X X X X X X
14 14 14 14 14 14 14 11 14 14 12 12 12 12 12 12 12

6
5k 5 :
G Dm F
5 5 5 5 5 5 5 = 
5 B = 5 5 5 5 5 5
G   

5k 5 5k 5 ::
- ing down Ca - lex - i - co high - way. And now I know the signs

5 55 5 5 55 55 55 5 55 
55 55 5
5k
 5 5 55 55 55 55 55 55 55
5k
 5 5 5 5
G =  = = 
let ring µ
15 15 15 17 15 13 13 13 15 13
15 15 15 15 17 15 15 13 15 13 15 13 13 13 13 13 15
12 16 16 16 14 14 14 14 14 14 14 10 14 14

Am C
 5: 4 5 5 5 5: ?
G 5 
for sure.

55 55 55 55 55 55 5k 5 5 5

55 55 55 5 2 5 5 22
5k
  5 5 3 5 2 5 5
G = 3
let ring µ
12 12 12 12 12 12
13 13 13 13 13 13 13 13 13 13 X 13 13 15 13 X 15 17
14 14 14 X X X X
12 14 14 14 X 15 17

k ° k °B
Dm F

5̄ B 5̄ 5̄ 5̄ 5̄ = 5
G   5 5

5k 5 ::
Hold my hand, I want to

55M 55 55 55 55 55 55 55 55 55 ! 55 55 5 55 55 55
E5k 5

 
G = =
let ring µ
13 13 13 15 13
15 15 13 13 15 13 13 15 15 13 13 13 13 13 15
14 14 14 14 14 14 14 14 14 14 11 14 14

Bkgd. Voc.: w/ Voc. Fig. 1

k
C G
5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ =
G
share it all with Mar - y. Re - sults are gon - na var - y

5 5 5 5 5 5 5 5 55 55 5555 55 5
5k 5 5 5 5 5

5 5 5 5 5 5 5 5 
G =  =
µ µ
3
let ring let ring

12 12 10 10 12 10 12 10 15 15 15 17 15
X X X X X X X X 15 15 17 17 15
12 12 12 12 12 12 12 12 12 16 16 16 16 16 16

7
2nd time, Gtr. 3: w/ Fill 1
To Coda ;

5k 5 :
Fmaj7

G 5 B 0


5: 5:
now.

5 3 5 5 5 5 5 5 5 5
G 5 5 5 5 5
let ring µ
5 5 5 5
5 5 5 5
7 5 5 5 5

Interlude
μ Dm C Eb G

5 ! 55 55 55
5:
5
Gtr. 3
5 5 5 55 5 5 5k !5 5
5:
G = 5 5 5 5k
 5 5 5 = 5 5 5k

5
w/ chorus
let ring µ let ring µ let ring µ let ring µ
8 12 12
10 9 9 8 12 12
X X X 8 12 12
8 7 7 6 6 6 10 12 14
10 10 8 8

B:
10

Gtr. 5 (clean)
5: B 5
G =
*w/ granular delay

17 15 17

*Red Panda Particle Granular delay pedal.

F G F
55 55M 5 5 5 55 55 55 55
G 3 5 5 5 5 5 5 55 55 5 55 = 5
5
5 5 5k

5:
5 5
5
5
let ring µ let ring µ let ring µ let ring µ
10 8 8 12 10 10
10 10 8 8 12 10 10
10 10 8 8 12 10 10

5:
10 10 12 12 10 10 10 10 10 10 8 8

5: 5 5 B B 5 5
G
17 17 15 17

Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Gtr. 2: w/ Riff A (2 times)
Gtrs. 3 & 5 tacet

Asus2 Gsus2 Fsus2


G 5 5 5 5 5 5 5

5
 5 5 5 5 5 5 5 5 5 5 5
 5 B
3. Skin - ny brains and lit - tle stains up - on your face. Teen - age re - mains tell me more.

8
5 5 5 5 5 5 5 5:
Asus2 Gsus2
 5 5k 5

G 5 = 4 ? 5 5 5 5 5 5 5 5

Lift - ed in the fif - ties when you re - al - ly ra - ther drift - ed through time,

D.S. al Coda

B:
B:
Fsus2

5k 5 5k 5 4
 
G
let’s soar.

; Coda
Outro
Gtr. 2: w/ Riff A (till fade)

²²²²²²²²²²²²²²²²²²²²²²² k ²²²²²²²²²²²²²² 5 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²


Asus2 Gsus2 Fsus2
Gtr. 3

5 5 B = 5 5 B: 5 555 5= 5 5
G B: = 
²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 1 1

8
5 7 9 7 9 9 7 7 5 7

Gtr. 1

G 0 0 = 5: B '

10

Begin fade
Gtr. 1: w/ Rhy. Fig. 1 (till fade)

²²²²²²²²²²²²²²²²²²²  ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
Asus2 Gsus2 Fsus2

5k 5 :
Gtr. 3
B 5 5 5 5 B 5 5 5 5 5 5: B
G 
1
²²²²²²²²²²²²²²²²²²² 1/2
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
7 7 5 7 5 7 4 4 5 5

²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² Asus2
5:
Gsus2

5k 5 B

5k 5 5 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5

G 
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
8 10 10
5 7 7 X 9 9 9 9 9 9 9 9 9 9 9 9 9 9

Fade out
Fsus2
5 5
E5k
5 5 5 5 5 5 5 5 5 5  5 5 5 5 5 5
G
let ring µ
8 10 8 10
9 9 9 9 9 9 9 9 9 9 8 9 9 9 9

9
from Red Hot Chili Peppers - The Getaway

Feasting on the Flowers


Words and Music by Anthony Kiedis, Flea, Chad Smith, Josh Klinghoffer and Brian Burton

Intro
Moderately slow q = 82
* C#m B A
Rhy. Fig. 1

2 5 5 222 M 55M 22 5 55 55
EEEE  5 22 55M 222 222 555 555 222 222
Gtr. 1 (slight dist.)

G  5 5 5 2 5 5 5 2 5 5 5 5 3 5 2 5M 5M
5
mf 5
X 7 X 0 7 7 X X 5 5 X X

£
X 7 X 7 7 X 5 X X 5 5 X X
X 11 13 X 8 X 8 8 8 X 6 X X 6 6 X X
X 11 9 11 9 X
11 9 11 X 0 9
12 11 12
*Chord symbols reflect overall harmony.

5M 5
C#m B A
End Rhy. Fig. 1

M5 M 2
2 2 5 5 22 22
2 5
E EE 5 5 5 3 5 5 5 3 5 5 5 3 55 2 22 555 555 22
G E 5 5 5 2 5M 5 2 5

7 X 7 7 X X 17 17
9 7 X 7 7 X X X X 14 X X
9 8 11 9 9 8 8 X 8 8 X 14 14 X X
11 9 9 X 11
11 9 11 X 9

Verse
C#m B A
E EE 5k 5

5 5 5k 5 5k 5

G E = 5 5 5 5 5 5 5 5 5 5 
5 5 5 5 5 5 =
1. I was walk - ing through the streets, I could not hear my best friend call.

EE
Riff A End Riff A

5 5 5 5 5 5 5 3
G EE 5 5 5 5 5 5 5 5 5 5
5
5 5
5
5 5
5
5 5
5
5 5
5 3

dist. off
let ring µ let ring µ let ring µ
9 9 9 9 9 8 8 6 6 6
11 11 11 11 11 9 9 7 7 7
11 11 11 11 11 9 9 7 7 7

Gtr. 1: w/ Riff A

C#m B A
E EE 5k

5k 5

G E 3 5 5 5 5 5 5 5 5 5 5 
5 5 5 5 5 5 5 5 5 5 =
5
Uh, he was feel - ing in - com - plete, a - bout to take his fi - nal fall.

© 2016 WAGGING DOG TAIL MUSIC, EARL GREY SONGS and SWEET SCIENCE
All Rights for WAGGING DOG TAIL MUSIC and EARL GREY SONGS Administered by KBSK MUSIC
All Rights for SWEET SCIENCE Administered Worldwide by KOBALT SONGS MUSIC PUBLISHING
All Rights Reserved Used by Permission 1
C#m B A
E EE 5 5 5 5 5 5 5: 5 5 5k 5 5 5 5 5 5 5k 5 5k 5
G E 5 5 5

=

Last thing I re - mem - ber, there were tears of blood and just not mine.

E EE 5 5 5 5 5
Gtr. 1

5 5
G E 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5
5
5 5
5
5 5
5 3
let ring µ let ring µ let ring µ
13 13 13 13 13 8 8 6 6 6
11 11 11 11 11 9 9 7 7 7
11 11 11 11 11 9 9 7 7 7

Gtr. 1 tacet
C#m μ
E EE 5 !5k 5 5 5k E5 5 5k 5 5

5k 5
5 5 5 5 5 5 5 5 5 5
G E 3 5 
5
Uh, an - y oth - er day and I would save you from this cold de - cline.

E EE 5 5 5 5 5
G E 5 5 5 5 5 5 5 5 5 5 3 0
let ring µ
13 13 13 13 13
11 11 11 11 11
11 11 11 11 11

C Chorus
E D
EEEE
G 5k 5
 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5k 5 5 5 5 5 3
5
Ev - ’ry - thing they said a - bout ev - ’ry - thing was a com - ing un - done. It’s a life su - preme. I

EEEE 55k BB 55k


 55 !55 BB !55
5
5
G 4 4

(Oo, oo, oo,

Rhy. Fig. 2 End Rhy. Fig. 2

E EE !'
Gtr. 2 (clean)
' '
G E '
'
' '
!'
'
'
mp
w/ amp tremolo

0 2
0 3
1 2
2 0
2
0

2
G E 5k 5 5 5 5 5 5 5 5 5 5 5 5 5 5k 5 :
F#m C#m
E EE
5: 5 5 5:
  3 4
do and I don’t, well, I do and I don’t. Oh yeah, yeah.

E EE B 5 5 5 B
G E B 4 5 5 5 B ?

oo.

EE 5 5
Gtr. 3 (clean)

G EE
5
0 ? 4 =
mf
w/ wah-wah as filter
*w/ octaver &
amp tremolo
1

11 11

*Octaver set for one octave below.

EE '
Gtr. 2
'
G EE '
'
' '
'
' '
2
2 5
2 6
4 6
4 4

¯ ¯ ¯ ¯ k ¯ ¯ ¯
Gtr. 2: w/ Rhy. Fig. 2

E EE ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ k ¯ ¯ ¯ ¯ ¯
3 ¯
E D

G E 5k 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
Feast - ing on the flow - ers, so fast and young. It’s a light so bright that I bite my tongue. I

E E 5k BB k 55 5
G EE5 !55
55 BB !55
4 4 5

Oo, oo, oo,

E EE 5 5 5: 5 5 3 5 5 5 5 5 5 5 B 5 5 5
Gtr. 3

G E
1

12 12 9 10 9 10 9
11 11 9 11 11

$ $
E EE 5 5 5 5 55 = : 55 = :
Gtr. 4 (clean)
55 55 55 55 55 55 55 55 !55 55 55 55 55 55 55 55 55 55 55 55
G E 555 555 555 555 55 55 55 55 55 55 55 55 55 !55 55 55 55 55 55 55 55 55 55 55 55 55
mf
*w/ wah-wah
 T  T  T  T  T  T   T  T  T  T  T  T 
5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2
6 6 6 6 6 6 6 6 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4 4 4 4
7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5
*Wah-wah indications: + = closed (toe down): T= open (toe up)
3
To Coda 2 ; To Coda 1 ;

EEEE  ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ k ¯ ::: ¯: E¯ ¯ ¯:
:
E5̄ :: E5̄ 5̄ 5̄ :
F#m G#7

5k 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄5̄
G 5̄ =

^ ^^
do and I don’t, well, I do and I don’t. Oh yeah, yeah.

E EE B 5k 5
Voc. Fill 1 End Voc. Fill 1
 B
G E B 4 5 EB ?

oo.)

E EE 5 5 5 : 5 5 5 5 5k 5:
 2 E5 5 5 5 5 5
Gtr. 3

G E

10 9 X 13 13 14
11 9 11 11 11 13 13 13

Rhy. Fill 1A End Rhy. Fill 1A

G E E 55 55 55 55 55 55 55 55 55 55 55 55 55 = :
E E 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 :
Gtr. 4

E55 55 55 55 55 55 55 55 55 55 55 55 55 =
 
 T  T  T  T  T  T   T  T  T  T  T  T 
10 10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 9 9 9 9 9
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
11 11 11 11 11 11 11 11 11 11 11 11 11 10 10 10 10 10 10 10 10 10 10 10 10 10
9 9 9 9 9 9 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11 11 11 11 11 11

Rhy. Fill 1 End Rhy. Fill 1

E EE ' 'E'
Gtr. 2

G E '
'
' '
'
'

2
2 9
2 11
4 10
4 11

4
Interlude
Gtr. 2: w/ Rhy. Fill 1 Gtr. 1: w/ Rhy. Fig. 1
Gtrs. 3 & 4 tacet

G E =:
E EE
C#m

!5k 5
5 5 5 5 5 5:  5 5k 5 5 = 4 ?
 
The next di - men - sion, show me in.

²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
Fill 1 End Fill 1

5: 5 5
EEEE 5 5 5
Gtr. 3

G  3 0
µ
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
let ring

16 16 16
13 13 13

E EE 55 55 55 55 55 55 55 55 55 55 55 55 5 :
Gtr. 4

G E E55 55 55 55 55 55 55 55 55 55 55 55  = 0
µ
 T  T  T  T  T  letT ring
9 9 9 9 9 9 9 9 9 9 9 9
11 11 11 11 11 11 11 11 11 11 11 11 11
10 10 10 10 10 10 10 10 10 10 10 10
11 11 11 11 11 11 11 11 11 11 11 11

B A C#m B A
EE
G EE 0 0 0

Verse
Gtr. 1: w/ Riff A (2 times)

C#m B A
E EE 5k 5

5 5 5k 5 5k 5

G E 3 5 5 5 5 5 5 5 5 5 5 
5 5 5 5 5 5 =
5
2. Uh, we were mov - ing in the world, ex - pand - ing your re - al - i - ties.

C#m B A
EE 5k 5
G EE 3 5 5 5 5 5k 5

5 5 5 5 5 5 5 5 5 5 5 5 
5 5 5 5 3 5
A force of na - ture on the verge, com - mand - ing ab - nor - mal - i - ties. Uh,

5
k
C#m B A
E EE 5̄ k k
5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
G E 3 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ =

last thing I re - mem - ber there was ring - ing in my self - ish ears.

EE 5: 5 5 55 5 5 5 5 5 5
G EE
Voc. Fig. 1
5 5 End Voc. Fig. 1
= 5: 5 5 5 5 5 5 5 5 5 5 4

^^
(Ah.)

Riff B End Riff B

E EE 5 5 5 5 5
3

5 5 5
Gtr. 1

G E 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5
5 5 5 5 5 5 5 5
let ring µ let ring
3 µ let ring µ
13 13 13 13 13 8 11 8 8 6 9 6 6
11 11 11 11 11 9 9 7 7
11 11 11 11 11 9 9 7 7 7

D.S. al Coda 1
Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 1: w/ Riff B

C#m B A
k k
E EE 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ k
G E 3 5
5̄ 5̄ 5̄ 5̄ 5̄ 5̄

Uh, twen - ty - six, a num - ber much too small for some - one’s gold - en years.

; Coda 1
Interlude
Gtrs. 2 & 4: w/ Rhy. Fills 1 & 1A
Gtr. 3: w/ Fill 1

G E = : 5
E EE
C#m G#

5k 5
5 5 5 5 5:  5 5k 5 5 = 4 ? 0

The next di - men - sion, show me in.

5 5 5 ²²²²²²²²²²²²²²² 5 5 5 5 ²²²²²²²²²²²²²² 5
Riff C

55
=:
5 5
E EE 5555 5 5 5: 5 5 5 5 5 5: 5 5 5
Gtr. 5 (clean)

GE ? 
²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²
mf
*w/ octaver 1 1 1/2

12 12 14 14 16
11 13 11 13 11 13 11 13 11 13 11
13

*Set for one octave above.

5 5 5 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
5: ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
F#m E
End Riff C
5 5 5 5 5 5
EEEE 5k 5 B 5: 5 5 5
 5
G
²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 1

16 16 14 12 14 12 12
11 13 11 13 11

6
Bridge
Gtr. 5: w/ Riff C (1 1/2 times)
C#m G#
E EE 5 5 5 5 5 5 5 5 5k 5 5 5

G E 3 5 5 5 5 5 5 5 5 5 5 5 5 5
You get a lit - tle bit more this time when you give a lit - tle bit for your broth - er’s kind.

E EE 5:
F#m E

5k 5
5 5 5 5
G E 4 5 5 5 5 5 5 5 5 5 5

5

^
^

^
^
^
Like she al - ways said, “Oh, don’t look back, just, uh, look a - head.”

C#m G#
E EE 5 5 5 5 5
G E 3 5 5 5 5 E5 5 5k !5 5k 5
 
5 5 5 5 5 5 5 5 5
You sing a lit - tle bit strong - er when you re - mem - ber the song of your old best friend.

E EE 5 5:
F#m E

5k 5
5 5 5 5 5 5 5 5
G E 4 5 5 5 5 5 5 
^

^
5 5 5 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
Like she al - ways said, “Oh, don’t look back, just, uh, look a - head.”

EEEE
Gtr. 5
5 5 5: 5 5 5 5 5k ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
5 5 B:
G
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
11 11
14 12 14 12 14
11 13

D.S. al Coda 2
Interlude
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 5 tacet

E EE
C#m B A C#m B A

G E 0 0 0 0

; Coda 2
Bkgd. Vocs.: w/ Voc. Fill 1

E¯ ¯ ¯ :
Gtrs. 2 & 4: w/ Rhy. Fills 1 & 1A

E E ¯:
G E E E5̄ :: E5̄ 5̄ 5̄ ::
G#7

= 0
^ ^^

yeah, yeah.

5 5 5 5 5 5:
EEEE 5k 5: 2 E 5 5: 
Gtr. 3

 3 4 ?
G

X 13 13 13 14 16
11 13 13 13

7
from Red Hot Chili Peppers - The Getaway

The Getaway
Words and Music by Anthony Kiedis, Flea, Chad Smith, Josh Klinghoffer and Brian Burton

Intro
Moderately q = 115



(Hi-hat)

G
μ Play 3 times

G 5 5 5 5 5 5 5 5 3 2 5 5 5 5 5 5 :: 5 5 5 5 5 5 5 5 3 2 5 5 5 5 5 5 ::
Gtr. 1 (clean) Riff A End Riff A

µ
mf
*w/ delay

: :
P.M.

: :
£
7 7 5 5 7 7 5 7 X 5 5 7 7 5 5 7 7 5 5 7 7 5 7 X 5 5 7 7 5 5

*Lastgasp MistyCave pedal

Gtr. 1: w/ Riff A (4 times)


**Am Em G

G 0 0 0 0
**Chord symbols reflect implied harmony.

Verse
Gtr. 1: w/ Riff A (8 times)
Am Em G

5 5:

G = 5 5 5 5k 5 5 = 5 5 5 5 5 5 5 5 5 4 =  5 5 5 5 5 5
5
1. That’s right, you’re right. We will do our thing to - night, al - right, but take me through the fu - ture.

Am Em G

5:

G = 5 5 5k 5 5 5 5 5 5 5 5 5 5 4 =  

5 5 5 5
5k 5
5 5 5 5 5
It’s time, you’re fine, just an - oth - er col - or cod - ed crime, in - ci - sion and a su - ture.

Am Em

G = 5k 5 5k 5 = 5
 
 5 5 5 5 5 5 5 5 5 5 5
You told my friend we would get it on no mat - ter
Voc. Fig. 1

5 !5: B B 5: 5
G  

(Oo.

5 5 5 5 5 5 5 5 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 5 5 5 5 5 5
Gtr. 1 Riff B End Riff B

G 3 3
P.M. µ
14 14 12 12 14 14 12 14 X 12 12 14 14 12 12 14 14 12 12 14 14 12 14 X 12 12 14 14 12 12

© 2016 WAGGING DOG TAIL MUSIC, EARL GREY SONGS and SWEET SCIENCE
All Rights for WAGGING DOG TAIL MUSIC and EARL GREY SONGS Administered by KBSK MUSIC
All Rights for SWEET SCIENCE Administered Worldwide by KOBALT SONGS MUSIC PUBLISHING
All Rights Reserved Used by Permission 1
Gtr. 1: w/ Riff B (6 times)
G Am

5:

5k 5 5

E 5k 5
G 5 4 =   5 5 5 5 = 5 5 5 =
5 5 
when, a su - per - cav - i - ta - tion. Let‘s go, you show

B 0 5 !5: B
G ? 
^

Oo.)

Em G

5 5:
5 
G 5 5 5 5 5 5 5 5 4 =  5 5 5 5 5 3 5 
5 5
me some - thing no one will ev - er know, a love hal - lu - ci - na - tion. An -

End Voc. Fig. 1


B 5: 5
G  B ? 0 
^

C Chorus
F6 Em7
k
G  5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 =
oth - er lone - ly su - per - star to get a - way in - side your car,

B 5 5 5k 5 5k 5

Riff C
5 B 5

*Gtr. 2
(clean)

 
G
mf
w/ chorus, reverb & delay
13 15 12 12 13
13 15 17

*Pickup selector set to neck pickup.

Riff D End Riff D


Gtr. 1

5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5
G
P.M. µ
7 7 5 5 7 7 5 7 5 5 7 7 5 5 7 7 5 5 7 7 5 7 5 5 7 7 5 5

Gtr. 1: w/ Riff D (7 times)

=:
Dm7 F6
 5k 5 $ 5k 5 5 5 5
 
5 5 5 5 5 5 5
G 5 5  = 5 5 B 4 5
take it much too far. Sur - ren - der to the brave in - side, a lov -

Gtr. 2 5 5 5 5 5 B 5 5 5 B 5 5 5
    
G = = =
13 15 12
15 15 13 15 13

2
Em7 Dm7
5 5 5 5 5 5 5 5 5 5 5 5 5 5:
G 5 5 =
 5 B ?
- er that an - oth - er tried. Take it, too my ride.

5k 5 5

B 5 5 B 5 5 5 B 5 5
   
G = =

12 12 13 13
13 15 13 15 13

F6 Em7 Dm7

5 5:
 5 5 =  
G 5 5 5 =

5

5 5 = 5 = 5 5 5 ?
You don’t have to keep it if it’s mine.

Voc. Fig. 2 End Voc. Fig. 2

BB :: 5 '
G B: 55 !' '
' ''
(Ah.)

=:
Voc. Fig. 3

G 0 ? 4 $ 5k 5 5 5 5

5 5 5 5 5 5 5
*(An - oth - er lone - ly su - per - star to get

B 5 5 5k 5 5k

5 B 5
 5 5: 5 5 5
G    = = = 

13 15 12 12 13
13 15 17 15 13 15

*Bkgd. vocs.: Anna Waronker

Bkgd. Voc.: w/ Voc. Fig. 2


F6 Em7

G ? 4 =  5 5 = 5 5 5 5 5 5 5 5: 5 5 5 5 = 5 5
5 
An - oth - er place, may - be an - oth - er time.

G = 0 ? 4 =: $
5 5 5 5 5 5 5 5 5
a - way in - side your car. Sur -

B 5 5 5 B 5 5 5 B 5 5 5
    =
G =

13 15 12 13
15 13 13 15

3
T o Coda ; Verse
Gtr. 1: w/ Riff A (8 times)
Dm7 Am

G 5 5:
 5 5 =
? 0 ! = 5k 5 =

 5 
2. Com - plete re - peat,

End Voc. Fig. 3

G 5k 5

5 5 5 5 5 5
= ! 0
5 5 5 5 5 5 5 5 5 5 5
ren - der to the brave in - side a lov - er that an - oth - er tried.)

B 5 5 5 B 5 5 5 '
 
G = = !

12
15 13 15 13

Gtr. 2 tacet
Em G Am

5 5:

G 5 5 5 5 5 5 5 5 5 4 =
5
 5 5 5 5 5 5 = 5 5 5 5 5
sit - ting in your car and on your street, uh, lost in Cal - i - for - nia. Let’s steal this wheel,

B End Riff C

G ? 0 0 0

12

Gtr. 1: w/ Riff B (8 times)


Bkgd. Voc.: w/ Voc. Fig. 1
Em G Am

5 5:
 = 5k 5 5
G 5 5 5 5 5 5 5 5 5 4 =  5 5 5 5 5 5  5 5 5
5
take a spin to find out how we feel, uh, just a - round the cor - ner. Slow down for sound,

Em G Am

5:
   
G 5 5 5 = 5 5 5 5 5 5 4 =
5
 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ = 5 5 = = 5 5 =
 
turn it up and, no, we can’t be found, the bod - y that we tran - scend. A - sleep, you weep,

D.S. al Coda
Em G

5 5:
5  4 = 3 5 
G 5 5 5 5 5 5 5 5 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
find out that the trick is nev - er cheap, a mel - an - cho - ly girl - friend. An -

; Coda
Interlude
Gtr. 2: w/ Riff C (last 2 meas.)
Am C Am Em G

G! 0 0 0 0

4
Verse
Gtr. 1: w/ Riff A (4 times)

5 5:
Am Em G
 
G = 5k 5 = 5k 5 5 = 5 5 5 5 5 5 5 5 5 ?

5  5 5 5 5 5 5
3. That’s right, you’re right. We will do our thing to - night, al - right, drive the con - stel - la - tion.

Gtr. 1: w/ Riff B (4 times)


Bkgd. Voc.: w/ Voc. Fig. 1 (1st 3 meas.)

5:
Am Em G

G =  5 5k 5 5 5 5 5 5 5 5 5 5 5 5 5 4 =  5 3 5 

5 5 5 5 5 5 5
It’s time, you’re fine, just an - oth - er col - or cod - ed crime, the song is fas - ci - na - tion. An - -

Chorus
Gtr. 2: w/ Riff C
Bkgd. Voc.: w/ Voc. Fig. 2

= : !5
F6 Em7 Dm7
5k 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 =  5 = 5k 5 5 5

G 5 5  B 4

oth - er lone - ly su - per - star to get a - way in - side your car, take it much too far. Sur -

Bkgd. Voc.: w/ Voc. Fig. 2


F6 Em7 Dm7
5k 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

G 5 5 = 5 5 5 5 5: 5 B 4 = 
5
ren - der to the brave in - side the lov - er that an - oth - er tried. Take it, too my ride. A

Gtr. 1: w/ Riff D (4 times)


Bkgd. Voc.: w/ Voc. Fig. 2 Bkgd. Voc.: w/ Voc. Fig. 3
F6 Em7 Dm7

5 5:
 
G 5 5 5 5 5 5 5 = 5 = 5 5 5 5 5 ? ? 4 = 
 5
May De - cem - ber might not be so smart. Ar -

Bkgd. Voc.: w/ Voc. Fig. 2


F6 Em7 Dm7

5 5:
 5 = 5 5 5 5   
G 5 5  5 5 = 5 = 5 = 5 5 ? 0
ri - vals that we wish would not de - part.

Outro

 ¯k °B :: B°
k
B° ::
Bb C Dm7
k
5k 5̄ 5̄ 5̄
 
G 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 0

Don’t be late ’cause you’re my sav - ior.

Riff E End Riff E

B 5 5 = 555 5 5 5M 5M 5M 5 5 5 5 5 5M 5M 5M
Gtr. 3 (dist.)
5 B: 5 5
G  3 3 4
mf
w/ slap-back delay
5 5 5 5 5 5 5 5 5 5
6 8 5 8 6 5 8 6 5
7 7

BB 55 55 55 55 55 55 5 ' '
Gtr. 4 (dist.)

G =  = 5 4 ' '
mf

6 8 6 6 5 6 6
7 9 7 7 5 7 7

5
Bb C Dm7

¯
Voc. Fig. 4 End Voc. Fig. 4

 °: ¯ ¯
¯k B : 5̄¯ 5̄ 5̄¯
¯k
B°°
¯
5̄¯ 5̄¯ 5̄ 5̄¯
¯:
5̄¯ 5̄ ::
:
B°° ::
¯

G ¯ °: 0
Make it great what - ev - er stays.
(Ah.)

B 5 5 5 B 5: 5 5 5 5 5M 5M 5M 5 5 5 5 5M 5M 5M
5 5
G   = 4

5 5 5 5 5 5 5 5
6 8 5 8 6 5 8 6 5
7 7

BB 55 55 55 55 55 55 5 ' 55 :: 55 55
G =  = 5 4 '  =  5
let ring µ
5 5
6 8 6 6 5 6 6 6 6
7 9 7 7 5 7 7 7

Gtr. 3: w/ Riff E Bkgd. Voc.: w/ Voc. Fig. 4

k ° : ¯
Bb C Dm7

5̄ °B ::
¯¯k ¯ ° ¯ ¯ ¯ ¯ ¯¯k ¯ °:
B°°

B°° :::

5̄¯
G ¯ °: ¯ 5̄¯ 5̄¯ 5̄¯ 5̄¯ ¯ ¯
5̄ 5̄ 5̄ 0

Gold - en gate, my re - ar - rang - er.

BB 55 55 55 55 55 55 55 ' BB 55 22 22 22
Gtr. 4

'
G =  =  4 =

6 8 6 6 5 6 6 X X X
7 9 7 7 5 7 7 X X X

Gtr. 3 tacet

k ° : ¯
Bb C Dm7 μ

5̄ °B ::
¯¯k ¯ ° ¯ ¯ ¯ ¯ ¯¯k ¯ ¯¯k ¯ ¯¯k ¯ ¯¯k ¯ ¯¯k ¯
B°°

 
    
5̄¯
¯ °:
G ¯
5̄ 5̄ 5̄¯ 5̄¯ 5̄¯ 5̄¯ ¯ 5̄¯
5̄ 5̄ E 5̄ ¯
5̄ 5̄ ¯
5̄ 5̄ ¯
E 5̄ 5̄ 5k 5

5k 5

5k 5 =

Hold my name in - side your rays.

B 5 5 5 5 5 5 5
Gtr. 3
5 B
G   0 0

5 5 5 5 5
6 8 5

BB 55 55 55 55 55 55 55 ' BB ::
Gtr. 4

'
G =  =  4 4

6 8 6 6 5 6 6
7 9 7 7 5 7 7

6
from Red Hot Chili Peppers - The Getaway

Go Robot
Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer

Intro
Moderately fast q = 133

* Cm Fm7

  :: ::
(Drums & bass)

G   4 0 0 0 0
*Chord symbols reflect implied harmony.

Verse
Cm Fm7

 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G   = 5 5 5 5 5 5 5 5 =
1. I called the teach - er ’cause I want - ed to con - fess it now. Can I make the time for me to

Cm

 5 5 5 5 5 5 5 5 5
G   5 = 5 5 5 5 5 5 5 5 5 5 5 5 5
come and get it blessed some - how? She spoke to me in such a sim - ple and de - ci - sive tone.

Pre-Chorus

Fm7 Bb

 5 5 5 5 5 5 5 5 5 5 5 5 5
G   = !5 = 5 5 = 5

= 5 5

Her sweet ad - mis - sion left me feel - ing in po - si - tion from. I don’t take these things

Ab

 5
G  5 5 = 5

5 5 5 = 5 5 5 5 5 5 5 = 5 5 5 5 5 5 =
so per - son - al an - y - more, an - y - more.

Bb Ab

 5 5 5
G  5 5 = 5

= 5 5

5

5 5 5 5 = 5 5 5 5 5 5 5
I don’t think it’s ir - re - vers - i - ble an - y - more.

© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS


All Rights Administered by KBSK MUSIC
All Rights Reserved Used by Permission 1
C C Verse
Cm

 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5:
G  5 5 5 5 5 5 5 = =

^
2. Some - bod - y hoot - ed and they hol - lered, “Can I buy a vow - el?”
3. I’m kiss - in’ high and low, our bod - y’s like two dom - i - noes.

'
' '
'
' '
Gtr. 1 (clean)

G  0
mf
*w/ filter, pitch shifter & reverb

11

£
13
12

*Ibanez Autofilter & Boss PS3

Fm7 Cm

 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G  = =
Don’t let her catch you in the act of throw - ing in the tow - el. And when it’s not as it ap -
Can I come and get you when I hit you in your par - ty clothes? Let’s turn this cos - play

'
' '
' '
'
  ' ' '
G  

13 11

£
13 13
13 12

Fm7

 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 =
G  5 5 5 5 5 =
pears to be, the fla - grant foul. Can I put my fin - gers in your mouth be - fore you start to growl?
hol - i - day, what we o - bey. And now we’re wel - com - ing each oth - er to this cab - a - ret.

55 ::
5:
'
' '
' BB ! 55
' ' B
Gtr. 1

 
G

11 13
13 13 15
12 13 15

Fill 1 End Fill 1

5
**Gtr. 2 (clean)

***

G  0 0 ? 4 = 
mf

15

**Pickup selector set to neck pickup. ***Played 1st time only.

2
C Pre-Chorus
3rd time, Gtr. 2: w/ Fill 2
Bb Abmaj7
 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
G   5̄ 5̄ 5̄ = 5̄ = 5̄ 5̄ ! 5̄ = 5̄ 5̄ 5̄ 5̄ ! 5̄ 5̄ 5 = 5̄ 5̄ 5̄ 5̄ ! 5̄ 5̄ =
!
  
1., 3. I don’t think that it’s so ter - ri - ble an - y - more, an - y - more.
2. I don’t think that it’s so per - son - al an - y - more, an - y - more.

BB 55:: 55
8va
BB !loco
55 55 '
' 55 :: 55 55 55 ! 55
 =   = 
G  

18
15 18 15 16 16 15
15 15 17 17 17 15
18

 ' 5 5 5 5 5 !5 5 ' 5: 5 5 5 5
G   = 
let ring µ
11
12 12 12
15 15 13 12 13 15

Bb Ab

 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
G  5̄ ! 5̄ 5̄ = 5̄ = 5̄

5̄ ! 5̄

= 5̄ 5̄ 5̄ 5̄ ! 5̄ 5̄ 5̄ 5̄ ! 5̄ 5̄ 5̄ 5 5 5 =

I don’t think that it’s un - bear - a - ble an - y - more.
I don’t think it’s ir - re - vers - a - ble an - y - more.

'
' 55:: 55
8va
55 55 loco
'
' 55 :: 5 5
 5
G    =    =
steady
gliss.
18
15 18 16
15 17 15 15 12

 ' 5: 5 5 5 5 5 ' 5: 5 5
G    !5
 5 =

1/2

11
12
15 12 13 12 12

Fill 2

 '
Gtr. 2

G  

15

3
Chorus
Gtrs. 1 & 2 tacet

°
Fm Abadd9 Fm7/Eb Bbadd9

°B Ek
G   B° ::

 ! 5̄ 4 5̄ 5̄ 5̄ B 5̄ 5̄ ! 5k 5̄

5̄ 5̄
Tell me now, I know that it just

55 :: 55M 55 ::
5: 25M ! 25M 5:
55 22 2 55 22 22
5 2 22 55 55 22 25M 25 ! 5  22 5 2 2 55
8va loco 8va
Gtr. 3 (clean)

G   4 5 5  = = 5

mf
1/2
13 13 X 13 16 X 13 13 X X 18
13 13 X 13 X 16 X X X X 13 13 X X 18
13 13 X X 15 X X 13 15 13 X 13 13 X X 17
X 15

°:
Fm Abadd9

  ! Ek
 
°:

B:
 5̄
5̄ 5̄ = 4 ! 5̄ 5̄
G  5̄ 5̄ 5̄ 5̄ B:
won’t stop. You will find your flow

55M 5 ! 25 5 ! 25 55 ::: 55 M
B 25 55 55M ! 22 22 25 25 22 25
loco
5 5 55 BB
loco 8va

  BB 5
8va

G   5 3 = = 5 B 5
1/2
18 18 13 13 16 16
18 18 X X X 13 13 13 16 16 X X X X X X
17 17 15 15 15 13 13 13 13 15 15 X X 15 15 X 13
15

 ° ¯ ¯k ! ¯
Fm7/Eb Dbmaj13 Fm Abadd9

¯ 
G  B 5̄ 5̄ 5 5 5 5 5̄ 5̄ ? = 5 5 5 5 5 5 5

when you go ro - bot. I want to thank you and spank

55 :: 55 22 22 55M 2 55 ::
5: 5:
! 25 52 25 55 2 55
55 BB 55
8va loco
5 2 2 5 2 5 2 5 55
8va

 5 B 5 =
G  4 
4 = 5

13 13 X X 13 18 13 13 13 16
13 13 X X 13 X 18 X X X 13 13 X 13 16
13 13 X X 13 X 17 15 15 13 13 13 X 13 15

Fm7/Eb Bbadd9

G  5 5 5 5 5 5 5 = 5 5 5 5 5 5 5k 5 5 5 = 5k 5 B
 

22 55 ::
you up - on your sil - ver skin. Ro - bots don’t care where I’ve been.

55 22 22 55M
! 22 22 22M 8va5 5 2 5: 22 ! 25 25 3 55
loco
5 BB
loco

 BBB 5 2 2 5
8va 8va loco

G  5 !5 25 =  = 55 B = 

1/2
16 18 X 13 13 X X 13 18
16 X X X X X X 13 13 X X 13 18 X X 13
15 X X X 15 13 X 13 13 X X 13 17 X 15 15 13
X

4
Fm Abadd9
 5 5 5 5 5 5 5 5 5 5 5 5 5
G  = 5 =

55 ::
You’ve got to choose it to use it, so let me plug it in.

55M
5: 55 ::
55 22 !loco
22 22 25 25 22 25
5:
5 2 5 55 55 22 22
8va


G  4 = 5

5 2 2

13 13 X 13 16 X X
13 13 X 13 16 X X X X X X X X
13 13 X 13 15 X X X X 15 15 X 13

To Coda 1 ; To Coda 2 ;
Fm7/Eb Dbmaj13

5k 5
 5k 5
G   5 5 5 5 5 5 
=   4
5 5 5


55 ::
Ro - bots are my next of kin.

55M
5:
22 22 55 22 22
2 2 5 2 2 5 55 '
8va

 '
G   = 5

'

X X 13 13 X X 13 18
X X 13 13 X X 13 18
X X 13 13 X X 13 17

Interlude
Gtr. 3 tacet
Cm Fm7

G  0 0 0 0

Verse
Cm Fm7
 5 5 5 5 5 5 5 5 5 5 5 5 5: 5 5 5 5 5 5 5 5
G  = =
3. Some - times I feel like I’m a sen - ti - men - tal troop - er. She cried so hard, you know she

'
' '
' '
'
' ' '
Gtr. 1

 
G 
11 13
13 13
12 13

; Coda 1
D.S. al Coda 1
Gtr. 2: w/ Fill 1

 5 5 5 5 5 5 
5k 5
 
G   = G  5 5 = 5 4

55 ::
looked like Al - ice Coo - per. of kin.

5:
BB
B ! 55 55 55M 55 55 55 55 55M 55M 55M
8va
Gtr. 3
 
G    G   5 5 5 5 5 5 5
 = 5 5

13 18 18 18 18 18 18 18 18 18
13 15 18 18 18 18 18 18 18 18 18
13 15 17 17 17 17 17 17 17 17 17

5
Interlude
Gtr. 3 tacet
Cm7 F5/C Eb5/C Cm7 F5/C Eb5/C Cm7

55M 55M 55 55 22 22 55 22 22 55 22 22 22 555 22 5 22 22 5 5 22 22 55 22 22 55 22 22 22 55


Rhy. Fig. 1 End Rhy. Fig. 1 Rhy. Fig. 2 End Rhy. Fig. 2

5 5 5 5
Gtr. 1
 
G 

X X 13 X X 11 X X X 13 X X X X X 13 X X 11 X X X 13
13 13 11 13 X X 13 X X 11 X X X 13 X 13 X X 11 13 X X 13 X X 11 X X X 13
12 12 12 12 12 12 12 12 12

Gtr. 1: w/ Rhy. Fig. 2 (5 times)


F5/C Eb5/C Cm7 F5/C Eb5/C Cm7/F F5 Eb5/F Cm7/F F5 Eb5/F Cm7/F F5 Eb5/F Cm7/F

G  0 0 0 0 0

D.S.S. al Coda 2

22 22 22 22 22 55 22 22 22 22 22 22
F5 Eb5/F
Gtr. 1
55 55 55 55

G 

X X X X X 13 X X 11 X X X X
X 13 X X 11 13 X X 13 X X 11 X X X X
12 12 12

; Coda 2
Outro
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 3 tacet Gtr. 1: w/ Rhy. Fig. 2 (11 times)
Cm7 F5/C Eb5/C Cm7 F5 Eb5/C Cm7 F5 Eb5/C Cm7

G  0 0 0

²²²²²²²²²
F5/C Eb5/C Cm7 F5/C Eb5/C Cm7 F5/C Eb5/C Cm7
Gtr. 4 (dist.)
 
G  ? 4 = 5 5 5 5
3
' 5 5 5
!2 2
²²²²²²²²²
mf
w/ wah-wah

X X 10 10 10 13 13 13 8

²²²²²²² F5/C
Begin fade
F5/C Eb5/C Cm7 F5/C Eb5/C Cm7 F5/C Eb5/C Cm7 Eb5/C Cm7
   
G  ' 5: 5 5 5 5 5 ' 5 5 5 5 5 !5
1/2
²²²²²²² 1

8 10 10 10 6 6 8 8 5

Fade out
Gtr. 4 tacet

= !5 :
F5/C Eb5/C Cm7 F5/C Eb5/C Cm7

 !B 
G   ' 5:
5

!5 4 0
1

7 7 7
5

6
from Red Hot Chili Peppers - The Getaway

Goodbye Angels
Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer
Intro
Moderately slow q = 86
*Am D C F
Riff A

E5 5 5
Gtr. 1 (clean)

 5 5 5 5 5 5 5 5 5 5
5 5 5
5k
G
5k

5k
5 5 5 5 5  5 5 5 5 5 5 5 5 
5 5 5
mp
let ring throughout
w/ fingers

£
5 5 5 5 5 11 11 11 9 9 9 9 9 2 2 2

5 5 5 5 5 5 10 10 10 10 8 8 8 8 8 8 1 1 1
*Chord symbols reflect overall harmony.

G C F G
End Riff A

5 5 5 5 5 5 5 5 5
G 5 5 5 5 5 5 5
5k

k 5 5 5 5 5 5k
 5 5 5 k 5 5
5 5 5 5 5 5 5 5

0
4 4 4 4 4 9 9 9 2 2 2 2 2 2 0

1 3 3 3 3 3 3 8 8 8 8 1 1 1 1 1 1 1 3 3

Verse
Gtr. 1: w/ Riff A
Am D C F

G = 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5k 5 5
^
^

1. Su - i - cide a month be - fore I met you. Deep re - grets, I nev - er could for - get you.

G C F G

G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ^ 5 5

^
Some - how you made your way to my dec - ade. Ay - o, ay - o, ay - o, ay - o, my girl.

Am D C F

G = 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5k 5 5
^

In the sun, I see you with your guard down. Num - ber one, you’re mov - ing to a hard town.

Riff B

E5 5 5
Gtr. 1

5 5 5 5 5 5 5 5 5 5
5 5 5
5k
G
5k

5k
5 5 5 5 5  5 5 5 5 5 5 5 5 
5 5 5

5 5 5 5 5 11 11 11 9 9 9 9 9 2 2 2

5 5 5 5 5 5 10 10 10 10 8 8 8 8 8 8 1 1 1

© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS


All Rights Administered by KBSK MUSIC
All Rights Reserved Used by Permission 1
G C F G

G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

^
Do not dis - miss the prom - ise that you made me. Ay - o, ay - o, ay - o, ay - o, my time.

5 5 5 5 5 5 5 5 5
G 5 5 5 5 5 5 5
5k

k 5 5 5 5 5 5k
 5 5 5 k 5 5
5 5 5 5 5 5 5 5

0
4 4 4 4 4 9 9 9 2 2 2 2 2 2 0

1 3 3 3 3 3 3 8 8 8 8 1 1 1 1 1 1 1 3 3

Am D C F

G = 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5k 5 5

^
O - ver - kill, you took an - oth - er red pill. On the sheet is ev - ’ry - thing that you spilled.

5 5 5 5 5 E5 5 5 5 5 5 5 5
G 5k
5 5 5
5k

5k
5 5 5 5 5  5 5 5 5 5 5 5 5 
5 5 5

5 5 5 5 5 11 11 11 9 9 9 9 9 2 2 2

5 5 5 5 5 5 10 10 10 10 8 8 8 8 8 8 1 1 1

G C F G

G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

^
We are the ones you want to know right now. Ay - o, ay - o, ay - o, ay - o, black light.

5 5 5 5 5 5 5 5 5
G 5 5 5 5 5 5 5
5k

k 5 5 5 5 5 5k
 5 5 5 k 5 5
5 5 5 5 5 5 5 5

0
4 4 4 4 4 9 9 9 2 2 2 2 2 2 0

1 3 3 3 3 3 3 8 8 8 8 1 1 1 1 1 1 1 3 3

Am D C F

G = 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5k 5 5
^

Come a - gain to mur - der your re - port card. Just a friend to kiss you in the court - yard.

5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5
5k
G
5k

5k
5 5 5 5 5  5 5 5 5 5 5 5 5 
5 5 5

5 5 5 5 5 11 11 11 9 9 9 9 9 2 2 2

5 5 5 5 5 5 10 10 10 10 8 8 8 8 8 8 1 1 1

2
G C F G

G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
You are the one I want to be stuck with. Ay - o, ay - o, ay - o, ay - o, big fight.

End Riff B

5 5 5
G 5 5 5 5 5 5 5 5 5 5 5 5 5
5k

k 5 5 5 5 5 5k
 5 5 5 k 5 5
5 5 5 5 5 5 5 5
f

8 0
4 4 4 4 4 9 9 2 2 2 2 2 2 0

1 3 3 3 3 3 3 8 8 8 8 1 1 1 1 1 1 1 3 3

Pre-Chorus

k ° : °B::
Am D C F
k E
5̄ B: 5̄ 5̄ 4
G

^^
Fa - vor some,

Riff C End Riff C

5 5 5 5 5 E5 55 55 5 5 5 5 5 5 5 5
5k
G
5k

5k
5 5 5 5 5  5 5 5 5 5 5 5 5 
5 5 5
w/ pick

5 5 5 5 5 11 11 11 9 9 9 9 9 2 2 2
12 12
5 5 5 5 5 5 10 10 10 10 8 8 8 8 8 8 1 1 1

k ° :
5̄ B : °B::
G C F G
k
G 5̄ 5̄ 4
way too young.

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G 5
5k

k 5 5 5 5 5 5k
 5 5 5 k 5 5
5 5 5 5 5 5 5 5 5 5 55
0
4 4 4 4 4 9 9 9 2 2 2 2 2 2 0

1 3 3 3 3 3 3 8 8 8 8 1 1 1 1 1 1 1 1 1 1 1 3 3

Gtr. 1: w/ Riff C

k ° :
5̄:: °B
Am D C F
k E k E
5̄ B: 5̄ 5̄ 5̄ 5̄ 4
G
^

^^

Slave to none,

3
k ° :
5̄ B : °B::
G C F G

G 5̄ 4
way too young.

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
*Gtr. 2 (dist.) 8va

G = 5 5 5 3 5 5 5 3 5 5 3 5 3 5 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
mp
**w/ phaser effect

17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17
X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X
19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19

*Two gtrs. arr. for one.


**Red Panda Particle pedal

5 5 5 5 5 5 5 5 5k 5
Gtr. 3 (dist.)

G 0 = 5 5 5 55 55 55 5 5 55 55 55 5 5
mp
1 1/2

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

55 55 55
Gtr. 1

G 5 5 5 5 5 5 5 5 5 5 5 5 5
5k

k 5 5 5 5 5 5k
 5 5 5 5 5
5 5 5 5 5 5 5
8 8 8
4 4 4 4 4 9 9 9 2 2 2 2 2 2 2 2

1 3 3 3 3 3 3 8 8 8 8 1 1 1 1 1 1 3 3

C Chorus
1st time, Gtr. 1 tacet
2nd time, Gtr. 4 tacet

5 5k 5 :
Am C F G7

5 5 5 5 5 5 5
G 4 = 5k 5 5 5 5 5 5


^

Say good - bye, my love. I can see it in your soul.


Gtr. 2

5 5 5 5 5 5 5 E22 5 5 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
8va

G 5 3 5 5 5 3 5 5 5 3 2 5 3 5 5 5 5 5 5 5 3 5 5 5 5 5 5 3 5 5 5
mf

17 17 17 17 17 17 17 X 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17
X X X X X X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X
19 19 19 19 19 19 19 X 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19 19

Rhy. Fig. 1 End Rhy. Fig. 1

55 55 55 55 55 55 55 55 55 55 5 5 5 5
Gtr. 3
55 55 55 55 55 55 55 55 55 55 55
G 555 55 55 55 55 55 55 55 555 555 555 555 55 55 55 55 55 55 55 55 55 55 55
555
55
555
55
555
55
555
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
**T µ
0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0
2 2 2 2 2 2 2 0 0 0 0 2 2 2 2 2 2 2 2 2 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 0 0 0 0
0 0 0 0 0 0 0 3 3 3 3 X X X X X X X X X 2 2 2 2
1 1 1 1 1 1 1 1 1 3 3 3 3
**T = Thumb on 6th string.

4
Gtr. 3: w/ Rhy. Fig. 1 (3 times)
Am C F G7

5 5k 5 5 5

G 5

= 5 5 = 5k 5
 5 5 5 5 5 5k 5 5 5 5

^
Say good - bye, my love. Thought that I could make you whole.

Gtr. 2
8va

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G 5 3 5 5 5 3 5 5 5 5 5 5 3 5 3 5 5 5 5
5 5 5 5

17 17 17 17 17 17 17 17 17 17 17 17 17 15 15 13 13 12 12 10 10 8
X X X X X X X X X X X X
X X X X X X X X X X X X
19 19 19 19 19 19 19 19 19 19 19 19 17 15 14 12 10

To Coda ;

°B::
Am C F G7

5k 5

G 5k 5 5 5 5̄ 4
 
Let your lov - er sail.

5 5 5 5 5 5 5 2 5 5 5 5 5 5 5 5 5 5 5 5
8va

G 5 3 5 5 5 3 5 5 5 3 E2
2 5 3 5 3 5 5 3 5 5 5 3 5 5 5 = 5 3 5 k 5
5

17 17 17 17 17 17 17 X 17 17 17 17 17 17 17 17 17 17 17 17
X X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X X X X X X X X X
19 19 19 19 19 19 19 X 19 19 19 19 19 19 19 19 19 19 19 19
17 18

Am C F G7


°B 5̄::
k

k
k 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
G 5̄ 5̄

Death was made to fail.

5 5 5 5 5 5 5 2 5 5 5 5 5 5 5 5
8va

5 5 5 5 5 !5 5
G 5 3 5 5 5 3 5 5 5 3 E22 5 3 5 5 5
loco

5 5 5 5

17 17 17 17 17 17 17 X 17 17 17 17 17 15 15 13 13 12 12 10 10 8
X X X X X X X X X X X X
X X X X X X X X X X X X
19 19 19 19 19 19 19 X 19 19 19 19 17 15 14 12 10

5
Verse
Gtr. 1: w/ Riff A Gtr. 2 tacet
Am D C F

G 5̄ 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5k 5 5

^
2. Stick - y fin - gers find the way to take her. Crum - ple up an - oth - er piece of pa - per.

5
G  = 4 ? 0

19

G C F G

G !5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 !5 5 5 5 5 5 5
I know your days are num - bered when it comes to, ay - o, ay - o, ay - o, ay - o, this life.

Fill 1 End Fill 1

5 5 5 5k 5
=:
Gtr. 4 (clean) 
0 ? 
G
mf
*

12
12 12 14

*w/ Red Panda Particle pedal

Gtr. 1: w/ Riff B Gtr. 4 tacet


Am D C F

G = 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5k 5 5
Slip a - way in - to the so - lar sys - tem. Straight - er rays, you find a way to twist them.

5 5: B
G 4 0

13
14

Gtr. 4: w/ Fill 1
G C F G

G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Some like it dark and now I know where to, ay - o, ay - o, ay - o, ay - o, find you.

6
¯5 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5k 5¯ ¯5
Am D C F

G = 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ = 5̄ 5̄ 5̄

^
Ser - pen - tine, I think she was an Aus - sie. Blood - y hell, a com - mon ka - mi - ka - ze.

5 5: 5:
Riff D End Riff D

5 5 5
5 E5 5 5 5 5
Gtr. 4 8va

5 5: 5: 5 5 5 5
G 
1 hold bend 1 hold bend

17 15
13 17 17 17 15 15
14

G C F G

G 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ E5̄ 5̄ 5̄ 5̄ 5̄ !5̄ 5̄ 5̄ 5̄
Give up the ghost be - fore you go un - der. Ay - o, ay - o, ay - o, ay - o, won - der.

5: 5: 5 ²²²²²²²²²²²²²²² 5 5 5 5k 5

8va loco
5 55 5 5 5 5: 5:
G  
µ
²²²²²²²²²²²²²²
let ring
1 hold bend

15
15 15 15 13 13 12
12 12 14

Gtr. 4: w/ Riff D
Am D C F

G = 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ = 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5k 5̄ 5̄
^

Kick - ing hard and look - ing for a res - cue. Watch me starve, was nev - er to im - press you.

D.S. al Coda
G C F G

G 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ E5̄ 5̄ !5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
I would have killed the part of me to have you. Ay - o, ay - o, ay - o, ay - o, sto - ry.

²²²²²²²²²²²²²²²²²²²²²²²²²²²²
5 5 5 5 5 5 5 5 55 55 55
55 5
5 5 5 5
5 5: 3
Gtr. 4

G
1 hold bend
1 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
15 15 15 15 15 15 15 15 15
15 15 15

7
; Coda

°B 5̄::
Am7 C5 F5 G7


k

k
k 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
G 5̄ 5̄

Death was made to fail.

5 5 5 5 5 5 5 2 5 5 5 5 5 5 5 5
Gtr. 2 8va

E2 5 5 5 5 5 !5
G 5 3 5 5 5 3 5 5 5 3 2 5 3 5 5 5 5 5 5 5 5 5
17 17 17 17 17 17 17 X 17 17 17 17 17 15 15 13 13 12 12 10 10 8
X X X X X X X X X X X X
X X X X X X X X X X X X
19 19 19 19 19 19 19 X 19 19 19 19 17 15 14 12 10 14

Interlude
Gtr. 2 tacet
G6 Dm
Voc. Fig. 1

B: 5
G B: 4
(Ah.

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Riff E End Riff E

5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 1

G
w/ pick
12 12 12 12 12 10 10 10 10 10
12 12 12 12 12 10 10 10 10 10
12 12 12 12 12 10 10 10 10 10 10 12

Gtr. 1: w/ Riff E
G6 Dm
End Voc. Fig. 1

5k
 B: 5
G B: 4
Ah.)

Bridge
Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 1: w/ Riff E
G6 Dm

5k 5 5 3

G 5k 5
5
3 3
 5 5 5 5 5 5 5 5 5 4

Babe, I know love is a fun - ny thing,

5k 5
G6 Dm
 5 
G 5k 5
 5 5 5 5 5 5 5 5 4

born to die in the e - ter - nal spring.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5
Gtr. 1

G
12 12 12 12 12 10 10 10 10 10
12 12 12 12 12 10 10 10 10 10
12 12 12 12 12 10 10 10 10 10 10

8
Verse
Gtr. 1: w/ Riff B (last 8 meas.)
Am D C F

G 3 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5k 5 5
5

^
^
3. Your flick - er - ing is more than just a small flame. Wel - come to the par - ty, it’s a ball game.

G C F G

G 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 !5 5 5 5 5 5 5

^
Pick up the stick, it’s time to get hit with, ay - o, ay - o, ay - o, ay - o, my bat.

Am D C F

G = 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5k 5 5

^
^
Su - i - cide is nev - er gon - na save you. When I cried, it was be - cause I came too.

G C F G
5 5
G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
You are the one I want to know right now. Ay - o, ay - o, ay - o, ay - o, kiss this.

1. 2.
Interlude
Am C G F C G F
< < loco
G :: :: 4
*Gtr. 5 (dist.) 8va
3 6
0 0 = 32 2 22 22 22 22 22 22 22 22
2 2
mf 3

: :
fdbk.

: :
0
X X X X X X X X X X
X X X X X X X X X X

*Two gtrs. arr. for one.

Outro
Am C G F

555 555 555 555 555555555555


Riff F End Riff F

555 555 555 555 555552 2 55555


G 6 6 6 6 6 6 6 6

17 17 17 17 17 17 17 17 17 17 17 17 15 15 15
17 17 17 15 15 15 17 17 17
14 14 14 14 14 14 14 14 14 14 14 14 16 16 16 17 17 X X 12 12 14 14 14

555 555 555 555 555555


Am C G F
555555555552
5k 555 555 555 555 555555

G 6 6 6 6 6 6 6 6

17 17 17 17 17 17 17 17 17 17 17 17 15 15 15
17 17 17 15 15 15 17 17 17
12 14 14 14 14 14 14 14 14 14 14 14 14 16 16 16 17 17 X 12 12 12 14 14 14

9
Gtr. 5: w/ Riff F (5 times)
μ
*Gtr. 6 (dist.)

0 ? 4 4 3 $
3
G 55
mf
*w/ octaver

0
0
*Bass arr. for gtr. *Set for one octave below.

Am C G F
Riff G End Riff G

22 22 22 55 55 55 22 22 22 55 55 55 22 22 22 55 55 55 22 22 22 55 55 55 22 22 22 55 55 55 22 22 22 55 55 55 22 22 22 55 55 55 55 55 55 55 55 55
Gtr. 1 8va

G 555
6 6 6 6 6 6 6
w/ pick 6

X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 15 15 15 X X X 15 15 15 X X X 15 15 15 15 15 15 17 17 17
X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 X X X 17 17 17 17 17 17 17 17 17
17 17 17

Riff G1 End Riff G1


Gtr. 6
6
G
6 6

555555555555555555555555 555555555555555555555555
6 6 6 6 6

3 3 5 7 7 7 7 5 3 3 3 3 3 3 0 2 2 2 2 2 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 1 1 1 3 3 3

Gtr. 1: w/ Riff G (3 times)


Am C G F
Gtr. 6
6
G
6 6
55555 55555 555555
555555555555555555555555
6 6 6 6 6

5 5 555555

3 3 5 7 7 7 7 7 0 3 3 3 3 3 0 2 2 2 2 2 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3

Gtr. 6: w/ Riff G1 (1 1/2 times)


Am C G F Am

G 0 0 0

C G F A5 μ
Gtr. 6

4 ?
6
G 5 5 5 5 5 5 5 5 5 5 5 6 6 6

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

7 7 7 7 5 3 3 3 3 3 3 0 2 2 2 2 2 2
1 1 1 3 3 3 5 5

10
from Red Hot Chili Peppers - The Getaway

The Hunter
Words and Music by Anthony Kiedis, Flea, Chad Smith, Josh Klinghoffer and Brian Burton

Intro 3
Very Slow q. = 37 # # = # #  FF FF
FF 
5 5
*μ Bbm Bbm7/Ab Eb F Bbm Bbm7/Ab Eb F
B: 5:
   5: 5 5 5 5: 5: 5 5 5 5
Gtr. 1 (clean)

G     
mf
w/ reverb & **delay
18 18

£
6 6 6 6 18 6 6

*Chord symbols reflect overall harmony.


**Boss DD-6 on warp setting.

Verse
Bbm Bbm7/Ab Eb F Bbm Bbm7/Ab
5k 5 5k 5 5k 5 5k 5 5k 5 5k 5 5k 5 5k 5 5k 5
G    :: 4:
        
 5 5 5 5 5 = 5 5
1. Woke up this morn - ing like I al - ways do. Still like to think that 3 I’m
still like to laugh when I make a joke. I still like to think that there’s

²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
B: B:
G   :: 4: =:
 5 5

²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
:
:
18 6 6 18

4: 4:
Eb F Gb Gbmaj7/F Eb Db Eb

5k 5
 5 5 5: 5 5 
5 5
G    5 = = 
new. Time just gets its way;
hope. Time just has its say;

5: 5 5 5: 5 5 5k
 B:

G   0

14 13
16 14 14 16

© 2016 WAGGING DOG TAIL MUSIC, EARL GREY SONGS and SWEET SCIENCE
All Rights for WAGGING DOG TAIL MUSIC and EARL GREY SONGS Administered by KBSK MUSIC
All Rights for SWEET SCIENCE Administered Worldwide by KOBALT SONGS MUSIC PUBLISHING
All Rights Reserved Used by Permission 1
Gb Gbmaj7/F Eb Db Bbm Bbm7/Ab Eb F

5k 5 5k 5 : 5 5 5 5:
  $
G    5k 5

5 5 5 5 
5 5 5 5 = 4 3 5
straw - ber - ries left to de - cay. 2. I

5: 5:
straw - ber - ries left to de - cay.

5 5 5 5 B:

G   4: =: 5 5

14 13
16 14 14 11 6 6

Verse

5k 5 5k 5 5k 5 5k 5 5k 5 5k 5
4:
Bbm Bbm7/Ab Eb F Gb Gbmaj7/F Eb Db

     
5 5 5 5: 5 5 5 5 5
G   =
can’t find my pants or my bank ac - count. Don’t you slip a -

5:
4. Struck by the sight of an emp - ty hall. Don’t you fade a -

B: 5 5 5: 5 5
Riff A


G   0

14 13
18 16 14

Eb Gb Gbmaj7/F Eb Db Bbm

  5k 5 5 5 4: 5k 5 5k 5 5k 5 :

G  
 5 5 5 5 
5 5 5 5 = =
way. Voic - es that start to be - tray.

B: 5: 5:
way. Voic - es that start to be - tray.

5k 5 5

5 5 5: 5 3 5 5
End Riff A

G  
14 13
14 16 16 14 14 11 11 6 6

Chorus
Bb Ab Eb Bb Ab

  ! 5̄ ¯5 5̄ ¯5 5̄ ¯5 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ : ¯5 5̄ ¯5 5̄ ¯5 5k 5̄ 5k 5̄

¯ ¯ ¯ ¯ ¯ ¯ ¯¯
5̄ ! 5̄ 5̄ 
G   ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ 5¯ = 4 ¯ ¯ ¯
¯
E - ven though you raised me, I will nev - er be your fa - ther. King of each and ev - ’ry Sun - set Mar -

5 5 5 5 5k 5:
5
Riff B
5 5  5: 5: 5 5 5 5
 5 5
G  
*w/ delay
16 16
18 18 18 16 16 18 6 6 18 18 16

*Set for eighth-note regeneration w/ 15 repeats.

2
Eb Bb Ab Eb

 5̄ = 4: ! 5̄ ¯5 5̄ ¯5 5̄ ¯5 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 4:
G  ¯
 = ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ 5¯ =
¯
quis. E - ven though you’re cra - zy, you will nev - er be a both - er;

5k 5: 5: 5 5 5 5 5 5k 5: 5
 
5 5
End Riff B

5 5
 5 5
G  

16
16 18 6 6 18 18 18 16 16 18 14 13

1. 2.

3 5 ::

Gb F7 F7
 5 5k 5 5 5 $
5k 5:
4

5 5 5:  5
G   4
4: = 5
you’re my Old Man in the Sea. 3. I Sea.
(Oo.

5k 5:
 5: 5: 5: 5: 5 5 8va5

G  
5 5 ::
delay off

:
:
18
13 14 16 13 6 6 13

Interlude
Bbm Eb Bbm Eb Bbm Eb Bbm Eb

 B:
0 05 0 0
G   5
5
5 5 B: 5
=
5 5 5


oo, oo.)

B: B: B: B:
8va
Gtr. 1

G  

18 18

4: =:
55 !55 55
Gtr. 2 (clean)

G   0 0 0
mf
*w/ delay

6 5 6
6 5 6

*Delay set for eighth-note regeneration w/ 12 repeats.

3
Verse
Gtr. 2 tacet
Bbm Bbm7/Ab Eb F Bbm Bbm7/Ab Eb F

3 = 4: 5 5: = 4:
4 3
 B: $ 5 5 = 5 5k 5 5 5 $5 5 5 5k 5
G   5 4 3 5
5. The hunt - er gets hunt - ed. We all get con-front - ed.

BB ::: BB ::: BB ::: BB :::


Gtr. 1

G   BB: BB: BB: BB:

6 6
6 6
8 8
8 8

  BB ::
Gtr. 2

G   0 0 0

6
6

Gtr. 1: w/ Riff A
Gb Gbmaj7/F Eb Db Eb Gb Gbmaj7/F Eb Db Bbm

 5 5k 5 4: 5 5k 5 5 5 5 5k 5 :
5 5 
= 5 5k 5
5 5
G   5 5 5 5 = =
 


Don’t just slip a - way. Voic - es that start to be - tray.

Chorus
Bb Ab Eb Bb Ab

  ! 5̄ ¯5 5̄ ¯5 5̄ ¯5 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
4: ! 5̄ ¯5 5̄ ¯5 5̄ ¯5 5 ¯
k 5̄ 5̄ 5k 5̄

G   ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ 5¯ = ¯ ¯ ¯ ¯ ¯ ¯¯ ¯ ¯ ¯
¯
E - ven though you raised me, I will nev - er be your fa - ther. King of each and ev - ’ry Sun - set Mar -

Eb Bb Ab Eb

 5 4: ! 5̄ ¯5 5̄ ¯5 5̄ ¯5 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
4:
G   ¯ = ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ 5¯ =
¯
quis. E - ven though you’re cra - zy, you will nev - er be a both - er;

5k 5

Gb F7
  k 5 5 5  5 5 5k 5:
 5
G   5 = 0
you’re my Old Man in the Sea.

Gtr. 1
5k 5:
 5 5 5 B: B:


G  

13 14 16 18 13

4
from Red Hot Chili Peppers - The Getaway

The Longest Wave


Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer
Intro
Moderately slow q = 75
* Eb Gm Bbmaj7 Eb

5 5 5 5 5 5 5 5 55 5 k 55 55 5 5 55 5
5 5 5 5 5
Gtr. 1 (clean)

 5 5 5 5
G  5 5 5 5 55 55 5 5 5
5
3
mf
let ring throughout
**T
3 5 6 5

£
3 4 4 8 6 8
3 7 7 7 7 8 8 8 10 8 8
5 5 5 5 0 7 7 8 8 8 10 8
6 X 6 6 8 10
6 6 6
*Chord symbols reflect basic harmony. **T=Thumb on 6th string

Bb Gm Cm Bb

5 5 5 5 5 5 5 5
5 5
3
 5 B
5 5 5 55 5 5 5 5 5 5 5 2  5  5
GGGGGGG
G 5 =
5 5:
5
w/ pick & fingers
T
11 11 10
GGGGGGG

6 11 X 13 13 11
7 8 7 8 7 12 12 12 10
8 8 10 12 12 10 10 8
8 10 X
6 10 3

Verse
Eb Db Eb Db

5k 5
 
G 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 =
5
1. Throw me all a - round like a boom - er - ang sky. What - ev - er you do, don’t tell me why.

5 5 5 5 5 5 5
 
G  5 5 5

5 5 5 5

5 5
4 6 4
8 6 8 6

6 6 4 4 6 6 4 4 6

5: =:
Eb Db Gm F

G 5 5 5 5 5 5k 5

5 5 3 5 5k 5 5 5k !5 5 = $
5
^

Pop - pies grow tall then say bye - bye. The wave is here. 2. A

5 5 5 5 !5 5 5
 5
G 5 5k

5
=  5: 5 5 5 5 5 5
6
8 6 11 10
10 10
12
6 6 4 4 10 10 8 8 2 6

© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS


All Rights Administered by KBSK MUSIC
All Rights Reserved Used by Permission 1
Verse
Eb Db Eb Db

5k 5 5k 5
  
G 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 3
5
5
seam - less lit - tle team and then we tanked. I guess we’re not so sac - ro - sanct. The


5 5 5 5 5 5 5 5
5 5 5
5 5 5:
G 
5 5 5 5 5
6 4 6 8
8 8 6 6 8 8 8 6
8
6 4 6 4 6

5:
Eb Db Gm F

G 5 5 5 5 5 5k 5

5 5 = 5 5k 5
 5 5k !5 5 = 4

^
tip of my tongue, but then we blanked. The wave is here,

 5 5 5 5 5
5 !5
3 5  5
G 5 5 5 5: 5 5 5 !5
6 4
8 6 11 10
10
12
6 6 4 4 10 10 8 8 5

Interlude
Dm Eb Bb Eb Db

G 5 5 5 5 5 5 5 5 5
5k
5 5

= 4 ?
wait - ing on the wind to tell my side.

5:
5 5  5 5 5
 5 5  5 5 5:
G  =
5 5 5: 5 5 5
*w/ delay
5 6 4
6 8 8 6 4
7 7
6 6 6 4
6 6
*Set for dotted sixteenth-note regeneration w/ 1 repeat.

Verse

Eb Db Eb Db

 
G 0 5 5 5 5 5 5 5 5 5 5 =
3. Read - y, set, jet, but she nev - er gets far.


5 5 5 5 5 5: 5
 5 5 5 5
5M
G  
5k 5 5 5 5k 5


delay off

6 8 6 4 6
8 8 6 8 6 4

4 6 6 4 4 6

2
Eb Db Eb Db


G 5 5 5 5 5 5 5 5 5 5k 5 5 5 5k 5
 5 5 5 5 5k 5

5 5 5 5k 5
Lis - ten to your skin from the seat of my car. Two cen - ti - pedes stuck in one glass jar. The long -

5 5 3 5 5 5
 3 5 5 5 5  5 5
G 3 3
5 5k
 5 5 5 5: 5

6 8 6 4
8 8 6 4 6 8 6

4 4 6 6 4 4 10

G 5:
Gm F Dm Eb Bb
 5 5k !5 
= 4 5 5
5k
5 5 5 5 5 5 5 5 5
^

- est wave, wait - ing on the wind to tell my side.

5 !5 5 5 5 5  
 5 5 5 5
G 3 5 5 5 5 !5  5 = =
 5 5
let ring µ
5
11 10 6 8
10 7 7
12 12
8 8 5 6
6 6

Pre-Chorus
Cm Bb Cm Bb
 5 5
G  5 = 5 5 B 4 5 5 B
What - cha want? What - cha need?

 
Rhy. Fig. 1

 5 5 5 5 5 5 5 5
G  5: 5 5 = 5 =
5 5 3 2 5 5
w/ pick & finger
3
4 3 4 6 4 3
5 3 3
3 1 X 3 1

Cm Bb


G 4 5 5 5 5
 5:  5 4  
Do you love?


End Rhy. Fig. 1

 5 5:  55 55  
G 5 2
5 B 5 5 5 5 2

4
5 3
3 3 X
3 1 1 1 1 1 X

3
C Chorus
Gtr. 1 tacet
Ab Eb Bbm Eb Fm
 
G   5 5 5 5 5 5 5 5 5 5 5

= 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5
May - be I’m the right one, may - be I’m the wrong. Just an - oth - er play, the pi - rate and the pap - il - lon.

²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²


Riff A End Riff A
5 5 5 5
Gtr. 2

5 5 5k 5
5
5 5
(slight dist.)
 
G  
5
5 5 5k B
mf

²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²


w/ heavy reverb
1 1

11 11 11
10 10 8 8 10
8 8 8 10

Rhy. Fig. 2 End Rhy. Fig. 2

55 55 22 22 55 55 22 22 55 55 5 55 22 22
55 3 555 3 55
Gtr. 1

G    55
5
55
5
22
2
22
2 55 55 22 22 55
5 5 5 5 55 22 22
5 5 2 2 5 5
w/ pick

4 4 X X 6 6
4 4 X X 8 8 X X 6 6 8 9 9 X X
5 5 X X 8 8 X X 6 6 8 10 10 X X
6 6 X X 8 8 X X 8 8 8 10 10 X X
6 6 X X 6 6 X X 8 8 6 8 8 X X
4 4 X X 6 6

B:
Ab Eb Bbm

5k 5 5k 5
 5
G   5
 
= 5 5 5 4
Time to call it a day.

Fill 1 End Fill 1

5k
  5 5 5 5 5 5 5 5 5 5
G  5 5 5 5 5 5 5
5 5 5 5
1 1

8
6 8 8 10 8 8 8 10 8 6 8 6
6 8 8 6 6

55 :::
Rhy. Fill 1 End Rhy. Fill 1

55 55 55 55 55 55 55 55 22 22
 55 55 22 22 55 55 22 22 55 :
5:
55 55 22 22 5 55 55 55 55 55 55 55 55 22 22
G  5 5 2 2 5
5
5
2 2
2 2 5 5 5 5 5 5 5 5 2 2
5 5 2 2 5 5: 5 5 5 5 5 5 5 2 2
4 4 X X 6 6 6 6 6 6 6 6 6 X X
4 4 X X 8 8 X X 6 6 6 6 6 6 6 6 6 X X
5 5 X X 8 8 X X 6 6 6 6 6 6 6 6 6 X X
6 6 X X 8 8 X X 8 8 8 8 8 8 8 8 8 X X
6 6 X X 6 6 X X 8 8 8 8 8 8 8 8 8 X X
4 4 X X 6 6 6 6 6 6 6 6 6 X X

To Coda ;
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 2: w/ Riff A
Ab Eb Bbm Eb Fm

G   5 5 5 5 5 5 5 5 5 5 5

= 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
May - be you’re my last love, may - be you’re my first. Just an - oth - er way to play in - side the u - ni - verse.

4
B:
Ab Eb Bb

5k 5 5k 5
 5 
G   5
 
= 5 5 5 4
Now I know why we came.

Gtr. 2

5k
 5 
G   5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5
1 1

8
6 8 8 10 8 8 8 10 8 6 8 6
6 8 8 6 6

55 ::
Rhy. Fig. 3 End Rhy. Fig. 3

55 ::
55 55 22 22 55 55 22 22 5 55 55 55 55 55 55 55
!555
Gtr. 1
 
55::
555 555 222 222 55 55 55 55 55 55 55 3
G  55 55 22 22 55 55 55 55 55 55 55 55
5 5 2 2

4 4 X X 6 6 6 6 6 6 6 6 6
4 4 X X 8 8 X X 6 6 6 6 6 6 6 6 6
5 5 X X 8 8 X X 7 7 7 7 7 7 7 7 7
6 6 X X 8 8 X X 8 8 8 8 8 8 8 8 8
6 6 X X 6 6 X X 8 8 8 8 8 8 8 8 8
4 4 X X 6 6 6 6 6 6 6 6 6

Verse
Gtr. 2 tacet
Eb Db Eb Db


G 5 5 5 5 5 5 5 5 5k 5 5 5: 3 5k 5
 5 5 5 5 5 5k 5

5 =
4. Ster - ile as the bar - rel of an old twelve gauge. Un - der my skin and half my age.

Gtr. 2

G B ? 0

Gtr. 1
5 5 5 5 5 5 5 5 3 5 5 5 5

G 5 5 5 5 5
GGGGGGG

5 5 5 5 5 5 5 5

w/ pick & fingers

6 4 6
8 6 8 8 6 4 6 6
GGGGGGG

6 6 6 4 4 4 4 6 6 4 4 6

5
5̄ ::
Eb Db Gm F
k

G  5k 5 5 5 5 5 5 5 5k 5 5 5 = 5̄ 5̄ 5̄ 5̄ 5̄k !5̄ 5̄ 4

^^
Hot - ter than the wax on a sax - i - frage. The long - est wave,

5
 5 5 5 5 5
5:
5 5
Gtr. 1

5
5 :
G  5 5 5 5 !5
5 5 5

6 8
8 8 6 11 10
10
12
6 6 6 4 10 10 8 8 8 5

Interlude
Dm Eb Bb Eb Db

G  5̄ 5̄ 5̄ 5̄ 5̄ 5k 5̄ 5̄ 5̄ 5̄ = 4 ?

5̄ 5̄ 5̄ 
wait - ing on the wind to turn my page.


5:
 5 5 5  5 5 5 5 5
5 
G 5 =
5 5 5: 5 5 5 5 5
w/ delay

5 6 4
6 8 8 6
7 7
5 6 6 6 4 4 6
6 6

Verse
Eb Db Eb Db

G 0 5 5 5 5 5 5 5 5 5 5 =
5
5. Stead - y your sails for the but - ter - fly flap. What -

 5 5 5 5 5 5 5 5
 5 5 5 5 5 5 5
G 5 5k
 5
3
5 5
delay off
6 8 4 6 4
8 8 6 8 8 6 6 6

6 4 6 4 6

Eb Db Eb Db

5k 5 5 5 5 5 5 5 5 5k 5

5k 5

G 5 5 5 5 5 5 5 =  5 5 3 5̄
5
ev - er you do, don’t close that gap. I’m dream - ing of a wom - an, but she’s just my nap. Your

5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5
 5 5
G
3
5k
 5 5 : 5

6 6 8 6 6 8
8 8 6 6 8 8 6
8
4 6 4 10

6
 k :
G  5̄ 5̄ :
Gm F Dm Eb Bb

5̄ 5̄k !5̄ k
5̄ 4 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄

^^
ship is in, wait - ing on the tide so I can swim.

5:
5 5 5 5 5 5 
 5 5
G 3 5  =
5:
5 5 5 !5 5 5
5
5
11 10 6 8
10 7 7
12
10 8 8 8 5 6 3
6 6

Pre-Chorus D.S. al Coda


Gtr. 1: w/ Rhy. Fig. 1

5̄ 5̄ :
Cm Bb Cm Bb Cm Bb

° °
5̄ 5̄  5̄ :
 5̄ 5̄  5̄ 
G  5̄ = 5̄ 5̄ B 4 5̄ 5̄ B 4 4
What - cha want? What - cha need? Do you love?

; Coda
Gtr. 1: w/ Rhy. Fill 1
Gtr. 2: w/ Fill 1

¯ ¯ ¯
 5 ¯ 5 ¯ 5 ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯
Bbm Eb Fm Ab Eb

¯
 k
¯k

5k 5̄

5 5 5 5 5 5 5 5 5 5 5̄ 5̄


G  5 5 5 = 5 5̄ 5̄

Just an - oth - er way to play in - side the u - ni - verse. Now I know why we came.

¯k ¯ ¯ ¯k ¯ ¯ ¯ ¯ °
Bbm Eb Fm Cm Db Fm Eb Db

 °: °
 

G   B : 4 4 55 5 55 5 5 5 B B
Now I know why we came.

Gtr. 2
 ²²²²²²²²²²²²² ²²²²²²²²² ²²²²²²²² ²²²²²²²²²²²²²²²²²²²²
G  5 5 5 5 5 5 5 5 5 5 3
5 5: 55 5 5 5 5 5 5 5 5 5 5 B
1
²²²²²²²²²²²²² 1
²²²²²²²²² ²²²²²²²² ²²²²²²²²²²²²²²²²²²²²
8 8 10 8 6 8 6
8 6 6 4 4 4 3 3 4 3 1 1 1 3 1
4

55 55 55 5 55 22 22 55 55 55 22 22 55 55 22 22
55 55 22 22 55 55 22 22 55 55 22 22
Gtr. 1
 55 55 55 3 55 3 5 2 2 55 5 5 2 2
G  55 55 55 5 5 2 2 55 55 55 22 22 5 5 2 2 5
5
5
5
2
2
2
2 55 55 22 22

6 6 6 8 9 9 X X
6 6 6 8 9 X X 8 9 9 X X 9 9 X X 8 8 X X 6 6 X X
6 6 6 8 10 X X 8 10 10 X X 10 10 X X 8 8 X X 6 6 X X
8 8 8 8 10 X X 10 11 11 X X 10 10 X X 8 8 X X 6 6 X X
8 8 8 6 8 X X 10 11 11 X X 8 8 X X 6 6 X X 4 4 X X
6 6 6 8 9 9 X X

7
Gtr. 1: w/ Rhy. Fig. 3

Ab Eb Bb

 5 5k !5 
G  = 5 4 ?

5 5 5 5
Now I know.

5:
Gtr. 2

5k
 5 5 
G   5 5 5 5
 5
5 5 5 5 5 5 5 5 5 5 5
1 1

8 8 8
6 8 8 10 8 8 8 10 8 6 8
6 8 8

Outro
Gtr. 2 tacet

5:
Eb Gm Bbmaj7 Eb

3 555 :::
5 5 5 5
5 5 5 5 5 5 5 5 5 5
Gtr. 1

 5 5 55 k 55
G 5 5 5 5 5 5 5 5 5 5
5 5:
T
3 5 6 5
3 4 4 8 6 8
3 7 7 7 7 8 8 8
5 5 5 5 0 7 7 8 8 8
6 6 8 10 10 8
6 6

Gtr. 2
 B
G ? 0

Bb Gm Cm Bb

5 5 5 5 5 5 5 5: 
B
5 5
Gtr. 1 3
 5 5
5 5 5 5 5 5 5 5 5 5 3  5   5
GGGGGGG

G =

5
rit.
w/ pick & fingers
T
11 11 10
GGGGGGG

11 11 X 13 11
7 8 7 8 7 12 12 12
8 8 10 12 12 10 8
8 10
6

8
from Red Hot Chili Peppers - The Getaway

Sick Love
Words and Music by Anthony Kiedis, Flea, Chad Smith, Josh Klinghoffer, Elton John and Bernie Taupin

Intro
Slow q = 74

22 22 55M E E 55k 55 ::: 55 22 !555 555 555 555 555 555


**Am7 D Gmaj7 Cmaj7

E k 5 5
*Gtr. 1 (slight dist.)

5 2 2 5 2 2 5E 5 5 5 2
(Drums)

0 = 5 22 55 3 5 5
G  5 5 2 5 5 5 22 22 5 5
mf

X X 7 6 7 7 X 7 7 10 7 7 7

£
X X 7 6 7 7 X 8 8 8 8 8 8
X 5 7 X X7 9 7 7 X X 7 6 7 7 X 9 9 9 9 9 9
5 X 5 7 X X7 7 9
5 7 X 7 9 X X
*Pickup selector set to neck pickup.
**Chord symbols reflect implied harmony.

Am7 D Em

5 5 5 5 5 5 5 5 5
E 5 5 2 2 5k 5 5 52 3 5 5 5 5
G !222 222 55 5 222 !55 222 5 5 5 22 22 2
5 let ring µ
***w/ vibrato

7 7 7
5 8 8 8
X X X 5 X 7 X X 7 9 7 9 9 9 9 9
X X 5 X 5 X 7 X X X X
X X 5 7 X X 7 9 X X
0
***Boss VB-2, set for latch mode

C Verse
2nd time, Gtr. 2 tacet
Am7 D Gmaj7 Cmaj7

E 5 5 5 5 5 5 5 5 5 5 5 5 5k 5 5 5 5 !5 5 !5 5 5 !5 5 !5 5 5 5
G = 5
1. Say good - bye to Oz and ev - ’ry - thing you own. Cal - i - for - ’na dream - in’ is a Pet - ti - bon.
3. Peo - ple talk and tell you what you wan - na hear. Do you real - ly need an - oth - er sou - ve - nir?

22M 55M E 5k 55 :: 55 22 22 55 55 55 55 55 55
5:

E 55 22 22 5k 55 55 5 555
Gtr. 1

2 55 3 2 5 E E 55 5 2 2 !5 5 5 5 5 5
G = 55 5 22 5 5 5 2 2
vibrato
off
X 7 6 7 7 X X 7 7 10 7 7 7
5 7 X 7 6 7 7 X X 8 8 8 8 8 8
X 5 7 X X 7 9 7 7 X 7 6 7 7 X X 9 9 9 9 9 9
5 X 5 7 X X 7 7 9 7
5 7 X 7 9 X X

© 2016 WAGGING DOG TAIL MUSIC, EARL GREY SONGS, HST PUBLISHING LTD. and COW DOG MUSIC, INC.
All Rights for WAGGING DOG TAIL MUSIC and EARL GREY SONGS Administered by KBSK MUSIC
All Rights for HST PUBLISHING LTD. and COW DOG MUSIC, INC. in the U.S. and Canada
Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC.
All Rights Reserved Used by Permission 1
2nd time, Gtr. 1: w/ Rhy. Fill 1

5 =: B:
Am7 D Em

G
E $ 5 5 3 5 5 5 5 5 3 5k 5 4
L. - A.’s scream - in’, “Your my home.”
Su - per he - roes tend to dis - ap - pear.
5 5 5 5 5 5:
E 5 2 2 5k 5 5 5
G = 55 5 !222 !55 222 5 5 5 22 22 5 5 5 5
µ
5 5
let ring
vibrato on
7 7
8 8
X 5 X 7 X X 7 9 7
5 X 5 X 7 X X 7 7 9 9
5 7 X X 7 9 X X
0 0

Am7 D Gmaj7 Cmaj7


E
G =
5 5 5 5 5 5 5 5 5 5 5 5 5k 5 5 = 5 5 5 5 5 5 5 5 5 5 5 5 5
Va - ni - ty is blast - ed, but it’s rare - ly fair. I could smell the Pro - zac in your pret - ty hair.

22 22 55M E 5k 55 ::: 5
Fame is just a trick, you see an emp - ty glass. Leave you feel - ing thirs - ty and so ver - y fast.

E
 55 22 !555 555 55 555 555 555
G 222 2 55 2 55 22 22 55 55 5 55 2 2 5 E
E 5 5 5 5 2
5 5 22 5 22 5 5 2 2
vibrato off
X X 7 6 7 7 X 7 7 10 7 7 7
X X 7 6 7 7 X 8 8 8 8 8 8
X X 5 X 7 X X 9 7 7 X X 7 6 7 7 X 9 9 9 9 9 9
X X 5 X 7 X X 7 7 9 7
X 5 7 X X 7 9 X X

2nd time, Gtr. 1: w/ Rhy. Fill 2

5 5 5 3 5k 5 5k 5 B:
Am7 D Em
E 5 5 5 5 5 5 5 
G = 4
Got a lot of friends, but is an - y - one there?

5 5 5 5 5 5
Chase your tail, my ba - by, it - ’ll be your last.
E 5 2 2 5 5 5 5 5 5
G !222 222 55 2 !5 2
5 22 5 22 5 5 5 22 22 5 5 2 3
5 µ
vibrato on
let ring
7 7
8 8 8
X X X 5 X 7 X X 9 7 9 9 9
X X 5 X 5 X 7 X X 7 7 X
X X 5 7 X X 7 9 X X
0

Rhy. Fill 1

E
Gtr. 1
5 5 5 5 5 5 5 5 5
5 22 22 5 2 5 5 5 3 55 55 55 5 5 5 55 3
G
5 2 2 5 5 22 5 5 5 5 5
5 5
µvibrato let ring µ
3
let ring
vibrato on off
7 7 7
8 8 8
9 X X X 5 5 7 7 7 7 9 7 7
X X 5 X 5 5 7 7 7 7 9 7
X X 5 7 X 7 9
0 0 7

Rhy. Fill 2

E 5 2 2 2 5M 5 55 55 5 5 5 5 5 5 5 5
Gtr. 1

G 222 222 55 5 222 !55 222 5 5 5 2 2 2 5 5 5



µ
3 5 5
let ring
vibrato on
7 7 7
8 8 8 8
X X X 5 X 7 X X X 9 7 9
X X 5 X 5 X 7 X X X 7 7 9
X X 5 7 X X 7 9
0 0

2
Pre-Chorus
Gtr. 1 tacet

¯k ¯
G Am D G D/F#

=:

¯ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄
E $
G 4 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5̄ 5 5̄ 5̄
5

²²²²²²²²²²²²²
I don’t know, but it’s been said, your heart is strong - er than your head,

5 5 5 5 5 5 5 5 5 5 5 3 5
E 5 5 5 5 55 55 5 5 5 5 5 5 3 5 5 5
*Gtr. 2 (clean)

5 5
G = =

µ µ
²²²²²²²²²²²²²
mf
w/ pick & fingers let ring
let ring
let ring

12 12 12 12 10 10 10 10 12 12 12 12 10 8
11
12 12 12 12 10 10 10 12 12 12 12 12

*Two gtrs. arr. for one.


T o Coda ;

¯k :
C D Em

E ¯ :
3 ¯ 5̄ ¯k
5 5̄ :

5̄ 5̄ 5̄ 5̄ 5̄ :

G 5̄ 5 5̄ 5̄ 5̄ 5̄
5
- / this
and lo - ca - tion is my home.

5 5 5 5 5 5 5 5 5
E 5 5 5 5
5 5 5 5 5 5 5 5 3 55 55 5 5 5
G 5
GGGG

let ring µ let ring µ let ring µ


chorus on
7 7 7
8 8 10 8 8 8 8
9 9 9 9 11 11 7 9 9 9
GGGGG

10 12 7 9
7

Verse
Gtr. 2 tacet
Am7 D Gmaj7 Cmaj7
E 5 5 5 5 5 5 5 5 5 5 5 5k 5

G = 5 5 5 5 !5 5 !5 3 5 5 5 5 5 5
5
2. Stick ’n’ move, you’re liv - ing in a quick world. Got a heav - y laugh for such a ti - ny girl.

55M E 5k 55 :: 5 5 5 5
55 22 22 5k 55 55:: 5 E E 55 5 :
E
Gtr. 1
55 22 22 55 55 55 55 55
55 5 2 2 !5
G = 55 55 222 55 22
2 5 5 2 2 5
chorus 3
off
7 6 7 7 X X 7 10 7 7 7
7 6 7 7 X X 8 8 8 8 8
X 5 X 7 X X 7 9 7 7 7 6 7 7 X X 9 9 9 9 9
5 7 X 5 X 7 X X 7 7 9 9
5 7 X X 7 9 X X

B:
Am7 D Em
E 5k 5 5k 5

5 5 3 5 5 5 5 
G 4 4
Born in - to it, that’s for sure.

5 5 5 5 5 5 5 5 5 5 5
E 5 5 5 22 22 555 55 5 55 55 55 55 55
G !222 55 5 222 !55 222 222 5 5 5M 5 5
µ
5
let ring
vibrato on
7 7 7 7 7 7 7
8 8 8 8 8 8 8 8 8
X X 5 X X 7 9 7 X X 9 9 9 9 9 9 9 9
X 5 X 5 X X 7 7 7 X X 9 9
X 5 7 X X X 7 9
0

3
Chorus
Gtr. 1 tacet

¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5
Am D G C
E ¯5
G 5¯ 5¯ 5¯ =
Riv - ers get con - nect - ed, so much strong - er than ex - pect - ed. Well,

5 5 5 5
E 5 5 3 5 5 55 55 55 55 5 5 55 55M 55 55 3 55 55 55 55 5 5 5 5 5 5M
Rhy. Fig. 1
Gtr. 2

= 5 5 5 5 =
G  
let ring µ let ring µ
10 10 8 8
13 13 13 13 12 12 10 10 10 10 12 12 12 12 10 10 8 8 8 8
14 14 14 14 12 12 11 11 11 11 12 12 12 12 11 11 9 9 9 9

Am D Em

G ¯5
E ¯5 ¯5 ¯5 ¯5 5¯ 5¯
k
5¯  5¯ !5¯ ¯5 :: 5¯ 5¯ 5¯ 5¯ 5¯ =
sick love comes to wash us a - way.

5 5 5 5 5 5 5 55M
End Rhy. Fig. 1

E 5 5 3 5 5 55 55 55 55 5 5 5 5 55 55 5 5 5 5 5 5M
5 5
 = 55 5 5 5 5 5 5 5 5 5 5
G
5
let ring µ let ring µ
10 10 10 7 7
13 13 13 13 12 12 10 10 10 10 8 8 8 8 8 8 8 8 8 8
14 14 14 14 12 12 11 11 11 11 9 9 9 9 9 9 9 9 9 9

Gtr. 2: w/ Rhy. Fig. 1 (1st 2 meas.)

¯5 ¯5 ¯5 ¯5
Am D G C

¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5
G ¯5
E =
5¯ 5¯ 5¯
Pris - ons of per - spec - tive, how your vis - ion gets cor - rect - ed and

D.S. al Coda

¯5
G ¯5 ¯5 ¯5 ¯5
Am D Em
E   
5¯ 5¯ 5¯ 5¯ = 4 
5¯ 5¯
sick love is my mod - ern cli - ché.

5 55 55 55 55 55 5 5 55M
E 5 3 55 55 55
Gtr. 2

 4 =  
Gtr. 1

G  = !5 
let ring µ Gtr. 2 5
divisi 
= 4
10 10
13 13 13 13 12 12 10 10 10 10
14 14 14 14 12 12 11 11 11 11

0 13

; Coda
Chorus
Gtr. 2: w/ Rhy. Fig. 1 (1 1/2 times)

¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5
G ¯5
Am D G C
E =
5¯ 5¯ 5¯
Riv - ers get con - nect - ed, so much strong - er than ex - pect - ed. Well,

4
¯5
Am D Em

G ¯5 ¯5 ¯5 ¯5 ¯5 ::
E 5¯  5¯k

!5¯ 5¯ 5¯ =
5¯ 5¯ 5¯ 5¯ 5¯
sick love comes to wash us a - way.

¯5 ¯5 ¯5 ¯5
Am D G C

¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5
G ¯5
E
5¯ 5¯ 5¯ =
Pris - ons of per - spec - tive, how your vis - ion gets cor - rect - ed and

Am D Em μ

G ¯5
E ¯5 ¯5 ¯5 ¯5 5¯ 5¯ 5¯ 5¯ 5¯ 4 ?

sick love is my mod - ern cli - ché.

=:
f
4
5k
5 55 55 55 55 55 5 5 55M 55 55 
Gtr. 3 8va

E 5 3 55 55 55
Gtr. 2 (dist.)

3 5 5 $

GGGGG
G  4 5 B
= ?
µ
Gtr. 2
divisi
let ring

10 10 17 0
13 13 13 13 12 12 10 10 10 10 12

GGGGG
14 14 14 14 12 12 11 11 11 11 9
9

Synth Solo
Gtr. 2 tacet

²²²²²²²²
C D Em G

5 5:
5 5: 5k
 5 5 5 5 5
8va loco

E5 5 5 5 5 5 5 5 5 5 5 3 355
Gtr. 3
5 5
3  3  3
G

²²²²²²²²
1 1
1 1 1
17 17 17 15 15 15 15 14 14 15
12 15 12 15 15 15
14

²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²²²²²²²²
E ²²²²²²²²²²²²²²²²²²²²²²²² k ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² k 5: 5 5 5: 5
**Gtr. 4 (dist.)

B 5 B 5 
G
²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²
mp

9 9 11 11 12 12 16 16 16

**Pickup selector set to neck pickup.

E k ²²²²²²²²²²²²²²²²²²²²²²²²  ²²²²²²²²²²²²²²²²²²²²²5 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²


5k 5 :
***Gtr. 5 (dist.)

G 5 B B B

²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
mp

9 10 10 12 12 9
10
***Pickup selector set to neck pickup.

5
²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²² ²²²²²²²²²²²²
C D Em G

E 5 5 5 5k 5 5 k 5:

55 5
3 55 5 5k 5: 5 55 5

3 5k 5
5
G  = 3 5

1 1/2 1
²²²²²²²²²²²²²²²²²²²²²²² 1
²²²²²²²²²² ²²²²²²²²²²²²
14 12 12 11 11 12 14
12 12 12 14 14 14 12 14
12 14

²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²² ²²²²²²²²²²²²²
5:
5 E5 5k B 5k 5: 5 5 5 5

E 5:
G
²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²
9 9 8 9 11 11 12 12 16 16 14 14

E k ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²  ²²²²²²²²²²²²²²²²²²²²²²²²²5 ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²


B 5k 5 : B
G 5
 B

²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²


9 10 10 12 12 9
10

²²²²²²²²²²²²²²² ²²²²²²²²² ²²²²²²²²²²


C D Em G

5 5:
E 5M 5M 5 5 5 5 5k 5 3 5M 5 5
3 3

G = 5k 5
5 5 5  5 5 355
5 5

²²²²²²²²²²²²²²² ²²²²²²²²² ²²²²²²²²²² 1/2 1

9 9 9
9 9 9 12 12 12 9 5 5 9 9 0 4 4 5 4 4 2

²²²²²²²²²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² k ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² 5:
B 5
E B 5B


G

²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²


9 9 11 12 16 16

E B²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² B²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²


G B 5 5

²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²


10 12 9
10 9

6
²²²²²² ²²²²²
C D Em
5 5
E 5 5 5 5 5
3

G 5 3 5555 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5

µ let ring µ µ
²²²²²² ²²²²
let ring let ring
1 1
3 2 10 12
0 2 0 0 0 2 0 0 2 0 0 2 4 4 2 2 11 12 12
2 4 2 2 4 4

²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
E 5k ²²²²²²²²²²²²²²²²²²²²²²²²²²²²² k ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²
B B 5: 5
B 5

G

²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²


7 9 9 11 12 12

²²²²²²²²²²²²²²²²²²²
²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² k ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²  ²²²²² k ²²²²²²²²²²²²²²
E 5 5 5 B 5B 5k 5 55 5
G  

²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²²² ²²²²² ²²²²²²²²²²²²²²


10 10 12 12 12 14 12 14 12 14 14

Outro-Chorus
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Gtrs. 4 & 5 tacet Gtr. 3 tacet

¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5
Am D G C

¯5
E
G 5¯ 5¯ 5¯ =
Riv - ers get con - nect - ed, so much strong - er than ex - pect - ed. Well,

B
E B
Gtr. 3

G ? 0

12
12

7
E ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ::
Am D Em

 5¯k

G 5¯ 5¯ 5¯ !5¯ 5¯ 5¯ 5¯ 5¯ 5¯ =
sick love comes to wash us a - way.

¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5
Am D G C

G ¯5
E
5¯ 5¯ 5¯ =
Pris - ons of per - spec - tive, how your vis - ion gets cor - rect - ed and

E ¯5 ¯5 ¯5 ¯5 ¯5
Am D Em

G 5¯ 5¯ 5¯ 5¯ 5¯ ?

sick love is my mod - ern cli - ché.

¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5 ¯5
G ¯5
Am D G C
E
5¯ 5¯ 5¯ 3 5¯
O - pen - ly de - fec - tive is the lov - er you e - lect - ed and a

5 5 5 5M
E 55 55 3 55 55 55 55 55 55 5 5 55 55 3 55 55 55 55 55 55 5 5 55 55M
Gtr. 2

G  =  =
let ring µ let ring µ
10 10 8 8
13 13 13 13 12 12 10 10 10 10 12 12 12 12 10 10 8 8 8 8
14 14 14 14 12 12 11 11 11 11 12 12 12 12 11 11 9 9 9 9

E ¯5 ¯5 ¯5 ¯5
Am D E5 μ

G 5¯ 5¯ 5¯ 5¯ 5¯ 4 ?

por - trait she was bound to por - tray.

5 55 55 55 55 55 5 5 55M
E 5 3 55 55 55
= 4 ?
G 5 
5
let ring µ
10 10
13 13 13 13 12 12 10 10 10 10
14 14 14 14 12 12 11 11 11 11

15 0

8
from Red Hot Chili Peppers - The Getaway

This Ticonderoga
Words and Music by Anthony Kiedis, Flea, Chad Smith and Josh Klinghoffer

Intro
Moderately fast q = 130
C5 Bb5

  5$ =: =: =: =:
$ $ $
Rhy. Fig. 1
$
Gtr. 1 (dist.)


G   55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
mf

£
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1

=: =: =: =:
Gtr. 2 (dist.) Riff A


G   $ $ $ $ $
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
mf
*w/ octaver

£ 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 6
*Octaver set for one octave below, 100% effect level, 0% direct level.

C5

=: =: =:
$ $ $
End Rhy. Fig. 1

 $
G   55 55 55 55 55 55 55 55 55 55 55 55 55 22 5 3 55
5 5 5 5 5 5 5 5 5 5 5 5 5 2 5

3 3 3 3 3 3 3 5 5 5 5 5 5 X 5
3 3 3 3 3 3 3 5 5 5 5 5 5 X 5
1 1 1 1 1 1 1 3 3 3 3 3 3 X 3
18

 =: =: =:
End Riff A

G  $ $ $ 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

6 6 6 6 6 6 6 8 8 8 8 8 8 8 8

C Verse
1st time, Gtr. 2 tacet
2nd time, Gtr. 4 tacet
C5 Bb5 C5

G  = 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 ! 5k 5
5 
1. I met a man in a rock and roll band. He said, “Won’t you come with me?”
3. I took a girl from the un - der - world and I held her way too tight.

G   55 55 55 = : 55 55 55 55 = : 55 55 55 55 = : 55 55 55 55 = :
$ $ $ $
Rhy. Fig. 2
$ $
Gtr. 1
 55 55 55 55 = 3 55 55 55 55 = 3 55
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 3

© 2016 WAGGING DOG TAIL MUSIC and EARL GREY SONGS


All Rights Administered by KBSK MUSIC
All Rights Reserved Used by Permission 1
Bb5

G   5 4 ? = 5 5 5 5 !5 5 5 5 5 = 5

5 5 5 5 5
I let him know that I could not go, you see I
When it’s all been said and done, she was not

G   555 555 555 = : 555 555 555 555 = : 555 555 555 555 = : 55 55 55 55 = : 55 55 55 55 = : 55 55 55 55 = :
 $ $ $ $ $ $
55
5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1

Chorus


C5 Eb

5k 5
  5 5̄ 5̄ 5̄ 5̄ 5̄
G   5 5 5

5
  5 4 ?    
get mine for free. We are all just sol -
up for the fight. We are all just sol -

55::
G   55 55 55 = : 55 55 55 55 = : 55 55 55 55 = :
$ $
End Rhy. Fig. 2 Rhy. Fig. 3
$ BB
MM MM
 55
M
55 55 55 5
8va

5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 ! 55 55 55
© w/ delay

ª3 MM MM MM
20 20 18
3 3 3 3 3 3 3 5 5 5 5 5 5 5 0 0 20 20 19

©3
3 3 3 3 3 3 3 5 5 5 5 5 5 5 0 0
1 1 1 1 1 1 1 3 3 3 3 3 3 3 0 0

2nd time, Gtr. 1: w/ Fill 1

5̄::
Bb Ab


G   5̄ 5̄ 5̄



5̄ 5̄


 5̄ 5̄



5̄ 5̄


 4 = 5


- d