Screenplay by D. David Morin

Based on the novel NEPHILIM by L.A. Marzulli

(Part One of a Trilogy)

Lunchbox Entertainment V (310) 200-5252

WGA: # 931080

The Nephilim were on the earth in those days --and also afterward -when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown. Genesis 6:4




A full moon tries to penetrate an eerie high desert fog. Flashlights pierce the darkness. PRIVATE NATHAN (O.S.) CAPTAIN MACKENZIE, OVER HERE SIR! CAPTAIN MATT MACKENZIE, thirties, in uniform, runs through the mist to the voice up ahead. His flashlight scans the ground. Shiny metallic foil-like pieces lay everywhere. MATT Will ya look at all this debris! His flashlight shines on one. closer look. He bends a corner. He stops. Picks it up for a No crease.

It pops back.

No wrinkle.

MATT What the... PRIVATE NATHAN (O.S.) OVER HERE, SIR, HURRY! He looks up, then back at the piece. EXT. CRASH SITE - CONTINUOUS The remains of a flying saucer cradle against a berm. Winded. MATT Whaddaya got? PRIVATE NATHAN Right there, sir. Matt shines his flashlight on something. An injured SMALL GRAY ALIEN with an elongated head and slanted oval eyes. He moves his oversized head slowly from side to side. A spindly arm raises a hand with SIX FINGERS. eyes from the light. His lids weigh heavy. MATT Shine your flashlight on me. him focus on something. Let He shields his Stuffs it in a pocket.

Tilts his head. A winded MAJOR arrives on the scene.S. INT.) Captain.) Doesn’t look too good. sir. MATT Nothing.PRESENT DAY . Matt is drawn to the alien. Both Matt and the alien have faces lit... MAJOR MacKenzie. The alien responds to Matt. APARTMENT . PRIVATE NATHAN (O. MAC I’m coming. He picks him up and cradles him.CONTINUOUS Ugly shag rug. is gone. A telepathic connection. PRIVATE NATHAN But. fifty-something.S. find anything? Slightly altered voice. MAC’S APARTMENT . His eyes lock in with Matt.BATHROOM . sir? The alien burrows his body right through Matt’s chest. PRIVATE NATHAN Nothing. And .2. what are you doing. grabs a towel. INT. Messy coffee table. RING. Steam rises over a tired shower curtain. PRIVATE NATHAN (O. The new Matt stares him down. I think he’s a goner. Major. ART MACKENZIE. Worn curtains.MORNING A PHONE RINGS. Sir. pulls the curtain open.

C. Sprinkles it in a fishbowl with Lifts a watch on the desk.INTERCUT JIM CRANSTON. SARAH. No loonies or fanatics. Sees an old picture of his ex and three children in a crusty frame. ARTIE JR. MAC You got it. WESTWOOD MEDICAL CENTER . Sets the watch down. He picks up some fish food.) HEY! Turning around. yeah.3. That new wing cost millions. Mac goes to his desk. Hello. the hospital. Hits the speaker MAC CRANSTON You got the assignment? MAC Yeah. Checks his watch. MAC Shoot. right? CRANSTON I’m on the Board. Mac punches off speaker mode. VOICE (O. He jumps out the Jeep with his note pad in hand.MORNING Mac pulls up the emergency brake on his banged-up Jeep. phone. sixties. Dripping everywhere. You’re up. MAC Yeah Runs to the . MAC Crap. hospital. JEREMY. old school preppy newspaper guy. Email it tonight.. TWO GOLDFISH.THE TIMES . CRANSTON’S OFFICE . INT. EXT. MAGGIE.

HARRY. Lots of glass. Mac runs off. Harry reads it. A protection against SARS. By rote. More Pepperdine than Harvard. EVELYN KENNEDY. Tall windows on the left. Mac arrives. White floors. MAC Thanks. Late twenties. . A BLACK SECURITY GUARD. HARRY With The Times. The new wing. WESTWOOD MEDICAL CENTER . MAC Can we visit the sixth floor? Caught off guard.MORNING Fourth floor. She and Mac walk down a long hall. Even the air conditioning has full filtration. Calling out. HARRY If it’s just a hospital. Blunt cut. administrator. picks up THE TIMES photo credential with Mac’s picture on it from the pavement. HARRY You dropped something. INT. Handing it over. huh? MAC Yeah. EVELYN Every floor has the latest equipment. why the military? MAC Military? HARRY Sixth floor.4.

A tiny cross on her necklace.) You ask me. EVELYN It doesn’t concern you. FEMALE CARIBBEAN ACCENT (O.S. MAC Pray for who? DIVINA The screamers. Her high heels echo down the corridor. Curt. EVELYN The sixth floor is off limits. MAC I’ll pay you.5. MacKenzie. DIVINA I pray for them. MAC Can you show me these “screamers”? DIVINA Too dangerous. is squeezing her mop out into a bucket. name tag DIVINA. Muy peligrosa. Smelling a story. EVELYN Mr. it’s a prison. MAC Why? She stops walking. She’s gone. . Turns the corner. MAC A prison? Si. Cranston said your story was on the overall construction cost and the special features of this wing. MAC Maybe the sixth floor is a special feature. Mac looks over. Shrugs. Mr. A cleaning woman. Good-day.

Flippant. Pray God is with us. Where’s that accent from? Head up. They are . DIVINA I am from Costa Rica. MAC You don’t need God when you’re doing the right thing. DIVINA I could lose my job for this.MOMENTS LATER DIVINA Put this on. Looks down the hall again. DIVINA The Lord is telling me no. Meet me here before ten. MAC My story could help them. WESTWOOD MEDICAL CENTER . A moment. Scans the lobby.10PM . DIVINA I have two shifts. She hands Mac a maintenance uniform and hat. A skeptical sigh. DIVINA You must believe them. ELEVATOR .6. EXT. MAC I don’t kiss and tell. Bites her bottom lip. With pride. not loco.THAT NIGHT Mac heads through the double doors. Getting dressed. Anxious. INT. Fidgets with her cross on the chain.

LUCY’S ROOM . He lowers his cap. the city. huh? Divina unlocks the door. DIVINA You have when the bathroom is clean. Nervous twitch at the corner of her mouth. Looks at Mac. She was abducted by the aliens. The entire corridor Divina points to a camera attached to the ceiling. MAC What’s wrong with her? DIVINA Same as the others. Key in the door. Opens it. DIVINA Keep your hat low. towards him. . Gazes out at LUCY stands listlessly by the barred windows. She glances at a camera in the corner. Dark rings around her eyes. Mac looks through the wire-mesh window. Pushes her cart to the next room.CONTINUOUS LUCY turns. Mac glances at it. right. INT. Chewed fingernails. Elevator doors open. amber lighting.MOMENTS LATER The sixth floor. Walks slowly Tape recorder on. Disheveled hair. is lit with dull. Convulsive stammer. MAC Yeah. INT. MAC One of those. She grabs her hospital smock with both hands. Mac reaches into his shirt pocket.7. SIXTH FLOOR CORRIDOR .

Recorder off. LUCY Then I’m on a table and they do something to me. My husband’s asleep. LUCY Ou-outer space. Reaches into his pocket. Voice trails off. . something sesexual. and they carry me out of the h-house. LUCY They come at night. LUCY Can you h-help me? I’ll try. They’re horrible.8. Words come faster. They come to my room and take me. Sobbing. Mac rolls his eyes. MAC Who’s horrible? A tear. MAC Tell me what happened. MAC Where are they from? Whispers. She starts to tremble. Takes a step closer. and I cry out to him but he doesn’t hear. MAC Who took you? LUCY They’re not from here. and I can’t stop them. Her voice dwindles. LUCY I struggle but I can’t m-move. withdrawing within. LUCY They took my baby.

Whispering.. LUCY Then they have my baby and show it to me.. A hand grabs Mac’s arm.CONTINUOUS Walking down the hallway. Haunted. She’s another whacko. INT. DIVINA I pray your story will save her. LUCY Then I’m on the bathroom floor and it’s night and I’m bleeding and my baby. there is no story.. MAC Divina. He flinches. LUCY The Pl-pleiades. look. Then they trick your memory so you think everything is normal.and it’s not hu-human. DIVINA Ahora! Lucy grabs his hand.9. CORRIDOR .my baby’s g-gone! She stares through Mac. MAC You got all the help you need right here.. Eyes unblinking. . LUCY Help me! Her bloodshot eyes look insane. Eyes wide. MP #1 You got ID? Sidearms on their hip. A hand in Mac’s chest. Just a little freakier than most. Two MP’s head down the hall. We go.

Mac looks at them blindly. Fizzzzzzzzzzz. He reads an open newspaper on the table. He opens the envelope.) You visited the sixth floor. CALLER (V. Bed head. Looks. Jumping in. DIVINA He is with me. MAC Who is this? CALLER (V. No one. Latin charm. He drinks down the bubbles. Opens the door. And a plane Grabs an old cordless. ticket. MAC’S APARTMENT . Her throat slit open. MAC What? CALLER (V.O.10. He plops two Alka-Seltzer in a glass of water on the coffee table. Into the phone. INT.O. Mac and Divina in the elevator.) There’s a packet under your door. MAC Who is this? . Mac heads for it. The third photo: Divina lies on the floor of a janitor closet in a pool of blood.) They found you.O.LATE MORNING Mac’s on his couch in a pair of boxers. Mac recoils. He is training. A manila envelope slides under it. RING. The second photo: Mac talking to Lucy. Mac looks at the front door. MAC Yeah. The first photo: Pulls out some photos.

SUNSET MAGGIE. Opens the plane ticket: TEL AVIV. He lifts a square of the hardwood floor and exposes a little chamber. Daughter Sarah. Holds a drink. Looks at Divina dead in her own blood. He stares at it. The concourse buzzes with foreign travellers. sharply pulls the bed away and peels back the old shag. CREEK WALK VINEYARD . He pulls something out.CONTINUOUS Mac enters the bedroom. Their son.DUSK.FARMHOUSE KICTHEN . DORIS. MAC I don’t know what you’re talking about. Dial tone. It pops back. talks on an old-school phone hanging on the wall. washes pots at the kitchen sink. He puts it INT. 6. Tosses it. plays with a GameBoy. back in the floor. SARAH And that’s how David killed the giant Goliath.O. clears dirty dishes off a counter. INT. MAC WHO IS THIS? CALLER (V.INTERCUT International terminal. Maggie’s mom. Finishing up.O. back in the sack. LAX . 8. Wrinkles it. INT.) You’re phone could be tapped.) You have something they want but you’re not to give it to them. You’re not safe here. He reaches in and takes out an old potato sack.O. a natural beauty. .11. Don’t miss that flight. Mac’s ex. On his cell.CROWDED AIRPORT BAR . Mac looks at the phone. The UFO debris piece his father found.) The plane ticket is for tonight. Mac sits at a barstool. CALLER (V. Jeremy. CALLER (V. MAC’S BEDROOM .

sweetheart. the phone. maybe you’ll meet another flight attendant. Comes to . MAGGIE Well. MAGGIE I care that you’re lying to them. What’s come up? MAC I have to go to Israel. MAC I can’t make it this weekend. Tan legs. it isn’t true. MAC I love you.12. It’s make believe. SARAH MOM! As she drops the phone. MAC The Bible is a storybook. MAGGIE You haven’t seen the kids for six weeks. MAGGIE’S FARMHOUSE . Maggie wipes her hands on her cutoffs.DEN . Lemme talk to your mother. SARAH But Gramma says its true.INTERCUT Cranston looks at a computer. there’s no such things as giants. Pumpkin. Something’s come up. MAC Can’t we ever get past that? INT. MAC It’s just a story. Yelling out.CONTINUOUS . MAC Like you honestly care. Kitchen adjacent.

Don’t get killed. He checks in on me. WE GOT OUR TEE TIME. A PINKIE RING fits snugly on the fat little finger of each hand. Don’t act jealous. when Artie died I lost it. I cheated on you. MAGGIE Then make your alimony and child support. CRANSTON MAGGIE. PINKIE RINGS Gimme a Heineken. THE BARTENDER throws down a coaster. Slicked-over hair covers a bald spot. Gulps his drink. Dial tone. Mac. To Mac. . MAC Look. I want to make it right. cell into his coat. Slips the SIX A- AN IMPECCABLY DRESSED FAT MAN takes the stool next to Mac. Goodbye. MAC Are you dating him? MAGGIE He’s sweet. MAC For eighteen holes? MAGGIE Very funny. MAC Is that Cranston? MAGGIE What if it was? MAC My boss is cutting my own grass? MAGGIE You didn’t want your own grass. Mac. Mac squeezes the mobile off. It was wrong.13. you’re were never good at it. Beads of sweat. M.

Not a cloud in the sky then off to my right is this silver disk. Mac pulls out his wallet. At a Boy Scout camp. MAC Check. MAC Israel. . it’s War of the Worlds! TV: AN ALIEN SHIP FIRES A DEATH RAY AT FLEEING CIVILIANS. PINKIE RINGS I saw one once. Just hovering. PINKIE RINGS Where you headed? Stewing over the phone call. The bartender plops down his beer. straight up into the air. Points at Mac’s glass. Kills his drink.14. BARTENDER You good? MAC Yeah. Without a sound. Turning to Mac. PINKIE RINGS We ran back to camp and told everyone what we’d seen. Home of the suicide bombers. Either way’s all right with me. PINKIE RINGS Blow ‘em all to kingdom come. Pointing toward the television tucked up near the ceiling. just great. please. PINKIE RINGS All of a sudden this thing takes off. PINKIE RINGS Hey. MAC One what? PINKIE RINGS A UFO.

CONTINUOUS An orange safety cone blocks the entrance. backhand judo chop sends him to the ground out cold. Mac zips up his fly. He sees Mac approaching. She removes her dark sunglasses. A A TALL FEMALE. James Bond sexy. EXT. and leaves. green. MacKenzie. Too . A chubby hand with a pinkie ring covers his eyes and presses a box-cutter razor against his throat. He slams Mac against himself. Choking. An ASIAN MAINTENANCE MAN mops behind it. MEN’S ROOM . MEN’S ROOM .15. Platinum bobbed hair. Mac grabs his briefcase. MAC There’s chat rooms for guys like you.CONTINUOUS Mac stands at an empty row of urinals relieving himself. throws down a twenty. She takes Mac by the arm and hurries him out of the men’s room. Thirties. Carefully painted red lips. Bows and moves the cone. Turns around. and we’re going to get it whether you’re here or not. Could be a wig. MAC I don’t know what you’re talking about. PINKIE RINGS WHERE IS IT? THWAP! The toe of a shoe kicks Pinkie Rings in the head. Intense GREEN EYES. GREEN EYES We haven’t much time. PINKIE RINGS You’ve got we want. High cheekbones. INT. Could be contacts. Mac gets up. Six hours later everybody but me denied we’d seen anything. Mac enters.

Mac watches her vanish in the mob. MAC Who was that guy? GREEN EYES Your father left you something when he died. MAC As in New Mexico? Who is he? GREEN EYES He’s on the inside. She turns and goes. Mac looks back.CONTINUOUS She races Mac through the crowd to his gate. MEN’S ROOM . INT. his wind knocked out. EXT. Sees the maintenance man crouched against the wall.16. MAC Who are you? GREEN EYES I’m here to make sure you make your flight. Piped in over the airport commotion.CONTINUOUS She takes him to the boarding agent. GATE 68 . It’s not safe for you to be here. CONCOURSE . INT. FOREIGN FEMALE VOICE Final call for El Al Flight Number 783 for Tel Aviv now boarding at Gate 68. . GREEN EYES Someone will meet you in Tel Aviv. Overhead. Keep to yourself on the flight.CONTINUOUS They rush out of the bathroom. MAC Who called me? GREEN EYES His alias is Roswell. They want it back.

She’s gorgeous. SCREAMS. BENHASSEN. EXT. SMOKE. DUSTY HUMMER H2 . Tools. Mac spies it. bounce in the back. He rolls his eyes. “MAKKENZIE”. running for cover. Grabbing Mac’s arm. his bag.) Your ticket and passport. URI She A rugged-looking Israeli man holds it. Mac pulls out his passport and ticket. Hands it to her. Massive crowd.S.AFTERNOON A dusty Hummer H2 speeds along a remote two-lane highway. EXT.CONTINUOUS The back is crammed with food and supplies. He extends a thick calloused hand. Uzi’s. KABOOM! A suicide bomber. TEL AVIV AIRPORT . HIGHWAY .17. smiles. URI Welcome to Israel. MAC Who? URI Call me Uri. MAC I’m MacKenzie. Slight accent. FEMALE FLIGHT AGENT (O. Uri takes evasive action.ISRAEL COUNTRYSIDE . Uzi’s run in all directions. please. A crude cardboard sign held above the masses. Uri takes I am BenHassen. artifacts . The crowd scatters. Identifying himself. Armed soldiers everywhere. Mac shakes it.MIDDAY A haggard Mac pulls his suitcase into the bright sunshine.INT’L TERMINAL . INT. MAC Where are we going? URI The Valley of Raphaim.

GPS screen. See you on arrival.18. center panel. Uri screen left. thank you. ELISHA BENHASSEN. The H2 hits a large bump in the road. uncovered something. a small webcam reset above the screen. Bouncing around violently. Elisha. Welcome to Israel. gentlemen. late seventies. We are clear. Mac looks around to see where his feed is coming from. Just checking in. URI Shalom. Time for my nap. MAC Raphaim? URI The Valley of Death. making sure you are safe. seeing? MAC Seeing is believing. Center dashboard. The screen divides into three vertical panels. Finds ELISHA Good. . ELISHA Shalom. Uri’s grandfather. yes. On screen. Same accent as Uri. Shalom. Everything flies. I am Doctor Elisha BenHassen. and Mac is screen right. I’m quite good. get there? We have Believing is How long to URI Everything here is three hours. MAC I guess we’re safe. MacKenzie. MAC I assume you’re on the good side? ELISHA Yes.

.MOMENTS LATER Uri walks Mac to the massive open pit. Taking it all in.MOMENTS LATER Uri stops at the top of the large open pit. A semi-circle of phallic monoliths surround an altar.CONTINUOUS Pointing. DIG SITE . EXT. More dust.A DIG SITE . EXT. Mac stops alongside. Mac gets a visual. URI It’s bizarre. The H2 weaves its way through the camp. The ground starting collapsing the day we found the tomb. INT. MAC What’s that? URI A sinkhole. Exposed catacombs stretch out below them. VALLEY OF RAPHAIM . Beneath them lies the ancient temple ruins of a pagan fertility god. generators. DIRTY H2 . MAC Did the excavation cause it? No. Yellow caution tape outlines a large twenty-foot circle off to the right.AFTERNOON Dirt and dust. Workers with shoulder-sling canteens and hand shovels wave at Uri as they drive by. and port-o-potties litter the area. EXT. Tents. Worklights stand strategically. URI The excavation is over there. At the heart of the pit is a small room with workers surrounding a large sarcophagus. EXCAVATION PIT .19. Like quicksand. An ATV with two people on it drive past them. Chickens and a few goats scurry out of the way.

the American. URI Here. STONE SARCOPHAGUS. ELISHA Shalom.MOMENTS LATER A small inner room. The workers step back as Uri enters with Mac. Peers into it. MAC What is it? Nephilim. White hair creeps over and out of his ears. Stepping next to Mac. The heavy lid lays next to it on a thick block of rocks. six toes on each hand and foot. Over twelve feet in length. Six fingers. A GIANT SKELETON. a large. OLD VOICE (O. They turn. Grasps his hand. Dr.S. it’s a giant. . ELISHA BENHASSEN.20.) Anakim. White beard. CROSS tied loosely around his neck. He extends a twisted arthritic hand. Completely intact. A wizened elderly man. DR. Stained khaki pants. MacKenzie. Stoop shoulders. EXPOSED SMALL ROOM . MAC My God. Wire-rim trifocals. Mac steps forward. Welcome. Enormous size. Tall walls. INT. Elisha BenHassen. MAC Holy cow. heavy. Stupefied. There’s an ANCIENT URI This is Art MacKenzie. URI Go look. URI This is my grandfather. Mac migrates over. Rephaim. In the center. A faded cotton shirt hangs loosely around his thin body.

The old man gingerly sits down. Anakim. Tender accent. and we looked the same to them. ELISHA “The Nephilim were on the earth in those days . We seemed like grasshoppers in our own eyes. MAC What is it? ELISHA Have you ever heard of David and Goliath? MAC Of course.21. An OLD BIBLE on the heavy lid. MAC You’re kidding. He motions for it. . right? ELISHA When my people first entered the Promised Land they reported giants living there.” A FEMALE WORKER blasts an air-horn from the top of the pit.’ MAC “Nephilim”? Elisha turns to Genesis. All different words uttered by my ancestors thousands of years ago to describe the same creature. Mac jumps. ELISHA Nephilim. ELISHA Meet Goliath’s bloodline. Uri pulls up a wooden crate. ELISHA ‘We saw Nephilim there. Crooked fingers trace the letters etched in the stone lid.and also afterwardwhen the sons of God went into the daughters of men and had children by them. Rephaim.

A lab in Jerusalem. EXT. FEMALE WORKER FOOD IS READY! Come. MAC Who were the “sons of God”? Leaning back. The human race became essentially non-human. They all head out. CAMPSITE . ELISHA The fallen angels. cheeses. the fallen angels had altered human DNA. MAC Fallen angels? ELISHA They came to earth and resided here. Mac and Uri sit around a folding table with grapes. The result. Not tracking. one of his leaders.22. Mac can’t resist touching the giant bony foot.DUSK . By corrupting the human offspring. Elisha offers Mac a sandwich. MAC The toe? URI DNA testing. Stops MAC Lucifer and his disgruntled lot? ELISHA Semjaza. Uri. Nephilim. Mac notices a toe missing on the skeleton’s left foot. . Points. He takes it.MOMENTS LATER Elisha. ELISHA Let us eat. and sandwiches. resulting in unholy union between themselves and earthly women.

ELISHA It is harsh! And definitely true. MAC How so? ELISHA He had little choice! With Semjaza’s demonic fornicators. What if they are from a dying race. ELISHA Now present day. and have come only to renew themselves with fresh genetic material? ELISHA Certainly plausible. These aliens are again offering technology and are abducting women for intercourse. Noah? MAC As in Noah’s Ark? ELISHA Precisely. ELISHA But God saved those who had not been corrupted. Lucy? . MAC A bit harsh. Uri reaches for more grapes.23. It says Noah was perfect in all his generations. Not convinced. MAC What does that have to with me? ELISHA That woman you talked to at the hospital. The rest of the imperfect inhabitants he destroyed with The Great Flood. Cleans his glasses on his gauzy-soft shirt. Perplexed. if it’s true. a distant planet. the original gene pool of mankind was polluted beyond recognition. URI That is your theory.

MOMENTS LATER JARED.WEBFEED Computers line the walls atop benches and tables. part of an elaborate deception. FINEBERG’S LAB . MAC What about her? ELISHA She’s telling the truth.Nephilim. DNA.DR. Fineberg online. God’s spiraling signature of human creation. Sophisticated equipment everywhere. FINEBERG stands by a bench. Once again they are impregnating our women and creating a superrace of hybrids. Jared stands Let . Elisha sits as Mac and Uri stand close behind. us go.24. His senior assistant. COMPUTER SCREEN . On a work table a 17” Powerbook with a webcam attached. stands up and offers his chair to Elisha. COMMUNICATIONS TENT . WORKER Jared has Dr. stands nearby next to a lightbox.. Technicians task away. a young techie. DR.. MAC How do you know? ELISHA These aliens are the fallen angels. by. MOISHE. ELISHA Ahhhh. INT. MAC You’re saying that these supposed aliens are actually demons? ELISHA Yes. A WORKER runs up to the table. Trying to connect some far-fetched dots. URI The DNA results from the giant.

MOISHE We ran it three times with a sequencing gel. We have the DNA results. Intrigued. Moishe slips a large piece of film over the lightbox. Dr. Rapid gunfire strafes the place. Jumping back in. but I am afraid Moishe’s English is better. MAC What’s so different? DR. In the background. FINEBERG The control sample. MOISHE The tests show that it is not entirely human. It is something we have never seen before. my DNA. this is a different life-form. FINEBERG Simply put. MOISHE Nothing on this planet has a fifth nucleotide. We’ve never seen anything like it. But the sarcophagus sample did not. DR. . DR.25. BenHassen. ELISHA Shalom. DR. FINEBERG It doesn’t match up with any of the four known nucleotides. FOUR MASKED GUNMEN dressed in black rush the lab. MOISHE The skeleton DNA is not complete. FINEBERG Shalom. sequenced. There is a foreign nucleotide which creates an exotic pair. Difficult accent. DR. FINEBERG It is fragmented. Fineberg.

Jared jumps to another work The ELISHA We are uncovering the truth.ELISHA’S TENT . URI MACKENZIE. Elisha shakes off his nap. ELISHA We go. KA-BOOM! Elisha’s laptop screen goes blank. station. GET ROSWELL. TELL HIM WHAT YOU SAW. . Technicians mowed down. CAMPSITE . General Roswell is on the webcam. JARED Doctor. A fifth nucleotide. gunmen place charges.LATER Elisha sleeps in an armchair in a corner of the large tent.26. Uri races out of the tent. EXT. WITH ME. Uri pulls up the H2 a short distance away. URI I’M GOING TO THE LAB. Jared nudges him.NIGHT . ELISHA Jahweh be with us. Waving. enemy is not happy. MAC And? ELISHA The results were the same as Fineberg’s. JARED. Fineberg and Moishe killed. MAC What do you mean? Our ELISHA Roswell did secret DNA testing on amniotic fluid from Lucy. Evacuate. Very good.

Sorry about Fineberg.LATER The camp is asleep. LARGE ALMOND EYES. He hears something. ELISHA Shalom. RIPPED. different.27. Elisha. CAMPSITE .NIGHT . Things are heating up. Does MacKenzie have the piece? ELISHA We haven’t gotten that far. Digital delay. Roswell. EXCAVATION SITE .CONTINUOUS He sees a TWELVE-FOOT GIANT. Something He reaches into the sarcophagus and picks up the skeleton. INNER ROOM . The twenty-foot sinkhole is now a twenty-foot bottomless pit. EXT. We are Interference overtakes the image. SINKHOLE . EXT. INT. Elisha leaves his tent with his lantern. Holds his lantern out for a better look. sir? ELISHA No. EXT. ROSWELL Shalom. still earning his trust. God is sovereign even over the internet.MOMENTS LATER Computer screen. WORK STATION TENT . POINTY EYETEETH. Then video is gone. Webcam feed. . Looks down at the inner room. At the outhouse door he notices the sinkhole. INT. Heads towards the port-o-pottie for a middle of the night pee. Heads for the site.CONTINUOUS Elisha stops at the yellow tape. JARED Should I try him again. Roswell is speaking but there is no audio.CONTINUOUS Elisha arrives at the rim.

All our proof has disappeared. ELISHA Holy God. EXCAVATION SITE RIM . our DNA is annihilated. They stare at their tea.CONTINUOUS The giant faces off with Elisha. MAC That’s just too fantastic. The sinkhole closes back into quicksand. Lifts the skeleton over high over his head. The giant squats. ELISHA’S TENT .NIGHT . INT. URI The skeleton is gone. Superhuman speed. EXT. ELISHA IN THE NAME OF JEHOVAH EMMANUEL. URI And our skeleton is gone. the Nephilim are back. Is about to throw it at him. He’s gone. Sees Elisha at the rim. An old pot of tea sits center. He turns. Slamming the table. MAC You really saw a giant? ELISHA As real as you.MUCH LATER A lantern sits on a folding picnic table.28. BRIGHT AURORA LIGHT PARTICLES flash around him. ELISHA STOP IN THE NAME OF YESHUA! The giant freezes. Elisha. Elisha holds up the ancient Jerusalem cross from around his neck. Leaps twenty feet over Elisha and into the sinkhole. Mac and Uri face . The giant bounds up the ramp. I COMMAND YOU TO LEAVE.

ELISHA Yes. Looks back. ELISHA What did he write you? MAC About handling sections of the saucer. too. yes? Unsure what’s next. God has brought MacKenzie here for a reason. Mac looks up. MAC No.29. ELISHA Did he talk about an alien? Mac looks at Uri. He MAC Is that what this is all about? ELISHA Do you still have it? MAC What does it matter? ELISHA Roswell believes that piece has information encoded in it that’s linked to the alien base. MAC What alien base? . or whatever it was. wrote a letter saying as much. Did he leave a piece of the debris with you? Mac looks at Uri. MAC How so? ELISHA Your father saw the UFO in New Mexico. MAC Probably got him murdered. ELISHA Not all our proof.

We believe there is a harvest colony there of cross-breeds. ELISHA Do you have the piece? Mac notices a faded number tattooed on Elisha’s wrist. The aging Elisha leans onto the table. MAC The U. MAC Yeshua A Meshiac? ELISHA Yeshua the Messiah. 2-4-2 MAC What’s that? ELISHA The Holocaust. We need to get that piece before they do. lantern. Military is working with aliens? ELISHA They have been since 1947. ELISHA Your military has a base in Nevada. MAC You survived? ELISHA Yeshua A Meshiac was with me. It’s our only chance of destroying the base. 5-6-0Closer to the .30. MAC I see. Mac looks at Uri for verification. As a boy I was interned at Bergen Belsen. ELISHA A Jew that receives Yeshua as the Messiah of Israel.S. A Messianic Jew. MAC I thought you were a Jew.

Goodnight. But now I am tired. MAC Yes. MAC Hidden under a floor board in my apartment. MAC When? URI Daybreak. Drawing in. URI I’m going back with you. Do you still have the piece? A breath. ELISHA There is important data stored on the piece. ELISHA There is a God. . Mac stops. MacKenzie. ELISHA Where is it now? Some hesitation. MacKenzie. and Yeshua is his son whether you believe it or not. Yes. ELISHA I am strong in the Lord.31. MAC Who exactly are you? ELISHA I have chosen God’s side. Standing feebly. Mac shifts uncomfortably. Now you must choose. Confiding for the first time with anyone. Looks back at Elisha. There are spiritual principalities. You cannot serve two masters. Uri will diagnose it. Uri and Mac head out of the tent. I do.

Tears well up in the corners of his eyes.32. EXT. ELISHA A month ago I had a dream. He embraces Mac. MacKenzie. MAC I’ll try. Wistful smile. CAMPSITE . must pray as well. ELISHA He delights in using the weakest of us to carry out his will. . MAC Dr. be with you. MAC Why? ELISHA To accomplish His purpose. For the first time I am sorry God promised to never send another flood. Shaking his head. God will Points at his watch. He sings a prayer in Hebrew over Mac. Uri honks the horn of the H2. I saw you were coming here.DAWN Elisha wears a worn prayer shawl and a faded yarmulke. that He was sending you. MAC I’m no saint. BenHassen. you really saw a modern day Nephilim? ELISHA Yes. You ELISHA I will pray for your safety. He finishes and slowly takes his arthritic hands off his head. MAC For what purpose? ELISHA He will show you in time.

stuffing everywhere. MAC It’s gone.CONTINUOUS It’s ravaged. Mayhem. The goldfish bowl lies shattered on the desk.LATE AFTERNOON An El Al 747 touches down on the runway. ELISHA You will need this. revealing an empty secret space. Both men freeze. BEDROOM . The ugly shag rug under the bed has been pulled up. INT. Shalom. You must Nods slowly. LAX RUNWAY . Torn upside down. His TWO FISH bloat from death.FRONT DOOR . Uri follows. EXT. The phone. The bed frame is mangled. smoke. . INT. MacKenzie. Stealth-like. Tampered door knob. MAC It’s in here. Mac’s queen-sized bed stands on end. Elisha takes the ancient Jerusalem cross from around his neck. The crusty picture frame is missing. The old hardwood floor pulled up. ELISHA God has the final word.33. Uri motions to answer it. MAC’S APARTMENT . His sofa has been slit end to end. MAC’S APARTMENT . Mac jumps through the mess. Mac holds his gaze. Heads to the bedroom. Puts it over Mac’s head. believe. EXT. Wheels puffing out Sawed out dead bolt.DUSK Signs of trouble. RING.CONTINUOUS Clothes strewn everywhere.

He opens the rear door.CONTINUOUS They’re rolling. EXT. ROSWELL. ABANDONED FACTORY . the driver. STREET . ten. Dark tinted glass. STREET . Mac downshifts and punches it. DIEBOL. He motions them over. A BLACK LIMOUSINE pulls up. See you at INT. Meet me there tomorrow at ten a-m. A quick left into an alley.MORNING Mac and Uri cruise in the Jeep.LATER Mac and Uri sit in the dark shade of a loading dock. MAC’S APARTMENT . Another right. EXT.BLACK LIMOUSINE .INTERCUT Dial tone. late seventies. MAC They got the piece. Muscular. hops out. EXT. Large. Rearview mirror.) Get a hotel. I know. Mac and Uri get in. Whoever is gone.34.O. MAC HOLD ON. The rear window rolls down silently. More bodyguard than chauffeur. More speed. Mac looks at Uri. There’s an old warehouse across from the train station.O. tailing them. MAC Hello? CALLER (V. ROSWELL (V. wears a military uniform.) It’s Roswell. Someone’s . A hard right onto a side street. Uri nods to leave.

INT. Extends his hand. MAC General. He never knew. ROSWELL I’ve been involved with the alien presence since ’47. His eyes gaze impassively. MAC What happened? Looks out the tinted glass.DRIVING . Roswell takes a long look. You’re bigger than I pictured. ROSWELL’S LIMOUSINE . ROSWELL President Truman formed a group of men to study the alien problem. ROSWELL And you’re Art MacKenzie. Back at Mac and Uri. Mac shoots him a look. They became a rogue element accountable to no one. MAC You knew my father? ROSWELL I was with him in New Mexico. URI The alien base. .CONTINUOUS ROSWELL Uri BenHassen. You have quite a decorated past in the Israeli Special Forces. One shake. Uri instinctively salutes. ROSWELL Your father was a good man. He waves him off. Shocked.35.

It’s alien technology. I believe the blueprints for the base are encoded in its memory. URI Security threat. But I believe they are cultivating embryos from alien abductions. ROSWELL The outer coating of the saucer is a carbon fiber alloy with elastic memory. He now interprets his supernatural powers. It turns sunshine into plutonium. ROSWELL The White House knows it only as an extraterrestrial research center. ROSWELL The piece your father left you was from the mothership. .36. MAC Who’s in charge? ROSWELL A man called Abaris. The base is solar powered by inorganic plasma. ROSWELL More than that. Pulling out aerial photos of the base. MAC That’s why it won’t wrinkle. A dying alien convinced him to host his spirit. URI A harvest colony. Puts it together. URI Nuclear power. MAC Why is the debris piece such a threat? He opens his briefcase.

You’ll travel incognito. They offer technology but they are out to destroy us. MAC But they know who I am. He opens a map. We’re going in tomorrow. Uri’s military mind. Outside Palmdale. ROSWELL Tomorrow morning at zero-fourhundred you’ll meet me here. At the risk of sounding stupid. ROSWELL From here we’ll fly to the base. Points on the map. URI And destroy the harvest colony. ROSWELL But we need the piece to get the blueprints. MAC Can’t we just let them keep it? ROSWELL The aliens’ agenda is evil.37. ROSWELL Only you can identify the piece. MAC Where do we come in? A pregnant pause. . URI So we blow up the base. If the core is contaminated the reaction would obliterate the base. ROSWELL I know where the piece is. You’ll pose as new technicians. ROSWELL The power core is highly secured. but I need you to identify it.

thirties.LATER Uri holds a mini-flashlight in his mouth. Change rooms. ROSWELL Zero four-hundred. beams. Reaches in. He looks under Mac’s Jeep. MAC’S JEEP . Uri looks around. Stands up with a quarter-sized object.WESTWOOD . INT. pulls out a telescopic pole with a mirror attached at the end. sits next to Roswell.3 AM Mac and Uri walk out of the hotel. ROSWELL Diebol. ROSWELL Tracking device. Diebol goes to the trunk. PALMDALE 20 MILES. Diebol sticks it under an abandoned car in the parking lot. Tumbleweeds. They change into their silver jumpsuits without a word. Reads a map. The back tires spin. Stops. 4 AM. Another car pulls onto the road. check their car.38. INT. SERVICE ROAD . Sharp. ABANDONED FACTORY . Gives one to each. EXT. Be on time.CONTINUOUS A VERY ATTRACTIVE WOMAN. Go back to the hotel. Through the window they see a sign: EXT. HOTEL . EXT. Flashes its high Climb in.HIGHWAY . ROSWELL’S LIMOUSINE . They’re gone. sporty and sexy. Run to the limo. No phone calls.MOMENTS LATER Back at Mac’s Jeep. . They finish dressing quickly.LATER The Jeep pulls off the highway onto a dirt service road. Roswell pulls two shiny silver tote bags from the trunk.

LAURA LAURA It’s time for your makeover. She pats the seat next to her for Mac to come. ROSWELL And this is Uri BenHassen. Mac sits there. I made sure you got to the plane. LAURA Close your eyes. Blond wig? Smiles. It’s a make-up kit. She squirts some liquid in her hands. She opens a tackle box. To Mac. ROSWELL MacKenzie. Then his Faces Mac. MAC “Green eyes”. She looks back at Mac. Shakes Uri’s. this is my daughter. She extends her hand. her beauty. LAURA At the airport. Laura. URI Same for me. Pleasure. He studies . Smiles. hands. MAC I don’t follow. She massages Mac’s entire face with the liquid.39. MAC I could get used to this. WOMAN I see you made your flight. LAURA Let it dry.

She hands him a small mirror. She pulls a tube out. Massages his hair thoroughly. presses it on the glass. . It quickly turns to an oily grayish white. and thumbprints. She centers him. camera. Uri leans across and presses his thumb on it. Squeezes it in her hands. LAURA Take a look. FLASH. opens the lid revealing a scanner surface. She pulls out some wire-rim spectacles. She presses another button. The lotion on his face dries into wrinkled skin. photos.40. She hands Mac a synthetic thimble. Hits a button on the side. LAURA Put this on. parts his hair on the other side. She pulls out a ziplock baggie containing a matching color goatee. He holds it up. Another bottle. Then takes his thumb. LAURA Thumbprints. She applies it around his lips and chin. Uri watches her work quickly. She slips it snugly onto his thumb. FLASH. LAURA Lower it. It prints out TWO LAMINATED PHOTO ID’S complete with names. She grabs a comb. Puts them on him. Clear adhesive. LAURA Uri. Then offers it to Uri. MAC Unbelievable. Affixes the goatee. Mac lowers it. Sees an old man. Uri looks over. She Laura faces him with a special digital She connects the camera to an external palm device.

You are NOT to make eye contact. LAURA It goes on your left pocket. Back to Roswell.41. ROSWELL You are going to want to ask a lot of questions. anyone. Is that clear? MAC Is Laura coming with us? ROSWELL No. MAC Who’s Dr. ROSWELL If we are separated. Irving Liebowitz? She smiles at him. you can text message. circumstances. She attaches a clip. Reads it upside down. Mac shoots her another look. Don’t look for me. You are not to do so. do not least bit surprised. And don’t talk to anyone. LAURA You’re from New Jersey. Mac notices him wince. Back to business. Mac clips it on. I’ll find you. ROSWELL You’re not to address you are spoken to you And whatever you see. You will see aliens. under any look the Laura hands them each a small flip phone. If defer to me. Is that clear? Mac makes eye contact with Laura. Handing them over. ROSWELL The piece is in a special area. She smiles back. . Roswell shifts in his seat.

) We’re here. TWO MP’S. Uri looks back up the stairs.C. EXT.DAWN The limo pulls up outside a fenced area. GIANT HANGAR . ROSWELL Stay close. INT. Roswell passes the guards.EARLY MORNING The jet pulls up to a ten acre. staircase. Walkies. EXT. Deployed in twos. Sidearms. Mac watches them go by. EXT.CONTINUOUS MP’S everywhere.CONTINUOUS Top of the staircase. WalkieThe They get out.GIANT HANGAR . high hangar doors. weapons. TARMAC . A LARGE MP stops Mac. Automatic . METAL STAIRCASE AGAINST THE PLANE . LARGE MP NEXT. Catches himself. People load by a Then Mac. GIANT HANGAR . four-story hangar. ALIEN BASE . talkies. A FedEx Cargo jet is parked on the tarmac. Adjusts his glasses. Yellow helmets. Mac stares ahead. Uri close behind. ROSWELL (O. Checking ID'S. MAC A FedEx jet? ROSWELL Part of the deception. towering doors are slightly open. Dobermans on harnesses. EXT.CONTINUOUS Mac hurries up to Roswell and Uri as they enter the huge. Time to focus.42. Then Looks closely at the credential. at Mac.

CLOSE-UP CONTROL PANEL . shoots Mac a look. MPs salute and get back in.CONTINUOUS A hundred scientists and technicians load in. Roswell. next to a sidearm. ROSWELL This is us. Uri and Mac get off. . LARGE ELEVATOR CHAMBER . wide doors whoosh shut. A TALL BLACK MP. MPs exit. Inspects He inserts a KEY attached to his belt. Scientists and other plane passengers avoid the MP’s looks. Four more MP’s rush into the huge lift as the AIRLOCK DOORS hiss shut.43. INT. Roswell. The Elevator doors whoosh open. They face the crowd. Eleventh floor. Certain areas of the hangar are sectioned off with tall black partitions. Stand guard. the letters MAJ. Under his breath.CONTINUOUS The floor numbers descend 1 to 12. Roswell catches Mac’s eye. INT. Uri and Mac rub shoulders with the rest. The large. All head toward a large elevator. everyone closely. Nods toward the control panel. into the control panel. THE OPERATOR. Rifles up and ready. In place of floor 12 are Next to the letters MAJ is a horizontal slot in the panel for a specially constructed key card. MAC Excuse me. Mac studies the panel.

WHAM! INT. Mac smiles at an academic blonde. Roswell ahead. Uri steps up to the panel. Hate. Panic. It closes. Roswell approaches a blank wall. Light emanates from above. ELEVENTH FLOOR CORRIDOR . He walks through. MAC You go. It slides open quietly to the left. Mac and Uri behind. Mac approaches. Mac quickly backs away. He passes through.CONTINUOUS A SCIENTIST stands next to A SMALL GRAY BEING. Blank faces swoosh by. Roswell’s hand behind his back. Mac looks to Roswell. Gone. BEEEEEEP! SCREEEEECH! A fast moving electric cart carrying more MP’s swerves to avoid Mac. A GIANT. . INT. HALLWAY . A HUGE FOOT. INT. Mac falls behind Uri. Whoosh. Looks inside. She looks down and away. It’s rampant. ADJACENT LAB . Mac looks up. A deadness.44. He passes. Another lab up ahead. Roswell looks away. ANOTHER POD OF SCIENTISTS march quickly in his direction. The MP stares down. Slows down. They’re examining someone. INT. Roswell stops in front of a panel.CONTINUOUS A small group of men and women with ID credentials pass the other direction. It opens. Bony arms. Credentials. Motions to look inside. ceiling and floor are monochromatic. Mac looks ahead. SIX TOES. ELEVENTH FLOOR LOBBY . Elongated head. It opens. Faint outlines of panels appear every four feet. Zombies.CONTINUOUS Walls. A somber military gray. A very low frequency oscillates from below. Two tall MP’s frame the door. Mac whips around. Eerie looking.CONTINUOUS Mac plows into the far MP standing guard at the door. Clipboards. No acknowledgement.

Roswell reaches out. Mac approaches. ROSWELL Not good. Uri. ROSWELL There have an entire network of tunnels that crisscross under the planet. They go through. SMALL DETAINING ROOM . Peers down the Their tags Inside the tunnel other tunnels bore through the concrete overhead and to the side. A large cylindrical ceiling reaches twenty feet high. are checked. Quiet. but did not believe it. A moment. URI The sinkholes. Whispering. An empty train glides out of the dark tunnel from the left. Overwhelmed. Nauseous. Six seats each. Sets the palm of his hand on a scanning device near the door. are up ahead.45. . Disoriented. Roswell walks to the edge by the tracks. did you see it? URI Yes.CONTINUOUS They enter the platform of a small station. A conductor sits in a glass-domed car at the front. Roswell and Uri MAC My God. Roswell returns the gesture. Four others cars behind. Mac looks around. The door slides open. INT. They get waved through. They go everywhere. Ice. Mac turns back to the lab where the alien was examining the giant. They walk slowly towards another set of doors. Mac shoots him a look.CONTINUOUS TWO MP’S salute. TWO MORE MP’S talk to those at the door. Mac does the same. SMALL SUBWAY STATION . INT. ROSWELL Later. two abreast. tunnel. Uri approaches. Benches constructed of a seamless material never seen before.

covered with steel-girded catwalks supporting a maze of powerful lights. Some MP’s load in the car behind. MAC Yessir. A metal scissor-lift ascends next to the craft with a TECHNICIAN in another silver jumpsuit. exposing the interior. Mac and Uri get in the first car. INT. The ceiling is a hundred feet high. Motionless. UNIFORMED TECHNICIANS are stationed everywhere. Sternly. URI Un-be-liev-able. A short distance away A DISK-SHAPED FLYING SAUCER HOVERS silently above the floor of the cavern.CONTINUOUS They enter an enormous space. BUILT-OUT CAVERN . Roswell clears his throat. closing the distance to the saucer. Walking forward. The train accelerates quickly. The doors open. Roswell continues the same pace. Then follows his gaze. They diverted the water. thick cables. Mac freezes in awe. A glass command post nestles in the center of the catwalks like the body on a daddy-longlegs. Mac glances at Uri. Twenty feet off the ground. Mac and Uri finally catch up. Two men stand inside. A portal is open. He holds a small palm device. Large luminous orbs imbedded in the ceiling cast a peculiar greenish light. Roswell. . ROSWELL It’s a natural cavern. Pay attention. He quickly rejoins them. ROSWELL Stay close. Still rubbernecking. Mac sees he has fallen a dozen paces behind. Mac is agog. Used to be an underground reservoir. and overhead cranes.46. Quietly. They’re gone.

Horrible images flash through his mind. The sleek exterior is of a dull gray metal-like material similar to the debris piece. SIX FINGERS on each hand. ROSWELL I said no eye contact. MACKENZIE. A row of windows circles the craft near the top. A disproportionately large head. An AMERICAN FLAG is painted near the hatch door. Mac can only stare back. NOW. Inches from his face. . Immobilizing. MAC Sorry. Looks right at him. Distracted. The creature jerks his head. A one-piece jumpsuit matches the color of his skin exactly. Facing him. MAC My God. Blocking his line of sight. Now. Taller. They reach a partition. Bothered by Mac’s very presence. They’re alone. On the bottom are round indentations that appear to conceal lights. TWO LARGE. It floats noiselessly. Roswell and Uri shore Find themselves in Mac turns around and begins to weave. an area for equipment. An invisible force hits Mac in his solar plexus. Mac is blanking.47. ROSWELL MOVE. keep him moving. Blurry. One of the men standing in front of the portal moves from the interior onto the lift. Walk behind it. Mac and Uri stop The disk is seamless. Thin torso. Roswell stops twenty feet from the disk. Turn around and walk away. him up. ROSWELL MacKenzie. Spindly arms. next to him. He reveals another ALIEN. ANGLED BLACK EYES dominate the alien’s face.

Uri and Mac follow. Inspecting random pieces. Find Mac clumsily climbs up the debris heap looking for the one. only to bounce back in perfect shape after his foot lifts off it. MAC We’ll never find it.CONTINUOUS They enter a large storage area. Like he wanted me dead. with automatic weapons enter the room. He walks off briskly. arms crossed. Time is of the essence. it. Mac dives around the back of the pile. We may have been compromised. Uri coughs loudly. TWO MP’s The heavy door at the room’s entrance slides open. STORAGE AREA . LIKE DEBRIS thirty feet high. INT. .48. ROSWELL You drew attention to yourself. There’s A MOUNTAIN OF FOIL- ROSWELL My sources tell me the piece was brought back here. Looking up at the mountain of scrap. What did you do? MAC A force came at me. Each step silently crushes the foil beneath him. Uri nods. ROSWELL You know what it looks like. Mac circles up the pile. A total sense of evil. The MP’s approach Roswell who is pointing at the pile and improvs a briefing with Uri. ROSWELL Let’s move. piece? How about any ROSWELL It has to be from that mothership! MAC It’s impossible.

Mac peers around and sees the MP’s talking to Roswell. URI What shape is it? Guessing. MAC Where’d they take him? URI Some emergency meeting. He crunches them in both hands. the wall covering. Rhomboids. ELEVATOR . everything a shade of gray. Uri scurries up the debris pile.CONTINUOUS Roswell exits the elevator with his MP escort. INT. Gets to Mac. A shaky voice. ellipses. LOBBY . The decor is exquisite. The doors whoosh open. The carpet. the sofa. MAC It’s a trapezoid. Is distracted by the resilient foil pieces.MOMENTS LATER Roswell stands next to the MP’s. They’re all geometric shapes. INT.MAJ 12 . the bedding.MOMENTS LATER A large room.49. BEDROOM SUITE . Tall curtains drape from the high ceiling. Roswell nods to Uri and leaves with the MP’s. A KNOCK at the door. than my hand. circles. hexagrams. Uri looks down at the scraps in the heap. Spellbound. pentagrams. INT. A little bigger They both sift through the arduous task. triangles. they spring back. down a long hall. Opens his palms. The door closes behind them. squares. OLD VOICE FROM THE BED Come. They head A circuitlike key card is . in the slot for level MAJ 12.

OLD VOICE FROM THE BED (O.50. Exploding.C. His jumpsuit is zipped open. INT. URI That’s not a trapezoid. ROSWELL Hello.) Yes. Abaris. blocking his vision. . we got it. ROSWELL What can I do for you? ABARIS This body is getting weaker. no two of which are parallel. Off Mac’s look. It has four sides. STORAGE AREA . early eighties. MAC Uri. Looking heavenly. Freezes. Sees the cross a few feet away. come in Nathan. MAC YOU FIND IT. We will soon be in need of a new host. sits in bed in darkness from his chest up. The door opens revealing Roswell and the MPs.CONTINUOUS Mac plows furiously on his hands and knees. ABARIS Hello old friend. Sweat on his brow. Takes it from Mac. Uri scrambles over. Throwing the cross off his neck. He lets out a sigh. The MP’s close the door behind him. The cross keeps swinging out around his neck. Roswell enters. Inspects it. He walks to the foot of the bed. Then goes and picks up the debris piece under it. ABARIS. it’s a trapezium.

Uri looks back. Closes her eyes and touches the top of the cradle. Her eyes open. HALLWAY . She picks up the phone receiver. Roswell. RING. CAMARILLO STATE MENTAL HOSPITAL . Mac’s cell phone.CONTINUOUS RING. No Roswell. Hair matted in clumps next to her face. Hello? Roswell gives a slow nod. The workers start to load the train. The door unlocks itself. Her hands bound at the wrists to She’s noticeably thinner. Mac and Uri both check the platform entrance.LOCKDOWN WING . Mac shrugs. Other technicians INT. SUBWAY PLATFORM . She walks into the hall. The restraints spring open magically. They join him in the car. Low tones to Mac. stainless steel guards. No one is there. A train pulls into the station. and walks to the door. INT. No one is talking.LATER Mac and Uri sit restlessly on the bench. The train whooshs off.AFTERNOON Lucy lays asleep on a bed. Uri and Laura all give Mac a look. stand by the tracks. ROSWELL’S LIMOUSINE . Mac finds his phone.51. Slides open. URI He’s in the train. Sees Roswell in an empty car. Her eyes are swollen shut. She sits up. Lids have a peculiar red color to them.CONTINUOUS Lucy walks down the hall towards the orderly’s desk. INT. INT. stands. BRIGHT AURORA LIGHT PARTICLES fill the air. MAC .

ROSWELL’S LIMOUSINE . Taking her away.52.LOCKDOWN WING . ROSWELL Where was she calling from? URI Check your call log. two gold front teeth. She said “I’m the one”. URI Who was it? MAC It was Lucy. INT. skinhead..’re the waone. BUDDY. HALLWAY . LUCY You’re the wa-one. Lucy. tatoos.INTERCUT A HEAVY-SET NATIVE-AMERICAN ORDERLY. How did you get out anyway? INT. BUDDY Let’s go. A hand takes the phone away from her. hangs up the phone. LAURA The one what? MAC I don’t know.INTERCUT ROSWELL No one has that number. Gentle spirit. ROSWELL’S LIMOUSINE .LOCKDOWN WING . INT.CONTINUOUS Convulsive stammer.. . Phone time is over.INTERCUT MAC The one what? Dial tone. HALLWAY . Trance-like.

BUDDY Camarillo Care Center. ROSWELL’S LIMOUSINE .INTERCUT MAC Camarillo Care Center. Two birds. Call her back. Buddy looks at the receiver. PINKIE RINGS It’s too late. Finds the number. It self locks. Pinkie Rings is next to Jim Cranston.53. Takes a swig. He reaches for a can of Heineken out of the cup holder. LAURA Ventura County. GOLF COURSE . CRANSTON I want out.CONTINUOUS RING. Dial tone. 9999. Buddy slides Lucy’s door closed. Lockdown. lockdown. PINKIE RINGS Not bad. LAURA They’ve transferred her. 805-876- Mac hits dial. He INT. MAC It’s 8-0-5. PINKIE RINGS Where’s MacKenzie? . Roswell nods. A short pencil writes down two “4’s”. She’s a EXT. runs back to the phone.AFTERNOON A pinkie ring on a chubby finger holds a score card. Winded. Mac shuttles through his phone. INT.GOLF CART .LOCKDOWN WING . threat. HALLWAY .

around. Taps her pen. in civilian clothes. Cranston reluctantly opens his cell phone. is on the phone at the counter. Pinkie Rings swigs again on the Heinie. PINKIE RINGS Call her again. PATRICE Yessir. Do it now. PATRICE Are you related to the patient? ROSWELL No. She finishes. scratches his neck. A BLACK WOMAN IN A WHITE UNIFORM. An easy smile. U. CAMARILLO CARE CENTER HOSPITAL . A small fan blows behind her.54. Roswell Looks PATRICE How can I help you gentlemen? ROSWELL I have orders to see a patient from the military psych ward in Westwood. pass Mac and Roswell at the admittance desk. Mac. led by an ORDERLY. Air Force. Say you have work for him.LATER FOUR SEVERELY MENTALLY RETARDED ADULTS. She lifts a long purple fingernail. Beautifully braided hair. and you are? ROSWELL General Black. INT. . CRANSTON Maggie hasn’t heard from him. Are you part of the Conservatorship? ROSWELL I have orders. nods. She stops tapping the pen. PATRICE Yessir. PATRICE BURROSS.S. Just a minute. General Black.

SHERMAN? Over his glasses. PATRICE DR. I’m not. sir. SHERMAN Is he part of the Conservatorship? PATRICE No. you. Reads Roswell. DR.55. down the hall. Is she still sedated? DR. Veers to the He’s coming I can’t help . Over Roswell. SHERMAN looks over. DR. SHERMAN Yes? PATRICE General Black is requesting to see a patient admitted from the military psych ward in Westwood. PATRICE Would you like to speak to her doctor? ROSWELL Yes. DR. SHERMAN That’s private information. ROSWELL No. SHERMAN Is he related to the woman? Jumping in. Holds a chart. Impersonal. MAC Then she is here? She glances down the hallway. but it’s important that I see her. PATRICE Then I’m sorry. station. DR. PATRICE Well you’re in luck.

INT. Diebol types the name into a laptop. Thank you for you time.PARKING LOT . He’s Blue Mac still in disguise. MAC What’s he doing? LAURA Finding a link between the executive director and one of our contacts. Laura stands next to them. ROSWELL Diebol. the executive director here. Tooth wireless does the rest. Mac follows. DR. Doctor. MAC Man this stuff itches. EXT. ROSWELL Fine. next to Diebol. He turns and leaves. All climb into the limousine. Hits return.CONTINUOUS Mac sees Uri. He stops in the lobby. LAURA Don’t touch it. Notes the name of the executive director of the hospital. BLACK LIMOUSINE . also in civilian clothes.56. Catching up. MAC What next? ROSWELL A phone call. call Edward Higgins. . CAMARILLO CARE CENTER .CONTINUOUS Laura and Mac exchange a glance. ROSWELL The military needs to know. Carrys on. SHERMAN I’m not at liberty to discuss the case.

Well. A Major Lewis. I came as quickly as I could.high school wrestling team. HIGGIN’S OFFICE . It was requested by the psych unit for security purposes. Laura and Uri sit attentively.. They’re old personal friends. LAURA How is she a threat? Reading on. MAC Contacts? DIEBOL Got it. no matter. The Major informed me of the situation. MR. Every room has a keyed entry. HIGGINS Lewis and I go back a long way. Pressing.LATER EDWARD HIGGINS. Mac. HIGGINS No particular reason. Even to use the toilet. Roswell.57. A tall lanky man with stringy gray hair. sir. ROSWELL Thank you for your cooperation. URI Lockup? HIGGINS It’s usually reserved for the criminally insane. it’s not exactly clear why she’s being held in lockup. INT. HIGGINS Well. ROSWELL It’s imperative we see her now.. ROSWELL Make it happen. Higgins thumbs through a file. .

ANOTHER WILD WAIL. things we don’t. Opens it. Buddy opens the door. WOMAN’S DOOR . Like a crazed animal. BUDDY That’s the Screamer. Turning to Higgins. Mac and Laura exchange a heavy duty look. HIGGINS We’re here to see the woman we received this morning. He sees Crooked smile. she’s still sleeping. The woman lays asleep on the bed. Higgins looks to Roswell. LOCKUP WING ENTRANCE .MOMENTS LATER Buddy fits his special key into a lock. A HIGH. Buddy turns to Mac and Laura. Disturbingly amused. Bad dentistry. INT. nods back “yes”. ROSWELL I need a visual. INT. Nods towards Lucy. heads down the hall. Feeling the pressure. HIGGINS Well then. BUDDY Oh. HIGGINS Some of them do that when they get excited. follow me. Her hands bound at the wrists to the stainless steel guards. A slow smile.58. A heavy wire-meshed window in it. Finally gives in. Those teeth.MOMENTS LATER A thick fire door. Mac . WILD WAIL. They all go. Roswell discreetly looks at Mac.

HIGGINS Here? ROSWELL Yes. Shifting uneasily.. ROSWELL Let me assure you it’s important we move this woman to a safe location. the Major said to do whatever you asked. HIGGINS Well. Her life may be in danger. HIGGINS Well. ROSWELL How soon before we can have her moved? Confused. and I need your cooperation on this to the fullest. here. I’ll have to contact the Conservatorship and have it cleared.. To Laura. Now I want her cleaned up and given a change of clothes. but her chart indicates. Cutting him off. HIGGINS Major Lewis didn’t say anything about having the patient moved. ROSWELL Thank you for your assistance.59. Incredulous. . LAURA Yessir. Stay with her until we transport her. ROSWELL This is a matter of national security. ROSWELL When she wakes up see that she gets some real food to eat.

Speaking into his high-tech wristwatch.THE 101 SOUTH . MAC I can stay. We’ll take it from here. . HIGGINS The orderly can stay with her in case she needs assistance. Mac. will do fine. Mac shoots Uri a look. you go. A few cards short. Roswell sizes up Buddy. ROSWELL We have work to do. make a call for a special transpo unit. sir. ROSWELL’S LIMOUSINE .DUSK Uri plays with the debris piece.60.) Got it. Roswell pulls a laptop out of his case. ROSWELL Thanks again for your cooperation. ROSWELL The debris piece is hyper dataintensive and the scan could take four hours to decipher it. LAURA I got it. Laura ROSWELL That won’t be necessary.S. A scanner built into the screen of this laptop will read the piece. ROSWELL Diebol. Turns to Higgins. Laura will accompany them when they move the patient. DIEBOL (O. ROSWELL The software application is called MAJESTIC. INT. Handing it to Uri. he nods in agreement with Laura.

Mac looks through the file. . Blood is a vital element.61. We contaminate the core. ROSWELL A memory cell from your piece should contain a blueprint of the base. URI To locate the power core. ROSWELL They’re have been cattle mutilations. Roswell reaches into his briefcase. ROSWELL Exactly. ROSWELL Use your cell phone for everything. Inspects the screen. back now. MAC What does that have to do with the aliens? ROSWELL The harvest colony incubating at the base. I don’t how Lucy got you. MAC Hopefully with us not in it. I’m due Pulls out a file. Cows are drained of their blood and parts of their anatomy are cut away by a laser. I want photos. video. So is the web-feed in the laptop. You’ll go out there tomorrow. the base will self-destruct. ROSWELL There’s a fresh carcass in Arizona with an unusual twist. everything you can find. MAC Tomorrow? ROSWELL Laura will fly you out. Hands it to Mac. Uri opens it. It’s signal is scrambled.

Diebol pulls the limousine over to a stop. sir? It’s not much but it’s all I have. . Keep to Uri shakes his head. To Uri. time is of the essence. yourselves. ROSWELL Gentlemen. They could come after the piece again. Uri looks at the General. URI Yes. ROSWELL You won’t need it. Navigation should come quickly. URI We’ll do our best. The power door locks give Mac a scare. ROSWELL That’s it. ROSWELL I’m dropping you near the hotel. MAC What about my Jeep. Here’s five thousand dollars in small bills. We need those blueprints to activate the core. I’m not sure our visit to the base was unnoticed. Mac’s still not cut out for this. A look to Mac. We must preempt that. then back at the debris piece. gentlemen. Back into the briefcase. ROSWELL One more thing. Abaris is in weak health. ROSWELL The software is highly intuitive. He is looking for a new host to sustain his existence. Use cash for everything.62. A large wad of fifties. sir.

Reaching for his Heineken. Buddy enters. CRANSTON What about Abaris? PINKIE RINGS The genetic engineers are still searching for a compatible match. Roswell passes out. Folds her arms. now out of the restraints. THUMP on the glass. ROSWELL’S LIMOUSINE . what’s going on? Diebol slumps over. the car. INT.NIGHT Pinkie Rings and Cranston are being served their main course. Bends over hungry and tired. 9:00pm. Laura finishes rubbing lotion on her wrists.CONTINUOUS A basin and sponge lie next to the bed. PINKIE RINGS General Nathan took those two out to the base. Still no transport. COUNTRY CLUB DINING ROOM . The woman has clean clothes. He’s pulled from Some kind of gas. BUDDY Everythin’ all right? . ROSWELL Diebol. INT. They’ve taken the piece. They committed a security breach. and is still sleeping. Roswell is nodding off in the back. Both are hanging up from cell phone calls.LATER At a stop light. HISSING. combed hair. INT.63. The door opens. She checks her watch. A A key into the lock. Looks at the door to the hall.SEDATED WOMAN’S ROOM . LOCKUP WING . Coughing. She yawns. His door flies open.

. Buddy peeks through a patient’s wire-meshed window. A YOUNG THIN man with sunken eyes sits with his knees tucked into his chest. so you’ll have to knock or call when you’re done. . Look. He see Unlocking the bathroom door. Laura follows him up the corridor. I know. Faded linoleum floor.. Self-locks. Buddy looks at the sleeping patient. LAURA . They finally reach then end of the hall. Yellowed walls. things. He rocks ever so slightly. LAURA Okay. You gotta come up to my station.LOCKDOWN WING .CONTINUOUS The iron door slides shut. More gold teeth.that we don’t. I know. BUDDY I bought you a sodie-pop but regulations say I can’t bring anything down into lockup. his chin resting on them.64. BUDDY It locks from the outside. Cutting him off. I really gotta go. quick-like. LAURA She’s still out cold. HALLWAY . Bladder bursting. she ain’t going nowhere. BUDDY Oh heck.. I have to use the bathroom and I could use something to drink. just let me in the bathroom first.. Motions Laura to look inside. LAURA She’ll be fine. BUDDY That’s the Screamer. We’ll make it INT.

CONTINUOUS It’s getting closer. LADIES’ ROOM . LADIES’ ROOM . THE SCREAMER’S ROOM . Jaw locked open. turns around. LAURA Got it. Sounds in the dark. LAURA Gotcha. Pitch dark. BLACKOUT. The Screamer uses his hands and feet and propels himself across the floor. Finds the main door. INT. Rocks faster. INT. Pant zipper.65. Laura looks down. Something bad is in there.CONTINUOUS Laura rushes in the stall. Laura freezes. Listens. Laura closes her eyes. Toilet paper. Unzips her pants.CONTINUOUS ANOTHER WOUNDED WAIL. breath. Great. The corner of the cell. He presses his bony body as far as he can against the wall. Toilet flush. Takes a A power failure. Opens them. Stall door unlatches. INT.CONTINUOUS THE WAIL. Practically hopping. Laura stumbling in the blackness. BUDDY I’ll be right here so you go’head. Yells like a wounded wolf. THE SCREAM. THE SCREAMER’S ROOM . He whips his head back. LADIES’ ROOM .CONTINUOUS The Screamer scans the room frantically. Eyes bulging. HELLO??? LAURA BUDDY???? . INT. INT. Bangs on it. LAURA HELLO???????? Commotion.

she has no choice. More screams in the darkness. Tear trails on her cheeks. No key. BUDDY I’m tryin’. He reaches for Laura’s hand. EXT. Laura regains her composure. The whole wing. LUCY’S ROOM . EXT. A LONG. She walks past Buddy timidly into the dark hall. BUDDY IT’S LUCY. LOW NOTE CRESCENDOES IN A HIGH SHRILL IN THE DARKNESS.S. Backs away down the hall.CONTINUOUS Buddy fumbles in the dark trying to get the key in the door. He lets go of Laura’s hand. SCREAMS. Toward the light. Contact.CONTINUOUS Laura pulls on the door. Laura walks toward her room. Then it starts. . CHAOTIC CONFUSION. INSANE LAUGHTER. LADIES’ ROOM . LAURA WHAT’S GOING ON? BUDDY ELECTRIC’S OFF. He finds it. WILD. The key turns the lock. Hands to her ears. LAURA (O. LET ME HAVE YOUR HAND. GOT’EM ALL RILED UP. GROANS AND BLINDING LIGHT explodes out of the sedated woman’s room. SHRILLS AND SHRIEKS. ANOTHER SCREAM. The lock’s here somewheres.) HURRY! PLEASE! BUDDY I can’t see it. Locked. Reluctant. He opens the door. Then runs.66. The sound of bodies hurling against the doors. Freaked. I’LL GET YOU OUT OF HERE.

URI What are you doing? MAC Finding SportsCenter. A helpless. She looks to the door.DEAD OF NIGHT . Lucy’s body In the darkness. She’s sucked out the window.LATER Uri stares blankly at the laptop lid scanning the debris piece. INT.67. . The rush of a freight train. quivers. Has disappeared back into the laptop. MAC’S HOTEL ROOM . Anxious. Lucy floats above the bed. Laura screams through the wire-mesh glass. And it’s gone. Mac and Uri stand in the middle of it in awe. They will know we are here. wide-eyed. Blinding light and wind pour through the opening. Lucy looks her way. URI That is monitored by the hotel. terrified stare. She peers through the wire-mesh glass. MAC How long’s that thing gonna take? Suddenly a huge hologram of the alien base engulfs the room. She’s awake. The 3-d blueprint spins slowly on an axis. LUCY HELP ME! Another noise. She screams. Laura pounds on the little square window and screams. Mouthing to Laura. Mac turns the TV on with the remote. A small steel-reinforced window placed high in the wall is gone. She can’t be heard. Mac reluctantly complies. Her body rotates in mid-air so her head faces the opening.

68. Uri stares at the laptop. MAC How you gonna print that? RING! The hotel phone. They freeze.

URI Don’t answer it. MAC Maybe it’s Laura. URI Roswell said use only the cell. RING. MAC Maybe she doesn’t have it. URI Don’t answer it. RING. Mac moves to the phone. MAC Maybe she’s in trouble. Uri thinks on it. RING. Mac picks it up. MAC Hello? INT. EXTREME CLOSE-UP OF A MOUTH TO A PHONE - INTERCUT METALLIC VOICE We have Roswell. INT. HOTEL ROOM - INTERCUT MAC Who is this? INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT METALLIC VOICE Give us back the piece and we’ll make sure nothing happens to your wife and kids in Paso Robles.

69. INT. HOTEL ROOM - INTERCUT MAC I don’t know what you’re talking about. INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT Cuts him off. Pissed.

METALLIC VOICE You know exactly what I’m talking about. We’re watching you. INT. HOTEL ROOM - INTERCUT MAC Who are you? Dial tone. Mac stares at the phone. URI What did he say? Slowly putting the phone in the cradle. MAC They want the piece. They got Roswell. They’re going after Maggie and the kids next. URI They’re bluffing. Mac finds the small flip phone. Dials frantically.

INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT RING. A deep sleep. Hello? Cellular break up. Extremely choppy. YOUR LIVES COULD Maggie fumbles for the phone. MAGGIE


MAGGIE Who is this? Mac, is that you?

70. Every other syllable. MAC TAKE THE KIDS. LEAVE. Mac?

MAGGIE You’re breaking up.

INT. HOTEL ROOM - DEAD OF NIGHT - INTERCUT KNOCK-KNOCK-KNOCK. The hotel room door. kill the cell phone. Uri motions Mac to

INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT Dial tone. Maggie looks at the phone confused.

INT. HOTEL ROOM - CONTINUOUS KNOCK-KNOCK. More urgent this time. Moves quickly to the side of Mac follows the

Uri grabs his gun off the bed. the door. Delta Force.

He waves his barrel towards the bathroom. directive. Backs up. KNOCK-KNOCK-KNOCK. Uri motions at Mac to talk. MAC Who is it?

WOMAN’S MUFFLED VOICE (O.S.) It’s Laura. Uri gives Mac the universal “shhhh” sign. WOMAN’S MUFFLED VOICE (O.S.) MacKenzie, are you there? Let me in. It’s me! Loud whisper to Uri. MAC It’s Laura. Uri shakes his head “no”. KNOCK-KNOCK-KNOCK. WOMAN’S MUFFLED VOICE (O.S.) C’mon, open up!

calling hotel security. Head high. MAC I know it. It’s her. MAC You said they we’re bluffing. Sharp whisper. Frazzled. Closes the door. Mac opens the door. URI It’s a trap. A long hug. I’m Aims his gun at Uri motions “halt”. Uri snores loudly in his bed. Uri waits. listen to me! It’s Green Eyes. Mac heads for the door. Laura lies on some makeshift bedding on the floor. Uri swings around to the middle of the room. MAC You can’t just start shooting people. WOMAN’S MUFFLED VOICE Mac. open up! Anxious. MAC’S HOTEL ROOM . She runs into Mac’s arms. Checks the hall. Pissed. INT. Instructing in whisper tones. . Angry whisper. the door.71. MAC There’s no MacKenzie here. Mac heads for the door. URI Open from the side then stand clear. He nervously wipes his chin. Mac lies in his bed. somebody is going to start shooting.MUCH LATER Light spills out the partially open bathroom door. Listens. stares at the wall. Then nods. If it’s a trick. Uri pulls them both in. It’s Laura. Alone.

Mississippi. LAURA I’m sorry. She goes Laura slips an arm under Mac. Mac holds his finger to her lips. Looks over. Mac turns over to face her. Mac puts his arms around her. She climbs in. Mac copilots. a farmer sees his prize cow do the same thing. Her eyes are still moist.MORNING Twelve thousand feet. Laura slowly rises.72. LAURA Hold me. . MAC A week ago a rancher in Billings. No need to talk. Whispers.AIRBORNE . Wearing only a hotel bathrobe. in Biloxi. Spoons behind him. LAURA’S PLANE . Uri chokes on a snore. to Mac’s bed. They stare a while longer. Stares blankly ahead. Mac pokes his head up. Laura pilots. Wraps her other arm over him and pulls him into a long squeeze. Softly. LAURA Okay. Over the engine noise. Referencing the file. LAURA I’m still scared. She sniffles. LAURA And? MAC The same day. Montana saw one of his cows float upward into the belly of a UFO. INT.

It LAURA I noticed you wear an old cross around your neck. EXT. INT. permeates everything. The wheels touch down lightly. MAC Where’s our sheriff? It stops . LAURA’S PLANE . the more I believe there’s a good side. Cuts the throttle. MAC A week later on a ranch in Arizona. LANDING FIELD . LAURA How do they know? MAC According to the sheriff. Do you believe there’s a harvest colony of cross-breeds? LAURA After seeing Lucy’s abduction. MAC There’s a darkness to it.73. The plane rocks and glides. by midfield. the cow’s head had an ID tag on his ear and the body of the other had a brand on it’s flank. Are you religious? MAC The closer I get to this evil. LAURA From Billings and Biloxi. I believe anything is possible. MAC That’s what they’re saying.LATER Laura’s plane approaches overhead.CONTINUOUS Checking the file. they find the head of the cow from Billings attached to the body of the cow from Biloxi. Flaps up. kick up some dust. nose slightly up.

Pointing. A big cloud of dust EXT. and no blood. Huffman squats down at the cow’s tail. The black head of a Holstein.DEAD COW’S BODY . You can see his cherries. Numbers check out all right. SHERIFF HUFFMAN kneels down by its head. LAURA Laser like. LAURA Mac. HUFFMAN Here’s the tag. About two o’clock. No torn flesh. HUFFMAN And the brand’s from Mississippi. grabbing the tag. HILLSIDE RAVINE . A squad car rolls along a dirt road. Laura walks around slowly. precise scar encircles the cow’s neckline at the union. A neat. mini-dv camera rolling. See the incision? No jagged edges. Simply surreal. LAURA Over there. HUFFMAN Sex organs have been cored out. HUFFMAN No sign of blood anywhere.74. Pointing out the front right. Motions to the rear flank. Blood vessels have been cauterized. facing away. chases it. the two-tone brown and white body of a Jersey.LATER The cow lies on its side. see where the eye should be? MAC Yeah. It’s been perfectly joined together. .

crosses himself again. goats.75. . Julio Mac looks up. the cow was alive before it was mutilated. JULIO. STRIKE! The giant rattler sinks his fangs into Mac’s ankle. POW! Gunfire. The foreman. A huge male. HUFFMAN Not a drop. A RATTLESNAKE. ALFREDO and ROBERTO PARRAS. MAC You sure it’s not a hoax? HUFFMAN We’re doing more tests. Goat sucker. just above his shoe. LAURA MAC!!!!! The snake’s fangs are open. A supposed animal that sucks the blood out of chickens. Mac’s backward momentum is carrying him right into it. LAURA You’re sure about the blood? Taking his knife and cutting into the cow’s groin. but from what I can tell. The snake gets blown off his heel. ALFREDO CHAPACABRA! MAC What did he say? HUFFMAN Chapacabra. cows. Smoke floats out of Alfredo’s rifle. Coiled to strike. A RATTLING SOUND. He recoils to strike. the ranch owners. ROBERTO DIABLO! HUFFMAN Says it’s the Devil. Mac steps back to take a photo. crosses himself. Mac turns around. Hears something. stand twenty feet back on the road next to two Jeeps.

Like Pablo . MAC I’m telling you. The men all grab a Coke. Roberto. I feel fine. He pulls it out of his shirt to look at it. Alfredo. The floor is partitioned. Pointing from the Jeeps. ROBERTO DIABLO. and Julio circle around Mac’s exposed ankle and bare foot. muerta. Laura puts some anti-biotic ointment on the bite. INT. A bookcase eats up the other wall.HUFFMAN’S OFFICE . Sheriff. New. MAC I’m telling you.LATER A double-wide serves as the station. Walls are covered with UFO photos. SHERIFF’S STATION . Shaking his head. I’m fine. HUFFMAN Here ya go. There are two large bite marks from the snake. His skin clearly broken. Huffman’s private office is spacious. and the viper. HUFFMAN I can still call Med-Vac as a precaution. LAURA Thanks. ROBERTO Si. Old. Some black and white. Julio notices the ancient Jerusalem crucifix around Mac’s neck. Some color.76. JULIO Christo is with you. ALFREDO You should be dead. The sheriff enters with small bottles of ice-cold Coca-colas.

SEMJAZA. ALFREDO Vamanos. 1976.77. Mac stands. The book slams shut and falls to the ground. Handshakes all around. Mac thumbs through it. MAC Can’t say that I have. Comes to a . Mac pulls one down. double-page spread of interest. gentleman. UFO . you start to poke around. Walks over to the bookcase. Gracias. Did the cross save him? Takes another gulp of his Coke.S. amigos. Edward “Billy” Mier had a major encounter with some aliens from the Pleiades star cluster. HUFFMAN (O. Looks closer. Authentic looking photos. Mac shoots Laura a look. Mac bobbles it. the viper leaped from the fire onto his hand.) Claims the Pleiades starship commander calls himself Semjaza. Sheriff. MAC The viper? JULIO Si. The three amigos depart. HUFFMAN De nada. but could not kill him. HUFFMAN Switzerland. HUFFMAN Ever seen that one? Mac reads the cover. God was with him. The very word Mac is reading as the sheriff says it. Julio lets go of it.CONTACT FROM THE PLEIADES. MAC So you’re quite a UFO fanatic. HUFFMAN You see as many mutilations as I have. Hasta luego.

LAURA ‘Bye! Laura turns the engine over.78. pretty compelling stuff. Sheriff. The car’s tinted window opens. INT. You ought to check it out. MAC Thank you for your time. THE PLEIADES.AFTERNOON Mac and Laura climb in the plane. A DARK CAR speeds toward the landing field. The dark car stops on the road a short distance from the sheriff’s car. We will. Huffman looks down the road. MAC Semjaza. HUFFMAN Hope you got what you needed. Mac closes his door. Huffman goes down. UFO . Huffman stands by his car. Gives a wave. Laura squats down to get it. His body spasms violently. HUFFMAN Watch that bite... Waves to Huffman through the glass.Semjaza. HUFFMAN Anyway. EXT. LAURA Sound familiar? Sitting on his desk. It roars to life. Mac stares at the cover one more time. A gray puff of smoke. LANDING FIELD . LAURA’S PLANE . Mac nudges Laura as she checks the gauges and fuel levels. Shakes his head.CONTINUOUS Watching from the plane coasting down the runway. . A gun barrel sticks out.CONTACT FROM Puts the book back on the shelf. She glances over.

Glass showers inside. Mac looks back. LAURA NOT ENOUGH SPEED! MAC HE’S GOING TO RAM US! At the last second she pulls back the controls. Heads A bullet tears into the cockpit close to Mac’s head. A STUN GUN. MAC WE CAN’T JUST LEAVE HIM! LAURA IT’S A TASER. The car fast approaches. She slams the controls forward. exploding it inward. One of its wheels bounces off the car’s windshield. And stays there. . Full throttle again for takeoff. MAC THEY SHOT HIM! Laura slams the throttle. LAURA COME ON! Dark car. BE ALL RIGHT. The plane lurches forward. Hits ground.79. The plane springs into the air. HE’LL She feathers the throttle. The plane dives. The dark car fishtails onto the makeshift runway. She banks it to the left. MAC THEY’RE GETTING OUT OF THE CAR! THEY’RE GOING TO SHOOT! POW! GUNFIRE. It’s Pinkie Rings. A man crawls out of it and takes aim at the plane over the roof. The plane lifts up. hits the rudder pedals to spin the plane around. straight for them. Away from harm. The tinted window lowers all the way. MAC WE’RE NOT GOING TO MAKE IT! Pounding the dash. He fires. Laura pulls back the stick. The plane skims off.

LAURA You’re a good man. MAC That guy who shot at us was the guy from LAX. LAURA You’re still in love with her. to check on Maggie and the kids. blew it. LAURA THERE’S SOME RAGS UNDER THE SEAT. How could he possibly know I was out here? LAURA They could have checked our flight log at the airport. INT. MAC We better get to Paso Robles. I was an idiot. These guys are definitely not bluffing. MAC You just needed a hug. Mac.80. Starts stuffing. Finally addressing it. Mac finds ‘em. LAURA’S PLANE . I hope you I MAC How do you prove to someone you’ve changed? . The cabin quiets down. LAURA Sorry about last night. LAURA Paso Robles? MAC Yeah. aren’t you? MAC Like crazy.AIRBORNE . Awkward. get what you want. STUFF ‘EM IN THE HOLE.MOMENTS LATER Wind pours through the bullet hole.

MAC Are you nuts? LAURA It might work. MAC Can I get bars up here? LAURA I’ll take her down. No answer. LAURA Maybe they moved to a hotel.CONTINUOUS Through the windshield. EXT. before sunset. They descend onto a narrow dirt service road below.DUSK Laura’s plane circles one last approach. there a place to land? Is EXT. INT. A deep drainage ditch runs alongside it on the right.81. CREEK WALK VINEYARD . She pushes the controls forward. No ring.PASO ROBLES . LAURA’S PLANE . MAC What if the corn’s too high? . No visible sign of life. INT. CREEK WALK VINEYARD .MAIN HOUSE . LAURA By doing the right thing for a long enough time.CONTINUOUS MAC Straight to voice-mail. He pulls out his cell.CONTINUOUS The front door is ajar. The left side is a cornfield with healthy headhigh stalks. LAURA’S PLANE . MAC How long before we can get there? LAURA If we’re lucky.

LAURA I guess we’ll find out. Over the loud hissing.82. LAURA’S PLANE . LAURA I THINK WE’RE GOING TO MAKE IT! MAC THERE’S ONE THING I FORGOT TO TELL YOU. SERVICE ROAD . Mac braces himself while Laura takes it in. SERVICE ROAD . LAURA’S PLANE . The right tire bounces along the edge of the deep ditch.CONTINUOUS Bucking the steering. LAURA WHAT’S THAT? MAC THERE’S AN EIGHT-FOOT FENCE AT THE END OF THIS ROAD TO KEEP THE DEER OUT. THEY LIKE THE GRAPES.CONTINUOUS The left wing skims along the top of the tassels.CONTINUOUS The eight foot chain-link fence stands dead ahead.CONTINUOUS Tassels crown the tops of the corn stalks. INT. The plane’s wheels touch down. SERVICE ROAD . . EXT. THUMP! HISSSSSSS! INT. LAURA THANKS FOR MENTIONING IT.CONTINUOUS MAC WHAT’S THAT? LAURA SO FAR SO GOOD! EXT. EXT.

Grabs a candle.CONTINUOUS They rock back into their seats. INT. Looking around.83. Bumping all the way. FRONT HALL . plane pivots forward. Lights it. Mac flips it on. Nothing. The house is pitch dark. LAURA I don’t see any cars. LAURA’S PLANE . Shaken. MAC Maybe they were already here. Riding the ditch. Flashlight on the light switch. Catching her breath. Nothing.EARLY EVENING A flashlight. INT. They arrive at the steps. LAURA Power outage like at Camarillo. corn. Mac walks to the mantelpiece. MAC You okay? LAURA I’ve had worse. Flips it again and again. MAC SARAH? He slowly enters. . Trimming The WHAM! Full contact! Like a butterfly against a net. They see the front door slightly ajar. not stirred. then bounces back down. Laura follows. Laura close. MAC We don’t know that. JEREMY? Flashlight. EXT. The plane speeds toward it. MAGGIE? Mac sticks his head in. Returns to Laura.FRONT DOOR . Takes the flashlight. Mac and Laura run up the gravel driveway to the front of the house. Mac nods his head to investigate. CREEK WALK VINEYARD .CONTINUOUS Front door threshold. Barely.

Doris clutches Jeremy.. Buries his . Kneeling in front of Maggie. INT..then the power went off.bright lights. SARAH Daddy! MAC Pumpkin! Relieved hugs all around. The candle reveals a sea of scared faces. Jeremy sits on the love seat next to Laura. MAIN HOUSE ..MOMENTS LATER Maggie holds Sarah Maggie. MAC MAGGIE!? The closet door beneath the stairs creeps open. MAC What happened? MAGGIE I don’t know. More candles all around. MAC MAGGIE!? A MUFFLED VOICE comes from the hallway. Mac opens his arms.LIVING ROOM .then we heard strange noises. head in Mac’s shoulder. in her arms. JEREMY Dad. MUFFLED VOICE Dad? Jeremy? MAC Is that you? Finds the Mac rushes from the living room into the hallway. and Doris sit on the couch. Stoops down inside.84. Jeremy jumps off the love seat and rushes to him...we saw something in the sky. I’m scared.. closet door open. Timidly... Sarah.

something’s coming in here. Something weird. JEREMY Mom’s right. Maggie fabricates a smile.85. MAGGIE I don’t believe we’ve met. Fiery eyes. JEREMY D-Dad. wonder and fear. He’s told me a lot about you. . A mixture of awe. MAC Did anyone call you? MAGGIE No. Maggie looks at Laura. SARAH Daddy. Stammering. Laura looks to Mac. I’m LAURA I’m a. A long tilt up. shoulder-length blond hair. A TALL. MAGNIFICENT-LOOKING ANGELIC BEING. Guarded.. I’m Laura Nathan. Interrupting. I’m. Something’s wrong with the phone. Then to Maggie. LAURA He’s right. Mac spins around. helping Mac. Something’s out there. Maggie’s face. The other side of the room. Long. The room suddenly fills with a brilliant light. It’s been out all day. MAC It’s not what you think.. it was bright and made the whole room light up! To Maggie. Sees it full on.

SCREAMS from Maggie and Sarah. Hurls it full strength. She lands in a heap. His eyes turn to hate. Straining to breath. The children burrow into Maggie. CREATURE I AM THE ONE NAMED SEMJAZA! ARE YOU TO ADDRESS ME! WHO It extends one of its arms and points a clawlike finger at Laura. LAURA Mac. tunic-like garment. . It’s clawlike fingers tear her clothes. Scaly skin like a lizard. WIND fills the room. Her head bangs against the wall like a rag doll from the gyrations. The being changes shape. LAURA Mac. It vomits something vile at her. A voice explodes from the creature. A long. The creature roars. Staggering against the force. His hair blows. pinning her to the wall. MAC GET AWAY FROM HER! It commences to breed.86. More howling WIND. Doris suffers a seizure. The creature picks Laura up off the floor. It hurls her against the wall behind her. Mac grabs a lamp next to the couch. presses itself against her. LEAVE US! MAC NOW! Black slanted oval eyes His head turns large and elongated. She covers her head. Weakly. Faints. It moves towards her. glare rage. Sheds its benevolent angel-like appearance into its own TALL GRAY BODY with spindly arms. Light emanates from his very being. do something.

LAURA Mac! Mac picks up a coffee table.HOURS LATER . Wildly throwing punches. Walkie-talkies. More come to her. Uri holds the damp towel on his He opens his eyes again. Coming hear me? Mac slowly opens his eyes. . Glares at Mac. MAC Where’s Maggie? It’s Doris’ living room..87. But different. Both children now float unconscious above the floor. Debris and paper circle in the wind. Others latch onto Jeremy. Catapults him with such force his head smashes a hole in the wall. head. hello. MAGGIE NO!!!! Maggie wrestles with the small gray. It spins around. MAC Uri? He collapses back into a chair. INT. Coming toward Mac. Toward Maggie and the kids.. He crumples to the floor. At the entrance of the room TEN SMALL GRAY ALIEN BEINGS swarm in. Maggie? He looks around. Weakly. Out cold.LIVING ROOM . MAC NO!! Before he can hurl it the breeding Semjaza turns and points his finger at Mac. MAIN HOUSE . Mac’s forehead.4 AM Voices in the distance. Another commotion. Fights for consciousness. It slams into its back. A damp towel on FOGGY VOICE MacKenzie. One small gray grabs Sarah from Maggie’s arms.

Bluntly.) Mr. COLONEL AUSTIN. You’ve suffered a major concussion. They found you next to the wall. Still groggy. MAC Where’s Maggie? URI With her mother. It’s a make-shift military post. Walkies. Maps. Eyes searching for truth. URI They were taken. MAC Where are my kids? He urgently grabs the arms of the chair and lifts himself up. MAC Taken where? URI They were abducted. AUSTIN I’m Colonel Austin. Uri firmly pushes him back down. Computers. The place is teeming with COMMANDOS IN BLACK JUMPSUITS. . They have a medical unit here. Internet.88. Intruding. CAMOUFLAGE FACE PAINT. VOICE (O. MacKenzie? Mac looks up at a new face.S. MAC What’s all this? URI A military swat team Roswell’s connected to. Weapons. Radios. MAC And Laura? URI Recovering upstairs.

He hurries. MAGGIE Oh Mac. Maggie enters the room. They’re all they’ve got. She’s bitten through her lip. No letting go. Cutting him off. Dried blood on her chin. Maggie faces Mac. Bloodshot eyes. Lost. She starts to tremble. They’re doing everything possible. Woozy.89. Broken. Losing it. AUSTIN We’re doing everything in our power to get your children out of there as soon as possible. Then back at Mac. AUSTIN The same base where General Nathan is being held. Mac struggles to his feet. MAC They’ve taken the children. Drained. Tear-stained cheeks. Uri and Austin leave discreetly. what are we gonna do? She sobs in Mac’s embrace. we believe your children have been taken to an underground base in the Nevada desert. I’m so sorry. Holding her tightly. Maggie. AUSTIN Mr. Mac looks at Uri. . She opens her arms. MacKenzie. MAC WHERE ARE MY KIDS? Austin glances at Uri. Huge embrace. We’ve been monitoring it constantly. caressing her hair. Mac takes a couple of steps towards her. MAC Maggie.

He’s told me a lot about you. BenHassen. I am now an archeologist. Diverting the conflict. Disarming. . A cluster of men gather around one of the choppers with Austin.90. Forces.) Mac.S. Nice to meet you. they gave her something. Frustrated. URI (O. URI Your mother. URI No. this is Uri From Israel. URI He is a good soldier. MAC Maggie. Outside. Mac and Maggie look over. Nods a bow. I’m sorry. Uri nods to the window. Maggie. Special We are lucky MAGGIE So you got us into all this. URI She is sleeping? MAGGIE Yes. URI I will check on Cranston in the kitchen. Colonel Austin approaches FOUR BLACK BLACK HAWK HELICOPTERS on the front lawn. he is on our side. is she all right? MAGGIE They think she suffered a mild stroke. The entire area is lit up by worklights powered by generators. MAGGIE On who’s side? And who are you? Jumping in.

ELISHA Shalom. too. . Like for the very first time. MacKenzie. MAGGIE Thank you. BLACK JUMPSUIT Mr. Elisha comes up on screen via webcam. MAC Cranston’s here? MAGGIE It’s not what you think. MAGGIE I’ve missed you. They kiss. MacKenzie? There’s an Elisha BenHassen on the webcam asking for you. A sigh. He follows the commando back to a work station. A tap on Mac’s shoulder. Their eyes meet. Smiles. She blinks back tears of relief. Another BLACK JUMPSUIT. She raises her lips. He takes off.91. MAGGIE So is this. Wipes her face. Watches the kiss. MAC Me. MAC I gotta go. She cuddles back into him. me. A small smile. Looks into her dreamy eyes. She finishes the kiss. Believe Mac leans in closer. Like crazy. MAC This is important. He punches in a password. Mac turns Maggie back into his arms. Laura’s on the stairs. She watches him go. Mac stops the kiss.

92.. Back to the screen. . Uri. I had no time. ELISHA Uri tells me you encountered Semjaza. ELISHA The next time you encounter him. MAC I’m trying. and the whole room full of commandos are watching. Then a pack of small grays came in and took the kids. “the next time”? SLAM. Tried to breed with her. ELISHA There will be a next time. MAC Wait.. ELISHA By faith in He who is greater than you. Elisha. wait. Laura. This is not good. A weary smile. MAC I forgot I had it. Finds it. Listening to Elisha. Sternly. ELISHA Did you command it with the cross? Feeling for his necklace. MAC Shalom. And when that times comes you must take authority over it! Mac turns around. wait. Only He can defeat Semjaza. MAC It hurled Laura against the wall. Colonel Austin. MAC How? Adamant. Maggie. What do you mean Elisha pounds his desktop.

Mac turns around. I want to help you. I’m afraid I’ve gotten in deeper than I bargained for. You must drive them out! MAC How? ELISHA Yeshua A Meshiac is with you now.) He’s right. room. ELISHA You’re not getting it. A new body. MacKenzie! These aliens are demons disguised to deceive us. A COMMANDO interrupts from a work station. Use the cross. He will fight for you! VOICE (O. MAC You knew about the sixth floor? CRANSTON And much more. . Mac and Maggie exchange a quick look. Passionate. unclean creatures. It’s Cranston from the other side of the MAC How do you know? CRANSTON My position on the hospital board made me privy to many things. They are evil.S.93. CRANSTON The leader of the base is in need of a new host. MAC Why didn’t they take me? CRANSTON You were wearing that cross. That’s why Sarah and Jeremy were taken. MAGGIE Oh my God.

94. COMMANDO Colonel, the doors at the end of the tunnel are opening! Colonel Austin crosses quickly to the soldier’s station. flat screen shows a remote feed of the huge doors slowly opening. AUSTIN THIS IS IT! “OPERATION TAKE-DOWN” IS A GO! LET’S MOVE! MOVE OUT! Instant mayhem. Walkies blaring. Choppers wind up. jumpsuits everywhere. Packing. Moving. Mac back to the web feed. ELISHA SHOW THE CROSS. YESHUA IS WITH YOU. BE STRONG IN THE LORD! SHALOM! Elisha’s gone. Mac is pulled away. Black The

Uri grabs THE BLUEPRINTS off a workstation. EXT. FRONT LAWN - DAWN - MOMENTS LATER The choppers churn up wind and leaves. A HIGH-RANKING COMMANDO, WALKER, intercepts Mac, Maggie, Uri and Laura. Over the chopper whine. With force.


95. Jabbing a finger in his chest. Taking charge.

MAC LOOK, PAL, THIS IS MY WIFE AND WE’RE GETTING OUR KIDS. SO STAND DOWN AND BACK OFF. They run around him to the chopper. joins them. He shrugs, turns and

EXT. CREEK WALK VINEYARD - ACCESS ROAD - NIGHT - CONTINUOUS Cranston speeds down the long dirt driveway in his BMW. clubs rattle in the back seat. Golf

A spotlight circles his car. He crouches to look out the windshield. The four Black Hawks swoop low over his car and out over the vineyard like a shot. He lets out a sigh. Then another spotlight engulfs the Beamer. But it’s ten times brighter. Cranston tries to look up at it. The golf clubs suddenly slam against the roof of the car. And keep slamming with an loud clanging. A whirlwind kicks up dust from the road. Tumbleweeds and debris swirl around his BMW in the white light. Cranston punches it. Pedal to the metal. The Beamer accelerates. The speedometer reads 100 m.p.h. It lifts off the ground. Cranston looks down at the road as it shrinks beneath him. Bathed in white light. EXT. CALIFORNIA-NEVADA BORDER - EARLY DAWN Four Black Hawks fly in tight formation low over the desert. INT. CHOPPER #1 - CONTINUOUS Colonel Austin rides shotgun with Uri, Laura, Maggie, and Mac and more troops in the back. Maggie sits between Mac’s legs, facing forward, engulfed in his arms. Uri examines an HK-MP5K rifle issued by Austin. He checks the magazine, unloads the clip of ammo, inspects it, pushes it back into place. Lock and load. Lays it across his lap. He notices Mac watching him. He grins and shoots Mac a thumbs up. Delta Force is back. Mac smiles thinly. Returns with a tired thumbs up.

96. Uri opens the blueprints. EXT. CHOPPER #1 - AIRBORNE - SUNRISE - LATER The Black Hawk flies low to the ground. Others follow.

INT. CHOPPER #1 - AIRBORNE - SUNRISE - CONTINUOUS The door slides open. Cold morning air bursts in with the first signs of dawn streaking across the desert sky. Golden light and wind wash over Maggie’s face. in wonder. With trepidation. The chopper sets down. walkies and headsets. All look out

Austin’s voice explodes over the

AUSTIN THIS IS IT! LET’S MOVE OUT! EXT. DESIGNATED LANDING AREA - CONTINUOUS The other choppers touch down. Soldiers spill out like ants, fanning out, crouching defensively. Awaiting orders. Uri and Laura pile out of Chopper #1. Mac and Maggie follow. Colonel Austin pops open the cockpit door. Makes a run for it. Gets to the front line. right. Low and fast. Commando sign language. To the

Forty men and two women run toward a gaping hole in the side of the mountain. Over two hundred feet high in diameter. A monster tunnel. They gather at the mouth of it. WALKIES BLARING MAYDAY! THE DOORS ARE CLOSING! The huge doors rumble together. AUSTIN USE THE THERMITE GRENADES! NOW! White

A half dozen troops run inside the closing doors. smoke pours out. MAC Thermite? AUSTIN They melt metal together. MOVE PEOPLE! LET’S

CONTINUOUS Soldiers follow Walker up ahead. Four commandos run ahead fifty feet and dive to the ground near the cavern entrance providing coverage.NEAR CAVERN ENTRANCE . No noise. visual. secure the area. parallel TEFLON COATED SLIDES that go down forever. AUSTIN These shoots should take us to Level 11. Laura. Secure the area. Up ahead. He pulls out the blueprint map.MOMENTS LATER Colonel Austin divides the men into two groups. The commandos line up and jump down both shoots single file down the shaft. GIGANTIC TUNNEL . Austin and the rest catch up. We’re going in. Okay men. WALKER It’s up ahead. Let’s go. One of them signals. Into his walkie. INT. We have a He stops. INT. SIR. INT.97. The rest of the troops move in. Uri. AUSTIN Roger that. Looking back. arms crossed.CONTINUOUS Walker and his men wait at the top of the shoots. . Maggie and Mac join the group on the right hand side. Awestruck by the enormity of it all. WALKER THE SHOOTS ARE UP HERE. The gigantic doors screech to a stop. TOP OF THE SHOOTS . in. Feet first. Colonel. The ants go running MAGGIE Where are we? MAC The back entrance. Trotting to keep up. And vanish. ALIEN BASE . Walker signals sign language.

Finger extended. Looking around at his men. He points to MAJ 12. Walker and the pointmen circle in. Eyes watery. AUSTIN Maj 12 can be reached through the air filtration system or the emergency exit shaft. . Flag on it’s side. The core is here. A commando in the grid above. THE PLACE IS SECURE. A tool cart a few yards away. Uri and Laura arrive near the saucer. Austin unfolds A DUPLICATE SET OF BLUEPRINTS from his jacket. We’ll enter it here.S. AUSTIN We’re here. INT. He stabs the map. standing in awe. We believe the General and kids are here. Laura takes Maggie by the arm. Covering her mouth. GRID COMMANDO NOTHING UP HERE. equally aghast. GIANT SAUCER CAVERN . MAC But why? A yell from above. URI There is no resistance. MAGGIE Oh my gosh.98. Lays it down. Sees the U. Mac and Maggie come up Maggie gets her first eyeful of the hovering spacecraft. The map illustrates the tiered levels. next to them.CONTINUOUS The troops form a semi-circle around the hovering disk. SIR.

Misses. He screams in pain. . Walker jumps onto the tracks. TRAIN TUNNEL . Pointy eyeteeth. Walker motions the team with his flashlight along the tunnel walls. The group jogs silently.CONTINUOUS The giant leaps randomly from side to side squashing soldiers at will.TUNNEL . Three more close behind. Walker fires. NIGHT VISION .99. Scanning everywhere. the rear. WALKER Don’t fire unless fired upon. Oval eyes. AUSTIN Remember you’re briefing. smother the flames. WALKER WE’RE CLEAR. But ignites another commando. A slow jog into the dark tunnel.MOMENTS LATER The entourage files onto the station platform. wails echo down the tunnel. TRAIN STATION PLATFORM . His gunfire ricochets off the roof and the Walker’s The giant leaps on him. Mac and company near The next station is illuminated five hundred feet ahead. It’s mayhem. stealth.MIDWAY . Quickly. INT. Commandos with daggers drawn watch helplessly. With precision. tunnel walls. Puts it on. Everyone else jumps down. A LARGE SILHOUETTE drops from a hole in the tunnel ceiling. Uri peels off a commando’s night vision. Literally pulls him apart. Goes A flamethrower guy tries his luck. Don’t use force unless absolutely necessary. It’s THE GIANT. Walker points his flashlight.CONTINUOUS Pitch dark. Men dive on him. AUSTIN LET’S MOVE OUT! INT. Dismembering.

100. BRIGHT AURORA LIGHT PARTICLES suspend him there. what is it? MAC Nephilim. MAC Nephilim. MAC WE ARE STRONG IN THE LORD! The giant springs from the ground high in the air right at Mac. Some scream in agony from the strays. Gunshots from behind him skim over Mac and Maggie’s heads. is carried over Mac and Maggie. They fixate on Mac. URI You are strong in the Lord. Flashlights on him. Lit by thirty flashlight beams. Looks to Mac. Yelling above the rattle. Still smoking. KA-BOOM! The giant is hit from behind. from Raphaim. A large burning hole smolders through his head. MAGGIE What can we do? Reaching into his shirt neck. MAGGIE Mac. . He carries a bazooka. He lands twenty feet in front of Mac and company. Tears rolling down. eyes look side to side. Holding Elisha’s ancient cross out in front. More outbursts of gunfire. Uri walks up. The giant quickly leapfrogs his way down the tunnel toward Mac. He’s enormous. His oval Goes to the slain giant. MAC It’s time to be strong in the Lord. Sparks and bullets ricochet all over. He lands in a heap on the ground. URI Seeing is believing. MAC You’re a good shot. Mustering faith. Crouches down.

MEN! They slowly break up. AUSTIN LET’S MOVE IT. Move down the tunnel. He applies his hand. Fix their weapons on another AN ADVANCE MAN finds a hand-scanner panel to open the station door. NEXT TRAIN STATION PLATFORM . The commandos take aim. EMERGENCY EXIT SHAFT .101. . prepare for descent to Level 12. sliding panel. Still no MPs. URI Bizarre. then heads above the platform. SIR! Two commandos pull out black Makita’s from their packs and unscrew the emergency elevator shaft panel. It opens. Each time readying for combat. INT. Anywhere. No resistance. Commandos encircle the fallen Goliath. Mole. AUSTIN Get it open.MOMENTS LATER POINTMEN stick their guns. INT. lower the ropes. A hissing sound. INT.CONTINUOUS POINTMAN #2 OVER HERE. No MPs. URI No one is defending. MAC They knew we were coming. Each time passing through an air-lock passage chamber. POINTMAN #1 CLEAR! They hop onto the platform. Whispering to Mac.CONTINUOUS The troops fly through small room after small room. SERIES OF CORRIDORS . Scan the station.

) HOLD YOUR FIRE. Fingers flex over their triggers. Maggie moves closer to Mac for protection. Ten men kneel with their weapons aimed at the elevator. a compact Latino wearing a mountainclimbing harness. MEN. Ten more HK-MP5Ks lock and load facing the elevator doors. AUSTIN Down the hole! POINTMAN (O. Silence but for the elevator whine as it ascends. AUSTIN HOLD YOUR FIRE UNTIL I GIVE THE ORDER! Uri gives Mac a look. Everyone adjusts their aim. Eyes through cross-hairs. The outer doors open with a loud hiss.) STAND DOWN! STAND DOWN! ELEVATOR COMING UP! Mole unsnaps. He positions himself. . It’s General Nathan (Roswell). climbs into the shaft. MOLE READY FOR DESCENT. Motions to Laura to fall back. Hops out of the shaft.102. A lone figure steps out. ONE MINI-COMMANDO. LAURA Daddy! Hugs him tightly. Uri locks and loads.C. The inner doors slowly open. AUSTIN (O. MOLE. He slips the rope through a caribeaner with a brake bar attached to his harness. Laura runs to him.S. HOLD YOUR FIRE.

You for them. ROSWELL It’s an exchange.103. But the truth of the matter is this. Austin arrives. are then to proceed to MAJ 12 alone. snaps to attention with a salute. Finds Mac. Once you’re there. All of us are to go with him. He kisses her on the head. MacKenzie. could. The deal is this. Maggie squeezes Mac. ROSWELL Hello. I saw your children a short while ago. Holds it up. ROSWELL MacKenzie. He pulls a circuitlike key card with coding on it out of his pocket. but they knew that. The kids were not a compatible host. Colonel. your children will be released. Uri shoots a Mac a look. General. ROSWELL You. . He looks around at the commandos. ROSWELL But I’ve been sent here to make an offer. They’re well and no harm has come to them. Mac and Maggie listen intently. AUSTIN We got here as soon as we ROSWELL Good job. sweetheart. ROSWELL Colonel Austin is to move his men from this level and go topside.

. ROSWELL Uri. To MacKenzie. So does Austin. Looks to Uri. Lucy. If you do host him. AUSTIN Sir. ROSWELL Their abduction was a trap to get you here. and commence the core contamination to blow up the base. MAC I’m the one to host? LAURA You’re the one. sir. If Mac agrees. Abaris wants you. If you refuse to share your body with Abaris. yessir. ROSWELL Then this is how it lays out. ROSWELL Is the core accessible? AUSTIN We think so. you need to be destroyed with the base. ROSWELL The window to destroy the base is now. we send him down. MAGGIE What are you saying? ROSWELL It’s time to exterminate this evil. did you get the blueprints? Uri holds them up. URI Send me. It’s your DNA and blood type that’s a genetic match. I’ll go. get the kids in exchange. he’ll kill you.104. MAGGIE That’s insane.

Maggie. Mac remains by the elevator door. Losing it. He gently takes massages Maggie’s shoulders. The rest of Austin’s commandos watch as everyone files out of the elevator. Inserts the card. She looks up. One last hug. Watery eyes. Maggie buries her face into his side. They kiss for the last time. He backs into the elevator. Mac inspects the card. EXT. Handing Mac the elevator key. All eyes on MacKenzie. ELEVATOR . Roswell comes over. Looks up to his face. Uri and Laura behind him. Maggie at his side. Laura’s. puts it away. I’ll go. MAGGIE I’ll never see you again.TOPSIDE .MOMENTS LATER Daylight reflects off the smooth hangar floor. MAC Elisha said we are strong in the Lord. The doors . MAC I love you.105. Majestic. MAC I’ll do it. MAC God has the final word. Time to believe it. ROSWELL Only Mac is a compatible host. Mac’s eyes meet Uri’s. slowly close. ROSWELL This card will let you access Level 12.

MAC How are my dear ones? JEREMY I’m scared. .LOBBY . Jeremy close behind. MAJ 12 . Dad. Mac steps off the It’s the same Sarah and Jeremy stand next to an ASIAN MAN.CONTINUOUS The doors hiss open like a snake. SARAH Where’s mommy? MAC She’s waiting for you upstairs. Approaching. janitor from the LAX men’s room entrance. ASIAN MAN Abaris wants to assure you they remember nothing of their harvesting. Back to the kids. ASIAN MAN I go with the children. MAC “Harvesting”. Asian man scurries into the open doors. SARAH DADDY!!!!! MAC PUMPKIN! Sarah runs with glee. Mac stoops down and gives them hugs and kisses. INT. Looks up with contempt.106. MAC How do I know they’ll reach the hangar? ASIAN MAN You watch there. elevator.

Maggie at the bottom of the screen. very. He kisses them both on the lips. Choked up. The kids fire it back.ELEVATOR LOBBY . you guys.CONTINUOUS Mac watches the screen. Now is the appointed time. and this nice man will take you up. Austin’s men milling about.CONTINUOUS Mac approaches. Mac gets a visual of the door. No harm. A video feed of the hangar. No visible means of entrance. INT. Mac looks. Reality setting in. arms. MAC Hold hands. Inspects the damage.CONTINUOUS Commotion on the hangar floor. Asian man points to a BLACK DOOR behind him. Then steps out of the elevator. Mac gives the thumbs up sign. He jerks it back. He points to a bank of recessed monitors across the lobby. He takes a deep breath. The doors slowly closing. Wipes his mouth. Touches its surface. Assuring. . MAJ 12 . Tousles their hair for the last time. Mac heads to the bank of monitors. A lone tear. The kids run into Maggie’s Watch and wait. They’re gone. A dual bear hug. Looks back. Still kid level. ASIAN MAN You go there. very. INT.107. MONITOR SCREEN . He reaches his hand up. MAC I love you very. INT. All are safe. His hand goes through it. LARGE BLACK PANEL DOOR . Looks over at the large black panel. very much. Knowing this is it.

ROSWELL (O. Blueprints of the base lie on the hangar floor.S. URI I can go. ROSWELL You’re too big. He pulls it back out. His arm disappears up to his shoulder. Mac walks squarely into the large black face plate.S. INT. ROSWELL Let me tell it to you straight. I’ve got a kamikaze mission and I need a volunteer. The sun is hyper-intensified by a magnifying glass lens and will burn through anything it touches. Commando Mole has stepped forward. ROSWELL Colonel Austin? AUSTIN It’s his call. Laura comforts Maggie and the kids far behind them.) I’ll go. Takes a breath. Uri. He reaches in farther this time. VOICE (O.) To destroy the base we need to contaminate the power core. A line of commando faces listen as Roswell continues. Roswell lifts up a piece of bronze sheet metal.108. And disappears. GIANT HANGAR . ROSWELL You’re odds of escape are one in a million. Austin. Uri looks down the line. I need someone half your size. Are you sure? .CONTINUOUS Roswell stands before Uri. and the rest of the commandos. ROSWELL The only way we can get into the power core is down the solar shaft. son. He fits the job.

Seamless. Mac sees the silhouette of a man sitting at a circular table. Whispering through his lips. and walls somehow fails to illuminate the man. INT. MacKenzie. oh yes. INT. . It suddenly splits into four quadrants receding into the floor. Mac proceeds with caution. MacKenzie.CONTINUOUS RASPY VOICE IN THE DARK (O. Mac slowly sits down. RASPY VOICE IN THE DARK We know everything. That’s why I cleared everyone out. The light filtering through the floor. We don’t want anyone hurt now. the ceiling. RASPY VOICE IN THE DARK Sit here. everything. All the personnel. sir. Pointing to a chair next to him. It’s MacKenzie. CIRCULAR ROOM . RASPY VOICE IN THE DARK Don’t be shy. Mac squints to get a better look. Arthur. do we? MAC All of this was staged for my benefit? Laughing out loud. Mac enters into a circular room. and Pthe left and right walls. ceiling. well. Art MacKenzie.) Well. I knew you would come.CONTINUOUS Mac stands in front of another black door.109.MAJ 12 . CORRIDOR . Here.S. all those bothersome MPs. RASPY VOICE IN THE DARK MacKenzie. have a look. I want to see you. MOLE I like my chances.

Osama Bin Laden. Chinese student protestors march arm in arm against militia wearing riot gear.110. Hiroshima. Vivid moving images. JFK’s head exploding in Dallas. The killing fields of Cambodia. Suicide bombings in Jerusalem. Baghdad under siege. it isn’t a pretty picture is it? There is quiet. The second jet plowing into the World Trade Center. Atomic bombs in Nagasaki. RASPY VOICE IN THE DARK You see. The images stop. like looking Hitler gesticulates wildly delivering an impassioned speech. The man places his hand in it. RFK shot at the Ambassador Hotel. Mussellini. A control panel in the shape of a hand. Napalm in Vietnam. Yes. The oil fields ablaze in Kuwait. Saddam Hussein. Castro. MacKenzie. Molded into the The room explodes with a series of DIFFERENT HOLOGRAPHIC IMAGES. Hundreds of dead bodies in a river in Somalia. table. Kadafi. Human skeletons stacked in a concentration camp. . I want you to understand what we humans are. Mac jumps up from his chair. He stares at the pictures. The Wailing Wall. through windows. The Ayatollah. Raspy inhale. Pearl harbor being bombed by Japanese Zeroes. North Korean leader Kim Jong-il.

111. Mac is silent. RASPY VOICE IN THE DARK All the butchery, the pain, the misery. Mac shifts uncomfortably. RASPY VOICE IN THE DARK All of what you saw will be a thing of the past. There will be peace, security, and a world governed fairly. The aliens will change things. And quite for the better. MAC Why are you telling me this? The man rests his hand again in the indentation on the table. A light begins to illuminate the man’s face, lifting it from the shadows. Humming, not singing. RASPY VOICE IN THE DARK Oh give me a home...where the buffalo roam... Thrown off. MAC I used to sing that song with my... RASPY VOICE IN THE DARK ...your father? His face now illuminates under the light. It is Mac’s father, his dead father, sitting before him. Mac recoils. Leaning in. Too creepy.

RASPY VOICE IN THE DARK I am your father. I am now the one named Abaris. INT. DIMLY LIT CORRIDOR - MOMENTS LATER Mac walks slowly next to Abaris. ABARIS Abaris, after a Greek sage who had the power to heal.

112. You see, it was I who saved the alien who survived the Roswell crash. Mac has trouble looking ahead. ABARIS When his body began to die I allowed him to enter mine. MAC Is he with you now? ABARIS You have been talking to both of us, for now we are one. It has been the most valuable experience of my life. Feeling somehow ripped off. MAC You fake your death so that some alien could share your body over raising your own family? ABARIS Oh you mustn’t be cross. It has been for the good. Yes, and much more. But now my body is beginning to die. That is why I brought you here. Mac strains to process it all. ABARIS You, my son, are the person to carry on. To end the misery on this planet. If you will only allow us to enter. Abaris stops in front of a large panel. into four sections. He gestures for Mac to enter. INT. THEATRE CHAMBER - CONTINUOUS ABARIS The time of the mass revealing is almost at hand. A world of peace, harmony, love, and understanding. The true brotherhood of man realized to its fullest potential. The door splits open

113. The room is suddenly bathed in brilliant white light. A huge heavenly being floats from an entrance off to the side. He is magnificent, powerful, and splendid to behold. HEAVENLY BEING I am the archangel Gabriel. me. The angel hovers above Mac and Abaris. changes his appearance. Trust And gracefully

Ghandi, serene and holy with a white dhoti wrapped around his tiny brown-skinned body. Into Buddha, silent and detached, with a beam of light streaking from the center of his forehead. Into Jesus, hanging on a cross, wrists impaled by bony nails, a crown of thorns jutting into his bloody head. Mac watches breathlessly. The image changes again. A small point of light. Swirling. Into a primordial cloud of spinning galaxies. Into the universe itself. His voice echoes. THE UNIVERSE I AM THE ONE NAMED SEMJAZA! Suddenly it is gone. It has vanished. Complete overload.

Mac stands in total shock. MacKenzie.

ABARIS (O.S.) Mac looks around. His father calls him from an adjacent room. Mac reluctantly follows. INT. SOLAR SHAFT - INTERCUT AN EIGHT FOOT DIAMETER mirrored-paneled SOLAR SHAFT magnifies a concentrated six foot diameter beam of hot desert sun down into the base. A heavily perspiring Mole carefully repels down the shaft, flat against the side to avoid the intense beam. INT. MAJ 12 - THE TIERED ROOM - INTERCUT A large space with a strange reddish glow. of towers with thousands of shelves. Hundreds of rows

Putting it all together.SPEED MONTAGE OF IMAGES Lucy’s gaunt face in the psych ward. Muhammad. Semjaza manifesting in the living room. The mutilated cow carcass. Mac keels over with dizziness. All genetically engineered. MAC Embryonic Nephilim. A glowing hybrid heart beats in a glasslike container. The alien in the saucer staring in hate. ABARIS This is the future. They are the ones who stimulated the creation of the world’s major religions. Moses. And soon their time of dwelling with us will be revealed. To replenish their dying race and evolve ours.114. embryos incubate within a thick red liquid. The rattlesnake on his heel. Jesus. On the shelves are countless glasslike containers. ABARIS Krishna. The six-fingered skeleton in the ancient sarcophagus. And the kingdom of heaven will be on earth. INT. Their seed and ours joined together to create a superrace. MAC The cow’s blood. An entire row of glowing hearts beat as one. From the topmost tier. Divina with her throat slit. The small gray with the doctor inspecting the giant’s foot. Hybrid . ABARIS The aliens are here to enlighten us. MAC’S MIND .

The red thick liquid squirms. But he’s transfixed. Mac snaps. Seemingly in unison. MAC THEY’RE ALL CROSS- ABARIS WHAT ARE YOU DOING? Pointing at Abaris. The embryo reaches out a clawlike finger. ABARIS It’s time to embrace him. ABARIS YES. Mac jerks away. this all might seem strange to you now. Mac fights a gag-reflux. ABARIS You see. NEPHILIM! BREEDS. OH YES. Sarah and Jeremy floating in midair.CONTINUOUS Mac looks at a glowing hybrid embryo. EMBRACE HIM. Hundreds of embryos spill across the shiny black floor. MAC IT’S A LIE! YOU’RE A LIE! NOT MY FATHER! YOU’RE . INT.115. The jars smash open. Pushes the entire tower over on its side. The embryo turns in the jar so that its slanted eyes look out at Mac. They writhe and gasp. It startles Mac. The tiny creature twists and presses its hideous face against the glass. Laura slammed like a rag doll against the wall. TIERED ROOM WITH GLASSLIKE CONTAINERS . MY SON. FOR HE IS YOUR BROTHER. but I assure you it is the future of mankind. Its twisted face a look of hate. It scratches the side of the container. Puts his shoulder into it. Exploding. my son.

Choking. A desperate prayer. Looking up. SEMJAZA I AM SEMJAZA. HOW DARE YOU INTERFERE WITH OUR COLONY? YOU CANNOT DESTROY THE FUTURE OF MANKIND! Mac back-pedals on the smooth shiny floor. He pushes over another tower. Elongated head. Gasping for air. . They domino. MAC WE ARE STRONG IN THE LORD AND IN HIS MIGHTY POWER! Projectile vomit at Mac. He’s gagging. A warrior with a flaming sword. wings spread wide. The angelic being fills the space. Booming voice. He outstretches his razor-taloned fingers towards Mac. Gray scaly skin. MAC I need you. Outraged. Holding up the ancient Jerusalem cross hanging around his neck. ABARIS YOU MUST STOP NOW! Brilliant white light floods the room.116. More embryos spastically twitch in the shallow thick cow’s blood. Breaking glass everywhere. Clawlike hands. He’s drenched in foul fluid. Mac grabs for his throat. Slanted oval eyes. MAC IN THE NAME OF YESHUA THE MESSIAH I COMMAND YOU TO RETURN TO THE PIT OF HELL! Semjaza takes a deep breath and blows out a black cloud that envelopes Mac. Semjaza comes closer. He goes down to the floor. It’s time to believe. BRIGHT AURORA LIGHT PARTICLES manifest into a TWENTY-FOOT ANGEL. Then his appearance changes.

A crackling thunder fills the room. the angel swings his sword and cleanly cuts off his arm. It holds against the supernatural force. A large ominous black pit descends as far as he can see. The deafening noise subsides. The angel swirls his sword in the air. He gets . severing the snakes into pieces. The wind sucks down as the pit seals itself off. Semjaza takes another deep breath. Suddenly tentacles of wind. A gaping hole rips across the center of the floor between Mac and Semjaza. choking him. At last all is calm. lash out from the abyss and encircle all of the writhing embryos and glass containers on the shelves. Abaris steps back in bewilderment. three large male rattlesnakes wrap themselves around Mac’s throat. A whirling hurricane engulfs the room. He scans the room. his disjointed arm following him. Mac lies prostrate. the loud rumble of an earthquake. Semjaza shrieks as he is hurled into the pit. No Abaris. Semjaza is now above him. Before he can exhale. A larger tentacle comes up and wraps itself around Semjaza. It’s The floor rumbles as the abyss slowly closes. The angel aims his sword at the floor. His face a twisted mask of rage and fear as it tries frantically to move away from the abyss. He desperately claws at a load-bearing beam. They disintegrate as they fall to the ground. then his body is torn from the clinging arm. Mac scrambles away from the pit. The angel’s flaming sword pierces the darkness. He hooks his clawlike finger on its edge. He lashes his sword at Mac’s neck. Mac’s hair blows wildly.117. The warrior angel vanishes. The noise is deafening. like small tornados. A lightning bolt hurls at Semjaza’s feet. Semjaza lets out a tortured scream. His clothes flap violently. Another sound joins the cacophony of the whirling wind. The entire colony is spun into a frenzied helix and drawn into the depths. to feet. Heads for the black door. In the cloud. revealing the suffocating Mac.

Get there. He sees the guards. He folds into an airplane. INT. He turns to watch the Nephilim giants charging hard. He turns back to the pulsating plasma. MOLE C’mon baby. And again. In the portal next to him Cranston bangs on the glass. AN ALARM BLARES.INTERCUT TWO NEPHILIM WITH MASSIVE SIX FOOT SWORDS stand guard near a thick stainless steel door. corrupting the energy field. Mole’s face peeks out upside down out of the shaft. Then dives in. A HOVERING SAUCER pulses a deep orange glow. INT. Three small grays yank him away. MOLE Crap. A muted yell for help. It rotates revealing a row of oval shaped windows. POWER CORE ROOM . SOLAR SHAFT . on top of the large prism of refracted sunlight. Mole drops to the ground and heads to the edge of the plasma lake. INT. INT. HUGE CAVERN . swords drawn. As they run toward the shaft. Light pours down the solar shaft behind them and is reflected through a giant prism onto a lake of yellow inorganic pulsating plasma some twenty feet away. And slowly lowers himself again upside down. . Alarms drone and red lights flash. Under his breath.INTERCUT Mac runs into a huge cavern. And finally lands back underneath Mole. Unzips a pocket and pulls out the piece of bronze sheet metal. Finds the pulsating lake twenty feet away. Checks the guards again. Abaris looks down from one of the portals. POWER CORE ROOM .CONTINUOUS Mole pulls himself back up.CONTINUOUS Mole hangs out from the shaft. see Mole and brandish their swords.118. He carefully launches the plane towards the lake of pumping plasma. The guards spin around. The plane circles silently over the energy field. Sparks erupt as the power core commences a nuclear meltdown.

Alarms continue to echo. INT. sir. The doors open. A red panel lights up. Austin gets a visual of the fireball.CONTINUOUS The elevator roars upward. Mac is thrown to the ground. ELEVATOR . INT.CONTINUOUS Roswell. The giant hangar doors in the background are closing as the fireball pours past them into the daylight.CONTINUOUS The four Black Hawks wind up their sagging blades. He inserts the circuitlike key card. AUSTIN The base is going. the kids. EXT.CONTINUOUS Chopper One lifts off the tarmac. Sees a small card slot in the panel. GIANT HANGAR . The saucer lifts higher and banks toward an opening at the end of the cavern. EXT. CHOPPER # 1 . The others follow in . And is gone. Uri. Maggie. Mac notices an emergency exit shaft against the wall. formation. He runs to it. Mac looks up as the lights flash and go out.119. Blackness. The saucer whisks towards the tunnel. ROSWELL Take her up. Into his headset.CONTINUOUS The elevator doors open and Mac runs out into an empty hangar. INT. ALIEN BASE TARMAC . Laura. Daylight pours through a tunnel at the far end. and some commandos commence to buckle up. KA-BOOM. A fireball blows the elevator doors out into the hangar floor. Reserve power. ALIEN BASE TARMAC . Austin.

CONTINUOUS Maggie stares out the open chopper door back at the hangar. ALIEN BASE TARMAC . ALIEN BASE TARMAC . HE’S CLEAN. HE’S HOSTING. SIR. Lurching at him. Cheers all around. MAGGIE IT’S MAC! EXT. INT. land in a heap. CHOPPER ONE . CHOPPER # 1 . Uri extends his hand and grasps Mac below the wrist.CONTINUOUS A charred MacKenzie runs after the choppers. Finds Mac Chopper One Through the binoculars: a close up of Mac’s cross bouncing around his neck as he runs. They all . LOADED COMMANDO HE’S CONTAMINATED. URI IT’S MAC. URI HOLD YOUR FIRE! Uri grabs the binoculars off the loaded commando. CHOPPER # 1 . TAKE HER DOWN! EXT. running toward them. A sprinting Mac reaches up as Chopper One swings over him. and Uri pulls him off the ground into the already ascending Black Hawk. circles back toward Mac.CONTINUOUS Another explosion shoots a giant plume of fire through the hangar ceiling.CONTINUOUS Commandos pull Uri and Mac back into the chopper. aiming his assault weapon. INT. Sees a lone figure run out a narrow gap in the giant doors. EXT.120.CONTINUOUS A COMMANDO jumps into the open chopper door. They lock.

(TO BE CONTINUED. Hovers over the water.121. me you won’t. In the oval window next to him. deep orange glow. Abaris looks out the oval window. And is gone. Mac. MAC Hello pumpkin! Maggie picks him up into a bear hug. His bloodshot eyes wide with fear. FADE OUT. The saucer angles steeply. FADE TO BLACK. MAC I promise. face.. MAGGIE Don’t ever leave me. Cranston is gagged with duct tape. Dives into the ocean.. SARAH DADDY! Winded. PACIFIC OCEAN . EXT.SUNSET TITLE: OFF THE COAST OF PERU It pulsates with a Tears of joy stream her Promise A flying saucer arrives from hyper-space.) .

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