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THE TRUTH IS HERE
Screenplay by D. David Morin
Based on the novel NEPHILIM by L.A. Marzulli
(Part One of a Trilogy)
Lunchbox Entertainment V (310) 200-5252 firstname.lastname@example.org
WGA: # 931080
The Nephilim were on the earth in those days --and also afterward -when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown. Genesis 6:4
FADE IN: TITLE: 1947 BRAZIL RANCH - ROSWELL, NEW MEXICO
EXT: BRAZIL RANCH
- LATE EVENING
A full moon tries to penetrate an eerie high desert fog. Flashlights pierce the darkness. PRIVATE NATHAN (O.S.) CAPTAIN MACKENZIE, OVER HERE SIR! CAPTAIN MATT MACKENZIE, thirties, in uniform, runs through the mist to the voice up ahead. His flashlight scans the ground. Shiny metallic foil-like pieces lay everywhere. MATT Will ya look at all this debris! His flashlight shines on one. closer look. He bends a corner. He stops. Picks it up for a No crease.
It pops back.
MATT What the... PRIVATE NATHAN (O.S.) OVER HERE, SIR, HURRY! He looks up, then back at the piece. EXT. CRASH SITE - CONTINUOUS The remains of a flying saucer cradle against a berm. Winded. MATT Whaddaya got? PRIVATE NATHAN Right there, sir. Matt shines his flashlight on something. An injured SMALL GRAY ALIEN with an elongated head and slanted oval eyes. He moves his oversized head slowly from side to side. A spindly arm raises a hand with SIX FINGERS. eyes from the light. His lids weigh heavy. MATT Shine your flashlight on me. him focus on something. Let He shields his Stuffs it in a pocket.
Messy coffee table. PRIVATE NATHAN (O. Both Matt and the alien have faces lit. ART MACKENZIE. The new Matt stares him down. PRIVATE NATHAN Nothing. is gone.PRESENT DAY .S. APARTMENT .. Major. Steam rises over a tired shower curtain. Matt is drawn to the alien. fifty-something. PRIVATE NATHAN (O. find anything? Slightly altered voice.BATHROOM .CONTINUOUS Ugly shag rug. And . Sir.) Doesn’t look too good. He picks him up and cradles him. grabs a towel. PRIVATE NATHAN But.S. sir. A telepathic connection. sir? The alien burrows his body right through Matt’s chest. INT. Worn curtains. RING. A winded MAJOR arrives on the scene. MAC I’m coming. His eyes lock in with Matt. I think he’s a goner.2. MATT Nothing. what are you doing. The alien responds to Matt. pulls the curtain open. INT..) Captain.MORNING A PHONE RINGS. MAC’S APARTMENT . MAJOR MacKenzie. Tilts his head.
) HEY! Turning around. Hello. Sprinkles it in a fishbowl with Lifts a watch on the desk. TWO GOLDFISH.. Email it tonight. INT. He picks up some fish food. EXT. He jumps out the Jeep with his note pad in hand.3. Sees an old picture of his ex and three children in a crusty frame. No loonies or fanatics. MAGGIE. WESTWOOD MEDICAL CENTER . CRANSTON’S OFFICE . You’re up.THE TIMES . Mac goes to his desk. sixties. Mac punches off speaker mode. phone. VOICE (O.MORNING Mac pulls up the emergency brake on his banged-up Jeep. MAC Shoot.C. ARTIE JR.INTERCUT JIM CRANSTON. MAC Yeah Runs to the . JEREMY. MAC Crap. Checks his watch. SARAH. MAC You got it. hospital. Dripping everywhere. right? CRANSTON I’m on the Board. That new wing cost millions. Sets the watch down. old school preppy newspaper guy. the hospital. yeah. Hits the speaker MAC CRANSTON You got the assignment? MAC Yeah.
Tall windows on the left.4. MAC Thanks. . administrator. Late twenties. huh? MAC Yeah. Handing it over. A protection against SARS. HARRY With The Times. picks up THE TIMES photo credential with Mac’s picture on it from the pavement. Even the air conditioning has full filtration. Mac arrives. Mac runs off. She and Mac walk down a long hall. HARRY. WESTWOOD MEDICAL CENTER .MORNING Fourth floor. More Pepperdine than Harvard. Harry reads it. Blunt cut. By rote. INT. White floors. The new wing. HARRY You dropped something. HARRY If it’s just a hospital. Lots of glass. A BLACK SECURITY GUARD. EVELYN KENNEDY. Calling out. EVELYN Every floor has the latest equipment. MAC Can we visit the sixth floor? Caught off guard. why the military? MAC Military? HARRY Sixth floor.
She’s gone. Good-day. Curt.5. is squeezing her mop out into a bucket.S. A tiny cross on her necklace. Smelling a story. Cranston said your story was on the overall construction cost and the special features of this wing. Shrugs. MAC Maybe the sixth floor is a special feature. A cleaning woman. MacKenzie. EVELYN The sixth floor is off limits. FEMALE CARIBBEAN ACCENT (O. Her high heels echo down the corridor. Turns the corner. name tag DIVINA. MAC Can you show me these “screamers”? DIVINA Too dangerous. Mac looks over. MAC Why? She stops walking. MAC Pray for who? DIVINA The screamers. Mr. EVELYN It doesn’t concern you. Muy peligrosa. it’s a prison. DIVINA I pray for them. . MAC A prison? Si.) You ask me. MAC I’ll pay you. EVELYN Mr.
MAC I don’t kiss and tell. Fidgets with her cross on the chain. Anxious. INT. ELEVATOR . A skeptical sigh. Bites her bottom lip. DIVINA I am from Costa Rica. Getting dressed. A moment. Meet me here before ten. WESTWOOD MEDICAL CENTER . DIVINA You must believe them. EXT. Scans the lobby. She hands Mac a maintenance uniform and hat.6. MAC You don’t need God when you’re doing the right thing. DIVINA The Lord is telling me no. Pray God is with us. MAC My story could help them. DIVINA I could lose my job for this. not loco.MOMENTS LATER DIVINA Put this on.THAT NIGHT Mac heads through the double doors. DIVINA I have two shifts. Looks down the hall again. They are . With pride. Where’s that accent from? Head up. Flippant.10PM .
Pushes her cart to the next room. Looks at Mac. huh? Divina unlocks the door. She grabs her hospital smock with both hands.7. is lit with dull. Dark rings around her eyes. DIVINA Keep your hat low. Mac glances at it. She glances at a camera in the corner. Elevator doors open. The entire corridor Divina points to a camera attached to the ceiling. He lowers his cap. towards him. . Gazes out at LUCY stands listlessly by the barred windows. DIVINA You have when the bathroom is clean. Walks slowly Tape recorder on. Convulsive stammer. Mac reaches into his shirt pocket. Opens it. INT. Chewed fingernails. MAC Yeah. Key in the door. MAC One of those. She was abducted by the aliens. Nervous twitch at the corner of her mouth.CONTINUOUS LUCY turns. Mac looks through the wire-mesh window. right. LUCY’S ROOM . Disheveled hair. MAC What’s wrong with her? DIVINA Same as the others. amber lighting. SIXTH FLOOR CORRIDOR .MOMENTS LATER The sixth floor. INT. the city.
LUCY They come at night. LUCY Can you h-help me? I’ll try. MAC Tell me what happened. Sobbing. Recorder off. MAC Who’s horrible? A tear. LUCY Then I’m on a table and they do something to me. They’re horrible. Voice trails off. Her voice dwindles. Takes a step closer. They come to my room and take me. and they carry me out of the h-house. MAC Who took you? LUCY They’re not from here. LUCY They took my baby. Words come faster. MAC Where are they from? Whispers. LUCY Ou-outer space.8. She starts to tremble. My husband’s asleep. something sesexual. and I can’t stop them. and I cry out to him but he doesn’t hear. LUCY I struggle but I can’t m-move. withdrawing within. Mac rolls his eyes. . Reaches into his pocket.
..my baby’s g-gone! She stares through Mac. LUCY Help me! Her bloodshot eyes look insane. LUCY Then I’m on the bathroom floor and it’s night and I’m bleeding and my baby. CORRIDOR .. look. A hand in Mac’s chest. Then they trick your memory so you think everything is normal. INT. We go. LUCY Then they have my baby and show it to me. MP #1 You got ID? Sidearms on their hip. DIVINA Ahora! Lucy grabs his hand. Haunted. MAC You got all the help you need right here.9.CONTINUOUS Walking down the hallway.and it’s not hu-human. DIVINA I pray your story will save her. Just a little freakier than most. LUCY The Pl-pleiades. Two MP’s head down the hall. Eyes wide. She’s another whacko. Eyes unblinking. .. Whispering. MAC Divina. He flinches. there is no story. A hand grabs Mac’s arm.
MAC Who is this? . MAC’S APARTMENT . He plops two Alka-Seltzer in a glass of water on the coffee table. He drinks down the bubbles.O. He is training. MAC Yeah.O. A manila envelope slides under it. Fizzzzzzzzzzz. Mac looks at them blindly.) There’s a packet under your door. And a plane Grabs an old cordless.O. Mac recoils. Jumping in. The first photo: Pulls out some photos. Into the phone. RING. Her throat slit open. INT. He opens the envelope.LATE MORNING Mac’s on his couch in a pair of boxers.) They found you. No one. Bed head.) You visited the sixth floor. CALLER (V. Mac and Divina in the elevator. The second photo: Mac talking to Lucy. The third photo: Divina lies on the floor of a janitor closet in a pool of blood. Mac looks at the front door. Looks. Opens the door. DIVINA He is with me. ticket. Latin charm. He reads an open newspaper on the table. MAC Who is this? CALLER (V. Mac heads for it. MAC What? CALLER (V.10.
You’re not safe here. clears dirty dishes off a counter.) You have something they want but you’re not to give it to them. The UFO debris piece his father found. sharply pulls the bed away and peels back the old shag. CALLER (V. He lifts a square of the hardwood floor and exposes a little chamber.CONTINUOUS Mac enters the bedroom. The concourse buzzes with foreign travellers. Mac sits at a barstool. INT.O. MAC’S BEDROOM . MAC WHO IS THIS? CALLER (V. Holds a drink. It pops back.11. 8. Their son. He stares at it. back in the floor.CROWDED AIRPORT BAR . Don’t miss that flight. LAX . He pulls something out. 6. Mac’s ex. Opens the plane ticket: TEL AVIV. Finishing up. CALLER (V. CREEK WALK VINEYARD . Mac looks at the phone. Dial tone. He reaches in and takes out an old potato sack.) You’re phone could be tapped. INT. washes pots at the kitchen sink.) The plane ticket is for tonight. Tosses it. Maggie’s mom. Wrinkles it.O. back in the sack. talks on an old-school phone hanging on the wall.INTERCUT International terminal. On his cell. plays with a GameBoy. He puts it INT. a natural beauty.DUSK.FARMHOUSE KICTHEN . DORIS. Looks at Divina dead in her own blood. Daughter Sarah. SARAH And that’s how David killed the giant Goliath. MAC I don’t know what you’re talking about.SUNSET MAGGIE.O. Jeremy. .
Kitchen adjacent. It’s make believe. MAGGIE You haven’t seen the kids for six weeks.12. MAC It’s just a story. Pumpkin. MAC I love you. MAC The Bible is a storybook. MAGGIE I care that you’re lying to them.INTERCUT Cranston looks at a computer. MAC I can’t make it this weekend.CONTINUOUS . MAC Like you honestly care. sweetheart. What’s come up? MAC I have to go to Israel. MAGGIE’S FARMHOUSE . Comes to . SARAH MOM! As she drops the phone. Tan legs. MAC Can’t we ever get past that? INT. Something’s come up.DEN . Yelling out. there’s no such things as giants. it isn’t true. the phone. maybe you’ll meet another flight attendant. MAGGIE Well. Lemme talk to your mother. SARAH But Gramma says its true. Maggie wipes her hands on her cutoffs.
He checks in on me.13. . Don’t act jealous. Mac squeezes the mobile off. To Mac. THE BARTENDER throws down a coaster. MAC For eighteen holes? MAGGIE Very funny. It was wrong. PINKIE RINGS Gimme a Heineken. Gulps his drink. you’re were never good at it. when Artie died I lost it. Dial tone. MAC Is that Cranston? MAGGIE What if it was? MAC My boss is cutting my own grass? MAGGIE You didn’t want your own grass. cell into his coat. MAC Are you dating him? MAGGIE He’s sweet. Goodbye. I cheated on you. MAGGIE Then make your alimony and child support. MAC Look. Mac. Beads of sweat. I want to make it right. Slicked-over hair covers a bald spot. CRANSTON MAGGIE. Slips the SIX A- AN IMPECCABLY DRESSED FAT MAN takes the stool next to Mac. Mac. Don’t get killed. WE GOT OUR TEE TIME. A PINKIE RING fits snugly on the fat little finger of each hand. M.
Not a cloud in the sky then off to my right is this silver disk. Kills his drink. straight up into the air. Home of the suicide bombers. PINKIE RINGS Where you headed? Stewing over the phone call. BARTENDER You good? MAC Yeah. PINKIE RINGS Blow ‘em all to kingdom come.14. At a Boy Scout camp. The bartender plops down his beer. Turning to Mac. MAC Israel. Either way’s all right with me. it’s War of the Worlds! TV: AN ALIEN SHIP FIRES A DEATH RAY AT FLEEING CIVILIANS. Mac pulls out his wallet. PINKIE RINGS Hey. PINKIE RINGS All of a sudden this thing takes off. Points at Mac’s glass. Without a sound. Just hovering. just great. PINKIE RINGS I saw one once. Pointing toward the television tucked up near the ceiling. please. PINKIE RINGS We ran back to camp and told everyone what we’d seen. MAC One what? PINKIE RINGS A UFO. . MAC Check.
Mac grabs his briefcase. MacKenzie. She removes her dark sunglasses. Too . James Bond sexy. Carefully painted red lips. Intense GREEN EYES. PINKIE RINGS WHERE IS IT? THWAP! The toe of a shoe kicks Pinkie Rings in the head. PINKIE RINGS You’ve got we want. Mac enters. Choking. Turns around. backhand judo chop sends him to the ground out cold. Thirties. A chubby hand with a pinkie ring covers his eyes and presses a box-cutter razor against his throat. Mac gets up. MEN’S ROOM . and we’re going to get it whether you’re here or not. INT. MAC There’s chat rooms for guys like you.CONTINUOUS Mac stands at an empty row of urinals relieving himself. A A TALL FEMALE.CONTINUOUS An orange safety cone blocks the entrance. Could be a wig. He slams Mac against himself. Mac zips up his fly. An ASIAN MAINTENANCE MAN mops behind it.15. EXT. She takes Mac by the arm and hurries him out of the men’s room. and leaves. MAC I don’t know what you’re talking about. Bows and moves the cone. Platinum bobbed hair. He sees Mac approaching. High cheekbones. green. MEN’S ROOM . Could be contacts. throws down a twenty. GREEN EYES We haven’t much time. Six hours later everybody but me denied we’d seen anything.
MAC Who called me? GREEN EYES His alias is Roswell.CONTINUOUS She races Mac through the crowd to his gate. MAC Who was that guy? GREEN EYES Your father left you something when he died. MAC As in New Mexico? Who is he? GREEN EYES He’s on the inside. They want it back. CONCOURSE . Overhead. . FOREIGN FEMALE VOICE Final call for El Al Flight Number 783 for Tel Aviv now boarding at Gate 68. INT.16. Mac looks back. MEN’S ROOM . his wind knocked out. GATE 68 . MAC Who are you? GREEN EYES I’m here to make sure you make your flight.CONTINUOUS She takes him to the boarding agent.CONTINUOUS They rush out of the bathroom. She turns and goes. EXT. GREEN EYES Someone will meet you in Tel Aviv. Piped in over the airport commotion. Mac watches her vanish in the mob. Keep to yourself on the flight. It’s not safe for you to be here. INT. Sees the maintenance man crouched against the wall.
smiles. DUSTY HUMMER H2 . Mac shakes it. URI Welcome to Israel. Tools. URI She A rugged-looking Israeli man holds it. please. Slight accent. his bag.ISRAEL COUNTRYSIDE . FEMALE FLIGHT AGENT (O.S. Uri takes evasive action. Identifying himself.INT’L TERMINAL . HIGHWAY . Massive crowd. Armed soldiers everywhere. He rolls his eyes. He extends a thick calloused hand. KABOOM! A suicide bomber. TEL AVIV AIRPORT . SMOKE. Uri takes I am BenHassen. BENHASSEN. The crowd scatters. MAC Where are we going? URI The Valley of Raphaim. Uzi’s. Grabbing Mac’s arm. She’s gorgeous.MIDDAY A haggard Mac pulls his suitcase into the bright sunshine. SCREAMS. EXT. Mac pulls out his passport and ticket. EXT. Hands it to her. MAC Who? URI Call me Uri. bounce in the back.) Your ticket and passport. artifacts . A crude cardboard sign held above the masses. Uzi’s run in all directions. running for cover.CONTINUOUS The back is crammed with food and supplies.AFTERNOON A dusty Hummer H2 speeds along a remote two-lane highway. INT.17. Mac spies it. MAC I’m MacKenzie. “MAKKENZIE”.
making sure you are safe. MacKenzie. Uri screen left. On screen. Everything flies. . yes. Mac looks around to see where his feed is coming from. center panel. Time for my nap. a small webcam reset above the screen. ELISHA BENHASSEN. Just checking in. Elisha. MAC Raphaim? URI The Valley of Death. GPS screen. Uri’s grandfather. and Mac is screen right. late seventies. MAC I assume you’re on the good side? ELISHA Yes. The H2 hits a large bump in the road. thank you. get there? We have Believing is How long to URI Everything here is three hours. Welcome to Israel. Bouncing around violently. We are clear. I’m quite good. Finds ELISHA Good. I am Doctor Elisha BenHassen. uncovered something. Center dashboard.18. See you on arrival. Same accent as Uri. Shalom. The screen divides into three vertical panels. gentlemen. seeing? MAC Seeing is believing. ELISHA Shalom. URI Shalom. MAC I guess we’re safe.
Workers with shoulder-sling canteens and hand shovels wave at Uri as they drive by.19. URI It’s bizarre. Beneath them lies the ancient temple ruins of a pagan fertility god. Taking it all in. Chickens and a few goats scurry out of the way. EXT.A DIG SITE . INT. A semi-circle of phallic monoliths surround an altar. VALLEY OF RAPHAIM . Like quicksand. EXT. Exposed catacombs stretch out below them. Tents. DIG SITE . Worklights stand strategically. URI The excavation is over there. EXCAVATION PIT .AFTERNOON Dirt and dust. The ground starting collapsing the day we found the tomb. The H2 weaves its way through the camp.MOMENTS LATER Uri stops at the top of the large open pit. At the heart of the pit is a small room with workers surrounding a large sarcophagus. EXT. Yellow caution tape outlines a large twenty-foot circle off to the right.CONTINUOUS Pointing. MAC Did the excavation cause it? No. Mac gets a visual. DIRTY H2 . An ATV with two people on it drive past them. .MOMENTS LATER Uri walks Mac to the massive open pit. MAC What’s that? URI A sinkhole. generators. and port-o-potties litter the area. Mac stops alongside. More dust.
Welcome. A faded cotton shirt hangs loosely around his thin body. A wizened elderly man. MacKenzie. Elisha BenHassen. URI This is my grandfather. Rephaim. Stoop shoulders. EXPOSED SMALL ROOM . The workers step back as Uri enters with Mac. A GIANT SKELETON. Mac migrates over.S. OLD VOICE (O.MOMENTS LATER A small inner room. White hair creeps over and out of his ears. URI Go look. Grasps his hand. MAC What is it? Nephilim.) Anakim. URI Here. CROSS tied loosely around his neck. In the center. Mac steps forward. Six fingers. Over twelve feet in length. MAC My God. heavy. They turn. MAC Holy cow. Enormous size. a large. He extends a twisted arthritic hand. it’s a giant. STONE SARCOPHAGUS. the American. Wire-rim trifocals. . ELISHA BENHASSEN. White beard. DR. six toes on each hand and foot. Peers into it. Stepping next to Mac. ELISHA Shalom. Completely intact. Dr. Tall walls. The heavy lid lays next to it on a thick block of rocks. Stupefied.20. Stained khaki pants. There’s an ANCIENT URI This is Art MacKenzie. INT.
and we looked the same to them.” A FEMALE WORKER blasts an air-horn from the top of the pit. Tender accent. ELISHA “The Nephilim were on the earth in those days . MAC What is it? ELISHA Have you ever heard of David and Goliath? MAC Of course. Mac jumps.21. Rephaim.and also afterwardwhen the sons of God went into the daughters of men and had children by them. ELISHA ‘We saw Nephilim there. We seemed like grasshoppers in our own eyes. ELISHA Meet Goliath’s bloodline. . An OLD BIBLE on the heavy lid. MAC You’re kidding. ELISHA Nephilim. He motions for it. The old man gingerly sits down.’ MAC “Nephilim”? Elisha turns to Genesis. Anakim. right? ELISHA When my people first entered the Promised Land they reported giants living there. Crooked fingers trace the letters etched in the stone lid. All different words uttered by my ancestors thousands of years ago to describe the same creature. Uri pulls up a wooden crate.
By corrupting the human offspring. A lab in Jerusalem. Mac and Uri sit around a folding table with grapes. Uri. Stops MAC Lucifer and his disgruntled lot? ELISHA Semjaza. The human race became essentially non-human. Mac can’t resist touching the giant bony foot. The result. FEMALE WORKER FOOD IS READY! Come. MAC Who were the “sons of God”? Leaning back. cheeses. resulting in unholy union between themselves and earthly women. He takes it. ELISHA Let us eat. ELISHA The fallen angels.DUSK . Mac notices a toe missing on the skeleton’s left foot. the fallen angels had altered human DNA. . MAC Fallen angels? ELISHA They came to earth and resided here. Nephilim. one of his leaders. and sandwiches.MOMENTS LATER Elisha. CAMPSITE .22. Elisha offers Mac a sandwich. Not tracking. Points. They all head out. MAC The toe? URI DNA testing. EXT.
Noah? MAC As in Noah’s Ark? ELISHA Precisely. ELISHA Now present day. MAC How so? ELISHA He had little choice! With Semjaza’s demonic fornicators. These aliens are again offering technology and are abducting women for intercourse. the original gene pool of mankind was polluted beyond recognition. The rest of the imperfect inhabitants he destroyed with The Great Flood. ELISHA It is harsh! And definitely true. ELISHA But God saved those who had not been corrupted.23. MAC What does that have to with me? ELISHA That woman you talked to at the hospital. What if they are from a dying race. URI That is your theory. Uri reaches for more grapes. It says Noah was perfect in all his generations. a distant planet. and have come only to renew themselves with fresh genetic material? ELISHA Certainly plausible. if it’s true. MAC A bit harsh. Not convinced. Lucy? . Cleans his glasses on his gauzy-soft shirt. Perplexed.
Once again they are impregnating our women and creating a superrace of hybrids. Sophisticated equipment everywhere. DNA. FINEBERG stands by a bench.DR. us go. DR.24.Nephilim. COMPUTER SCREEN . COMMUNICATIONS TENT . a young techie. stands up and offers his chair to Elisha. God’s spiraling signature of human creation. MAC How do you know? ELISHA These aliens are the fallen angels. MOISHE. Trying to connect some far-fetched dots. On a work table a 17” Powerbook with a webcam attached. MAC You’re saying that these supposed aliens are actually demons? ELISHA Yes. Fineberg online.. INT. FINEBERG’S LAB . Technicians task away. WORKER Jared has Dr. stands nearby next to a lightbox. part of an elaborate deception. MAC What about her? ELISHA She’s telling the truth. Elisha sits as Mac and Uri stand close behind. URI The DNA results from the giant. A WORKER runs up to the table. His senior assistant. ELISHA Ahhhh. by. Jared stands Let .WEBFEED Computers line the walls atop benches and tables..MOMENTS LATER JARED.
FINEBERG Shalom. ELISHA Shalom.25. . but I am afraid Moishe’s English is better. We’ve never seen anything like it. Jumping back in. FINEBERG It is fragmented. In the background. this is a different life-form. Difficult accent. DR. DR. sequenced. FINEBERG The control sample. MAC What’s so different? DR. DR. MOISHE The skeleton DNA is not complete. We have the DNA results. MOISHE We ran it three times with a sequencing gel. Fineberg. Intrigued. BenHassen. FINEBERG It doesn’t match up with any of the four known nucleotides. my DNA. It is something we have never seen before. Rapid gunfire strafes the place. Dr. But the sarcophagus sample did not. DR. Moishe slips a large piece of film over the lightbox. FINEBERG Simply put. MOISHE The tests show that it is not entirely human. FOUR MASKED GUNMEN dressed in black rush the lab. MOISHE Nothing on this planet has a fifth nucleotide. There is a foreign nucleotide which creates an exotic pair.
Very good. Jared jumps to another work The ELISHA We are uncovering the truth. Jared nudges him. Uri pulls up the H2 a short distance away. KA-BOOM! Elisha’s laptop screen goes blank.NIGHT .26. Technicians mowed down.ELISHA’S TENT . General Roswell is on the webcam. ELISHA We go. enemy is not happy. TELL HIM WHAT YOU SAW. MAC What do you mean? Our ELISHA Roswell did secret DNA testing on amniotic fluid from Lucy. URI MACKENZIE. gunmen place charges. URI I’M GOING TO THE LAB. . station. MAC And? ELISHA The results were the same as Fineberg’s. GET ROSWELL. Waving. ELISHA Jahweh be with us. JARED Doctor. WITH ME. Uri races out of the tent. Elisha shakes off his nap. Fineberg and Moishe killed. EXT. A fifth nucleotide.LATER Elisha sleeps in an armchair in a corner of the large tent. CAMPSITE . JARED. Evacuate.
still earning his trust. RIPPED.27. We are Interference overtakes the image.CONTINUOUS Elisha stops at the yellow tape.CONTINUOUS Elisha arrives at the rim. Does MacKenzie have the piece? ELISHA We haven’t gotten that far. LARGE ALMOND EYES.MOMENTS LATER Computer screen. The twenty-foot sinkhole is now a twenty-foot bottomless pit. INT. . CAMPSITE . Heads towards the port-o-pottie for a middle of the night pee.NIGHT . He hears something. Things are heating up. Roswell. JARED Should I try him again. Looks down at the inner room. At the outhouse door he notices the sinkhole.CONTINUOUS He sees a TWELVE-FOOT GIANT. SINKHOLE . Roswell is speaking but there is no audio.LATER The camp is asleep. ROSWELL Shalom. INNER ROOM . EXCAVATION SITE . Elisha leaves his tent with his lantern. different. WORK STATION TENT . Webcam feed. EXT. God is sovereign even over the internet. POINTY EYETEETH. sir? ELISHA No. EXT. INT. ELISHA Shalom. Holds his lantern out for a better look. Something He reaches into the sarcophagus and picks up the skeleton. Elisha. Heads for the site. Sorry about Fineberg. Then video is gone. EXT. Digital delay.
BRIGHT AURORA LIGHT PARTICLES flash around him. MAC You really saw a giant? ELISHA As real as you. Superhuman speed. I COMMAND YOU TO LEAVE. The sinkhole closes back into quicksand. our DNA is annihilated. EXCAVATION SITE RIM . Leaps twenty feet over Elisha and into the sinkhole. ELISHA IN THE NAME OF JEHOVAH EMMANUEL. ELISHA’S TENT . URI And our skeleton is gone.28. An old pot of tea sits center.NIGHT .MUCH LATER A lantern sits on a folding picnic table. URI The skeleton is gone. Elisha. Is about to throw it at him. Sees Elisha at the rim.CONTINUOUS The giant faces off with Elisha. Elisha holds up the ancient Jerusalem cross from around his neck. MAC That’s just too fantastic. INT. Slamming the table. the Nephilim are back. They stare at their tea. Lifts the skeleton over high over his head. The giant bounds up the ramp. He turns. He’s gone. ELISHA Holy God. The giant squats. ELISHA STOP IN THE NAME OF YESHUA! The giant freezes. EXT. All our proof has disappeared. Mac and Uri face .
MAC What alien base? . yes? Unsure what’s next. ELISHA Not all our proof. ELISHA What did he write you? MAC About handling sections of the saucer. Looks back. Mac looks up. MAC No. too.29. Did he leave a piece of the debris with you? Mac looks at Uri. or whatever it was. MAC How so? ELISHA Your father saw the UFO in New Mexico. ELISHA Yes. wrote a letter saying as much. God has brought MacKenzie here for a reason. MAC Probably got him murdered. He MAC Is that what this is all about? ELISHA Do you still have it? MAC What does it matter? ELISHA Roswell believes that piece has information encoded in it that’s linked to the alien base. ELISHA Did he talk about an alien? Mac looks at Uri.
It’s our only chance of destroying the base. ELISHA Do you have the piece? Mac notices a faded number tattooed on Elisha’s wrist. The aging Elisha leans onto the table.30. ELISHA Your military has a base in Nevada. ELISHA A Jew that receives Yeshua as the Messiah of Israel. Mac looks at Uri for verification. MAC I see. We believe there is a harvest colony there of cross-breeds. lantern.S. MAC I thought you were a Jew. MAC Yeshua A Meshiac? ELISHA Yeshua the Messiah. 2-4-2 MAC What’s that? ELISHA The Holocaust. We need to get that piece before they do. MAC The U. As a boy I was interned at Bergen Belsen. Military is working with aliens? ELISHA They have been since 1947. 5-6-0Closer to the . A Messianic Jew. MAC You survived? ELISHA Yeshua A Meshiac was with me.
MAC Who exactly are you? ELISHA I have chosen God’s side. MAC Hidden under a floor board in my apartment. Mac shifts uncomfortably. MAC Yes. ELISHA I am strong in the Lord. . URI I’m going back with you. ELISHA Where is it now? Some hesitation. Do you still have the piece? A breath. MacKenzie.31. ELISHA There is a God. There are spiritual principalities. Uri will diagnose it. Drawing in. Mac stops. You cannot serve two masters. and Yeshua is his son whether you believe it or not. Goodnight. But now I am tired. Looks back at Elisha. I do. Confiding for the first time with anyone. Standing feebly. Yes. Now you must choose. ELISHA There is important data stored on the piece. MacKenzie. Uri and Mac head out of the tent. MAC When? URI Daybreak.
MAC I’ll try. I saw you were coming here. you really saw a modern day Nephilim? ELISHA Yes. He sings a prayer in Hebrew over Mac. God will Points at his watch. Shaking his head. He embraces Mac. BenHassen. MAC I’m no saint. EXT. You ELISHA I will pray for your safety. ELISHA He delights in using the weakest of us to carry out his will. Wistful smile. be with you. must pray as well. ELISHA A month ago I had a dream. Tears well up in the corners of his eyes. MAC Why? ELISHA To accomplish His purpose. CAMPSITE .DAWN Elisha wears a worn prayer shawl and a faded yarmulke. that He was sending you.32. He finishes and slowly takes his arthritic hands off his head. For the first time I am sorry God promised to never send another flood. MacKenzie. MAC For what purpose? ELISHA He will show you in time. MAC Dr. Uri honks the horn of the H2. .
Elisha takes the ancient Jerusalem cross from around his neck. RING. EXT. ELISHA God has the final word. Mac’s queen-sized bed stands on end. revealing an empty secret space. Mac jumps through the mess. Heads to the bedroom.DUSK Signs of trouble. The old hardwood floor pulled up. The bed frame is mangled. You must Nods slowly. Uri motions to answer it.33.CONTINUOUS It’s ravaged. MAC’S APARTMENT . ELISHA You will need this. MAC It’s gone. BEDROOM . INT. INT. Mayhem. LAX RUNWAY . Puts it over Mac’s head. The phone.FRONT DOOR . Shalom. smoke. Both men freeze.LATE AFTERNOON An El Al 747 touches down on the runway. Stealth-like. EXT. The goldfish bowl lies shattered on the desk. MAC It’s in here. The ugly shag rug under the bed has been pulled up. Tampered door knob. His TWO FISH bloat from death.CONTINUOUS Clothes strewn everywhere. believe. Uri follows. Torn upside down. His sofa has been slit end to end. Mac holds his gaze. stuffing everywhere. MAC’S APARTMENT . Wheels puffing out Sawed out dead bolt. The crusty picture frame is missing. . MacKenzie.
MAC Hello? CALLER (V. See you at INT. A hard right onto a side street. Another right. EXT.CONTINUOUS They’re rolling. Rearview mirror. Muscular. Whoever is gone. He opens the rear door. wears a military uniform. EXT. The rear window rolls down silently. tailing them.O.MORNING Mac and Uri cruise in the Jeep.LATER Mac and Uri sit in the dark shade of a loading dock. STREET . DIEBOL. STREET . MAC They got the piece.INTERCUT Dial tone. Dark tinted glass. Mac downshifts and punches it. He motions them over.) Get a hotel. Meet me there tomorrow at ten a-m. Mac looks at Uri.O. hops out. A quick left into an alley. EXT.BLACK LIMOUSINE . the driver. Mac and Uri get in. More bodyguard than chauffeur.) It’s Roswell. Uri nods to leave. late seventies. More speed. A BLACK LIMOUSINE pulls up. MAC HOLD ON. ROSWELL (V. Large. There’s an old warehouse across from the train station. ABANDONED FACTORY . Someone’s . ROSWELL.34. MAC’S APARTMENT . ten. I know.
INT. .DRIVING . MAC You knew my father? ROSWELL I was with him in New Mexico. Extends his hand. Roswell takes a long look. Mac shoots him a look. He waves him off. One shake. Uri instinctively salutes. ROSWELL I’ve been involved with the alien presence since ’47. ROSWELL President Truman formed a group of men to study the alien problem. You have quite a decorated past in the Israeli Special Forces. URI The alien base. ROSWELL’S LIMOUSINE . MAC General. You’re bigger than I pictured.35. They became a rogue element accountable to no one. Back at Mac and Uri. His eyes gaze impassively. ROSWELL Your father was a good man. Shocked. ROSWELL And you’re Art MacKenzie. MAC What happened? Looks out the tinted glass.CONTINUOUS ROSWELL Uri BenHassen. He never knew.
ROSWELL The piece your father left you was from the mothership. URI Security threat.36. MAC Why is the debris piece such a threat? He opens his briefcase. It turns sunshine into plutonium. MAC That’s why it won’t wrinkle. . A dying alien convinced him to host his spirit. ROSWELL The White House knows it only as an extraterrestrial research center. URI A harvest colony. It’s alien technology. ROSWELL The outer coating of the saucer is a carbon fiber alloy with elastic memory. Pulling out aerial photos of the base. He now interprets his supernatural powers. But I believe they are cultivating embryos from alien abductions. The base is solar powered by inorganic plasma. ROSWELL More than that. URI Nuclear power. I believe the blueprints for the base are encoded in its memory. MAC Who’s in charge? ROSWELL A man called Abaris. Puts it together.
ROSWELL The power core is highly secured. MAC Where do we come in? A pregnant pause. They offer technology but they are out to destroy us. MAC Can’t we just let them keep it? ROSWELL The aliens’ agenda is evil.37. Points on the map. You’ll travel incognito. At the risk of sounding stupid. ROSWELL But we need the piece to get the blueprints. . URI And destroy the harvest colony. Uri’s military mind. ROSWELL I know where the piece is. We’re going in tomorrow. ROSWELL Tomorrow morning at zero-fourhundred you’ll meet me here. URI So we blow up the base. He opens a map. but I need you to identify it. Outside Palmdale. You’ll pose as new technicians. ROSWELL Only you can identify the piece. If the core is contaminated the reaction would obliterate the base. MAC But they know who I am. ROSWELL From here we’ll fly to the base.
Change rooms. EXT. ROSWELL Zero four-hundred. ROSWELL Tracking device. Diebol goes to the trunk.38.LATER The Jeep pulls off the highway onto a dirt service road. Gives one to each. INT. Diebol sticks it under an abandoned car in the parking lot.HIGHWAY . sporty and sexy. Tumbleweeds. Roswell pulls two shiny silver tote bags from the trunk. Flashes its high Climb in.CONTINUOUS A VERY ATTRACTIVE WOMAN. Sharp. They’re gone. 4 AM. PALMDALE 20 MILES. thirties. pulls out a telescopic pole with a mirror attached at the end. Run to the limo.3 AM Mac and Uri walk out of the hotel. ROSWELL’S LIMOUSINE . HOTEL . Be on time. Another car pulls onto the road. They change into their silver jumpsuits without a word. Go back to the hotel.WESTWOOD .LATER Uri holds a mini-flashlight in his mouth. He looks under Mac’s Jeep. Uri looks around. ABANDONED FACTORY . Reads a map. SERVICE ROAD . INT. sits next to Roswell. check their car. No phone calls. Stands up with a quarter-sized object. EXT. They finish dressing quickly. Stops. Reaches in. MAC’S JEEP . The back tires spin.MOMENTS LATER Back at Mac’s Jeep. ROSWELL Diebol. beams. . Through the window they see a sign: EXT.
LAURA At the airport. MAC I don’t follow.39. Smiles. WOMAN I see you made your flight. Mac sits there. this is my daughter. Pleasure. MAC “Green eyes”. It’s a make-up kit. LAURA Close your eyes. She extends her hand. I made sure you got to the plane. Shakes Uri’s. hands. She massages Mac’s entire face with the liquid. To Mac. She looks back at Mac. Laura. LAURA Let it dry. LAURA LAURA It’s time for your makeover. She pats the seat next to her for Mac to come. URI Same for me. MAC I could get used to this. ROSWELL And this is Uri BenHassen. He studies . She squirts some liquid in her hands. Blond wig? Smiles. ROSWELL MacKenzie. Then his Faces Mac. her beauty. She opens a tackle box.
She grabs a comb. She presses another button. Puts them on him. Affixes the goatee. LAURA Lower it. The lotion on his face dries into wrinkled skin. camera. and thumbprints. photos. Mac lowers it. . MAC Unbelievable. FLASH. It prints out TWO LAMINATED PHOTO ID’S complete with names. presses it on the glass. She centers him. She pulls out some wire-rim spectacles. Then takes his thumb. She pulls out a ziplock baggie containing a matching color goatee. LAURA Take a look. She hands Mac a synthetic thimble. She slips it snugly onto his thumb. She pulls a tube out. He holds it up. Uri watches her work quickly. Squeezes it in her hands. FLASH. opens the lid revealing a scanner surface. Then offers it to Uri. LAURA Put this on. Clear adhesive. She Laura faces him with a special digital She connects the camera to an external palm device. Sees an old man. Massages his hair thoroughly. Uri leans across and presses his thumb on it. Uri looks over. She hands him a small mirror. LAURA Uri. Another bottle. Hits a button on the side. parts his hair on the other side. It quickly turns to an oily grayish white. LAURA Thumbprints. She applies it around his lips and chin.40.
Mac clips it on. You are NOT to make eye contact. You are not to do so. under any look the Laura hands them each a small flip phone. If defer to me. ROSWELL You are going to want to ask a lot of questions. Is that clear? MAC Is Laura coming with us? ROSWELL No. . MAC Who’s Dr. circumstances. ROSWELL If we are separated. Back to Roswell. LAURA You’re from New Jersey. I’ll find you. ROSWELL You’re not to address you are spoken to you And whatever you see. Mac shoots her another look. Don’t look for me. She smiles back. Irving Liebowitz? She smiles at him. you can text message. anyone. Back to business.41. Reads it upside down. LAURA It goes on your left pocket. do not least bit surprised. Is that clear? Mac makes eye contact with Laura. ROSWELL The piece is in a special area. She attaches a clip. Roswell shifts in his seat. You will see aliens. And don’t talk to anyone. Handing them over. Mac notices him wince.
high hangar doors.EARLY MORNING The jet pulls up to a ten acre. talkies.C.GIANT HANGAR . EXT. Automatic . WalkieThe They get out. MAC A FedEx jet? ROSWELL Part of the deception. METAL STAIRCASE AGAINST THE PLANE . weapons. People load by a Then Mac. TWO MP’S. Yellow helmets. Checking ID'S. towering doors are slightly open. Uri close behind. Deployed in twos. GIANT HANGAR . LARGE MP NEXT. Time to focus. Adjusts his glasses. INT. EXT. ALIEN BASE . A LARGE MP stops Mac. Walkies.DAWN The limo pulls up outside a fenced area. Dobermans on harnesses. Sidearms.42. Uri looks back up the stairs. at Mac. Catches himself. four-story hangar. Mac watches them go by.) We’re here.CONTINUOUS Top of the staircase. staircase. ROSWELL (O.CONTINUOUS MP’S everywhere. GIANT HANGAR .CONTINUOUS Mac hurries up to Roswell and Uri as they enter the huge. Roswell passes the guards. Mac stares ahead. A FedEx Cargo jet is parked on the tarmac. TARMAC . Then Looks closely at the credential. ROSWELL Stay close. EXT. EXT.
The Elevator doors whoosh open.43. LARGE ELEVATOR CHAMBER . Four more MP’s rush into the huge lift as the AIRLOCK DOORS hiss shut. The large. Uri and Mac rub shoulders with the rest. MPs exit. shoots Mac a look. Inspects He inserts a KEY attached to his belt. All head toward a large elevator. CLOSE-UP CONTROL PANEL . ROSWELL This is us.CONTINUOUS The floor numbers descend 1 to 12. A TALL BLACK MP. INT. the letters MAJ. In place of floor 12 are Next to the letters MAJ is a horizontal slot in the panel for a specially constructed key card.CONTINUOUS A hundred scientists and technicians load in. Roswell catches Mac’s eye. . Roswell. Certain areas of the hangar are sectioned off with tall black partitions. Eleventh floor. Uri and Mac get off. everyone closely. Stand guard. next to a sidearm. Roswell. wide doors whoosh shut. Rifles up and ready. MAC Excuse me. Nods toward the control panel. MPs salute and get back in. They face the crowd. Under his breath. THE OPERATOR. Mac studies the panel. into the control panel. Scientists and other plane passengers avoid the MP’s looks. INT.
Roswell ahead. Mac and Uri behind. Zombies.CONTINUOUS Walls. Uri steps up to the panel. He passes.CONTINUOUS A small group of men and women with ID credentials pass the other direction. It’s rampant. SIX TOES. The MP stares down. Mac looks to Roswell. ELEVENTH FLOOR CORRIDOR . Whoosh. A deadness. They’re examining someone. No acknowledgement. Mac looks up. Clipboards. It opens. ADJACENT LAB . Mac falls behind Uri. INT.CONTINUOUS Mac plows into the far MP standing guard at the door. Bony arms. Roswell looks away. Elongated head. Another lab up ahead. Roswell approaches a blank wall. He walks through. Roswell stops in front of a panel. Credentials. Mac approaches. Mac whips around. Eerie looking. Panic. HALLWAY . Hate. It opens. MAC You go. He passes through. Roswell’s hand behind his back.44. Mac looks ahead. A HUGE FOOT. Gone. A very low frequency oscillates from below. A GIANT. A somber military gray. Blank faces swoosh by. Faint outlines of panels appear every four feet. It closes. . Motions to look inside.CONTINUOUS A SCIENTIST stands next to A SMALL GRAY BEING. She looks down and away. ELEVENTH FLOOR LOBBY . Looks inside. Mac smiles at an academic blonde. Mac quickly backs away. WHAM! INT. Slows down. ANOTHER POD OF SCIENTISTS march quickly in his direction. ceiling and floor are monochromatic. INT. BEEEEEEP! SCREEEEECH! A fast moving electric cart carrying more MP’s swerves to avoid Mac. INT. It slides open quietly to the left. Light emanates from above. Two tall MP’s frame the door.
Ice. Sets the palm of his hand on a scanning device near the door. Overwhelmed. Mac turns back to the lab where the alien was examining the giant. ROSWELL There have an entire network of tunnels that crisscross under the planet. Roswell walks to the edge by the tracks. They go everywhere. Uri. Nauseous. They walk slowly towards another set of doors. ROSWELL Later. An empty train glides out of the dark tunnel from the left. Mac looks around. They go through. Benches constructed of a seamless material never seen before. Peers down the Their tags Inside the tunnel other tunnels bore through the concrete overhead and to the side. ROSWELL Not good. Roswell returns the gesture. A large cylindrical ceiling reaches twenty feet high. A conductor sits in a glass-domed car at the front. did you see it? URI Yes. A moment. Quiet. INT. Uri approaches. tunnel.CONTINUOUS TWO MP’S salute. Mac approaches. INT. . TWO MORE MP’S talk to those at the door. Disoriented. They get waved through. Four others cars behind. SMALL DETAINING ROOM . are up ahead. Whispering. two abreast. The door slides open. are checked. SMALL SUBWAY STATION . Mac shoots him a look. Mac does the same.CONTINUOUS They enter the platform of a small station. Roswell and Uri MAC My God. Roswell reaches out.45. but did not believe it. URI The sinkholes. Six seats each.
Roswell clears his throat. Roswell. Mac glances at Uri. closing the distance to the saucer. and overhead cranes. A glass command post nestles in the center of the catwalks like the body on a daddy-longlegs. INT. They’re gone. The train accelerates quickly. ROSWELL Stay close. thick cables. The ceiling is a hundred feet high. He holds a small palm device. Quietly. Some MP’s load in the car behind. A metal scissor-lift ascends next to the craft with a TECHNICIAN in another silver jumpsuit. MAC Yessir. He quickly rejoins them. Large luminous orbs imbedded in the ceiling cast a peculiar greenish light. Mac is agog. Mac and Uri get in the first car. UNIFORMED TECHNICIANS are stationed everywhere. Pay attention. exposing the interior. Walking forward. A portal is open. covered with steel-girded catwalks supporting a maze of powerful lights. Roswell continues the same pace. Sternly. A short distance away A DISK-SHAPED FLYING SAUCER HOVERS silently above the floor of the cavern. Used to be an underground reservoir. Twenty feet off the ground. They diverted the water. Still rubbernecking. BUILT-OUT CAVERN .CONTINUOUS They enter an enormous space. Two men stand inside. Mac and Uri finally catch up.46. Then follows his gaze. . Motionless. ROSWELL It’s a natural cavern. Mac freezes in awe. Mac sees he has fallen a dozen paces behind. URI Un-be-liev-able. The doors open.
On the bottom are round indentations that appear to conceal lights. They reach a partition. Blocking his line of sight. MAC My God. NOW. Facing him. Roswell stops twenty feet from the disk. One of the men standing in front of the portal moves from the interior onto the lift. MAC Sorry. him up. He reveals another ALIEN. next to him. Mac can only stare back. Horrible images flash through his mind. Taller. Mac and Uri stop The disk is seamless. . ROSWELL I said no eye contact. SIX FINGERS on each hand. A row of windows circles the craft near the top. Now. Walk behind it. Spindly arms. They’re alone. It floats noiselessly. ROSWELL MOVE. Bothered by Mac’s very presence. Thin torso. An AMERICAN FLAG is painted near the hatch door. ANGLED BLACK EYES dominate the alien’s face. Roswell and Uri shore Find themselves in Mac turns around and begins to weave. Mac is blanking. A disproportionately large head. TWO LARGE. Looks right at him. Blurry. ROSWELL MacKenzie. keep him moving. A one-piece jumpsuit matches the color of his skin exactly. The sleek exterior is of a dull gray metal-like material similar to the debris piece. An invisible force hits Mac in his solar plexus. Turn around and walk away.47. MACKENZIE. Distracted. The creature jerks his head. Immobilizing. an area for equipment. Inches from his face.
He walks off briskly.CONTINUOUS They enter a large storage area. Find Mac clumsily climbs up the debris heap looking for the one. Looking up at the mountain of scrap. A total sense of evil. Mac dives around the back of the pile. ROSWELL You drew attention to yourself. ROSWELL Let’s move. it. only to bounce back in perfect shape after his foot lifts off it. STORAGE AREA . What did you do? MAC A force came at me. Mac circles up the pile. There’s A MOUNTAIN OF FOIL- ROSWELL My sources tell me the piece was brought back here. arms crossed. MAC We’ll never find it. LIKE DEBRIS thirty feet high. with automatic weapons enter the room. Time is of the essence.48. Like he wanted me dead. The MP’s approach Roswell who is pointing at the pile and improvs a briefing with Uri. piece? How about any ROSWELL It has to be from that mothership! MAC It’s impossible. . TWO MP’s The heavy door at the room’s entrance slides open. INT. Uri and Mac follow. We may have been compromised. ROSWELL You know what it looks like. Each step silently crushes the foil beneath him. Uri nods. Inspecting random pieces. Uri coughs loudly.
URI What shape is it? Guessing. squares. BEDROOM SUITE . Uri scurries up the debris pile. He crunches them in both hands.MAJ 12 . A KNOCK at the door. Roswell nods to Uri and leaves with the MP’s.CONTINUOUS Roswell exits the elevator with his MP escort. than my hand. INT. Is distracted by the resilient foil pieces. The doors whoosh open. Spellbound. ELEVATOR .MOMENTS LATER Roswell stands next to the MP’s. circles. the wall covering. MAC Where’d they take him? URI Some emergency meeting. The carpet. A shaky voice. triangles. Tall curtains drape from the high ceiling. The decor is exquisite. everything a shade of gray. Opens his palms. hexagrams. the bedding. INT. they spring back. Uri looks down at the scraps in the heap. MAC It’s a trapezoid. INT. ellipses.MOMENTS LATER A large room. A little bigger They both sift through the arduous task. LOBBY .49. They head A circuitlike key card is . pentagrams. in the slot for level MAJ 12. Gets to Mac. OLD VOICE FROM THE BED Come. They’re all geometric shapes. Mac peers around and sees the MP’s talking to Roswell. Rhomboids. the sofa. down a long hall. The door closes behind them.
early eighties. Then goes and picks up the debris piece under it. Looking heavenly. Inspects it. MAC YOU FIND IT. Roswell enters. MAC Uri. Sees the cross a few feet away.) Yes. INT. it’s a trapezium. Freezes. The door opens revealing Roswell and the MPs. we got it. Takes it from Mac.CONTINUOUS Mac plows furiously on his hands and knees. ABARIS Hello old friend. The MP’s close the door behind him. Throwing the cross off his neck. He walks to the foot of the bed. Sweat on his brow. .50. ROSWELL Hello. come in Nathan. Off Mac’s look. His jumpsuit is zipped open. ROSWELL What can I do for you? ABARIS This body is getting weaker. The cross keeps swinging out around his neck. Uri scrambles over.C. It has four sides. Exploding. STORAGE AREA . ABARIS. no two of which are parallel. Abaris. We will soon be in need of a new host. OLD VOICE FROM THE BED (O. URI That’s not a trapezoid. He lets out a sigh. blocking his vision. sits in bed in darkness from his chest up.
Hello? Roswell gives a slow nod. ROSWELL’S LIMOUSINE . Hair matted in clumps next to her face.LATER Mac and Uri sit restlessly on the bench. Mac’s cell phone. Mac and Uri both check the platform entrance.CONTINUOUS Lucy walks down the hall towards the orderly’s desk. and walks to the door. Uri looks back. SUBWAY PLATFORM . Mac shrugs. INT. stand by the tracks. Low tones to Mac. HALLWAY . INT. She walks into the hall. stainless steel guards. The door unlocks itself. Her hands bound at the wrists to She’s noticeably thinner. Slides open. CAMARILLO STATE MENTAL HOSPITAL . stands. She picks up the phone receiver. Mac finds his phone. Sees Roswell in an empty car. Lids have a peculiar red color to them. Her eyes are swollen shut. She sits up. They join him in the car. Uri and Laura all give Mac a look. Roswell.LOCKDOWN WING . URI He’s in the train. The train whooshs off. Other technicians INT. INT. The workers start to load the train.51.AFTERNOON Lucy lays asleep on a bed. RING. No one is there. Closes her eyes and touches the top of the cradle. A train pulls into the station.CONTINUOUS RING. BRIGHT AURORA LIGHT PARTICLES fill the air. No one is talking. MAC . No Roswell. Her eyes open. The restraints spring open magically.
CONTINUOUS Convulsive stammer. BUDDY Let’s go.LOCKDOWN WING . Gentle spirit. INT. INT. hangs up the phone.52..LOCKDOWN WING .. BUDDY. She said “I’m the one”. HALLWAY . LUCY You’re the wa-one. ROSWELL’S LIMOUSINE . tatoos.you’re the waone. How did you get out anyway? INT.INTERCUT MAC The one what? Dial tone. Phone time is over. HALLWAY . skinhead. ROSWELL Where was she calling from? URI Check your call log. LAURA The one what? MAC I don’t know.INTERCUT A HEAVY-SET NATIVE-AMERICAN ORDERLY.INTERCUT ROSWELL No one has that number. . ROSWELL’S LIMOUSINE . Trance-like. Lucy. Taking her away. two gold front teeth. A hand takes the phone away from her. URI Who was it? MAC It was Lucy. INT.
HALLWAY .INTERCUT MAC Camarillo Care Center. He INT. lockdown. 9999. 805-876- Mac hits dial. LAURA Ventura County. runs back to the phone. Pinkie Rings is next to Jim Cranston. CRANSTON I want out. Roswell nods.CONTINUOUS RING. GOLF COURSE . Dial tone. INT. Takes a swig. Winded. Two birds. LAURA They’ve transferred her. Lockdown. MAC It’s 8-0-5.53. She’s a EXT. Mac shuttles through his phone. Buddy slides Lucy’s door closed. BUDDY Camarillo Care Center.LOCKDOWN WING . It self locks. PINKIE RINGS It’s too late. A short pencil writes down two “4’s”. Buddy looks at the receiver. PINKIE RINGS Where’s MacKenzie? .GOLF CART . ROSWELL’S LIMOUSINE . He reaches for a can of Heineken out of the cup holder.AFTERNOON A pinkie ring on a chubby finger holds a score card. threat. Finds the number. PINKIE RINGS Not bad. Call her back.
around. scratches his neck. PATRICE Yessir. Say you have work for him. An easy smile.LATER FOUR SEVERELY MENTALLY RETARDED ADULTS. Cranston reluctantly opens his cell phone. PATRICE BURROSS. CAMARILLO CARE CENTER HOSPITAL . A small fan blows behind her. is on the phone at the counter. . CRANSTON Maggie hasn’t heard from him. nods. in civilian clothes. General Black. pass Mac and Roswell at the admittance desk. Taps her pen. She stops tapping the pen. and you are? ROSWELL General Black. She lifts a long purple fingernail. Mac. U. INT.S. Just a minute. PINKIE RINGS Call her again. Are you part of the Conservatorship? ROSWELL I have orders. Do it now. PATRICE Are you related to the patient? ROSWELL No. Pinkie Rings swigs again on the Heinie. Beautifully braided hair. PATRICE Yessir. A BLACK WOMAN IN A WHITE UNIFORM. She finishes. Air Force. led by an ORDERLY. Roswell Looks PATRICE How can I help you gentlemen? ROSWELL I have orders to see a patient from the military psych ward in Westwood.54.
Reads Roswell. I’m not. station. MAC Then she is here? She glances down the hallway. Veers to the He’s coming I can’t help . but it’s important that I see her. Is she still sedated? DR. down the hall. PATRICE DR. DR. SHERMAN Yes? PATRICE General Black is requesting to see a patient admitted from the military psych ward in Westwood. DR. PATRICE Would you like to speak to her doctor? ROSWELL Yes. you. SHERMAN Is he related to the woman? Jumping in. DR. Over Roswell. SHERMAN Is he part of the Conservatorship? PATRICE No. Impersonal. PATRICE Then I’m sorry. sir. SHERMAN? Over his glasses. ROSWELL No. DR. SHERMAN looks over. PATRICE Well you’re in luck. Holds a chart. SHERMAN That’s private information.55.
call Edward Higgins. also in civilian clothes.56. Hits return. MAC Man this stuff itches. MAC What’s he doing? LAURA Finding a link between the executive director and one of our contacts. Thank you for you time. He stops in the lobby. Diebol types the name into a laptop. Mac follows. ROSWELL Diebol. SHERMAN I’m not at liberty to discuss the case. Doctor. Laura stands next to them. Notes the name of the executive director of the hospital. Catching up. BLACK LIMOUSINE . Tooth wireless does the rest. CAMARILLO CARE CENTER . ROSWELL The military needs to know.CONTINUOUS Mac sees Uri. MAC What next? ROSWELL A phone call.CONTINUOUS Laura and Mac exchange a glance. DR. next to Diebol. He’s Blue Mac still in disguise. ROSWELL Fine. Carrys on. . EXT. He turns and leaves. LAURA Don’t touch it.PARKING LOT . All climb into the limousine. INT. the executive director here.
LATER EDWARD HIGGINS. Even to use the toilet. ROSWELL It’s imperative we see her now. A Major Lewis.57. ROSWELL Make it happen. it’s not exactly clear why she’s being held in lockup. It was requested by the psych unit for security purposes. HIGGINS No particular reason. Roswell. Laura and Uri sit attentively. MAC Contacts? DIEBOL Got it. HIGGIN’S OFFICE . I came as quickly as I could. A tall lanky man with stringy gray hair. The Major informed me of the situation. URI Lockup? HIGGINS It’s usually reserved for the criminally insane.. Every room has a keyed entry. MR. Mac. HIGGINS Lewis and I go back a long way. .. LAURA How is she a threat? Reading on. HIGGINS Well. Higgins thumbs through a file. ROSWELL Thank you for your cooperation. no matter. sir. Pressing. Well. INT. They’re old personal friends.high school wrestling team.
58. A HIGH.MOMENTS LATER Buddy fits his special key into a lock. They all go. Buddy opens the door. BUDDY Oh. things we don’t. INT. ROSWELL I need a visual. Buddy turns to Mac and Laura. Roswell discreetly looks at Mac. BUDDY That’s the Screamer. Finally gives in. HIGGINS We’re here to see the woman we received this morning. Higgins looks to Roswell. The woman lays asleep on the bed. Disturbingly amused. Mac and Laura exchange a heavy duty look. A heavy wire-meshed window in it. Turning to Higgins. Like a crazed animal. He sees Crooked smile. Bad dentistry. Mac . nods back “yes”. WOMAN’S DOOR . INT. ANOTHER WILD WAIL. HIGGINS Well then.MOMENTS LATER A thick fire door. Feeling the pressure. A slow smile. WILD WAIL. Nods towards Lucy. follow me. Those teeth. HIGGINS Some of them do that when they get excited. heads down the hall. LOCKUP WING ENTRANCE . she’s still sleeping. Opens it. Her hands bound at the wrists to the stainless steel guards.
ROSWELL Let me assure you it’s important we move this woman to a safe location. ROSWELL This is a matter of national security. HIGGINS Major Lewis didn’t say anything about having the patient moved. Now I want her cleaned up and given a change of clothes. Her life may be in danger. LAURA Yessir. Cutting him off. here. and I need your cooperation on this to the fullest. the Major said to do whatever you asked..59. ROSWELL Thank you for your assistance. To Laura. ROSWELL When she wakes up see that she gets some real food to eat.. HIGGINS Well. I’ll have to contact the Conservatorship and have it cleared. Incredulous. HIGGINS Here? ROSWELL Yes. ROSWELL How soon before we can have her moved? Confused. Stay with her until we transport her. . HIGGINS Well. but her chart indicates. Shifting uneasily.
Laura ROSWELL That won’t be necessary.) Got it. .60. Mac. sir.S. he nods in agreement with Laura. ROSWELL We have work to do. ROSWELL’S LIMOUSINE . Turns to Higgins. Speaking into his high-tech wristwatch. A scanner built into the screen of this laptop will read the piece. Mac shoots Uri a look. We’ll take it from here. Roswell sizes up Buddy. ROSWELL The debris piece is hyper dataintensive and the scan could take four hours to decipher it. Roswell pulls a laptop out of his case.THE 101 SOUTH . Laura will accompany them when they move the patient. ROSWELL Thanks again for your cooperation. you go. HIGGINS The orderly can stay with her in case she needs assistance. INT. make a call for a special transpo unit. ROSWELL Diebol.DUSK Uri plays with the debris piece. ROSWELL The software application is called MAJESTIC. A few cards short. DIEBOL (O. MAC I can stay. Handing it to Uri. LAURA I got it. will do fine.
URI To locate the power core. Hands it to Mac. . Cows are drained of their blood and parts of their anatomy are cut away by a laser. Blood is a vital element. We contaminate the core. back now. the base will self-destruct. You’ll go out there tomorrow. ROSWELL A memory cell from your piece should contain a blueprint of the base. Roswell reaches into his briefcase. MAC What does that have to do with the aliens? ROSWELL The harvest colony incubating at the base. ROSWELL There’s a fresh carcass in Arizona with an unusual twist. ROSWELL Exactly. It’s signal is scrambled. So is the web-feed in the laptop. Inspects the screen. Uri opens it. I’m due Pulls out a file.61. MAC Tomorrow? ROSWELL Laura will fly you out. Mac looks through the file. everything you can find. ROSWELL Use your cell phone for everything. video. MAC Hopefully with us not in it. I want photos. I don’t how Lucy got you. ROSWELL They’re have been cattle mutilations.
Back into the briefcase. . gentlemen. Use cash for everything. Keep to Uri shakes his head. We must preempt that. Uri looks at the General. We need those blueprints to activate the core.62. ROSWELL Gentlemen. URI Yes. Mac’s still not cut out for this. ROSWELL You won’t need it. To Uri. They could come after the piece again. then back at the debris piece. He is looking for a new host to sustain his existence. MAC What about my Jeep. ROSWELL The software is highly intuitive. ROSWELL One more thing. Abaris is in weak health. Here’s five thousand dollars in small bills. time is of the essence. A look to Mac. ROSWELL I’m dropping you near the hotel. sir. I’m not sure our visit to the base was unnoticed. Diebol pulls the limousine over to a stop. Navigation should come quickly. sir? It’s not much but it’s all I have. ROSWELL That’s it. yourselves. A large wad of fifties. URI We’ll do our best. The power door locks give Mac a scare.
combed hair. The door opens. ROSWELL’S LIMOUSINE . 9:00pm. She yawns.NIGHT Pinkie Rings and Cranston are being served their main course. ROSWELL Diebol.CONTINUOUS A basin and sponge lie next to the bed. now out of the restraints.LATER At a stop light. Reaching for his Heineken. the car. COUNTRY CLUB DINING ROOM . The woman has clean clothes. PINKIE RINGS General Nathan took those two out to the base. what’s going on? Diebol slumps over. He’s pulled from Some kind of gas. Folds her arms. INT. Roswell is nodding off in the back. Both are hanging up from cell phone calls. THUMP on the glass. LOCKUP WING . They committed a security breach. INT. A A key into the lock. They’ve taken the piece. His door flies open. Coughing. CRANSTON What about Abaris? PINKIE RINGS The genetic engineers are still searching for a compatible match. She checks her watch. Still no transport.SEDATED WOMAN’S ROOM . and is still sleeping. Roswell passes out. INT.63. BUDDY Everythin’ all right? . HISSING. Laura finishes rubbing lotion on her wrists. Bends over hungry and tired. Looks at the door to the hall. Buddy enters.
Buddy looks at the sleeping patient.. BUDDY I bought you a sodie-pop but regulations say I can’t bring anything down into lockup.CONTINUOUS The iron door slides shut.LOCKDOWN WING .. Motions Laura to look inside. LAURA She’s still out cold. I really gotta go. Cutting him off. I know. things. I have to use the bathroom and I could use something to drink. A YOUNG THIN man with sunken eyes sits with his knees tucked into his chest.64. You gotta come up to my station. HALLWAY . More gold teeth. LAURA Okay. BUDDY Oh heck. she ain’t going nowhere. He rocks ever so slightly.. BUDDY That’s the Screamer. Buddy peeks through a patient’s wire-meshed window.that we don’t. They finally reach then end of the hall. so you’ll have to knock or call when you’re done. BUDDY It locks from the outside. We’ll make it INT. Yellowed walls. I know. He see Unlocking the bathroom door.. LAURA . quick-like. LAURA She’ll be fine. Look. his chin resting on them. Self-locks. Faded linoleum floor. Laura follows him up the corridor. just let me in the bathroom first. Bladder bursting. .
Eyes bulging. He whips his head back.CONTINUOUS ANOTHER WOUNDED WAIL. INT. Sounds in the dark. The Screamer uses his hands and feet and propels himself across the floor.CONTINUOUS The Screamer scans the room frantically. INT. Jaw locked open. Practically hopping. Toilet flush. THE SCREAMER’S ROOM . Laura closes her eyes. Rocks faster. LADIES’ ROOM .CONTINUOUS THE WAIL. Finds the main door. BLACKOUT. Yells like a wounded wolf. LAURA Gotcha. LADIES’ ROOM . INT. Laura freezes. Pitch dark. turns around. Laura stumbling in the blackness. Takes a A power failure.65. HELLO??? LAURA BUDDY???? . INT. LAURA HELLO???????? Commotion. LAURA Got it. LADIES’ ROOM . Great. He presses his bony body as far as he can against the wall. BUDDY I’ll be right here so you go’head. Opens them. THE SCREAMER’S ROOM . Something bad is in there.CONTINUOUS It’s getting closer. Stall door unlatches. INT. Laura looks down.CONTINUOUS Laura rushes in the stall. Listens. Bangs on it. Pant zipper. breath. Unzips her pants. The corner of the cell. Toilet paper. THE SCREAM.
66. SCREAMS. BUDDY IT’S LUCY. Tear trails on her cheeks. LUCY’S ROOM . He reaches for Laura’s hand. SHRILLS AND SHRIEKS.CONTINUOUS Buddy fumbles in the dark trying to get the key in the door. Reluctant. GROANS AND BLINDING LIGHT explodes out of the sedated woman’s room. she has no choice. GOT’EM ALL RILED UP. LET ME HAVE YOUR HAND. . Then it starts. The whole wing.) HURRY! PLEASE! BUDDY I can’t see it. EXT. LADIES’ ROOM . The lock’s here somewheres. Laura regains her composure. Hands to her ears. No key. ANOTHER SCREAM. He lets go of Laura’s hand.CONTINUOUS Laura pulls on the door. Locked. Freaked. The sound of bodies hurling against the doors. He opens the door. More screams in the darkness. She walks past Buddy timidly into the dark hall. LAURA (O. Laura walks toward her room. WILD. Toward the light. Then runs. CHAOTIC CONFUSION. The key turns the lock. LOW NOTE CRESCENDOES IN A HIGH SHRILL IN THE DARKNESS. He finds it. I’LL GET YOU OUT OF HERE. Contact. EXT. INSANE LAUGHTER. BUDDY I’m tryin’. LAURA WHAT’S GOING ON? BUDDY ELECTRIC’S OFF.S. Backs away down the hall. A LONG.
Mouthing to Laura. She’s awake. quivers. MAC’S HOTEL ROOM . . Anxious. They will know we are here. She can’t be heard. URI That is monitored by the hotel. She screams. Mac turns the TV on with the remote. The 3-d blueprint spins slowly on an axis. Her body rotates in mid-air so her head faces the opening. A helpless.DEAD OF NIGHT .67. Lucy’s body In the darkness. Laura screams through the wire-mesh glass. LUCY HELP ME! Another noise.LATER Uri stares blankly at the laptop lid scanning the debris piece. Has disappeared back into the laptop. A small steel-reinforced window placed high in the wall is gone. She looks to the door. She’s sucked out the window. Blinding light and wind pour through the opening. terrified stare. INT. She peers through the wire-mesh glass. Lucy floats above the bed. Laura pounds on the little square window and screams. And it’s gone. URI What are you doing? MAC Finding SportsCenter. Mac and Uri stand in the middle of it in awe. The rush of a freight train. Lucy looks her way. Mac reluctantly complies. wide-eyed. MAC How long’s that thing gonna take? Suddenly a huge hologram of the alien base engulfs the room.
68. Uri stares at the laptop. MAC How you gonna print that? RING! The hotel phone. They freeze.
URI Don’t answer it. MAC Maybe it’s Laura. URI Roswell said use only the cell. RING. MAC Maybe she doesn’t have it. URI Don’t answer it. RING. Mac moves to the phone. MAC Maybe she’s in trouble. Uri thinks on it. RING. Mac picks it up. MAC Hello? INT. EXTREME CLOSE-UP OF A MOUTH TO A PHONE - INTERCUT METALLIC VOICE We have Roswell. INT. HOTEL ROOM - INTERCUT MAC Who is this? INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT METALLIC VOICE Give us back the piece and we’ll make sure nothing happens to your wife and kids in Paso Robles.
69. INT. HOTEL ROOM - INTERCUT MAC I don’t know what you’re talking about. INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT Cuts him off. Pissed.
METALLIC VOICE You know exactly what I’m talking about. We’re watching you. INT. HOTEL ROOM - INTERCUT MAC Who are you? Dial tone. Mac stares at the phone. URI What did he say? Slowly putting the phone in the cradle. MAC They want the piece. They got Roswell. They’re going after Maggie and the kids next. URI They’re bluffing. Mac finds the small flip phone. Dials frantically.
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT RING. A deep sleep. Hello? Cellular break up. Extremely choppy. YOUR LIVES COULD Maggie fumbles for the phone. MAGGIE
MAC MAGGIE, IT’S MAC. BE IN DANGER. Groggy.
MAGGIE Who is this? Mac, is that you?
70. Every other syllable. MAC TAKE THE KIDS. LEAVE. Mac?
MAGGIE You’re breaking up.
INT. HOTEL ROOM - DEAD OF NIGHT - INTERCUT KNOCK-KNOCK-KNOCK. The hotel room door. kill the cell phone. Uri motions Mac to
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT Dial tone. Maggie looks at the phone confused.
INT. HOTEL ROOM - CONTINUOUS KNOCK-KNOCK. More urgent this time. Moves quickly to the side of Mac follows the
Uri grabs his gun off the bed. the door. Delta Force.
He waves his barrel towards the bathroom. directive. Backs up. KNOCK-KNOCK-KNOCK. Uri motions at Mac to talk. MAC Who is it?
WOMAN’S MUFFLED VOICE (O.S.) It’s Laura. Uri gives Mac the universal “shhhh” sign. WOMAN’S MUFFLED VOICE (O.S.) MacKenzie, are you there? Let me in. It’s me! Loud whisper to Uri. MAC It’s Laura. Uri shakes his head “no”. KNOCK-KNOCK-KNOCK. WOMAN’S MUFFLED VOICE (O.S.) C’mon, open up!
He nervously wipes his chin. calling hotel security. Uri snores loudly in his bed. I’m Aims his gun at Uri motions “halt”. somebody is going to start shooting. URI Open from the side then stand clear. Mac lies in his bed. Sharp whisper. stares at the wall. INT.MUCH LATER Light spills out the partially open bathroom door.71. Uri swings around to the middle of the room. Alone. Mac opens the door. A long hug. Checks the hall. the door. She runs into Mac’s arms. MAC You can’t just start shooting people. MAC You said they we’re bluffing. Then nods. Uri pulls them both in. Closes the door. Instructing in whisper tones. open up! Anxious. Angry whisper. Pissed. Laura lies on some makeshift bedding on the floor. . Frazzled. listen to me! It’s Green Eyes. Uri waits. Listens. MAC’S HOTEL ROOM . WOMAN’S MUFFLED VOICE Mac. It’s Laura. MAC There’s no MacKenzie here. If it’s a trick. Mac heads for the door. It’s her. Mac heads for the door. URI It’s a trap. MAC I know it. Head high.
Spoons behind him.AIRBORNE . in Biloxi. Looks over. Mac pokes his head up. Uri chokes on a snore. She climbs in. Mac holds his finger to her lips.72. Laura pilots. No need to talk. Mac turns over to face her. Mac copilots. LAURA Okay. a farmer sees his prize cow do the same thing. Wearing only a hotel bathrobe. MAC A week ago a rancher in Billings. to Mac’s bed. Montana saw one of his cows float upward into the belly of a UFO. Mac puts his arms around her. Over the engine noise. Mississippi. She sniffles. Wraps her other arm over him and pulls him into a long squeeze. LAURA’S PLANE . Referencing the file. LAURA I’m sorry. LAURA And? MAC The same day. Softly. LAURA Hold me. She goes Laura slips an arm under Mac.MORNING Twelve thousand feet. INT. Stares blankly ahead. Her eyes are still moist. Laura slowly rises. . Whispers. They stare a while longer. LAURA I’m still scared.
MAC That’s what they’re saying.LATER Laura’s plane approaches overhead. MAC A week later on a ranch in Arizona. kick up some dust. the more I believe there’s a good side. permeates everything.CONTINUOUS Checking the file. MAC There’s a darkness to it. LAURA’S PLANE . LANDING FIELD . LAURA How do they know? MAC According to the sheriff. Are you religious? MAC The closer I get to this evil. nose slightly up. The wheels touch down lightly. MAC Where’s our sheriff? It stops . It LAURA I noticed you wear an old cross around your neck. by midfield. they find the head of the cow from Billings attached to the body of the cow from Biloxi.73. INT. I believe anything is possible. Do you believe there’s a harvest colony of cross-breeds? LAURA After seeing Lucy’s abduction. Flaps up. LAURA From Billings and Biloxi. the cow’s head had an ID tag on his ear and the body of the other had a brand on it’s flank. The plane rocks and glides. EXT. Cuts the throttle.
HUFFMAN And the brand’s from Mississippi. . Simply surreal. chases it. Blood vessels have been cauterized. Pointing out the front right. A neat.DEAD COW’S BODY . precise scar encircles the cow’s neckline at the union. Pointing. HILLSIDE RAVINE . A big cloud of dust EXT. LAURA Over there. and no blood. HUFFMAN Sex organs have been cored out. Laura walks around slowly. mini-dv camera rolling. See the incision? No jagged edges. HUFFMAN Here’s the tag. LAURA Mac. Motions to the rear flank. Huffman squats down at the cow’s tail. SHERIFF HUFFMAN kneels down by its head. You can see his cherries. LAURA Laser like.74. grabbing the tag. HUFFMAN No sign of blood anywhere. No torn flesh. A squad car rolls along a dirt road. the two-tone brown and white body of a Jersey. It’s been perfectly joined together. Numbers check out all right.LATER The cow lies on its side. The black head of a Holstein. see where the eye should be? MAC Yeah. facing away. About two o’clock.
ROBERTO DIABLO! HUFFMAN Says it’s the Devil. but from what I can tell. A RATTLESNAKE. crosses himself. . the cow was alive before it was mutilated. stand twenty feet back on the road next to two Jeeps. cows. The foreman. A RATTLING SOUND. A supposed animal that sucks the blood out of chickens. HUFFMAN Not a drop. Goat sucker. Smoke floats out of Alfredo’s rifle. LAURA You’re sure about the blood? Taking his knife and cutting into the cow’s groin. STRIKE! The giant rattler sinks his fangs into Mac’s ankle. Mac turns around. goats. Hears something. just above his shoe. JULIO. LAURA MAC!!!!! The snake’s fangs are open. Coiled to strike. The snake gets blown off his heel. Mac’s backward momentum is carrying him right into it. crosses himself again. He recoils to strike. ALFREDO CHAPACABRA! MAC What did he say? HUFFMAN Chapacabra. the ranch owners. Mac steps back to take a photo. POW! Gunfire. MAC You sure it’s not a hoax? HUFFMAN We’re doing more tests. Julio Mac looks up. A huge male.75. ALFREDO and ROBERTO PARRAS.
JULIO Christo is with you. ALFREDO You should be dead. Some black and white. Walls are covered with UFO photos. There are two large bite marks from the snake. Old. The sheriff enters with small bottles of ice-cold Coca-colas. Some color. MAC I’m telling you. His skin clearly broken. and the viper.LATER A double-wide serves as the station. Shaking his head. and Julio circle around Mac’s exposed ankle and bare foot. Alfredo. Julio notices the ancient Jerusalem crucifix around Mac’s neck.76. ROBERTO Si. I feel fine. A bookcase eats up the other wall. I’m fine. New. LAURA Thanks. The floor is partitioned. Roberto. SHERIFF’S STATION . INT. The men all grab a Coke. muerta.HUFFMAN’S OFFICE . ROBERTO DIABLO. Laura puts some anti-biotic ointment on the bite. He pulls it out of his shirt to look at it. Like Pablo . MAC I’m telling you. Sheriff. HUFFMAN Here ya go. Huffman’s private office is spacious. HUFFMAN I can still call Med-Vac as a precaution. Pointing from the Jeeps.
HUFFMAN Ever seen that one? Mac reads the cover. HUFFMAN You see as many mutilations as I have. Authentic looking photos. HUFFMAN (O. The very word Mac is reading as the sheriff says it.S. MAC So you’re quite a UFO fanatic. SEMJAZA.CONTACT FROM THE PLEIADES. Mac pulls one down. MAC The viper? JULIO Si. Mac thumbs through it.) Claims the Pleiades starship commander calls himself Semjaza. gentleman. Mac stands. Mac shoots Laura a look. Edward “Billy” Mier had a major encounter with some aliens from the Pleiades star cluster. Sheriff. double-page spread of interest. The book slams shut and falls to the ground.77. Handshakes all around. you start to poke around. Gracias. amigos. but could not kill him. Walks over to the bookcase. God was with him. 1976. UFO . ALFREDO Vamanos. Mac bobbles it. The three amigos depart. the viper leaped from the fire onto his hand. Hasta luego. HUFFMAN Switzerland. Looks closer. Comes to a . MAC Can’t say that I have. Julio lets go of it. Did the cross save him? Takes another gulp of his Coke. HUFFMAN De nada.
78. You ought to check it out. Mac stares at the cover one more time. Huffman goes down. HUFFMAN Anyway. pretty compelling stuff.CONTACT FROM Puts the book back on the shelf. HUFFMAN Watch that bite. Laura squats down to get it. UFO . Huffman looks down the road. THE PLEIADES. Mac nudges Laura as she checks the gauges and fuel levels.. It roars to life. The dark car stops on the road a short distance from the sheriff’s car. A gray puff of smoke. LAURA ‘Bye! Laura turns the engine over. MAC Semjaza. The car’s tinted window opens. Shakes his head. A gun barrel sticks out. Gives a wave. Mac closes his door.AFTERNOON Mac and Laura climb in the plane. EXT.. His body spasms violently. Sheriff. INT. . LAURA Sound familiar? Sitting on his desk. We will.CONTINUOUS Watching from the plane coasting down the runway. Waves to Huffman through the glass. LAURA’S PLANE . Huffman stands by his car. She glances over. A DARK CAR speeds toward the landing field. HUFFMAN Hope you got what you needed.Semjaza. MAC Thank you for your time. LANDING FIELD .
The plane dives. The plane lurches forward. Full throttle again for takeoff. Heads A bullet tears into the cockpit close to Mac’s head. The plane lifts up. LAURA NOT ENOUGH SPEED! MAC HE’S GOING TO RAM US! At the last second she pulls back the controls. . The dark car fishtails onto the makeshift runway. She slams the controls forward. exploding it inward. She banks it to the left. He fires. MAC THEY SHOT HIM! Laura slams the throttle. MAC THEY’RE GETTING OUT OF THE CAR! THEY’RE GOING TO SHOOT! POW! GUNFIRE.79. MAC WE CAN’T JUST LEAVE HIM! LAURA IT’S A TASER. MAC WE’RE NOT GOING TO MAKE IT! Pounding the dash. Mac looks back. Glass showers inside. HE’LL She feathers the throttle. And stays there. straight for them. hits the rudder pedals to spin the plane around. The car fast approaches. Laura pulls back the stick. LAURA COME ON! Dark car. The plane springs into the air. Hits ground. It’s Pinkie Rings. Away from harm. The plane skims off. BE ALL RIGHT. A man crawls out of it and takes aim at the plane over the roof. One of its wheels bounces off the car’s windshield. A STUN GUN. The tinted window lowers all the way.
LAURA Paso Robles? MAC Yeah. Mac finds ‘em. MAC You just needed a hug. LAURA Sorry about last night. INT. I hope you I MAC How do you prove to someone you’ve changed? . MAC We better get to Paso Robles. aren’t you? MAC Like crazy. LAURA You’re a good man. LAURA THERE’S SOME RAGS UNDER THE SEAT. LAURA’S PLANE . Mac. I was an idiot. MAC That guy who shot at us was the guy from LAX. How could he possibly know I was out here? LAURA They could have checked our flight log at the airport. LAURA You’re still in love with her.MOMENTS LATER Wind pours through the bullet hole. to check on Maggie and the kids. These guys are definitely not bluffing. Finally addressing it. The cabin quiets down. Awkward.AIRBORNE . Starts stuffing.80. STUFF ‘EM IN THE HOLE. blew it. get what you want.
CONTINUOUS The front door is ajar. LAURA’S PLANE . MAC Are you nuts? LAURA It might work. The left side is a cornfield with healthy headhigh stalks. MAC What if the corn’s too high? . LAURA Maybe they moved to a hotel.MAIN HOUSE .CONTINUOUS Through the windshield. LAURA’S PLANE . They descend onto a narrow dirt service road below. MAC Can I get bars up here? LAURA I’ll take her down. No answer. CREEK WALK VINEYARD . She pushes the controls forward. CREEK WALK VINEYARD . No visible sign of life.81.PASO ROBLES . He pulls out his cell. EXT. there a place to land? Is EXT. MAC How long before we can get there? LAURA If we’re lucky. No ring. A deep drainage ditch runs alongside it on the right. INT. before sunset.CONTINUOUS MAC Straight to voice-mail. INT. LAURA By doing the right thing for a long enough time.DUSK Laura’s plane circles one last approach.
CONTINUOUS MAC WHAT’S THAT? LAURA SO FAR SO GOOD! EXT. Over the loud hissing.CONTINUOUS Bucking the steering.CONTINUOUS Tassels crown the tops of the corn stalks. SERVICE ROAD . LAURA WHAT’S THAT? MAC THERE’S AN EIGHT-FOOT FENCE AT THE END OF THIS ROAD TO KEEP THE DEER OUT. . EXT.CONTINUOUS The eight foot chain-link fence stands dead ahead. SERVICE ROAD . Mac braces himself while Laura takes it in. The right tire bounces along the edge of the deep ditch. INT. LAURA’S PLANE . EXT. LAURA I THINK WE’RE GOING TO MAKE IT! MAC THERE’S ONE THING I FORGOT TO TELL YOU. SERVICE ROAD . LAURA THANKS FOR MENTIONING IT. THEY LIKE THE GRAPES.CONTINUOUS The left wing skims along the top of the tassels. LAURA’S PLANE . The plane’s wheels touch down. THUMP! HISSSSSSS! INT.82. LAURA I guess we’ll find out.
Takes the flashlight. MAC Maybe they were already here.FRONT DOOR . Returns to Laura. Shaken. MAC We don’t know that. Flips it again and again. INT. INT. Grabs a candle.83. Nothing. MAGGIE? Mac sticks his head in. They arrive at the steps. Laura follows. Flashlight on the light switch. not stirred. Barely. They see the front door slightly ajar. Trimming The WHAM! Full contact! Like a butterfly against a net. Nothing. corn. Mac nods his head to investigate. JEREMY? Flashlight.CONTINUOUS They rock back into their seats. EXT. LAURA Power outage like at Camarillo. plane pivots forward. MAC SARAH? He slowly enters. Mac and Laura run up the gravel driveway to the front of the house. Mac flips it on. The house is pitch dark. FRONT HALL . MAC You okay? LAURA I’ve had worse.CONTINUOUS Front door threshold. Riding the ditch. . then bounces back down.EARLY EVENING A flashlight. LAURA I don’t see any cars. Laura close. The plane speeds toward it. Bumping all the way. CREEK WALK VINEYARD . LAURA’S PLANE . Lights it. Mac walks to the mantelpiece. Catching her breath. Looking around.
MUFFLED VOICE Dad? Jeremy? MAC Is that you? Finds the Mac rushes from the living room into the hallway. Doris clutches Jeremy. Stoops down inside. and Doris sit on the couch. in her arms.. MAC MAGGIE!? The closet door beneath the stairs creeps open. Sarah. More candles all around.. Buries his . Jeremy jumps off the love seat and rushes to him.. JEREMY Dad. MAIN HOUSE .. head in Mac’s shoulder. The candle reveals a sea of scared faces. I’m scared. Jeremy sits on the love seat next to Laura.84. SARAH Daddy! MAC Pumpkin! Relieved hugs all around..then the power went off.. MAC MAGGIE!? A MUFFLED VOICE comes from the hallway.then we heard strange noises. Kneeling in front of Maggie.we saw something in the sky.LIVING ROOM .. MAC What happened? MAGGIE I don’t know.. Mac opens his arms. INT. Timidly.bright lights. closet door open.MOMENTS LATER Maggie holds Sarah Maggie.
. JEREMY Mom’s right. Laura looks to Mac. I’m LAURA I’m a. it was bright and made the whole room light up! To Maggie.something’s coming in here. Fiery eyes. A TALL. Guarded. Maggie looks at Laura. MAGNIFICENT-LOOKING ANGELIC BEING. Then to Maggie. The room suddenly fills with a brilliant light. Stammering. helping Mac. MAGGIE I don’t believe we’ve met. Long. I’m Laura Nathan.. A mixture of awe. MAC It’s not what you think. The other side of the room. Something’s wrong with the phone. . wonder and fear. shoulder-length blond hair. MAC Did anyone call you? MAGGIE No. It’s been out all day. Something’s out there. He’s told me a lot about you. Maggie’s face. Something weird. JEREMY D-Dad. LAURA He’s right. Sees it full on. A long tilt up. SARAH Daddy.85. Mac spins around. I’m. Interrupting. Maggie fabricates a smile.
. His hair blows. Hurls it full strength. The creature roars. Her head bangs against the wall like a rag doll from the gyrations. Staggering against the force. Mac grabs a lamp next to the couch. A long. presses itself against her. WIND fills the room. Doris suffers a seizure. Scaly skin like a lizard. LAURA Mac. Weakly. glare rage. Straining to breath. It moves towards her. Light emanates from his very being. The being changes shape. His eyes turn to hate. The children burrow into Maggie. She covers her head. It’s clawlike fingers tear her clothes. She lands in a heap. The creature picks Laura up off the floor. do something. LEAVE US! MAC NOW! Black slanted oval eyes His head turns large and elongated. Sheds its benevolent angel-like appearance into its own TALL GRAY BODY with spindly arms. It hurls her against the wall behind her. SCREAMS from Maggie and Sarah. pinning her to the wall. More howling WIND.86. tunic-like garment. MAC GET AWAY FROM HER! It commences to breed. Faints. A voice explodes from the creature. It vomits something vile at her. CREATURE I AM THE ONE NAMED SEMJAZA! ARE YOU TO ADDRESS ME! WHO It extends one of its arms and points a clawlike finger at Laura. LAURA Mac.
Others latch onto Jeremy. Debris and paper circle in the wind. Fights for consciousness. Walkie-talkies.4 AM Voices in the distance.. Coming toward Mac.LIVING ROOM . He crumples to the floor. hello. But different.HOURS LATER . Uri holds the damp towel on his He opens his eyes again. MAIN HOUSE . MAC NO!! Before he can hurl it the breeding Semjaza turns and points his finger at Mac.. LAURA Mac! Mac picks up a coffee table. Both children now float unconscious above the floor. A damp towel on FOGGY VOICE MacKenzie. MAC Where’s Maggie? It’s Doris’ living room. head. It spins around. At the entrance of the room TEN SMALL GRAY ALIEN BEINGS swarm in. . MAC Uri? He collapses back into a chair.you hear me? Mac slowly opens his eyes. INT. Mac’s forehead. Weakly. Coming forward. One small gray grabs Sarah from Maggie’s arms. It slams into its back. Maggie? He looks around. More come to her. Catapults him with such force his head smashes a hole in the wall.87. MAGGIE NO!!!! Maggie wrestles with the small gray. Another commotion. Wildly throwing punches. Toward Maggie and the kids. Out cold. Glares at Mac.
URI They were taken. You’ve suffered a major concussion. MAC Where are my kids? He urgently grabs the arms of the chair and lifts himself up. CAMOUFLAGE FACE PAINT. Internet. It’s a make-shift military post. MAC And Laura? URI Recovering upstairs.) Mr. COLONEL AUSTIN. . Walkies. The place is teeming with COMMANDOS IN BLACK JUMPSUITS. Radios. Bluntly. Intruding. They found you next to the wall. MAC Where’s Maggie? URI With her mother. VOICE (O. MacKenzie? Mac looks up at a new face. AUSTIN I’m Colonel Austin. Maps.88. MAC What’s all this? URI A military swat team Roswell’s connected to. MAC Taken where? URI They were abducted. Computers. They have a medical unit here.S. Still groggy. Weapons. Eyes searching for truth. Uri firmly pushes him back down.
Dried blood on her chin. MAC WHERE ARE MY KIDS? Austin glances at Uri. MAGGIE Oh Mac. MacKenzie. Mac struggles to his feet. MAC Maggie. Lost. . Losing it. Broken. Maggie. Huge embrace. I’m so sorry. She’s bitten through her lip. Woozy. She opens her arms. No letting go. Maggie enters the room. Then back at Mac. Maggie faces Mac. AUSTIN The same base where General Nathan is being held. Holding her tightly. Tear-stained cheeks. They’re all they’ve got. MAC They’ve taken the children. We’ve been monitoring it constantly.89. Mac looks at Uri. Mac takes a couple of steps towards her. Bloodshot eyes. He hurries. what are we gonna do? She sobs in Mac’s embrace. AUSTIN We’re doing everything in our power to get your children out of there as soon as possible. She starts to tremble. They’re doing everything possible. Uri and Austin leave discreetly. Cutting him off. Drained. we believe your children have been taken to an underground base in the Nevada desert. AUSTIN Mr. caressing her hair.
90. The entire area is lit up by worklights powered by generators. URI I will check on Cranston in the kitchen. . Mac and Maggie look over. Frustrated. URI (O. Special We are lucky MAGGIE So you got us into all this. Uri nods to the window. Nods a bow. Disarming. BenHassen. I’m sorry. is she all right? MAGGIE They think she suffered a mild stroke. Nice to meet you. MAC Maggie. MAGGIE On who’s side? And who are you? Jumping in. Colonel Austin approaches FOUR BLACK BLACK HAWK HELICOPTERS on the front lawn. URI She is sleeping? MAGGIE Yes. URI Your mother. this is Uri From Israel. Forces. He’s told me a lot about you. I am now an archeologist. URI He is a good soldier. they gave her something. A cluster of men gather around one of the choppers with Austin.) Mac. he is on our side. Diverting the conflict. Maggie.S. URI No. Outside.
They kiss. MAC I gotta go. Smiles. MacKenzie? There’s an Elisha BenHassen on the webcam asking for you. She raises her lips. me. too. Like for the very first time. BLACK JUMPSUIT Mr. Watches the kiss. Looks into her dreamy eyes. He punches in a password. ELISHA Shalom. Mac stops the kiss. MAGGIE Thank you. MAGGIE I’ve missed you. A small smile. MAC This is important. She watches him go. Wipes her face. He takes off. MAC Me. She cuddles back into him. Like crazy.91. MacKenzie. . He follows the commando back to a work station. Another BLACK JUMPSUIT. Their eyes meet. Believe Mac leans in closer. Elisha comes up on screen via webcam. A tap on Mac’s shoulder. Mac turns Maggie back into his arms. She blinks back tears of relief. MAC Cranston’s here? MAGGIE It’s not what you think. Laura’s on the stairs. A sigh. She finishes the kiss. MAGGIE So is this.
A weary smile.. . MAC How? Adamant. Then a pack of small grays came in and took the kids. MAC Shalom. Uri. ELISHA Did you command it with the cross? Feeling for his necklace. wait. MAC I forgot I had it. Laura. Colonel Austin. Listening to Elisha. And when that times comes you must take authority over it! Mac turns around. What do you mean Elisha pounds his desktop. and the whole room full of commandos are watching. I had no time. Back to the screen. This is not good. “the next time”? SLAM.. Elisha. MAC It hurled Laura against the wall. Only He can defeat Semjaza. ELISHA The next time you encounter him. wait. ELISHA Uri tells me you encountered Semjaza. ELISHA By faith in He who is greater than you. Finds it. Tried to breed with her. Sternly.92. Maggie. MAC I’m trying. MAC Wait. ELISHA There will be a next time.
CRANSTON The leader of the base is in need of a new host. Mac and Maggie exchange a quick look.) He’s right. A new body. You must drive them out! MAC How? ELISHA Yeshua A Meshiac is with you now.93. ELISHA You’re not getting it. A COMMANDO interrupts from a work station. Passionate. They are evil. That’s why Sarah and Jeremy were taken. MAC You knew about the sixth floor? CRANSTON And much more. It’s Cranston from the other side of the MAC How do you know? CRANSTON My position on the hospital board made me privy to many things. MAGGIE Oh my God. unclean creatures.S. MAC Why didn’t they take me? CRANSTON You were wearing that cross. MacKenzie! These aliens are demons disguised to deceive us. Use the cross. room. Mac turns around. He will fight for you! VOICE (O. . I’m afraid I’ve gotten in deeper than I bargained for. I want to help you.
94. COMMANDO Colonel, the doors at the end of the tunnel are opening! Colonel Austin crosses quickly to the soldier’s station. flat screen shows a remote feed of the huge doors slowly opening. AUSTIN THIS IS IT! “OPERATION TAKE-DOWN” IS A GO! LET’S MOVE! MOVE OUT! Instant mayhem. Walkies blaring. Choppers wind up. jumpsuits everywhere. Packing. Moving. Mac back to the web feed. ELISHA SHOW THE CROSS. YESHUA IS WITH YOU. BE STRONG IN THE LORD! SHALOM! Elisha’s gone. Mac is pulled away. Black The
Uri grabs THE BLUEPRINTS off a workstation. EXT. FRONT LAWN - DAWN - MOMENTS LATER The choppers churn up wind and leaves. A HIGH-RANKING COMMANDO, WALKER, intercepts Mac, Maggie, Uri and Laura. Over the chopper whine. With force.
WALKER NO WOMEN ON THE MISSION! LAURA MY FATHER’S GENERAL NATHAN. GOT CLEARANCE. To Maggie. WALKER NO CIVILIANS, MA’AM, IT’S TOO DANGEROUS. Indignant. MAGGIE TRY CHILDBIRTH. THAT’S DANGEROUS. MY CHILDREN ARE OVER THERE. I’M GOING. WALKER THAT’S OUR JOB. YOU STAY HERE. I’VE
95. Jabbing a finger in his chest. Taking charge.
MAC LOOK, PAL, THIS IS MY WIFE AND WE’RE GETTING OUR KIDS. SO STAND DOWN AND BACK OFF. They run around him to the chopper. joins them. He shrugs, turns and
EXT. CREEK WALK VINEYARD - ACCESS ROAD - NIGHT - CONTINUOUS Cranston speeds down the long dirt driveway in his BMW. clubs rattle in the back seat. Golf
A spotlight circles his car. He crouches to look out the windshield. The four Black Hawks swoop low over his car and out over the vineyard like a shot. He lets out a sigh. Then another spotlight engulfs the Beamer. But it’s ten times brighter. Cranston tries to look up at it. The golf clubs suddenly slam against the roof of the car. And keep slamming with an loud clanging. A whirlwind kicks up dust from the road. Tumbleweeds and debris swirl around his BMW in the white light. Cranston punches it. Pedal to the metal. The Beamer accelerates. The speedometer reads 100 m.p.h. It lifts off the ground. Cranston looks down at the road as it shrinks beneath him. Bathed in white light. EXT. CALIFORNIA-NEVADA BORDER - EARLY DAWN Four Black Hawks fly in tight formation low over the desert. INT. CHOPPER #1 - CONTINUOUS Colonel Austin rides shotgun with Uri, Laura, Maggie, and Mac and more troops in the back. Maggie sits between Mac’s legs, facing forward, engulfed in his arms. Uri examines an HK-MP5K rifle issued by Austin. He checks the magazine, unloads the clip of ammo, inspects it, pushes it back into place. Lock and load. Lays it across his lap. He notices Mac watching him. He grins and shoots Mac a thumbs up. Delta Force is back. Mac smiles thinly. Returns with a tired thumbs up.
96. Uri opens the blueprints. EXT. CHOPPER #1 - AIRBORNE - SUNRISE - LATER The Black Hawk flies low to the ground. Others follow.
INT. CHOPPER #1 - AIRBORNE - SUNRISE - CONTINUOUS The door slides open. Cold morning air bursts in with the first signs of dawn streaking across the desert sky. Golden light and wind wash over Maggie’s face. in wonder. With trepidation. The chopper sets down. walkies and headsets. All look out
Austin’s voice explodes over the
AUSTIN THIS IS IT! LET’S MOVE OUT! EXT. DESIGNATED LANDING AREA - CONTINUOUS The other choppers touch down. Soldiers spill out like ants, fanning out, crouching defensively. Awaiting orders. Uri and Laura pile out of Chopper #1. Mac and Maggie follow. Colonel Austin pops open the cockpit door. Makes a run for it. Gets to the front line. right. Low and fast. Commando sign language. To the
Forty men and two women run toward a gaping hole in the side of the mountain. Over two hundred feet high in diameter. A monster tunnel. They gather at the mouth of it. WALKIES BLARING MAYDAY! THE DOORS ARE CLOSING! The huge doors rumble together. AUSTIN USE THE THERMITE GRENADES! NOW! White
A half dozen troops run inside the closing doors. smoke pours out. MAC Thermite? AUSTIN They melt metal together. MOVE PEOPLE! LET’S
AUSTIN Roger that. The gigantic doors screech to a stop. INT. AUSTIN These shoots should take us to Level 11. He pulls out the blueprint map. Looking back. TOP OF THE SHOOTS . Laura. One of them signals. The commandos line up and jump down both shoots single file down the shaft. Okay men. in. . The rest of the troops move in. No noise. Colonel. Awestruck by the enormity of it all. The ants go running MAGGIE Where are we? MAC The back entrance. Trotting to keep up. Secure the area.CONTINUOUS Walker and his men wait at the top of the shoots. Up ahead. GIGANTIC TUNNEL . ALIEN BASE .CONTINUOUS Soldiers follow Walker up ahead. Into his walkie. arms crossed. And vanish. Austin and the rest catch up. Maggie and Mac join the group on the right hand side. visual. WALKER It’s up ahead. parallel TEFLON COATED SLIDES that go down forever.97. Walker signals sign language.MOMENTS LATER Colonel Austin divides the men into two groups. INT. secure the area. Four commandos run ahead fifty feet and dive to the ground near the cavern entrance providing coverage.NEAR CAVERN ENTRANCE . Let’s go. Uri. Feet first. INT. SIR. WALKER THE SHOOTS ARE UP HERE. We have a He stops. We’re going in.
equally aghast. He points to MAJ 12. INT. We believe the General and kids are here. A commando in the grid above. Lays it down. URI There is no resistance. Covering her mouth. AUSTIN We’re here. He stabs the map. Uri and Laura arrive near the saucer. next to them. MAC But why? A yell from above. AUSTIN Maj 12 can be reached through the air filtration system or the emergency exit shaft. The map illustrates the tiered levels.98. MAGGIE Oh my gosh. THE PLACE IS SECURE. standing in awe. Austin unfolds A DUPLICATE SET OF BLUEPRINTS from his jacket. Looking around at his men.S. A tool cart a few yards away. Laura takes Maggie by the arm. The core is here. Sees the U. We’ll enter it here. Flag on it’s side. GRID COMMANDO NOTHING UP HERE. Walker and the pointmen circle in. Mac and Maggie come up Maggie gets her first eyeful of the hovering spacecraft. Finger extended. SIR. . GIANT SAUCER CAVERN . Eyes watery.CONTINUOUS The troops form a semi-circle around the hovering disk.
Literally pulls him apart. Uri peels off a commando’s night vision. WALKER WE’RE CLEAR. . His gunfire ricochets off the roof and the Walker’s The giant leaps on him. smother the flames. Oval eyes. Scanning everywhere. NIGHT VISION . Men dive on him. INT.MIDWAY . Walker fires. AUSTIN Remember you’re briefing. stealth.CONTINUOUS The giant leaps randomly from side to side squashing soldiers at will.99. Walker points his flashlight. Mac and company near The next station is illuminated five hundred feet ahead. tunnel walls. TRAIN STATION PLATFORM . Commandos with daggers drawn watch helplessly. Three more close behind. Misses. AUSTIN LET’S MOVE OUT! INT. Quickly.CONTINUOUS Pitch dark. A slow jog into the dark tunnel. He screams in pain. But ignites another commando. The group jogs silently. Walker jumps onto the tracks. Walker motions the team with his flashlight along the tunnel walls. A LARGE SILHOUETTE drops from a hole in the tunnel ceiling. Everyone else jumps down. Don’t use force unless absolutely necessary. It’s mayhem. Goes A flamethrower guy tries his luck. Puts it on. With precision. Pointy eyeteeth. It’s THE GIANT. wails echo down the tunnel.MOMENTS LATER The entourage files onto the station platform. the rear.TUNNEL . WALKER Don’t fire unless fired upon. Dismembering. TRAIN TUNNEL .
is carried over Mac and Maggie. His oval Goes to the slain giant. He lands twenty feet in front of Mac and company. KA-BOOM! The giant is hit from behind. He carries a bazooka. Gunshots from behind him skim over Mac and Maggie’s heads.100. from Raphaim. MAGGIE What can we do? Reaching into his shirt neck. what is it? MAC Nephilim. Some scream in agony from the strays. BRIGHT AURORA LIGHT PARTICLES suspend him there. eyes look side to side. Uri walks up. . MAC Nephilim. MAGGIE Mac. MAC It’s time to be strong in the Lord. Still smoking. The giant quickly leapfrogs his way down the tunnel toward Mac. Crouches down. Lit by thirty flashlight beams. He’s enormous. URI You are strong in the Lord. A large burning hole smolders through his head. Flashlights on him. Holding Elisha’s ancient cross out in front. Sparks and bullets ricochet all over. Mustering faith. More outbursts of gunfire. MAC You’re a good shot. Yelling above the rattle. Tears rolling down. He lands in a heap on the ground. Looks to Mac. They fixate on Mac. MAC WE ARE STRONG IN THE LORD! The giant springs from the ground high in the air right at Mac. URI Seeing is believing.
Mole. Still no MPs. Fix their weapons on another AN ADVANCE MAN finds a hand-scanner panel to open the station door. He applies his hand. POINTMAN #1 CLEAR! They hop onto the platform. INT. A hissing sound. Anywhere. No MPs. EMERGENCY EXIT SHAFT . The commandos take aim. Commandos encircle the fallen Goliath. Each time readying for combat. NEXT TRAIN STATION PLATFORM .CONTINUOUS POINTMAN #2 OVER HERE. No resistance.101. sliding panel. prepare for descent to Level 12. INT. Whispering to Mac.CONTINUOUS The troops fly through small room after small room. MEN! They slowly break up. Move down the tunnel. SIR! Two commandos pull out black Makita’s from their packs and unscrew the emergency elevator shaft panel. MAC They knew we were coming. SERIES OF CORRIDORS . AUSTIN LET’S MOVE IT. It opens. URI Bizarre. Scan the station.MOMENTS LATER POINTMEN stick their guns. INT. URI No one is defending. AUSTIN Get it open. then heads above the platform. Each time passing through an air-lock passage chamber. lower the ropes. .
Motions to Laura to fall back. The outer doors open with a loud hiss. He slips the rope through a caribeaner with a brake bar attached to his harness. MOLE READY FOR DESCENT.102. Silence but for the elevator whine as it ascends. ONE MINI-COMMANDO. Fingers flex over their triggers. Uri locks and loads. Ten more HK-MP5Ks lock and load facing the elevator doors.C. Laura runs to him.) STAND DOWN! STAND DOWN! ELEVATOR COMING UP! Mole unsnaps. AUSTIN (O.) HOLD YOUR FIRE. He positions himself. It’s General Nathan (Roswell). MOLE. a compact Latino wearing a mountainclimbing harness. HOLD YOUR FIRE. Ten men kneel with their weapons aimed at the elevator. . Maggie moves closer to Mac for protection. A lone figure steps out. Hops out of the shaft. The inner doors slowly open. climbs into the shaft. MEN. Everyone adjusts their aim. Eyes through cross-hairs.S. AUSTIN HOLD YOUR FIRE UNTIL I GIVE THE ORDER! Uri gives Mac a look. AUSTIN Down the hole! POINTMAN (O. LAURA Daddy! Hugs him tightly.
could. ROSWELL But I’ve been sent here to make an offer. Finds Mac. He kisses her on the head. The deal is this. Colonel. your children will be released. Maggie squeezes Mac. sweetheart. Uri shoots a Mac a look. Mac and Maggie listen intently. General. He pulls a circuitlike key card with coding on it out of his pocket. But the truth of the matter is this. . He looks around at the commandos. MacKenzie. Once you’re there.103. ROSWELL You. snaps to attention with a salute. ROSWELL It’s an exchange. All of us are to go with him. The kids were not a compatible host. They’re well and no harm has come to them. Holds it up. ROSWELL Colonel Austin is to move his men from this level and go topside. I saw your children a short while ago. Austin arrives. ROSWELL MacKenzie. are then to proceed to MAJ 12 alone. but they knew that. AUSTIN We got here as soon as we ROSWELL Good job. You for them. ROSWELL Hello.
yessir. Looks to Uri. ROSWELL Their abduction was a trap to get you here. did you get the blueprints? Uri holds them up. sir. If you do host him. get the kids in exchange. I’ll go. MAGGIE That’s insane. MAGGIE What are you saying? ROSWELL It’s time to exterminate this evil. It’s your DNA and blood type that’s a genetic match. ROSWELL Then this is how it lays out. AUSTIN Sir. ROSWELL The window to destroy the base is now. Abaris wants you. he’ll kill you. To MacKenzie. If Mac agrees. you need to be destroyed with the base. and commence the core contamination to blow up the base. ROSWELL Uri.104. URI Send me. Lucy. So does Austin. MAC I’m the one to host? LAURA You’re the one. ROSWELL Is the core accessible? AUSTIN We think so. we send him down. . If you refuse to share your body with Abaris.
Looks up to his face. Laura’s. They kiss for the last time. EXT. MAC Elisha said we are strong in the Lord. All eyes on MacKenzie. Inserts the card. ELEVATOR . ROSWELL Only Mac is a compatible host. MAC I love you. Mac’s eyes meet Uri’s.TOPSIDE . Losing it. I’ll go. slowly close. Time to believe it. Majestic. Watery eyes. Uri and Laura behind him. Roswell comes over.MOMENTS LATER Daylight reflects off the smooth hangar floor. Handing Mac the elevator key. She looks up. MAC God has the final word. Mac remains by the elevator door. The doors . He backs into the elevator. ROSWELL This card will let you access Level 12. Mac inspects the card. One last hug. puts it away. Maggie. MAGGIE I’ll never see you again. The rest of Austin’s commandos watch as everyone files out of the elevator. MAC I’ll do it.105. Maggie at his side. Maggie buries her face into his side. He gently takes massages Maggie’s shoulders.
MAC How are my dear ones? JEREMY I’m scared. INT.LOBBY . Approaching. MAC How do I know they’ll reach the hangar? ASIAN MAN You watch there. Mac steps off the It’s the same Sarah and Jeremy stand next to an ASIAN MAN. MAC “Harvesting”. Mac stoops down and gives them hugs and kisses. ASIAN MAN Abaris wants to assure you they remember nothing of their harvesting. .CONTINUOUS The doors hiss open like a snake. Looks up with contempt. Back to the kids. SARAH Where’s mommy? MAC She’s waiting for you upstairs. SARAH DADDY!!!!! MAC PUMPKIN! Sarah runs with glee. elevator. janitor from the LAX men’s room entrance. Jeremy close behind. Asian man scurries into the open doors. MAJ 12 . ASIAN MAN I go with the children.106. Dad.
very. MONITOR SCREEN . The doors slowly closing. very much. Knowing this is it. Austin’s men milling about. INT. Wipes his mouth.ELEVATOR LOBBY . Inspects the damage. Reality setting in. INT. Looks over at the large black panel. Touches its surface. He jerks it back. MAC Hold hands. Now is the appointed time. MAJ 12 . The kids fire it back. Asian man points to a BLACK DOOR behind him. He points to a bank of recessed monitors across the lobby. All are safe. very. Mac gets a visual of the door. Mac looks. . A dual bear hug. and this nice man will take you up. Tousles their hair for the last time. Choked up. Looks back. Then steps out of the elevator. Still kid level. Mac gives the thumbs up sign. you guys.CONTINUOUS Mac watches the screen. LARGE BLACK PANEL DOOR . INT. ASIAN MAN You go there. No visible means of entrance. A lone tear. The kids run into Maggie’s Watch and wait. They’re gone. His hand goes through it. Assuring. A video feed of the hangar. arms. He takes a deep breath. Mac heads to the bank of monitors. MAC I love you very.107. He reaches his hand up. Maggie at the bottom of the screen. He kisses them both on the lips.CONTINUOUS Commotion on the hangar floor.CONTINUOUS Mac approaches. No harm.
Austin. son. Laura comforts Maggie and the kids far behind them. ROSWELL (O. He pulls it back out. I’ve got a kamikaze mission and I need a volunteer. Are you sure? .) I’ll go. I need someone half your size.) To destroy the base we need to contaminate the power core. And disappears. He reaches in farther this time. ROSWELL Let me tell it to you straight. Uri looks down the line. URI I can go. ROSWELL Colonel Austin? AUSTIN It’s his call. He fits the job. GIANT HANGAR . Uri.108. Roswell lifts up a piece of bronze sheet metal.CONTINUOUS Roswell stands before Uri. Commando Mole has stepped forward.S. and the rest of the commandos. The sun is hyper-intensified by a magnifying glass lens and will burn through anything it touches. ROSWELL You’re too big. Takes a breath. ROSWELL The only way we can get into the power core is down the solar shaft. ROSWELL You’re odds of escape are one in a million.S. Blueprints of the base lie on the hangar floor. His arm disappears up to his shoulder. Mac walks squarely into the large black face plate. A line of commando faces listen as Roswell continues. VOICE (O. INT.
The light filtering through the floor. Mac proceeds with caution. RASPY VOICE IN THE DARK Don’t be shy.S.109.CONTINUOUS RASPY VOICE IN THE DARK (O. It’s MacKenzie. . ceiling. and Pthe left and right walls. That’s why I cleared everyone out. MOLE I like my chances. Mac slowly sits down. Seamless. the ceiling. CORRIDOR . Here. MacKenzie. RASPY VOICE IN THE DARK Sit here. Whispering through his lips. Arthur. Mac sees the silhouette of a man sitting at a circular table.MAJ 12 . All the personnel. have a look. I want to see you.CONTINUOUS Mac stands in front of another black door. and walls somehow fails to illuminate the man.) Well. MacKenzie. I knew you would come. CIRCULAR ROOM . Art MacKenzie. sir. Pointing to a chair next to him. It suddenly splits into four quadrants receding into the floor. well. everything. RASPY VOICE IN THE DARK We know everything. Mac squints to get a better look. all those bothersome MPs. INT. RASPY VOICE IN THE DARK MacKenzie. INT. We don’t want anyone hurt now. do we? MAC All of this was staged for my benefit? Laughing out loud. oh yes. Mac enters into a circular room.
table. Mac jumps up from his chair. Yes. Chinese student protestors march arm in arm against militia wearing riot gear. Napalm in Vietnam. Hundreds of dead bodies in a river in Somalia. Kadafi. Molded into the The room explodes with a series of DIFFERENT HOLOGRAPHIC IMAGES. The oil fields ablaze in Kuwait. He stares at the pictures. Atomic bombs in Nagasaki. The images stop. The killing fields of Cambodia. MacKenzie. Baghdad under siege. Saddam Hussein. RFK shot at the Ambassador Hotel. like looking Hitler gesticulates wildly delivering an impassioned speech. Suicide bombings in Jerusalem. JFK’s head exploding in Dallas. The Wailing Wall. it isn’t a pretty picture is it? There is quiet. RASPY VOICE IN THE DARK You see. Hiroshima. The Ayatollah. The man places his hand in it. Osama Bin Laden. I want you to understand what we humans are. through windows. North Korean leader Kim Jong-il. Raspy inhale. . Vivid moving images. Mussellini. Castro. The second jet plowing into the World Trade Center.110. Human skeletons stacked in a concentration camp. Pearl harbor being bombed by Japanese Zeroes. A control panel in the shape of a hand.
111. Mac is silent. RASPY VOICE IN THE DARK All the butchery, the pain, the misery. Mac shifts uncomfortably. RASPY VOICE IN THE DARK All of what you saw will be a thing of the past. There will be peace, security, and a world governed fairly. The aliens will change things. And quite for the better. MAC Why are you telling me this? The man rests his hand again in the indentation on the table. A light begins to illuminate the man’s face, lifting it from the shadows. Humming, not singing. RASPY VOICE IN THE DARK Oh give me a home...where the buffalo roam... Thrown off. MAC I used to sing that song with my... RASPY VOICE IN THE DARK ...your father? His face now illuminates under the light. It is Mac’s father, his dead father, sitting before him. Mac recoils. Leaning in. Too creepy.
RASPY VOICE IN THE DARK I am your father. I am now the one named Abaris. INT. DIMLY LIT CORRIDOR - MOMENTS LATER Mac walks slowly next to Abaris. ABARIS Abaris, after a Greek sage who had the power to heal.
112. You see, it was I who saved the alien who survived the Roswell crash. Mac has trouble looking ahead. ABARIS When his body began to die I allowed him to enter mine. MAC Is he with you now? ABARIS You have been talking to both of us, for now we are one. It has been the most valuable experience of my life. Feeling somehow ripped off. MAC You fake your death so that some alien could share your body over raising your own family? ABARIS Oh you mustn’t be cross. It has been for the good. Yes, and much more. But now my body is beginning to die. That is why I brought you here. Mac strains to process it all. ABARIS You, my son, are the person to carry on. To end the misery on this planet. If you will only allow us to enter. Abaris stops in front of a large panel. into four sections. He gestures for Mac to enter. INT. THEATRE CHAMBER - CONTINUOUS ABARIS The time of the mass revealing is almost at hand. A world of peace, harmony, love, and understanding. The true brotherhood of man realized to its fullest potential. The door splits open
113. The room is suddenly bathed in brilliant white light. A huge heavenly being floats from an entrance off to the side. He is magnificent, powerful, and splendid to behold. HEAVENLY BEING I am the archangel Gabriel. me. The angel hovers above Mac and Abaris. changes his appearance. Trust And gracefully
Ghandi, serene and holy with a white dhoti wrapped around his tiny brown-skinned body. Into Buddha, silent and detached, with a beam of light streaking from the center of his forehead. Into Jesus, hanging on a cross, wrists impaled by bony nails, a crown of thorns jutting into his bloody head. Mac watches breathlessly. The image changes again. A small point of light. Swirling. Into a primordial cloud of spinning galaxies. Into the universe itself. His voice echoes. THE UNIVERSE I AM THE ONE NAMED SEMJAZA! Suddenly it is gone. It has vanished. Complete overload.
Mac stands in total shock. MacKenzie.
ABARIS (O.S.) Mac looks around. His father calls him from an adjacent room. Mac reluctantly follows. INT. SOLAR SHAFT - INTERCUT AN EIGHT FOOT DIAMETER mirrored-paneled SOLAR SHAFT magnifies a concentrated six foot diameter beam of hot desert sun down into the base. A heavily perspiring Mole carefully repels down the shaft, flat against the side to avoid the intense beam. INT. MAJ 12 - THE TIERED ROOM - INTERCUT A large space with a strange reddish glow. of towers with thousands of shelves. Hundreds of rows
ABARIS The aliens are here to enlighten us. Hybrid . And soon their time of dwelling with us will be revealed. To replenish their dying race and evolve ours. The alien in the saucer staring in hate. A glowing hybrid heart beats in a glasslike container. Muhammad.SPEED MONTAGE OF IMAGES Lucy’s gaunt face in the psych ward. From the topmost tier. MAC Embryonic Nephilim. Divina with her throat slit. Their seed and ours joined together to create a superrace. Moses. All genetically engineered. MAC The cow’s blood. On the shelves are countless glasslike containers. MAC’S MIND . The rattlesnake on his heel. Putting it all together. ABARIS This is the future. Semjaza manifesting in the living room. And the kingdom of heaven will be on earth. ABARIS Krishna. INT. The six-fingered skeleton in the ancient sarcophagus. Jesus. An entire row of glowing hearts beat as one. Mac keels over with dizziness. The mutilated cow carcass.114. The small gray with the doctor inspecting the giant’s foot. embryos incubate within a thick red liquid. They are the ones who stimulated the creation of the world’s major religions.
MY SON. MAC IT’S A LIE! YOU’RE A LIE! NOT MY FATHER! YOU’RE . EMBRACE HIM. Seemingly in unison. this all might seem strange to you now. my son. But he’s transfixed. Mac fights a gag-reflux. Its twisted face a look of hate. Pushes the entire tower over on its side. FOR HE IS YOUR BROTHER. The red thick liquid squirms. The embryo turns in the jar so that its slanted eyes look out at Mac.CONTINUOUS Mac looks at a glowing hybrid embryo. Hundreds of embryos spill across the shiny black floor. It startles Mac. INT. TIERED ROOM WITH GLASSLIKE CONTAINERS . Exploding. but I assure you it is the future of mankind. ABARIS YES. They writhe and gasp. Sarah and Jeremy floating in midair. It scratches the side of the container.115. The jars smash open. The embryo reaches out a clawlike finger. MAC THEY’RE ALL CROSS- ABARIS WHAT ARE YOU DOING? Pointing at Abaris. ABARIS You see. Laura slammed like a rag doll against the wall. OH YES. Mac jerks away. The tiny creature twists and presses its hideous face against the glass. NEPHILIM! BREEDS. Puts his shoulder into it. Mac snaps. ABARIS It’s time to embrace him.
Clawlike hands. Booming voice. Breaking glass everywhere. The angelic being fills the space. They domino. A desperate prayer. Slanted oval eyes. Mac grabs for his throat. Gray scaly skin. SEMJAZA I AM SEMJAZA. He outstretches his razor-taloned fingers towards Mac. He’s gagging. A warrior with a flaming sword. He’s drenched in foul fluid. Gasping for air. MAC I need you. Holding up the ancient Jerusalem cross hanging around his neck.116. It’s time to believe. He pushes over another tower. He goes down to the floor. HOW DARE YOU INTERFERE WITH OUR COLONY? YOU CANNOT DESTROY THE FUTURE OF MANKIND! Mac back-pedals on the smooth shiny floor. Looking up. Then his appearance changes. ABARIS YOU MUST STOP NOW! Brilliant white light floods the room. BRIGHT AURORA LIGHT PARTICLES manifest into a TWENTY-FOOT ANGEL. MAC IN THE NAME OF YESHUA THE MESSIAH I COMMAND YOU TO RETURN TO THE PIT OF HELL! Semjaza takes a deep breath and blows out a black cloud that envelopes Mac. MAC WE ARE STRONG IN THE LORD AND IN HIS MIGHTY POWER! Projectile vomit at Mac. Semjaza comes closer. More embryos spastically twitch in the shallow thick cow’s blood. Elongated head. Outraged. wings spread wide. Choking. .
The deafening noise subsides. severing the snakes into pieces. It’s The floor rumbles as the abyss slowly closes. his disjointed arm following him. revealing the suffocating Mac. The noise is deafening. Mac scrambles away from the pit.117. Semjaza is now above him. They disintegrate as they fall to the ground. The wind sucks down as the pit seals itself off. the angel swings his sword and cleanly cuts off his arm. It holds against the supernatural force. then his body is torn from the clinging arm. He scans the room. Before he can exhale. His clothes flap violently. He desperately claws at a load-bearing beam. A crackling thunder fills the room. choking him. A larger tentacle comes up and wraps itself around Semjaza. Semjaza shrieks as he is hurled into the pit. Mac’s hair blows wildly. to feet. The entire colony is spun into a frenzied helix and drawn into the depths. Mac lies prostrate. A large ominous black pit descends as far as he can see. He lashes his sword at Mac’s neck. A whirling hurricane engulfs the room. like small tornados. His face a twisted mask of rage and fear as it tries frantically to move away from the abyss. A lightning bolt hurls at Semjaza’s feet. The angel’s flaming sword pierces the darkness. The warrior angel vanishes. Semjaza takes another deep breath. He gets . Abaris steps back in bewilderment. The angel swirls his sword in the air. In the cloud. lash out from the abyss and encircle all of the writhing embryos and glass containers on the shelves. At last all is calm. A gaping hole rips across the center of the floor between Mac and Semjaza. No Abaris. the loud rumble of an earthquake. Semjaza lets out a tortured scream. Another sound joins the cacophony of the whirling wind. He hooks his clawlike finger on its edge. Suddenly tentacles of wind. Heads for the black door. The angel aims his sword at the floor. three large male rattlesnakes wrap themselves around Mac’s throat.
POWER CORE ROOM . AN ALARM BLARES. A HOVERING SAUCER pulses a deep orange glow. He turns back to the pulsating plasma. It rotates revealing a row of oval shaped windows. INT. And slowly lowers himself again upside down. Then dives in.CONTINUOUS Mole hangs out from the shaft. corrupting the energy field. Mole drops to the ground and heads to the edge of the plasma lake. Under his breath. . see Mole and brandish their swords. Alarms drone and red lights flash. MOLE Crap. He carefully launches the plane towards the lake of pumping plasma. The plane circles silently over the energy field. POWER CORE ROOM . Unzips a pocket and pulls out the piece of bronze sheet metal. INT. Finds the pulsating lake twenty feet away. A muted yell for help. HUGE CAVERN . Get there.118.INTERCUT Mac runs into a huge cavern. on top of the large prism of refracted sunlight. INT. INT.CONTINUOUS Mole pulls himself back up. And again. He folds into an airplane. He sees the guards. Sparks erupt as the power core commences a nuclear meltdown. swords drawn. SOLAR SHAFT . MOLE C’mon baby. Abaris looks down from one of the portals. Three small grays yank him away. He turns to watch the Nephilim giants charging hard. Mole’s face peeks out upside down out of the shaft.INTERCUT TWO NEPHILIM WITH MASSIVE SIX FOOT SWORDS stand guard near a thick stainless steel door. As they run toward the shaft. Light pours down the solar shaft behind them and is reflected through a giant prism onto a lake of yellow inorganic pulsating plasma some twenty feet away. Checks the guards again. And finally lands back underneath Mole. The guards spin around. In the portal next to him Cranston bangs on the glass.
INT. INT. Alarms continue to echo. Maggie. formation. Laura. He runs to it. and some commandos commence to buckle up. Uri. Austin gets a visual of the fireball. The others follow in . The giant hangar doors in the background are closing as the fireball pours past them into the daylight. ROSWELL Take her up.CONTINUOUS The four Black Hawks wind up their sagging blades.119. The saucer lifts higher and banks toward an opening at the end of the cavern.CONTINUOUS The elevator doors open and Mac runs out into an empty hangar. Sees a small card slot in the panel. The saucer whisks towards the tunnel. KA-BOOM. Into his headset.CONTINUOUS Chopper One lifts off the tarmac. A fireball blows the elevator doors out into the hangar floor. CHOPPER # 1 . ALIEN BASE TARMAC .CONTINUOUS The elevator roars upward. Mac looks up as the lights flash and go out. Reserve power. A red panel lights up. Austin.CONTINUOUS Roswell. AUSTIN The base is going. ELEVATOR . Mac notices an emergency exit shaft against the wall. INT. Daylight pours through a tunnel at the far end. EXT. Mac is thrown to the ground. sir. EXT. He inserts the circuitlike key card. The doors open. the kids. And is gone. GIANT HANGAR . Blackness. ALIEN BASE TARMAC .
INT. ALIEN BASE TARMAC . Uri extends his hand and grasps Mac below the wrist.120. A sprinting Mac reaches up as Chopper One swings over him. CHOPPER # 1 . CHOPPER ONE . Cheers all around. CHOPPER # 1 . SIR. Finds Mac Chopper One Through the binoculars: a close up of Mac’s cross bouncing around his neck as he runs. Lurching at him. ALIEN BASE TARMAC . running toward them.CONTINUOUS A COMMANDO jumps into the open chopper door.CONTINUOUS Maggie stares out the open chopper door back at the hangar. MAGGIE IT’S MAC! EXT. TAKE HER DOWN! EXT.CONTINUOUS Another explosion shoots a giant plume of fire through the hangar ceiling. HE’S CLEAN. URI HOLD YOUR FIRE! Uri grabs the binoculars off the loaded commando. They lock. and Uri pulls him off the ground into the already ascending Black Hawk. They all . circles back toward Mac. URI IT’S MAC.CONTINUOUS A charred MacKenzie runs after the choppers. land in a heap. Sees a lone figure run out a narrow gap in the giant doors. aiming his assault weapon. INT. EXT. LOADED COMMANDO HE’S CONTAMINATED.CONTINUOUS Commandos pull Uri and Mac back into the chopper. HE’S HOSTING.
MAC I promise. MAC Hello pumpkin! Maggie picks him up into a bear hug.) . PACIFIC OCEAN . Cranston is gagged with duct tape. Abaris looks out the oval window. face. MAGGIE Don’t ever leave me. (TO BE CONTINUED. SARAH DADDY! Winded. EXT. Mac. Hovers over the water.121. me you won’t.. Dives into the ocean. FADE OUT. FADE TO BLACK.. In the oval window next to him.SUNSET TITLE: OFF THE COAST OF PERU It pulsates with a Tears of joy stream her Promise A flying saucer arrives from hyper-space. The saucer angles steeply. deep orange glow. His bloodshot eyes wide with fear. And is gone.