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THE TRUTH IS HERE
Screenplay by D. David Morin
Based on the novel NEPHILIM by L.A. Marzulli
(Part One of a Trilogy)
Lunchbox Entertainment V (310) 200-5252 email@example.com
WGA: # 931080
The Nephilim were on the earth in those days --and also afterward -when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown. Genesis 6:4
FADE IN: TITLE: 1947 BRAZIL RANCH - ROSWELL, NEW MEXICO
EXT: BRAZIL RANCH
- LATE EVENING
A full moon tries to penetrate an eerie high desert fog. Flashlights pierce the darkness. PRIVATE NATHAN (O.S.) CAPTAIN MACKENZIE, OVER HERE SIR! CAPTAIN MATT MACKENZIE, thirties, in uniform, runs through the mist to the voice up ahead. His flashlight scans the ground. Shiny metallic foil-like pieces lay everywhere. MATT Will ya look at all this debris! His flashlight shines on one. closer look. He bends a corner. He stops. Picks it up for a No crease.
It pops back.
MATT What the... PRIVATE NATHAN (O.S.) OVER HERE, SIR, HURRY! He looks up, then back at the piece. EXT. CRASH SITE - CONTINUOUS The remains of a flying saucer cradle against a berm. Winded. MATT Whaddaya got? PRIVATE NATHAN Right there, sir. Matt shines his flashlight on something. An injured SMALL GRAY ALIEN with an elongated head and slanted oval eyes. He moves his oversized head slowly from side to side. A spindly arm raises a hand with SIX FINGERS. eyes from the light. His lids weigh heavy. MATT Shine your flashlight on me. him focus on something. Let He shields his Stuffs it in a pocket.
find anything? Slightly altered voice. The alien responds to Matt. RING.S. PRIVATE NATHAN But.CONTINUOUS Ugly shag rug. Sir.. PRIVATE NATHAN (O. MATT Nothing. He picks him up and cradles him. Both Matt and the alien have faces lit. INT. INT. Steam rises over a tired shower curtain. grabs a towel. I think he’s a goner. MAJOR MacKenzie. APARTMENT . The new Matt stares him down.PRESENT DAY . what are you doing. sir. PRIVATE NATHAN Nothing. is gone. And . MAC I’m coming. PRIVATE NATHAN (O. ART MACKENZIE.BATHROOM .) Captain. Matt is drawn to the alien.S. MAC’S APARTMENT . Tilts his head.2. Worn curtains. fifty-something. A telepathic connection.MORNING A PHONE RINGS. Messy coffee table.. sir? The alien burrows his body right through Matt’s chest. A winded MAJOR arrives on the scene. pulls the curtain open. Major.) Doesn’t look too good. His eyes lock in with Matt.
phone. Sees an old picture of his ex and three children in a crusty frame. sixties. WESTWOOD MEDICAL CENTER . Mac punches off speaker mode. old school preppy newspaper guy.MORNING Mac pulls up the emergency brake on his banged-up Jeep. TWO GOLDFISH. the hospital.INTERCUT JIM CRANSTON.) HEY! Turning around. EXT. MAC You got it. Checks his watch. MAC Crap.C. That new wing cost millions.THE TIMES . VOICE (O. right? CRANSTON I’m on the Board. ARTIE JR. Hello. yeah. MAC Yeah Runs to the . Dripping everywhere. MAGGIE. No loonies or fanatics. JEREMY. He picks up some fish food.3. You’re up. CRANSTON’S OFFICE . SARAH. Sets the watch down. MAC Shoot. Email it tonight.. hospital. Sprinkles it in a fishbowl with Lifts a watch on the desk. INT. He jumps out the Jeep with his note pad in hand. Mac goes to his desk. Hits the speaker MAC CRANSTON You got the assignment? MAC Yeah.
INT. More Pepperdine than Harvard. . picks up THE TIMES photo credential with Mac’s picture on it from the pavement. Mac arrives. EVELYN Every floor has the latest equipment. HARRY If it’s just a hospital. White floors. administrator. huh? MAC Yeah. MAC Thanks. The new wing. why the military? MAC Military? HARRY Sixth floor. Handing it over. HARRY. EVELYN KENNEDY. MAC Can we visit the sixth floor? Caught off guard. HARRY You dropped something. WESTWOOD MEDICAL CENTER . Blunt cut. Tall windows on the left. She and Mac walk down a long hall. Lots of glass. A protection against SARS.4. Late twenties. Even the air conditioning has full filtration. A BLACK SECURITY GUARD.MORNING Fourth floor. Calling out. Harry reads it. HARRY With The Times. Mac runs off. By rote.
. Mac looks over. A cleaning woman. MacKenzie. FEMALE CARIBBEAN ACCENT (O. MAC Why? She stops walking.) You ask me.S. MAC Pray for who? DIVINA The screamers. A tiny cross on her necklace. EVELYN The sixth floor is off limits. She’s gone. MAC Maybe the sixth floor is a special feature. Cranston said your story was on the overall construction cost and the special features of this wing.5. MAC Can you show me these “screamers”? DIVINA Too dangerous. MAC A prison? Si. it’s a prison. Mr. Curt. EVELYN Mr. Her high heels echo down the corridor. Muy peligrosa. Shrugs. DIVINA I pray for them. EVELYN It doesn’t concern you. is squeezing her mop out into a bucket. Smelling a story. Turns the corner. Good-day. name tag DIVINA. MAC I’ll pay you.
Getting dressed. MAC My story could help them. WESTWOOD MEDICAL CENTER .MOMENTS LATER DIVINA Put this on. She hands Mac a maintenance uniform and hat. INT. Scans the lobby. Flippant. MAC You don’t need God when you’re doing the right thing. Meet me here before ten. DIVINA I have two shifts. DIVINA The Lord is telling me no. Bites her bottom lip. Anxious. Where’s that accent from? Head up. A skeptical sigh. Looks down the hall again. DIVINA I am from Costa Rica. A moment. DIVINA You must believe them. Pray God is with us. They are . DIVINA I could lose my job for this. With pride. ELEVATOR .THAT NIGHT Mac heads through the double doors.10PM . Fidgets with her cross on the chain.6. MAC I don’t kiss and tell. EXT. not loco.
MAC What’s wrong with her? DIVINA Same as the others. Mac glances at it. Gazes out at LUCY stands listlessly by the barred windows. Dark rings around her eyes.MOMENTS LATER The sixth floor. MAC One of those. Disheveled hair. Walks slowly Tape recorder on.7. right. SIXTH FLOOR CORRIDOR . DIVINA You have when the bathroom is clean. INT.CONTINUOUS LUCY turns. He lowers his cap. She grabs her hospital smock with both hands. She was abducted by the aliens. Nervous twitch at the corner of her mouth. is lit with dull. Elevator doors open. towards him. Key in the door. DIVINA Keep your hat low. huh? Divina unlocks the door. INT. Opens it. Looks at Mac. MAC Yeah. Pushes her cart to the next room. . Convulsive stammer. She glances at a camera in the corner. LUCY’S ROOM . amber lighting. the city. Mac looks through the wire-mesh window. The entire corridor Divina points to a camera attached to the ceiling. Chewed fingernails. Mac reaches into his shirt pocket.
withdrawing within. Sobbing. MAC Who took you? LUCY They’re not from here. MAC Who’s horrible? A tear. LUCY I struggle but I can’t m-move.8. MAC Where are they from? Whispers. LUCY Ou-outer space. LUCY Can you h-help me? I’ll try. Takes a step closer. something sesexual. and I can’t stop them. MAC Tell me what happened. Mac rolls his eyes. LUCY Then I’m on a table and they do something to me. They come to my room and take me. Voice trails off. She starts to tremble. Recorder off. Reaches into his pocket. and I cry out to him but he doesn’t hear. Her voice dwindles. LUCY They took my baby. Words come faster. My husband’s asleep. . They’re horrible. LUCY They come at night. and they carry me out of the h-house.
CORRIDOR . look. Whispering.and it’s not hu-human. Two MP’s head down the hall.my baby’s g-gone! She stares through Mac. MAC Divina. DIVINA I pray your story will save her. LUCY Then I’m on the bathroom floor and it’s night and I’m bleeding and my baby.. Then they trick your memory so you think everything is normal. He flinches. . LUCY The Pl-pleiades. MAC You got all the help you need right here.CONTINUOUS Walking down the hallway. Eyes unblinking. Haunted.9. Eyes wide. We go. there is no story.. LUCY Then they have my baby and show it to me.. LUCY Help me! Her bloodshot eyes look insane. Just a little freakier than most. MP #1 You got ID? Sidearms on their hip.. DIVINA Ahora! Lucy grabs his hand. A hand in Mac’s chest. A hand grabs Mac’s arm. INT. She’s another whacko.
Latin charm. MAC Who is this? .O. MAC What? CALLER (V.O.10. He plops two Alka-Seltzer in a glass of water on the coffee table. Mac and Divina in the elevator. CALLER (V. Mac heads for it. Into the phone. RING. A manila envelope slides under it.) There’s a packet under your door. He is training. MAC Yeah. Mac looks at them blindly.) You visited the sixth floor. Bed head. MAC Who is this? CALLER (V. Mac recoils. Looks. Fizzzzzzzzzzz. Opens the door. No one.LATE MORNING Mac’s on his couch in a pair of boxers. Her throat slit open. Jumping in.) They found you. The second photo: Mac talking to Lucy. ticket. MAC’S APARTMENT . DIVINA He is with me. INT. And a plane Grabs an old cordless.O. He opens the envelope. The first photo: Pulls out some photos. He reads an open newspaper on the table. The third photo: Divina lies on the floor of a janitor closet in a pool of blood. He drinks down the bubbles. Mac looks at the front door.
He pulls something out.11. 6.O. CALLER (V. He stares at it. The UFO debris piece his father found. The concourse buzzes with foreign travellers.CONTINUOUS Mac enters the bedroom. Looks at Divina dead in her own blood. Maggie’s mom. Mac’s ex.) You’re phone could be tapped. MAC WHO IS THIS? CALLER (V.) You have something they want but you’re not to give it to them. Wrinkles it.INTERCUT International terminal. 8. SARAH And that’s how David killed the giant Goliath. washes pots at the kitchen sink. plays with a GameBoy.) The plane ticket is for tonight.CROWDED AIRPORT BAR . MAC’S BEDROOM . Mac looks at the phone. CALLER (V. MAC I don’t know what you’re talking about. It pops back. Don’t miss that flight.DUSK. Jeremy. LAX . sharply pulls the bed away and peels back the old shag. INT. DORIS. back in the sack. back in the floor. Dial tone. CREEK WALK VINEYARD . .FARMHOUSE KICTHEN . talks on an old-school phone hanging on the wall. Mac sits at a barstool. Opens the plane ticket: TEL AVIV. He reaches in and takes out an old potato sack. He lifts a square of the hardwood floor and exposes a little chamber. On his cell. He puts it INT. Holds a drink.SUNSET MAGGIE. a natural beauty. Tosses it. Their son. INT.O. Finishing up. You’re not safe here.O. clears dirty dishes off a counter. Daughter Sarah.
Pumpkin. Tan legs. Kitchen adjacent. maybe you’ll meet another flight attendant. SARAH But Gramma says its true. the phone. MAC Can’t we ever get past that? INT. Comes to . MAC It’s just a story. there’s no such things as giants. Yelling out. Something’s come up.INTERCUT Cranston looks at a computer. Lemme talk to your mother. MAGGIE’S FARMHOUSE . MAC I can’t make it this weekend.CONTINUOUS . MAGGIE You haven’t seen the kids for six weeks. MAGGIE Well.DEN . SARAH MOM! As she drops the phone. it isn’t true. Maggie wipes her hands on her cutoffs. sweetheart.12. What’s come up? MAC I have to go to Israel. MAC I love you. MAGGIE I care that you’re lying to them. MAC Like you honestly care. MAC The Bible is a storybook. It’s make believe.
I want to make it right. WE GOT OUR TEE TIME. Dial tone. MAC For eighteen holes? MAGGIE Very funny. MAC Are you dating him? MAGGIE He’s sweet. cell into his coat. Goodbye. Gulps his drink. He checks in on me. CRANSTON MAGGIE. Mac. Beads of sweat. To Mac. M. when Artie died I lost it. PINKIE RINGS Gimme a Heineken. MAC Look. you’re were never good at it. . MAGGIE Then make your alimony and child support. I cheated on you. Mac. A PINKIE RING fits snugly on the fat little finger of each hand. Don’t get killed. Mac squeezes the mobile off. Slips the SIX A- AN IMPECCABLY DRESSED FAT MAN takes the stool next to Mac. Slicked-over hair covers a bald spot. THE BARTENDER throws down a coaster.13. It was wrong. Don’t act jealous. MAC Is that Cranston? MAGGIE What if it was? MAC My boss is cutting my own grass? MAGGIE You didn’t want your own grass.
Not a cloud in the sky then off to my right is this silver disk. please. The bartender plops down his beer. it’s War of the Worlds! TV: AN ALIEN SHIP FIRES A DEATH RAY AT FLEEING CIVILIANS. just great. Kills his drink. Turning to Mac. Pointing toward the television tucked up near the ceiling. MAC Israel. MAC Check. Without a sound. BARTENDER You good? MAC Yeah. At a Boy Scout camp. PINKIE RINGS All of a sudden this thing takes off. PINKIE RINGS Where you headed? Stewing over the phone call. PINKIE RINGS I saw one once. straight up into the air. Mac pulls out his wallet. PINKIE RINGS Blow ‘em all to kingdom come.14. Either way’s all right with me. Just hovering. . PINKIE RINGS Hey. PINKIE RINGS We ran back to camp and told everyone what we’d seen. Home of the suicide bombers. MAC One what? PINKIE RINGS A UFO. Points at Mac’s glass.
High cheekbones. She removes her dark sunglasses. INT. Mac enters. Mac grabs his briefcase. Bows and moves the cone. Turns around. Carefully painted red lips. Mac zips up his fly. Too . An ASIAN MAINTENANCE MAN mops behind it. EXT. Could be contacts. PINKIE RINGS You’ve got we want.15. Choking. Platinum bobbed hair. Mac gets up. A A TALL FEMALE. throws down a twenty. green. Thirties. James Bond sexy. Six hours later everybody but me denied we’d seen anything. GREEN EYES We haven’t much time. He sees Mac approaching. A chubby hand with a pinkie ring covers his eyes and presses a box-cutter razor against his throat.CONTINUOUS Mac stands at an empty row of urinals relieving himself. MAC There’s chat rooms for guys like you. She takes Mac by the arm and hurries him out of the men’s room. MEN’S ROOM . and leaves. and we’re going to get it whether you’re here or not. MAC I don’t know what you’re talking about. Could be a wig.CONTINUOUS An orange safety cone blocks the entrance. PINKIE RINGS WHERE IS IT? THWAP! The toe of a shoe kicks Pinkie Rings in the head. He slams Mac against himself. MEN’S ROOM . Intense GREEN EYES. MacKenzie. backhand judo chop sends him to the ground out cold.
Keep to yourself on the flight. MEN’S ROOM . Sees the maintenance man crouched against the wall. Overhead. his wind knocked out. GATE 68 . Mac watches her vanish in the mob. EXT.CONTINUOUS She races Mac through the crowd to his gate. MAC Who called me? GREEN EYES His alias is Roswell. They want it back.CONTINUOUS She takes him to the boarding agent. . INT. MAC Who are you? GREEN EYES I’m here to make sure you make your flight. Piped in over the airport commotion. It’s not safe for you to be here. FOREIGN FEMALE VOICE Final call for El Al Flight Number 783 for Tel Aviv now boarding at Gate 68. GREEN EYES Someone will meet you in Tel Aviv. CONCOURSE . MAC Who was that guy? GREEN EYES Your father left you something when he died. INT. MAC As in New Mexico? Who is he? GREEN EYES He’s on the inside.16.CONTINUOUS They rush out of the bathroom. She turns and goes. Mac looks back.
his bag. Mac shakes it. FEMALE FLIGHT AGENT (O. Uri takes I am BenHassen.INT’L TERMINAL . He rolls his eyes.MIDDAY A haggard Mac pulls his suitcase into the bright sunshine. DUSTY HUMMER H2 . HIGHWAY . SMOKE. Massive crowd. Uri takes evasive action. Tools. URI She A rugged-looking Israeli man holds it. Hands it to her. artifacts . INT. MAC I’m MacKenzie. KABOOM! A suicide bomber. Uzi’s run in all directions. bounce in the back. EXT.ISRAEL COUNTRYSIDE . A crude cardboard sign held above the masses. smiles. SCREAMS. running for cover. EXT.AFTERNOON A dusty Hummer H2 speeds along a remote two-lane highway. “MAKKENZIE”.17. Identifying himself. Armed soldiers everywhere.CONTINUOUS The back is crammed with food and supplies. TEL AVIV AIRPORT .S. MAC Who? URI Call me Uri. The crowd scatters. Mac pulls out his passport and ticket. Grabbing Mac’s arm. He extends a thick calloused hand. Mac spies it. BENHASSEN. Uzi’s. URI Welcome to Israel. She’s gorgeous. please. Slight accent. MAC Where are we going? URI The Valley of Raphaim.) Your ticket and passport.
I am Doctor Elisha BenHassen. and Mac is screen right. uncovered something. MacKenzie. Welcome to Israel. Mac looks around to see where his feed is coming from. The screen divides into three vertical panels. MAC I guess we’re safe. ELISHA BENHASSEN. MAC I assume you’re on the good side? ELISHA Yes. The H2 hits a large bump in the road. Finds ELISHA Good. Elisha. late seventies. get there? We have Believing is How long to URI Everything here is three hours. Time for my nap. seeing? MAC Seeing is believing. ELISHA Shalom. Bouncing around violently. making sure you are safe. On screen. . center panel.18. Everything flies. Center dashboard. a small webcam reset above the screen. Shalom. Uri screen left. Same accent as Uri. gentlemen. Just checking in. yes. We are clear. thank you. GPS screen. See you on arrival. Uri’s grandfather. URI Shalom. MAC Raphaim? URI The Valley of Death. I’m quite good.
EXT. . EXT. DIRTY H2 .MOMENTS LATER Uri stops at the top of the large open pit. Workers with shoulder-sling canteens and hand shovels wave at Uri as they drive by. URI The excavation is over there. Yellow caution tape outlines a large twenty-foot circle off to the right. INT. and port-o-potties litter the area. EXCAVATION PIT . An ATV with two people on it drive past them. Mac stops alongside. DIG SITE . At the heart of the pit is a small room with workers surrounding a large sarcophagus. generators. Beneath them lies the ancient temple ruins of a pagan fertility god. Mac gets a visual. Like quicksand.19. The H2 weaves its way through the camp. Chickens and a few goats scurry out of the way. VALLEY OF RAPHAIM . URI It’s bizarre.AFTERNOON Dirt and dust. Exposed catacombs stretch out below them.A DIG SITE .MOMENTS LATER Uri walks Mac to the massive open pit. Worklights stand strategically. Taking it all in. MAC What’s that? URI A sinkhole. More dust. The ground starting collapsing the day we found the tomb.CONTINUOUS Pointing. Tents. MAC Did the excavation cause it? No. EXT. A semi-circle of phallic monoliths surround an altar.
There’s an ANCIENT URI This is Art MacKenzie. MacKenzie. . Peers into it. The heavy lid lays next to it on a thick block of rocks. OLD VOICE (O.MOMENTS LATER A small inner room. Stupefied. Welcome. MAC Holy cow. Over twelve feet in length. Rephaim. ELISHA BENHASSEN. MAC My God. Dr. DR. A faded cotton shirt hangs loosely around his thin body. Elisha BenHassen. MAC What is it? Nephilim. CROSS tied loosely around his neck. Stoop shoulders. Wire-rim trifocals. URI Here. six toes on each hand and foot.S. Enormous size.20. STONE SARCOPHAGUS. The workers step back as Uri enters with Mac. In the center. They turn. White beard. Mac steps forward. a large. He extends a twisted arthritic hand. the American. Stained khaki pants. EXPOSED SMALL ROOM . A GIANT SKELETON. A wizened elderly man. ELISHA Shalom. Tall walls.) Anakim. White hair creeps over and out of his ears. it’s a giant. Completely intact. heavy. URI Go look. URI This is my grandfather. Six fingers. Grasps his hand. Stepping next to Mac. INT. Mac migrates over.
’ MAC “Nephilim”? Elisha turns to Genesis. We seemed like grasshoppers in our own eyes. Mac jumps. Rephaim. MAC What is it? ELISHA Have you ever heard of David and Goliath? MAC Of course.and also afterwardwhen the sons of God went into the daughters of men and had children by them. He motions for it. ELISHA Nephilim. ELISHA ‘We saw Nephilim there. MAC You’re kidding. Crooked fingers trace the letters etched in the stone lid.” A FEMALE WORKER blasts an air-horn from the top of the pit. right? ELISHA When my people first entered the Promised Land they reported giants living there. Tender accent. An OLD BIBLE on the heavy lid. and we looked the same to them.21. Uri pulls up a wooden crate. All different words uttered by my ancestors thousands of years ago to describe the same creature. . ELISHA Meet Goliath’s bloodline. ELISHA “The Nephilim were on the earth in those days . The old man gingerly sits down. Anakim.
The human race became essentially non-human. Stops MAC Lucifer and his disgruntled lot? ELISHA Semjaza. resulting in unholy union between themselves and earthly women. CAMPSITE . EXT.MOMENTS LATER Elisha. ELISHA Let us eat. MAC Who were the “sons of God”? Leaning back. Points. MAC Fallen angels? ELISHA They came to earth and resided here.22.DUSK . The result. and sandwiches. ELISHA The fallen angels. one of his leaders. Uri. He takes it. cheeses. . By corrupting the human offspring. A lab in Jerusalem. Mac notices a toe missing on the skeleton’s left foot. Mac can’t resist touching the giant bony foot. Elisha offers Mac a sandwich. MAC The toe? URI DNA testing. Nephilim. Mac and Uri sit around a folding table with grapes. FEMALE WORKER FOOD IS READY! Come. the fallen angels had altered human DNA. They all head out. Not tracking.
Perplexed. MAC What does that have to with me? ELISHA That woman you talked to at the hospital. MAC How so? ELISHA He had little choice! With Semjaza’s demonic fornicators. ELISHA Now present day. the original gene pool of mankind was polluted beyond recognition. What if they are from a dying race. ELISHA It is harsh! And definitely true. a distant planet. MAC A bit harsh. Uri reaches for more grapes. The rest of the imperfect inhabitants he destroyed with The Great Flood. Not convinced. Cleans his glasses on his gauzy-soft shirt. if it’s true. It says Noah was perfect in all his generations. These aliens are again offering technology and are abducting women for intercourse. and have come only to renew themselves with fresh genetic material? ELISHA Certainly plausible. URI That is your theory. Noah? MAC As in Noah’s Ark? ELISHA Precisely. Lucy? . ELISHA But God saved those who had not been corrupted.23.
MOMENTS LATER JARED. a young techie.Nephilim. us go. COMMUNICATIONS TENT . His senior assistant. URI The DNA results from the giant. stands nearby next to a lightbox. On a work table a 17” Powerbook with a webcam attached. Technicians task away. INT. Jared stands Let . part of an elaborate deception. Elisha sits as Mac and Uri stand close behind. Once again they are impregnating our women and creating a superrace of hybrids. MOISHE.. stands up and offers his chair to Elisha. DR. Sophisticated equipment everywhere. God’s spiraling signature of human creation.24. FINEBERG stands by a bench.DR. Fineberg online. MAC How do you know? ELISHA These aliens are the fallen angels. MAC You’re saying that these supposed aliens are actually demons? ELISHA Yes. Trying to connect some far-fetched dots.WEBFEED Computers line the walls atop benches and tables.. A WORKER runs up to the table. ELISHA Ahhhh. FINEBERG’S LAB . COMPUTER SCREEN . DNA. WORKER Jared has Dr. by. MAC What about her? ELISHA She’s telling the truth.
Jumping back in. DR. my DNA. Intrigued. DR. FINEBERG Shalom. FINEBERG It is fragmented. FOUR MASKED GUNMEN dressed in black rush the lab. MOISHE The skeleton DNA is not complete. There is a foreign nucleotide which creates an exotic pair. DR. BenHassen. ELISHA Shalom. MOISHE We ran it three times with a sequencing gel.25. MOISHE The tests show that it is not entirely human. In the background. Dr. sequenced. Fineberg. . It is something we have never seen before. Moishe slips a large piece of film over the lightbox. Rapid gunfire strafes the place. FINEBERG It doesn’t match up with any of the four known nucleotides. but I am afraid Moishe’s English is better. But the sarcophagus sample did not. DR. Difficult accent. FINEBERG The control sample. MAC What’s so different? DR. We have the DNA results. FINEBERG Simply put. MOISHE Nothing on this planet has a fifth nucleotide. We’ve never seen anything like it. this is a different life-form.
gunmen place charges. Elisha shakes off his nap. station. Uri pulls up the H2 a short distance away. General Roswell is on the webcam. KA-BOOM! Elisha’s laptop screen goes blank. URI I’M GOING TO THE LAB. ELISHA Jahweh be with us.NIGHT . Uri races out of the tent. MAC What do you mean? Our ELISHA Roswell did secret DNA testing on amniotic fluid from Lucy. CAMPSITE . EXT. MAC And? ELISHA The results were the same as Fineberg’s. Very good. Technicians mowed down. URI MACKENZIE.ELISHA’S TENT . Waving. JARED Doctor. .26. Evacuate. TELL HIM WHAT YOU SAW. enemy is not happy. JARED. Jared nudges him. ELISHA We go. GET ROSWELL.LATER Elisha sleeps in an armchair in a corner of the large tent. WITH ME. Fineberg and Moishe killed. Jared jumps to another work The ELISHA We are uncovering the truth. A fifth nucleotide.
The twenty-foot sinkhole is now a twenty-foot bottomless pit. SINKHOLE . POINTY EYETEETH. INT. LARGE ALMOND EYES. sir? ELISHA No. still earning his trust. Things are heating up. Holds his lantern out for a better look.CONTINUOUS Elisha arrives at the rim.NIGHT .LATER The camp is asleep. CAMPSITE . Heads towards the port-o-pottie for a middle of the night pee. Roswell. Digital delay. Roswell is speaking but there is no audio. WORK STATION TENT . Sorry about Fineberg. Heads for the site. Something He reaches into the sarcophagus and picks up the skeleton. Webcam feed. Elisha. Looks down at the inner room. different.CONTINUOUS He sees a TWELVE-FOOT GIANT. EXT. God is sovereign even over the internet.27. EXT. RIPPED. ELISHA Shalom. He hears something. EXCAVATION SITE . ROSWELL Shalom. INT. EXT. We are Interference overtakes the image. At the outhouse door he notices the sinkhole. Elisha leaves his tent with his lantern. Does MacKenzie have the piece? ELISHA We haven’t gotten that far. INNER ROOM . JARED Should I try him again.MOMENTS LATER Computer screen. Then video is gone. .CONTINUOUS Elisha stops at the yellow tape.
Is about to throw it at him. The sinkhole closes back into quicksand. Elisha. Mac and Uri face . ELISHA’S TENT . our DNA is annihilated.CONTINUOUS The giant faces off with Elisha. They stare at their tea. The giant bounds up the ramp. Sees Elisha at the rim. He turns. URI The skeleton is gone.NIGHT . Lifts the skeleton over high over his head. All our proof has disappeared.28. MAC That’s just too fantastic.MUCH LATER A lantern sits on a folding picnic table. An old pot of tea sits center. EXT. I COMMAND YOU TO LEAVE. Elisha holds up the ancient Jerusalem cross from around his neck. the Nephilim are back. BRIGHT AURORA LIGHT PARTICLES flash around him. Superhuman speed. URI And our skeleton is gone. The giant squats. Leaps twenty feet over Elisha and into the sinkhole. He’s gone. Slamming the table. ELISHA STOP IN THE NAME OF YESHUA! The giant freezes. MAC You really saw a giant? ELISHA As real as you. ELISHA IN THE NAME OF JEHOVAH EMMANUEL. EXCAVATION SITE RIM . ELISHA Holy God. INT.
MAC How so? ELISHA Your father saw the UFO in New Mexico. wrote a letter saying as much. too. ELISHA Yes. God has brought MacKenzie here for a reason. yes? Unsure what’s next. ELISHA Did he talk about an alien? Mac looks at Uri. MAC Probably got him murdered. ELISHA What did he write you? MAC About handling sections of the saucer. Mac looks up. or whatever it was. Did he leave a piece of the debris with you? Mac looks at Uri. MAC What alien base? .29. MAC No. Looks back. He MAC Is that what this is all about? ELISHA Do you still have it? MAC What does it matter? ELISHA Roswell believes that piece has information encoded in it that’s linked to the alien base. ELISHA Not all our proof.
30. ELISHA A Jew that receives Yeshua as the Messiah of Israel. 2-4-2 MAC What’s that? ELISHA The Holocaust. MAC The U. MAC I see. We need to get that piece before they do. MAC You survived? ELISHA Yeshua A Meshiac was with me. ELISHA Your military has a base in Nevada. lantern. 5-6-0Closer to the . The aging Elisha leans onto the table. ELISHA Do you have the piece? Mac notices a faded number tattooed on Elisha’s wrist. We believe there is a harvest colony there of cross-breeds. MAC I thought you were a Jew. Military is working with aliens? ELISHA They have been since 1947. It’s our only chance of destroying the base.S. MAC Yeshua A Meshiac? ELISHA Yeshua the Messiah. A Messianic Jew. Mac looks at Uri for verification. As a boy I was interned at Bergen Belsen.
. MacKenzie. ELISHA There is a God. ELISHA I am strong in the Lord. Drawing in. Standing feebly. Mac stops. You cannot serve two masters. Goodnight.31. ELISHA Where is it now? Some hesitation. Uri will diagnose it. There are spiritual principalities. Yes. Looks back at Elisha. Do you still have the piece? A breath. MAC Who exactly are you? ELISHA I have chosen God’s side. I do. MAC Yes. MacKenzie. Now you must choose. But now I am tired. Uri and Mac head out of the tent. and Yeshua is his son whether you believe it or not. Mac shifts uncomfortably. ELISHA There is important data stored on the piece. MAC When? URI Daybreak. Confiding for the first time with anyone. MAC Hidden under a floor board in my apartment. URI I’m going back with you.
you really saw a modern day Nephilim? ELISHA Yes. be with you. EXT. He finishes and slowly takes his arthritic hands off his head. MAC I’m no saint. . MAC I’ll try. For the first time I am sorry God promised to never send another flood. that He was sending you. CAMPSITE . MAC Why? ELISHA To accomplish His purpose. He sings a prayer in Hebrew over Mac. You ELISHA I will pray for your safety. I saw you were coming here. Uri honks the horn of the H2.32. He embraces Mac. MAC Dr. MAC For what purpose? ELISHA He will show you in time. Shaking his head. Wistful smile. Tears well up in the corners of his eyes. God will Points at his watch. MacKenzie. BenHassen. ELISHA He delights in using the weakest of us to carry out his will. must pray as well. ELISHA A month ago I had a dream.DAWN Elisha wears a worn prayer shawl and a faded yarmulke.
BEDROOM . Uri motions to answer it. smoke. MAC’S APARTMENT . revealing an empty secret space. MAC’S APARTMENT . Both men freeze. Elisha takes the ancient Jerusalem cross from around his neck. RING. The goldfish bowl lies shattered on the desk. Tampered door knob.FRONT DOOR . MacKenzie.33. The bed frame is mangled. Wheels puffing out Sawed out dead bolt. His sofa has been slit end to end. Mayhem. EXT. EXT. INT. The ugly shag rug under the bed has been pulled up.LATE AFTERNOON An El Al 747 touches down on the runway. Heads to the bedroom. . The phone. stuffing everywhere. Uri follows. You must Nods slowly. MAC It’s gone. Stealth-like. ELISHA You will need this. The crusty picture frame is missing. Mac’s queen-sized bed stands on end. LAX RUNWAY . Torn upside down. ELISHA God has the final word. Shalom. Mac holds his gaze. MAC It’s in here. Mac jumps through the mess. believe. Puts it over Mac’s head. The old hardwood floor pulled up. INT.CONTINUOUS Clothes strewn everywhere.CONTINUOUS It’s ravaged.DUSK Signs of trouble. His TWO FISH bloat from death.
34. There’s an old warehouse across from the train station.) Get a hotel. Whoever is gone.LATER Mac and Uri sit in the dark shade of a loading dock. EXT. MAC They got the piece. the driver. Large. He opens the rear door. Rearview mirror. Dark tinted glass.O.MORNING Mac and Uri cruise in the Jeep. More bodyguard than chauffeur. EXT. Uri nods to leave. ABANDONED FACTORY . ROSWELL. A quick left into an alley. MAC’S APARTMENT .INTERCUT Dial tone. EXT. Another right. The rear window rolls down silently. Mac and Uri get in. A hard right onto a side street.O. STREET .) It’s Roswell. wears a military uniform. He motions them over.CONTINUOUS They’re rolling.BLACK LIMOUSINE . ROSWELL (V. MAC Hello? CALLER (V. DIEBOL. Someone’s . Meet me there tomorrow at ten a-m. More speed. MAC HOLD ON. Muscular. Mac looks at Uri. late seventies. tailing them. Mac downshifts and punches it. hops out. I know. See you at INT. ten. STREET . A BLACK LIMOUSINE pulls up.
URI The alien base. MAC You knew my father? ROSWELL I was with him in New Mexico. . ROSWELL I’ve been involved with the alien presence since ’47. ROSWELL And you’re Art MacKenzie. ROSWELL Your father was a good man. MAC General. MAC What happened? Looks out the tinted glass. Uri instinctively salutes. They became a rogue element accountable to no one.DRIVING . One shake. His eyes gaze impassively.35. He waves him off. Mac shoots him a look. Roswell takes a long look. You have quite a decorated past in the Israeli Special Forces. ROSWELL President Truman formed a group of men to study the alien problem. Shocked. Back at Mac and Uri. INT. ROSWELL’S LIMOUSINE . Extends his hand. He never knew. You’re bigger than I pictured.CONTINUOUS ROSWELL Uri BenHassen.
The base is solar powered by inorganic plasma. Puts it together. But I believe they are cultivating embryos from alien abductions. MAC Who’s in charge? ROSWELL A man called Abaris. URI A harvest colony. ROSWELL The piece your father left you was from the mothership. MAC That’s why it won’t wrinkle. He now interprets his supernatural powers. Pulling out aerial photos of the base. A dying alien convinced him to host his spirit. URI Security threat. ROSWELL The White House knows it only as an extraterrestrial research center. MAC Why is the debris piece such a threat? He opens his briefcase.36. I believe the blueprints for the base are encoded in its memory. ROSWELL More than that. It turns sunshine into plutonium. URI Nuclear power. It’s alien technology. . ROSWELL The outer coating of the saucer is a carbon fiber alloy with elastic memory.
ROSWELL I know where the piece is. Points on the map. If the core is contaminated the reaction would obliterate the base. MAC Can’t we just let them keep it? ROSWELL The aliens’ agenda is evil. You’ll travel incognito. URI And destroy the harvest colony. Outside Palmdale. They offer technology but they are out to destroy us. URI So we blow up the base. MAC But they know who I am. MAC Where do we come in? A pregnant pause. ROSWELL But we need the piece to get the blueprints. At the risk of sounding stupid. ROSWELL The power core is highly secured.37. . He opens a map. You’ll pose as new technicians. ROSWELL From here we’ll fly to the base. but I need you to identify it. ROSWELL Only you can identify the piece. We’re going in tomorrow. Uri’s military mind. ROSWELL Tomorrow morning at zero-fourhundred you’ll meet me here.
thirties. EXT. check their car. ABANDONED FACTORY . Gives one to each. PALMDALE 20 MILES. The back tires spin. Reaches in. Sharp.3 AM Mac and Uri walk out of the hotel.WESTWOOD .38. pulls out a telescopic pole with a mirror attached at the end.MOMENTS LATER Back at Mac’s Jeep. ROSWELL’S LIMOUSINE . Stops.CONTINUOUS A VERY ATTRACTIVE WOMAN. ROSWELL Diebol. They finish dressing quickly. Change rooms. . Another car pulls onto the road. Uri looks around. Reads a map. Diebol sticks it under an abandoned car in the parking lot.LATER The Jeep pulls off the highway onto a dirt service road. Through the window they see a sign: EXT. Stands up with a quarter-sized object. No phone calls. EXT. ROSWELL Tracking device. MAC’S JEEP . 4 AM. Diebol goes to the trunk. Be on time. They change into their silver jumpsuits without a word. INT. Run to the limo. sporty and sexy. beams. ROSWELL Zero four-hundred. They’re gone. Flashes its high Climb in. He looks under Mac’s Jeep. Roswell pulls two shiny silver tote bags from the trunk.HIGHWAY . INT.LATER Uri holds a mini-flashlight in his mouth. Go back to the hotel. SERVICE ROAD . HOTEL . sits next to Roswell. Tumbleweeds.
She squirts some liquid in her hands. Pleasure. ROSWELL And this is Uri BenHassen. Mac sits there. MAC I could get used to this. LAURA LAURA It’s time for your makeover. She pats the seat next to her for Mac to come. She looks back at Mac.39. Shakes Uri’s. It’s a make-up kit. He studies . Blond wig? Smiles. LAURA At the airport. URI Same for me. She massages Mac’s entire face with the liquid. MAC “Green eyes”. Smiles. LAURA Close your eyes. She opens a tackle box. her beauty. Then his Faces Mac. MAC I don’t follow. LAURA Let it dry. ROSWELL MacKenzie. hands. this is my daughter. I made sure you got to the plane. She extends her hand. WOMAN I see you made your flight. To Mac. Laura.
He holds it up. Uri leans across and presses his thumb on it. Mac lowers it. She slips it snugly onto his thumb. and thumbprints. presses it on the glass. She Laura faces him with a special digital She connects the camera to an external palm device. It prints out TWO LAMINATED PHOTO ID’S complete with names. She centers him. Hits a button on the side. Affixes the goatee. FLASH. Sees an old man. camera. parts his hair on the other side. LAURA Lower it. Squeezes it in her hands. She pulls out some wire-rim spectacles. Uri watches her work quickly. LAURA Thumbprints. Then offers it to Uri. MAC Unbelievable. She hands him a small mirror.40. It quickly turns to an oily grayish white. The lotion on his face dries into wrinkled skin. Another bottle. Clear adhesive. LAURA Take a look. Uri looks over. She pulls out a ziplock baggie containing a matching color goatee. She presses another button. She applies it around his lips and chin. LAURA Uri. . FLASH. Then takes his thumb. She pulls a tube out. opens the lid revealing a scanner surface. She grabs a comb. LAURA Put this on. Puts them on him. photos. She hands Mac a synthetic thimble. Massages his hair thoroughly.
Back to business. Mac shoots her another look. circumstances. You are NOT to make eye contact. Don’t look for me. She attaches a clip. Is that clear? Mac makes eye contact with Laura. do not least bit surprised. LAURA You’re from New Jersey. Is that clear? MAC Is Laura coming with us? ROSWELL No. And don’t talk to anyone. You will see aliens. . If defer to me. Mac clips it on. ROSWELL The piece is in a special area. you can text message. ROSWELL If we are separated. You are not to do so. Reads it upside down. LAURA It goes on your left pocket.41. Back to Roswell. anyone. Handing them over. I’ll find you. ROSWELL You are going to want to ask a lot of questions. Mac notices him wince. ROSWELL You’re not to address you are spoken to you And whatever you see. Roswell shifts in his seat. She smiles back. MAC Who’s Dr. Irving Liebowitz? She smiles at him. under any look the Laura hands them each a small flip phone.
Uri looks back up the stairs. Automatic . Dobermans on harnesses. WalkieThe They get out. Roswell passes the guards. A FedEx Cargo jet is parked on the tarmac. staircase.DAWN The limo pulls up outside a fenced area.GIANT HANGAR . TARMAC . GIANT HANGAR . Uri close behind. EXT. People load by a Then Mac.CONTINUOUS MP’S everywhere. METAL STAIRCASE AGAINST THE PLANE . MAC A FedEx jet? ROSWELL Part of the deception. ROSWELL (O. Time to focus. ROSWELL Stay close. A LARGE MP stops Mac. talkies. Mac stares ahead. Then Looks closely at the credential. towering doors are slightly open. Catches himself. LARGE MP NEXT. EXT. Deployed in twos. Sidearms. Walkies. Adjusts his glasses.42. ALIEN BASE . EXT. TWO MP’S. weapons. EXT.) We’re here. Yellow helmets. at Mac. Checking ID'S. INT.CONTINUOUS Mac hurries up to Roswell and Uri as they enter the huge. GIANT HANGAR . four-story hangar. Mac watches them go by.CONTINUOUS Top of the staircase. high hangar doors.C.EARLY MORNING The jet pulls up to a ten acre.
MAC Excuse me. Eleventh floor. INT. shoots Mac a look. MPs salute and get back in. ROSWELL This is us. Roswell catches Mac’s eye.CONTINUOUS A hundred scientists and technicians load in. Uri and Mac get off. . everyone closely. THE OPERATOR. into the control panel. MPs exit. In place of floor 12 are Next to the letters MAJ is a horizontal slot in the panel for a specially constructed key card. Under his breath. Uri and Mac rub shoulders with the rest. wide doors whoosh shut. next to a sidearm. Mac studies the panel. Four more MP’s rush into the huge lift as the AIRLOCK DOORS hiss shut. Roswell. Scientists and other plane passengers avoid the MP’s looks. LARGE ELEVATOR CHAMBER . A TALL BLACK MP. All head toward a large elevator. They face the crowd. Nods toward the control panel. CLOSE-UP CONTROL PANEL . Roswell. The Elevator doors whoosh open. Rifles up and ready. INT. the letters MAJ. Inspects He inserts a KEY attached to his belt. The large.CONTINUOUS The floor numbers descend 1 to 12. Certain areas of the hangar are sectioned off with tall black partitions.43. Stand guard.
Uri steps up to the panel. Two tall MP’s frame the door. WHAM! INT. He passes. Roswell’s hand behind his back. . Motions to look inside. Gone. Whoosh. A deadness. Another lab up ahead. INT.CONTINUOUS Mac plows into the far MP standing guard at the door. No acknowledgement. It’s rampant. INT. Mac looks up. A somber military gray. Roswell looks away. INT. Mac smiles at an academic blonde. Roswell stops in front of a panel. It closes. Mac falls behind Uri. Roswell ahead. Mac looks to Roswell. A HUGE FOOT.CONTINUOUS Walls. Eerie looking. ADJACENT LAB .CONTINUOUS A SCIENTIST stands next to A SMALL GRAY BEING. Mac and Uri behind. ANOTHER POD OF SCIENTISTS march quickly in his direction. Faint outlines of panels appear every four feet. Panic. Blank faces swoosh by. A GIANT. Slows down. ELEVENTH FLOOR LOBBY . It slides open quietly to the left. Mac approaches. Mac whips around.CONTINUOUS A small group of men and women with ID credentials pass the other direction. ELEVENTH FLOOR CORRIDOR . Looks inside. Zombies. It opens. BEEEEEEP! SCREEEEECH! A fast moving electric cart carrying more MP’s swerves to avoid Mac. The MP stares down. A very low frequency oscillates from below. SIX TOES. HALLWAY . Clipboards. She looks down and away. MAC You go. Credentials. He passes through. Hate. Elongated head. Light emanates from above. Mac looks ahead. It opens. They’re examining someone. ceiling and floor are monochromatic.44. Roswell approaches a blank wall. Bony arms. Mac quickly backs away. He walks through.
Ice. They get waved through. Peers down the Their tags Inside the tunnel other tunnels bore through the concrete overhead and to the side. Roswell reaches out. The door slides open. Mac does the same. Quiet. A large cylindrical ceiling reaches twenty feet high. Roswell walks to the edge by the tracks. ROSWELL There have an entire network of tunnels that crisscross under the planet. Sets the palm of his hand on a scanning device near the door. Roswell returns the gesture.CONTINUOUS TWO MP’S salute. SMALL SUBWAY STATION . URI The sinkholes. Uri. ROSWELL Not good. Roswell and Uri MAC My God. Uri approaches. are checked. Mac shoots him a look. They go through. Mac approaches. Benches constructed of a seamless material never seen before.CONTINUOUS They enter the platform of a small station. INT. Nauseous. two abreast. ROSWELL Later. Disoriented. TWO MORE MP’S talk to those at the door. Overwhelmed. Four others cars behind. . They go everywhere. Mac looks around. INT. A conductor sits in a glass-domed car at the front. Whispering. tunnel. They walk slowly towards another set of doors. An empty train glides out of the dark tunnel from the left. but did not believe it.45. Mac turns back to the lab where the alien was examining the giant. SMALL DETAINING ROOM . Six seats each. did you see it? URI Yes. A moment. are up ahead.
and overhead cranes. They’re gone. closing the distance to the saucer. UNIFORMED TECHNICIANS are stationed everywhere. thick cables. Pay attention. Sternly.CONTINUOUS They enter an enormous space. A glass command post nestles in the center of the catwalks like the body on a daddy-longlegs. Roswell. covered with steel-girded catwalks supporting a maze of powerful lights. Mac freezes in awe. INT. He quickly rejoins them. Mac and Uri finally catch up. Twenty feet off the ground. Motionless. Walking forward. Mac is agog. The doors open.46. Quietly. Mac sees he has fallen a dozen paces behind. exposing the interior. A portal is open. Some MP’s load in the car behind. They diverted the water. ROSWELL Stay close. BUILT-OUT CAVERN . He holds a small palm device. Mac and Uri get in the first car. The ceiling is a hundred feet high. Two men stand inside. Mac glances at Uri. The train accelerates quickly. . ROSWELL It’s a natural cavern. A short distance away A DISK-SHAPED FLYING SAUCER HOVERS silently above the floor of the cavern. Used to be an underground reservoir. URI Un-be-liev-able. MAC Yessir. Roswell continues the same pace. Still rubbernecking. Then follows his gaze. Large luminous orbs imbedded in the ceiling cast a peculiar greenish light. Roswell clears his throat. A metal scissor-lift ascends next to the craft with a TECHNICIAN in another silver jumpsuit.
Now. It floats noiselessly. Spindly arms. next to him. Roswell and Uri shore Find themselves in Mac turns around and begins to weave. SIX FINGERS on each hand. MAC My God. Horrible images flash through his mind. The sleek exterior is of a dull gray metal-like material similar to the debris piece. The creature jerks his head. Inches from his face. Turn around and walk away. A row of windows circles the craft near the top. keep him moving. Looks right at him. They’re alone. An invisible force hits Mac in his solar plexus. A disproportionately large head. Blocking his line of sight. Walk behind it. They reach a partition.47. ANGLED BLACK EYES dominate the alien’s face. Roswell stops twenty feet from the disk. Thin torso. He reveals another ALIEN. Facing him. Blurry. him up. Distracted. . Bothered by Mac’s very presence. ROSWELL I said no eye contact. Taller. Mac and Uri stop The disk is seamless. MAC Sorry. Immobilizing. An AMERICAN FLAG is painted near the hatch door. NOW. Mac can only stare back. One of the men standing in front of the portal moves from the interior onto the lift. TWO LARGE. ROSWELL MOVE. Mac is blanking. an area for equipment. MACKENZIE. ROSWELL MacKenzie. A one-piece jumpsuit matches the color of his skin exactly. On the bottom are round indentations that appear to conceal lights.
piece? How about any ROSWELL It has to be from that mothership! MAC It’s impossible. Looking up at the mountain of scrap.CONTINUOUS They enter a large storage area. Uri nods. Mac dives around the back of the pile. ROSWELL You drew attention to yourself. A total sense of evil. What did you do? MAC A force came at me. STORAGE AREA . Each step silently crushes the foil beneath him. it. LIKE DEBRIS thirty feet high. Find Mac clumsily climbs up the debris heap looking for the one. only to bounce back in perfect shape after his foot lifts off it. Mac circles up the pile. with automatic weapons enter the room. arms crossed. ROSWELL Let’s move. MAC We’ll never find it. Uri and Mac follow. . ROSWELL You know what it looks like. We may have been compromised. INT. Like he wanted me dead.48. Time is of the essence. Inspecting random pieces. There’s A MOUNTAIN OF FOIL- ROSWELL My sources tell me the piece was brought back here. TWO MP’s The heavy door at the room’s entrance slides open. The MP’s approach Roswell who is pointing at the pile and improvs a briefing with Uri. He walks off briskly. Uri coughs loudly.
hexagrams. The door closes behind them. Mac peers around and sees the MP’s talking to Roswell. INT. MAC Where’d they take him? URI Some emergency meeting.MOMENTS LATER A large room. than my hand. ELEVATOR . the sofa. ellipses. Tall curtains drape from the high ceiling. A little bigger They both sift through the arduous task. A shaky voice. Spellbound. The doors whoosh open. URI What shape is it? Guessing. INT. down a long hall. they spring back. They’re all geometric shapes.MAJ 12 . the bedding. the wall covering. everything a shade of gray. Gets to Mac. LOBBY . Uri scurries up the debris pile. in the slot for level MAJ 12. Uri looks down at the scraps in the heap. triangles. Roswell nods to Uri and leaves with the MP’s. The decor is exquisite. A KNOCK at the door. squares. BEDROOM SUITE . They head A circuitlike key card is . pentagrams. Opens his palms. MAC It’s a trapezoid. INT. Is distracted by the resilient foil pieces. circles. The carpet. Rhomboids.CONTINUOUS Roswell exits the elevator with his MP escort.MOMENTS LATER Roswell stands next to the MP’s. He crunches them in both hands. OLD VOICE FROM THE BED Come.49.
Off Mac’s look.) Yes. He lets out a sigh. We will soon be in need of a new host. ROSWELL Hello. Throwing the cross off his neck. ABARIS. we got it. INT. it’s a trapezium. blocking his vision. MAC YOU FIND IT.CONTINUOUS Mac plows furiously on his hands and knees. Freezes. Takes it from Mac. . His jumpsuit is zipped open. He walks to the foot of the bed. Sees the cross a few feet away. Inspects it.50. Then goes and picks up the debris piece under it. Uri scrambles over. Exploding. The cross keeps swinging out around his neck. Looking heavenly. ABARIS Hello old friend. The MP’s close the door behind him. sits in bed in darkness from his chest up. OLD VOICE FROM THE BED (O.C. Sweat on his brow. Roswell enters. It has four sides. The door opens revealing Roswell and the MPs. ROSWELL What can I do for you? ABARIS This body is getting weaker. no two of which are parallel. come in Nathan. MAC Uri. STORAGE AREA . Abaris. URI That’s not a trapezoid. early eighties.
INT. The restraints spring open magically. She sits up. Mac and Uri both check the platform entrance.51. stainless steel guards. No one is there.CONTINUOUS Lucy walks down the hall towards the orderly’s desk. Mac shrugs. Uri looks back. and walks to the door.LATER Mac and Uri sit restlessly on the bench. ROSWELL’S LIMOUSINE . URI He’s in the train. HALLWAY . Mac’s cell phone. MAC . Her hands bound at the wrists to She’s noticeably thinner. RING. Her eyes are swollen shut.CONTINUOUS RING. Slides open. Low tones to Mac. Uri and Laura all give Mac a look. She walks into the hall. BRIGHT AURORA LIGHT PARTICLES fill the air. No Roswell. INT. Hello? Roswell gives a slow nod. SUBWAY PLATFORM . The door unlocks itself. She picks up the phone receiver. They join him in the car. Lids have a peculiar red color to them. Her eyes open. CAMARILLO STATE MENTAL HOSPITAL . The workers start to load the train.AFTERNOON Lucy lays asleep on a bed. INT. Sees Roswell in an empty car. Mac finds his phone. A train pulls into the station. stand by the tracks. No one is talking. Closes her eyes and touches the top of the cradle.LOCKDOWN WING . Roswell. stands. Other technicians INT. Hair matted in clumps next to her face. The train whooshs off.
LUCY You’re the wa-one.LOCKDOWN WING . ROSWELL Where was she calling from? URI Check your call log. INT. URI Who was it? MAC It was Lucy. INT. Taking her away. Gentle spirit. BUDDY. INT.INTERCUT A HEAVY-SET NATIVE-AMERICAN ORDERLY. HALLWAY . Trance-like.. Lucy.INTERCUT MAC The one what? Dial tone.LOCKDOWN WING . Phone time is over.you’re the waone. two gold front teeth. ROSWELL’S LIMOUSINE .INTERCUT ROSWELL No one has that number.52. hangs up the phone. How did you get out anyway? INT. . HALLWAY . BUDDY Let’s go. LAURA The one what? MAC I don’t know. A hand takes the phone away from her..CONTINUOUS Convulsive stammer. skinhead. ROSWELL’S LIMOUSINE . tatoos. She said “I’m the one”.
PINKIE RINGS Not bad. BUDDY Camarillo Care Center.GOLF CART . 9999.AFTERNOON A pinkie ring on a chubby finger holds a score card. LAURA They’ve transferred her. CRANSTON I want out. Two birds.LOCKDOWN WING . A short pencil writes down two “4’s”. He reaches for a can of Heineken out of the cup holder. Finds the number. Takes a swig. ROSWELL’S LIMOUSINE . Pinkie Rings is next to Jim Cranston. GOLF COURSE .INTERCUT MAC Camarillo Care Center. He INT. HALLWAY . 805-876- Mac hits dial. Lockdown.53. threat.CONTINUOUS RING. PINKIE RINGS It’s too late. MAC It’s 8-0-5. Winded. Mac shuttles through his phone. Dial tone. It self locks. lockdown. Roswell nods. Call her back. Buddy slides Lucy’s door closed. LAURA Ventura County. PINKIE RINGS Where’s MacKenzie? . She’s a EXT. Buddy looks at the receiver. runs back to the phone. INT.
Say you have work for him. PATRICE Are you related to the patient? ROSWELL No. PATRICE Yessir. A BLACK WOMAN IN A WHITE UNIFORM. nods. PATRICE Yessir. pass Mac and Roswell at the admittance desk. Just a minute. and you are? ROSWELL General Black. Are you part of the Conservatorship? ROSWELL I have orders. Cranston reluctantly opens his cell phone. led by an ORDERLY. She finishes.54. around. is on the phone at the counter. Pinkie Rings swigs again on the Heinie. CAMARILLO CARE CENTER HOSPITAL . General Black. She stops tapping the pen. U. in civilian clothes. Beautifully braided hair. INT. Do it now. Mac.S. An easy smile.LATER FOUR SEVERELY MENTALLY RETARDED ADULTS. PINKIE RINGS Call her again. scratches his neck. A small fan blows behind her. Taps her pen. CRANSTON Maggie hasn’t heard from him. PATRICE BURROSS. . She lifts a long purple fingernail. Air Force. Roswell Looks PATRICE How can I help you gentlemen? ROSWELL I have orders to see a patient from the military psych ward in Westwood.
station. PATRICE Well you’re in luck. DR. sir. PATRICE DR.55. SHERMAN Yes? PATRICE General Black is requesting to see a patient admitted from the military psych ward in Westwood. DR. but it’s important that I see her. Veers to the He’s coming I can’t help . SHERMAN That’s private information. down the hall. DR. PATRICE Then I’m sorry. Is she still sedated? DR. you. DR. SHERMAN? Over his glasses. SHERMAN looks over. I’m not. Over Roswell. Reads Roswell. MAC Then she is here? She glances down the hallway. SHERMAN Is he related to the woman? Jumping in. SHERMAN Is he part of the Conservatorship? PATRICE No. PATRICE Would you like to speak to her doctor? ROSWELL Yes. Impersonal. ROSWELL No. Holds a chart.
Diebol types the name into a laptop. DR. He stops in the lobby. He turns and leaves. MAC What’s he doing? LAURA Finding a link between the executive director and one of our contacts. He’s Blue Mac still in disguise. ROSWELL Fine.CONTINUOUS Mac sees Uri. MAC What next? ROSWELL A phone call.56. CAMARILLO CARE CENTER . ROSWELL The military needs to know. INT. MAC Man this stuff itches.PARKING LOT . ROSWELL Diebol. next to Diebol. All climb into the limousine. Laura stands next to them. LAURA Don’t touch it. Tooth wireless does the rest. EXT. Notes the name of the executive director of the hospital. BLACK LIMOUSINE . Catching up. Carrys on. also in civilian clothes. Thank you for you time. call Edward Higgins. Doctor. Hits return. . Mac follows. SHERMAN I’m not at liberty to discuss the case.CONTINUOUS Laura and Mac exchange a glance. the executive director here.
.57. Even to use the toilet. HIGGINS Well. LAURA How is she a threat? Reading on. Higgins thumbs through a file.LATER EDWARD HIGGINS. They’re old personal friends. It was requested by the psych unit for security purposes. HIGGIN’S OFFICE . Well. Mac. ROSWELL It’s imperative we see her now. The Major informed me of the situation. Laura and Uri sit attentively. ROSWELL Thank you for your cooperation. Pressing. sir. MAC Contacts? DIEBOL Got it... I came as quickly as I could. ROSWELL Make it happen. Every room has a keyed entry. HIGGINS Lewis and I go back a long way. MR. no matter. A tall lanky man with stringy gray hair. A Major Lewis. INT.high school wrestling team. Roswell. HIGGINS No particular reason. it’s not exactly clear why she’s being held in lockup. URI Lockup? HIGGINS It’s usually reserved for the criminally insane.
The woman lays asleep on the bed. INT. Like a crazed animal. Disturbingly amused. Opens it. LOCKUP WING ENTRANCE . Buddy turns to Mac and Laura. HIGGINS Some of them do that when they get excited. nods back “yes”. Mac . A HIGH. Roswell discreetly looks at Mac. They all go. Those teeth. BUDDY Oh. Higgins looks to Roswell. Feeling the pressure. Bad dentistry. HIGGINS We’re here to see the woman we received this morning. she’s still sleeping. ANOTHER WILD WAIL. Her hands bound at the wrists to the stainless steel guards. Finally gives in. WILD WAIL. ROSWELL I need a visual. BUDDY That’s the Screamer. A slow smile. things we don’t. Nods towards Lucy.MOMENTS LATER A thick fire door. Mac and Laura exchange a heavy duty look. A heavy wire-meshed window in it. HIGGINS Well then.MOMENTS LATER Buddy fits his special key into a lock. Buddy opens the door. INT. He sees Crooked smile. WOMAN’S DOOR . follow me. Turning to Higgins.58. heads down the hall.
Shifting uneasily. Stay with her until we transport her. . ROSWELL This is a matter of national security. Incredulous.59.. here. LAURA Yessir. HIGGINS Major Lewis didn’t say anything about having the patient moved. Her life may be in danger. I’ll have to contact the Conservatorship and have it cleared.. the Major said to do whatever you asked. Cutting him off. ROSWELL When she wakes up see that she gets some real food to eat. and I need your cooperation on this to the fullest. ROSWELL Thank you for your assistance. HIGGINS Well. ROSWELL Let me assure you it’s important we move this woman to a safe location. but her chart indicates. HIGGINS Well. HIGGINS Here? ROSWELL Yes. To Laura. Now I want her cleaned up and given a change of clothes. ROSWELL How soon before we can have her moved? Confused.
ROSWELL We have work to do. Roswell sizes up Buddy. A scanner built into the screen of this laptop will read the piece. DIEBOL (O. HIGGINS The orderly can stay with her in case she needs assistance. Turns to Higgins. Speaking into his high-tech wristwatch. ROSWELL Diebol. ROSWELL The debris piece is hyper dataintensive and the scan could take four hours to decipher it. A few cards short. ROSWELL’S LIMOUSINE . ROSWELL The software application is called MAJESTIC. Mac shoots Uri a look. Mac. LAURA I got it. ROSWELL Thanks again for your cooperation.S.60. . will do fine. Laura ROSWELL That won’t be necessary. Laura will accompany them when they move the patient. Handing it to Uri. INT.) Got it. you go. MAC I can stay. sir.DUSK Uri plays with the debris piece. he nods in agreement with Laura. make a call for a special transpo unit. We’ll take it from here.THE 101 SOUTH . Roswell pulls a laptop out of his case.
We contaminate the core. ROSWELL They’re have been cattle mutilations. Blood is a vital element. ROSWELL Exactly. So is the web-feed in the laptop. Cows are drained of their blood and parts of their anatomy are cut away by a laser. Roswell reaches into his briefcase. You’ll go out there tomorrow. URI To locate the power core. everything you can find. the base will self-destruct. MAC Hopefully with us not in it.61. I want photos. I don’t how Lucy got you. back now. . Inspects the screen. Uri opens it. MAC What does that have to do with the aliens? ROSWELL The harvest colony incubating at the base. It’s signal is scrambled. Mac looks through the file. ROSWELL A memory cell from your piece should contain a blueprint of the base. MAC Tomorrow? ROSWELL Laura will fly you out. video. Hands it to Mac. ROSWELL Use your cell phone for everything. I’m due Pulls out a file. ROSWELL There’s a fresh carcass in Arizona with an unusual twist.
yourselves. A large wad of fifties. Uri looks at the General. ROSWELL One more thing. ROSWELL You won’t need it. Use cash for everything. MAC What about my Jeep. Navigation should come quickly. Keep to Uri shakes his head. sir. ROSWELL I’m dropping you near the hotel. They could come after the piece again. gentlemen. Mac’s still not cut out for this. ROSWELL The software is highly intuitive. URI We’ll do our best. Abaris is in weak health. ROSWELL Gentlemen. The power door locks give Mac a scare. time is of the essence. A look to Mac. Back into the briefcase. sir? It’s not much but it’s all I have. Here’s five thousand dollars in small bills. We need those blueprints to activate the core. He is looking for a new host to sustain his existence. then back at the debris piece. URI Yes. Diebol pulls the limousine over to a stop. I’m not sure our visit to the base was unnoticed. To Uri. We must preempt that. ROSWELL That’s it.62. .
Still no transport. 9:00pm. HISSING. Reaching for his Heineken. COUNTRY CLUB DINING ROOM . She yawns. Looks at the door to the hall. INT. Roswell is nodding off in the back. Both are hanging up from cell phone calls. The woman has clean clothes. LOCKUP WING . His door flies open. combed hair. INT. Buddy enters.SEDATED WOMAN’S ROOM . and is still sleeping. Bends over hungry and tired. BUDDY Everythin’ all right? . THUMP on the glass. A A key into the lock. INT. She checks her watch. the car.LATER At a stop light. Folds her arms. Coughing. Laura finishes rubbing lotion on her wrists. CRANSTON What about Abaris? PINKIE RINGS The genetic engineers are still searching for a compatible match.CONTINUOUS A basin and sponge lie next to the bed.NIGHT Pinkie Rings and Cranston are being served their main course. They’ve taken the piece. He’s pulled from Some kind of gas. ROSWELL’S LIMOUSINE . ROSWELL Diebol. now out of the restraints. Roswell passes out. The door opens. what’s going on? Diebol slumps over.63. PINKIE RINGS General Nathan took those two out to the base. They committed a security breach.
his chin resting on them.. Bladder bursting.that we don’t. BUDDY It locks from the outside. Self-locks. LAURA Okay. He see Unlocking the bathroom door. BUDDY I bought you a sodie-pop but regulations say I can’t bring anything down into lockup. LAURA She’s still out cold. Yellowed walls. I know. things. . she ain’t going nowhere.64.CONTINUOUS The iron door slides shut. HALLWAY . BUDDY That’s the Screamer. I know. quick-like. You gotta come up to my station. Buddy peeks through a patient’s wire-meshed window. LAURA . LAURA She’ll be fine. Faded linoleum floor.. A YOUNG THIN man with sunken eyes sits with his knees tucked into his chest. I have to use the bathroom and I could use something to drink. Buddy looks at the sleeping patient. Look.LOCKDOWN WING . They finally reach then end of the hall. More gold teeth. He rocks ever so slightly.. Cutting him off. Motions Laura to look inside. We’ll make it INT. just let me in the bathroom first. I really gotta go.. BUDDY Oh heck. Laura follows him up the corridor. so you’ll have to knock or call when you’re done.
Toilet flush. Pant zipper.CONTINUOUS Laura rushes in the stall. Takes a A power failure. LAURA HELLO???????? Commotion. BLACKOUT. Eyes bulging.CONTINUOUS It’s getting closer. INT. Finds the main door. Sounds in the dark. Laura looks down. BUDDY I’ll be right here so you go’head. Laura closes her eyes.CONTINUOUS THE WAIL. Listens. Stall door unlatches. LADIES’ ROOM .CONTINUOUS The Screamer scans the room frantically. LAURA Got it. Rocks faster. LAURA Gotcha. Practically hopping. Unzips her pants. Bangs on it. INT. He whips his head back.CONTINUOUS ANOTHER WOUNDED WAIL. Jaw locked open. Toilet paper.65. The corner of the cell. Yells like a wounded wolf. Laura stumbling in the blackness. INT. He presses his bony body as far as he can against the wall. Laura freezes. INT. Opens them. THE SCREAMER’S ROOM . THE SCREAMER’S ROOM . Pitch dark. Great. LADIES’ ROOM . The Screamer uses his hands and feet and propels himself across the floor. INT. Something bad is in there. THE SCREAM. breath. HELLO??? LAURA BUDDY???? . LADIES’ ROOM . turns around.
The whole wing. No key. Tear trails on her cheeks. BUDDY IT’S LUCY. LADIES’ ROOM . She walks past Buddy timidly into the dark hall. Toward the light. He reaches for Laura’s hand. GOT’EM ALL RILED UP. He finds it. Laura walks toward her room. EXT. SHRILLS AND SHRIEKS. Contact. More screams in the darkness. SCREAMS.CONTINUOUS Buddy fumbles in the dark trying to get the key in the door. CHAOTIC CONFUSION.CONTINUOUS Laura pulls on the door. Reluctant. LAURA WHAT’S GOING ON? BUDDY ELECTRIC’S OFF. Then it starts.66. Hands to her ears. . INSANE LAUGHTER. WILD. GROANS AND BLINDING LIGHT explodes out of the sedated woman’s room. The lock’s here somewheres.S. The key turns the lock. LUCY’S ROOM . A LONG. LET ME HAVE YOUR HAND. ANOTHER SCREAM.) HURRY! PLEASE! BUDDY I can’t see it. LAURA (O. LOW NOTE CRESCENDOES IN A HIGH SHRILL IN THE DARKNESS. she has no choice. Freaked. Locked. I’LL GET YOU OUT OF HERE. The sound of bodies hurling against the doors. Laura regains her composure. Then runs. EXT. Backs away down the hall. He opens the door. He lets go of Laura’s hand. BUDDY I’m tryin’.
LUCY HELP ME! Another noise. Laura screams through the wire-mesh glass. Mac turns the TV on with the remote. MAC How long’s that thing gonna take? Suddenly a huge hologram of the alien base engulfs the room. She screams. wide-eyed. MAC’S HOTEL ROOM . A helpless. She can’t be heard. A small steel-reinforced window placed high in the wall is gone. INT. URI What are you doing? MAC Finding SportsCenter. She’s awake. She’s sucked out the window. The 3-d blueprint spins slowly on an axis. Anxious. quivers. Lucy looks her way. She peers through the wire-mesh glass. Lucy floats above the bed. The rush of a freight train.DEAD OF NIGHT . . She looks to the door. Mac reluctantly complies. Mouthing to Laura. Laura pounds on the little square window and screams. Lucy’s body In the darkness. Blinding light and wind pour through the opening. Mac and Uri stand in the middle of it in awe.LATER Uri stares blankly at the laptop lid scanning the debris piece. And it’s gone. terrified stare. They will know we are here.67. Her body rotates in mid-air so her head faces the opening. URI That is monitored by the hotel. Has disappeared back into the laptop.
68. Uri stares at the laptop. MAC How you gonna print that? RING! The hotel phone. They freeze.
URI Don’t answer it. MAC Maybe it’s Laura. URI Roswell said use only the cell. RING. MAC Maybe she doesn’t have it. URI Don’t answer it. RING. Mac moves to the phone. MAC Maybe she’s in trouble. Uri thinks on it. RING. Mac picks it up. MAC Hello? INT. EXTREME CLOSE-UP OF A MOUTH TO A PHONE - INTERCUT METALLIC VOICE We have Roswell. INT. HOTEL ROOM - INTERCUT MAC Who is this? INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT METALLIC VOICE Give us back the piece and we’ll make sure nothing happens to your wife and kids in Paso Robles.
69. INT. HOTEL ROOM - INTERCUT MAC I don’t know what you’re talking about. INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT Cuts him off. Pissed.
METALLIC VOICE You know exactly what I’m talking about. We’re watching you. INT. HOTEL ROOM - INTERCUT MAC Who are you? Dial tone. Mac stares at the phone. URI What did he say? Slowly putting the phone in the cradle. MAC They want the piece. They got Roswell. They’re going after Maggie and the kids next. URI They’re bluffing. Mac finds the small flip phone. Dials frantically.
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT RING. A deep sleep. Hello? Cellular break up. Extremely choppy. YOUR LIVES COULD Maggie fumbles for the phone. MAGGIE
MAC MAGGIE, IT’S MAC. BE IN DANGER. Groggy.
MAGGIE Who is this? Mac, is that you?
70. Every other syllable. MAC TAKE THE KIDS. LEAVE. Mac?
MAGGIE You’re breaking up.
INT. HOTEL ROOM - DEAD OF NIGHT - INTERCUT KNOCK-KNOCK-KNOCK. The hotel room door. kill the cell phone. Uri motions Mac to
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT Dial tone. Maggie looks at the phone confused.
INT. HOTEL ROOM - CONTINUOUS KNOCK-KNOCK. More urgent this time. Moves quickly to the side of Mac follows the
Uri grabs his gun off the bed. the door. Delta Force.
He waves his barrel towards the bathroom. directive. Backs up. KNOCK-KNOCK-KNOCK. Uri motions at Mac to talk. MAC Who is it?
WOMAN’S MUFFLED VOICE (O.S.) It’s Laura. Uri gives Mac the universal “shhhh” sign. WOMAN’S MUFFLED VOICE (O.S.) MacKenzie, are you there? Let me in. It’s me! Loud whisper to Uri. MAC It’s Laura. Uri shakes his head “no”. KNOCK-KNOCK-KNOCK. WOMAN’S MUFFLED VOICE (O.S.) C’mon, open up!
Laura lies on some makeshift bedding on the floor. Pissed.MUCH LATER Light spills out the partially open bathroom door. A long hug.71. Instructing in whisper tones. calling hotel security. Uri swings around to the middle of the room. Uri snores loudly in his bed. Mac heads for the door. somebody is going to start shooting. . Alone. open up! Anxious. MAC You said they we’re bluffing. Then nods. He nervously wipes his chin. INT. She runs into Mac’s arms. listen to me! It’s Green Eyes. URI Open from the side then stand clear. If it’s a trick. WOMAN’S MUFFLED VOICE Mac. Angry whisper. I’m Aims his gun at Uri motions “halt”. MAC I know it. Mac heads for the door. Mac opens the door. Uri pulls them both in. Uri waits. MAC There’s no MacKenzie here. the door. MAC You can’t just start shooting people. Closes the door. Mac lies in his bed. Listens. It’s her. Sharp whisper. Head high. URI It’s a trap. MAC’S HOTEL ROOM . It’s Laura. Frazzled. stares at the wall. Checks the hall.
in Biloxi.AIRBORNE . Mac holds his finger to her lips. Uri chokes on a snore. Laura pilots. LAURA Okay. Mac turns over to face her. to Mac’s bed. LAURA I’m still scared. LAURA And? MAC The same day. LAURA Hold me. INT. Looks over. Laura slowly rises. LAURA I’m sorry. She goes Laura slips an arm under Mac.72. Her eyes are still moist. LAURA’S PLANE . Wraps her other arm over him and pulls him into a long squeeze. Montana saw one of his cows float upward into the belly of a UFO. She sniffles. Over the engine noise. Mississippi. MAC A week ago a rancher in Billings. No need to talk. Mac puts his arms around her.MORNING Twelve thousand feet. Spoons behind him. a farmer sees his prize cow do the same thing. . Mac pokes his head up. They stare a while longer. Wearing only a hotel bathrobe. Whispers. Referencing the file. Stares blankly ahead. Mac copilots. Softly. She climbs in.
permeates everything. INT. LAURA From Billings and Biloxi. the cow’s head had an ID tag on his ear and the body of the other had a brand on it’s flank. MAC Where’s our sheriff? It stops . Do you believe there’s a harvest colony of cross-breeds? LAURA After seeing Lucy’s abduction. It LAURA I noticed you wear an old cross around your neck. the more I believe there’s a good side. EXT.73. LANDING FIELD .LATER Laura’s plane approaches overhead. MAC There’s a darkness to it. MAC That’s what they’re saying. Flaps up. I believe anything is possible. Cuts the throttle. nose slightly up.CONTINUOUS Checking the file. LAURA’S PLANE . by midfield. LAURA How do they know? MAC According to the sheriff. The wheels touch down lightly. kick up some dust. MAC A week later on a ranch in Arizona. The plane rocks and glides. Are you religious? MAC The closer I get to this evil. they find the head of the cow from Billings attached to the body of the cow from Biloxi.
chases it. About two o’clock. Blood vessels have been cauterized. A big cloud of dust EXT. Motions to the rear flank.LATER The cow lies on its side. No torn flesh. Simply surreal. facing away. precise scar encircles the cow’s neckline at the union. Pointing. . HUFFMAN Sex organs have been cored out. see where the eye should be? MAC Yeah.DEAD COW’S BODY . See the incision? No jagged edges. LAURA Mac. and no blood. The black head of a Holstein. A neat. HUFFMAN And the brand’s from Mississippi. Pointing out the front right. mini-dv camera rolling. You can see his cherries. A squad car rolls along a dirt road. Numbers check out all right. It’s been perfectly joined together. HUFFMAN No sign of blood anywhere. Laura walks around slowly. the two-tone brown and white body of a Jersey. LAURA Laser like. HUFFMAN Here’s the tag.74. LAURA Over there. SHERIFF HUFFMAN kneels down by its head. Huffman squats down at the cow’s tail. HILLSIDE RAVINE . grabbing the tag.
JULIO. The foreman. Julio Mac looks up. Coiled to strike. the ranch owners. Mac’s backward momentum is carrying him right into it. ALFREDO CHAPACABRA! MAC What did he say? HUFFMAN Chapacabra. Mac turns around. Goat sucker. cows. stand twenty feet back on the road next to two Jeeps. crosses himself. A huge male. POW! Gunfire. Hears something. crosses himself again. HUFFMAN Not a drop. The snake gets blown off his heel. goats. Smoke floats out of Alfredo’s rifle. ALFREDO and ROBERTO PARRAS. . A RATTLESNAKE. STRIKE! The giant rattler sinks his fangs into Mac’s ankle. just above his shoe. LAURA You’re sure about the blood? Taking his knife and cutting into the cow’s groin. ROBERTO DIABLO! HUFFMAN Says it’s the Devil. LAURA MAC!!!!! The snake’s fangs are open. A RATTLING SOUND. but from what I can tell. the cow was alive before it was mutilated.75. He recoils to strike. Mac steps back to take a photo. A supposed animal that sucks the blood out of chickens. MAC You sure it’s not a hoax? HUFFMAN We’re doing more tests.
Walls are covered with UFO photos. ROBERTO Si. The floor is partitioned. ROBERTO DIABLO. He pulls it out of his shirt to look at it. HUFFMAN I can still call Med-Vac as a precaution. His skin clearly broken. INT. The sheriff enters with small bottles of ice-cold Coca-colas. Huffman’s private office is spacious.HUFFMAN’S OFFICE . Pointing from the Jeeps. Sheriff. New. LAURA Thanks. HUFFMAN Here ya go. The men all grab a Coke. There are two large bite marks from the snake. and Julio circle around Mac’s exposed ankle and bare foot. Some color. Laura puts some anti-biotic ointment on the bite. muerta. JULIO Christo is with you. Roberto. MAC I’m telling you. and the viper. ALFREDO You should be dead. Alfredo. Like Pablo . I feel fine. Old.76. MAC I’m telling you. Julio notices the ancient Jerusalem crucifix around Mac’s neck. Some black and white.LATER A double-wide serves as the station. SHERIFF’S STATION . A bookcase eats up the other wall. Shaking his head. I’m fine.
HUFFMAN You see as many mutilations as I have. amigos. you start to poke around. Authentic looking photos.77. Hasta luego. The book slams shut and falls to the ground. Mac bobbles it.) Claims the Pleiades starship commander calls himself Semjaza. Mac thumbs through it. Handshakes all around. gentleman. UFO . Walks over to the bookcase. The three amigos depart.S. Did the cross save him? Takes another gulp of his Coke. MAC Can’t say that I have. Looks closer. Julio lets go of it. Mac pulls one down. 1976. Sheriff. Mac shoots Laura a look. HUFFMAN Ever seen that one? Mac reads the cover. The very word Mac is reading as the sheriff says it. the viper leaped from the fire onto his hand. but could not kill him. MAC The viper? JULIO Si. Gracias. God was with him. SEMJAZA. Mac stands. MAC So you’re quite a UFO fanatic. HUFFMAN Switzerland.CONTACT FROM THE PLEIADES. Comes to a . HUFFMAN (O. double-page spread of interest. ALFREDO Vamanos. HUFFMAN De nada. Edward “Billy” Mier had a major encounter with some aliens from the Pleiades star cluster.
THE PLEIADES. Waves to Huffman through the glass.78. We will. Gives a wave. UFO .. INT. His body spasms violently.AFTERNOON Mac and Laura climb in the plane. Mac closes his door. LAURA Sound familiar? Sitting on his desk. EXT. Mac nudges Laura as she checks the gauges and fuel levels. Shakes his head. Sheriff. pretty compelling stuff. Huffman stands by his car. LAURA’S PLANE . MAC Thank you for your time. LAURA ‘Bye! Laura turns the engine over.Semjaza. HUFFMAN Watch that bite.. The dark car stops on the road a short distance from the sheriff’s car. Huffman looks down the road. You ought to check it out. She glances over. HUFFMAN Anyway. Huffman goes down. A gun barrel sticks out. Laura squats down to get it. LANDING FIELD . A DARK CAR speeds toward the landing field. HUFFMAN Hope you got what you needed. The car’s tinted window opens. .CONTACT FROM Puts the book back on the shelf. It roars to life. MAC Semjaza. Mac stares at the cover one more time.CONTINUOUS Watching from the plane coasting down the runway. A gray puff of smoke.
MAC THEY SHOT HIM! Laura slams the throttle. hits the rudder pedals to spin the plane around. LAURA COME ON! Dark car. The plane skims off. Heads A bullet tears into the cockpit close to Mac’s head. Laura pulls back the stick. The car fast approaches. Mac looks back. The plane dives. . He fires. And stays there. BE ALL RIGHT. She banks it to the left.79. One of its wheels bounces off the car’s windshield. exploding it inward. It’s Pinkie Rings. HE’LL She feathers the throttle. Hits ground. MAC WE’RE NOT GOING TO MAKE IT! Pounding the dash. A man crawls out of it and takes aim at the plane over the roof. Full throttle again for takeoff. LAURA NOT ENOUGH SPEED! MAC HE’S GOING TO RAM US! At the last second she pulls back the controls. Glass showers inside. The tinted window lowers all the way. The plane lurches forward. MAC THEY’RE GETTING OUT OF THE CAR! THEY’RE GOING TO SHOOT! POW! GUNFIRE. straight for them. She slams the controls forward. The plane lifts up. MAC WE CAN’T JUST LEAVE HIM! LAURA IT’S A TASER. The plane springs into the air. Away from harm. A STUN GUN. The dark car fishtails onto the makeshift runway.
LAURA Paso Robles? MAC Yeah. I was an idiot. How could he possibly know I was out here? LAURA They could have checked our flight log at the airport. These guys are definitely not bluffing.MOMENTS LATER Wind pours through the bullet hole.80. Awkward. to check on Maggie and the kids. MAC That guy who shot at us was the guy from LAX. LAURA THERE’S SOME RAGS UNDER THE SEAT. LAURA You’re a good man. The cabin quiets down. LAURA Sorry about last night.AIRBORNE . STUFF ‘EM IN THE HOLE. MAC We better get to Paso Robles. LAURA You’re still in love with her. Finally addressing it. INT. LAURA’S PLANE . MAC You just needed a hug. Mac. Mac finds ‘em. Starts stuffing. get what you want. I hope you I MAC How do you prove to someone you’ve changed? . aren’t you? MAC Like crazy. blew it.
The left side is a cornfield with healthy headhigh stalks. there a place to land? Is EXT. She pushes the controls forward. MAC Are you nuts? LAURA It might work.CONTINUOUS MAC Straight to voice-mail. INT. CREEK WALK VINEYARD .CONTINUOUS The front door is ajar.81. before sunset. LAURA By doing the right thing for a long enough time. MAC How long before we can get there? LAURA If we’re lucky. CREEK WALK VINEYARD . INT.CONTINUOUS Through the windshield. No answer. No ring.DUSK Laura’s plane circles one last approach. EXT. No visible sign of life. LAURA’S PLANE . He pulls out his cell. They descend onto a narrow dirt service road below. MAC Can I get bars up here? LAURA I’ll take her down. LAURA’S PLANE . MAC What if the corn’s too high? .MAIN HOUSE . LAURA Maybe they moved to a hotel. A deep drainage ditch runs alongside it on the right.PASO ROBLES .
SERVICE ROAD . LAURA THANKS FOR MENTIONING IT. SERVICE ROAD .CONTINUOUS The eight foot chain-link fence stands dead ahead. SERVICE ROAD . LAURA WHAT’S THAT? MAC THERE’S AN EIGHT-FOOT FENCE AT THE END OF THIS ROAD TO KEEP THE DEER OUT. EXT.CONTINUOUS MAC WHAT’S THAT? LAURA SO FAR SO GOOD! EXT. The right tire bounces along the edge of the deep ditch. Mac braces himself while Laura takes it in. LAURA I guess we’ll find out. . THEY LIKE THE GRAPES.CONTINUOUS The left wing skims along the top of the tassels.CONTINUOUS Tassels crown the tops of the corn stalks.82. INT. THUMP! HISSSSSSS! INT. LAURA’S PLANE . LAURA I THINK WE’RE GOING TO MAKE IT! MAC THERE’S ONE THING I FORGOT TO TELL YOU. EXT. LAURA’S PLANE .CONTINUOUS Bucking the steering. The plane’s wheels touch down. Over the loud hissing.
Trimming The WHAM! Full contact! Like a butterfly against a net. Shaken. INT. Mac flips it on. Nothing. MAC We don’t know that. Returns to Laura. Looking around.CONTINUOUS Front door threshold. Grabs a candle. Flashlight on the light switch.EARLY EVENING A flashlight. The house is pitch dark.FRONT DOOR . Bumping all the way. EXT. LAURA I don’t see any cars. Flips it again and again. MAGGIE? Mac sticks his head in. They arrive at the steps. Catching her breath. Lights it. FRONT HALL . LAURA’S PLANE . They see the front door slightly ajar. MAC You okay? LAURA I’ve had worse. LAURA Power outage like at Camarillo. Riding the ditch. Nothing. CREEK WALK VINEYARD . .83. Mac nods his head to investigate. not stirred. corn. then bounces back down. Mac walks to the mantelpiece. Mac and Laura run up the gravel driveway to the front of the house. Barely. plane pivots forward. JEREMY? Flashlight. Takes the flashlight. Laura follows. MAC Maybe they were already here. INT. The plane speeds toward it. MAC SARAH? He slowly enters.CONTINUOUS They rock back into their seats. Laura close.
Sarah. INT. The candle reveals a sea of scared faces. Doris clutches Jeremy. SARAH Daddy! MAC Pumpkin! Relieved hugs all around..bright lights. More candles all around.. Jeremy jumps off the love seat and rushes to him. in her arms.MOMENTS LATER Maggie holds Sarah Maggie. MAC MAGGIE!? A MUFFLED VOICE comes from the hallway. MAC What happened? MAGGIE I don’t know. Mac opens his arms. Stoops down inside..then we heard strange noises.. MAC MAGGIE!? The closet door beneath the stairs creeps open.then the power went off.. Jeremy sits on the love seat next to Laura. JEREMY Dad. I’m scared.we saw something in the sky. Kneeling in front of Maggie. Timidly.84. MUFFLED VOICE Dad? Jeremy? MAC Is that you? Finds the Mac rushes from the living room into the hallway. head in Mac’s shoulder. MAIN HOUSE .LIVING ROOM . closet door open. Buries his .. and Doris sit on the couch...
. Laura looks to Mac. LAURA He’s right. Stammering. I’m LAURA I’m a. Maggie looks at Laura. It’s been out all day. The other side of the room. Then to Maggie. Fiery eyes. Interrupting. Mac spins around. MAC Did anyone call you? MAGGIE No. it was bright and made the whole room light up! To Maggie. SARAH Daddy. The room suddenly fills with a brilliant light.. A mixture of awe. A long tilt up. MAGGIE I don’t believe we’ve met. I’m Laura Nathan.something’s coming in here. Something’s out there. helping Mac. Guarded. He’s told me a lot about you. JEREMY D-Dad. Something weird. shoulder-length blond hair. I’m. JEREMY Mom’s right. Something’s wrong with the phone.. Long. wonder and fear. MAGNIFICENT-LOOKING ANGELIC BEING. Maggie’s face. MAC It’s not what you think. Sees it full on. Maggie fabricates a smile.85. A TALL.
His eyes turn to hate. Staggering against the force. Hurls it full strength. Light emanates from his very being. presses itself against her. It hurls her against the wall behind her. Her head bangs against the wall like a rag doll from the gyrations. The creature picks Laura up off the floor. glare rage. . It’s clawlike fingers tear her clothes. She covers her head. LAURA Mac. tunic-like garment. It vomits something vile at her. LAURA Mac. Doris suffers a seizure. LEAVE US! MAC NOW! Black slanted oval eyes His head turns large and elongated. SCREAMS from Maggie and Sarah. CREATURE I AM THE ONE NAMED SEMJAZA! ARE YOU TO ADDRESS ME! WHO It extends one of its arms and points a clawlike finger at Laura. pinning her to the wall. A voice explodes from the creature. The creature roars. Sheds its benevolent angel-like appearance into its own TALL GRAY BODY with spindly arms.86. MAC GET AWAY FROM HER! It commences to breed. The children burrow into Maggie. Weakly. His hair blows. Mac grabs a lamp next to the couch. Faints. The being changes shape. Scaly skin like a lizard. A long. do something. It moves towards her. WIND fills the room. Straining to breath. More howling WIND. She lands in a heap.
More come to her. At the entrance of the room TEN SMALL GRAY ALIEN BEINGS swarm in. But different. Wildly throwing punches. INT.HOURS LATER . It spins around. Another commotion. One small gray grabs Sarah from Maggie’s arms. Weakly.4 AM Voices in the distance. Toward Maggie and the kids. Both children now float unconscious above the floor. Coming forward. Coming toward Mac. A damp towel on FOGGY VOICE MacKenzie. It slams into its back.. Glares at Mac. LAURA Mac! Mac picks up a coffee table. Out cold. MAC NO!! Before he can hurl it the breeding Semjaza turns and points his finger at Mac.. MAC Uri? He collapses back into a chair.87. hello. . Others latch onto Jeremy. Debris and paper circle in the wind. Fights for consciousness.LIVING ROOM . Maggie? He looks around. Mac’s forehead. Walkie-talkies. Uri holds the damp towel on his He opens his eyes again. head. MAIN HOUSE .you hear me? Mac slowly opens his eyes. MAC Where’s Maggie? It’s Doris’ living room. He crumples to the floor. Catapults him with such force his head smashes a hole in the wall. MAGGIE NO!!!! Maggie wrestles with the small gray.
URI They were taken. You’ve suffered a major concussion. Uri firmly pushes him back down. Internet. . Radios. Bluntly. COLONEL AUSTIN. MAC What’s all this? URI A military swat team Roswell’s connected to. CAMOUFLAGE FACE PAINT. Weapons. Walkies. MAC Where are my kids? He urgently grabs the arms of the chair and lifts himself up. Intruding. MAC And Laura? URI Recovering upstairs. AUSTIN I’m Colonel Austin. It’s a make-shift military post.) Mr. They found you next to the wall. The place is teeming with COMMANDOS IN BLACK JUMPSUITS. MAC Where’s Maggie? URI With her mother.S. Maps. They have a medical unit here. Still groggy. Computers. VOICE (O. MacKenzie? Mac looks up at a new face. Eyes searching for truth. MAC Taken where? URI They were abducted.88.
Bloodshot eyes. He hurries. Cutting him off. Mac looks at Uri. what are we gonna do? She sobs in Mac’s embrace. AUSTIN We’re doing everything in our power to get your children out of there as soon as possible. I’m so sorry. MAGGIE Oh Mac. Woozy. Broken. No letting go. Then back at Mac. Holding her tightly. She’s bitten through her lip. She opens her arms. MAC Maggie. Losing it. Maggie faces Mac. caressing her hair. MacKenzie. . We’ve been monitoring it constantly. Drained. AUSTIN The same base where General Nathan is being held. Mac takes a couple of steps towards her. Dried blood on her chin. MAC WHERE ARE MY KIDS? Austin glances at Uri. MAC They’ve taken the children. we believe your children have been taken to an underground base in the Nevada desert. AUSTIN Mr. Lost. They’re doing everything possible. Maggie. Tear-stained cheeks.89. Maggie enters the room. Uri and Austin leave discreetly. They’re all they’ve got. Mac struggles to his feet. Huge embrace. She starts to tremble.
S. Forces. Maggie. he is on our side. MAC Maggie. Nice to meet you. A cluster of men gather around one of the choppers with Austin. . this is Uri From Israel. Colonel Austin approaches FOUR BLACK BLACK HAWK HELICOPTERS on the front lawn. they gave her something. MAGGIE On who’s side? And who are you? Jumping in. Special We are lucky MAGGIE So you got us into all this. I am now an archeologist. URI I will check on Cranston in the kitchen. Frustrated. URI No. is she all right? MAGGIE They think she suffered a mild stroke. URI He is a good soldier. The entire area is lit up by worklights powered by generators. Disarming. He’s told me a lot about you. URI She is sleeping? MAGGIE Yes.90. URI Your mother. Nods a bow. BenHassen. URI (O. Diverting the conflict.) Mac. Outside. Uri nods to the window. Mac and Maggie look over. I’m sorry.
He takes off. A small smile. MAGGIE Thank you. She blinks back tears of relief. ELISHA Shalom. She raises her lips. Watches the kiss. Like crazy. Smiles. me. . Looks into her dreamy eyes.91. Wipes her face. MAGGIE I’ve missed you. A sigh. MacKenzie. Believe Mac leans in closer. A tap on Mac’s shoulder. Mac stops the kiss. She watches him go. Mac turns Maggie back into his arms. Like for the very first time. MAC Me. BLACK JUMPSUIT Mr. MAC Cranston’s here? MAGGIE It’s not what you think. They kiss. Their eyes meet. Elisha comes up on screen via webcam. too. She finishes the kiss. MacKenzie? There’s an Elisha BenHassen on the webcam asking for you. MAC I gotta go. Laura’s on the stairs. Another BLACK JUMPSUIT. MAGGIE So is this. He follows the commando back to a work station. She cuddles back into him. He punches in a password. MAC This is important.
MAC How? Adamant. Elisha. ELISHA There will be a next time. Colonel Austin. . MAC Wait. This is not good.92.. ELISHA By faith in He who is greater than you. Listening to Elisha. Only He can defeat Semjaza. wait. Uri.. MAC Shalom. I had no time. ELISHA Uri tells me you encountered Semjaza. Sternly. A weary smile. Tried to breed with her. MAC It hurled Laura against the wall. Then a pack of small grays came in and took the kids. and the whole room full of commandos are watching. What do you mean Elisha pounds his desktop. And when that times comes you must take authority over it! Mac turns around. Back to the screen. ELISHA The next time you encounter him. MAC I forgot I had it. Finds it. “the next time”? SLAM. MAC I’m trying. ELISHA Did you command it with the cross? Feeling for his necklace. wait. Maggie. Laura.
MAC You knew about the sixth floor? CRANSTON And much more. I want to help you. . room. ELISHA You’re not getting it. I’m afraid I’ve gotten in deeper than I bargained for. They are evil. A COMMANDO interrupts from a work station. A new body.) He’s right. CRANSTON The leader of the base is in need of a new host.93. It’s Cranston from the other side of the MAC How do you know? CRANSTON My position on the hospital board made me privy to many things. Mac and Maggie exchange a quick look. He will fight for you! VOICE (O. Use the cross. MacKenzie! These aliens are demons disguised to deceive us. Passionate. MAGGIE Oh my God. That’s why Sarah and Jeremy were taken. unclean creatures. Mac turns around.S. MAC Why didn’t they take me? CRANSTON You were wearing that cross. You must drive them out! MAC How? ELISHA Yeshua A Meshiac is with you now.
94. COMMANDO Colonel, the doors at the end of the tunnel are opening! Colonel Austin crosses quickly to the soldier’s station. flat screen shows a remote feed of the huge doors slowly opening. AUSTIN THIS IS IT! “OPERATION TAKE-DOWN” IS A GO! LET’S MOVE! MOVE OUT! Instant mayhem. Walkies blaring. Choppers wind up. jumpsuits everywhere. Packing. Moving. Mac back to the web feed. ELISHA SHOW THE CROSS. YESHUA IS WITH YOU. BE STRONG IN THE LORD! SHALOM! Elisha’s gone. Mac is pulled away. Black The
Uri grabs THE BLUEPRINTS off a workstation. EXT. FRONT LAWN - DAWN - MOMENTS LATER The choppers churn up wind and leaves. A HIGH-RANKING COMMANDO, WALKER, intercepts Mac, Maggie, Uri and Laura. Over the chopper whine. With force.
WALKER NO WOMEN ON THE MISSION! LAURA MY FATHER’S GENERAL NATHAN. GOT CLEARANCE. To Maggie. WALKER NO CIVILIANS, MA’AM, IT’S TOO DANGEROUS. Indignant. MAGGIE TRY CHILDBIRTH. THAT’S DANGEROUS. MY CHILDREN ARE OVER THERE. I’M GOING. WALKER THAT’S OUR JOB. YOU STAY HERE. I’VE
95. Jabbing a finger in his chest. Taking charge.
MAC LOOK, PAL, THIS IS MY WIFE AND WE’RE GETTING OUR KIDS. SO STAND DOWN AND BACK OFF. They run around him to the chopper. joins them. He shrugs, turns and
EXT. CREEK WALK VINEYARD - ACCESS ROAD - NIGHT - CONTINUOUS Cranston speeds down the long dirt driveway in his BMW. clubs rattle in the back seat. Golf
A spotlight circles his car. He crouches to look out the windshield. The four Black Hawks swoop low over his car and out over the vineyard like a shot. He lets out a sigh. Then another spotlight engulfs the Beamer. But it’s ten times brighter. Cranston tries to look up at it. The golf clubs suddenly slam against the roof of the car. And keep slamming with an loud clanging. A whirlwind kicks up dust from the road. Tumbleweeds and debris swirl around his BMW in the white light. Cranston punches it. Pedal to the metal. The Beamer accelerates. The speedometer reads 100 m.p.h. It lifts off the ground. Cranston looks down at the road as it shrinks beneath him. Bathed in white light. EXT. CALIFORNIA-NEVADA BORDER - EARLY DAWN Four Black Hawks fly in tight formation low over the desert. INT. CHOPPER #1 - CONTINUOUS Colonel Austin rides shotgun with Uri, Laura, Maggie, and Mac and more troops in the back. Maggie sits between Mac’s legs, facing forward, engulfed in his arms. Uri examines an HK-MP5K rifle issued by Austin. He checks the magazine, unloads the clip of ammo, inspects it, pushes it back into place. Lock and load. Lays it across his lap. He notices Mac watching him. He grins and shoots Mac a thumbs up. Delta Force is back. Mac smiles thinly. Returns with a tired thumbs up.
96. Uri opens the blueprints. EXT. CHOPPER #1 - AIRBORNE - SUNRISE - LATER The Black Hawk flies low to the ground. Others follow.
INT. CHOPPER #1 - AIRBORNE - SUNRISE - CONTINUOUS The door slides open. Cold morning air bursts in with the first signs of dawn streaking across the desert sky. Golden light and wind wash over Maggie’s face. in wonder. With trepidation. The chopper sets down. walkies and headsets. All look out
Austin’s voice explodes over the
AUSTIN THIS IS IT! LET’S MOVE OUT! EXT. DESIGNATED LANDING AREA - CONTINUOUS The other choppers touch down. Soldiers spill out like ants, fanning out, crouching defensively. Awaiting orders. Uri and Laura pile out of Chopper #1. Mac and Maggie follow. Colonel Austin pops open the cockpit door. Makes a run for it. Gets to the front line. right. Low and fast. Commando sign language. To the
Forty men and two women run toward a gaping hole in the side of the mountain. Over two hundred feet high in diameter. A monster tunnel. They gather at the mouth of it. WALKIES BLARING MAYDAY! THE DOORS ARE CLOSING! The huge doors rumble together. AUSTIN USE THE THERMITE GRENADES! NOW! White
A half dozen troops run inside the closing doors. smoke pours out. MAC Thermite? AUSTIN They melt metal together. MOVE PEOPLE! LET’S
And vanish. visual. Walker signals sign language. ALIEN BASE . parallel TEFLON COATED SLIDES that go down forever. Uri. secure the area. Okay men. GIGANTIC TUNNEL . The ants go running MAGGIE Where are we? MAC The back entrance. We have a He stops. Four commandos run ahead fifty feet and dive to the ground near the cavern entrance providing coverage. . He pulls out the blueprint map. arms crossed. INT.CONTINUOUS Walker and his men wait at the top of the shoots. No noise. Trotting to keep up. Secure the area. INT.CONTINUOUS Soldiers follow Walker up ahead. Colonel. The rest of the troops move in. Maggie and Mac join the group on the right hand side. TOP OF THE SHOOTS .NEAR CAVERN ENTRANCE . INT.97. Feet first. We’re going in. in. Up ahead.MOMENTS LATER Colonel Austin divides the men into two groups. WALKER It’s up ahead. One of them signals. The commandos line up and jump down both shoots single file down the shaft. Austin and the rest catch up. Let’s go. AUSTIN These shoots should take us to Level 11. The gigantic doors screech to a stop. Laura. AUSTIN Roger that. WALKER THE SHOOTS ARE UP HERE. SIR. Into his walkie. Looking back. Awestruck by the enormity of it all.
Sees the U. A tool cart a few yards away. Looking around at his men. Laura takes Maggie by the arm. Uri and Laura arrive near the saucer. Covering her mouth. He points to MAJ 12.98. The map illustrates the tiered levels. AUSTIN We’re here. He stabs the map. We’ll enter it here. equally aghast. URI There is no resistance. A commando in the grid above. next to them. Eyes watery. standing in awe. GIANT SAUCER CAVERN . GRID COMMANDO NOTHING UP HERE. Austin unfolds A DUPLICATE SET OF BLUEPRINTS from his jacket. INT. The core is here. . MAC But why? A yell from above. Lays it down. Flag on it’s side. Mac and Maggie come up Maggie gets her first eyeful of the hovering spacecraft. We believe the General and kids are here.S. AUSTIN Maj 12 can be reached through the air filtration system or the emergency exit shaft. Walker and the pointmen circle in. MAGGIE Oh my gosh. Finger extended. SIR.CONTINUOUS The troops form a semi-circle around the hovering disk. THE PLACE IS SECURE.
Scanning everywhere. smother the flames. AUSTIN LET’S MOVE OUT! INT. TRAIN STATION PLATFORM . Uri peels off a commando’s night vision. Pointy eyeteeth. He screams in pain. Goes A flamethrower guy tries his luck. Oval eyes. Misses. wails echo down the tunnel. With precision.MIDWAY . Don’t use force unless absolutely necessary. His gunfire ricochets off the roof and the Walker’s The giant leaps on him. But ignites another commando. WALKER Don’t fire unless fired upon. A LARGE SILHOUETTE drops from a hole in the tunnel ceiling. TRAIN TUNNEL . Walker points his flashlight. Walker jumps onto the tracks. A slow jog into the dark tunnel. WALKER WE’RE CLEAR. Commandos with daggers drawn watch helplessly. It’s mayhem. . AUSTIN Remember you’re briefing. Walker fires. NIGHT VISION . Three more close behind.MOMENTS LATER The entourage files onto the station platform. The group jogs silently. the rear.TUNNEL . Men dive on him. Mac and company near The next station is illuminated five hundred feet ahead.CONTINUOUS Pitch dark. It’s THE GIANT. Literally pulls him apart. stealth. Walker motions the team with his flashlight along the tunnel walls. Dismembering. INT.CONTINUOUS The giant leaps randomly from side to side squashing soldiers at will. Puts it on. Quickly.99. Everyone else jumps down. tunnel walls.
MAC WE ARE STRONG IN THE LORD! The giant springs from the ground high in the air right at Mac. eyes look side to side. They fixate on Mac. MAC Nephilim. Holding Elisha’s ancient cross out in front. from Raphaim. More outbursts of gunfire. what is it? MAC Nephilim. A large burning hole smolders through his head. The giant quickly leapfrogs his way down the tunnel toward Mac. Some scream in agony from the strays. Flashlights on him. KA-BOOM! The giant is hit from behind. Mustering faith. MAGGIE Mac. Uri walks up.100. BRIGHT AURORA LIGHT PARTICLES suspend him there. He carries a bazooka. Yelling above the rattle. Looks to Mac. He lands twenty feet in front of Mac and company. His oval Goes to the slain giant. URI You are strong in the Lord. is carried over Mac and Maggie. MAC You’re a good shot. He’s enormous. Gunshots from behind him skim over Mac and Maggie’s heads. Crouches down. . MAGGIE What can we do? Reaching into his shirt neck. He lands in a heap on the ground. URI Seeing is believing. MAC It’s time to be strong in the Lord. Lit by thirty flashlight beams. Tears rolling down. Still smoking. Sparks and bullets ricochet all over.
INT.CONTINUOUS The troops fly through small room after small room. SERIES OF CORRIDORS . SIR! Two commandos pull out black Makita’s from their packs and unscrew the emergency elevator shaft panel. NEXT TRAIN STATION PLATFORM . The commandos take aim. URI Bizarre. prepare for descent to Level 12. URI No one is defending. . Scan the station. Commandos encircle the fallen Goliath. MEN! They slowly break up. Move down the tunnel. It opens. Mole.CONTINUOUS POINTMAN #2 OVER HERE. then heads above the platform. POINTMAN #1 CLEAR! They hop onto the platform.101. INT. EMERGENCY EXIT SHAFT . Anywhere. Whispering to Mac. INT. Fix their weapons on another AN ADVANCE MAN finds a hand-scanner panel to open the station door. lower the ropes. MAC They knew we were coming. AUSTIN LET’S MOVE IT. A hissing sound. He applies his hand. No MPs. No resistance. Each time passing through an air-lock passage chamber. sliding panel. Each time readying for combat.MOMENTS LATER POINTMEN stick their guns. Still no MPs. AUSTIN Get it open.
) HOLD YOUR FIRE. Laura runs to him.C. Everyone adjusts their aim. Eyes through cross-hairs. He slips the rope through a caribeaner with a brake bar attached to his harness. Uri locks and loads. climbs into the shaft. Hops out of the shaft.102. Silence but for the elevator whine as it ascends. MOLE. The inner doors slowly open. The outer doors open with a loud hiss. LAURA Daddy! Hugs him tightly. AUSTIN HOLD YOUR FIRE UNTIL I GIVE THE ORDER! Uri gives Mac a look. Maggie moves closer to Mac for protection.S. MOLE READY FOR DESCENT. Fingers flex over their triggers. He positions himself. MEN. A lone figure steps out.) STAND DOWN! STAND DOWN! ELEVATOR COMING UP! Mole unsnaps. It’s General Nathan (Roswell). AUSTIN (O. a compact Latino wearing a mountainclimbing harness. Motions to Laura to fall back. AUSTIN Down the hole! POINTMAN (O. Ten men kneel with their weapons aimed at the elevator. . HOLD YOUR FIRE. Ten more HK-MP5Ks lock and load facing the elevator doors. ONE MINI-COMMANDO.
He looks around at the commandos. Mac and Maggie listen intently. He kisses her on the head. Holds it up. . The deal is this. ROSWELL MacKenzie. ROSWELL You. You for them. could. ROSWELL Colonel Austin is to move his men from this level and go topside. He pulls a circuitlike key card with coding on it out of his pocket. Maggie squeezes Mac. All of us are to go with him. Uri shoots a Mac a look. ROSWELL Hello. Finds Mac. sweetheart. General. They’re well and no harm has come to them. snaps to attention with a salute. The kids were not a compatible host. Colonel. Once you’re there. ROSWELL But I’ve been sent here to make an offer. ROSWELL It’s an exchange. But the truth of the matter is this. Austin arrives. I saw your children a short while ago. but they knew that.103. are then to proceed to MAJ 12 alone. AUSTIN We got here as soon as we ROSWELL Good job. MacKenzie. your children will be released.
Looks to Uri. did you get the blueprints? Uri holds them up. and commence the core contamination to blow up the base. ROSWELL Their abduction was a trap to get you here. we send him down. . MAGGIE That’s insane. get the kids in exchange. If Mac agrees. If you refuse to share your body with Abaris. ROSWELL Then this is how it lays out. MAC I’m the one to host? LAURA You’re the one. To MacKenzie. So does Austin. Lucy. Abaris wants you. It’s your DNA and blood type that’s a genetic match. sir. I’ll go. URI Send me. you need to be destroyed with the base.104. ROSWELL The window to destroy the base is now. he’ll kill you. ROSWELL Uri. If you do host him. MAGGIE What are you saying? ROSWELL It’s time to exterminate this evil. ROSWELL Is the core accessible? AUSTIN We think so. AUSTIN Sir. yessir.
Losing it.MOMENTS LATER Daylight reflects off the smooth hangar floor. The rest of Austin’s commandos watch as everyone files out of the elevator.105. EXT. I’ll go. The doors . MAGGIE I’ll never see you again. Mac remains by the elevator door. MAC I’ll do it. ELEVATOR . All eyes on MacKenzie. ROSWELL This card will let you access Level 12. Maggie. slowly close. Maggie buries her face into his side. Mac’s eyes meet Uri’s. Watery eyes. They kiss for the last time. ROSWELL Only Mac is a compatible host. Handing Mac the elevator key. He backs into the elevator. Inserts the card.TOPSIDE . Uri and Laura behind him. Laura’s. Time to believe it. Majestic. She looks up. Roswell comes over. Mac inspects the card. Looks up to his face. MAC I love you. One last hug. MAC Elisha said we are strong in the Lord. MAC God has the final word. Maggie at his side. He gently takes massages Maggie’s shoulders. puts it away.
106. Dad. SARAH Where’s mommy? MAC She’s waiting for you upstairs. INT. elevator. ASIAN MAN I go with the children. Approaching. Mac stoops down and gives them hugs and kisses. MAC How do I know they’ll reach the hangar? ASIAN MAN You watch there. SARAH DADDY!!!!! MAC PUMPKIN! Sarah runs with glee. Looks up with contempt. MAC How are my dear ones? JEREMY I’m scared. . Asian man scurries into the open doors. MAC “Harvesting”.LOBBY . MAJ 12 . ASIAN MAN Abaris wants to assure you they remember nothing of their harvesting. janitor from the LAX men’s room entrance. Jeremy close behind.CONTINUOUS The doors hiss open like a snake. Mac steps off the It’s the same Sarah and Jeremy stand next to an ASIAN MAN. Back to the kids.
CONTINUOUS Commotion on the hangar floor. Asian man points to a BLACK DOOR behind him. Austin’s men milling about. He points to a bank of recessed monitors across the lobby. He jerks it back. and this nice man will take you up. MAC Hold hands. Knowing this is it.CONTINUOUS Mac approaches. very. The kids fire it back. Maggie at the bottom of the screen.CONTINUOUS Mac watches the screen. Now is the appointed time. Mac gives the thumbs up sign. Wipes his mouth. MAC I love you very. very much. MAJ 12 .107.ELEVATOR LOBBY . Still kid level. Assuring. All are safe. A video feed of the hangar. A lone tear. Inspects the damage. Choked up. very. . No harm. ASIAN MAN You go there. A dual bear hug. Looks over at the large black panel. Reality setting in. Touches its surface. He kisses them both on the lips. INT. arms. Looks back. Mac heads to the bank of monitors. Mac gets a visual of the door. INT. They’re gone. Tousles their hair for the last time. you guys. He reaches his hand up. The kids run into Maggie’s Watch and wait. His hand goes through it. Then steps out of the elevator. MONITOR SCREEN . The doors slowly closing. INT. Mac looks. No visible means of entrance. He takes a deep breath. LARGE BLACK PANEL DOOR .
Austin. A line of commando faces listen as Roswell continues. and the rest of the commandos. And disappears. Are you sure? .S.) To destroy the base we need to contaminate the power core. Blueprints of the base lie on the hangar floor. I need someone half your size. Uri. Commando Mole has stepped forward.CONTINUOUS Roswell stands before Uri. The sun is hyper-intensified by a magnifying glass lens and will burn through anything it touches. ROSWELL Colonel Austin? AUSTIN It’s his call. son.) I’ll go. He pulls it back out. VOICE (O. He fits the job. ROSWELL You’re odds of escape are one in a million. URI I can go. I’ve got a kamikaze mission and I need a volunteer. Mac walks squarely into the large black face plate. His arm disappears up to his shoulder. Roswell lifts up a piece of bronze sheet metal. ROSWELL (O.S. He reaches in farther this time. Laura comforts Maggie and the kids far behind them. ROSWELL The only way we can get into the power core is down the solar shaft. GIANT HANGAR . Uri looks down the line.108. Takes a breath. ROSWELL You’re too big. ROSWELL Let me tell it to you straight. INT.
All the personnel. Mac slowly sits down. Arthur. Art MacKenzie.MAJ 12 . I knew you would come. CORRIDOR . INT. RASPY VOICE IN THE DARK MacKenzie. Seamless.CONTINUOUS RASPY VOICE IN THE DARK (O. MacKenzie.) Well. and Pthe left and right walls. It suddenly splits into four quadrants receding into the floor. Pointing to a chair next to him. ceiling. Whispering through his lips. Here. Mac squints to get a better look. sir. MacKenzie. RASPY VOICE IN THE DARK Don’t be shy. RASPY VOICE IN THE DARK Sit here. INT. That’s why I cleared everyone out.109. everything.S. the ceiling. I want to see you. Mac sees the silhouette of a man sitting at a circular table.CONTINUOUS Mac stands in front of another black door. all those bothersome MPs. have a look. oh yes. CIRCULAR ROOM . do we? MAC All of this was staged for my benefit? Laughing out loud. We don’t want anyone hurt now. It’s MacKenzie. Mac proceeds with caution. well. The light filtering through the floor. MOLE I like my chances. . RASPY VOICE IN THE DARK We know everything. Mac enters into a circular room. and walls somehow fails to illuminate the man.
He stares at the pictures. I want you to understand what we humans are. table. Castro. Molded into the The room explodes with a series of DIFFERENT HOLOGRAPHIC IMAGES. . Mac jumps up from his chair. Chinese student protestors march arm in arm against militia wearing riot gear. Yes. The Ayatollah. North Korean leader Kim Jong-il. The second jet plowing into the World Trade Center. The images stop. Vivid moving images. Kadafi. The killing fields of Cambodia. The oil fields ablaze in Kuwait. Baghdad under siege. Mussellini. Osama Bin Laden. Saddam Hussein. RFK shot at the Ambassador Hotel. Napalm in Vietnam. Hiroshima. Suicide bombings in Jerusalem. RASPY VOICE IN THE DARK You see.110. Raspy inhale. Hundreds of dead bodies in a river in Somalia. MacKenzie. Atomic bombs in Nagasaki. The Wailing Wall. A control panel in the shape of a hand. it isn’t a pretty picture is it? There is quiet. through windows. JFK’s head exploding in Dallas. Pearl harbor being bombed by Japanese Zeroes. Human skeletons stacked in a concentration camp. like looking Hitler gesticulates wildly delivering an impassioned speech. The man places his hand in it.
111. Mac is silent. RASPY VOICE IN THE DARK All the butchery, the pain, the misery. Mac shifts uncomfortably. RASPY VOICE IN THE DARK All of what you saw will be a thing of the past. There will be peace, security, and a world governed fairly. The aliens will change things. And quite for the better. MAC Why are you telling me this? The man rests his hand again in the indentation on the table. A light begins to illuminate the man’s face, lifting it from the shadows. Humming, not singing. RASPY VOICE IN THE DARK Oh give me a home...where the buffalo roam... Thrown off. MAC I used to sing that song with my... RASPY VOICE IN THE DARK ...your father? His face now illuminates under the light. It is Mac’s father, his dead father, sitting before him. Mac recoils. Leaning in. Too creepy.
RASPY VOICE IN THE DARK I am your father. I am now the one named Abaris. INT. DIMLY LIT CORRIDOR - MOMENTS LATER Mac walks slowly next to Abaris. ABARIS Abaris, after a Greek sage who had the power to heal.
112. You see, it was I who saved the alien who survived the Roswell crash. Mac has trouble looking ahead. ABARIS When his body began to die I allowed him to enter mine. MAC Is he with you now? ABARIS You have been talking to both of us, for now we are one. It has been the most valuable experience of my life. Feeling somehow ripped off. MAC You fake your death so that some alien could share your body over raising your own family? ABARIS Oh you mustn’t be cross. It has been for the good. Yes, and much more. But now my body is beginning to die. That is why I brought you here. Mac strains to process it all. ABARIS You, my son, are the person to carry on. To end the misery on this planet. If you will only allow us to enter. Abaris stops in front of a large panel. into four sections. He gestures for Mac to enter. INT. THEATRE CHAMBER - CONTINUOUS ABARIS The time of the mass revealing is almost at hand. A world of peace, harmony, love, and understanding. The true brotherhood of man realized to its fullest potential. The door splits open
113. The room is suddenly bathed in brilliant white light. A huge heavenly being floats from an entrance off to the side. He is magnificent, powerful, and splendid to behold. HEAVENLY BEING I am the archangel Gabriel. me. The angel hovers above Mac and Abaris. changes his appearance. Trust And gracefully
Ghandi, serene and holy with a white dhoti wrapped around his tiny brown-skinned body. Into Buddha, silent and detached, with a beam of light streaking from the center of his forehead. Into Jesus, hanging on a cross, wrists impaled by bony nails, a crown of thorns jutting into his bloody head. Mac watches breathlessly. The image changes again. A small point of light. Swirling. Into a primordial cloud of spinning galaxies. Into the universe itself. His voice echoes. THE UNIVERSE I AM THE ONE NAMED SEMJAZA! Suddenly it is gone. It has vanished. Complete overload.
Mac stands in total shock. MacKenzie.
ABARIS (O.S.) Mac looks around. His father calls him from an adjacent room. Mac reluctantly follows. INT. SOLAR SHAFT - INTERCUT AN EIGHT FOOT DIAMETER mirrored-paneled SOLAR SHAFT magnifies a concentrated six foot diameter beam of hot desert sun down into the base. A heavily perspiring Mole carefully repels down the shaft, flat against the side to avoid the intense beam. INT. MAJ 12 - THE TIERED ROOM - INTERCUT A large space with a strange reddish glow. of towers with thousands of shelves. Hundreds of rows
On the shelves are countless glasslike containers. And the kingdom of heaven will be on earth. The rattlesnake on his heel. Semjaza manifesting in the living room. The six-fingered skeleton in the ancient sarcophagus. And soon their time of dwelling with us will be revealed. They are the ones who stimulated the creation of the world’s major religions. Mac keels over with dizziness. A glowing hybrid heart beats in a glasslike container. embryos incubate within a thick red liquid. To replenish their dying race and evolve ours. INT. Jesus. Putting it all together.114. An entire row of glowing hearts beat as one. From the topmost tier. Hybrid . Divina with her throat slit. ABARIS The aliens are here to enlighten us. The small gray with the doctor inspecting the giant’s foot. MAC Embryonic Nephilim. ABARIS This is the future. All genetically engineered. MAC’S MIND . The mutilated cow carcass. ABARIS Krishna. The alien in the saucer staring in hate. Moses. Their seed and ours joined together to create a superrace.SPEED MONTAGE OF IMAGES Lucy’s gaunt face in the psych ward. MAC The cow’s blood. Muhammad.
115. Sarah and Jeremy floating in midair.CONTINUOUS Mac looks at a glowing hybrid embryo. Hundreds of embryos spill across the shiny black floor. It startles Mac. Mac jerks away. The red thick liquid squirms. OH YES. NEPHILIM! BREEDS. Mac snaps. Exploding. this all might seem strange to you now. ABARIS YES. ABARIS It’s time to embrace him. Laura slammed like a rag doll against the wall. ABARIS You see. Puts his shoulder into it. The jars smash open. MAC THEY’RE ALL CROSS- ABARIS WHAT ARE YOU DOING? Pointing at Abaris. The embryo reaches out a clawlike finger. But he’s transfixed. Its twisted face a look of hate. my son. MAC IT’S A LIE! YOU’RE A LIE! NOT MY FATHER! YOU’RE . MY SON. TIERED ROOM WITH GLASSLIKE CONTAINERS . but I assure you it is the future of mankind. It scratches the side of the container. EMBRACE HIM. The embryo turns in the jar so that its slanted eyes look out at Mac. They writhe and gasp. Seemingly in unison. FOR HE IS YOUR BROTHER. The tiny creature twists and presses its hideous face against the glass. Mac fights a gag-reflux. Pushes the entire tower over on its side. INT.
Breaking glass everywhere. HOW DARE YOU INTERFERE WITH OUR COLONY? YOU CANNOT DESTROY THE FUTURE OF MANKIND! Mac back-pedals on the smooth shiny floor. Semjaza comes closer. A desperate prayer. He’s drenched in foul fluid. Mac grabs for his throat. . SEMJAZA I AM SEMJAZA. He outstretches his razor-taloned fingers towards Mac. Booming voice. wings spread wide. A warrior with a flaming sword. More embryos spastically twitch in the shallow thick cow’s blood. MAC WE ARE STRONG IN THE LORD AND IN HIS MIGHTY POWER! Projectile vomit at Mac. Elongated head. Looking up. Gray scaly skin. Gasping for air. Outraged. MAC IN THE NAME OF YESHUA THE MESSIAH I COMMAND YOU TO RETURN TO THE PIT OF HELL! Semjaza takes a deep breath and blows out a black cloud that envelopes Mac. Choking. Clawlike hands. He goes down to the floor. Slanted oval eyes. He pushes over another tower. It’s time to believe. The angelic being fills the space. BRIGHT AURORA LIGHT PARTICLES manifest into a TWENTY-FOOT ANGEL. Holding up the ancient Jerusalem cross hanging around his neck. He’s gagging. MAC I need you.116. ABARIS YOU MUST STOP NOW! Brilliant white light floods the room. Then his appearance changes. They domino.
It’s The floor rumbles as the abyss slowly closes. They disintegrate as they fall to the ground. severing the snakes into pieces. Mac lies prostrate. Mac’s hair blows wildly. The noise is deafening. A whirling hurricane engulfs the room. the loud rumble of an earthquake. lash out from the abyss and encircle all of the writhing embryos and glass containers on the shelves. to feet. He hooks his clawlike finger on its edge. then his body is torn from the clinging arm. The entire colony is spun into a frenzied helix and drawn into the depths. The wind sucks down as the pit seals itself off. His clothes flap violently. Semjaza takes another deep breath. Semjaza lets out a tortured scream. No Abaris. He desperately claws at a load-bearing beam. The angel swirls his sword in the air. The angel’s flaming sword pierces the darkness. The deafening noise subsides. A larger tentacle comes up and wraps itself around Semjaza. A gaping hole rips across the center of the floor between Mac and Semjaza. At last all is calm. A crackling thunder fills the room. In the cloud.117. Heads for the black door. the angel swings his sword and cleanly cuts off his arm. He lashes his sword at Mac’s neck. It holds against the supernatural force. Before he can exhale. like small tornados. His face a twisted mask of rage and fear as it tries frantically to move away from the abyss. Semjaza is now above him. choking him. Suddenly tentacles of wind. Mac scrambles away from the pit. The warrior angel vanishes. The angel aims his sword at the floor. A large ominous black pit descends as far as he can see. A lightning bolt hurls at Semjaza’s feet. Another sound joins the cacophony of the whirling wind. He scans the room. revealing the suffocating Mac. three large male rattlesnakes wrap themselves around Mac’s throat. Semjaza shrieks as he is hurled into the pit. his disjointed arm following him. Abaris steps back in bewilderment. He gets .
Abaris looks down from one of the portals. Under his breath. INT. INT.INTERCUT Mac runs into a huge cavern. Alarms drone and red lights flash. He turns back to the pulsating plasma. MOLE Crap. POWER CORE ROOM .CONTINUOUS Mole hangs out from the shaft. As they run toward the shaft. Mole’s face peeks out upside down out of the shaft. A muted yell for help.CONTINUOUS Mole pulls himself back up. The guards spin around. on top of the large prism of refracted sunlight. He sees the guards. He carefully launches the plane towards the lake of pumping plasma. In the portal next to him Cranston bangs on the glass. It rotates revealing a row of oval shaped windows. swords drawn. corrupting the energy field. SOLAR SHAFT . The plane circles silently over the energy field. Checks the guards again. Mole drops to the ground and heads to the edge of the plasma lake. POWER CORE ROOM . And again. see Mole and brandish their swords. HUGE CAVERN . Get there. Then dives in. MOLE C’mon baby. And finally lands back underneath Mole. . INT. AN ALARM BLARES. Sparks erupt as the power core commences a nuclear meltdown. Light pours down the solar shaft behind them and is reflected through a giant prism onto a lake of yellow inorganic pulsating plasma some twenty feet away. Unzips a pocket and pulls out the piece of bronze sheet metal. INT.INTERCUT TWO NEPHILIM WITH MASSIVE SIX FOOT SWORDS stand guard near a thick stainless steel door. He folds into an airplane. He turns to watch the Nephilim giants charging hard. A HOVERING SAUCER pulses a deep orange glow. Three small grays yank him away. And slowly lowers himself again upside down.118. Finds the pulsating lake twenty feet away.
Daylight pours through a tunnel at the far end. and some commandos commence to buckle up.CONTINUOUS Roswell. A red panel lights up. Mac notices an emergency exit shaft against the wall. EXT.CONTINUOUS Chopper One lifts off the tarmac. Into his headset. formation. The saucer lifts higher and banks toward an opening at the end of the cavern. And is gone. KA-BOOM. Alarms continue to echo.CONTINUOUS The elevator doors open and Mac runs out into an empty hangar. INT. Mac looks up as the lights flash and go out.119. INT. Reserve power. He inserts the circuitlike key card. CHOPPER # 1 . ELEVATOR . EXT. Maggie. Mac is thrown to the ground. ALIEN BASE TARMAC . ROSWELL Take her up. The giant hangar doors in the background are closing as the fireball pours past them into the daylight.CONTINUOUS The four Black Hawks wind up their sagging blades. Austin. GIANT HANGAR . The others follow in . AUSTIN The base is going. Laura. Sees a small card slot in the panel. A fireball blows the elevator doors out into the hangar floor. Uri. Blackness. ALIEN BASE TARMAC . INT.CONTINUOUS The elevator roars upward. He runs to it. The doors open. Austin gets a visual of the fireball. The saucer whisks towards the tunnel. sir. the kids.
INT. Sees a lone figure run out a narrow gap in the giant doors. CHOPPER # 1 .CONTINUOUS A COMMANDO jumps into the open chopper door. Uri extends his hand and grasps Mac below the wrist. HE’S HOSTING. and Uri pulls him off the ground into the already ascending Black Hawk.CONTINUOUS Commandos pull Uri and Mac back into the chopper. SIR. land in a heap. running toward them. circles back toward Mac. URI IT’S MAC.CONTINUOUS Maggie stares out the open chopper door back at the hangar. Finds Mac Chopper One Through the binoculars: a close up of Mac’s cross bouncing around his neck as he runs. ALIEN BASE TARMAC . Lurching at him.CONTINUOUS Another explosion shoots a giant plume of fire through the hangar ceiling. aiming his assault weapon. ALIEN BASE TARMAC . Cheers all around. They lock. INT. TAKE HER DOWN! EXT. MAGGIE IT’S MAC! EXT.CONTINUOUS A charred MacKenzie runs after the choppers. EXT. They all . URI HOLD YOUR FIRE! Uri grabs the binoculars off the loaded commando.120. CHOPPER ONE . A sprinting Mac reaches up as Chopper One swings over him. CHOPPER # 1 . LOADED COMMANDO HE’S CONTAMINATED. HE’S CLEAN.
Hovers over the water.SUNSET TITLE: OFF THE COAST OF PERU It pulsates with a Tears of joy stream her Promise A flying saucer arrives from hyper-space. And is gone. EXT. FADE TO BLACK. MAC Hello pumpkin! Maggie picks him up into a bear hug. Mac.121. Dives into the ocean. face. MAC I promise. me you won’t. FADE OUT. Cranston is gagged with duct tape..) . The saucer angles steeply. In the oval window next to him.. PACIFIC OCEAN . Abaris looks out the oval window. SARAH DADDY! Winded. deep orange glow. MAGGIE Don’t ever leave me. His bloodshot eyes wide with fear. (TO BE CONTINUED.
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