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THE TRUTH IS HERE
Screenplay by D. David Morin
Based on the novel NEPHILIM by L.A. Marzulli
(Part One of a Trilogy)
Lunchbox Entertainment V (310) 200-5252 firstname.lastname@example.org
WGA: # 931080
The Nephilim were on the earth in those days --and also afterward -when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown. Genesis 6:4
FADE IN: TITLE: 1947 BRAZIL RANCH - ROSWELL, NEW MEXICO
EXT: BRAZIL RANCH
- LATE EVENING
A full moon tries to penetrate an eerie high desert fog. Flashlights pierce the darkness. PRIVATE NATHAN (O.S.) CAPTAIN MACKENZIE, OVER HERE SIR! CAPTAIN MATT MACKENZIE, thirties, in uniform, runs through the mist to the voice up ahead. His flashlight scans the ground. Shiny metallic foil-like pieces lay everywhere. MATT Will ya look at all this debris! His flashlight shines on one. closer look. He bends a corner. He stops. Picks it up for a No crease.
It pops back.
MATT What the... PRIVATE NATHAN (O.S.) OVER HERE, SIR, HURRY! He looks up, then back at the piece. EXT. CRASH SITE - CONTINUOUS The remains of a flying saucer cradle against a berm. Winded. MATT Whaddaya got? PRIVATE NATHAN Right there, sir. Matt shines his flashlight on something. An injured SMALL GRAY ALIEN with an elongated head and slanted oval eyes. He moves his oversized head slowly from side to side. A spindly arm raises a hand with SIX FINGERS. eyes from the light. His lids weigh heavy. MATT Shine your flashlight on me. him focus on something. Let He shields his Stuffs it in a pocket.
RING.PRESENT DAY .) Doesn’t look too good.) Captain. PRIVATE NATHAN (O. PRIVATE NATHAN Nothing.. INT. His eyes lock in with Matt. MAC I’m coming. what are you doing. APARTMENT . sir? The alien burrows his body right through Matt’s chest. The alien responds to Matt.CONTINUOUS Ugly shag rug. The new Matt stares him down. Matt is drawn to the alien.S. MAC’S APARTMENT . INT. A winded MAJOR arrives on the scene. PRIVATE NATHAN But. Worn curtains. sir. find anything? Slightly altered voice. Tilts his head. PRIVATE NATHAN (O. Sir. And .S. He picks him up and cradles him. A telepathic connection. fifty-something. MATT Nothing. Steam rises over a tired shower curtain. is gone.BATHROOM . Messy coffee table.MORNING A PHONE RINGS. Major. ART MACKENZIE. I think he’s a goner. pulls the curtain open. MAJOR MacKenzie. Both Matt and the alien have faces lit.2. grabs a towel..
EXT. Sets the watch down. Sprinkles it in a fishbowl with Lifts a watch on the desk.MORNING Mac pulls up the emergency brake on his banged-up Jeep. He picks up some fish food. sixties. phone. ARTIE JR. MAC You got it. the hospital. Mac punches off speaker mode. SARAH. Mac goes to his desk. Checks his watch.THE TIMES . CRANSTON’S OFFICE . He jumps out the Jeep with his note pad in hand..3. VOICE (O. right? CRANSTON I’m on the Board. MAC Crap. Hits the speaker MAC CRANSTON You got the assignment? MAC Yeah. TWO GOLDFISH.C. You’re up. JEREMY. Sees an old picture of his ex and three children in a crusty frame. MAGGIE. No loonies or fanatics. Hello. MAC Shoot. Dripping everywhere.INTERCUT JIM CRANSTON. Email it tonight. hospital.) HEY! Turning around. MAC Yeah Runs to the . old school preppy newspaper guy. INT. WESTWOOD MEDICAL CENTER . yeah. That new wing cost millions.
A protection against SARS. . HARRY With The Times. why the military? MAC Military? HARRY Sixth floor. Even the air conditioning has full filtration. Mac arrives. WESTWOOD MEDICAL CENTER . INT. administrator. Blunt cut. picks up THE TIMES photo credential with Mac’s picture on it from the pavement. huh? MAC Yeah. A BLACK SECURITY GUARD. HARRY.MORNING Fourth floor. Handing it over. MAC Thanks. HARRY You dropped something. White floors.4. Calling out. EVELYN KENNEDY. She and Mac walk down a long hall. Lots of glass. The new wing. Mac runs off. HARRY If it’s just a hospital. More Pepperdine than Harvard. By rote. Late twenties. MAC Can we visit the sixth floor? Caught off guard. EVELYN Every floor has the latest equipment. Tall windows on the left. Harry reads it.
MAC Why? She stops walking. name tag DIVINA. DIVINA I pray for them. EVELYN Mr. Turns the corner. it’s a prison. Muy peligrosa. MAC Pray for who? DIVINA The screamers. MAC A prison? Si. Her high heels echo down the corridor. MAC I’ll pay you. Mac looks over. Smelling a story. . Cranston said your story was on the overall construction cost and the special features of this wing. Shrugs. Good-day. A tiny cross on her necklace. Curt. MAC Can you show me these “screamers”? DIVINA Too dangerous. is squeezing her mop out into a bucket. A cleaning woman. EVELYN It doesn’t concern you.) You ask me. She’s gone.5. MacKenzie.S. MAC Maybe the sixth floor is a special feature. EVELYN The sixth floor is off limits. Mr. FEMALE CARIBBEAN ACCENT (O.
A skeptical sigh. DIVINA I have two shifts. DIVINA I could lose my job for this. Fidgets with her cross on the chain. Flippant. WESTWOOD MEDICAL CENTER . With pride. They are . Bites her bottom lip. ELEVATOR . MAC You don’t need God when you’re doing the right thing. INT. Anxious. EXT. not loco. Getting dressed. MAC I don’t kiss and tell.THAT NIGHT Mac heads through the double doors. Meet me here before ten. DIVINA You must believe them.10PM . Where’s that accent from? Head up. A moment.6. Pray God is with us. DIVINA The Lord is telling me no. DIVINA I am from Costa Rica. Scans the lobby. Looks down the hall again. MAC My story could help them.MOMENTS LATER DIVINA Put this on. She hands Mac a maintenance uniform and hat.
SIXTH FLOOR CORRIDOR . Nervous twitch at the corner of her mouth. She was abducted by the aliens. Chewed fingernails. Key in the door.7. Gazes out at LUCY stands listlessly by the barred windows. DIVINA You have when the bathroom is clean. Looks at Mac. DIVINA Keep your hat low. She glances at a camera in the corner. towards him. INT. Disheveled hair. Elevator doors open. right. amber lighting. He lowers his cap. .CONTINUOUS LUCY turns. Pushes her cart to the next room. LUCY’S ROOM . Convulsive stammer. huh? Divina unlocks the door. Mac glances at it. MAC Yeah. Mac reaches into his shirt pocket.MOMENTS LATER The sixth floor. Dark rings around her eyes. is lit with dull. the city. Walks slowly Tape recorder on. The entire corridor Divina points to a camera attached to the ceiling. Opens it. Mac looks through the wire-mesh window. MAC What’s wrong with her? DIVINA Same as the others. INT. MAC One of those. She grabs her hospital smock with both hands.
Recorder off. My husband’s asleep. Takes a step closer. LUCY They took my baby. and I cry out to him but he doesn’t hear. MAC Where are they from? Whispers. Mac rolls his eyes. MAC Who’s horrible? A tear. LUCY They come at night. and they carry me out of the h-house. They come to my room and take me. She starts to tremble. Sobbing. and I can’t stop them. Voice trails off. MAC Tell me what happened. Reaches into his pocket. something sesexual. LUCY I struggle but I can’t m-move. . They’re horrible. MAC Who took you? LUCY They’re not from here. Her voice dwindles. LUCY Can you h-help me? I’ll try. Words come faster. LUCY Ou-outer space. LUCY Then I’m on a table and they do something to me.8. withdrawing within.
CORRIDOR . MAC Divina. Eyes wide. MAC You got all the help you need right here. Two MP’s head down the hall. We go. Haunted. DIVINA Ahora! Lucy grabs his hand. He flinches. there is no story. LUCY Help me! Her bloodshot eyes look insane.and it’s not hu-human. LUCY Then I’m on the bathroom floor and it’s night and I’m bleeding and my baby. LUCY The Pl-pleiades. A hand in Mac’s chest. INT. DIVINA I pray your story will save her. She’s another whacko.CONTINUOUS Walking down the hallway. .9. MP #1 You got ID? Sidearms on their hip. Whispering.my baby’s g-gone! She stares through Mac. Eyes unblinking. A hand grabs Mac’s arm.. Just a little freakier than most.. look.. Then they trick your memory so you think everything is normal.. LUCY Then they have my baby and show it to me.
ticket. Looks. Mac recoils. He plops two Alka-Seltzer in a glass of water on the coffee table. Mac looks at the front door.) There’s a packet under your door.) You visited the sixth floor. Latin charm. MAC Yeah.O.O. He drinks down the bubbles. The second photo: Mac talking to Lucy.LATE MORNING Mac’s on his couch in a pair of boxers. Mac heads for it. And a plane Grabs an old cordless. The first photo: Pulls out some photos. Bed head. He opens the envelope. Jumping in. Mac and Divina in the elevator. No one. Mac looks at them blindly.10. Opens the door. RING. MAC’S APARTMENT .O. MAC Who is this? CALLER (V. A manila envelope slides under it. CALLER (V.) They found you. MAC What? CALLER (V. DIVINA He is with me. Fizzzzzzzzzzz. The third photo: Divina lies on the floor of a janitor closet in a pool of blood. MAC Who is this? . INT. Her throat slit open. He is training. He reads an open newspaper on the table. Into the phone.
O. The UFO debris piece his father found. He puts it INT.DUSK. talks on an old-school phone hanging on the wall.CONTINUOUS Mac enters the bedroom.CROWDED AIRPORT BAR . CREEK WALK VINEYARD . Mac sits at a barstool. .) You’re phone could be tapped.O. Holds a drink. plays with a GameBoy. Jeremy. INT.) The plane ticket is for tonight. SARAH And that’s how David killed the giant Goliath. CALLER (V. The concourse buzzes with foreign travellers. LAX . Dial tone. Looks at Divina dead in her own blood.FARMHOUSE KICTHEN . a natural beauty. Don’t miss that flight. back in the floor. sharply pulls the bed away and peels back the old shag. MAC’S BEDROOM . washes pots at the kitchen sink. 8. Finishing up. Mac’s ex. 6. clears dirty dishes off a counter.SUNSET MAGGIE.) You have something they want but you’re not to give it to them. INT. Tosses it. back in the sack. He lifts a square of the hardwood floor and exposes a little chamber. Their son. He pulls something out. MAC WHO IS THIS? CALLER (V.INTERCUT International terminal. Wrinkles it.11. DORIS. Mac looks at the phone.O. It pops back. He stares at it. MAC I don’t know what you’re talking about. Daughter Sarah. CALLER (V. On his cell. Opens the plane ticket: TEL AVIV. He reaches in and takes out an old potato sack. You’re not safe here. Maggie’s mom.
Lemme talk to your mother. Yelling out. there’s no such things as giants. MAGGIE’S FARMHOUSE . MAGGIE You haven’t seen the kids for six weeks. MAC Like you honestly care. MAC I love you. maybe you’ll meet another flight attendant. it isn’t true.DEN . SARAH But Gramma says its true. It’s make believe. MAGGIE I care that you’re lying to them. the phone. MAC The Bible is a storybook. Kitchen adjacent. Maggie wipes her hands on her cutoffs. Comes to . MAC It’s just a story. Something’s come up. SARAH MOM! As she drops the phone. MAC Can’t we ever get past that? INT. MAGGIE Well.INTERCUT Cranston looks at a computer.CONTINUOUS . Pumpkin.12. sweetheart. MAC I can’t make it this weekend. What’s come up? MAC I have to go to Israel. Tan legs.
WE GOT OUR TEE TIME. Don’t get killed. Don’t act jealous. Mac squeezes the mobile off. He checks in on me. MAC Are you dating him? MAGGIE He’s sweet. cell into his coat.13. It was wrong. Beads of sweat. I want to make it right. MAC Look. Mac. MAC Is that Cranston? MAGGIE What if it was? MAC My boss is cutting my own grass? MAGGIE You didn’t want your own grass. THE BARTENDER throws down a coaster. Slicked-over hair covers a bald spot. Mac. you’re were never good at it. when Artie died I lost it. A PINKIE RING fits snugly on the fat little finger of each hand. To Mac. PINKIE RINGS Gimme a Heineken. MAC For eighteen holes? MAGGIE Very funny. Dial tone. I cheated on you. CRANSTON MAGGIE. . Slips the SIX A- AN IMPECCABLY DRESSED FAT MAN takes the stool next to Mac. M. MAGGIE Then make your alimony and child support. Gulps his drink. Goodbye.
At a Boy Scout camp. PINKIE RINGS Blow ‘em all to kingdom come. MAC Israel. Without a sound. BARTENDER You good? MAC Yeah. PINKIE RINGS I saw one once. . PINKIE RINGS Hey. Not a cloud in the sky then off to my right is this silver disk. it’s War of the Worlds! TV: AN ALIEN SHIP FIRES A DEATH RAY AT FLEEING CIVILIANS. Mac pulls out his wallet. straight up into the air. The bartender plops down his beer.14. Either way’s all right with me. Kills his drink. Just hovering. just great. PINKIE RINGS We ran back to camp and told everyone what we’d seen. Home of the suicide bombers. Points at Mac’s glass. Turning to Mac. Pointing toward the television tucked up near the ceiling. PINKIE RINGS All of a sudden this thing takes off. MAC Check. MAC One what? PINKIE RINGS A UFO. please. PINKIE RINGS Where you headed? Stewing over the phone call.
Thirties. James Bond sexy. Could be a wig. Too . Intense GREEN EYES. Carefully painted red lips. Choking. He sees Mac approaching. backhand judo chop sends him to the ground out cold. green. He slams Mac against himself. MEN’S ROOM . INT. Mac enters. She takes Mac by the arm and hurries him out of the men’s room. Six hours later everybody but me denied we’d seen anything. She removes her dark sunglasses.15. Turns around. and we’re going to get it whether you’re here or not. A A TALL FEMALE. and leaves. PINKIE RINGS You’ve got we want. MEN’S ROOM . MAC There’s chat rooms for guys like you. An ASIAN MAINTENANCE MAN mops behind it. Mac zips up his fly. Could be contacts. Platinum bobbed hair. Mac grabs his briefcase. High cheekbones.CONTINUOUS An orange safety cone blocks the entrance. Mac gets up. EXT. A chubby hand with a pinkie ring covers his eyes and presses a box-cutter razor against his throat.CONTINUOUS Mac stands at an empty row of urinals relieving himself. GREEN EYES We haven’t much time. MAC I don’t know what you’re talking about. MacKenzie. PINKIE RINGS WHERE IS IT? THWAP! The toe of a shoe kicks Pinkie Rings in the head. Bows and moves the cone. throws down a twenty.
MAC Who was that guy? GREEN EYES Your father left you something when he died. his wind knocked out.CONTINUOUS She races Mac through the crowd to his gate. INT. INT.16. . MAC Who are you? GREEN EYES I’m here to make sure you make your flight. MEN’S ROOM . CONCOURSE . MAC As in New Mexico? Who is he? GREEN EYES He’s on the inside. Piped in over the airport commotion.CONTINUOUS She takes him to the boarding agent. EXT. Mac watches her vanish in the mob. GREEN EYES Someone will meet you in Tel Aviv. It’s not safe for you to be here. GATE 68 . Mac looks back. MAC Who called me? GREEN EYES His alias is Roswell. Sees the maintenance man crouched against the wall. Keep to yourself on the flight. Overhead. She turns and goes.CONTINUOUS They rush out of the bathroom. They want it back. FOREIGN FEMALE VOICE Final call for El Al Flight Number 783 for Tel Aviv now boarding at Gate 68.
S. MAC Where are we going? URI The Valley of Raphaim. HIGHWAY .MIDDAY A haggard Mac pulls his suitcase into the bright sunshine. running for cover.INT’L TERMINAL . She’s gorgeous. EXT. TEL AVIV AIRPORT . Identifying himself. Armed soldiers everywhere. SCREAMS. Hands it to her. SMOKE. Slight accent. his bag. Tools. artifacts . “MAKKENZIE”. Uzi’s. Mac spies it. MAC I’m MacKenzie. BENHASSEN. INT. bounce in the back. URI She A rugged-looking Israeli man holds it. Uri takes evasive action. please. DUSTY HUMMER H2 . Mac pulls out his passport and ticket. FEMALE FLIGHT AGENT (O. He extends a thick calloused hand. KABOOM! A suicide bomber. Mac shakes it.ISRAEL COUNTRYSIDE . Grabbing Mac’s arm. MAC Who? URI Call me Uri. A crude cardboard sign held above the masses. Massive crowd. The crowd scatters. EXT. Uri takes I am BenHassen. He rolls his eyes. URI Welcome to Israel.CONTINUOUS The back is crammed with food and supplies.17.) Your ticket and passport. Uzi’s run in all directions. smiles.AFTERNOON A dusty Hummer H2 speeds along a remote two-lane highway.
making sure you are safe. MAC I assume you’re on the good side? ELISHA Yes. ELISHA Shalom. get there? We have Believing is How long to URI Everything here is three hours. yes. MacKenzie. I am Doctor Elisha BenHassen. GPS screen. seeing? MAC Seeing is believing. Center dashboard. center panel. . Just checking in. Shalom. On screen. See you on arrival. Finds ELISHA Good. Mac looks around to see where his feed is coming from. and Mac is screen right. a small webcam reset above the screen. ELISHA BENHASSEN. URI Shalom. I’m quite good. uncovered something. Time for my nap. The screen divides into three vertical panels. MAC I guess we’re safe. Uri screen left. Everything flies. gentlemen. MAC Raphaim? URI The Valley of Death.18. Elisha. thank you. We are clear. Welcome to Israel. late seventies. The H2 hits a large bump in the road. Same accent as Uri. Bouncing around violently. Uri’s grandfather.
The ground starting collapsing the day we found the tomb. At the heart of the pit is a small room with workers surrounding a large sarcophagus.MOMENTS LATER Uri walks Mac to the massive open pit. Workers with shoulder-sling canteens and hand shovels wave at Uri as they drive by.CONTINUOUS Pointing. Taking it all in. Worklights stand strategically. MAC Did the excavation cause it? No. More dust.MOMENTS LATER Uri stops at the top of the large open pit. DIG SITE . An ATV with two people on it drive past them. DIRTY H2 . Beneath them lies the ancient temple ruins of a pagan fertility god. Chickens and a few goats scurry out of the way. and port-o-potties litter the area. EXCAVATION PIT . VALLEY OF RAPHAIM . The H2 weaves its way through the camp. A semi-circle of phallic monoliths surround an altar. URI It’s bizarre. Mac gets a visual. Tents. Exposed catacombs stretch out below them. URI The excavation is over there. EXT. . MAC What’s that? URI A sinkhole. Yellow caution tape outlines a large twenty-foot circle off to the right. EXT.A DIG SITE . Mac stops alongside. EXT.AFTERNOON Dirt and dust. Like quicksand. generators.19. INT.
Mac steps forward. Stepping next to Mac. Dr. Stupefied. The heavy lid lays next to it on a thick block of rocks. White beard. DR. There’s an ANCIENT URI This is Art MacKenzie. URI Go look. URI Here. He extends a twisted arthritic hand. Peers into it. the American. Six fingers. Wire-rim trifocals. Mac migrates over. URI This is my grandfather. six toes on each hand and foot.MOMENTS LATER A small inner room. A GIANT SKELETON. . MAC What is it? Nephilim. heavy. Grasps his hand.20. Tall walls. The workers step back as Uri enters with Mac. A faded cotton shirt hangs loosely around his thin body. MAC My God. ELISHA Shalom. it’s a giant. STONE SARCOPHAGUS. Completely intact. They turn. Welcome. Rephaim. a large. White hair creeps over and out of his ears. Enormous size. MAC Holy cow.S. In the center. Elisha BenHassen. Over twelve feet in length. OLD VOICE (O. MacKenzie. A wizened elderly man. ELISHA BENHASSEN.) Anakim. Stoop shoulders. CROSS tied loosely around his neck. Stained khaki pants. EXPOSED SMALL ROOM . INT.
and we looked the same to them. ELISHA Nephilim. right? ELISHA When my people first entered the Promised Land they reported giants living there.” A FEMALE WORKER blasts an air-horn from the top of the pit.21. Anakim. Crooked fingers trace the letters etched in the stone lid. Rephaim. ELISHA Meet Goliath’s bloodline. The old man gingerly sits down. ELISHA ‘We saw Nephilim there. We seemed like grasshoppers in our own eyes. MAC You’re kidding. An OLD BIBLE on the heavy lid. He motions for it.’ MAC “Nephilim”? Elisha turns to Genesis. All different words uttered by my ancestors thousands of years ago to describe the same creature.and also afterwardwhen the sons of God went into the daughters of men and had children by them. Mac jumps. Uri pulls up a wooden crate. Tender accent. ELISHA “The Nephilim were on the earth in those days . . MAC What is it? ELISHA Have you ever heard of David and Goliath? MAC Of course.
The human race became essentially non-human. EXT.DUSK . Mac and Uri sit around a folding table with grapes. MAC Who were the “sons of God”? Leaning back. FEMALE WORKER FOOD IS READY! Come. Not tracking.MOMENTS LATER Elisha. Points. The result. resulting in unholy union between themselves and earthly women. By corrupting the human offspring. Elisha offers Mac a sandwich. MAC The toe? URI DNA testing. Stops MAC Lucifer and his disgruntled lot? ELISHA Semjaza. ELISHA Let us eat. the fallen angels had altered human DNA.22. A lab in Jerusalem. Mac notices a toe missing on the skeleton’s left foot. He takes it. . Mac can’t resist touching the giant bony foot. Nephilim. Uri. one of his leaders. CAMPSITE . ELISHA The fallen angels. They all head out. MAC Fallen angels? ELISHA They came to earth and resided here. and sandwiches. cheeses.
MAC A bit harsh. These aliens are again offering technology and are abducting women for intercourse. ELISHA It is harsh! And definitely true. Uri reaches for more grapes. Not convinced. ELISHA But God saved those who had not been corrupted. if it’s true. URI That is your theory.23. and have come only to renew themselves with fresh genetic material? ELISHA Certainly plausible. Lucy? . What if they are from a dying race. MAC How so? ELISHA He had little choice! With Semjaza’s demonic fornicators. It says Noah was perfect in all his generations. Cleans his glasses on his gauzy-soft shirt. a distant planet. Noah? MAC As in Noah’s Ark? ELISHA Precisely. the original gene pool of mankind was polluted beyond recognition. MAC What does that have to with me? ELISHA That woman you talked to at the hospital. ELISHA Now present day. The rest of the imperfect inhabitants he destroyed with The Great Flood. Perplexed.
COMPUTER SCREEN . His senior assistant. stands nearby next to a lightbox.DR. Fineberg online. ELISHA Ahhhh. MAC What about her? ELISHA She’s telling the truth. MOISHE. On a work table a 17” Powerbook with a webcam attached.Nephilim. FINEBERG stands by a bench.MOMENTS LATER JARED.24. WORKER Jared has Dr. INT. us go. A WORKER runs up to the table. Once again they are impregnating our women and creating a superrace of hybrids. MAC How do you know? ELISHA These aliens are the fallen angels.WEBFEED Computers line the walls atop benches and tables.. a young techie. DR. Elisha sits as Mac and Uri stand close behind. part of an elaborate deception. Trying to connect some far-fetched dots. God’s spiraling signature of human creation. URI The DNA results from the giant.. FINEBERG’S LAB . by. DNA. MAC You’re saying that these supposed aliens are actually demons? ELISHA Yes. Jared stands Let . COMMUNICATIONS TENT . Sophisticated equipment everywhere. stands up and offers his chair to Elisha. Technicians task away.
. but I am afraid Moishe’s English is better. MOISHE The skeleton DNA is not complete. Intrigued. But the sarcophagus sample did not. BenHassen. FINEBERG Shalom. Dr. FINEBERG Simply put. ELISHA Shalom. MOISHE Nothing on this planet has a fifth nucleotide. In the background.25. DR. DR. Rapid gunfire strafes the place. FINEBERG It is fragmented. MOISHE The tests show that it is not entirely human. Difficult accent. There is a foreign nucleotide which creates an exotic pair. DR. We’ve never seen anything like it. MAC What’s so different? DR. FINEBERG The control sample. We have the DNA results. sequenced. my DNA. Jumping back in. MOISHE We ran it three times with a sequencing gel. this is a different life-form. Fineberg. FOUR MASKED GUNMEN dressed in black rush the lab. DR. It is something we have never seen before. Moishe slips a large piece of film over the lightbox. FINEBERG It doesn’t match up with any of the four known nucleotides.
TELL HIM WHAT YOU SAW. Jared jumps to another work The ELISHA We are uncovering the truth. General Roswell is on the webcam. Uri pulls up the H2 a short distance away. Evacuate. EXT. gunmen place charges. ELISHA We go. A fifth nucleotide. MAC What do you mean? Our ELISHA Roswell did secret DNA testing on amniotic fluid from Lucy. CAMPSITE . Jared nudges him. WITH ME. Technicians mowed down.LATER Elisha sleeps in an armchair in a corner of the large tent. Elisha shakes off his nap. Very good. MAC And? ELISHA The results were the same as Fineberg’s. .ELISHA’S TENT . Waving. station. Uri races out of the tent. Fineberg and Moishe killed. KA-BOOM! Elisha’s laptop screen goes blank. GET ROSWELL.26. URI I’M GOING TO THE LAB. URI MACKENZIE. JARED Doctor. JARED. ELISHA Jahweh be with us.NIGHT . enemy is not happy.
CAMPSITE . INNER ROOM . Heads for the site. Things are heating up.LATER The camp is asleep. ELISHA Shalom. LARGE ALMOND EYES. Elisha leaves his tent with his lantern. Roswell is speaking but there is no audio. different. We are Interference overtakes the image. Roswell. Webcam feed.MOMENTS LATER Computer screen. EXT. RIPPED. He hears something. Looks down at the inner room.CONTINUOUS Elisha arrives at the rim. SINKHOLE .CONTINUOUS He sees a TWELVE-FOOT GIANT. Heads towards the port-o-pottie for a middle of the night pee. The twenty-foot sinkhole is now a twenty-foot bottomless pit. still earning his trust. WORK STATION TENT .27. Does MacKenzie have the piece? ELISHA We haven’t gotten that far. ROSWELL Shalom.NIGHT . God is sovereign even over the internet. INT.CONTINUOUS Elisha stops at the yellow tape. Then video is gone. EXT. Sorry about Fineberg. EXCAVATION SITE . . At the outhouse door he notices the sinkhole. sir? ELISHA No. EXT. INT. Elisha. POINTY EYETEETH. Something He reaches into the sarcophagus and picks up the skeleton. Digital delay. JARED Should I try him again. Holds his lantern out for a better look.
the Nephilim are back. ELISHA Holy God. ELISHA’S TENT . Leaps twenty feet over Elisha and into the sinkhole. Sees Elisha at the rim.NIGHT .MUCH LATER A lantern sits on a folding picnic table. All our proof has disappeared. Mac and Uri face . Superhuman speed. Is about to throw it at him. EXT. ELISHA IN THE NAME OF JEHOVAH EMMANUEL. Slamming the table. ELISHA STOP IN THE NAME OF YESHUA! The giant freezes. They stare at their tea. BRIGHT AURORA LIGHT PARTICLES flash around him. EXCAVATION SITE RIM . Elisha holds up the ancient Jerusalem cross from around his neck. An old pot of tea sits center.28. Lifts the skeleton over high over his head. He’s gone. MAC You really saw a giant? ELISHA As real as you. URI The skeleton is gone. Elisha. our DNA is annihilated. He turns. The giant bounds up the ramp. URI And our skeleton is gone. MAC That’s just too fantastic. INT. I COMMAND YOU TO LEAVE. The sinkhole closes back into quicksand.CONTINUOUS The giant faces off with Elisha. The giant squats.
Looks back. ELISHA Did he talk about an alien? Mac looks at Uri.29. ELISHA Not all our proof. or whatever it was. yes? Unsure what’s next. Did he leave a piece of the debris with you? Mac looks at Uri. MAC How so? ELISHA Your father saw the UFO in New Mexico. MAC What alien base? . Mac looks up. too. He MAC Is that what this is all about? ELISHA Do you still have it? MAC What does it matter? ELISHA Roswell believes that piece has information encoded in it that’s linked to the alien base. ELISHA Yes. God has brought MacKenzie here for a reason. wrote a letter saying as much. MAC Probably got him murdered. MAC No. ELISHA What did he write you? MAC About handling sections of the saucer.
lantern. It’s our only chance of destroying the base. MAC You survived? ELISHA Yeshua A Meshiac was with me. We believe there is a harvest colony there of cross-breeds. MAC I see. ELISHA Your military has a base in Nevada. MAC I thought you were a Jew. 5-6-0Closer to the . Military is working with aliens? ELISHA They have been since 1947.S. MAC The U. We need to get that piece before they do. The aging Elisha leans onto the table. MAC Yeshua A Meshiac? ELISHA Yeshua the Messiah. Mac looks at Uri for verification. As a boy I was interned at Bergen Belsen.30. 2-4-2 MAC What’s that? ELISHA The Holocaust. ELISHA A Jew that receives Yeshua as the Messiah of Israel. ELISHA Do you have the piece? Mac notices a faded number tattooed on Elisha’s wrist. A Messianic Jew.
Goodnight. MAC Who exactly are you? ELISHA I have chosen God’s side. MAC Hidden under a floor board in my apartment. Now you must choose. ELISHA There is important data stored on the piece. Looks back at Elisha. Uri will diagnose it. MAC When? URI Daybreak. . ELISHA Where is it now? Some hesitation. and Yeshua is his son whether you believe it or not. Confiding for the first time with anyone. I do. Drawing in. Mac shifts uncomfortably. ELISHA There is a God. MacKenzie. Standing feebly. Do you still have the piece? A breath. Mac stops. URI I’m going back with you. MAC Yes. Uri and Mac head out of the tent. ELISHA I am strong in the Lord. Yes. You cannot serve two masters. But now I am tired. MacKenzie. There are spiritual principalities.31.
MAC I’m no saint.DAWN Elisha wears a worn prayer shawl and a faded yarmulke. EXT. God will Points at his watch. MacKenzie. ELISHA He delights in using the weakest of us to carry out his will. He embraces Mac. MAC Dr. CAMPSITE . MAC Why? ELISHA To accomplish His purpose. . ELISHA A month ago I had a dream. Uri honks the horn of the H2. be with you. You ELISHA I will pray for your safety. Tears well up in the corners of his eyes. He sings a prayer in Hebrew over Mac.32. He finishes and slowly takes his arthritic hands off his head. Wistful smile. For the first time I am sorry God promised to never send another flood. Shaking his head. MAC I’ll try. that He was sending you. must pray as well. I saw you were coming here. BenHassen. MAC For what purpose? ELISHA He will show you in time. you really saw a modern day Nephilim? ELISHA Yes.
Uri motions to answer it. Mac jumps through the mess. Stealth-like. MAC’S APARTMENT . stuffing everywhere.CONTINUOUS Clothes strewn everywhere. The bed frame is mangled.DUSK Signs of trouble.FRONT DOOR .33. The goldfish bowl lies shattered on the desk. MAC It’s in here. BEDROOM . Wheels puffing out Sawed out dead bolt. Both men freeze. Mac holds his gaze. Puts it over Mac’s head. . EXT. His TWO FISH bloat from death. LAX RUNWAY . Torn upside down. Heads to the bedroom. Shalom. Tampered door knob.LATE AFTERNOON An El Al 747 touches down on the runway. ELISHA You will need this. The ugly shag rug under the bed has been pulled up. INT. Mayhem. MacKenzie.CONTINUOUS It’s ravaged. INT. Uri follows. Mac’s queen-sized bed stands on end. The old hardwood floor pulled up. Elisha takes the ancient Jerusalem cross from around his neck. The crusty picture frame is missing. ELISHA God has the final word. EXT. His sofa has been slit end to end. smoke. believe. MAC’S APARTMENT . The phone. revealing an empty secret space. RING. MAC It’s gone. You must Nods slowly.
The rear window rolls down silently. Large.) Get a hotel. ABANDONED FACTORY . MAC HOLD ON. Whoever is gone. See you at INT. Another right. ROSWELL (V. EXT. EXT. hops out. More speed. STREET .O. DIEBOL. wears a military uniform. Mac downshifts and punches it. Someone’s . MAC They got the piece. He opens the rear door.LATER Mac and Uri sit in the dark shade of a loading dock. tailing them. late seventies. There’s an old warehouse across from the train station.MORNING Mac and Uri cruise in the Jeep. Uri nods to leave. Rearview mirror. MAC Hello? CALLER (V.O. EXT.) It’s Roswell. Mac and Uri get in. STREET . Meet me there tomorrow at ten a-m. Dark tinted glass. I know. A quick left into an alley.34.CONTINUOUS They’re rolling. MAC’S APARTMENT . A hard right onto a side street. the driver. Mac looks at Uri. ROSWELL. ten. A BLACK LIMOUSINE pulls up.INTERCUT Dial tone. He motions them over. Muscular.BLACK LIMOUSINE . More bodyguard than chauffeur.
INT. ROSWELL I’ve been involved with the alien presence since ’47.CONTINUOUS ROSWELL Uri BenHassen. You have quite a decorated past in the Israeli Special Forces. ROSWELL And you’re Art MacKenzie. ROSWELL’S LIMOUSINE . ROSWELL Your father was a good man. MAC What happened? Looks out the tinted glass. His eyes gaze impassively. URI The alien base. MAC General.DRIVING . MAC You knew my father? ROSWELL I was with him in New Mexico. . One shake. Extends his hand. Uri instinctively salutes.35. He waves him off. Back at Mac and Uri. You’re bigger than I pictured. He never knew. Shocked. ROSWELL President Truman formed a group of men to study the alien problem. Roswell takes a long look. They became a rogue element accountable to no one. Mac shoots him a look.
The base is solar powered by inorganic plasma. Pulling out aerial photos of the base. He now interprets his supernatural powers. MAC That’s why it won’t wrinkle. URI Nuclear power. But I believe they are cultivating embryos from alien abductions. MAC Who’s in charge? ROSWELL A man called Abaris. ROSWELL The White House knows it only as an extraterrestrial research center. MAC Why is the debris piece such a threat? He opens his briefcase. ROSWELL More than that. ROSWELL The outer coating of the saucer is a carbon fiber alloy with elastic memory. ROSWELL The piece your father left you was from the mothership. It turns sunshine into plutonium. . I believe the blueprints for the base are encoded in its memory. URI Security threat. Puts it together. A dying alien convinced him to host his spirit. It’s alien technology. URI A harvest colony.36.
Outside Palmdale. Uri’s military mind. ROSWELL From here we’ll fly to the base. We’re going in tomorrow. ROSWELL But we need the piece to get the blueprints. If the core is contaminated the reaction would obliterate the base. ROSWELL Tomorrow morning at zero-fourhundred you’ll meet me here. MAC Can’t we just let them keep it? ROSWELL The aliens’ agenda is evil. MAC But they know who I am. ROSWELL I know where the piece is. He opens a map. but I need you to identify it. MAC Where do we come in? A pregnant pause.37. Points on the map. ROSWELL The power core is highly secured. URI And destroy the harvest colony. They offer technology but they are out to destroy us. ROSWELL Only you can identify the piece. You’ll travel incognito. . URI So we blow up the base. At the risk of sounding stupid. You’ll pose as new technicians.
They finish dressing quickly.CONTINUOUS A VERY ATTRACTIVE WOMAN.WESTWOOD . Stops. ROSWELL Diebol. beams. PALMDALE 20 MILES. ROSWELL Tracking device. Diebol goes to the trunk. check their car. No phone calls. Diebol sticks it under an abandoned car in the parking lot. Flashes its high Climb in. ABANDONED FACTORY . Reads a map. ROSWELL Zero four-hundred. MAC’S JEEP . Run to the limo. Reaches in.HIGHWAY . EXT. Be on time. Uri looks around. SERVICE ROAD . sits next to Roswell. Through the window they see a sign: EXT. Change rooms. HOTEL . thirties. He looks under Mac’s Jeep. ROSWELL’S LIMOUSINE .LATER Uri holds a mini-flashlight in his mouth.3 AM Mac and Uri walk out of the hotel. They change into their silver jumpsuits without a word. Stands up with a quarter-sized object. Gives one to each. INT. Roswell pulls two shiny silver tote bags from the trunk. They’re gone. pulls out a telescopic pole with a mirror attached at the end. EXT. Sharp. 4 AM.LATER The Jeep pulls off the highway onto a dirt service road. Tumbleweeds.MOMENTS LATER Back at Mac’s Jeep. The back tires spin. sporty and sexy. INT. Another car pulls onto the road.38. Go back to the hotel. .
Blond wig? Smiles. She extends her hand. LAURA LAURA It’s time for your makeover. She looks back at Mac. MAC I don’t follow. LAURA At the airport. She opens a tackle box. URI Same for me. Shakes Uri’s. Pleasure. She pats the seat next to her for Mac to come. It’s a make-up kit. ROSWELL And this is Uri BenHassen.39. this is my daughter. LAURA Close your eyes. Laura. ROSWELL MacKenzie. Smiles. Then his Faces Mac. She massages Mac’s entire face with the liquid. WOMAN I see you made your flight. Mac sits there. her beauty. To Mac. hands. MAC I could get used to this. LAURA Let it dry. MAC “Green eyes”. She squirts some liquid in her hands. I made sure you got to the plane. He studies .
40. LAURA Uri. She pulls out a ziplock baggie containing a matching color goatee. opens the lid revealing a scanner surface. Then takes his thumb. Massages his hair thoroughly. MAC Unbelievable. She slips it snugly onto his thumb. . Affixes the goatee. He holds it up. camera. LAURA Take a look. Squeezes it in her hands. LAURA Lower it. The lotion on his face dries into wrinkled skin. She hands him a small mirror. Uri looks over. LAURA Thumbprints. Hits a button on the side. She applies it around his lips and chin. She grabs a comb. Puts them on him. presses it on the glass. Then offers it to Uri. It quickly turns to an oily grayish white. and thumbprints. She centers him. Clear adhesive. She pulls out some wire-rim spectacles. She presses another button. Uri leans across and presses his thumb on it. photos. She pulls a tube out. Another bottle. It prints out TWO LAMINATED PHOTO ID’S complete with names. She Laura faces him with a special digital She connects the camera to an external palm device. FLASH. LAURA Put this on. Uri watches her work quickly. Mac lowers it. Sees an old man. She hands Mac a synthetic thimble. FLASH. parts his hair on the other side.
Mac notices him wince. circumstances. You are not to do so. If defer to me. Roswell shifts in his seat. Irving Liebowitz? She smiles at him. Handing them over. You will see aliens. And don’t talk to anyone.41. Is that clear? Mac makes eye contact with Laura. anyone. Don’t look for me. Mac shoots her another look. LAURA You’re from New Jersey. Is that clear? MAC Is Laura coming with us? ROSWELL No. . You are NOT to make eye contact. Back to Roswell. you can text message. I’ll find you. Mac clips it on. Reads it upside down. MAC Who’s Dr. ROSWELL The piece is in a special area. ROSWELL You’re not to address you are spoken to you And whatever you see. She smiles back. do not least bit surprised. Back to business. She attaches a clip. ROSWELL If we are separated. LAURA It goes on your left pocket. under any look the Laura hands them each a small flip phone. ROSWELL You are going to want to ask a lot of questions.
Walkies. Checking ID'S. LARGE MP NEXT. WalkieThe They get out. ALIEN BASE . at Mac. Automatic . Catches himself. INT.EARLY MORNING The jet pulls up to a ten acre.CONTINUOUS Top of the staircase. towering doors are slightly open. weapons.GIANT HANGAR . Mac stares ahead. GIANT HANGAR . A LARGE MP stops Mac. Adjusts his glasses. ROSWELL (O. staircase.42. Uri close behind. Deployed in twos. People load by a Then Mac.DAWN The limo pulls up outside a fenced area. GIANT HANGAR . Uri looks back up the stairs. Then Looks closely at the credential. EXT. high hangar doors. MAC A FedEx jet? ROSWELL Part of the deception.) We’re here. METAL STAIRCASE AGAINST THE PLANE . Sidearms. Dobermans on harnesses. Yellow helmets. Mac watches them go by. four-story hangar. Roswell passes the guards. A FedEx Cargo jet is parked on the tarmac. ROSWELL Stay close. Time to focus.CONTINUOUS Mac hurries up to Roswell and Uri as they enter the huge. EXT. talkies. EXT. TWO MP’S. TARMAC .CONTINUOUS MP’S everywhere. EXT.C.
Scientists and other plane passengers avoid the MP’s looks. LARGE ELEVATOR CHAMBER . CLOSE-UP CONTROL PANEL . Under his breath. everyone closely. Roswell catches Mac’s eye. Roswell. wide doors whoosh shut. Uri and Mac get off. The large. into the control panel. shoots Mac a look. Mac studies the panel. Certain areas of the hangar are sectioned off with tall black partitions. They face the crowd. All head toward a large elevator. MPs exit. Rifles up and ready. next to a sidearm. THE OPERATOR.43. Four more MP’s rush into the huge lift as the AIRLOCK DOORS hiss shut. A TALL BLACK MP.CONTINUOUS The floor numbers descend 1 to 12. Stand guard. Roswell. MAC Excuse me. Nods toward the control panel.CONTINUOUS A hundred scientists and technicians load in. . INT. INT. ROSWELL This is us. Uri and Mac rub shoulders with the rest. In place of floor 12 are Next to the letters MAJ is a horizontal slot in the panel for a specially constructed key card. The Elevator doors whoosh open. the letters MAJ. Inspects He inserts a KEY attached to his belt. MPs salute and get back in. Eleventh floor.
Clipboards. Roswell approaches a blank wall.CONTINUOUS A small group of men and women with ID credentials pass the other direction. Mac falls behind Uri. Roswell ahead. Zombies. He passes. A somber military gray. Faint outlines of panels appear every four feet. He passes through. Looks inside. A HUGE FOOT. Roswell stops in front of a panel. . ceiling and floor are monochromatic. ELEVENTH FLOOR LOBBY . Elongated head. Mac smiles at an academic blonde. Uri steps up to the panel. Roswell looks away.CONTINUOUS Walls. It slides open quietly to the left. It’s rampant. Roswell’s hand behind his back. It opens. Mac looks ahead. INT. Mac and Uri behind. Blank faces swoosh by. Light emanates from above. It opens. Bony arms.CONTINUOUS Mac plows into the far MP standing guard at the door. A deadness. The MP stares down. He walks through. HALLWAY . Gone. It closes. WHAM! INT. ELEVENTH FLOOR CORRIDOR . A GIANT. Hate. SIX TOES. BEEEEEEP! SCREEEEECH! A fast moving electric cart carrying more MP’s swerves to avoid Mac. Whoosh. INT. Another lab up ahead.CONTINUOUS A SCIENTIST stands next to A SMALL GRAY BEING. Mac quickly backs away. A very low frequency oscillates from below. Eerie looking. MAC You go. Mac approaches. INT. Two tall MP’s frame the door. Motions to look inside. They’re examining someone. ADJACENT LAB . ANOTHER POD OF SCIENTISTS march quickly in his direction. Mac looks up. No acknowledgement. Credentials. Panic. She looks down and away.44. Slows down. Mac looks to Roswell. Mac whips around.
Roswell and Uri MAC My God. URI The sinkholes. Roswell returns the gesture. Roswell reaches out. A conductor sits in a glass-domed car at the front. Disoriented. Six seats each. two abreast. Four others cars behind. They go through. TWO MORE MP’S talk to those at the door. tunnel. Overwhelmed. INT. They walk slowly towards another set of doors. Mac approaches. Roswell walks to the edge by the tracks.45. Mac shoots him a look. Ice. Quiet. A moment. Mac turns back to the lab where the alien was examining the giant. Uri approaches.CONTINUOUS TWO MP’S salute. Nauseous. The door slides open. Peers down the Their tags Inside the tunnel other tunnels bore through the concrete overhead and to the side. ROSWELL Not good. Whispering. Mac looks around.CONTINUOUS They enter the platform of a small station. Sets the palm of his hand on a scanning device near the door. A large cylindrical ceiling reaches twenty feet high. They go everywhere. but did not believe it. An empty train glides out of the dark tunnel from the left. Benches constructed of a seamless material never seen before. SMALL DETAINING ROOM . did you see it? URI Yes. ROSWELL There have an entire network of tunnels that crisscross under the planet. SMALL SUBWAY STATION . INT. are checked. Mac does the same. They get waved through. ROSWELL Later. Uri. . are up ahead.
Pay attention. Mac glances at Uri. Large luminous orbs imbedded in the ceiling cast a peculiar greenish light. INT. thick cables. and overhead cranes. He holds a small palm device. Motionless. Twenty feet off the ground. Used to be an underground reservoir. Roswell continues the same pace. Mac is agog. Still rubbernecking. MAC Yessir. They’re gone. Mac and Uri get in the first car. . ROSWELL It’s a natural cavern. Two men stand inside. The ceiling is a hundred feet high. Then follows his gaze. Roswell. A portal is open. A glass command post nestles in the center of the catwalks like the body on a daddy-longlegs.CONTINUOUS They enter an enormous space. Mac sees he has fallen a dozen paces behind. Mac and Uri finally catch up. The doors open. exposing the interior. UNIFORMED TECHNICIANS are stationed everywhere. Quietly. Walking forward. covered with steel-girded catwalks supporting a maze of powerful lights. ROSWELL Stay close. He quickly rejoins them. A short distance away A DISK-SHAPED FLYING SAUCER HOVERS silently above the floor of the cavern. BUILT-OUT CAVERN . The train accelerates quickly. Roswell clears his throat. Some MP’s load in the car behind. Mac freezes in awe.46. URI Un-be-liev-able. Sternly. closing the distance to the saucer. A metal scissor-lift ascends next to the craft with a TECHNICIAN in another silver jumpsuit. They diverted the water.
A one-piece jumpsuit matches the color of his skin exactly. ANGLED BLACK EYES dominate the alien’s face. He reveals another ALIEN. Mac can only stare back. Taller. TWO LARGE. It floats noiselessly. Mac is blanking. an area for equipment. One of the men standing in front of the portal moves from the interior onto the lift. The sleek exterior is of a dull gray metal-like material similar to the debris piece. Mac and Uri stop The disk is seamless. Roswell stops twenty feet from the disk. keep him moving. Distracted. A disproportionately large head. SIX FINGERS on each hand. him up. Thin torso. Horrible images flash through his mind. Facing him. Blurry. A row of windows circles the craft near the top. An invisible force hits Mac in his solar plexus. ROSWELL I said no eye contact. Inches from his face. On the bottom are round indentations that appear to conceal lights. Immobilizing. MAC My God. Bothered by Mac’s very presence. They’re alone. Walk behind it. Turn around and walk away.47. MACKENZIE. An AMERICAN FLAG is painted near the hatch door. Now. Looks right at him. MAC Sorry. ROSWELL MOVE. ROSWELL MacKenzie. The creature jerks his head. They reach a partition. Spindly arms. Blocking his line of sight. Roswell and Uri shore Find themselves in Mac turns around and begins to weave. next to him. . NOW.
Time is of the essence. Uri coughs loudly. Uri nods. There’s A MOUNTAIN OF FOIL- ROSWELL My sources tell me the piece was brought back here. Inspecting random pieces. Uri and Mac follow. We may have been compromised. ROSWELL Let’s move. TWO MP’s The heavy door at the room’s entrance slides open. Like he wanted me dead. it.CONTINUOUS They enter a large storage area. . He walks off briskly. INT. with automatic weapons enter the room. ROSWELL You know what it looks like. Looking up at the mountain of scrap. MAC We’ll never find it. ROSWELL You drew attention to yourself. only to bounce back in perfect shape after his foot lifts off it. STORAGE AREA . LIKE DEBRIS thirty feet high. Mac circles up the pile. Find Mac clumsily climbs up the debris heap looking for the one.48. piece? How about any ROSWELL It has to be from that mothership! MAC It’s impossible. What did you do? MAC A force came at me. The MP’s approach Roswell who is pointing at the pile and improvs a briefing with Uri. arms crossed. A total sense of evil. Mac dives around the back of the pile. Each step silently crushes the foil beneath him.
INT. squares. A shaky voice. Spellbound. INT. Uri scurries up the debris pile. ELEVATOR . Opens his palms. the wall covering. The carpet. Roswell nods to Uri and leaves with the MP’s. circles. URI What shape is it? Guessing. A KNOCK at the door.MOMENTS LATER A large room. A little bigger They both sift through the arduous task. OLD VOICE FROM THE BED Come. They head A circuitlike key card is . The decor is exquisite. in the slot for level MAJ 12. Mac peers around and sees the MP’s talking to Roswell. The door closes behind them. BEDROOM SUITE . Rhomboids. pentagrams. MAC It’s a trapezoid. everything a shade of gray. The doors whoosh open.CONTINUOUS Roswell exits the elevator with his MP escort. INT.MAJ 12 . Tall curtains drape from the high ceiling. ellipses. He crunches them in both hands.49. Gets to Mac. the bedding. MAC Where’d they take him? URI Some emergency meeting. the sofa. They’re all geometric shapes. triangles. down a long hall. they spring back. LOBBY . than my hand.MOMENTS LATER Roswell stands next to the MP’s. Is distracted by the resilient foil pieces. hexagrams. Uri looks down at the scraps in the heap.
He lets out a sigh. Sees the cross a few feet away. . Uri scrambles over. blocking his vision. ABARIS. ROSWELL Hello. OLD VOICE FROM THE BED (O. Inspects it. Roswell enters. The MP’s close the door behind him. it’s a trapezium.50. sits in bed in darkness from his chest up. MAC Uri. Looking heavenly. We will soon be in need of a new host. Freezes. early eighties. MAC YOU FIND IT. Takes it from Mac. ABARIS Hello old friend. Exploding.CONTINUOUS Mac plows furiously on his hands and knees. INT. It has four sides. Throwing the cross off his neck. Then goes and picks up the debris piece under it. we got it. The cross keeps swinging out around his neck. URI That’s not a trapezoid.C. ROSWELL What can I do for you? ABARIS This body is getting weaker. Abaris. no two of which are parallel. STORAGE AREA . He walks to the foot of the bed. His jumpsuit is zipped open. come in Nathan. Sweat on his brow.) Yes. Off Mac’s look. The door opens revealing Roswell and the MPs.
The workers start to load the train. Roswell. Her hands bound at the wrists to She’s noticeably thinner.AFTERNOON Lucy lays asleep on a bed. Mac finds his phone.51. Low tones to Mac. Hello? Roswell gives a slow nod. She picks up the phone receiver. Her eyes are swollen shut. The door unlocks itself. They join him in the car. BRIGHT AURORA LIGHT PARTICLES fill the air. RING. Mac and Uri both check the platform entrance. INT. No Roswell. stand by the tracks.CONTINUOUS RING. Mac’s cell phone. Her eyes open. HALLWAY . SUBWAY PLATFORM . Lids have a peculiar red color to them. CAMARILLO STATE MENTAL HOSPITAL . INT. MAC . She sits up. The restraints spring open magically. Hair matted in clumps next to her face. No one is talking. Mac shrugs. Sees Roswell in an empty car. stainless steel guards. Closes her eyes and touches the top of the cradle. Uri looks back. INT. Slides open. and walks to the door. The train whooshs off. No one is there. ROSWELL’S LIMOUSINE . URI He’s in the train. A train pulls into the station. Other technicians INT. Uri and Laura all give Mac a look. She walks into the hall. stands.CONTINUOUS Lucy walks down the hall towards the orderly’s desk.LATER Mac and Uri sit restlessly on the bench.LOCKDOWN WING .
you’re the waone. hangs up the phone. ROSWELL Where was she calling from? URI Check your call log. She said “I’m the one”. Gentle spirit. BUDDY. BUDDY Let’s go. INT.LOCKDOWN WING . Taking her away.LOCKDOWN WING .52. HALLWAY . INT.INTERCUT A HEAVY-SET NATIVE-AMERICAN ORDERLY. Lucy. How did you get out anyway? INT. Trance-like. two gold front teeth. . tatoos. INT.INTERCUT MAC The one what? Dial tone. HALLWAY . URI Who was it? MAC It was Lucy. Phone time is over. LUCY You’re the wa-one.INTERCUT ROSWELL No one has that number. A hand takes the phone away from her. skinhead. LAURA The one what? MAC I don’t know. ROSWELL’S LIMOUSINE .CONTINUOUS Convulsive stammer. ROSWELL’S LIMOUSINE ...
Buddy slides Lucy’s door closed. PINKIE RINGS Where’s MacKenzie? . Finds the number. lockdown. Dial tone. PINKIE RINGS It’s too late.53. LAURA They’ve transferred her. Call her back. He INT. INT. PINKIE RINGS Not bad. HALLWAY . Buddy looks at the receiver. He reaches for a can of Heineken out of the cup holder. Winded. Pinkie Rings is next to Jim Cranston. BUDDY Camarillo Care Center. runs back to the phone. GOLF COURSE . Takes a swig. CRANSTON I want out. 9999. Lockdown. It self locks. MAC It’s 8-0-5.INTERCUT MAC Camarillo Care Center. Mac shuttles through his phone.CONTINUOUS RING. She’s a EXT.GOLF CART . 805-876- Mac hits dial. A short pencil writes down two “4’s”. Roswell nods. threat.AFTERNOON A pinkie ring on a chubby finger holds a score card. LAURA Ventura County. Two birds.LOCKDOWN WING . ROSWELL’S LIMOUSINE .
General Black. CRANSTON Maggie hasn’t heard from him.54. She finishes. Do it now. Roswell Looks PATRICE How can I help you gentlemen? ROSWELL I have orders to see a patient from the military psych ward in Westwood. PINKIE RINGS Call her again. Cranston reluctantly opens his cell phone. PATRICE BURROSS. An easy smile. A small fan blows behind her.LATER FOUR SEVERELY MENTALLY RETARDED ADULTS. Say you have work for him. A BLACK WOMAN IN A WHITE UNIFORM. INT. U. CAMARILLO CARE CENTER HOSPITAL . Taps her pen. is on the phone at the counter. She stops tapping the pen. PATRICE Yessir. PATRICE Are you related to the patient? ROSWELL No. Mac. led by an ORDERLY. PATRICE Yessir. and you are? ROSWELL General Black. pass Mac and Roswell at the admittance desk. Pinkie Rings swigs again on the Heinie.S. Air Force. Beautifully braided hair. She lifts a long purple fingernail. in civilian clothes. Just a minute. Are you part of the Conservatorship? ROSWELL I have orders. nods. . scratches his neck. around.
SHERMAN That’s private information. DR. PATRICE DR. Over Roswell. I’m not. ROSWELL No. PATRICE Well you’re in luck.55. station. but it’s important that I see her. PATRICE Would you like to speak to her doctor? ROSWELL Yes. Holds a chart. down the hall. Is she still sedated? DR. SHERMAN Is he part of the Conservatorship? PATRICE No. PATRICE Then I’m sorry. you. SHERMAN Yes? PATRICE General Black is requesting to see a patient admitted from the military psych ward in Westwood. Impersonal. SHERMAN Is he related to the woman? Jumping in. SHERMAN looks over. DR. Veers to the He’s coming I can’t help . sir. MAC Then she is here? She glances down the hallway. Reads Roswell. DR. SHERMAN? Over his glasses. DR.
SHERMAN I’m not at liberty to discuss the case. . ROSWELL Diebol. Diebol types the name into a laptop. Doctor. He turns and leaves. EXT.CONTINUOUS Laura and Mac exchange a glance. Hits return. Notes the name of the executive director of the hospital. also in civilian clothes. He’s Blue Mac still in disguise. Laura stands next to them. Tooth wireless does the rest. ROSWELL The military needs to know. the executive director here.PARKING LOT . He stops in the lobby. All climb into the limousine. Carrys on. BLACK LIMOUSINE . MAC Man this stuff itches. next to Diebol. CAMARILLO CARE CENTER . ROSWELL Fine. DR. INT. MAC What next? ROSWELL A phone call. call Edward Higgins.56.CONTINUOUS Mac sees Uri. Mac follows. Catching up. Thank you for you time. LAURA Don’t touch it. MAC What’s he doing? LAURA Finding a link between the executive director and one of our contacts.
it’s not exactly clear why she’s being held in lockup. LAURA How is she a threat? Reading on. ROSWELL Thank you for your cooperation. ROSWELL Make it happen. . Roswell. Pressing. URI Lockup? HIGGINS It’s usually reserved for the criminally insane. Even to use the toilet. HIGGINS No particular reason. Laura and Uri sit attentively. MR. They’re old personal friends. I came as quickly as I could.57.. INT.high school wrestling team. The Major informed me of the situation. HIGGIN’S OFFICE . HIGGINS Lewis and I go back a long way. ROSWELL It’s imperative we see her now. Every room has a keyed entry. MAC Contacts? DIEBOL Got it. A tall lanky man with stringy gray hair. Mac. sir. HIGGINS Well. It was requested by the psych unit for security purposes. no matter. A Major Lewis. Well..LATER EDWARD HIGGINS. Higgins thumbs through a file.
Higgins looks to Roswell.58. WOMAN’S DOOR . Mac and Laura exchange a heavy duty look. Roswell discreetly looks at Mac. Turning to Higgins. ROSWELL I need a visual. Mac . HIGGINS Well then. Buddy opens the door. A heavy wire-meshed window in it. things we don’t. Feeling the pressure. heads down the hall. follow me. Finally gives in. A slow smile. LOCKUP WING ENTRANCE . nods back “yes”.MOMENTS LATER A thick fire door. INT. BUDDY Oh. Bad dentistry. They all go. BUDDY That’s the Screamer. she’s still sleeping.MOMENTS LATER Buddy fits his special key into a lock. Her hands bound at the wrists to the stainless steel guards. HIGGINS Some of them do that when they get excited. WILD WAIL. Opens it. A HIGH. ANOTHER WILD WAIL. The woman lays asleep on the bed. Those teeth. Nods towards Lucy. INT. Buddy turns to Mac and Laura. He sees Crooked smile. HIGGINS We’re here to see the woman we received this morning. Disturbingly amused. Like a crazed animal.
and I need your cooperation on this to the fullest. ROSWELL Thank you for your assistance. HIGGINS Well. I’ll have to contact the Conservatorship and have it cleared. Cutting him off. To Laura. LAURA Yessir. but her chart indicates.. here. Her life may be in danger. ROSWELL How soon before we can have her moved? Confused. ROSWELL When she wakes up see that she gets some real food to eat.. ROSWELL Let me assure you it’s important we move this woman to a safe location. HIGGINS Here? ROSWELL Yes.59. Shifting uneasily. . Now I want her cleaned up and given a change of clothes. Stay with her until we transport her. Incredulous. HIGGINS Major Lewis didn’t say anything about having the patient moved. the Major said to do whatever you asked. ROSWELL This is a matter of national security. HIGGINS Well.
ROSWELL We have work to do. Roswell pulls a laptop out of his case. ROSWELL’S LIMOUSINE .THE 101 SOUTH . sir. make a call for a special transpo unit. Handing it to Uri. Roswell sizes up Buddy.S. A few cards short. you go. Mac shoots Uri a look. MAC I can stay. Speaking into his high-tech wristwatch. ROSWELL Thanks again for your cooperation. Mac. DIEBOL (O. ROSWELL The debris piece is hyper dataintensive and the scan could take four hours to decipher it. Turns to Higgins. he nods in agreement with Laura. . Laura will accompany them when they move the patient. We’ll take it from here. ROSWELL The software application is called MAJESTIC. INT. A scanner built into the screen of this laptop will read the piece. ROSWELL Diebol. will do fine.60. Laura ROSWELL That won’t be necessary. LAURA I got it.DUSK Uri plays with the debris piece.) Got it. HIGGINS The orderly can stay with her in case she needs assistance.
the base will self-destruct. So is the web-feed in the laptop. . ROSWELL Exactly. MAC What does that have to do with the aliens? ROSWELL The harvest colony incubating at the base. Mac looks through the file. MAC Hopefully with us not in it. Cows are drained of their blood and parts of their anatomy are cut away by a laser. We contaminate the core.61. I want photos. URI To locate the power core. Hands it to Mac. Blood is a vital element. MAC Tomorrow? ROSWELL Laura will fly you out. I don’t how Lucy got you. everything you can find. ROSWELL A memory cell from your piece should contain a blueprint of the base. You’ll go out there tomorrow. It’s signal is scrambled. ROSWELL There’s a fresh carcass in Arizona with an unusual twist. I’m due Pulls out a file. back now. ROSWELL They’re have been cattle mutilations. video. Roswell reaches into his briefcase. Inspects the screen. ROSWELL Use your cell phone for everything. Uri opens it.
ROSWELL You won’t need it.62. We need those blueprints to activate the core. then back at the debris piece. To Uri. time is of the essence. Diebol pulls the limousine over to a stop. yourselves. MAC What about my Jeep. Abaris is in weak health. gentlemen. A look to Mac. The power door locks give Mac a scare. sir? It’s not much but it’s all I have. I’m not sure our visit to the base was unnoticed. sir. Mac’s still not cut out for this. Back into the briefcase. . Use cash for everything. We must preempt that. Here’s five thousand dollars in small bills. They could come after the piece again. URI We’ll do our best. A large wad of fifties. Uri looks at the General. Keep to Uri shakes his head. URI Yes. ROSWELL Gentlemen. ROSWELL I’m dropping you near the hotel. He is looking for a new host to sustain his existence. ROSWELL The software is highly intuitive. Navigation should come quickly. ROSWELL That’s it. ROSWELL One more thing.
INT. THUMP on the glass. They committed a security breach. Bends over hungry and tired. His door flies open.NIGHT Pinkie Rings and Cranston are being served their main course. Both are hanging up from cell phone calls. CRANSTON What about Abaris? PINKIE RINGS The genetic engineers are still searching for a compatible match. A A key into the lock. COUNTRY CLUB DINING ROOM . INT.CONTINUOUS A basin and sponge lie next to the bed. She checks her watch. INT. They’ve taken the piece. BUDDY Everythin’ all right? . Looks at the door to the hall. Coughing. ROSWELL Diebol. Reaching for his Heineken. The door opens. Roswell passes out. PINKIE RINGS General Nathan took those two out to the base.LATER At a stop light. Laura finishes rubbing lotion on her wrists.63. the car. ROSWELL’S LIMOUSINE . Buddy enters. now out of the restraints. 9:00pm. and is still sleeping. She yawns. LOCKUP WING . combed hair. Still no transport. He’s pulled from Some kind of gas.SEDATED WOMAN’S ROOM . The woman has clean clothes. Roswell is nodding off in the back. Folds her arms. HISSING. what’s going on? Diebol slumps over.
LAURA . . Buddy looks at the sleeping patient.CONTINUOUS The iron door slides shut. I really gotta go.. she ain’t going nowhere. BUDDY That’s the Screamer.64. Yellowed walls. Look. I know. so you’ll have to knock or call when you’re done. HALLWAY . I have to use the bathroom and I could use something to drink. Faded linoleum floor. Motions Laura to look inside. things. He rocks ever so slightly. BUDDY I bought you a sodie-pop but regulations say I can’t bring anything down into lockup. Buddy peeks through a patient’s wire-meshed window. LAURA She’ll be fine. LAURA She’s still out cold. We’ll make it INT..that we don’t. BUDDY Oh heck.. BUDDY It locks from the outside. More gold teeth. Bladder bursting. I know. Cutting him off. A YOUNG THIN man with sunken eyes sits with his knees tucked into his chest.. LAURA Okay. Self-locks. his chin resting on them. You gotta come up to my station. He see Unlocking the bathroom door. quick-like. They finally reach then end of the hall. Laura follows him up the corridor.LOCKDOWN WING . just let me in the bathroom first.
Laura freezes. The corner of the cell. Great. The Screamer uses his hands and feet and propels himself across the floor. Jaw locked open. Takes a A power failure. Yells like a wounded wolf. THE SCREAM. HELLO??? LAURA BUDDY???? . INT. LADIES’ ROOM . Toilet paper. Toilet flush. INT.CONTINUOUS The Screamer scans the room frantically.CONTINUOUS ANOTHER WOUNDED WAIL. Practically hopping. turns around. BLACKOUT. Eyes bulging. breath. LADIES’ ROOM . LAURA Got it. INT. Listens. INT. THE SCREAMER’S ROOM . Pant zipper. Rocks faster. Finds the main door. Pitch dark. Opens them. Unzips her pants. THE SCREAMER’S ROOM . He presses his bony body as far as he can against the wall. Bangs on it.CONTINUOUS THE WAIL. INT. LAURA Gotcha. LAURA HELLO???????? Commotion.CONTINUOUS Laura rushes in the stall. He whips his head back.65. Laura closes her eyes. Laura looks down. BUDDY I’ll be right here so you go’head. Something bad is in there. Stall door unlatches.CONTINUOUS It’s getting closer. Laura stumbling in the blackness. Sounds in the dark. LADIES’ ROOM .
Laura regains her composure. SCREAMS. ANOTHER SCREAM.66.CONTINUOUS Buddy fumbles in the dark trying to get the key in the door. A LONG. He reaches for Laura’s hand. He opens the door. LET ME HAVE YOUR HAND. GOT’EM ALL RILED UP. He finds it. The whole wing. EXT. Hands to her ears. Backs away down the hall. WILD. Then it starts. Then runs. Locked. SHRILLS AND SHRIEKS. CHAOTIC CONFUSION. He lets go of Laura’s hand.) HURRY! PLEASE! BUDDY I can’t see it. Reluctant. No key. The lock’s here somewheres. More screams in the darkness. she has no choice.S. LADIES’ ROOM . The sound of bodies hurling against the doors. Tear trails on her cheeks. Freaked. LAURA (O. I’LL GET YOU OUT OF HERE. Laura walks toward her room. GROANS AND BLINDING LIGHT explodes out of the sedated woman’s room. BUDDY I’m tryin’. INSANE LAUGHTER. . Toward the light. Contact. BUDDY IT’S LUCY. EXT. LOW NOTE CRESCENDOES IN A HIGH SHRILL IN THE DARKNESS.CONTINUOUS Laura pulls on the door. LAURA WHAT’S GOING ON? BUDDY ELECTRIC’S OFF. The key turns the lock. She walks past Buddy timidly into the dark hall. LUCY’S ROOM .
INT. She’s awake. Mac and Uri stand in the middle of it in awe. She screams. Mac reluctantly complies. She peers through the wire-mesh glass. The rush of a freight train. wide-eyed. Laura pounds on the little square window and screams. Mouthing to Laura. Lucy looks her way. The 3-d blueprint spins slowly on an axis. terrified stare. She can’t be heard. They will know we are here. . Anxious. quivers. Has disappeared back into the laptop. A helpless.LATER Uri stares blankly at the laptop lid scanning the debris piece. And it’s gone. She looks to the door. A small steel-reinforced window placed high in the wall is gone.67. Mac turns the TV on with the remote. MAC How long’s that thing gonna take? Suddenly a huge hologram of the alien base engulfs the room. URI That is monitored by the hotel. Laura screams through the wire-mesh glass. URI What are you doing? MAC Finding SportsCenter. Lucy’s body In the darkness. MAC’S HOTEL ROOM .DEAD OF NIGHT . Lucy floats above the bed. She’s sucked out the window. Her body rotates in mid-air so her head faces the opening. LUCY HELP ME! Another noise. Blinding light and wind pour through the opening.
68. Uri stares at the laptop. MAC How you gonna print that? RING! The hotel phone. They freeze.
URI Don’t answer it. MAC Maybe it’s Laura. URI Roswell said use only the cell. RING. MAC Maybe she doesn’t have it. URI Don’t answer it. RING. Mac moves to the phone. MAC Maybe she’s in trouble. Uri thinks on it. RING. Mac picks it up. MAC Hello? INT. EXTREME CLOSE-UP OF A MOUTH TO A PHONE - INTERCUT METALLIC VOICE We have Roswell. INT. HOTEL ROOM - INTERCUT MAC Who is this? INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT METALLIC VOICE Give us back the piece and we’ll make sure nothing happens to your wife and kids in Paso Robles.
69. INT. HOTEL ROOM - INTERCUT MAC I don’t know what you’re talking about. INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT Cuts him off. Pissed.
METALLIC VOICE You know exactly what I’m talking about. We’re watching you. INT. HOTEL ROOM - INTERCUT MAC Who are you? Dial tone. Mac stares at the phone. URI What did he say? Slowly putting the phone in the cradle. MAC They want the piece. They got Roswell. They’re going after Maggie and the kids next. URI They’re bluffing. Mac finds the small flip phone. Dials frantically.
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT RING. A deep sleep. Hello? Cellular break up. Extremely choppy. YOUR LIVES COULD Maggie fumbles for the phone. MAGGIE
MAC MAGGIE, IT’S MAC. BE IN DANGER. Groggy.
MAGGIE Who is this? Mac, is that you?
70. Every other syllable. MAC TAKE THE KIDS. LEAVE. Mac?
MAGGIE You’re breaking up.
INT. HOTEL ROOM - DEAD OF NIGHT - INTERCUT KNOCK-KNOCK-KNOCK. The hotel room door. kill the cell phone. Uri motions Mac to
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT Dial tone. Maggie looks at the phone confused.
INT. HOTEL ROOM - CONTINUOUS KNOCK-KNOCK. More urgent this time. Moves quickly to the side of Mac follows the
Uri grabs his gun off the bed. the door. Delta Force.
He waves his barrel towards the bathroom. directive. Backs up. KNOCK-KNOCK-KNOCK. Uri motions at Mac to talk. MAC Who is it?
WOMAN’S MUFFLED VOICE (O.S.) It’s Laura. Uri gives Mac the universal “shhhh” sign. WOMAN’S MUFFLED VOICE (O.S.) MacKenzie, are you there? Let me in. It’s me! Loud whisper to Uri. MAC It’s Laura. Uri shakes his head “no”. KNOCK-KNOCK-KNOCK. WOMAN’S MUFFLED VOICE (O.S.) C’mon, open up!
MUCH LATER Light spills out the partially open bathroom door. If it’s a trick. Alone. I’m Aims his gun at Uri motions “halt”. Instructing in whisper tones. MAC You can’t just start shooting people. Head high. MAC There’s no MacKenzie here. MAC You said they we’re bluffing. Uri waits. It’s Laura. Mac opens the door. INT. listen to me! It’s Green Eyes. Uri snores loudly in his bed. Frazzled. open up! Anxious. calling hotel security. Mac heads for the door. . WOMAN’S MUFFLED VOICE Mac. It’s her. MAC I know it.71. Mac heads for the door. Then nods. somebody is going to start shooting. Checks the hall. stares at the wall. Mac lies in his bed. URI Open from the side then stand clear. She runs into Mac’s arms. Laura lies on some makeshift bedding on the floor. Pissed. Closes the door. A long hug. Uri pulls them both in. the door. Uri swings around to the middle of the room. He nervously wipes his chin. MAC’S HOTEL ROOM . Sharp whisper. Angry whisper. Listens. URI It’s a trap.
INT. LAURA Hold me. She goes Laura slips an arm under Mac. a farmer sees his prize cow do the same thing. Mac copilots. LAURA Okay. MAC A week ago a rancher in Billings. She climbs in. Wearing only a hotel bathrobe. LAURA’S PLANE . Over the engine noise. Softly. Laura slowly rises. Spoons behind him. Looks over. Laura pilots. Whispers. LAURA I’m sorry. in Biloxi. LAURA And? MAC The same day. Referencing the file.AIRBORNE . No need to talk. . Mac turns over to face her. Mac holds his finger to her lips. Mississippi. Montana saw one of his cows float upward into the belly of a UFO. They stare a while longer. Mac puts his arms around her. Her eyes are still moist. LAURA I’m still scared. to Mac’s bed. Stares blankly ahead. Mac pokes his head up. Wraps her other arm over him and pulls him into a long squeeze. She sniffles. Uri chokes on a snore.MORNING Twelve thousand feet.72.
The plane rocks and glides. they find the head of the cow from Billings attached to the body of the cow from Biloxi. the more I believe there’s a good side. by midfield. Do you believe there’s a harvest colony of cross-breeds? LAURA After seeing Lucy’s abduction. EXT. Are you religious? MAC The closer I get to this evil. kick up some dust. the cow’s head had an ID tag on his ear and the body of the other had a brand on it’s flank. The wheels touch down lightly. permeates everything. MAC Where’s our sheriff? It stops . LAURA’S PLANE . MAC There’s a darkness to it. Flaps up. It LAURA I noticed you wear an old cross around your neck.CONTINUOUS Checking the file. LAURA From Billings and Biloxi. I believe anything is possible. LANDING FIELD .LATER Laura’s plane approaches overhead. nose slightly up. Cuts the throttle. MAC A week later on a ranch in Arizona. MAC That’s what they’re saying. LAURA How do they know? MAC According to the sheriff. INT.73.
A squad car rolls along a dirt road. mini-dv camera rolling. Laura walks around slowly. The black head of a Holstein. HILLSIDE RAVINE . Pointing out the front right. About two o’clock. HUFFMAN Sex organs have been cored out. LAURA Mac.74.DEAD COW’S BODY . the two-tone brown and white body of a Jersey.LATER The cow lies on its side. No torn flesh. HUFFMAN And the brand’s from Mississippi. HUFFMAN Here’s the tag. see where the eye should be? MAC Yeah. HUFFMAN No sign of blood anywhere. Huffman squats down at the cow’s tail. Motions to the rear flank. You can see his cherries. Numbers check out all right. Blood vessels have been cauterized. Simply surreal. LAURA Laser like. grabbing the tag. SHERIFF HUFFMAN kneels down by its head. facing away. LAURA Over there. chases it. . Pointing. A big cloud of dust EXT. and no blood. A neat. See the incision? No jagged edges. precise scar encircles the cow’s neckline at the union. It’s been perfectly joined together.
The foreman. MAC You sure it’s not a hoax? HUFFMAN We’re doing more tests. The snake gets blown off his heel. Hears something. . Mac steps back to take a photo. goats. ALFREDO CHAPACABRA! MAC What did he say? HUFFMAN Chapacabra. He recoils to strike. the cow was alive before it was mutilated. A RATTLESNAKE. LAURA MAC!!!!! The snake’s fangs are open. the ranch owners. HUFFMAN Not a drop. JULIO. ALFREDO and ROBERTO PARRAS. A huge male. Goat sucker.75. but from what I can tell. A supposed animal that sucks the blood out of chickens. A RATTLING SOUND. Coiled to strike. Julio Mac looks up. STRIKE! The giant rattler sinks his fangs into Mac’s ankle. just above his shoe. crosses himself. stand twenty feet back on the road next to two Jeeps. LAURA You’re sure about the blood? Taking his knife and cutting into the cow’s groin. cows. POW! Gunfire. Smoke floats out of Alfredo’s rifle. ROBERTO DIABLO! HUFFMAN Says it’s the Devil. Mac’s backward momentum is carrying him right into it. crosses himself again. Mac turns around.
The floor is partitioned. INT. He pulls it out of his shirt to look at it. MAC I’m telling you. His skin clearly broken. HUFFMAN Here ya go. New. A bookcase eats up the other wall. JULIO Christo is with you. The sheriff enters with small bottles of ice-cold Coca-colas. Alfredo. and the viper. ROBERTO Si. Some color. Julio notices the ancient Jerusalem crucifix around Mac’s neck. and Julio circle around Mac’s exposed ankle and bare foot. Like Pablo .LATER A double-wide serves as the station. Some black and white.76. Huffman’s private office is spacious. Sheriff. SHERIFF’S STATION . I’m fine.HUFFMAN’S OFFICE . Walls are covered with UFO photos. The men all grab a Coke. Shaking his head. LAURA Thanks. Pointing from the Jeeps. ALFREDO You should be dead. Roberto. MAC I’m telling you. Laura puts some anti-biotic ointment on the bite. I feel fine. HUFFMAN I can still call Med-Vac as a precaution. There are two large bite marks from the snake. muerta. ROBERTO DIABLO. Old.
Mac pulls one down. HUFFMAN (O. but could not kill him. SEMJAZA. Julio lets go of it. Sheriff. MAC The viper? JULIO Si. UFO . MAC So you’re quite a UFO fanatic. Edward “Billy” Mier had a major encounter with some aliens from the Pleiades star cluster. Handshakes all around. The three amigos depart. Looks closer. HUFFMAN Ever seen that one? Mac reads the cover. the viper leaped from the fire onto his hand. Comes to a .S. 1976. Did the cross save him? Takes another gulp of his Coke. ALFREDO Vamanos. gentleman. HUFFMAN Switzerland. Mac thumbs through it. double-page spread of interest. God was with him. Hasta luego. amigos. Gracias. HUFFMAN You see as many mutilations as I have.77. Authentic looking photos. Mac bobbles it. MAC Can’t say that I have. Mac stands. you start to poke around. Walks over to the bookcase. The very word Mac is reading as the sheriff says it. The book slams shut and falls to the ground.CONTACT FROM THE PLEIADES.) Claims the Pleiades starship commander calls himself Semjaza. HUFFMAN De nada. Mac shoots Laura a look.
HUFFMAN Anyway. A DARK CAR speeds toward the landing field. Mac closes his door. The dark car stops on the road a short distance from the sheriff’s car. Huffman stands by his car. Mac nudges Laura as she checks the gauges and fuel levels.. It roars to life. EXT. INT. Laura squats down to get it. UFO . LAURA’S PLANE . Shakes his head.CONTACT FROM Puts the book back on the shelf. A gun barrel sticks out. THE PLEIADES.CONTINUOUS Watching from the plane coasting down the runway. MAC Semjaza. A gray puff of smoke. Gives a wave. Mac stares at the cover one more time. LANDING FIELD .AFTERNOON Mac and Laura climb in the plane. pretty compelling stuff. HUFFMAN Watch that bite. HUFFMAN Hope you got what you needed. LAURA ‘Bye! Laura turns the engine over. Huffman goes down. Sheriff. Huffman looks down the road. His body spasms violently. We will.Semjaza.78. LAURA Sound familiar? Sitting on his desk. MAC Thank you for your time. Waves to Huffman through the glass.. The car’s tinted window opens. . You ought to check it out. She glances over.
Heads A bullet tears into the cockpit close to Mac’s head. The plane lifts up. MAC WE’RE NOT GOING TO MAKE IT! Pounding the dash. The plane lurches forward. Hits ground. One of its wheels bounces off the car’s windshield. The tinted window lowers all the way. Full throttle again for takeoff. Laura pulls back the stick. A man crawls out of it and takes aim at the plane over the roof. LAURA NOT ENOUGH SPEED! MAC HE’S GOING TO RAM US! At the last second she pulls back the controls. LAURA COME ON! Dark car. Mac looks back. BE ALL RIGHT. hits the rudder pedals to spin the plane around. He fires. It’s Pinkie Rings. The plane dives. MAC WE CAN’T JUST LEAVE HIM! LAURA IT’S A TASER. straight for them. The car fast approaches. Away from harm. HE’LL She feathers the throttle. The plane skims off. MAC THEY’RE GETTING OUT OF THE CAR! THEY’RE GOING TO SHOOT! POW! GUNFIRE. The plane springs into the air. Glass showers inside. MAC THEY SHOT HIM! Laura slams the throttle. The dark car fishtails onto the makeshift runway. She banks it to the left. A STUN GUN. She slams the controls forward. .79. And stays there. exploding it inward.
LAURA You’re still in love with her. I hope you I MAC How do you prove to someone you’ve changed? . LAURA THERE’S SOME RAGS UNDER THE SEAT. Finally addressing it. Mac. MAC You just needed a hug. LAURA Paso Robles? MAC Yeah.AIRBORNE . STUFF ‘EM IN THE HOLE.80. The cabin quiets down. LAURA Sorry about last night. I was an idiot. LAURA’S PLANE . How could he possibly know I was out here? LAURA They could have checked our flight log at the airport. Mac finds ‘em. INT. blew it. aren’t you? MAC Like crazy. Awkward. LAURA You’re a good man. These guys are definitely not bluffing. Starts stuffing. to check on Maggie and the kids. MAC That guy who shot at us was the guy from LAX. get what you want. MAC We better get to Paso Robles.MOMENTS LATER Wind pours through the bullet hole.
LAURA Maybe they moved to a hotel. He pulls out his cell. No visible sign of life.MAIN HOUSE . They descend onto a narrow dirt service road below. MAC Can I get bars up here? LAURA I’ll take her down. LAURA’S PLANE . there a place to land? Is EXT. A deep drainage ditch runs alongside it on the right. EXT. LAURA’S PLANE . No answer. The left side is a cornfield with healthy headhigh stalks. MAC Are you nuts? LAURA It might work.CONTINUOUS MAC Straight to voice-mail. MAC How long before we can get there? LAURA If we’re lucky. MAC What if the corn’s too high? . No ring.CONTINUOUS The front door is ajar. before sunset. INT.DUSK Laura’s plane circles one last approach.PASO ROBLES .81. She pushes the controls forward.CONTINUOUS Through the windshield. CREEK WALK VINEYARD . LAURA By doing the right thing for a long enough time. CREEK WALK VINEYARD . INT.
CONTINUOUS Tassels crown the tops of the corn stalks.CONTINUOUS The left wing skims along the top of the tassels. SERVICE ROAD . Mac braces himself while Laura takes it in. LAURA I guess we’ll find out. THUMP! HISSSSSSS! INT.CONTINUOUS The eight foot chain-link fence stands dead ahead. SERVICE ROAD . EXT. THEY LIKE THE GRAPES. The right tire bounces along the edge of the deep ditch. LAURA I THINK WE’RE GOING TO MAKE IT! MAC THERE’S ONE THING I FORGOT TO TELL YOU. INT. EXT.82. LAURA’S PLANE . Over the loud hissing. SERVICE ROAD . . LAURA WHAT’S THAT? MAC THERE’S AN EIGHT-FOOT FENCE AT THE END OF THIS ROAD TO KEEP THE DEER OUT. LAURA THANKS FOR MENTIONING IT.CONTINUOUS MAC WHAT’S THAT? LAURA SO FAR SO GOOD! EXT.CONTINUOUS Bucking the steering. LAURA’S PLANE . The plane’s wheels touch down.
Laura close.CONTINUOUS They rock back into their seats. Catching her breath. . Trimming The WHAM! Full contact! Like a butterfly against a net. not stirred. Riding the ditch. The plane speeds toward it. corn. Grabs a candle.CONTINUOUS Front door threshold. FRONT HALL . Barely. MAC You okay? LAURA I’ve had worse. Laura follows. Mac flips it on. Nothing. They arrive at the steps. Mac nods his head to investigate.83. The house is pitch dark. INT. JEREMY? Flashlight. Mac and Laura run up the gravel driveway to the front of the house. Shaken. CREEK WALK VINEYARD . Flips it again and again. MAC Maybe they were already here. LAURA I don’t see any cars. LAURA’S PLANE . Mac walks to the mantelpiece. then bounces back down. INT. MAC SARAH? He slowly enters. Flashlight on the light switch.FRONT DOOR . Bumping all the way. EXT. They see the front door slightly ajar. Takes the flashlight. Returns to Laura. Lights it. Looking around. plane pivots forward. MAGGIE? Mac sticks his head in. MAC We don’t know that. LAURA Power outage like at Camarillo.EARLY EVENING A flashlight. Nothing.
LIVING ROOM .MOMENTS LATER Maggie holds Sarah Maggie.. Jeremy sits on the love seat next to Laura. MAC MAGGIE!? A MUFFLED VOICE comes from the hallway.84. Kneeling in front of Maggie. MAIN HOUSE ... MAC What happened? MAGGIE I don’t know. closet door open. JEREMY Dad. Timidly.then we heard strange noises.we saw something in the sky. I’m scared. Stoops down inside. MAC MAGGIE!? The closet door beneath the stairs creeps open. Doris clutches Jeremy. Mac opens his arms.. head in Mac’s shoulder. Sarah. SARAH Daddy! MAC Pumpkin! Relieved hugs all around. INT. The candle reveals a sea of scared faces.then the power went off.. MUFFLED VOICE Dad? Jeremy? MAC Is that you? Finds the Mac rushes from the living room into the hallway.. More candles all around. Buries his ..bright lights.. in her arms. Jeremy jumps off the love seat and rushes to him. and Doris sit on the couch.
Long. Sees it full on. The room suddenly fills with a brilliant light. Interrupting.something’s coming in here. A TALL. It’s been out all day. A long tilt up. LAURA He’s right. MAGGIE I don’t believe we’ve met. Something’s out there. Mac spins around. . Something weird. Guarded.. Something’s wrong with the phone. I’m. I’m LAURA I’m a.. it was bright and made the whole room light up! To Maggie. He’s told me a lot about you. MAC Did anyone call you? MAGGIE No. A mixture of awe. SARAH Daddy. Laura looks to Mac. The other side of the room. Fiery eyes. shoulder-length blond hair. JEREMY D-Dad. JEREMY Mom’s right. wonder and fear. Then to Maggie. Maggie fabricates a smile. MAGNIFICENT-LOOKING ANGELIC BEING. Maggie looks at Laura. I’m Laura Nathan. Maggie’s face. helping Mac. MAC It’s not what you think.85. Stammering.
LAURA Mac. do something. She lands in a heap. The creature roars. A voice explodes from the creature. Weakly. LAURA Mac. tunic-like garment. It moves towards her. A long. Doris suffers a seizure. Sheds its benevolent angel-like appearance into its own TALL GRAY BODY with spindly arms. The children burrow into Maggie. The creature picks Laura up off the floor. Faints. MAC GET AWAY FROM HER! It commences to breed. pinning her to the wall. Mac grabs a lamp next to the couch. Light emanates from his very being. The being changes shape.86. SCREAMS from Maggie and Sarah. It hurls her against the wall behind her. His eyes turn to hate. WIND fills the room. Scaly skin like a lizard. It vomits something vile at her. . glare rage. She covers her head. More howling WIND. LEAVE US! MAC NOW! Black slanted oval eyes His head turns large and elongated. presses itself against her. CREATURE I AM THE ONE NAMED SEMJAZA! ARE YOU TO ADDRESS ME! WHO It extends one of its arms and points a clawlike finger at Laura. It’s clawlike fingers tear her clothes. Staggering against the force. Straining to breath. His hair blows. Hurls it full strength. Her head bangs against the wall like a rag doll from the gyrations.
It slams into its back. He crumples to the floor. Toward Maggie and the kids. MAC NO!! Before he can hurl it the breeding Semjaza turns and points his finger at Mac. Weakly. Coming toward Mac.4 AM Voices in the distance. Glares at Mac. Maggie? He looks around. MAIN HOUSE . MAC Uri? He collapses back into a chair. More come to her. It spins around. . Out cold. Another commotion. LAURA Mac! Mac picks up a coffee table. INT. hello. A damp towel on FOGGY VOICE MacKenzie. Coming forward. MAC Where’s Maggie? It’s Doris’ living room.. MAGGIE NO!!!! Maggie wrestles with the small gray.. Mac’s forehead. Both children now float unconscious above the floor. Uri holds the damp towel on his He opens his eyes again.LIVING ROOM .HOURS LATER . At the entrance of the room TEN SMALL GRAY ALIEN BEINGS swarm in. Walkie-talkies.you hear me? Mac slowly opens his eyes. Fights for consciousness. One small gray grabs Sarah from Maggie’s arms. Wildly throwing punches. Others latch onto Jeremy. But different. Catapults him with such force his head smashes a hole in the wall.87. head. Debris and paper circle in the wind.
) Mr. Computers. It’s a make-shift military post. Walkies. MAC Where’s Maggie? URI With her mother. They found you next to the wall. Eyes searching for truth. Still groggy. Maps. MAC What’s all this? URI A military swat team Roswell’s connected to.S. Weapons. .88. The place is teeming with COMMANDOS IN BLACK JUMPSUITS. MAC Where are my kids? He urgently grabs the arms of the chair and lifts himself up. You’ve suffered a major concussion. COLONEL AUSTIN. Uri firmly pushes him back down. URI They were taken. MAC Taken where? URI They were abducted. They have a medical unit here. Intruding. Radios. CAMOUFLAGE FACE PAINT. Internet. AUSTIN I’m Colonel Austin. MAC And Laura? URI Recovering upstairs. Bluntly. MacKenzie? Mac looks up at a new face. VOICE (O.
Cutting him off. Lost. we believe your children have been taken to an underground base in the Nevada desert. MAC They’ve taken the children.89. Then back at Mac. . MAC Maggie. caressing her hair. Mac struggles to his feet. Holding her tightly. We’ve been monitoring it constantly. She starts to tremble. He hurries. She opens her arms. Maggie enters the room. Losing it. MAGGIE Oh Mac. Uri and Austin leave discreetly. AUSTIN Mr. Drained. what are we gonna do? She sobs in Mac’s embrace. I’m so sorry. MAC WHERE ARE MY KIDS? Austin glances at Uri. They’re all they’ve got. Woozy. MacKenzie. She’s bitten through her lip. AUSTIN We’re doing everything in our power to get your children out of there as soon as possible. Tear-stained cheeks. No letting go. Dried blood on her chin. Mac takes a couple of steps towards her. AUSTIN The same base where General Nathan is being held. Broken. Bloodshot eyes. They’re doing everything possible. Mac looks at Uri. Maggie faces Mac. Maggie. Huge embrace.
I’m sorry. Diverting the conflict. A cluster of men gather around one of the choppers with Austin. URI She is sleeping? MAGGIE Yes. Maggie. he is on our side. this is Uri From Israel. Nods a bow. Nice to meet you. they gave her something. URI He is a good soldier. Colonel Austin approaches FOUR BLACK BLACK HAWK HELICOPTERS on the front lawn.) Mac. He’s told me a lot about you. The entire area is lit up by worklights powered by generators.90. MAC Maggie. URI No. Forces. is she all right? MAGGIE They think she suffered a mild stroke. URI Your mother. Frustrated. BenHassen.S. Outside. . Mac and Maggie look over. I am now an archeologist. Uri nods to the window. Special We are lucky MAGGIE So you got us into all this. Disarming. URI I will check on Cranston in the kitchen. URI (O. MAGGIE On who’s side? And who are you? Jumping in.
She raises her lips. Mac stops the kiss.91. MAGGIE Thank you. Their eyes meet. Looks into her dreamy eyes. Like crazy. She cuddles back into him. too. She blinks back tears of relief. Like for the very first time. Another BLACK JUMPSUIT. MacKenzie? There’s an Elisha BenHassen on the webcam asking for you. Smiles. A small smile. He punches in a password. MAC Cranston’s here? MAGGIE It’s not what you think. . BLACK JUMPSUIT Mr. Believe Mac leans in closer. Elisha comes up on screen via webcam. Wipes her face. Watches the kiss. me. ELISHA Shalom. Mac turns Maggie back into his arms. MAC This is important. He takes off. MAC Me. MAGGIE I’ve missed you. She watches him go. A sigh. MacKenzie. A tap on Mac’s shoulder. MAGGIE So is this. MAC I gotta go. They kiss. He follows the commando back to a work station. She finishes the kiss. Laura’s on the stairs.
And when that times comes you must take authority over it! Mac turns around. ELISHA By faith in He who is greater than you. Maggie. Laura. wait. Tried to breed with her. MAC Wait. Finds it. wait. ELISHA Did you command it with the cross? Feeling for his necklace. MAC I forgot I had it. Colonel Austin. What do you mean Elisha pounds his desktop. Uri. ELISHA Uri tells me you encountered Semjaza. Then a pack of small grays came in and took the kids. ELISHA There will be a next time. Sternly. This is not good. Elisha. MAC It hurled Laura against the wall. .. MAC Shalom. Listening to Elisha. ELISHA The next time you encounter him. A weary smile.. I had no time. “the next time”? SLAM. MAC I’m trying. and the whole room full of commandos are watching. MAC How? Adamant.92. Only He can defeat Semjaza. Back to the screen.
Mac turns around.93. A new body.) He’s right.S. Mac and Maggie exchange a quick look. That’s why Sarah and Jeremy were taken. Passionate. MAC You knew about the sixth floor? CRANSTON And much more. ELISHA You’re not getting it. unclean creatures. room. You must drive them out! MAC How? ELISHA Yeshua A Meshiac is with you now. It’s Cranston from the other side of the MAC How do you know? CRANSTON My position on the hospital board made me privy to many things. They are evil. . I’m afraid I’ve gotten in deeper than I bargained for. I want to help you. A COMMANDO interrupts from a work station. CRANSTON The leader of the base is in need of a new host. MAGGIE Oh my God. MacKenzie! These aliens are demons disguised to deceive us. MAC Why didn’t they take me? CRANSTON You were wearing that cross. Use the cross. He will fight for you! VOICE (O.
94. COMMANDO Colonel, the doors at the end of the tunnel are opening! Colonel Austin crosses quickly to the soldier’s station. flat screen shows a remote feed of the huge doors slowly opening. AUSTIN THIS IS IT! “OPERATION TAKE-DOWN” IS A GO! LET’S MOVE! MOVE OUT! Instant mayhem. Walkies blaring. Choppers wind up. jumpsuits everywhere. Packing. Moving. Mac back to the web feed. ELISHA SHOW THE CROSS. YESHUA IS WITH YOU. BE STRONG IN THE LORD! SHALOM! Elisha’s gone. Mac is pulled away. Black The
Uri grabs THE BLUEPRINTS off a workstation. EXT. FRONT LAWN - DAWN - MOMENTS LATER The choppers churn up wind and leaves. A HIGH-RANKING COMMANDO, WALKER, intercepts Mac, Maggie, Uri and Laura. Over the chopper whine. With force.
WALKER NO WOMEN ON THE MISSION! LAURA MY FATHER’S GENERAL NATHAN. GOT CLEARANCE. To Maggie. WALKER NO CIVILIANS, MA’AM, IT’S TOO DANGEROUS. Indignant. MAGGIE TRY CHILDBIRTH. THAT’S DANGEROUS. MY CHILDREN ARE OVER THERE. I’M GOING. WALKER THAT’S OUR JOB. YOU STAY HERE. I’VE
95. Jabbing a finger in his chest. Taking charge.
MAC LOOK, PAL, THIS IS MY WIFE AND WE’RE GETTING OUR KIDS. SO STAND DOWN AND BACK OFF. They run around him to the chopper. joins them. He shrugs, turns and
EXT. CREEK WALK VINEYARD - ACCESS ROAD - NIGHT - CONTINUOUS Cranston speeds down the long dirt driveway in his BMW. clubs rattle in the back seat. Golf
A spotlight circles his car. He crouches to look out the windshield. The four Black Hawks swoop low over his car and out over the vineyard like a shot. He lets out a sigh. Then another spotlight engulfs the Beamer. But it’s ten times brighter. Cranston tries to look up at it. The golf clubs suddenly slam against the roof of the car. And keep slamming with an loud clanging. A whirlwind kicks up dust from the road. Tumbleweeds and debris swirl around his BMW in the white light. Cranston punches it. Pedal to the metal. The Beamer accelerates. The speedometer reads 100 m.p.h. It lifts off the ground. Cranston looks down at the road as it shrinks beneath him. Bathed in white light. EXT. CALIFORNIA-NEVADA BORDER - EARLY DAWN Four Black Hawks fly in tight formation low over the desert. INT. CHOPPER #1 - CONTINUOUS Colonel Austin rides shotgun with Uri, Laura, Maggie, and Mac and more troops in the back. Maggie sits between Mac’s legs, facing forward, engulfed in his arms. Uri examines an HK-MP5K rifle issued by Austin. He checks the magazine, unloads the clip of ammo, inspects it, pushes it back into place. Lock and load. Lays it across his lap. He notices Mac watching him. He grins and shoots Mac a thumbs up. Delta Force is back. Mac smiles thinly. Returns with a tired thumbs up.
96. Uri opens the blueprints. EXT. CHOPPER #1 - AIRBORNE - SUNRISE - LATER The Black Hawk flies low to the ground. Others follow.
INT. CHOPPER #1 - AIRBORNE - SUNRISE - CONTINUOUS The door slides open. Cold morning air bursts in with the first signs of dawn streaking across the desert sky. Golden light and wind wash over Maggie’s face. in wonder. With trepidation. The chopper sets down. walkies and headsets. All look out
Austin’s voice explodes over the
AUSTIN THIS IS IT! LET’S MOVE OUT! EXT. DESIGNATED LANDING AREA - CONTINUOUS The other choppers touch down. Soldiers spill out like ants, fanning out, crouching defensively. Awaiting orders. Uri and Laura pile out of Chopper #1. Mac and Maggie follow. Colonel Austin pops open the cockpit door. Makes a run for it. Gets to the front line. right. Low and fast. Commando sign language. To the
Forty men and two women run toward a gaping hole in the side of the mountain. Over two hundred feet high in diameter. A monster tunnel. They gather at the mouth of it. WALKIES BLARING MAYDAY! THE DOORS ARE CLOSING! The huge doors rumble together. AUSTIN USE THE THERMITE GRENADES! NOW! White
A half dozen troops run inside the closing doors. smoke pours out. MAC Thermite? AUSTIN They melt metal together. MOVE PEOPLE! LET’S
Uri. One of them signals. Trotting to keep up. The gigantic doors screech to a stop.MOMENTS LATER Colonel Austin divides the men into two groups. Four commandos run ahead fifty feet and dive to the ground near the cavern entrance providing coverage. Let’s go. Okay men. . WALKER It’s up ahead. parallel TEFLON COATED SLIDES that go down forever. ALIEN BASE . SIR. He pulls out the blueprint map. in. We have a He stops.CONTINUOUS Walker and his men wait at the top of the shoots. Feet first. AUSTIN Roger that. Laura. The commandos line up and jump down both shoots single file down the shaft.97. TOP OF THE SHOOTS . Secure the area. arms crossed. INT. We’re going in. INT. And vanish. The rest of the troops move in. visual. Austin and the rest catch up. Awestruck by the enormity of it all. WALKER THE SHOOTS ARE UP HERE. GIGANTIC TUNNEL . Colonel. INT. AUSTIN These shoots should take us to Level 11. Into his walkie. Up ahead. The ants go running MAGGIE Where are we? MAC The back entrance. Walker signals sign language.CONTINUOUS Soldiers follow Walker up ahead. Maggie and Mac join the group on the right hand side. Looking back.NEAR CAVERN ENTRANCE . secure the area. No noise.
Finger extended. Flag on it’s side.CONTINUOUS The troops form a semi-circle around the hovering disk. MAC But why? A yell from above. He points to MAJ 12. MAGGIE Oh my gosh. Mac and Maggie come up Maggie gets her first eyeful of the hovering spacecraft. URI There is no resistance. GIANT SAUCER CAVERN . . AUSTIN Maj 12 can be reached through the air filtration system or the emergency exit shaft. Laura takes Maggie by the arm. INT. next to them. standing in awe. THE PLACE IS SECURE. Eyes watery. Sees the U. Walker and the pointmen circle in. We’ll enter it here. Looking around at his men. Lays it down. A commando in the grid above. He stabs the map.98. GRID COMMANDO NOTHING UP HERE. We believe the General and kids are here. A tool cart a few yards away. SIR.S. Austin unfolds A DUPLICATE SET OF BLUEPRINTS from his jacket. Covering her mouth. AUSTIN We’re here. The map illustrates the tiered levels. equally aghast. The core is here. Uri and Laura arrive near the saucer.
Don’t use force unless absolutely necessary. But ignites another commando. Men dive on him. . His gunfire ricochets off the roof and the Walker’s The giant leaps on him. Quickly. Scanning everywhere. Dismembering. Pointy eyeteeth. INT.CONTINUOUS The giant leaps randomly from side to side squashing soldiers at will. the rear. Walker fires. With precision. WALKER WE’RE CLEAR. Mac and company near The next station is illuminated five hundred feet ahead. Puts it on.MOMENTS LATER The entourage files onto the station platform. Walker points his flashlight. It’s mayhem. Three more close behind.CONTINUOUS Pitch dark. AUSTIN Remember you’re briefing. Oval eyes. wails echo down the tunnel. AUSTIN LET’S MOVE OUT! INT. tunnel walls. Uri peels off a commando’s night vision. NIGHT VISION . Literally pulls him apart. Walker motions the team with his flashlight along the tunnel walls.TUNNEL . stealth. TRAIN TUNNEL . TRAIN STATION PLATFORM .MIDWAY . A slow jog into the dark tunnel. A LARGE SILHOUETTE drops from a hole in the tunnel ceiling. smother the flames. Walker jumps onto the tracks. Commandos with daggers drawn watch helplessly. The group jogs silently. He screams in pain. Goes A flamethrower guy tries his luck. Misses.99. It’s THE GIANT. Everyone else jumps down. WALKER Don’t fire unless fired upon.
100. Still smoking. . MAGGIE What can we do? Reaching into his shirt neck. what is it? MAC Nephilim. MAC It’s time to be strong in the Lord. BRIGHT AURORA LIGHT PARTICLES suspend him there. Gunshots from behind him skim over Mac and Maggie’s heads. MAC Nephilim. Yelling above the rattle. The giant quickly leapfrogs his way down the tunnel toward Mac. eyes look side to side. Sparks and bullets ricochet all over. URI You are strong in the Lord. Looks to Mac. Flashlights on him. He carries a bazooka. KA-BOOM! The giant is hit from behind. Holding Elisha’s ancient cross out in front. A large burning hole smolders through his head. MAGGIE Mac. MAC WE ARE STRONG IN THE LORD! The giant springs from the ground high in the air right at Mac. Some scream in agony from the strays. He’s enormous. is carried over Mac and Maggie. More outbursts of gunfire. MAC You’re a good shot. from Raphaim. He lands in a heap on the ground. Crouches down. They fixate on Mac. Mustering faith. Tears rolling down. URI Seeing is believing. Uri walks up. Lit by thirty flashlight beams. His oval Goes to the slain giant. He lands twenty feet in front of Mac and company.
SIR! Two commandos pull out black Makita’s from their packs and unscrew the emergency elevator shaft panel. Anywhere. prepare for descent to Level 12.CONTINUOUS The troops fly through small room after small room. The commandos take aim. MAC They knew we were coming. AUSTIN Get it open. Move down the tunnel. URI Bizarre. He applies his hand. No resistance. Fix their weapons on another AN ADVANCE MAN finds a hand-scanner panel to open the station door. POINTMAN #1 CLEAR! They hop onto the platform. A hissing sound. EMERGENCY EXIT SHAFT . INT. SERIES OF CORRIDORS . Whispering to Mac. MEN! They slowly break up.MOMENTS LATER POINTMEN stick their guns.101. sliding panel. Each time readying for combat. then heads above the platform. It opens. Commandos encircle the fallen Goliath. . No MPs. INT. URI No one is defending. Still no MPs. Mole. NEXT TRAIN STATION PLATFORM . INT. AUSTIN LET’S MOVE IT. lower the ropes.CONTINUOUS POINTMAN #2 OVER HERE. Scan the station. Each time passing through an air-lock passage chamber.
AUSTIN HOLD YOUR FIRE UNTIL I GIVE THE ORDER! Uri gives Mac a look. HOLD YOUR FIRE. Uri locks and loads. AUSTIN (O. Eyes through cross-hairs.) STAND DOWN! STAND DOWN! ELEVATOR COMING UP! Mole unsnaps. Motions to Laura to fall back. ONE MINI-COMMANDO. Hops out of the shaft. It’s General Nathan (Roswell). LAURA Daddy! Hugs him tightly. The outer doors open with a loud hiss. Ten men kneel with their weapons aimed at the elevator. Ten more HK-MP5Ks lock and load facing the elevator doors. A lone figure steps out. a compact Latino wearing a mountainclimbing harness. AUSTIN Down the hole! POINTMAN (O. He slips the rope through a caribeaner with a brake bar attached to his harness. climbs into the shaft.) HOLD YOUR FIRE. .C. The inner doors slowly open. MOLE. Maggie moves closer to Mac for protection. MEN. MOLE READY FOR DESCENT. He positions himself. Silence but for the elevator whine as it ascends. Laura runs to him. Everyone adjusts their aim.S.102. Fingers flex over their triggers.
Holds it up. General.103. MacKenzie. They’re well and no harm has come to them. Austin arrives. ROSWELL Colonel Austin is to move his men from this level and go topside. He kisses her on the head. He looks around at the commandos. snaps to attention with a salute. All of us are to go with him. ROSWELL MacKenzie. I saw your children a short while ago. could. AUSTIN We got here as soon as we ROSWELL Good job. but they knew that. . But the truth of the matter is this. Maggie squeezes Mac. are then to proceed to MAJ 12 alone. your children will be released. The kids were not a compatible host. Uri shoots a Mac a look. Finds Mac. Mac and Maggie listen intently. Colonel. You for them. ROSWELL But I’ve been sent here to make an offer. sweetheart. ROSWELL Hello. ROSWELL It’s an exchange. He pulls a circuitlike key card with coding on it out of his pocket. ROSWELL You. The deal is this. Once you’re there.
MAGGIE That’s insane. yessir. To MacKenzie. So does Austin. MAC I’m the one to host? LAURA You’re the one. Lucy. ROSWELL Then this is how it lays out. If you do host him. ROSWELL Uri. If Mac agrees. you need to be destroyed with the base.104. did you get the blueprints? Uri holds them up. MAGGIE What are you saying? ROSWELL It’s time to exterminate this evil. ROSWELL The window to destroy the base is now. Looks to Uri. Abaris wants you. ROSWELL Is the core accessible? AUSTIN We think so. It’s your DNA and blood type that’s a genetic match. AUSTIN Sir. If you refuse to share your body with Abaris. . get the kids in exchange. sir. we send him down. I’ll go. URI Send me. and commence the core contamination to blow up the base. he’ll kill you. ROSWELL Their abduction was a trap to get you here.
He gently takes massages Maggie’s shoulders. Time to believe it. Laura’s.TOPSIDE .105. Maggie buries her face into his side.MOMENTS LATER Daylight reflects off the smooth hangar floor. MAC God has the final word. Mac inspects the card. Maggie. Mac remains by the elevator door. Losing it. Mac’s eyes meet Uri’s. They kiss for the last time. Uri and Laura behind him. ROSWELL Only Mac is a compatible host. MAC I’ll do it. He backs into the elevator. The rest of Austin’s commandos watch as everyone files out of the elevator. Handing Mac the elevator key. She looks up. Inserts the card. I’ll go. Looks up to his face. EXT. One last hug. ELEVATOR . Maggie at his side. Majestic. puts it away. The doors . MAC Elisha said we are strong in the Lord. MAC I love you. Roswell comes over. ROSWELL This card will let you access Level 12. MAGGIE I’ll never see you again. slowly close. All eyes on MacKenzie. Watery eyes.
elevator. Approaching. INT.CONTINUOUS The doors hiss open like a snake.106. janitor from the LAX men’s room entrance. MAC “Harvesting”. Asian man scurries into the open doors. Looks up with contempt. Dad. Mac steps off the It’s the same Sarah and Jeremy stand next to an ASIAN MAN. SARAH Where’s mommy? MAC She’s waiting for you upstairs. MAJ 12 . Mac stoops down and gives them hugs and kisses. MAC How are my dear ones? JEREMY I’m scared. ASIAN MAN Abaris wants to assure you they remember nothing of their harvesting. ASIAN MAN I go with the children. . Back to the kids. MAC How do I know they’ll reach the hangar? ASIAN MAN You watch there. SARAH DADDY!!!!! MAC PUMPKIN! Sarah runs with glee. Jeremy close behind.LOBBY .
Mac looks.CONTINUOUS Mac watches the screen. Mac heads to the bank of monitors. Choked up. Austin’s men milling about. He jerks it back. Touches its surface. Tousles their hair for the last time. MONITOR SCREEN . LARGE BLACK PANEL DOOR . He takes a deep breath. The doors slowly closing. The kids fire it back. MAJ 12 . INT. The kids run into Maggie’s Watch and wait. Maggie at the bottom of the screen. He kisses them both on the lips. Then steps out of the elevator. very. ASIAN MAN You go there. No harm. A dual bear hug. very.107. They’re gone. MAC Hold hands. . Now is the appointed time. Inspects the damage. He points to a bank of recessed monitors across the lobby. A lone tear. INT. All are safe.CONTINUOUS Mac approaches.CONTINUOUS Commotion on the hangar floor. Assuring. INT. Reality setting in. Wipes his mouth. Still kid level. Looks back. arms. Looks over at the large black panel. Knowing this is it. you guys. Asian man points to a BLACK DOOR behind him. He reaches his hand up. His hand goes through it.ELEVATOR LOBBY . very much. Mac gets a visual of the door. and this nice man will take you up. No visible means of entrance. MAC I love you very. Mac gives the thumbs up sign. A video feed of the hangar.
He fits the job. GIANT HANGAR . Uri. I’ve got a kamikaze mission and I need a volunteer.) I’ll go. Roswell lifts up a piece of bronze sheet metal. ROSWELL The only way we can get into the power core is down the solar shaft. Uri looks down the line.108. ROSWELL Let me tell it to you straight. I need someone half your size. Mac walks squarely into the large black face plate. Laura comforts Maggie and the kids far behind them. A line of commando faces listen as Roswell continues.S. He reaches in farther this time. URI I can go. Takes a breath. ROSWELL You’re odds of escape are one in a million. ROSWELL You’re too big.CONTINUOUS Roswell stands before Uri. Blueprints of the base lie on the hangar floor.) To destroy the base we need to contaminate the power core. Commando Mole has stepped forward. He pulls it back out.S. and the rest of the commandos. son. And disappears. INT. His arm disappears up to his shoulder. ROSWELL (O. Are you sure? . VOICE (O. Austin. ROSWELL Colonel Austin? AUSTIN It’s his call. The sun is hyper-intensified by a magnifying glass lens and will burn through anything it touches.
CORRIDOR . I knew you would come. ceiling. have a look. well. RASPY VOICE IN THE DARK We know everything.) Well.109. INT. Here.CONTINUOUS Mac stands in front of another black door. Seamless. That’s why I cleared everyone out. do we? MAC All of this was staged for my benefit? Laughing out loud. Whispering through his lips. All the personnel. Art MacKenzie. MOLE I like my chances. It’s MacKenzie.CONTINUOUS RASPY VOICE IN THE DARK (O. RASPY VOICE IN THE DARK Sit here. all those bothersome MPs.S. and Pthe left and right walls. Arthur. Mac enters into a circular room. CIRCULAR ROOM . We don’t want anyone hurt now. Mac slowly sits down. Mac squints to get a better look. oh yes. INT. The light filtering through the floor. and walls somehow fails to illuminate the man. I want to see you. It suddenly splits into four quadrants receding into the floor. Pointing to a chair next to him. Mac proceeds with caution. the ceiling. RASPY VOICE IN THE DARK Don’t be shy.MAJ 12 . MacKenzie. . MacKenzie. sir. everything. RASPY VOICE IN THE DARK MacKenzie. Mac sees the silhouette of a man sitting at a circular table.
110. like looking Hitler gesticulates wildly delivering an impassioned speech. Baghdad under siege. A control panel in the shape of a hand. Mussellini. Yes. The images stop. Molded into the The room explodes with a series of DIFFERENT HOLOGRAPHIC IMAGES. The Ayatollah. RFK shot at the Ambassador Hotel. Raspy inhale. He stares at the pictures. The second jet plowing into the World Trade Center. RASPY VOICE IN THE DARK You see. it isn’t a pretty picture is it? There is quiet. MacKenzie. Napalm in Vietnam. Pearl harbor being bombed by Japanese Zeroes. Hiroshima. The oil fields ablaze in Kuwait. North Korean leader Kim Jong-il. Atomic bombs in Nagasaki. Vivid moving images. through windows. Suicide bombings in Jerusalem. table. The Wailing Wall. . I want you to understand what we humans are. JFK’s head exploding in Dallas. The killing fields of Cambodia. Saddam Hussein. Hundreds of dead bodies in a river in Somalia. Mac jumps up from his chair. Castro. Kadafi. Osama Bin Laden. Chinese student protestors march arm in arm against militia wearing riot gear. The man places his hand in it. Human skeletons stacked in a concentration camp.
111. Mac is silent. RASPY VOICE IN THE DARK All the butchery, the pain, the misery. Mac shifts uncomfortably. RASPY VOICE IN THE DARK All of what you saw will be a thing of the past. There will be peace, security, and a world governed fairly. The aliens will change things. And quite for the better. MAC Why are you telling me this? The man rests his hand again in the indentation on the table. A light begins to illuminate the man’s face, lifting it from the shadows. Humming, not singing. RASPY VOICE IN THE DARK Oh give me a home...where the buffalo roam... Thrown off. MAC I used to sing that song with my... RASPY VOICE IN THE DARK ...your father? His face now illuminates under the light. It is Mac’s father, his dead father, sitting before him. Mac recoils. Leaning in. Too creepy.
RASPY VOICE IN THE DARK I am your father. I am now the one named Abaris. INT. DIMLY LIT CORRIDOR - MOMENTS LATER Mac walks slowly next to Abaris. ABARIS Abaris, after a Greek sage who had the power to heal.
112. You see, it was I who saved the alien who survived the Roswell crash. Mac has trouble looking ahead. ABARIS When his body began to die I allowed him to enter mine. MAC Is he with you now? ABARIS You have been talking to both of us, for now we are one. It has been the most valuable experience of my life. Feeling somehow ripped off. MAC You fake your death so that some alien could share your body over raising your own family? ABARIS Oh you mustn’t be cross. It has been for the good. Yes, and much more. But now my body is beginning to die. That is why I brought you here. Mac strains to process it all. ABARIS You, my son, are the person to carry on. To end the misery on this planet. If you will only allow us to enter. Abaris stops in front of a large panel. into four sections. He gestures for Mac to enter. INT. THEATRE CHAMBER - CONTINUOUS ABARIS The time of the mass revealing is almost at hand. A world of peace, harmony, love, and understanding. The true brotherhood of man realized to its fullest potential. The door splits open
113. The room is suddenly bathed in brilliant white light. A huge heavenly being floats from an entrance off to the side. He is magnificent, powerful, and splendid to behold. HEAVENLY BEING I am the archangel Gabriel. me. The angel hovers above Mac and Abaris. changes his appearance. Trust And gracefully
Ghandi, serene and holy with a white dhoti wrapped around his tiny brown-skinned body. Into Buddha, silent and detached, with a beam of light streaking from the center of his forehead. Into Jesus, hanging on a cross, wrists impaled by bony nails, a crown of thorns jutting into his bloody head. Mac watches breathlessly. The image changes again. A small point of light. Swirling. Into a primordial cloud of spinning galaxies. Into the universe itself. His voice echoes. THE UNIVERSE I AM THE ONE NAMED SEMJAZA! Suddenly it is gone. It has vanished. Complete overload.
Mac stands in total shock. MacKenzie.
ABARIS (O.S.) Mac looks around. His father calls him from an adjacent room. Mac reluctantly follows. INT. SOLAR SHAFT - INTERCUT AN EIGHT FOOT DIAMETER mirrored-paneled SOLAR SHAFT magnifies a concentrated six foot diameter beam of hot desert sun down into the base. A heavily perspiring Mole carefully repels down the shaft, flat against the side to avoid the intense beam. INT. MAJ 12 - THE TIERED ROOM - INTERCUT A large space with a strange reddish glow. of towers with thousands of shelves. Hundreds of rows
From the topmost tier. They are the ones who stimulated the creation of the world’s major religions. And soon their time of dwelling with us will be revealed. The alien in the saucer staring in hate. Putting it all together. The small gray with the doctor inspecting the giant’s foot. Mac keels over with dizziness. Muhammad. And the kingdom of heaven will be on earth. All genetically engineered. The rattlesnake on his heel.114. Divina with her throat slit. embryos incubate within a thick red liquid. ABARIS This is the future. An entire row of glowing hearts beat as one. INT. MAC’S MIND . A glowing hybrid heart beats in a glasslike container.SPEED MONTAGE OF IMAGES Lucy’s gaunt face in the psych ward. Jesus. On the shelves are countless glasslike containers. The mutilated cow carcass. Their seed and ours joined together to create a superrace. MAC The cow’s blood. Moses. Semjaza manifesting in the living room. ABARIS The aliens are here to enlighten us. The six-fingered skeleton in the ancient sarcophagus. ABARIS Krishna. MAC Embryonic Nephilim. To replenish their dying race and evolve ours. Hybrid .
TIERED ROOM WITH GLASSLIKE CONTAINERS . The red thick liquid squirms.CONTINUOUS Mac looks at a glowing hybrid embryo. Sarah and Jeremy floating in midair. this all might seem strange to you now. my son. They writhe and gasp. FOR HE IS YOUR BROTHER. Pushes the entire tower over on its side. MAC IT’S A LIE! YOU’RE A LIE! NOT MY FATHER! YOU’RE . The tiny creature twists and presses its hideous face against the glass. Seemingly in unison. INT. but I assure you it is the future of mankind. EMBRACE HIM. The jars smash open. But he’s transfixed. ABARIS YES. Exploding. ABARIS It’s time to embrace him. Its twisted face a look of hate. Mac snaps. The embryo turns in the jar so that its slanted eyes look out at Mac. MY SON. ABARIS You see. Laura slammed like a rag doll against the wall. It startles Mac.115. Mac jerks away. MAC THEY’RE ALL CROSS- ABARIS WHAT ARE YOU DOING? Pointing at Abaris. The embryo reaches out a clawlike finger. Hundreds of embryos spill across the shiny black floor. NEPHILIM! BREEDS. OH YES. Mac fights a gag-reflux. It scratches the side of the container. Puts his shoulder into it.
SEMJAZA I AM SEMJAZA. wings spread wide. Mac grabs for his throat.116. He’s gagging. He pushes over another tower. It’s time to believe. Booming voice. Choking. More embryos spastically twitch in the shallow thick cow’s blood. Breaking glass everywhere. Elongated head. Clawlike hands. Looking up. MAC IN THE NAME OF YESHUA THE MESSIAH I COMMAND YOU TO RETURN TO THE PIT OF HELL! Semjaza takes a deep breath and blows out a black cloud that envelopes Mac. MAC I need you. Gray scaly skin. He outstretches his razor-taloned fingers towards Mac. Slanted oval eyes. A warrior with a flaming sword. Holding up the ancient Jerusalem cross hanging around his neck. He goes down to the floor. Outraged. MAC WE ARE STRONG IN THE LORD AND IN HIS MIGHTY POWER! Projectile vomit at Mac. Gasping for air. BRIGHT AURORA LIGHT PARTICLES manifest into a TWENTY-FOOT ANGEL. The angelic being fills the space. . Semjaza comes closer. He’s drenched in foul fluid. They domino. A desperate prayer. Then his appearance changes. ABARIS YOU MUST STOP NOW! Brilliant white light floods the room. HOW DARE YOU INTERFERE WITH OUR COLONY? YOU CANNOT DESTROY THE FUTURE OF MANKIND! Mac back-pedals on the smooth shiny floor.
The angel swirls his sword in the air. Semjaza takes another deep breath. Heads for the black door. A gaping hole rips across the center of the floor between Mac and Semjaza. Before he can exhale. The angel aims his sword at the floor. like small tornados. It’s The floor rumbles as the abyss slowly closes. the loud rumble of an earthquake. The entire colony is spun into a frenzied helix and drawn into the depths. It holds against the supernatural force. They disintegrate as they fall to the ground. Suddenly tentacles of wind. Semjaza shrieks as he is hurled into the pit. revealing the suffocating Mac. The deafening noise subsides. His clothes flap violently. Another sound joins the cacophony of the whirling wind. Mac lies prostrate.117. A whirling hurricane engulfs the room. At last all is calm. A large ominous black pit descends as far as he can see. A larger tentacle comes up and wraps itself around Semjaza. His face a twisted mask of rage and fear as it tries frantically to move away from the abyss. to feet. his disjointed arm following him. Abaris steps back in bewilderment. severing the snakes into pieces. He desperately claws at a load-bearing beam. The angel’s flaming sword pierces the darkness. He hooks his clawlike finger on its edge. choking him. Semjaza lets out a tortured scream. He lashes his sword at Mac’s neck. No Abaris. He scans the room. the angel swings his sword and cleanly cuts off his arm. A crackling thunder fills the room. The warrior angel vanishes. Semjaza is now above him. Mac’s hair blows wildly. The noise is deafening. A lightning bolt hurls at Semjaza’s feet. The wind sucks down as the pit seals itself off. lash out from the abyss and encircle all of the writhing embryos and glass containers on the shelves. three large male rattlesnakes wrap themselves around Mac’s throat. then his body is torn from the clinging arm. He gets . In the cloud. Mac scrambles away from the pit.
corrupting the energy field. MOLE Crap. Then dives in. Light pours down the solar shaft behind them and is reflected through a giant prism onto a lake of yellow inorganic pulsating plasma some twenty feet away. SOLAR SHAFT . INT. As they run toward the shaft. He turns back to the pulsating plasma. MOLE C’mon baby. Three small grays yank him away.CONTINUOUS Mole hangs out from the shaft. Abaris looks down from one of the portals. He turns to watch the Nephilim giants charging hard.CONTINUOUS Mole pulls himself back up. Mole’s face peeks out upside down out of the shaft. A muted yell for help. And finally lands back underneath Mole. Under his breath. Alarms drone and red lights flash. . Mole drops to the ground and heads to the edge of the plasma lake. And again. It rotates revealing a row of oval shaped windows. In the portal next to him Cranston bangs on the glass. INT. swords drawn. He carefully launches the plane towards the lake of pumping plasma. Finds the pulsating lake twenty feet away. see Mole and brandish their swords. INT.INTERCUT TWO NEPHILIM WITH MASSIVE SIX FOOT SWORDS stand guard near a thick stainless steel door. Unzips a pocket and pulls out the piece of bronze sheet metal.118. POWER CORE ROOM . The guards spin around. A HOVERING SAUCER pulses a deep orange glow. He sees the guards. And slowly lowers himself again upside down. INT.INTERCUT Mac runs into a huge cavern. Sparks erupt as the power core commences a nuclear meltdown. Get there. on top of the large prism of refracted sunlight. The plane circles silently over the energy field. POWER CORE ROOM . Checks the guards again. He folds into an airplane. HUGE CAVERN . AN ALARM BLARES.
INT.CONTINUOUS Chopper One lifts off the tarmac. INT. CHOPPER # 1 . The giant hangar doors in the background are closing as the fireball pours past them into the daylight. ALIEN BASE TARMAC . the kids. Daylight pours through a tunnel at the far end. Laura.119. He inserts the circuitlike key card.CONTINUOUS The elevator doors open and Mac runs out into an empty hangar. Reserve power. Mac notices an emergency exit shaft against the wall. The saucer lifts higher and banks toward an opening at the end of the cavern. ELEVATOR . Alarms continue to echo. A red panel lights up. and some commandos commence to buckle up. He runs to it. Austin gets a visual of the fireball. Uri. Blackness. And is gone. Sees a small card slot in the panel. The others follow in .CONTINUOUS The four Black Hawks wind up their sagging blades. GIANT HANGAR . Austin. The saucer whisks towards the tunnel. INT. EXT.CONTINUOUS The elevator roars upward. Into his headset. ALIEN BASE TARMAC . ROSWELL Take her up. formation. Maggie. The doors open. Mac looks up as the lights flash and go out.CONTINUOUS Roswell. AUSTIN The base is going. Mac is thrown to the ground. A fireball blows the elevator doors out into the hangar floor. sir. KA-BOOM. EXT.
land in a heap. Sees a lone figure run out a narrow gap in the giant doors. Lurching at him. INT. Cheers all around. A sprinting Mac reaches up as Chopper One swings over him.CONTINUOUS Maggie stares out the open chopper door back at the hangar.CONTINUOUS A charred MacKenzie runs after the choppers.120. circles back toward Mac. INT. LOADED COMMANDO HE’S CONTAMINATED. ALIEN BASE TARMAC . MAGGIE IT’S MAC! EXT. EXT.CONTINUOUS A COMMANDO jumps into the open chopper door. HE’S CLEAN. aiming his assault weapon. HE’S HOSTING. URI IT’S MAC. They lock. running toward them. They all .CONTINUOUS Another explosion shoots a giant plume of fire through the hangar ceiling. CHOPPER # 1 . Finds Mac Chopper One Through the binoculars: a close up of Mac’s cross bouncing around his neck as he runs. CHOPPER ONE . and Uri pulls him off the ground into the already ascending Black Hawk. Uri extends his hand and grasps Mac below the wrist. ALIEN BASE TARMAC .CONTINUOUS Commandos pull Uri and Mac back into the chopper. TAKE HER DOWN! EXT. URI HOLD YOUR FIRE! Uri grabs the binoculars off the loaded commando. SIR. CHOPPER # 1 .
MAGGIE Don’t ever leave me. (TO BE CONTINUED. FADE TO BLACK. Cranston is gagged with duct tape. Dives into the ocean. The saucer angles steeply. Mac. MAC I promise. His bloodshot eyes wide with fear. MAC Hello pumpkin! Maggie picks him up into a bear hug. FADE OUT. deep orange glow. Abaris looks out the oval window. EXT. me you won’t. SARAH DADDY! Winded..121.SUNSET TITLE: OFF THE COAST OF PERU It pulsates with a Tears of joy stream her Promise A flying saucer arrives from hyper-space. PACIFIC OCEAN . And is gone.. In the oval window next to him. Hovers over the water.) . face.