Screenplay by D. David Morin

Based on the novel NEPHILIM by L.A. Marzulli

(Part One of a Trilogy)

Lunchbox Entertainment V (310) 200-5252

WGA: # 931080

The Nephilim were on the earth in those days --and also afterward -when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown. Genesis 6:4




A full moon tries to penetrate an eerie high desert fog. Flashlights pierce the darkness. PRIVATE NATHAN (O.S.) CAPTAIN MACKENZIE, OVER HERE SIR! CAPTAIN MATT MACKENZIE, thirties, in uniform, runs through the mist to the voice up ahead. His flashlight scans the ground. Shiny metallic foil-like pieces lay everywhere. MATT Will ya look at all this debris! His flashlight shines on one. closer look. He bends a corner. He stops. Picks it up for a No crease.

It pops back.

No wrinkle.

MATT What the... PRIVATE NATHAN (O.S.) OVER HERE, SIR, HURRY! He looks up, then back at the piece. EXT. CRASH SITE - CONTINUOUS The remains of a flying saucer cradle against a berm. Winded. MATT Whaddaya got? PRIVATE NATHAN Right there, sir. Matt shines his flashlight on something. An injured SMALL GRAY ALIEN with an elongated head and slanted oval eyes. He moves his oversized head slowly from side to side. A spindly arm raises a hand with SIX FINGERS. eyes from the light. His lids weigh heavy. MATT Shine your flashlight on me. him focus on something. Let He shields his Stuffs it in a pocket.

INT. sir. PRIVATE NATHAN (O. A telepathic connection. ART MACKENZIE. Major.. PRIVATE NATHAN Nothing. sir? The alien burrows his body right through Matt’s chest.. find anything? Slightly altered voice. Messy coffee table. INT. I think he’s a goner. MAC’S APARTMENT .BATHROOM .PRESENT DAY .MORNING A PHONE RINGS.) Doesn’t look too good. Worn curtains. what are you doing. PRIVATE NATHAN (O. And .S. His eyes lock in with Matt. The alien responds to Matt. MAC I’m coming. The new Matt stares him down. Tilts his head. Both Matt and the alien have faces lit. fifty-something.2. MAJOR MacKenzie.) Captain.CONTINUOUS Ugly shag rug. He picks him up and cradles him. RING. Sir. Steam rises over a tired shower curtain. A winded MAJOR arrives on the scene. Matt is drawn to the alien. grabs a towel. is gone. PRIVATE NATHAN But. MATT Nothing.S. pulls the curtain open. APARTMENT .

C. Email it tonight. Hits the speaker MAC CRANSTON You got the assignment? MAC Yeah. SARAH.MORNING Mac pulls up the emergency brake on his banged-up Jeep. MAGGIE. MAC Shoot. EXT.3. That new wing cost millions. phone.INTERCUT JIM CRANSTON. ARTIE JR. the hospital. Sets the watch down. Dripping everywhere. old school preppy newspaper guy. He jumps out the Jeep with his note pad in hand. You’re up. Mac punches off speaker mode. Mac goes to his desk. hospital. MAC You got it. He picks up some fish food. Sees an old picture of his ex and three children in a crusty frame. sixties. MAC Crap. WESTWOOD MEDICAL CENTER ..) HEY! Turning around. Sprinkles it in a fishbowl with Lifts a watch on the desk. MAC Yeah Runs to the . INT. yeah. Hello. VOICE (O. Checks his watch. No loonies or fanatics. CRANSTON’S OFFICE . JEREMY.THE TIMES . right? CRANSTON I’m on the Board. TWO GOLDFISH.

Mac arrives. HARRY. The new wing. She and Mac walk down a long hall. A BLACK SECURITY GUARD. picks up THE TIMES photo credential with Mac’s picture on it from the pavement. Blunt cut. Lots of glass. HARRY You dropped something. EVELYN KENNEDY. A protection against SARS. administrator. MAC Can we visit the sixth floor? Caught off guard. By rote. Calling out. EVELYN Every floor has the latest equipment. WESTWOOD MEDICAL CENTER . huh? MAC Yeah. MAC Thanks. Even the air conditioning has full filtration. Tall windows on the left.MORNING Fourth floor. Harry reads it. Late twenties. HARRY With The Times. why the military? MAC Military? HARRY Sixth floor. Mac runs off. More Pepperdine than Harvard. White floors. INT. . HARRY If it’s just a hospital.4. Handing it over.

DIVINA I pray for them. Mr. EVELYN Mr. MAC Pray for who? DIVINA The screamers. Turns the corner. A tiny cross on her necklace. Shrugs.5. Cranston said your story was on the overall construction cost and the special features of this wing. EVELYN The sixth floor is off limits. Muy peligrosa. Good-day.) You ask me. FEMALE CARIBBEAN ACCENT (O. MAC Why? She stops walking. Curt. MAC Can you show me these “screamers”? DIVINA Too dangerous. . MAC A prison? Si. Mac looks over. MacKenzie. EVELYN It doesn’t concern you.S. She’s gone. Her high heels echo down the corridor. A cleaning woman. name tag DIVINA. MAC Maybe the sixth floor is a special feature. it’s a prison. MAC I’ll pay you. Smelling a story. is squeezing her mop out into a bucket.

THAT NIGHT Mac heads through the double doors. INT. A moment. Where’s that accent from? Head up. DIVINA The Lord is telling me no. DIVINA You must believe them. DIVINA I am from Costa Rica. She hands Mac a maintenance uniform and hat.10PM . Meet me here before ten. Flippant. DIVINA I could lose my job for this. Fidgets with her cross on the chain. WESTWOOD MEDICAL CENTER . Getting dressed. not loco. Bites her bottom lip. MAC My story could help them. Scans the lobby. MAC I don’t kiss and tell. EXT. Anxious. Looks down the hall again. Pray God is with us.6. With pride. DIVINA I have two shifts. ELEVATOR . MAC You don’t need God when you’re doing the right thing. They are .MOMENTS LATER DIVINA Put this on. A skeptical sigh.

DIVINA Keep your hat low. MAC What’s wrong with her? DIVINA Same as the others. INT. Dark rings around her eyes. Mac reaches into his shirt pocket. towards him. He lowers his cap. She was abducted by the aliens. Gazes out at LUCY stands listlessly by the barred windows. Key in the door. She grabs her hospital smock with both hands. Mac looks through the wire-mesh window. Convulsive stammer. amber lighting. Opens it. Disheveled hair. . Pushes her cart to the next room. Nervous twitch at the corner of her mouth. Looks at Mac. Walks slowly Tape recorder on.MOMENTS LATER The sixth floor. huh? Divina unlocks the door. LUCY’S ROOM . MAC One of those. INT. Chewed fingernails. She glances at a camera in the corner. DIVINA You have when the bathroom is clean. right. the city. SIXTH FLOOR CORRIDOR . MAC Yeah. The entire corridor Divina points to a camera attached to the ceiling.CONTINUOUS LUCY turns. Elevator doors open. Mac glances at it. is lit with dull.7.

LUCY I struggle but I can’t m-move.8. LUCY They took my baby. Her voice dwindles. and I can’t stop them. LUCY Ou-outer space. Takes a step closer. Recorder off. MAC Tell me what happened. Reaches into his pocket. Voice trails off. She starts to tremble. LUCY Can you h-help me? I’ll try. They’re horrible. Sobbing. Words come faster. My husband’s asleep. Mac rolls his eyes. MAC Where are they from? Whispers. and they carry me out of the h-house. and I cry out to him but he doesn’t hear. LUCY They come at night. something sesexual. withdrawing within. . MAC Who’s horrible? A tear. LUCY Then I’m on a table and they do something to me. They come to my room and take me. MAC Who took you? LUCY They’re not from here.

LUCY Then they have my baby and show it to me. Then they trick your memory so you think everything is normal. LUCY Help me! Her bloodshot eyes look insane. Two MP’s head down the hall. Just a little freakier than most.CONTINUOUS Walking down the hallway. A hand in Mac’s chest.9. We go.and it’s not hu-human. Eyes unblinking. A hand grabs Mac’s arm. MAC You got all the help you need right here. LUCY The Pl-pleiades. CORRIDOR . He flinches. DIVINA Ahora! Lucy grabs his hand. . Eyes wide. She’s another whacko. LUCY Then I’m on the bathroom floor and it’s night and I’m bleeding and my baby. MAC Divina. Whispering.. DIVINA I pray your story will save her. look. baby’s g-gone! She stares through Mac. there is no story.... MP #1 You got ID? Sidearms on their hip. Haunted.

O. CALLER (V. Looks. Mac and Divina in the elevator. He reads an open newspaper on the table. RING.) There’s a packet under your door. Opens the door. Bed head. The third photo: Divina lies on the floor of a janitor closet in a pool of blood.O. MAC What? CALLER (V. He plops two Alka-Seltzer in a glass of water on the coffee table. MAC Who is this? CALLER (V.) They found you. Mac heads for it. Mac recoils. And a plane Grabs an old cordless. Fizzzzzzzzzzz. DIVINA He is with me. He opens the envelope. The first photo: Pulls out some photos. MAC Yeah. INT.10. MAC’S APARTMENT .) You visited the sixth floor. A manila envelope slides under it. He drinks down the bubbles. Her throat slit open. The second photo: Mac talking to Lucy. Latin charm. ticket. Mac looks at the front door.LATE MORNING Mac’s on his couch in a pair of boxers. Jumping in.O. He is training. Mac looks at them blindly. No one. Into the phone. MAC Who is this? .

The concourse buzzes with foreign travellers.DUSK. talks on an old-school phone hanging on the wall.O.O.FARMHOUSE KICTHEN . It pops back.O. . LAX . MAC’S BEDROOM . He stares at it. Opens the plane ticket: TEL AVIV.SUNSET MAGGIE. CREEK WALK VINEYARD . Dial tone. Mac sits at a barstool. sharply pulls the bed away and peels back the old shag. You’re not safe here.) You’re phone could be tapped. Mac’s ex.) You have something they want but you’re not to give it to them. The UFO debris piece his father found. Mac looks at the phone. plays with a GameBoy.CROWDED AIRPORT BAR . He puts it INT. a natural beauty.CONTINUOUS Mac enters the bedroom. 8.INTERCUT International terminal. CALLER (V. Looks at Divina dead in her own blood. Don’t miss that flight. Maggie’s mom. CALLER (V. Finishing up. clears dirty dishes off a counter. back in the sack. 6. Holds a drink. MAC WHO IS THIS? CALLER (V. DORIS. MAC I don’t know what you’re talking about. On his cell. Their son. He lifts a square of the hardwood floor and exposes a little chamber. Wrinkles it. INT. He pulls something out. Jeremy. He reaches in and takes out an old potato sack.11. INT. back in the floor. Tosses it. SARAH And that’s how David killed the giant Goliath.) The plane ticket is for tonight. washes pots at the kitchen sink. Daughter Sarah.

INTERCUT Cranston looks at a computer. Maggie wipes her hands on her cutoffs. MAC I love you. SARAH But Gramma says its true. MAC It’s just a story. It’s make believe. the phone. Pumpkin. maybe you’ll meet another flight attendant. MAGGIE I care that you’re lying to them.DEN . MAGGIE You haven’t seen the kids for six weeks. What’s come up? MAC I have to go to Israel. Something’s come up. SARAH MOM! As she drops the phone. sweetheart. Tan legs. MAC Can’t we ever get past that? INT. MAC Like you honestly care. MAC I can’t make it this weekend. MAGGIE Well.12.CONTINUOUS . Kitchen adjacent. MAC The Bible is a storybook. Lemme talk to your mother. Yelling out. Comes to . there’s no such things as giants. it isn’t true. MAGGIE’S FARMHOUSE .

I cheated on you. MAC Are you dating him? MAGGIE He’s sweet. Goodbye. you’re were never good at it. PINKIE RINGS Gimme a Heineken. Mac. M. It was wrong. .13. Gulps his drink. Mac. Don’t act jealous. Mac squeezes the mobile off. He checks in on me. A PINKIE RING fits snugly on the fat little finger of each hand. Slicked-over hair covers a bald spot. MAC For eighteen holes? MAGGIE Very funny. Don’t get killed. WE GOT OUR TEE TIME. MAGGIE Then make your alimony and child support. Beads of sweat. cell into his coat. when Artie died I lost it. To Mac. THE BARTENDER throws down a coaster. MAC Is that Cranston? MAGGIE What if it was? MAC My boss is cutting my own grass? MAGGIE You didn’t want your own grass. MAC Look. Slips the SIX A- AN IMPECCABLY DRESSED FAT MAN takes the stool next to Mac. CRANSTON MAGGIE. Dial tone. I want to make it right.

Turning to Mac. PINKIE RINGS Blow ‘em all to kingdom come. Just hovering. BARTENDER You good? MAC Yeah. Points at Mac’s glass. . At a Boy Scout camp. PINKIE RINGS I saw one once. straight up into the air. PINKIE RINGS Hey. it’s War of the Worlds! TV: AN ALIEN SHIP FIRES A DEATH RAY AT FLEEING CIVILIANS. please. just great. Either way’s all right with me. Not a cloud in the sky then off to my right is this silver disk. Mac pulls out his wallet. Without a sound. Pointing toward the television tucked up near the ceiling. Home of the suicide bombers.14. PINKIE RINGS Where you headed? Stewing over the phone call. Kills his drink. MAC Israel. MAC Check. The bartender plops down his beer. PINKIE RINGS We ran back to camp and told everyone what we’d seen. MAC One what? PINKIE RINGS A UFO. PINKIE RINGS All of a sudden this thing takes off.

She takes Mac by the arm and hurries him out of the men’s room. Intense GREEN EYES. James Bond sexy. High cheekbones. and we’re going to get it whether you’re here or not. Platinum bobbed hair. A A TALL FEMALE. backhand judo chop sends him to the ground out cold. An ASIAN MAINTENANCE MAN mops behind it.CONTINUOUS Mac stands at an empty row of urinals relieving himself. She removes her dark sunglasses. throws down a twenty. PINKIE RINGS WHERE IS IT? THWAP! The toe of a shoe kicks Pinkie Rings in the head. He slams Mac against himself. INT. Could be a wig. MEN’S ROOM . Carefully painted red lips. Mac zips up his fly. A chubby hand with a pinkie ring covers his eyes and presses a box-cutter razor against his throat. MAC There’s chat rooms for guys like you. Six hours later everybody but me denied we’d seen anything. Turns around.CONTINUOUS An orange safety cone blocks the entrance. Bows and moves the cone. He sees Mac approaching. MEN’S ROOM . MAC I don’t know what you’re talking about. Mac gets up. Choking. Mac grabs his briefcase. green. MacKenzie.15. PINKIE RINGS You’ve got we want. Thirties. Too . GREEN EYES We haven’t much time. EXT. Mac enters. and leaves. Could be contacts.

Overhead. Mac watches her vanish in the mob. They want it back. She turns and goes.CONTINUOUS She takes him to the boarding agent. MAC As in New Mexico? Who is he? GREEN EYES He’s on the inside. Piped in over the airport commotion.CONTINUOUS They rush out of the bathroom. INT. his wind knocked out. MAC Who called me? GREEN EYES His alias is Roswell. GREEN EYES Someone will meet you in Tel Aviv. Keep to yourself on the flight. INT.16. Mac looks back. CONCOURSE . MAC Who was that guy? GREEN EYES Your father left you something when he died.CONTINUOUS She races Mac through the crowd to his gate. Sees the maintenance man crouched against the wall. It’s not safe for you to be here. MAC Who are you? GREEN EYES I’m here to make sure you make your flight. EXT. FOREIGN FEMALE VOICE Final call for El Al Flight Number 783 for Tel Aviv now boarding at Gate 68. . GATE 68 . MEN’S ROOM .

ISRAEL COUNTRYSIDE . She’s gorgeous. artifacts . smiles. Uzi’s. SCREAMS.) Your ticket and passport.CONTINUOUS The back is crammed with food and supplies. MAC Where are we going? URI The Valley of Raphaim. EXT. He rolls his eyes.S. TEL AVIV AIRPORT . DUSTY HUMMER H2 . Mac shakes it. Mac pulls out his passport and ticket. HIGHWAY . Tools. MAC I’m MacKenzie. INT. KABOOM! A suicide bomber. Identifying himself. BENHASSEN. URI Welcome to Israel. Massive crowd. Uri takes I am BenHassen. Uzi’s run in all directions.AFTERNOON A dusty Hummer H2 speeds along a remote two-lane highway. his bag. URI She A rugged-looking Israeli man holds it. EXT. He extends a thick calloused hand. SMOKE. A crude cardboard sign held above the masses. Slight accent. Hands it to her.MIDDAY A haggard Mac pulls his suitcase into the bright sunshine. Mac spies it. please. Grabbing Mac’s arm. “MAKKENZIE”. Armed soldiers everywhere. running for cover.INT’L TERMINAL . bounce in the back. MAC Who? URI Call me Uri. FEMALE FLIGHT AGENT (O. The crowd scatters. Uri takes evasive action.17.

Shalom. a small webcam reset above the screen. The screen divides into three vertical panels. Uri’s grandfather. ELISHA BENHASSEN. Just checking in.18. yes. MacKenzie. I’m quite good. ELISHA Shalom. Welcome to Israel. MAC I assume you’re on the good side? ELISHA Yes. uncovered something. Elisha. Center dashboard. Bouncing around violently. MAC Raphaim? URI The Valley of Death. Same accent as Uri. The H2 hits a large bump in the road. Finds ELISHA Good. late seventies. thank you. Mac looks around to see where his feed is coming from. URI Shalom. On screen. gentlemen. GPS screen. get there? We have Believing is How long to URI Everything here is three hours. MAC I guess we’re safe. and Mac is screen right. I am Doctor Elisha BenHassen. Uri screen left. Time for my nap. . Everything flies. We are clear. center panel. seeing? MAC Seeing is believing. making sure you are safe. See you on arrival.

CONTINUOUS Pointing.MOMENTS LATER Uri walks Mac to the massive open pit. At the heart of the pit is a small room with workers surrounding a large sarcophagus. URI It’s bizarre. Workers with shoulder-sling canteens and hand shovels wave at Uri as they drive by. Worklights stand strategically. Mac stops alongside. INT. VALLEY OF RAPHAIM . EXCAVATION PIT . Tents. Mac gets a visual. EXT. . The ground starting collapsing the day we found the tomb. Taking it all in.MOMENTS LATER Uri stops at the top of the large open pit. Yellow caution tape outlines a large twenty-foot circle off to the right. and port-o-potties litter the area.A DIG SITE . DIRTY H2 . More dust.19. generators. EXT. Chickens and a few goats scurry out of the way. EXT. DIG SITE . URI The excavation is over there.AFTERNOON Dirt and dust. An ATV with two people on it drive past them. Exposed catacombs stretch out below them. MAC Did the excavation cause it? No. A semi-circle of phallic monoliths surround an altar. Beneath them lies the ancient temple ruins of a pagan fertility god. Like quicksand. The H2 weaves its way through the camp. MAC What’s that? URI A sinkhole.

a large. Over twelve feet in length. In the center. EXPOSED SMALL ROOM . He extends a twisted arthritic hand. Elisha BenHassen. OLD VOICE (O. Stupefied. ELISHA BENHASSEN. Dr. Stepping next to Mac.S. URI This is my grandfather. . Peers into it. There’s an ANCIENT URI This is Art MacKenzie. heavy. A faded cotton shirt hangs loosely around his thin body. the American. Completely intact. Welcome. A GIANT SKELETON.MOMENTS LATER A small inner room. URI Here. Mac steps forward. MacKenzie. The heavy lid lays next to it on a thick block of rocks. They turn. Grasps his hand. MAC Holy cow. MAC What is it? Nephilim. The workers step back as Uri enters with Mac. Wire-rim trifocals. CROSS tied loosely around his neck. it’s a giant. MAC My God. STONE SARCOPHAGUS. DR. Stained khaki pants. A wizened elderly man. Mac migrates over.) Anakim. Enormous size. Rephaim. Six fingers. Stoop shoulders. White beard. URI Go look. White hair creeps over and out of his ears. INT. six toes on each hand and foot.20. ELISHA Shalom. Tall walls.

An OLD BIBLE on the heavy lid.and also afterwardwhen the sons of God went into the daughters of men and had children by them. All different words uttered by my ancestors thousands of years ago to describe the same creature. We seemed like grasshoppers in our own eyes. Tender accent. ELISHA Meet Goliath’s bloodline.21. MAC You’re kidding. The old man gingerly sits down. He motions for it. Uri pulls up a wooden crate. MAC What is it? ELISHA Have you ever heard of David and Goliath? MAC Of course. Anakim. ELISHA Nephilim. ELISHA ‘We saw Nephilim there. Mac jumps. ELISHA “The Nephilim were on the earth in those days . Crooked fingers trace the letters etched in the stone lid. .” A FEMALE WORKER blasts an air-horn from the top of the pit. and we looked the same to them. Rephaim.’ MAC “Nephilim”? Elisha turns to Genesis. right? ELISHA When my people first entered the Promised Land they reported giants living there.

Mac and Uri sit around a folding table with grapes. ELISHA Let us eat. MAC The toe? URI DNA testing.22. Points.MOMENTS LATER Elisha. MAC Who were the “sons of God”? Leaning back. one of his leaders. . Stops MAC Lucifer and his disgruntled lot? ELISHA Semjaza. MAC Fallen angels? ELISHA They came to earth and resided here. Mac can’t resist touching the giant bony foot. EXT. resulting in unholy union between themselves and earthly women. Not tracking. CAMPSITE . ELISHA The fallen angels. Nephilim. The result. They all head out. and sandwiches. A lab in Jerusalem. FEMALE WORKER FOOD IS READY! Come. The human race became essentially non-human. cheeses. Uri. Elisha offers Mac a sandwich. Mac notices a toe missing on the skeleton’s left foot. By corrupting the human offspring.DUSK . He takes it. the fallen angels had altered human DNA.

MAC A bit harsh. What if they are from a dying race. and have come only to renew themselves with fresh genetic material? ELISHA Certainly plausible. URI That is your theory. MAC How so? ELISHA He had little choice! With Semjaza’s demonic fornicators. The rest of the imperfect inhabitants he destroyed with The Great Flood. Uri reaches for more grapes. It says Noah was perfect in all his generations. Lucy? .23. a distant planet. if it’s true. ELISHA It is harsh! And definitely true. These aliens are again offering technology and are abducting women for intercourse. ELISHA Now present day. Cleans his glasses on his gauzy-soft shirt. MAC What does that have to with me? ELISHA That woman you talked to at the hospital. Noah? MAC As in Noah’s Ark? ELISHA Precisely. the original gene pool of mankind was polluted beyond recognition. Not convinced. ELISHA But God saved those who had not been corrupted. Perplexed.

His senior assistant. stands nearby next to a lightbox. Elisha sits as Mac and Uri stand close behind. stands up and offers his chair to Elisha.DR.WEBFEED Computers line the walls atop benches and tables. INT. WORKER Jared has Dr. MAC What about her? ELISHA She’s telling the truth. COMMUNICATIONS TENT . DNA. a young techie. FINEBERG stands by a bench. MAC You’re saying that these supposed aliens are actually demons? ELISHA Yes.. by.MOMENTS LATER JARED. us go. On a work table a 17” Powerbook with a webcam attached. COMPUTER SCREEN . Jared stands Let . Fineberg online. URI The DNA results from the giant.. MAC How do you know? ELISHA These aliens are the fallen angels. God’s spiraling signature of human creation. Once again they are impregnating our women and creating a superrace of hybrids. MOISHE. DR. Sophisticated equipment everywhere. FINEBERG’S LAB . Trying to connect some far-fetched dots.24. ELISHA Ahhhh. Technicians task away. part of an elaborate deception. A WORKER runs up to the table.Nephilim.

25. Difficult accent. . Fineberg. MOISHE The skeleton DNA is not complete. MAC What’s so different? DR. DR. Rapid gunfire strafes the place. Intrigued. FINEBERG It doesn’t match up with any of the four known nucleotides. DR. sequenced. MOISHE We ran it three times with a sequencing gel. MOISHE The tests show that it is not entirely human. DR. It is something we have never seen before. We have the DNA results. There is a foreign nucleotide which creates an exotic pair. But the sarcophagus sample did not. FINEBERG It is fragmented. MOISHE Nothing on this planet has a fifth nucleotide. BenHassen. We’ve never seen anything like it. In the background. FOUR MASKED GUNMEN dressed in black rush the lab. FINEBERG The control sample. FINEBERG Simply put. ELISHA Shalom. DR. this is a different life-form. my DNA. Jumping back in. Dr. FINEBERG Shalom. Moishe slips a large piece of film over the lightbox. but I am afraid Moishe’s English is better.

LATER Elisha sleeps in an armchair in a corner of the large tent.ELISHA’S TENT . ELISHA Jahweh be with us. station. Fineberg and Moishe killed. gunmen place charges. enemy is not happy. Elisha shakes off his nap.26. Waving. EXT. ELISHA We go. MAC And? ELISHA The results were the same as Fineberg’s. JARED. WITH ME. . MAC What do you mean? Our ELISHA Roswell did secret DNA testing on amniotic fluid from Lucy. URI MACKENZIE. TELL HIM WHAT YOU SAW.NIGHT . Uri races out of the tent. CAMPSITE . Jared jumps to another work The ELISHA We are uncovering the truth. URI I’M GOING TO THE LAB. Uri pulls up the H2 a short distance away. Evacuate. General Roswell is on the webcam. GET ROSWELL. Very good. Technicians mowed down. KA-BOOM! Elisha’s laptop screen goes blank. A fifth nucleotide. Jared nudges him. JARED Doctor.

At the outhouse door he notices the sinkhole. Does MacKenzie have the piece? ELISHA We haven’t gotten that far. Things are heating up. INT. Heads towards the port-o-pottie for a middle of the night pee. SINKHOLE . He hears something. still earning his trust. Elisha leaves his tent with his lantern. WORK STATION TENT . sir? ELISHA No. Then video is gone. EXT.27. Elisha. . Heads for the site. Roswell. God is sovereign even over the internet. POINTY EYETEETH. Something He reaches into the sarcophagus and picks up the skeleton. Webcam feed. ELISHA Shalom.MOMENTS LATER Computer screen. RIPPED. Sorry about Fineberg. ROSWELL Shalom. We are Interference overtakes the image. Holds his lantern out for a better look. CAMPSITE . EXCAVATION SITE .CONTINUOUS He sees a TWELVE-FOOT GIANT. INNER ROOM . Roswell is speaking but there is no audio. JARED Should I try him again. EXT.CONTINUOUS Elisha stops at the yellow tape.NIGHT . Looks down at the inner room. LARGE ALMOND EYES. EXT. different. Digital delay.CONTINUOUS Elisha arrives at the rim. The twenty-foot sinkhole is now a twenty-foot bottomless pit.LATER The camp is asleep. INT.

URI And our skeleton is gone. He turns. Elisha holds up the ancient Jerusalem cross from around his neck. All our proof has disappeared. MAC That’s just too fantastic. EXCAVATION SITE RIM .CONTINUOUS The giant faces off with Elisha. BRIGHT AURORA LIGHT PARTICLES flash around him. INT. Leaps twenty feet over Elisha and into the sinkhole. MAC You really saw a giant? ELISHA As real as you. Lifts the skeleton over high over his head. The giant squats. ELISHA STOP IN THE NAME OF YESHUA! The giant freezes. ELISHA IN THE NAME OF JEHOVAH EMMANUEL. Mac and Uri face . They stare at their tea. Superhuman speed. the Nephilim are back. The sinkhole closes back into quicksand. I COMMAND YOU TO LEAVE. He’s gone.MUCH LATER A lantern sits on a folding picnic table. EXT. The giant bounds up the ramp. our DNA is annihilated. Slamming the table.NIGHT . Elisha.28. ELISHA’S TENT . An old pot of tea sits center. URI The skeleton is gone. ELISHA Holy God. Is about to throw it at him. Sees Elisha at the rim.

29. God has brought MacKenzie here for a reason. ELISHA Not all our proof. MAC No. MAC Probably got him murdered. yes? Unsure what’s next. Did he leave a piece of the debris with you? Mac looks at Uri. ELISHA Yes. wrote a letter saying as much. Mac looks up. ELISHA What did he write you? MAC About handling sections of the saucer. ELISHA Did he talk about an alien? Mac looks at Uri. MAC What alien base? . too. He MAC Is that what this is all about? ELISHA Do you still have it? MAC What does it matter? ELISHA Roswell believes that piece has information encoded in it that’s linked to the alien base. MAC How so? ELISHA Your father saw the UFO in New Mexico. Looks back. or whatever it was.

MAC Yeshua A Meshiac? ELISHA Yeshua the Messiah.30. lantern. We need to get that piece before they do. As a boy I was interned at Bergen Belsen. We believe there is a harvest colony there of cross-breeds. 2-4-2 MAC What’s that? ELISHA The Holocaust. ELISHA Your military has a base in Nevada.S. Military is working with aliens? ELISHA They have been since 1947. A Messianic Jew. Mac looks at Uri for verification. MAC I thought you were a Jew. MAC You survived? ELISHA Yeshua A Meshiac was with me. ELISHA Do you have the piece? Mac notices a faded number tattooed on Elisha’s wrist. ELISHA A Jew that receives Yeshua as the Messiah of Israel. MAC I see. 5-6-0Closer to the . The aging Elisha leans onto the table. It’s our only chance of destroying the base. MAC The U.

Standing feebly. Now you must choose. You cannot serve two masters. There are spiritual principalities. ELISHA There is a God. MacKenzie. ELISHA I am strong in the Lord. Drawing in. MAC Hidden under a floor board in my apartment. Mac shifts uncomfortably. Uri and Mac head out of the tent. MAC Who exactly are you? ELISHA I have chosen God’s side. Mac stops. MacKenzie. I do. Goodnight. URI I’m going back with you.31. Uri will diagnose it. Do you still have the piece? A breath. ELISHA There is important data stored on the piece. Confiding for the first time with anyone. . Yes. But now I am tired. MAC When? URI Daybreak. Looks back at Elisha. and Yeshua is his son whether you believe it or not. ELISHA Where is it now? Some hesitation. MAC Yes.

I saw you were coming here. He sings a prayer in Hebrew over Mac. BenHassen. that He was sending you. ELISHA A month ago I had a dream. . MAC Dr. He embraces Mac.DAWN Elisha wears a worn prayer shawl and a faded yarmulke. be with you. You ELISHA I will pray for your safety. ELISHA He delights in using the weakest of us to carry out his will. Shaking his head. Tears well up in the corners of his eyes. CAMPSITE . He finishes and slowly takes his arthritic hands off his head. For the first time I am sorry God promised to never send another flood. must pray as well. EXT. God will Points at his watch. MAC I’ll try. MAC For what purpose? ELISHA He will show you in time. Uri honks the horn of the H2. you really saw a modern day Nephilim? ELISHA Yes. MAC Why? ELISHA To accomplish His purpose. Wistful smile. MacKenzie.32. MAC I’m no saint.

LATE AFTERNOON An El Al 747 touches down on the runway. ELISHA God has the final word. MAC It’s in here. Mac’s queen-sized bed stands on end. MAC It’s gone. Tampered door knob.CONTINUOUS Clothes strewn everywhere. The ugly shag rug under the bed has been pulled up. The goldfish bowl lies shattered on the desk. Both men freeze. EXT. Wheels puffing out Sawed out dead bolt. The crusty picture frame is missing. BEDROOM . The phone. Heads to the bedroom. Uri motions to answer it. Puts it over Mac’s head. MAC’S APARTMENT . Stealth-like.FRONT DOOR . Mac jumps through the mess.CONTINUOUS It’s ravaged. INT. Mac holds his gaze.33. MacKenzie. The old hardwood floor pulled up. Torn upside down. His TWO FISH bloat from death. EXT. RING. Shalom. You must Nods slowly. ELISHA You will need this.DUSK Signs of trouble. Mayhem. stuffing everywhere. His sofa has been slit end to end. Elisha takes the ancient Jerusalem cross from around his neck. believe. Uri follows. . LAX RUNWAY . INT. smoke. MAC’S APARTMENT . The bed frame is mangled. revealing an empty secret space.

He motions them over. MAC’S APARTMENT . Large. A hard right onto a side street.O.CONTINUOUS They’re rolling. ten. MAC They got the piece. The rear window rolls down silently. Uri nods to leave. Mac downshifts and punches it. Mac and Uri get in.) Get a hotel.34. I know. Whoever is gone. the driver.BLACK LIMOUSINE . STREET .MORNING Mac and Uri cruise in the Jeep. STREET . ROSWELL (V. late seventies.INTERCUT Dial tone. A quick left into an alley. Someone’s . There’s an old warehouse across from the train station. See you at INT. wears a military uniform.O. tailing them. hops out. MAC HOLD ON. Muscular. A BLACK LIMOUSINE pulls up. EXT. DIEBOL. More bodyguard than chauffeur. EXT. EXT. Rearview mirror. Meet me there tomorrow at ten a-m.) It’s Roswell. ABANDONED FACTORY . MAC Hello? CALLER (V. Mac looks at Uri. More speed. He opens the rear door. Another right. ROSWELL. Dark tinted glass.LATER Mac and Uri sit in the dark shade of a loading dock.

Uri instinctively salutes. You’re bigger than I pictured. They became a rogue element accountable to no one. ROSWELL I’ve been involved with the alien presence since ’47. INT.CONTINUOUS ROSWELL Uri BenHassen. ROSWELL President Truman formed a group of men to study the alien problem. Mac shoots him a look. His eyes gaze impassively. ROSWELL’S LIMOUSINE . He waves him off. You have quite a decorated past in the Israeli Special Forces. He never knew. MAC General. MAC You knew my father? ROSWELL I was with him in New Mexico. Back at Mac and Uri. MAC What happened? Looks out the tinted glass. URI The alien base.DRIVING . ROSWELL And you’re Art MacKenzie. ROSWELL Your father was a good man.35. One shake. Shocked. Extends his hand. Roswell takes a long look. .

A dying alien convinced him to host his spirit. . MAC That’s why it won’t wrinkle. It turns sunshine into plutonium. The base is solar powered by inorganic plasma. Puts it together. ROSWELL More than that. But I believe they are cultivating embryos from alien abductions. It’s alien technology. ROSWELL The White House knows it only as an extraterrestrial research center. I believe the blueprints for the base are encoded in its memory. URI Nuclear power. URI A harvest colony. ROSWELL The outer coating of the saucer is a carbon fiber alloy with elastic memory. He now interprets his supernatural powers. MAC Who’s in charge? ROSWELL A man called Abaris. URI Security threat. ROSWELL The piece your father left you was from the mothership. Pulling out aerial photos of the base. MAC Why is the debris piece such a threat? He opens his briefcase.36.

MAC Where do we come in? A pregnant pause.37. He opens a map. We’re going in tomorrow. ROSWELL Tomorrow morning at zero-fourhundred you’ll meet me here. ROSWELL I know where the piece is. MAC But they know who I am. You’ll pose as new technicians. URI And destroy the harvest colony. ROSWELL The power core is highly secured. Points on the map. Uri’s military mind. . but I need you to identify it. They offer technology but they are out to destroy us. URI So we blow up the base. ROSWELL But we need the piece to get the blueprints. You’ll travel incognito. ROSWELL Only you can identify the piece. If the core is contaminated the reaction would obliterate the base. MAC Can’t we just let them keep it? ROSWELL The aliens’ agenda is evil. ROSWELL From here we’ll fly to the base. At the risk of sounding stupid. Outside Palmdale.

Diebol goes to the trunk. MAC’S JEEP . sporty and sexy. Diebol sticks it under an abandoned car in the parking lot. They’re gone. Stops.CONTINUOUS A VERY ATTRACTIVE WOMAN. No phone calls. They finish dressing quickly. Tumbleweeds. Go back to the hotel. HOTEL .LATER The Jeep pulls off the highway onto a dirt service road.3 AM Mac and Uri walk out of the hotel.HIGHWAY . thirties.MOMENTS LATER Back at Mac’s Jeep. Stands up with a quarter-sized object. SERVICE ROAD . Roswell pulls two shiny silver tote bags from the trunk. sits next to Roswell. EXT. ROSWELL Zero four-hundred. Change rooms. Be on time. Through the window they see a sign: EXT. beams. . Uri looks around. EXT. He looks under Mac’s Jeep.WESTWOOD . pulls out a telescopic pole with a mirror attached at the end. Another car pulls onto the road. INT. INT. check their car. Run to the limo.38. They change into their silver jumpsuits without a word. ROSWELL Diebol. ROSWELL Tracking device. PALMDALE 20 MILES. 4 AM. Sharp. Reaches in. The back tires spin. ABANDONED FACTORY . Gives one to each.LATER Uri holds a mini-flashlight in his mouth. Reads a map. ROSWELL’S LIMOUSINE . Flashes its high Climb in.

She looks back at Mac. She squirts some liquid in her hands. Pleasure. Shakes Uri’s. He studies . ROSWELL MacKenzie. MAC “Green eyes”. WOMAN I see you made your flight. LAURA Close your eyes. Blond wig? Smiles. this is my daughter. LAURA At the airport. Mac sits there. Smiles. hands. She extends her hand. LAURA Let it dry. Laura. ROSWELL And this is Uri BenHassen. URI Same for me. MAC I could get used to this. Then his Faces Mac. She opens a tackle box. She massages Mac’s entire face with the liquid. To Mac. MAC I don’t follow. LAURA LAURA It’s time for your makeover. her beauty.39. I made sure you got to the plane. She pats the seat next to her for Mac to come. It’s a make-up kit.

She hands Mac a synthetic thimble. Mac lowers it. She hands him a small mirror. and thumbprints. The lotion on his face dries into wrinkled skin. LAURA Lower it. Then offers it to Uri. She slips it snugly onto his thumb. She pulls out a ziplock baggie containing a matching color goatee. LAURA Put this on. She pulls a tube out. It quickly turns to an oily grayish white. She grabs a comb. Then takes his thumb. She pulls out some wire-rim spectacles. camera. LAURA Take a look. MAC Unbelievable. FLASH. parts his hair on the other side. She presses another button. Sees an old man.40. opens the lid revealing a scanner surface. FLASH. Another bottle. LAURA Uri. LAURA Thumbprints. presses it on the glass. He holds it up. Massages his hair thoroughly. Squeezes it in her hands. Uri watches her work quickly. Uri looks over. She applies it around his lips and chin. Clear adhesive. . Puts them on him. Hits a button on the side. photos. It prints out TWO LAMINATED PHOTO ID’S complete with names. She Laura faces him with a special digital She connects the camera to an external palm device. Uri leans across and presses his thumb on it. She centers him. Affixes the goatee.

Back to Roswell. Don’t look for me. Reads it upside down. under any look the Laura hands them each a small flip phone. If defer to me. do not least bit surprised. She smiles back. you can text message. ROSWELL The piece is in a special area. LAURA You’re from New Jersey. You are NOT to make eye contact. . Roswell shifts in his seat. Handing them over. Is that clear? MAC Is Laura coming with us? ROSWELL No. circumstances. Irving Liebowitz? She smiles at him. Is that clear? Mac makes eye contact with Laura. Mac clips it on.41. ROSWELL If we are separated. She attaches a clip. I’ll find you. MAC Who’s Dr. ROSWELL You are going to want to ask a lot of questions. Mac notices him wince. You are not to do so. ROSWELL You’re not to address you are spoken to you And whatever you see. Back to business. LAURA It goes on your left pocket. You will see aliens. anyone. And don’t talk to anyone. Mac shoots her another look.

Catches himself. GIANT HANGAR . Automatic . Walkies. weapons. Dobermans on harnesses. Sidearms. EXT. EXT.DAWN The limo pulls up outside a fenced area. four-story hangar. WalkieThe They get out. A FedEx Cargo jet is parked on the tarmac. Checking ID'S. talkies. towering doors are slightly open.CONTINUOUS Mac hurries up to Roswell and Uri as they enter the huge. Uri looks back up the stairs. Mac watches them go by.GIANT HANGAR . staircase.CONTINUOUS MP’S everywhere. INT. Mac stares ahead. Adjusts his glasses.EARLY MORNING The jet pulls up to a ten acre. ROSWELL Stay close.CONTINUOUS Top of the staircase. EXT. METAL STAIRCASE AGAINST THE PLANE . Time to focus. Uri close behind. People load by a Then Mac. GIANT HANGAR . Roswell passes the guards. ROSWELL (O. TARMAC . at Mac.C. LARGE MP NEXT. ALIEN BASE .42. Then Looks closely at the credential. A LARGE MP stops Mac. TWO MP’S. Deployed in twos. EXT. Yellow helmets.) We’re here. MAC A FedEx jet? ROSWELL Part of the deception. high hangar doors.

Roswell. All head toward a large elevator. the letters MAJ. Four more MP’s rush into the huge lift as the AIRLOCK DOORS hiss shut. Scientists and other plane passengers avoid the MP’s looks. Uri and Mac get off. Under his breath.43. Roswell. THE OPERATOR. Nods toward the control panel. everyone closely. They face the crowd. Certain areas of the hangar are sectioned off with tall black partitions. shoots Mac a look. wide doors whoosh shut. A TALL BLACK MP. Roswell catches Mac’s eye. Rifles up and ready. next to a sidearm. into the control panel. The large. Inspects He inserts a KEY attached to his belt. ROSWELL This is us. Eleventh floor. Uri and Mac rub shoulders with the rest. MPs exit. Stand guard. MPs salute and get back in. LARGE ELEVATOR CHAMBER . MAC Excuse me. . Mac studies the panel.CONTINUOUS A hundred scientists and technicians load in. The Elevator doors whoosh open. In place of floor 12 are Next to the letters MAJ is a horizontal slot in the panel for a specially constructed key card. INT.CONTINUOUS The floor numbers descend 1 to 12. INT. CLOSE-UP CONTROL PANEL .

Roswell approaches a blank wall. Mac whips around. MAC You go. Faint outlines of panels appear every four feet. Gone. INT. The MP stares down. BEEEEEEP! SCREEEEECH! A fast moving electric cart carrying more MP’s swerves to avoid Mac. ADJACENT LAB . No acknowledgement.CONTINUOUS Walls. . Motions to look inside.CONTINUOUS A SCIENTIST stands next to A SMALL GRAY BEING. A deadness. Whoosh. Mac smiles at an academic blonde. Slows down. Hate. Mac and Uri behind. It opens. SIX TOES. Panic. Eerie looking. Roswell stops in front of a panel. ceiling and floor are monochromatic.CONTINUOUS Mac plows into the far MP standing guard at the door. It slides open quietly to the left. Mac looks ahead. A GIANT. Mac looks to Roswell. Zombies. Two tall MP’s frame the door. HALLWAY . INT. Blank faces swoosh by. Mac looks up. He walks through.44. Light emanates from above. WHAM! INT. ELEVENTH FLOOR LOBBY . They’re examining someone. Mac approaches. Uri steps up to the panel. Roswell ahead. It’s rampant. Roswell looks away. Bony arms. Another lab up ahead. ELEVENTH FLOOR CORRIDOR . ANOTHER POD OF SCIENTISTS march quickly in his direction. A very low frequency oscillates from below. A HUGE FOOT. Looks inside.CONTINUOUS A small group of men and women with ID credentials pass the other direction. Roswell’s hand behind his back. It opens. He passes. Clipboards. He passes through. Mac quickly backs away. It closes. Mac falls behind Uri. A somber military gray. Elongated head. INT. Credentials. She looks down and away.

are checked. INT. They walk slowly towards another set of doors. SMALL DETAINING ROOM . They go through. ROSWELL There have an entire network of tunnels that crisscross under the planet. Whispering. TWO MORE MP’S talk to those at the door. A conductor sits in a glass-domed car at the front. Peers down the Their tags Inside the tunnel other tunnels bore through the concrete overhead and to the side. Roswell and Uri MAC My God. Ice. The door slides open. Mac approaches.45. Roswell reaches out. Benches constructed of a seamless material never seen before. are up ahead. They get waved through. Six seats each. Mac shoots him a look. Uri approaches. ROSWELL Not good. Nauseous. Quiet. but did not believe it. Overwhelmed. two abreast. did you see it? URI Yes. URI The sinkholes.CONTINUOUS TWO MP’S salute. SMALL SUBWAY STATION . Mac looks around. Sets the palm of his hand on a scanning device near the door. Mac does the same. ROSWELL Later. tunnel. A large cylindrical ceiling reaches twenty feet high. Roswell returns the gesture. Uri. An empty train glides out of the dark tunnel from the left. A moment. Four others cars behind.CONTINUOUS They enter the platform of a small station. Mac turns back to the lab where the alien was examining the giant. They go everywhere. Disoriented. INT. . Roswell walks to the edge by the tracks.

Mac and Uri get in the first car. The ceiling is a hundred feet high. They’re gone. covered with steel-girded catwalks supporting a maze of powerful lights. Mac is agog. Roswell clears his throat. He holds a small palm device. BUILT-OUT CAVERN . Twenty feet off the ground. URI Un-be-liev-able. INT. Quietly. They diverted the water. A metal scissor-lift ascends next to the craft with a TECHNICIAN in another silver jumpsuit. Used to be an underground reservoir. He quickly rejoins them. Sternly. . Some MP’s load in the car behind. Mac and Uri finally catch up.46. exposing the interior. thick cables. MAC Yessir. Walking forward. Motionless. Two men stand inside. Large luminous orbs imbedded in the ceiling cast a peculiar greenish light. closing the distance to the saucer. Roswell continues the same pace. The doors open.CONTINUOUS They enter an enormous space. The train accelerates quickly. Mac freezes in awe. Mac sees he has fallen a dozen paces behind. A portal is open. Still rubbernecking. ROSWELL Stay close. and overhead cranes. A glass command post nestles in the center of the catwalks like the body on a daddy-longlegs. UNIFORMED TECHNICIANS are stationed everywhere. Pay attention. ROSWELL It’s a natural cavern. A short distance away A DISK-SHAPED FLYING SAUCER HOVERS silently above the floor of the cavern. Then follows his gaze. Mac glances at Uri. Roswell.

It floats noiselessly. Blocking his line of sight. TWO LARGE. The creature jerks his head. ANGLED BLACK EYES dominate the alien’s face. . Inches from his face. Walk behind it. Mac is blanking. The sleek exterior is of a dull gray metal-like material similar to the debris piece. keep him moving. MAC Sorry. One of the men standing in front of the portal moves from the interior onto the lift. SIX FINGERS on each hand. Horrible images flash through his mind. Immobilizing. On the bottom are round indentations that appear to conceal lights. ROSWELL MOVE. They’re alone. NOW. A disproportionately large head. an area for equipment. He reveals another ALIEN. Taller. MACKENZIE. Mac and Uri stop The disk is seamless. They reach a partition. Facing him. Now. ROSWELL I said no eye contact. Roswell stops twenty feet from the disk. A row of windows circles the craft near the top. Distracted. Mac can only stare back. Roswell and Uri shore Find themselves in Mac turns around and begins to weave. A one-piece jumpsuit matches the color of his skin exactly. him up. Turn around and walk away. An AMERICAN FLAG is painted near the hatch door. MAC My God. next to him.47. An invisible force hits Mac in his solar plexus. Bothered by Mac’s very presence. Blurry. ROSWELL MacKenzie. Thin torso. Spindly arms. Looks right at him.

arms crossed. STORAGE AREA . Uri nods. INT. piece? How about any ROSWELL It has to be from that mothership! MAC It’s impossible.CONTINUOUS They enter a large storage area. Uri and Mac follow. A total sense of evil. Mac dives around the back of the pile. it. Looking up at the mountain of scrap. . The MP’s approach Roswell who is pointing at the pile and improvs a briefing with Uri. We may have been compromised. only to bounce back in perfect shape after his foot lifts off it. Time is of the essence. TWO MP’s The heavy door at the room’s entrance slides open. Inspecting random pieces.48. Like he wanted me dead. MAC We’ll never find it. Uri coughs loudly. ROSWELL You know what it looks like. ROSWELL Let’s move. What did you do? MAC A force came at me. He walks off briskly. LIKE DEBRIS thirty feet high. Mac circles up the pile. ROSWELL You drew attention to yourself. with automatic weapons enter the room. Find Mac clumsily climbs up the debris heap looking for the one. Each step silently crushes the foil beneath him. There’s A MOUNTAIN OF FOIL- ROSWELL My sources tell me the piece was brought back here.

Roswell nods to Uri and leaves with the MP’s.MOMENTS LATER Roswell stands next to the MP’s. Is distracted by the resilient foil pieces. MAC It’s a trapezoid. Mac peers around and sees the MP’s talking to Roswell. the bedding. A shaky voice.49. Uri scurries up the debris pile. Tall curtains drape from the high ceiling. Gets to Mac. ellipses. OLD VOICE FROM THE BED Come. Opens his palms. They’re all geometric shapes. BEDROOM SUITE .MOMENTS LATER A large room. Uri looks down at the scraps in the heap. LOBBY . The doors whoosh open. they spring back. Rhomboids. squares. than my hand. A little bigger They both sift through the arduous task. the wall covering. INT. ELEVATOR . the sofa. triangles. They head A circuitlike key card is . hexagrams. in the slot for level MAJ 12. The decor is exquisite. MAC Where’d they take him? URI Some emergency meeting. A KNOCK at the door. circles. INT.CONTINUOUS Roswell exits the elevator with his MP escort. URI What shape is it? Guessing.MAJ 12 . everything a shade of gray. Spellbound. He crunches them in both hands. INT. down a long hall. pentagrams. The carpet. The door closes behind them.

Looking heavenly. He walks to the foot of the bed. It has four sides. MAC YOU FIND IT.C. The MP’s close the door behind him. . He lets out a sigh. Abaris. ABARIS Hello old friend. Inspects it. His jumpsuit is zipped open. sits in bed in darkness from his chest up. ABARIS.) Yes. Takes it from Mac. We will soon be in need of a new host. ROSWELL What can I do for you? ABARIS This body is getting weaker.50. no two of which are parallel. Throwing the cross off his neck. it’s a trapezium. Then goes and picks up the debris piece under it. early eighties. Exploding. Roswell enters. ROSWELL Hello. OLD VOICE FROM THE BED (O. blocking his vision.CONTINUOUS Mac plows furiously on his hands and knees. we got it. come in Nathan. Freezes. INT. MAC Uri. Sees the cross a few feet away. STORAGE AREA . URI That’s not a trapezoid. Sweat on his brow. The door opens revealing Roswell and the MPs. Off Mac’s look. Uri scrambles over. The cross keeps swinging out around his neck.

Uri looks back. The workers start to load the train. Mac’s cell phone. stands. No one is there. Other technicians INT.CONTINUOUS RING. SUBWAY PLATFORM .AFTERNOON Lucy lays asleep on a bed. HALLWAY . Her eyes open. Closes her eyes and touches the top of the cradle. Hello? Roswell gives a slow nod. No one is talking. Lids have a peculiar red color to them. INT. ROSWELL’S LIMOUSINE . RING. INT. and walks to the door.CONTINUOUS Lucy walks down the hall towards the orderly’s desk. She walks into the hall. MAC . Mac shrugs.LATER Mac and Uri sit restlessly on the bench. No Roswell. Hair matted in clumps next to her face. She picks up the phone receiver.LOCKDOWN WING . Her hands bound at the wrists to She’s noticeably thinner. Mac and Uri both check the platform entrance. They join him in the car. stand by the tracks. Slides open. Roswell. Uri and Laura all give Mac a look. She sits up. Mac finds his phone. CAMARILLO STATE MENTAL HOSPITAL . INT. The restraints spring open magically. Low tones to Mac. The door unlocks itself. Her eyes are swollen shut. URI He’s in the train. The train whooshs off. stainless steel guards. A train pulls into the station.51. Sees Roswell in an empty car. BRIGHT AURORA LIGHT PARTICLES fill the air.

ROSWELL Where was she calling from? URI Check your call log. two gold front teeth.LOCKDOWN WING . How did you get out anyway? INT.. Gentle spirit.INTERCUT ROSWELL No one has that number.CONTINUOUS Convulsive stammer. skinhead.. She said “I’m the one”.you’re the waone. Trance-like. BUDDY Let’s go. HALLWAY .52. . INT. HALLWAY . URI Who was it? MAC It was Lucy. ROSWELL’S LIMOUSINE . Lucy. INT. LUCY You’re the wa-one. ROSWELL’S LIMOUSINE . Taking her away.LOCKDOWN WING . LAURA The one what? MAC I don’t know.INTERCUT MAC The one what? Dial tone. tatoos. INT. Phone time is over. A hand takes the phone away from her. BUDDY.INTERCUT A HEAVY-SET NATIVE-AMERICAN ORDERLY. hangs up the phone.

INT.GOLF CART .LOCKDOWN WING .CONTINUOUS RING. Takes a swig. Call her back. ROSWELL’S LIMOUSINE . Mac shuttles through his phone. GOLF COURSE . 9999. HALLWAY . Buddy looks at the receiver. It self locks.INTERCUT MAC Camarillo Care Center. PINKIE RINGS Where’s MacKenzie? .AFTERNOON A pinkie ring on a chubby finger holds a score card. Winded. threat. He INT. LAURA Ventura County.53. She’s a EXT. Buddy slides Lucy’s door closed. Roswell nods. MAC It’s 8-0-5. CRANSTON I want out. lockdown. Pinkie Rings is next to Jim Cranston. runs back to the phone. 805-876- Mac hits dial. PINKIE RINGS Not bad. PINKIE RINGS It’s too late. A short pencil writes down two “4’s”. BUDDY Camarillo Care Center. Finds the number. LAURA They’ve transferred her. Lockdown. He reaches for a can of Heineken out of the cup holder. Two birds. Dial tone.

A small fan blows behind her. U. PATRICE Yessir. Cranston reluctantly opens his cell phone. General Black. Mac. led by an ORDERLY. Beautifully braided hair. She stops tapping the pen. Pinkie Rings swigs again on the Heinie. and you are? ROSWELL General Black. CRANSTON Maggie hasn’t heard from him. around. INT. Do it now. She finishes. PATRICE Yessir. is on the phone at the counter. Are you part of the Conservatorship? ROSWELL I have orders. She lifts a long purple fingernail. .LATER FOUR SEVERELY MENTALLY RETARDED ADULTS. PATRICE BURROSS. PATRICE Are you related to the patient? ROSWELL No. Just a minute. Roswell Looks PATRICE How can I help you gentlemen? ROSWELL I have orders to see a patient from the military psych ward in Westwood. Say you have work for him. PINKIE RINGS Call her again. pass Mac and Roswell at the admittance desk. Taps her pen.S.54. A BLACK WOMAN IN A WHITE UNIFORM. CAMARILLO CARE CENTER HOSPITAL . Air Force. An easy smile. scratches his neck. in civilian clothes. nods.

Is she still sedated? DR. Veers to the He’s coming I can’t help . but it’s important that I see her. SHERMAN looks over. Impersonal. you. PATRICE Then I’m sorry. Over Roswell.55. SHERMAN Is he part of the Conservatorship? PATRICE No. DR. I’m not. SHERMAN Yes? PATRICE General Black is requesting to see a patient admitted from the military psych ward in Westwood. station. Reads Roswell. PATRICE Well you’re in luck. DR. DR. SHERMAN Is he related to the woman? Jumping in. SHERMAN? Over his glasses. ROSWELL No. PATRICE DR. PATRICE Would you like to speak to her doctor? ROSWELL Yes. DR. SHERMAN That’s private information. down the hall. MAC Then she is here? She glances down the hallway. sir. Holds a chart.

Notes the name of the executive director of the hospital. DR. Laura stands next to them. EXT. Diebol types the name into a laptop. BLACK LIMOUSINE . Carrys on. call Edward Higgins. also in civilian clothes. LAURA Don’t touch it.CONTINUOUS Laura and Mac exchange a glance. Tooth wireless does the rest. ROSWELL Diebol. CAMARILLO CARE CENTER . Doctor. He stops in the lobby. Hits return. . the executive director here. SHERMAN I’m not at liberty to discuss the case. ROSWELL Fine. Mac follows. Catching up. INT.CONTINUOUS Mac sees Uri. next to Diebol.56. All climb into the limousine. MAC What’s he doing? LAURA Finding a link between the executive director and one of our contacts. MAC Man this stuff itches. He’s Blue Mac still in disguise. He turns and leaves. MAC What next? ROSWELL A phone call. Thank you for you time. ROSWELL The military needs to know.PARKING LOT .

Mac. INT. Roswell. HIGGINS Lewis and I go back a long way. A Major Lewis. Even to use the toilet. Every room has a keyed entry. ROSWELL Make it happen. ROSWELL Thank you for your cooperation. HIGGIN’S OFFICE . Laura and Uri sit attentively. sir. Higgins thumbs through a file. HIGGINS Well. HIGGINS No particular reason.high school wrestling team. They’re old personal friends. it’s not exactly clear why she’s being held in lockup.57. MAC Contacts? DIEBOL Got it. MR. . Pressing. URI Lockup? HIGGINS It’s usually reserved for the criminally insane..LATER EDWARD HIGGINS. ROSWELL It’s imperative we see her now. A tall lanky man with stringy gray hair. LAURA How is she a threat? Reading on. Well. I came as quickly as I could. It was requested by the psych unit for security purposes. The Major informed me of the situation. no matter..

INT. Higgins looks to Roswell. A heavy wire-meshed window in it. WILD WAIL. He sees Crooked smile. Nods towards Lucy. Like a crazed animal. HIGGINS We’re here to see the woman we received this morning.58. Roswell discreetly looks at Mac. Bad dentistry. Opens it. Buddy opens the door. HIGGINS Some of them do that when they get excited. ANOTHER WILD WAIL. follow me. Feeling the pressure. BUDDY Oh. heads down the hall. she’s still sleeping. A HIGH.MOMENTS LATER Buddy fits his special key into a lock. Those teeth. ROSWELL I need a visual. BUDDY That’s the Screamer. Finally gives in. WOMAN’S DOOR . Mac . things we don’t. INT. The woman lays asleep on the bed.MOMENTS LATER A thick fire door. Mac and Laura exchange a heavy duty look. Turning to Higgins. Her hands bound at the wrists to the stainless steel guards. Buddy turns to Mac and Laura. nods back “yes”. They all go. LOCKUP WING ENTRANCE . A slow smile. HIGGINS Well then. Disturbingly amused.

ROSWELL How soon before we can have her moved? Confused. here. HIGGINS Major Lewis didn’t say anything about having the patient moved. Incredulous. Her life may be in danger. ROSWELL Thank you for your assistance. I’ll have to contact the Conservatorship and have it cleared.. . HIGGINS Here? ROSWELL Yes. but her chart indicates. Stay with her until we transport her. ROSWELL When she wakes up see that she gets some real food to eat. and I need your cooperation on this to the fullest. To Laura. Now I want her cleaned up and given a change of clothes. ROSWELL This is a matter of national security. ROSWELL Let me assure you it’s important we move this woman to a safe location. Cutting him off. the Major said to do whatever you asked. Shifting uneasily. HIGGINS Well. LAURA Yessir.59. HIGGINS Well..

S. sir. A few cards short. ROSWELL The debris piece is hyper dataintensive and the scan could take four hours to decipher it. Mac shoots Uri a look. . LAURA I got it. make a call for a special transpo unit. ROSWELL’S LIMOUSINE .) Got it. ROSWELL The software application is called MAJESTIC. DIEBOL (O. Handing it to Uri. A scanner built into the screen of this laptop will read the piece. will do fine. Laura will accompany them when they move the patient. ROSWELL Diebol. ROSWELL We have work to do.DUSK Uri plays with the debris piece. Roswell sizes up Buddy.60. ROSWELL Thanks again for your cooperation. HIGGINS The orderly can stay with her in case she needs assistance. Roswell pulls a laptop out of his case. you go. We’ll take it from here. Laura ROSWELL That won’t be necessary. Mac. he nods in agreement with Laura. MAC I can stay. INT. Speaking into his high-tech wristwatch. Turns to Higgins.THE 101 SOUTH .

Uri opens it. Blood is a vital element. . I’m due Pulls out a file.61. ROSWELL They’re have been cattle mutilations. Cows are drained of their blood and parts of their anatomy are cut away by a laser. Inspects the screen. ROSWELL There’s a fresh carcass in Arizona with an unusual twist. MAC What does that have to do with the aliens? ROSWELL The harvest colony incubating at the base. Roswell reaches into his briefcase. ROSWELL Use your cell phone for everything. You’ll go out there tomorrow. So is the web-feed in the laptop. everything you can find. Mac looks through the file. ROSWELL A memory cell from your piece should contain a blueprint of the base. URI To locate the power core. the base will self-destruct. Hands it to Mac. It’s signal is scrambled. video. I want photos. ROSWELL Exactly. back now. I don’t how Lucy got you. MAC Tomorrow? ROSWELL Laura will fly you out. MAC Hopefully with us not in it. We contaminate the core.

URI We’ll do our best. sir. They could come after the piece again. sir? It’s not much but it’s all I have. A look to Mac. Here’s five thousand dollars in small bills. The power door locks give Mac a scare. ROSWELL I’m dropping you near the hotel. A large wad of fifties. ROSWELL Gentlemen. I’m not sure our visit to the base was unnoticed. Use cash for everything. ROSWELL One more thing. Uri looks at the General. Mac’s still not cut out for this. Navigation should come quickly. He is looking for a new host to sustain his existence. ROSWELL The software is highly intuitive. Back into the briefcase.62. yourselves. Diebol pulls the limousine over to a stop. ROSWELL You won’t need it. . URI Yes. We need those blueprints to activate the core. ROSWELL That’s it. Abaris is in weak health. Keep to Uri shakes his head. gentlemen. We must preempt that. time is of the essence. To Uri. MAC What about my Jeep. then back at the debris piece.

They committed a security breach. Roswell passes out. CRANSTON What about Abaris? PINKIE RINGS The genetic engineers are still searching for a compatible match. She yawns. now out of the restraints. INT.SEDATED WOMAN’S ROOM . Bends over hungry and tired. INT. Reaching for his Heineken. Roswell is nodding off in the back. PINKIE RINGS General Nathan took those two out to the base. ROSWELL Diebol. Folds her arms. and is still sleeping. LOCKUP WING . Buddy enters. THUMP on the glass. The woman has clean clothes.63. ROSWELL’S LIMOUSINE . Still no transport. He’s pulled from Some kind of gas.LATER At a stop light.CONTINUOUS A basin and sponge lie next to the bed. combed hair. They’ve taken the piece. INT. 9:00pm. what’s going on? Diebol slumps over. the car. COUNTRY CLUB DINING ROOM . She checks her watch. Laura finishes rubbing lotion on her wrists. His door flies open.NIGHT Pinkie Rings and Cranston are being served their main course. HISSING. A A key into the lock. Looks at the door to the hall. Both are hanging up from cell phone calls. Coughing. BUDDY Everythin’ all right? . The door opens.

things. Look. quick-like. Self-locks.64. Laura follows him up the corridor. We’ll make it INT. Motions Laura to look inside. Faded linoleum floor. Buddy peeks through a patient’s wire-meshed window. He see Unlocking the bathroom door. . HALLWAY . BUDDY Oh heck. I know. A YOUNG THIN man with sunken eyes sits with his knees tucked into his chest. Cutting him off. BUDDY That’s the Screamer. LAURA . I really gotta go. LAURA She’ll be fine. she ain’t going nowhere.CONTINUOUS The iron door slides shut. BUDDY It locks from the outside. He rocks ever so slightly. just let me in the bathroom first. LAURA Okay.. Bladder bursting. BUDDY I bought you a sodie-pop but regulations say I can’t bring anything down into lockup.. You gotta come up to my station.. so you’ll have to knock or call when you’re done. Yellowed walls. More gold teeth. They finally reach then end of the hall. his chin resting on them.LOCKDOWN WING . I know. LAURA She’s still out cold. I have to use the bathroom and I could use something to drink..that we don’t. Buddy looks at the sleeping patient.

BLACKOUT.65. The Screamer uses his hands and feet and propels himself across the floor. INT. Sounds in the dark. Takes a A power failure.CONTINUOUS Laura rushes in the stall. LAURA Got it. THE SCREAM. Finds the main door. Opens them. breath. Eyes bulging. HELLO??? LAURA BUDDY???? . Laura looks down. LADIES’ ROOM . Great. Toilet paper. THE SCREAMER’S ROOM . BUDDY I’ll be right here so you go’head.CONTINUOUS ANOTHER WOUNDED WAIL. Bangs on it. INT. INT. Yells like a wounded wolf. Unzips her pants. Laura stumbling in the blackness. Pitch dark. The corner of the cell.CONTINUOUS The Screamer scans the room frantically. INT. Listens. Practically hopping. THE SCREAMER’S ROOM . Jaw locked open. Something bad is in there. LADIES’ ROOM . LAURA HELLO???????? Commotion. Stall door unlatches. LAURA Gotcha.CONTINUOUS THE WAIL. Laura freezes. Toilet flush. INT. LADIES’ ROOM .CONTINUOUS It’s getting closer. He presses his bony body as far as he can against the wall. Laura closes her eyes. Rocks faster. He whips his head back. turns around. Pant zipper.

No key. The sound of bodies hurling against the doors. CHAOTIC CONFUSION. LOW NOTE CRESCENDOES IN A HIGH SHRILL IN THE DARKNESS. He reaches for Laura’s hand.CONTINUOUS Buddy fumbles in the dark trying to get the key in the door. LADIES’ ROOM . He opens the door. BUDDY I’m tryin’. He finds it. The key turns the lock. she has no choice.CONTINUOUS Laura pulls on the door. Tear trails on her cheeks. BUDDY IT’S LUCY. LAURA WHAT’S GOING ON? BUDDY ELECTRIC’S OFF. She walks past Buddy timidly into the dark hall. EXT. Laura walks toward her room. GROANS AND BLINDING LIGHT explodes out of the sedated woman’s room. Laura regains her composure. Then it starts. LET ME HAVE YOUR HAND. LAURA (O. LUCY’S ROOM . . EXT. SHRILLS AND SHRIEKS. INSANE LAUGHTER. WILD. He lets go of Laura’s hand. Reluctant. Hands to her ears. Contact. ANOTHER SCREAM. GOT’EM ALL RILED UP. I’LL GET YOU OUT OF HERE. Backs away down the hall.) HURRY! PLEASE! BUDDY I can’t see it.S. Locked. The lock’s here somewheres. SCREAMS. More screams in the darkness. Toward the light. Freaked. The whole wing.66. A LONG. Then runs.

She can’t be heard. quivers. Mac turns the TV on with the remote. . Anxious. MAC’S HOTEL ROOM . Her body rotates in mid-air so her head faces the opening. A small steel-reinforced window placed high in the wall is gone. Mouthing to Laura. Mac and Uri stand in the middle of it in awe. URI That is monitored by the hotel. A helpless. Lucy floats above the bed. She’s awake. She’s sucked out the window. Lucy’s body In the darkness. wide-eyed. terrified stare. MAC How long’s that thing gonna take? Suddenly a huge hologram of the alien base engulfs the room. Has disappeared back into the laptop. Lucy looks her way. URI What are you doing? MAC Finding SportsCenter.DEAD OF NIGHT . Mac reluctantly complies. She peers through the wire-mesh glass. The rush of a freight train. LUCY HELP ME! Another noise. The 3-d blueprint spins slowly on an axis. She looks to the door.LATER Uri stares blankly at the laptop lid scanning the debris piece. They will know we are here. INT. Blinding light and wind pour through the opening. Laura screams through the wire-mesh glass. She screams. And it’s gone.67. Laura pounds on the little square window and screams.

68. Uri stares at the laptop. MAC How you gonna print that? RING! The hotel phone. They freeze.

URI Don’t answer it. MAC Maybe it’s Laura. URI Roswell said use only the cell. RING. MAC Maybe she doesn’t have it. URI Don’t answer it. RING. Mac moves to the phone. MAC Maybe she’s in trouble. Uri thinks on it. RING. Mac picks it up. MAC Hello? INT. EXTREME CLOSE-UP OF A MOUTH TO A PHONE - INTERCUT METALLIC VOICE We have Roswell. INT. HOTEL ROOM - INTERCUT MAC Who is this? INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT METALLIC VOICE Give us back the piece and we’ll make sure nothing happens to your wife and kids in Paso Robles.

69. INT. HOTEL ROOM - INTERCUT MAC I don’t know what you’re talking about. INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT Cuts him off. Pissed.

METALLIC VOICE You know exactly what I’m talking about. We’re watching you. INT. HOTEL ROOM - INTERCUT MAC Who are you? Dial tone. Mac stares at the phone. URI What did he say? Slowly putting the phone in the cradle. MAC They want the piece. They got Roswell. They’re going after Maggie and the kids next. URI They’re bluffing. Mac finds the small flip phone. Dials frantically.

INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT RING. A deep sleep. Hello? Cellular break up. Extremely choppy. YOUR LIVES COULD Maggie fumbles for the phone. MAGGIE


MAGGIE Who is this? Mac, is that you?

70. Every other syllable. MAC TAKE THE KIDS. LEAVE. Mac?

MAGGIE You’re breaking up.

INT. HOTEL ROOM - DEAD OF NIGHT - INTERCUT KNOCK-KNOCK-KNOCK. The hotel room door. kill the cell phone. Uri motions Mac to

INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT Dial tone. Maggie looks at the phone confused.

INT. HOTEL ROOM - CONTINUOUS KNOCK-KNOCK. More urgent this time. Moves quickly to the side of Mac follows the

Uri grabs his gun off the bed. the door. Delta Force.

He waves his barrel towards the bathroom. directive. Backs up. KNOCK-KNOCK-KNOCK. Uri motions at Mac to talk. MAC Who is it?

WOMAN’S MUFFLED VOICE (O.S.) It’s Laura. Uri gives Mac the universal “shhhh” sign. WOMAN’S MUFFLED VOICE (O.S.) MacKenzie, are you there? Let me in. It’s me! Loud whisper to Uri. MAC It’s Laura. Uri shakes his head “no”. KNOCK-KNOCK-KNOCK. WOMAN’S MUFFLED VOICE (O.S.) C’mon, open up!

Mac opens the door. A long hug. WOMAN’S MUFFLED VOICE Mac. URI Open from the side then stand clear. MAC’S HOTEL ROOM . URI It’s a trap. MAC You can’t just start shooting people. Pissed. I’m Aims his gun at Uri motions “halt”. Listens. Mac heads for the door. If it’s a trick. Uri waits. calling hotel security. Then nods. Closes the door. Uri swings around to the middle of the room. MAC I know it. somebody is going to start shooting. Instructing in whisper tones. Angry whisper. Mac heads for the door. Checks the hall. MAC You said they we’re bluffing. She runs into Mac’s arms. Uri snores loudly in his bed. He nervously wipes his chin.71. Uri pulls them both in. . listen to me! It’s Green Eyes. Head high. open up! Anxious. It’s Laura. Sharp whisper. It’s her. the door. MAC There’s no MacKenzie here. Laura lies on some makeshift bedding on the floor. Alone. Mac lies in his bed. INT. Frazzled.MUCH LATER Light spills out the partially open bathroom door. stares at the wall.

LAURA And? MAC The same day. Softly. No need to talk. Mac copilots. Mac pokes his head up. INT. Wraps her other arm over him and pulls him into a long squeeze. MAC A week ago a rancher in Billings. Stares blankly ahead. Uri chokes on a snore. Mac holds his finger to her lips. Over the engine noise. Referencing the file. . Whispers. to Mac’s bed. They stare a while longer. Spoons behind him.72. Mac puts his arms around her. Looks over. Wearing only a hotel bathrobe.MORNING Twelve thousand feet. Her eyes are still moist. LAURA Okay.AIRBORNE . LAURA’S PLANE . Laura pilots. Montana saw one of his cows float upward into the belly of a UFO. Mac turns over to face her. She climbs in. a farmer sees his prize cow do the same thing. in Biloxi. She sniffles. Laura slowly rises. She goes Laura slips an arm under Mac. LAURA Hold me. LAURA I’m sorry. LAURA I’m still scared. Mississippi.

It LAURA I noticed you wear an old cross around your neck. Flaps up. LAURA From Billings and Biloxi. the cow’s head had an ID tag on his ear and the body of the other had a brand on it’s flank. kick up some dust. Are you religious? MAC The closer I get to this evil. MAC Where’s our sheriff? It stops . The plane rocks and glides. LAURA’S PLANE .73. by midfield. Do you believe there’s a harvest colony of cross-breeds? LAURA After seeing Lucy’s abduction. the more I believe there’s a good side. MAC That’s what they’re saying. MAC There’s a darkness to it.LATER Laura’s plane approaches overhead. LANDING FIELD . I believe anything is possible.CONTINUOUS Checking the file. INT. permeates everything. The wheels touch down lightly. they find the head of the cow from Billings attached to the body of the cow from Biloxi. Cuts the throttle. EXT. LAURA How do they know? MAC According to the sheriff. MAC A week later on a ranch in Arizona. nose slightly up.

You can see his cherries. and no blood. A squad car rolls along a dirt road. the two-tone brown and white body of a Jersey.DEAD COW’S BODY . see where the eye should be? MAC Yeah. The black head of a Holstein. HUFFMAN And the brand’s from Mississippi. A big cloud of dust EXT. grabbing the tag. LAURA Laser like. . About two o’clock. Huffman squats down at the cow’s tail. Blood vessels have been cauterized. precise scar encircles the cow’s neckline at the union. chases it. Numbers check out all right. LAURA Over there. A neat. LAURA Mac. No torn flesh. HUFFMAN Sex organs have been cored out. Simply surreal. Laura walks around slowly. HILLSIDE RAVINE . Pointing. facing away. HUFFMAN Here’s the tag. mini-dv camera rolling. It’s been perfectly joined together.74.LATER The cow lies on its side. Pointing out the front right. See the incision? No jagged edges. Motions to the rear flank. HUFFMAN No sign of blood anywhere. SHERIFF HUFFMAN kneels down by its head.

The foreman. stand twenty feet back on the road next to two Jeeps. the ranch owners. crosses himself. crosses himself again. A RATTLING SOUND. LAURA You’re sure about the blood? Taking his knife and cutting into the cow’s groin. The snake gets blown off his heel. Goat sucker. Mac turns around. ROBERTO DIABLO! HUFFMAN Says it’s the Devil. LAURA MAC!!!!! The snake’s fangs are open. Mac steps back to take a photo. Hears something. A supposed animal that sucks the blood out of chickens. A RATTLESNAKE. Mac’s backward momentum is carrying him right into it. HUFFMAN Not a drop. goats. He recoils to strike. ALFREDO CHAPACABRA! MAC What did he say? HUFFMAN Chapacabra. . MAC You sure it’s not a hoax? HUFFMAN We’re doing more tests. Smoke floats out of Alfredo’s rifle. A huge male. just above his shoe. Coiled to strike. the cow was alive before it was mutilated. POW! Gunfire. ALFREDO and ROBERTO PARRAS. but from what I can tell.75. cows. Julio Mac looks up. JULIO. STRIKE! The giant rattler sinks his fangs into Mac’s ankle.

HUFFMAN I can still call Med-Vac as a precaution. ROBERTO Si. There are two large bite marks from the snake.LATER A double-wide serves as the station. Some color. MAC I’m telling you. Julio notices the ancient Jerusalem crucifix around Mac’s neck. Walls are covered with UFO photos. INT.76. Like Pablo . and the viper. muerta.HUFFMAN’S OFFICE . Pointing from the Jeeps. The floor is partitioned. I feel fine. Huffman’s private office is spacious. JULIO Christo is with you. The sheriff enters with small bottles of ice-cold Coca-colas. Sheriff. Some black and white. Alfredo. Roberto. ROBERTO DIABLO. The men all grab a Coke. A bookcase eats up the other wall. Shaking his head. and Julio circle around Mac’s exposed ankle and bare foot. HUFFMAN Here ya go. New. LAURA Thanks. ALFREDO You should be dead. SHERIFF’S STATION . Old. He pulls it out of his shirt to look at it. Laura puts some anti-biotic ointment on the bite. His skin clearly broken. MAC I’m telling you. I’m fine.

CONTACT FROM THE PLEIADES.) Claims the Pleiades starship commander calls himself Semjaza. but could not kill him. MAC Can’t say that I have. the viper leaped from the fire onto his hand. Looks closer. Mac shoots Laura a look. SEMJAZA. amigos. Authentic looking photos. God was with him. The very word Mac is reading as the sheriff says it. Mac stands. HUFFMAN Switzerland. Mac pulls one down. Sheriff. HUFFMAN Ever seen that one? Mac reads the cover. HUFFMAN (O. Hasta luego. UFO .77. ALFREDO Vamanos. Handshakes all around. Edward “Billy” Mier had a major encounter with some aliens from the Pleiades star cluster.S. Did the cross save him? Takes another gulp of his Coke. gentleman. HUFFMAN You see as many mutilations as I have. you start to poke around. Mac bobbles it. MAC So you’re quite a UFO fanatic. double-page spread of interest. Mac thumbs through it. The book slams shut and falls to the ground. Julio lets go of it. HUFFMAN De nada. Gracias. The three amigos depart. MAC The viper? JULIO Si. 1976. Walks over to the bookcase. Comes to a .

Waves to Huffman through the glass. LAURA ‘Bye! Laura turns the engine over. Mac stares at the cover one more time. Mac nudges Laura as she checks the gauges and fuel levels. The dark car stops on the road a short distance from the sheriff’s car. LANDING FIELD . His body spasms violently. . A DARK CAR speeds toward the landing field.AFTERNOON Mac and Laura climb in the plane.CONTACT FROM Puts the book back on the shelf. LAURA’S PLANE . INT. A gun barrel sticks out. EXT. HUFFMAN Watch that bite. Shakes his head.. Mac closes his door. You ought to check it out. HUFFMAN Hope you got what you needed. Huffman stands by his car. pretty compelling stuff. Huffman goes down.. LAURA Sound familiar? Sitting on his desk. THE PLEIADES. We will. MAC Thank you for your time. It roars to life.Semjaza. Huffman looks down the road. Laura squats down to get it. The car’s tinted window opens. HUFFMAN Anyway. Gives a wave.78. A gray puff of smoke. Sheriff. UFO .CONTINUOUS Watching from the plane coasting down the runway. MAC Semjaza. She glances over.

79. A STUN GUN. And stays there. HE’LL She feathers the throttle. Heads A bullet tears into the cockpit close to Mac’s head. The plane lurches forward. She slams the controls forward. The dark car fishtails onto the makeshift runway. MAC WE CAN’T JUST LEAVE HIM! LAURA IT’S A TASER. She banks it to the left. A man crawls out of it and takes aim at the plane over the roof. It’s Pinkie Rings. The plane springs into the air. One of its wheels bounces off the car’s windshield. The plane dives. straight for them. MAC THEY SHOT HIM! Laura slams the throttle. Hits ground. Glass showers inside. Laura pulls back the stick. LAURA COME ON! Dark car. The plane skims off. He fires. LAURA NOT ENOUGH SPEED! MAC HE’S GOING TO RAM US! At the last second she pulls back the controls. The tinted window lowers all the way. Full throttle again for takeoff. MAC THEY’RE GETTING OUT OF THE CAR! THEY’RE GOING TO SHOOT! POW! GUNFIRE. MAC WE’RE NOT GOING TO MAKE IT! Pounding the dash. Away from harm. The car fast approaches. exploding it inward. . hits the rudder pedals to spin the plane around. Mac looks back. The plane lifts up. BE ALL RIGHT.

MAC That guy who shot at us was the guy from LAX. LAURA Sorry about last night. STUFF ‘EM IN THE HOLE. Starts stuffing. get what you want.MOMENTS LATER Wind pours through the bullet hole. MAC You just needed a hug. blew it. LAURA Paso Robles? MAC Yeah.AIRBORNE . I hope you I MAC How do you prove to someone you’ve changed? .80. How could he possibly know I was out here? LAURA They could have checked our flight log at the airport. I was an idiot. Mac. LAURA THERE’S SOME RAGS UNDER THE SEAT. LAURA You’re a good man. aren’t you? MAC Like crazy. Mac finds ‘em. These guys are definitely not bluffing. to check on Maggie and the kids. INT. Finally addressing it. Awkward. LAURA’S PLANE . The cabin quiets down. MAC We better get to Paso Robles. LAURA You’re still in love with her.

They descend onto a narrow dirt service road below.CONTINUOUS Through the windshield. MAC How long before we can get there? LAURA If we’re lucky. CREEK WALK VINEYARD . He pulls out his cell.CONTINUOUS MAC Straight to voice-mail.DUSK Laura’s plane circles one last approach.PASO ROBLES .MAIN HOUSE . LAURA’S PLANE . The left side is a cornfield with healthy headhigh stalks. No ring. A deep drainage ditch runs alongside it on the right. EXT. No visible sign of life. MAC Can I get bars up here? LAURA I’ll take her down. INT. LAURA Maybe they moved to a hotel. MAC Are you nuts? LAURA It might work. INT. She pushes the controls forward. No answer. there a place to land? Is EXT. LAURA By doing the right thing for a long enough time.CONTINUOUS The front door is ajar. LAURA’S PLANE . CREEK WALK VINEYARD . before sunset.81. MAC What if the corn’s too high? .

SERVICE ROAD . SERVICE ROAD . LAURA THANKS FOR MENTIONING IT. LAURA I THINK WE’RE GOING TO MAKE IT! MAC THERE’S ONE THING I FORGOT TO TELL YOU. The plane’s wheels touch down. LAURA I guess we’ll find out. LAURA WHAT’S THAT? MAC THERE’S AN EIGHT-FOOT FENCE AT THE END OF THIS ROAD TO KEEP THE DEER OUT.CONTINUOUS MAC WHAT’S THAT? LAURA SO FAR SO GOOD! EXT. . SERVICE ROAD . EXT. The right tire bounces along the edge of the deep ditch. THEY LIKE THE GRAPES. THUMP! HISSSSSSS! INT.CONTINUOUS The left wing skims along the top of the tassels. LAURA’S PLANE . EXT.CONTINUOUS Bucking the steering.CONTINUOUS Tassels crown the tops of the corn stalks. LAURA’S PLANE . INT. Over the loud hissing.82. Mac braces himself while Laura takes it in.CONTINUOUS The eight foot chain-link fence stands dead ahead.

Riding the ditch. Mac and Laura run up the gravel driveway to the front of the house. . Trimming The WHAM! Full contact! Like a butterfly against a net. Returns to Laura. JEREMY? Flashlight. EXT. Lights it.CONTINUOUS Front door threshold. Barely. Laura follows. Laura close. MAC SARAH? He slowly enters. Mac walks to the mantelpiece. The house is pitch dark. Flashlight on the light switch. MAGGIE? Mac sticks his head in. MAC Maybe they were already here. Looking around. Catching her breath. not stirred. then bounces back down. Mac nods his head to investigate.83. LAURA’S PLANE . LAURA Power outage like at Camarillo. Mac flips it on. Flips it again and again. corn. They see the front door slightly ajar. They arrive at the steps. Bumping all the way. CREEK WALK VINEYARD . INT.CONTINUOUS They rock back into their seats. MAC You okay? LAURA I’ve had worse. MAC We don’t know that.EARLY EVENING A flashlight. The plane speeds toward it. LAURA I don’t see any cars. plane pivots forward. Nothing. FRONT HALL . INT. Grabs a candle. Shaken.FRONT DOOR . Takes the flashlight. Nothing.

in her arms.then we heard strange noises.. JEREMY Dad.bright lights.. and Doris sit on the couch. MAC MAGGIE!? The closet door beneath the stairs creeps open.MOMENTS LATER Maggie holds Sarah Maggie. Mac opens his arms.. Doris clutches Jeremy.84.. Timidly. SARAH Daddy! MAC Pumpkin! Relieved hugs all around. INT. closet door open.then the power went off. MAC What happened? MAGGIE I don’t know. Buries his . MAC MAGGIE!? A MUFFLED VOICE comes from the hallway. MAIN HOUSE . head in Mac’s shoulder.. Kneeling in front of Maggie.LIVING ROOM .we saw something in the sky. I’m scared.. Stoops down inside. More candles all around. Jeremy jumps off the love seat and rushes to him.. Sarah.. MUFFLED VOICE Dad? Jeremy? MAC Is that you? Finds the Mac rushes from the living room into the hallway. The candle reveals a sea of scared faces. Jeremy sits on the love seat next to Laura.

Laura looks to Mac.. Stammering.something’s coming in here. It’s been out all day. Sees it full on. Maggie looks at Laura. JEREMY D-Dad. A mixture of awe.. Something weird. Guarded. I’m LAURA I’m a. Then to Maggie. Interrupting. LAURA He’s right. Long. MAGNIFICENT-LOOKING ANGELIC BEING. The room suddenly fills with a brilliant light. . Maggie’s face. Something’s out there. it was bright and made the whole room light up! To Maggie. MAC It’s not what you think.85. Something’s wrong with the phone. shoulder-length blond hair. A long tilt up. Fiery eyes. wonder and fear. MAGGIE I don’t believe we’ve met. JEREMY Mom’s right. He’s told me a lot about you. A TALL. SARAH Daddy. Maggie fabricates a smile. The other side of the room. I’m. I’m Laura Nathan. Mac spins around. MAC Did anyone call you? MAGGIE No. helping Mac.

LAURA Mac. SCREAMS from Maggie and Sarah. It moves towards her. The creature roars. . Light emanates from his very being. A long. His eyes turn to hate. WIND fills the room. Mac grabs a lamp next to the couch. LAURA Mac. The creature picks Laura up off the floor. She lands in a heap. CREATURE I AM THE ONE NAMED SEMJAZA! ARE YOU TO ADDRESS ME! WHO It extends one of its arms and points a clawlike finger at Laura. Staggering against the force. She covers her head. Weakly. His hair blows. Her head bangs against the wall like a rag doll from the gyrations. It vomits something vile at her. do something. MAC GET AWAY FROM HER! It commences to breed. LEAVE US! MAC NOW! Black slanted oval eyes His head turns large and elongated. It hurls her against the wall behind her. The being changes shape. More howling WIND. Doris suffers a seizure. Hurls it full strength. It’s clawlike fingers tear her clothes. A voice explodes from the creature. Scaly skin like a lizard. tunic-like garment. presses itself against her. glare rage. pinning her to the wall. Straining to breath. Faints. Sheds its benevolent angel-like appearance into its own TALL GRAY BODY with spindly arms. The children burrow into Maggie.86.

MAC Uri? He collapses back into a chair.. MAC Where’s Maggie? It’s Doris’ living room.. More come to her. Out cold.LIVING ROOM . Maggie? He looks around. head.HOURS LATER . Toward Maggie and the kids. Uri holds the damp towel on his He opens his eyes again. But different. Coming forward. Coming toward Mac. Both children now float unconscious above the floor. MAGGIE NO!!!! Maggie wrestles with the small gray.4 AM Voices in the distance. Catapults him with such force his head smashes a hole in the wall. It slams into its back. Wildly throwing hear me? Mac slowly opens his eyes. A damp towel on FOGGY VOICE MacKenzie. Debris and paper circle in the wind. One small gray grabs Sarah from Maggie’s arms. At the entrance of the room TEN SMALL GRAY ALIEN BEINGS swarm in. Mac’s forehead. Fights for consciousness. He crumples to the floor. Another commotion. hello. Weakly. .87. Others latch onto Jeremy. LAURA Mac! Mac picks up a coffee table. MAIN HOUSE . MAC NO!! Before he can hurl it the breeding Semjaza turns and points his finger at Mac. INT. Glares at Mac. It spins around. Walkie-talkies.

MAC And Laura? URI Recovering upstairs. URI They were taken. MAC Where are my kids? He urgently grabs the arms of the chair and lifts himself up.88. MacKenzie? Mac looks up at a new face. CAMOUFLAGE FACE PAINT. Radios. VOICE (O. The place is teeming with COMMANDOS IN BLACK JUMPSUITS. Still groggy. .) Mr. MAC Taken where? URI They were abducted.S. AUSTIN I’m Colonel Austin. They have a medical unit here. MAC What’s all this? URI A military swat team Roswell’s connected to. Maps. Eyes searching for truth. You’ve suffered a major concussion. MAC Where’s Maggie? URI With her mother. Walkies. Uri firmly pushes him back down. Weapons. Computers. Intruding. It’s a make-shift military post. COLONEL AUSTIN. Internet. They found you next to the wall. Bluntly.

MacKenzie. Maggie. Drained. Dried blood on her chin. Maggie enters the room. Huge embrace. They’re all they’ve got. Uri and Austin leave discreetly. . AUSTIN We’re doing everything in our power to get your children out of there as soon as possible. He hurries. AUSTIN Mr. what are we gonna do? She sobs in Mac’s embrace. we believe your children have been taken to an underground base in the Nevada desert. MAC Maggie. Mac struggles to his feet. Cutting him off.89. Woozy. She’s bitten through her lip. Losing it. No letting go. She opens her arms. MAC WHERE ARE MY KIDS? Austin glances at Uri. I’m so sorry. We’ve been monitoring it constantly. caressing her hair. MAC They’ve taken the children. Then back at Mac. Mac looks at Uri. She starts to tremble. Broken. They’re doing everything possible. Maggie faces Mac. MAGGIE Oh Mac. Lost. Holding her tightly. Bloodshot eyes. Tear-stained cheeks. AUSTIN The same base where General Nathan is being held. Mac takes a couple of steps towards her.

90. Nods a bow. they gave her something. Forces. Diverting the conflict. . URI Your mother. URI (O. I am now an archeologist. URI He is a good soldier. Special We are lucky MAGGIE So you got us into all this. I’m sorry. is she all right? MAGGIE They think she suffered a mild stroke. Nice to meet you. MAGGIE On who’s side? And who are you? Jumping in. Frustrated.) Mac. Disarming. Uri nods to the window. A cluster of men gather around one of the choppers with Austin. URI No. Mac and Maggie look over. The entire area is lit up by worklights powered by generators. URI I will check on Cranston in the kitchen. BenHassen. Colonel Austin approaches FOUR BLACK BLACK HAWK HELICOPTERS on the front lawn. URI She is sleeping? MAGGIE Yes. He’s told me a lot about you. Outside. Maggie. this is Uri From Israel. MAC Maggie.S. he is on our side.

She raises her lips. Watches the kiss. Smiles. MacKenzie. me. Believe Mac leans in closer. She watches him go. MAGGIE Thank you. too. He takes off. Like crazy.91. A sigh. Mac turns Maggie back into his arms. She cuddles back into him. MAC Cranston’s here? MAGGIE It’s not what you think. She finishes the kiss. A tap on Mac’s shoulder. Mac stops the kiss. She blinks back tears of relief. He follows the commando back to a work station. Wipes her face. Like for the very first time. MAC This is important. Their eyes meet. MAGGIE So is this. MAGGIE I’ve missed you. Elisha comes up on screen via webcam. ELISHA Shalom. . MAC Me. They kiss. A small smile. MacKenzie? There’s an Elisha BenHassen on the webcam asking for you. Another BLACK JUMPSUIT. Looks into her dreamy eyes. MAC I gotta go. He punches in a password. BLACK JUMPSUIT Mr. Laura’s on the stairs.

ELISHA There will be a next time. MAC I’m trying. Back to the screen. And when that times comes you must take authority over it! Mac turns around. and the whole room full of commandos are watching.92. MAC I forgot I had it. ELISHA The next time you encounter him. Sternly. Elisha. Colonel Austin. Laura.. This is not good. Only He can defeat Semjaza. Tried to breed with her. ELISHA By faith in He who is greater than you. Finds it. A weary smile. ELISHA Did you command it with the cross? Feeling for his necklace. MAC Wait. What do you mean Elisha pounds his desktop. MAC How? Adamant.. wait. Maggie. wait. Listening to Elisha. Then a pack of small grays came in and took the kids. I had no time. ELISHA Uri tells me you encountered Semjaza. “the next time”? SLAM. . Uri. MAC Shalom. MAC It hurled Laura against the wall.

Mac and Maggie exchange a quick look. You must drive them out! MAC How? ELISHA Yeshua A Meshiac is with you now. They are evil. He will fight for you! VOICE (O. MAC You knew about the sixth floor? CRANSTON And much more. MAGGIE Oh my God. Mac turns around.) He’s right. MacKenzie! These aliens are demons disguised to deceive us. room. I want to help you. Passionate. MAC Why didn’t they take me? CRANSTON You were wearing that cross. I’m afraid I’ve gotten in deeper than I bargained for. ELISHA You’re not getting it. A new body. It’s Cranston from the other side of the MAC How do you know? CRANSTON My position on the hospital board made me privy to many things. Use the cross. unclean creatures. . CRANSTON The leader of the base is in need of a new host. A COMMANDO interrupts from a work station. That’s why Sarah and Jeremy were taken.93.S.

94. COMMANDO Colonel, the doors at the end of the tunnel are opening! Colonel Austin crosses quickly to the soldier’s station. flat screen shows a remote feed of the huge doors slowly opening. AUSTIN THIS IS IT! “OPERATION TAKE-DOWN” IS A GO! LET’S MOVE! MOVE OUT! Instant mayhem. Walkies blaring. Choppers wind up. jumpsuits everywhere. Packing. Moving. Mac back to the web feed. ELISHA SHOW THE CROSS. YESHUA IS WITH YOU. BE STRONG IN THE LORD! SHALOM! Elisha’s gone. Mac is pulled away. Black The

Uri grabs THE BLUEPRINTS off a workstation. EXT. FRONT LAWN - DAWN - MOMENTS LATER The choppers churn up wind and leaves. A HIGH-RANKING COMMANDO, WALKER, intercepts Mac, Maggie, Uri and Laura. Over the chopper whine. With force.


95. Jabbing a finger in his chest. Taking charge.

MAC LOOK, PAL, THIS IS MY WIFE AND WE’RE GETTING OUR KIDS. SO STAND DOWN AND BACK OFF. They run around him to the chopper. joins them. He shrugs, turns and

EXT. CREEK WALK VINEYARD - ACCESS ROAD - NIGHT - CONTINUOUS Cranston speeds down the long dirt driveway in his BMW. clubs rattle in the back seat. Golf

A spotlight circles his car. He crouches to look out the windshield. The four Black Hawks swoop low over his car and out over the vineyard like a shot. He lets out a sigh. Then another spotlight engulfs the Beamer. But it’s ten times brighter. Cranston tries to look up at it. The golf clubs suddenly slam against the roof of the car. And keep slamming with an loud clanging. A whirlwind kicks up dust from the road. Tumbleweeds and debris swirl around his BMW in the white light. Cranston punches it. Pedal to the metal. The Beamer accelerates. The speedometer reads 100 m.p.h. It lifts off the ground. Cranston looks down at the road as it shrinks beneath him. Bathed in white light. EXT. CALIFORNIA-NEVADA BORDER - EARLY DAWN Four Black Hawks fly in tight formation low over the desert. INT. CHOPPER #1 - CONTINUOUS Colonel Austin rides shotgun with Uri, Laura, Maggie, and Mac and more troops in the back. Maggie sits between Mac’s legs, facing forward, engulfed in his arms. Uri examines an HK-MP5K rifle issued by Austin. He checks the magazine, unloads the clip of ammo, inspects it, pushes it back into place. Lock and load. Lays it across his lap. He notices Mac watching him. He grins and shoots Mac a thumbs up. Delta Force is back. Mac smiles thinly. Returns with a tired thumbs up.

96. Uri opens the blueprints. EXT. CHOPPER #1 - AIRBORNE - SUNRISE - LATER The Black Hawk flies low to the ground. Others follow.

INT. CHOPPER #1 - AIRBORNE - SUNRISE - CONTINUOUS The door slides open. Cold morning air bursts in with the first signs of dawn streaking across the desert sky. Golden light and wind wash over Maggie’s face. in wonder. With trepidation. The chopper sets down. walkies and headsets. All look out

Austin’s voice explodes over the

AUSTIN THIS IS IT! LET’S MOVE OUT! EXT. DESIGNATED LANDING AREA - CONTINUOUS The other choppers touch down. Soldiers spill out like ants, fanning out, crouching defensively. Awaiting orders. Uri and Laura pile out of Chopper #1. Mac and Maggie follow. Colonel Austin pops open the cockpit door. Makes a run for it. Gets to the front line. right. Low and fast. Commando sign language. To the

Forty men and two women run toward a gaping hole in the side of the mountain. Over two hundred feet high in diameter. A monster tunnel. They gather at the mouth of it. WALKIES BLARING MAYDAY! THE DOORS ARE CLOSING! The huge doors rumble together. AUSTIN USE THE THERMITE GRENADES! NOW! White

A half dozen troops run inside the closing doors. smoke pours out. MAC Thermite? AUSTIN They melt metal together. MOVE PEOPLE! LET’S

Up ahead. One of them signals. WALKER THE SHOOTS ARE UP HERE. Let’s go. arms crossed. And vanish. Walker signals sign language. INT. The rest of the troops move in. Austin and the rest catch up. We have a He stops. Into his walkie. The commandos line up and jump down both shoots single file down the shaft. Uri. Trotting to keep up.97. WALKER It’s up ahead. Four commandos run ahead fifty feet and dive to the ground near the cavern entrance providing coverage. We’re going in. Colonel. in. Feet first. INT. INT. Awestruck by the enormity of it all. Looking back.MOMENTS LATER Colonel Austin divides the men into two groups.CONTINUOUS Walker and his men wait at the top of the shoots. Laura. The gigantic doors screech to a stop. AUSTIN Roger that. Okay men. . TOP OF THE SHOOTS .NEAR CAVERN ENTRANCE . AUSTIN These shoots should take us to Level 11. The ants go running MAGGIE Where are we? MAC The back entrance. Maggie and Mac join the group on the right hand side. No noise. SIR. ALIEN BASE . Secure the area.CONTINUOUS Soldiers follow Walker up ahead. parallel TEFLON COATED SLIDES that go down forever. visual. secure the area. GIGANTIC TUNNEL . He pulls out the blueprint map.

We believe the General and kids are here. equally aghast.CONTINUOUS The troops form a semi-circle around the hovering disk. . Walker and the pointmen circle in. standing in awe. The core is here. We’ll enter it here. Eyes watery. SIR. A commando in the grid above.98. Covering her mouth. Laura takes Maggie by the arm. He stabs the map. AUSTIN Maj 12 can be reached through the air filtration system or the emergency exit shaft. Looking around at his men. The map illustrates the tiered levels. MAC But why? A yell from above. Finger extended. MAGGIE Oh my gosh. He points to MAJ 12. Sees the U. Lays it down. INT. Uri and Laura arrive near the saucer. THE PLACE IS SECURE. GIANT SAUCER CAVERN . next to them. URI There is no resistance. Mac and Maggie come up Maggie gets her first eyeful of the hovering spacecraft. GRID COMMANDO NOTHING UP HERE. AUSTIN We’re here. Flag on it’s side.S. A tool cart a few yards away. Austin unfolds A DUPLICATE SET OF BLUEPRINTS from his jacket.

MIDWAY . Uri peels off a commando’s night vision. Walker fires.99. Mac and company near The next station is illuminated five hundred feet ahead.CONTINUOUS Pitch dark. Puts it on. the rear. Men dive on him. AUSTIN Remember you’re briefing. His gunfire ricochets off the roof and the Walker’s The giant leaps on him. INT. Don’t use force unless absolutely necessary. But ignites another commando. Quickly. Pointy eyeteeth.CONTINUOUS The giant leaps randomly from side to side squashing soldiers at will. He screams in pain. stealth. wails echo down the tunnel. Scanning everywhere. Oval eyes. WALKER WE’RE CLEAR. It’s THE GIANT.TUNNEL . A LARGE SILHOUETTE drops from a hole in the tunnel ceiling. TRAIN TUNNEL .MOMENTS LATER The entourage files onto the station platform. Misses. It’s mayhem. NIGHT VISION . Three more close behind. Dismembering. Literally pulls him apart. Everyone else jumps down. Goes A flamethrower guy tries his luck. Commandos with daggers drawn watch helplessly. WALKER Don’t fire unless fired upon. Walker points his flashlight. smother the flames. TRAIN STATION PLATFORM . With precision. Walker motions the team with his flashlight along the tunnel walls. A slow jog into the dark tunnel. AUSTIN LET’S MOVE OUT! INT. The group jogs silently. tunnel walls. . Walker jumps onto the tracks.

what is it? MAC Nephilim. Mustering faith. He’s enormous. Yelling above the rattle. eyes look side to side. He carries a bazooka. He lands twenty feet in front of Mac and company. MAC Nephilim. MAC It’s time to be strong in the Lord. Lit by thirty flashlight beams. Some scream in agony from the strays. MAGGIE What can we do? Reaching into his shirt neck. Gunshots from behind him skim over Mac and Maggie’s heads. Sparks and bullets ricochet all over. The giant quickly leapfrogs his way down the tunnel toward Mac. MAC WE ARE STRONG IN THE LORD! The giant springs from the ground high in the air right at Mac. from Raphaim. They fixate on Mac. Crouches down. Looks to Mac. URI You are strong in the Lord. BRIGHT AURORA LIGHT PARTICLES suspend him there. Uri walks up. More outbursts of gunfire. is carried over Mac and Maggie. MAGGIE Mac.100. Still smoking. He lands in a heap on the ground. . Flashlights on him. URI Seeing is believing. Holding Elisha’s ancient cross out in front. A large burning hole smolders through his head. KA-BOOM! The giant is hit from behind. Tears rolling down. MAC You’re a good shot. His oval Goes to the slain giant.

Each time passing through an air-lock passage chamber. Still no MPs. No resistance. URI Bizarre. INT. It opens. POINTMAN #1 CLEAR! They hop onto the platform.CONTINUOUS The troops fly through small room after small room. He applies his hand. Move down the tunnel.MOMENTS LATER POINTMEN stick their guns. EMERGENCY EXIT SHAFT . Anywhere. NEXT TRAIN STATION PLATFORM . AUSTIN Get it open. lower the ropes.101. SIR! Two commandos pull out black Makita’s from their packs and unscrew the emergency elevator shaft panel. A hissing sound. Mole. then heads above the platform. SERIES OF CORRIDORS . Each time readying for combat. INT. INT. Whispering to Mac. Fix their weapons on another AN ADVANCE MAN finds a hand-scanner panel to open the station door. No MPs. sliding panel. prepare for descent to Level 12. Commandos encircle the fallen Goliath.CONTINUOUS POINTMAN #2 OVER HERE. MEN! They slowly break up. Scan the station. . MAC They knew we were coming. URI No one is defending. AUSTIN LET’S MOVE IT. The commandos take aim.

Maggie moves closer to Mac for protection.C. Hops out of the shaft.) STAND DOWN! STAND DOWN! ELEVATOR COMING UP! Mole unsnaps.) HOLD YOUR FIRE. AUSTIN HOLD YOUR FIRE UNTIL I GIVE THE ORDER! Uri gives Mac a look. MOLE. Silence but for the elevator whine as it ascends. Ten men kneel with their weapons aimed at the elevator. The outer doors open with a loud hiss.S. It’s General Nathan (Roswell). AUSTIN Down the hole! POINTMAN (O. Everyone adjusts their aim. Uri locks and loads. a compact Latino wearing a mountainclimbing harness.102. He positions himself. He slips the rope through a caribeaner with a brake bar attached to his harness. Fingers flex over their triggers. Motions to Laura to fall back. MOLE READY FOR DESCENT. . A lone figure steps out. climbs into the shaft. AUSTIN (O. Eyes through cross-hairs. Ten more HK-MP5Ks lock and load facing the elevator doors. LAURA Daddy! Hugs him tightly. MEN. The inner doors slowly open. HOLD YOUR FIRE. ONE MINI-COMMANDO. Laura runs to him.

103. snaps to attention with a salute. You for them. ROSWELL But I’ve been sent here to make an offer. ROSWELL MacKenzie. Uri shoots a Mac a look. I saw your children a short while ago. Mac and Maggie listen intently. but they knew that. sweetheart. He pulls a circuitlike key card with coding on it out of his pocket. They’re well and no harm has come to them. Holds it up. your children will be released. The kids were not a compatible host. AUSTIN We got here as soon as we ROSWELL Good job. He kisses her on the head. ROSWELL It’s an exchange. Austin arrives. Colonel. could. . Finds Mac. Once you’re there. But the truth of the matter is this. are then to proceed to MAJ 12 alone. All of us are to go with him. ROSWELL You. ROSWELL Hello. General. MacKenzie. The deal is this. Maggie squeezes Mac. ROSWELL Colonel Austin is to move his men from this level and go topside. He looks around at the commandos.

ROSWELL The window to destroy the base is now. MAC I’m the one to host? LAURA You’re the one. we send him down. ROSWELL Is the core accessible? AUSTIN We think so. Looks to Uri. URI Send me. If you do host him. and commence the core contamination to blow up the base. MAGGIE That’s insane. ROSWELL Uri. If you refuse to share your body with Abaris. AUSTIN Sir. If Mac agrees. ROSWELL Then this is how it lays out. ROSWELL Their abduction was a trap to get you here. sir. did you get the blueprints? Uri holds them up. I’ll go. . To MacKenzie.104. he’ll kill you. Lucy. Abaris wants you. MAGGIE What are you saying? ROSWELL It’s time to exterminate this evil. you need to be destroyed with the base. So does Austin. It’s your DNA and blood type that’s a genetic match. yessir. get the kids in exchange.

Uri and Laura behind him. Mac remains by the elevator door. Mac’s eyes meet Uri’s. Losing it. EXT. MAC I’ll do it. The doors . MAC Elisha said we are strong in the Lord. One last hug.MOMENTS LATER Daylight reflects off the smooth hangar floor. Time to believe it. slowly close. MAC God has the final word. She looks up.TOPSIDE . ROSWELL This card will let you access Level 12. MAC I love you. MAGGIE I’ll never see you again. Inserts the card. All eyes on MacKenzie. The rest of Austin’s commandos watch as everyone files out of the elevator. Roswell comes over. Majestic. Looks up to his face. Laura’s.105. I’ll go. Maggie. Watery eyes. Maggie at his side. He backs into the elevator. Maggie buries her face into his side. puts it away. He gently takes massages Maggie’s shoulders. Handing Mac the elevator key. Mac inspects the card. ROSWELL Only Mac is a compatible host. They kiss for the last time. ELEVATOR .

Approaching. . SARAH DADDY!!!!! MAC PUMPKIN! Sarah runs with glee. Asian man scurries into the open doors. elevator. INT. janitor from the LAX men’s room entrance. ASIAN MAN Abaris wants to assure you they remember nothing of their harvesting. MAC “Harvesting”. Jeremy close behind. Mac steps off the It’s the same Sarah and Jeremy stand next to an ASIAN MAN. SARAH Where’s mommy? MAC She’s waiting for you upstairs. MAC How do I know they’ll reach the hangar? ASIAN MAN You watch there. ASIAN MAN I go with the children.106.LOBBY .CONTINUOUS The doors hiss open like a snake. Back to the kids. Mac stoops down and gives them hugs and kisses. MAJ 12 . Dad. MAC How are my dear ones? JEREMY I’m scared. Looks up with contempt.

you guys. very. The kids run into Maggie’s Watch and wait. Touches its surface.CONTINUOUS Mac approaches. Inspects the damage. The kids fire it back. MAC Hold hands. Reality setting in. MAC I love you very. A video feed of the hangar. LARGE BLACK PANEL DOOR . . Austin’s men milling about. He points to a bank of recessed monitors across the lobby. A dual bear hug. The doors slowly closing. His hand goes through it. Maggie at the bottom of the screen. Tousles their hair for the last time. Mac gives the thumbs up sign. Then steps out of the elevator. Looks back. Wipes his mouth. He reaches his hand up. very. Assuring. INT. All are safe. Knowing this is it. and this nice man will take you up. He jerks it back. very much. INT. MAJ 12 . Asian man points to a BLACK DOOR behind him. Choked up. INT. ASIAN MAN You go there. No visible means of entrance. Now is the appointed time.CONTINUOUS Mac watches the screen. No harm. arms.107. He takes a deep breath. Mac gets a visual of the door. He kisses them both on the lips. Still kid level. Mac heads to the bank of monitors. They’re gone. MONITOR SCREEN .ELEVATOR LOBBY .CONTINUOUS Commotion on the hangar floor. Looks over at the large black panel. A lone tear. Mac looks.

Are you sure? . Takes a breath. Blueprints of the base lie on the hangar floor. Commando Mole has stepped forward. And disappears. ROSWELL The only way we can get into the power core is down the solar shaft. He reaches in farther this time. ROSWELL Let me tell it to you straight. ROSWELL (O. His arm disappears up to his shoulder. VOICE (O. son.S.) To destroy the base we need to contaminate the power core. He fits the job.CONTINUOUS Roswell stands before Uri. Roswell lifts up a piece of bronze sheet metal. URI I can go. I’ve got a kamikaze mission and I need a volunteer. The sun is hyper-intensified by a magnifying glass lens and will burn through anything it touches.) I’ll go. ROSWELL Colonel Austin? AUSTIN It’s his call. Uri.S. ROSWELL You’re too big. Austin. and the rest of the commandos. Mac walks squarely into the large black face plate. I need someone half your size. He pulls it back out. Uri looks down the line. INT. Laura comforts Maggie and the kids far behind them.108. GIANT HANGAR . ROSWELL You’re odds of escape are one in a million. A line of commando faces listen as Roswell continues.

It suddenly splits into four quadrants receding into the floor. RASPY VOICE IN THE DARK We know everything.CONTINUOUS Mac stands in front of another black door. the ceiling. well. Mac enters into a circular room. It’s MacKenzie. do we? MAC All of this was staged for my benefit? Laughing out loud. CIRCULAR ROOM .S. have a look. We don’t want anyone hurt now. MacKenzie. The light filtering through the floor. sir. Arthur. I knew you would come. all those bothersome MPs. . MacKenzie. I want to see you. MOLE I like my chances.MAJ 12 . Whispering through his lips. ceiling. INT. RASPY VOICE IN THE DARK Don’t be shy. Seamless. Mac squints to get a better look. Mac sees the silhouette of a man sitting at a circular table.) Well. oh yes. and walls somehow fails to illuminate the man. Art MacKenzie. CORRIDOR . Here. Mac proceeds with caution. That’s why I cleared everyone out. everything. and Pthe left and right walls. Mac slowly sits down. Pointing to a chair next to him.109. RASPY VOICE IN THE DARK MacKenzie. INT.CONTINUOUS RASPY VOICE IN THE DARK (O. All the personnel. RASPY VOICE IN THE DARK Sit here.

Napalm in Vietnam. Pearl harbor being bombed by Japanese Zeroes. Suicide bombings in Jerusalem. The second jet plowing into the World Trade Center. Human skeletons stacked in a concentration camp. North Korean leader Kim Jong-il. Saddam Hussein. RASPY VOICE IN THE DARK You see. The Ayatollah. Mussellini. MacKenzie. through windows. I want you to understand what we humans are. The Wailing Wall. JFK’s head exploding in Dallas. Hiroshima. Raspy inhale. He stares at the pictures. The images stop. . like looking Hitler gesticulates wildly delivering an impassioned speech. Hundreds of dead bodies in a river in Somalia. Kadafi. Atomic bombs in Nagasaki. A control panel in the shape of a hand. table. Castro. Osama Bin Laden. The killing fields of Cambodia. Vivid moving images. The man places his hand in it. RFK shot at the Ambassador Hotel. Molded into the The room explodes with a series of DIFFERENT HOLOGRAPHIC IMAGES. Yes. Mac jumps up from his chair. it isn’t a pretty picture is it? There is quiet.110. Chinese student protestors march arm in arm against militia wearing riot gear. Baghdad under siege. The oil fields ablaze in Kuwait.

111. Mac is silent. RASPY VOICE IN THE DARK All the butchery, the pain, the misery. Mac shifts uncomfortably. RASPY VOICE IN THE DARK All of what you saw will be a thing of the past. There will be peace, security, and a world governed fairly. The aliens will change things. And quite for the better. MAC Why are you telling me this? The man rests his hand again in the indentation on the table. A light begins to illuminate the man’s face, lifting it from the shadows. Humming, not singing. RASPY VOICE IN THE DARK Oh give me a home...where the buffalo roam... Thrown off. MAC I used to sing that song with my... RASPY VOICE IN THE DARK ...your father? His face now illuminates under the light. It is Mac’s father, his dead father, sitting before him. Mac recoils. Leaning in. Too creepy.

RASPY VOICE IN THE DARK I am your father. I am now the one named Abaris. INT. DIMLY LIT CORRIDOR - MOMENTS LATER Mac walks slowly next to Abaris. ABARIS Abaris, after a Greek sage who had the power to heal.

112. You see, it was I who saved the alien who survived the Roswell crash. Mac has trouble looking ahead. ABARIS When his body began to die I allowed him to enter mine. MAC Is he with you now? ABARIS You have been talking to both of us, for now we are one. It has been the most valuable experience of my life. Feeling somehow ripped off. MAC You fake your death so that some alien could share your body over raising your own family? ABARIS Oh you mustn’t be cross. It has been for the good. Yes, and much more. But now my body is beginning to die. That is why I brought you here. Mac strains to process it all. ABARIS You, my son, are the person to carry on. To end the misery on this planet. If you will only allow us to enter. Abaris stops in front of a large panel. into four sections. He gestures for Mac to enter. INT. THEATRE CHAMBER - CONTINUOUS ABARIS The time of the mass revealing is almost at hand. A world of peace, harmony, love, and understanding. The true brotherhood of man realized to its fullest potential. The door splits open

113. The room is suddenly bathed in brilliant white light. A huge heavenly being floats from an entrance off to the side. He is magnificent, powerful, and splendid to behold. HEAVENLY BEING I am the archangel Gabriel. me. The angel hovers above Mac and Abaris. changes his appearance. Trust And gracefully

Ghandi, serene and holy with a white dhoti wrapped around his tiny brown-skinned body. Into Buddha, silent and detached, with a beam of light streaking from the center of his forehead. Into Jesus, hanging on a cross, wrists impaled by bony nails, a crown of thorns jutting into his bloody head. Mac watches breathlessly. The image changes again. A small point of light. Swirling. Into a primordial cloud of spinning galaxies. Into the universe itself. His voice echoes. THE UNIVERSE I AM THE ONE NAMED SEMJAZA! Suddenly it is gone. It has vanished. Complete overload.

Mac stands in total shock. MacKenzie.

ABARIS (O.S.) Mac looks around. His father calls him from an adjacent room. Mac reluctantly follows. INT. SOLAR SHAFT - INTERCUT AN EIGHT FOOT DIAMETER mirrored-paneled SOLAR SHAFT magnifies a concentrated six foot diameter beam of hot desert sun down into the base. A heavily perspiring Mole carefully repels down the shaft, flat against the side to avoid the intense beam. INT. MAJ 12 - THE TIERED ROOM - INTERCUT A large space with a strange reddish glow. of towers with thousands of shelves. Hundreds of rows

From the topmost tier. And soon their time of dwelling with us will be revealed. INT. Putting it all together. embryos incubate within a thick red liquid. ABARIS This is the future. Divina with her throat slit. And the kingdom of heaven will be on earth. To replenish their dying race and evolve ours. MAC’S MIND . The six-fingered skeleton in the ancient sarcophagus. The mutilated cow carcass. On the shelves are countless glasslike containers. The alien in the saucer staring in hate.114. Hybrid . MAC Embryonic Nephilim. The rattlesnake on his heel. Muhammad. An entire row of glowing hearts beat as one. Semjaza manifesting in the living room. The small gray with the doctor inspecting the giant’s foot. Moses. All genetically engineered.SPEED MONTAGE OF IMAGES Lucy’s gaunt face in the psych ward. ABARIS The aliens are here to enlighten us. They are the ones who stimulated the creation of the world’s major religions. ABARIS Krishna. A glowing hybrid heart beats in a glasslike container. MAC The cow’s blood. Mac keels over with dizziness. Their seed and ours joined together to create a superrace. Jesus.

The embryo reaches out a clawlike finger. Pushes the entire tower over on its side. The embryo turns in the jar so that its slanted eyes look out at Mac. MAC THEY’RE ALL CROSS- ABARIS WHAT ARE YOU DOING? Pointing at Abaris. Mac jerks away. Laura slammed like a rag doll against the wall. The jars smash open. INT. ABARIS You see. my son. Exploding. Mac snaps. Seemingly in unison. Its twisted face a look of hate. ABARIS It’s time to embrace him. OH YES. TIERED ROOM WITH GLASSLIKE CONTAINERS . Sarah and Jeremy floating in midair. but I assure you it is the future of mankind. this all might seem strange to you now. NEPHILIM! BREEDS. ABARIS YES. MAC IT’S A LIE! YOU’RE A LIE! NOT MY FATHER! YOU’RE . But he’s transfixed. Mac fights a gag-reflux. It startles Mac. Hundreds of embryos spill across the shiny black floor. It scratches the side of the container. They writhe and gasp. FOR HE IS YOUR BROTHER. EMBRACE HIM. MY SON. Puts his shoulder into it.115. The tiny creature twists and presses its hideous face against the glass.CONTINUOUS Mac looks at a glowing hybrid embryo. The red thick liquid squirms.

He’s gagging. Holding up the ancient Jerusalem cross hanging around his neck. SEMJAZA I AM SEMJAZA. He’s drenched in foul fluid. Then his appearance changes.116. More embryos spastically twitch in the shallow thick cow’s blood. Breaking glass everywhere. Outraged. They domino. . MAC IN THE NAME OF YESHUA THE MESSIAH I COMMAND YOU TO RETURN TO THE PIT OF HELL! Semjaza takes a deep breath and blows out a black cloud that envelopes Mac. Semjaza comes closer. Mac grabs for his throat. It’s time to believe. HOW DARE YOU INTERFERE WITH OUR COLONY? YOU CANNOT DESTROY THE FUTURE OF MANKIND! Mac back-pedals on the smooth shiny floor. He pushes over another tower. MAC WE ARE STRONG IN THE LORD AND IN HIS MIGHTY POWER! Projectile vomit at Mac. Choking. Booming voice. He outstretches his razor-taloned fingers towards Mac. A desperate prayer. The angelic being fills the space. Elongated head. Slanted oval eyes. He goes down to the floor. MAC I need you. Looking up. wings spread wide. Gray scaly skin. Clawlike hands. A warrior with a flaming sword. Gasping for air. ABARIS YOU MUST STOP NOW! Brilliant white light floods the room. BRIGHT AURORA LIGHT PARTICLES manifest into a TWENTY-FOOT ANGEL.

He scans the room. The warrior angel vanishes. Before he can exhale. The deafening noise subsides. Heads for the black door. A larger tentacle comes up and wraps itself around Semjaza. then his body is torn from the clinging arm. A large ominous black pit descends as far as he can see. In the cloud. A gaping hole rips across the center of the floor between Mac and Semjaza. The angel’s flaming sword pierces the darkness. His face a twisted mask of rage and fear as it tries frantically to move away from the abyss. Mac’s hair blows wildly. Semjaza takes another deep breath. The angel aims his sword at the floor. Semjaza lets out a tortured scream. He lashes his sword at Mac’s neck. It holds against the supernatural force. His clothes flap violently. A whirling hurricane engulfs the room. Suddenly tentacles of wind. Abaris steps back in bewilderment. severing the snakes into pieces. revealing the suffocating Mac. It’s The floor rumbles as the abyss slowly closes. choking him. He desperately claws at a load-bearing beam. He hooks his clawlike finger on its edge. his disjointed arm following him. They disintegrate as they fall to the ground. The wind sucks down as the pit seals itself off. lash out from the abyss and encircle all of the writhing embryos and glass containers on the shelves. three large male rattlesnakes wrap themselves around Mac’s throat. A lightning bolt hurls at Semjaza’s feet. Another sound joins the cacophony of the whirling wind. Semjaza is now above him. He gets . the angel swings his sword and cleanly cuts off his arm. A crackling thunder fills the room. the loud rumble of an earthquake. Semjaza shrieks as he is hurled into the pit.117. like small tornados. The noise is deafening. The angel swirls his sword in the air. At last all is calm. No Abaris. to feet. Mac scrambles away from the pit. The entire colony is spun into a frenzied helix and drawn into the depths. Mac lies prostrate.

Three small grays yank him away. The guards spin around. corrupting the energy field.CONTINUOUS Mole pulls himself back up. And finally lands back underneath Mole. Checks the guards again. AN ALARM BLARES. Under his breath. Finds the pulsating lake twenty feet away.INTERCUT TWO NEPHILIM WITH MASSIVE SIX FOOT SWORDS stand guard near a thick stainless steel door. . see Mole and brandish their swords. SOLAR SHAFT .118. MOLE Crap. The plane circles silently over the energy field. Abaris looks down from one of the portals. A muted yell for help. In the portal next to him Cranston bangs on the glass. POWER CORE ROOM . It rotates revealing a row of oval shaped windows. HUGE CAVERN . He carefully launches the plane towards the lake of pumping plasma. on top of the large prism of refracted sunlight. As they run toward the shaft. Sparks erupt as the power core commences a nuclear meltdown. Alarms drone and red lights flash. Unzips a pocket and pulls out the piece of bronze sheet metal. INT.CONTINUOUS Mole hangs out from the shaft. And slowly lowers himself again upside down. INT. A HOVERING SAUCER pulses a deep orange glow. INT. Get there. Mole’s face peeks out upside down out of the shaft. He folds into an airplane. He sees the guards. Then dives in. INT. swords drawn. MOLE C’mon baby.INTERCUT Mac runs into a huge cavern. He turns back to the pulsating plasma. He turns to watch the Nephilim giants charging hard. POWER CORE ROOM . Mole drops to the ground and heads to the edge of the plasma lake. And again. Light pours down the solar shaft behind them and is reflected through a giant prism onto a lake of yellow inorganic pulsating plasma some twenty feet away.

Austin. ALIEN BASE TARMAC .CONTINUOUS The elevator doors open and Mac runs out into an empty hangar. Mac is thrown to the ground. INT. ELEVATOR . EXT. CHOPPER # 1 . GIANT HANGAR . and some commandos commence to buckle up. AUSTIN The base is going.CONTINUOUS Chopper One lifts off the tarmac. Reserve power.CONTINUOUS Roswell. The doors open. Sees a small card slot in the panel. the kids.CONTINUOUS The four Black Hawks wind up their sagging blades. formation. Blackness. Into his headset. sir. Alarms continue to echo. Laura. ALIEN BASE TARMAC . And is gone. The giant hangar doors in the background are closing as the fireball pours past them into the daylight. Maggie.119. The others follow in . Mac notices an emergency exit shaft against the wall.CONTINUOUS The elevator roars upward. He inserts the circuitlike key card. KA-BOOM. He runs to it. A fireball blows the elevator doors out into the hangar floor. ROSWELL Take her up. Austin gets a visual of the fireball. INT. Daylight pours through a tunnel at the far end. The saucer lifts higher and banks toward an opening at the end of the cavern. INT. EXT. A red panel lights up. Uri. The saucer whisks towards the tunnel. Mac looks up as the lights flash and go out.

LOADED COMMANDO HE’S CONTAMINATED.CONTINUOUS Another explosion shoots a giant plume of fire through the hangar ceiling. land in a heap. Uri extends his hand and grasps Mac below the wrist. MAGGIE IT’S MAC! EXT. URI HOLD YOUR FIRE! Uri grabs the binoculars off the loaded commando. Finds Mac Chopper One Through the binoculars: a close up of Mac’s cross bouncing around his neck as he runs. running toward them. SIR.120. They all . Lurching at him. aiming his assault weapon. They lock. TAKE HER DOWN! EXT. CHOPPER # 1 . URI IT’S MAC.CONTINUOUS A COMMANDO jumps into the open chopper door. ALIEN BASE TARMAC . ALIEN BASE TARMAC .CONTINUOUS Commandos pull Uri and Mac back into the chopper. HE’S HOSTING. INT. CHOPPER ONE . A sprinting Mac reaches up as Chopper One swings over him. and Uri pulls him off the ground into the already ascending Black Hawk. CHOPPER # 1 . INT.CONTINUOUS A charred MacKenzie runs after the choppers.CONTINUOUS Maggie stares out the open chopper door back at the hangar. HE’S CLEAN. Sees a lone figure run out a narrow gap in the giant doors. Cheers all around. circles back toward Mac. EXT.

. FADE TO BLACK. EXT. Cranston is gagged with duct tape. PACIFIC OCEAN . SARAH DADDY! Winded. The saucer angles steeply.SUNSET TITLE: OFF THE COAST OF PERU It pulsates with a Tears of joy stream her Promise A flying saucer arrives from hyper-space. Dives into the ocean.. MAC I promise. MAC Hello pumpkin! Maggie picks him up into a bear hug. face.121. In the oval window next to him. (TO BE CONTINUED. And is gone. His bloodshot eyes wide with fear. deep orange glow. FADE OUT. Abaris looks out the oval window.) . me you won’t. Mac. MAGGIE Don’t ever leave me. Hovers over the water.