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THE TRUTH IS HERE
Screenplay by D. David Morin
Based on the novel NEPHILIM by L.A. Marzulli
(Part One of a Trilogy)
Lunchbox Entertainment V (310) 200-5252 email@example.com
WGA: # 931080
The Nephilim were on the earth in those days --and also afterward -when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown. Genesis 6:4
FADE IN: TITLE: 1947 BRAZIL RANCH - ROSWELL, NEW MEXICO
EXT: BRAZIL RANCH
- LATE EVENING
A full moon tries to penetrate an eerie high desert fog. Flashlights pierce the darkness. PRIVATE NATHAN (O.S.) CAPTAIN MACKENZIE, OVER HERE SIR! CAPTAIN MATT MACKENZIE, thirties, in uniform, runs through the mist to the voice up ahead. His flashlight scans the ground. Shiny metallic foil-like pieces lay everywhere. MATT Will ya look at all this debris! His flashlight shines on one. closer look. He bends a corner. He stops. Picks it up for a No crease.
It pops back.
MATT What the... PRIVATE NATHAN (O.S.) OVER HERE, SIR, HURRY! He looks up, then back at the piece. EXT. CRASH SITE - CONTINUOUS The remains of a flying saucer cradle against a berm. Winded. MATT Whaddaya got? PRIVATE NATHAN Right there, sir. Matt shines his flashlight on something. An injured SMALL GRAY ALIEN with an elongated head and slanted oval eyes. He moves his oversized head slowly from side to side. A spindly arm raises a hand with SIX FINGERS. eyes from the light. His lids weigh heavy. MATT Shine your flashlight on me. him focus on something. Let He shields his Stuffs it in a pocket.
INT.. PRIVATE NATHAN Nothing.PRESENT DAY . RING. Matt is drawn to the alien. APARTMENT . I think he’s a goner. find anything? Slightly altered voice. sir. PRIVATE NATHAN But. MAJOR MacKenzie.2. Messy coffee table. what are you doing. MAC’S APARTMENT . PRIVATE NATHAN (O. A winded MAJOR arrives on the scene. grabs a towel. Steam rises over a tired shower curtain. Worn curtains. Sir.) Captain. The new Matt stares him down. The alien responds to Matt.CONTINUOUS Ugly shag rug. MATT Nothing. And .S. PRIVATE NATHAN (O. He picks him up and cradles him. Both Matt and the alien have faces lit.MORNING A PHONE RINGS. ART MACKENZIE.. Major. MAC I’m coming. fifty-something. is gone. His eyes lock in with Matt.S.BATHROOM .) Doesn’t look too good. sir? The alien burrows his body right through Matt’s chest. Tilts his head. A telepathic connection. INT. pulls the curtain open.
Mac goes to his desk.INTERCUT JIM CRANSTON. INT.. yeah. Hits the speaker MAC CRANSTON You got the assignment? MAC Yeah. Checks his watch. MAGGIE. EXT. ARTIE JR. You’re up. MAC Shoot.THE TIMES . sixties. CRANSTON’S OFFICE . He picks up some fish food. VOICE (O. phone. MAC Yeah Runs to the . SARAH.C. Sets the watch down. the hospital. Sees an old picture of his ex and three children in a crusty frame.) HEY! Turning around. hospital. Dripping everywhere. Sprinkles it in a fishbowl with Lifts a watch on the desk. He jumps out the Jeep with his note pad in hand. Hello. Email it tonight. TWO GOLDFISH. right? CRANSTON I’m on the Board. Mac punches off speaker mode. That new wing cost millions. No loonies or fanatics. JEREMY. MAC You got it. WESTWOOD MEDICAL CENTER . old school preppy newspaper guy.MORNING Mac pulls up the emergency brake on his banged-up Jeep. MAC Crap.3.
Late twenties. why the military? MAC Military? HARRY Sixth floor. Calling out. Blunt cut. huh? MAC Yeah. WESTWOOD MEDICAL CENTER . White floors. A BLACK SECURITY GUARD. administrator. Mac arrives. Handing it over. picks up THE TIMES photo credential with Mac’s picture on it from the pavement. The new wing. Even the air conditioning has full filtration. Tall windows on the left. HARRY If it’s just a hospital.4. She and Mac walk down a long hall. MAC Can we visit the sixth floor? Caught off guard. EVELYN Every floor has the latest equipment. By rote. EVELYN KENNEDY. Mac runs off. INT. HARRY With The Times. . More Pepperdine than Harvard. Harry reads it. Lots of glass.MORNING Fourth floor. A protection against SARS. MAC Thanks. HARRY You dropped something. HARRY.
MAC I’ll pay you. EVELYN It doesn’t concern you. She’s gone. Cranston said your story was on the overall construction cost and the special features of this wing. Shrugs. Muy peligrosa. Mr. MacKenzie.) You ask me. MAC Can you show me these “screamers”? DIVINA Too dangerous. EVELYN Mr. Good-day. Smelling a story. MAC Why? She stops walking. Turns the corner. is squeezing her mop out into a bucket. . DIVINA I pray for them. MAC A prison? Si. MAC Maybe the sixth floor is a special feature. it’s a prison. Mac looks over. FEMALE CARIBBEAN ACCENT (O. MAC Pray for who? DIVINA The screamers. Curt. A tiny cross on her necklace. Her high heels echo down the corridor.5. EVELYN The sixth floor is off limits. A cleaning woman.S. name tag DIVINA.
She hands Mac a maintenance uniform and hat. Where’s that accent from? Head up. Fidgets with her cross on the chain. Getting dressed.10PM . Bites her bottom lip. DIVINA You must believe them. MAC My story could help them. Flippant. A skeptical sigh. EXT. not loco. ELEVATOR . Pray God is with us. DIVINA The Lord is telling me no. With pride. INT. MAC You don’t need God when you’re doing the right thing. Anxious. A moment. Looks down the hall again. They are .THAT NIGHT Mac heads through the double doors. DIVINA I have two shifts. Meet me here before ten. Scans the lobby.6. WESTWOOD MEDICAL CENTER . MAC I don’t kiss and tell.MOMENTS LATER DIVINA Put this on. DIVINA I am from Costa Rica. DIVINA I could lose my job for this.
Disheveled hair. Mac reaches into his shirt pocket. Key in the door.7. towards him. DIVINA You have when the bathroom is clean. She glances at a camera in the corner. INT. amber lighting. MAC Yeah. She grabs her hospital smock with both hands. He lowers his cap. right. LUCY’S ROOM . Convulsive stammer. Opens it. huh? Divina unlocks the door. Elevator doors open. Pushes her cart to the next room. . Gazes out at LUCY stands listlessly by the barred windows. Mac looks through the wire-mesh window.MOMENTS LATER The sixth floor. DIVINA Keep your hat low. Chewed fingernails. MAC What’s wrong with her? DIVINA Same as the others. MAC One of those. Nervous twitch at the corner of her mouth. Dark rings around her eyes. INT. Walks slowly Tape recorder on. She was abducted by the aliens. SIXTH FLOOR CORRIDOR . Looks at Mac. Mac glances at it.CONTINUOUS LUCY turns. is lit with dull. the city. The entire corridor Divina points to a camera attached to the ceiling.
and they carry me out of the h-house. They’re horrible. LUCY Can you h-help me? I’ll try. They come to my room and take me. Recorder off. Takes a step closer. Her voice dwindles. LUCY I struggle but I can’t m-move.8. LUCY They took my baby. LUCY Ou-outer space. MAC Who’s horrible? A tear. LUCY They come at night. MAC Where are they from? Whispers. Words come faster. She starts to tremble. withdrawing within. and I can’t stop them. My husband’s asleep. Reaches into his pocket. LUCY Then I’m on a table and they do something to me. Sobbing. Mac rolls his eyes. . and I cry out to him but he doesn’t hear. something sesexual. MAC Tell me what happened. Voice trails off. MAC Who took you? LUCY They’re not from here.
INT. DIVINA Ahora! Lucy grabs his hand. Haunted. look. there is no story. We go. MP #1 You got ID? Sidearms on their hip. MAC You got all the help you need right here. Two MP’s head down the hall.. LUCY The Pl-pleiades. Just a little freakier than most.CONTINUOUS Walking down the hallway. MAC Divina. Eyes unblinking. LUCY Then they have my baby and show it to me. LUCY Then I’m on the bathroom floor and it’s night and I’m bleeding and my baby. Whispering...my baby’s g-gone! She stares through Mac. A hand grabs Mac’s arm. LUCY Help me! Her bloodshot eyes look insane. DIVINA I pray your story will save her.and it’s not hu-human. . She’s another whacko. CORRIDOR . Then they trick your memory so you think everything is normal. He flinches. Eyes wide..9. A hand in Mac’s chest.
MAC’S APARTMENT . ticket. A manila envelope slides under it. DIVINA He is with me. He plops two Alka-Seltzer in a glass of water on the coffee table. The third photo: Divina lies on the floor of a janitor closet in a pool of blood. He reads an open newspaper on the table. Mac heads for it. Mac looks at them blindly.) You visited the sixth floor.O.O.O. Jumping in. Mac and Divina in the elevator. No one. He drinks down the bubbles. Into the phone.LATE MORNING Mac’s on his couch in a pair of boxers. MAC What? CALLER (V.10. CALLER (V. MAC Yeah. Her throat slit open. The second photo: Mac talking to Lucy. MAC Who is this? . Latin charm. MAC Who is this? CALLER (V. Opens the door. RING. And a plane Grabs an old cordless. He is training.) There’s a packet under your door. He opens the envelope. INT. The first photo: Pulls out some photos. Fizzzzzzzzzzz.) They found you. Bed head. Mac looks at the front door. Looks. Mac recoils.
Don’t miss that flight. MAC I don’t know what you’re talking about. On his cell. He puts it INT. washes pots at the kitchen sink.) The plane ticket is for tonight. Jeremy. Tosses it. Opens the plane ticket: TEL AVIV.O. You’re not safe here. 6.INTERCUT International terminal. Mac looks at the phone.CONTINUOUS Mac enters the bedroom.) You’re phone could be tapped. INT. Finishing up. He stares at it.CROWDED AIRPORT BAR . MAC WHO IS THIS? CALLER (V.11. CREEK WALK VINEYARD . sharply pulls the bed away and peels back the old shag.FARMHOUSE KICTHEN . Wrinkles it. MAC’S BEDROOM . It pops back. He pulls something out. CALLER (V. a natural beauty. back in the floor. 8. Mac sits at a barstool. SARAH And that’s how David killed the giant Goliath. The UFO debris piece his father found. .SUNSET MAGGIE. DORIS. Mac’s ex. back in the sack.O. plays with a GameBoy. LAX . He reaches in and takes out an old potato sack. Holds a drink. clears dirty dishes off a counter. Their son.DUSK. The concourse buzzes with foreign travellers. Maggie’s mom. Daughter Sarah. He lifts a square of the hardwood floor and exposes a little chamber. Dial tone.) You have something they want but you’re not to give it to them. talks on an old-school phone hanging on the wall. CALLER (V.O. Looks at Divina dead in her own blood. INT.
there’s no such things as giants. MAC The Bible is a storybook.12. MAGGIE’S FARMHOUSE . SARAH But Gramma says its true.DEN . Tan legs. MAC Like you honestly care.CONTINUOUS . MAC I can’t make it this weekend. Kitchen adjacent. Maggie wipes her hands on her cutoffs. maybe you’ll meet another flight attendant. MAC Can’t we ever get past that? INT. the phone. What’s come up? MAC I have to go to Israel. MAGGIE I care that you’re lying to them. Yelling out. Comes to . it isn’t true. Pumpkin. Lemme talk to your mother. MAC I love you. Something’s come up. MAC It’s just a story. It’s make believe. SARAH MOM! As she drops the phone.INTERCUT Cranston looks at a computer. MAGGIE You haven’t seen the kids for six weeks. MAGGIE Well. sweetheart.
Goodbye. Beads of sweat. Mac. A PINKIE RING fits snugly on the fat little finger of each hand. . MAC For eighteen holes? MAGGIE Very funny. He checks in on me. M. WE GOT OUR TEE TIME. It was wrong. To Mac. MAGGIE Then make your alimony and child support. when Artie died I lost it. Gulps his drink. you’re were never good at it. Don’t get killed. MAC Is that Cranston? MAGGIE What if it was? MAC My boss is cutting my own grass? MAGGIE You didn’t want your own grass. Slips the SIX A- AN IMPECCABLY DRESSED FAT MAN takes the stool next to Mac. I want to make it right. PINKIE RINGS Gimme a Heineken.13. CRANSTON MAGGIE. Slicked-over hair covers a bald spot. THE BARTENDER throws down a coaster. I cheated on you. Mac. cell into his coat. Dial tone. Mac squeezes the mobile off. MAC Are you dating him? MAGGIE He’s sweet. Don’t act jealous. MAC Look.
BARTENDER You good? MAC Yeah. Not a cloud in the sky then off to my right is this silver disk. MAC Check. Home of the suicide bombers. PINKIE RINGS I saw one once. PINKIE RINGS We ran back to camp and told everyone what we’d seen. Either way’s all right with me. Kills his drink. MAC One what? PINKIE RINGS A UFO.14. PINKIE RINGS Blow ‘em all to kingdom come. just great. . The bartender plops down his beer. Without a sound. it’s War of the Worlds! TV: AN ALIEN SHIP FIRES A DEATH RAY AT FLEEING CIVILIANS. Points at Mac’s glass. Turning to Mac. MAC Israel. Mac pulls out his wallet. PINKIE RINGS Where you headed? Stewing over the phone call. straight up into the air. Pointing toward the television tucked up near the ceiling. Just hovering. At a Boy Scout camp. PINKIE RINGS All of a sudden this thing takes off. please. PINKIE RINGS Hey.
EXT. Platinum bobbed hair. Thirties. Too . High cheekbones. Could be a wig. MEN’S ROOM . green. Could be contacts. throws down a twenty. She takes Mac by the arm and hurries him out of the men’s room. He sees Mac approaching. Bows and moves the cone. Six hours later everybody but me denied we’d seen anything. INT. She removes her dark sunglasses. He slams Mac against himself. MAC There’s chat rooms for guys like you. Mac grabs his briefcase. An ASIAN MAINTENANCE MAN mops behind it.CONTINUOUS Mac stands at an empty row of urinals relieving himself. Carefully painted red lips. MacKenzie. Mac enters. PINKIE RINGS You’ve got we want. Choking. James Bond sexy. and we’re going to get it whether you’re here or not. Turns around. A A TALL FEMALE. Mac gets up. MEN’S ROOM . PINKIE RINGS WHERE IS IT? THWAP! The toe of a shoe kicks Pinkie Rings in the head. Mac zips up his fly. Intense GREEN EYES. GREEN EYES We haven’t much time. MAC I don’t know what you’re talking about.CONTINUOUS An orange safety cone blocks the entrance.15. backhand judo chop sends him to the ground out cold. A chubby hand with a pinkie ring covers his eyes and presses a box-cutter razor against his throat. and leaves.
CONTINUOUS She races Mac through the crowd to his gate. MEN’S ROOM . . Overhead. They want it back. MAC Who was that guy? GREEN EYES Your father left you something when he died. FOREIGN FEMALE VOICE Final call for El Al Flight Number 783 for Tel Aviv now boarding at Gate 68. Piped in over the airport commotion. EXT. MAC As in New Mexico? Who is he? GREEN EYES He’s on the inside. GREEN EYES Someone will meet you in Tel Aviv. Mac watches her vanish in the mob. MAC Who are you? GREEN EYES I’m here to make sure you make your flight. Keep to yourself on the flight. It’s not safe for you to be here.CONTINUOUS She takes him to the boarding agent.16. GATE 68 . INT. MAC Who called me? GREEN EYES His alias is Roswell. CONCOURSE . INT.CONTINUOUS They rush out of the bathroom. She turns and goes. his wind knocked out. Mac looks back. Sees the maintenance man crouched against the wall.
Identifying himself. Uri takes evasive action.INT’L TERMINAL . running for cover. MAC Who? URI Call me Uri. FEMALE FLIGHT AGENT (O.S. SCREAMS. artifacts .17.MIDDAY A haggard Mac pulls his suitcase into the bright sunshine. He rolls his eyes. Armed soldiers everywhere. Mac shakes it. DUSTY HUMMER H2 . TEL AVIV AIRPORT . URI She A rugged-looking Israeli man holds it. Mac spies it. Mac pulls out his passport and ticket. smiles.) Your ticket and passport. MAC I’m MacKenzie. She’s gorgeous. EXT. bounce in the back. A crude cardboard sign held above the masses.ISRAEL COUNTRYSIDE .AFTERNOON A dusty Hummer H2 speeds along a remote two-lane highway. Hands it to her. Uri takes I am BenHassen. The crowd scatters. his bag. Massive crowd.CONTINUOUS The back is crammed with food and supplies. please. BENHASSEN. SMOKE. URI Welcome to Israel. “MAKKENZIE”. KABOOM! A suicide bomber. EXT. Grabbing Mac’s arm. MAC Where are we going? URI The Valley of Raphaim. He extends a thick calloused hand. Slight accent. HIGHWAY . Tools. Uzi’s run in all directions. INT. Uzi’s.
Elisha. Just checking in. See you on arrival. gentlemen. MAC I guess we’re safe. We are clear. a small webcam reset above the screen. The H2 hits a large bump in the road. The screen divides into three vertical panels. I am Doctor Elisha BenHassen. ELISHA BENHASSEN. thank you. Welcome to Israel. Mac looks around to see where his feed is coming from. Uri’s grandfather. GPS screen. I’m quite good. MAC I assume you’re on the good side? ELISHA Yes. MAC Raphaim? URI The Valley of Death. making sure you are safe. uncovered something. center panel. On screen. Time for my nap. ELISHA Shalom. get there? We have Believing is How long to URI Everything here is three hours. . Everything flies. MacKenzie. late seventies. Shalom. yes. Center dashboard. URI Shalom. Uri screen left. Same accent as Uri. Bouncing around violently.18. and Mac is screen right. seeing? MAC Seeing is believing. Finds ELISHA Good.
VALLEY OF RAPHAIM . The ground starting collapsing the day we found the tomb. EXT. Beneath them lies the ancient temple ruins of a pagan fertility god. Chickens and a few goats scurry out of the way. URI The excavation is over there. Worklights stand strategically. URI It’s bizarre. Taking it all in. DIG SITE . Exposed catacombs stretch out below them. Tents. Mac stops alongside. EXCAVATION PIT . The H2 weaves its way through the camp.A DIG SITE . More dust. Yellow caution tape outlines a large twenty-foot circle off to the right. . MAC What’s that? URI A sinkhole. DIRTY H2 . A semi-circle of phallic monoliths surround an altar. EXT.CONTINUOUS Pointing. INT.MOMENTS LATER Uri walks Mac to the massive open pit. An ATV with two people on it drive past them.19. At the heart of the pit is a small room with workers surrounding a large sarcophagus. EXT. MAC Did the excavation cause it? No. Workers with shoulder-sling canteens and hand shovels wave at Uri as they drive by. and port-o-potties litter the area. generators. Like quicksand.AFTERNOON Dirt and dust. Mac gets a visual.MOMENTS LATER Uri stops at the top of the large open pit.
Dr. Peers into it. . Rephaim.) Anakim. They turn. Wire-rim trifocals. Over twelve feet in length. Welcome. Stepping next to Mac. URI Here. White hair creeps over and out of his ears. Elisha BenHassen.S. a large. The heavy lid lays next to it on a thick block of rocks. Six fingers. ELISHA Shalom. Stupefied. Mac steps forward. Stained khaki pants. OLD VOICE (O. A GIANT SKELETON. ELISHA BENHASSEN. INT. He extends a twisted arthritic hand. MAC What is it? Nephilim. CROSS tied loosely around his neck.MOMENTS LATER A small inner room. Completely intact.20. A wizened elderly man. Mac migrates over. Grasps his hand. STONE SARCOPHAGUS. DR. Tall walls. White beard. In the center. There’s an ANCIENT URI This is Art MacKenzie. The workers step back as Uri enters with Mac. EXPOSED SMALL ROOM . A faded cotton shirt hangs loosely around his thin body. Stoop shoulders. the American. URI This is my grandfather. MAC My God. heavy. Enormous size. MacKenzie. it’s a giant. URI Go look. MAC Holy cow. six toes on each hand and foot.
Tender accent. ELISHA Meet Goliath’s bloodline. He motions for it. An OLD BIBLE on the heavy lid. ELISHA ‘We saw Nephilim there. and we looked the same to them.’ MAC “Nephilim”? Elisha turns to Genesis. We seemed like grasshoppers in our own eyes. right? ELISHA When my people first entered the Promised Land they reported giants living there. All different words uttered by my ancestors thousands of years ago to describe the same creature. Anakim. MAC What is it? ELISHA Have you ever heard of David and Goliath? MAC Of course. .21. Uri pulls up a wooden crate. The old man gingerly sits down. ELISHA “The Nephilim were on the earth in those days . Crooked fingers trace the letters etched in the stone lid.and also afterwardwhen the sons of God went into the daughters of men and had children by them. ELISHA Nephilim. Rephaim.” A FEMALE WORKER blasts an air-horn from the top of the pit. MAC You’re kidding. Mac jumps.
The result. Mac can’t resist touching the giant bony foot. and sandwiches. Not tracking. A lab in Jerusalem.22. FEMALE WORKER FOOD IS READY! Come.DUSK . ELISHA The fallen angels. Mac and Uri sit around a folding table with grapes. MAC Fallen angels? ELISHA They came to earth and resided here. Stops MAC Lucifer and his disgruntled lot? ELISHA Semjaza. . By corrupting the human offspring.MOMENTS LATER Elisha. MAC The toe? URI DNA testing. He takes it. cheeses. They all head out. Points. Elisha offers Mac a sandwich. Mac notices a toe missing on the skeleton’s left foot. ELISHA Let us eat. one of his leaders. MAC Who were the “sons of God”? Leaning back. the fallen angels had altered human DNA. EXT. resulting in unholy union between themselves and earthly women. The human race became essentially non-human. Nephilim. CAMPSITE . Uri.
and have come only to renew themselves with fresh genetic material? ELISHA Certainly plausible. Noah? MAC As in Noah’s Ark? ELISHA Precisely. Lucy? . Uri reaches for more grapes. MAC How so? ELISHA He had little choice! With Semjaza’s demonic fornicators. MAC What does that have to with me? ELISHA That woman you talked to at the hospital. if it’s true. ELISHA Now present day. It says Noah was perfect in all his generations.23. URI That is your theory. Cleans his glasses on his gauzy-soft shirt. What if they are from a dying race. the original gene pool of mankind was polluted beyond recognition. Not convinced. Perplexed. MAC A bit harsh. These aliens are again offering technology and are abducting women for intercourse. ELISHA It is harsh! And definitely true. a distant planet. ELISHA But God saved those who had not been corrupted. The rest of the imperfect inhabitants he destroyed with The Great Flood.
His senior assistant. God’s spiraling signature of human creation. URI The DNA results from the giant.DR.. ELISHA Ahhhh. MAC What about her? ELISHA She’s telling the truth. part of an elaborate deception. us go. DR. by. WORKER Jared has Dr.24. stands up and offers his chair to Elisha. Elisha sits as Mac and Uri stand close behind. MAC You’re saying that these supposed aliens are actually demons? ELISHA Yes. DNA. MOISHE. Jared stands Let . COMMUNICATIONS TENT . On a work table a 17” Powerbook with a webcam attached. a young techie. stands nearby next to a lightbox. Once again they are impregnating our women and creating a superrace of hybrids. MAC How do you know? ELISHA These aliens are the fallen angels.. COMPUTER SCREEN . Sophisticated equipment everywhere. Technicians task away. Fineberg online.MOMENTS LATER JARED. FINEBERG’S LAB .WEBFEED Computers line the walls atop benches and tables. INT. FINEBERG stands by a bench.Nephilim. A WORKER runs up to the table. Trying to connect some far-fetched dots.
FINEBERG Simply put. But the sarcophagus sample did not. BenHassen. DR. FINEBERG The control sample. my DNA. It is something we have never seen before. MAC What’s so different? DR. DR. FINEBERG Shalom. DR. Difficult accent. MOISHE The tests show that it is not entirely human. FINEBERG It is fragmented. There is a foreign nucleotide which creates an exotic pair. MOISHE We ran it three times with a sequencing gel.25. DR. FOUR MASKED GUNMEN dressed in black rush the lab. Fineberg. ELISHA Shalom. In the background. Intrigued. Rapid gunfire strafes the place. MOISHE The skeleton DNA is not complete. but I am afraid Moishe’s English is better. Moishe slips a large piece of film over the lightbox. Jumping back in. We’ve never seen anything like it. Dr. We have the DNA results. this is a different life-form. sequenced. FINEBERG It doesn’t match up with any of the four known nucleotides. . MOISHE Nothing on this planet has a fifth nucleotide.
EXT. Waving. ELISHA We go. Very good. URI MACKENZIE. TELL HIM WHAT YOU SAW. enemy is not happy. JARED.ELISHA’S TENT .26. station. Jared jumps to another work The ELISHA We are uncovering the truth. A fifth nucleotide.NIGHT . GET ROSWELL. Evacuate. . Technicians mowed down. Uri pulls up the H2 a short distance away. gunmen place charges. JARED Doctor. Uri races out of the tent. KA-BOOM! Elisha’s laptop screen goes blank. MAC And? ELISHA The results were the same as Fineberg’s. Fineberg and Moishe killed. Elisha shakes off his nap. MAC What do you mean? Our ELISHA Roswell did secret DNA testing on amniotic fluid from Lucy. WITH ME. General Roswell is on the webcam. URI I’M GOING TO THE LAB. Jared nudges him. ELISHA Jahweh be with us. CAMPSITE .LATER Elisha sleeps in an armchair in a corner of the large tent.
LARGE ALMOND EYES. Does MacKenzie have the piece? ELISHA We haven’t gotten that far. Webcam feed. Then video is gone. Elisha. At the outhouse door he notices the sinkhole. EXT. God is sovereign even over the internet. sir? ELISHA No. Roswell. JARED Should I try him again. Heads for the site. Something He reaches into the sarcophagus and picks up the skeleton. Roswell is speaking but there is no audio. INNER ROOM .CONTINUOUS Elisha stops at the yellow tape. .MOMENTS LATER Computer screen. ELISHA Shalom.NIGHT . We are Interference overtakes the image. Elisha leaves his tent with his lantern. CAMPSITE . POINTY EYETEETH. RIPPED.27.CONTINUOUS He sees a TWELVE-FOOT GIANT. still earning his trust. Heads towards the port-o-pottie for a middle of the night pee.CONTINUOUS Elisha arrives at the rim. Digital delay. He hears something. INT. Things are heating up. WORK STATION TENT . EXCAVATION SITE . Sorry about Fineberg. Holds his lantern out for a better look. INT. EXT. different. ROSWELL Shalom.LATER The camp is asleep. The twenty-foot sinkhole is now a twenty-foot bottomless pit. SINKHOLE . Looks down at the inner room. EXT.
An old pot of tea sits center. The giant squats. ELISHA STOP IN THE NAME OF YESHUA! The giant freezes.MUCH LATER A lantern sits on a folding picnic table. I COMMAND YOU TO LEAVE.CONTINUOUS The giant faces off with Elisha. All our proof has disappeared. URI The skeleton is gone. Elisha. Mac and Uri face . EXT. INT. BRIGHT AURORA LIGHT PARTICLES flash around him. They stare at their tea. our DNA is annihilated. Slamming the table. He’s gone. ELISHA’S TENT . He turns. MAC That’s just too fantastic. MAC You really saw a giant? ELISHA As real as you. Is about to throw it at him. Sees Elisha at the rim. Elisha holds up the ancient Jerusalem cross from around his neck.28. Lifts the skeleton over high over his head. URI And our skeleton is gone. ELISHA Holy God. Leaps twenty feet over Elisha and into the sinkhole. ELISHA IN THE NAME OF JEHOVAH EMMANUEL.NIGHT . EXCAVATION SITE RIM . the Nephilim are back. The sinkhole closes back into quicksand. The giant bounds up the ramp. Superhuman speed.
God has brought MacKenzie here for a reason. MAC What alien base? . He MAC Is that what this is all about? ELISHA Do you still have it? MAC What does it matter? ELISHA Roswell believes that piece has information encoded in it that’s linked to the alien base. wrote a letter saying as much. MAC No. ELISHA Did he talk about an alien? Mac looks at Uri. or whatever it was. ELISHA Not all our proof. Did he leave a piece of the debris with you? Mac looks at Uri. too. yes? Unsure what’s next. ELISHA What did he write you? MAC About handling sections of the saucer. Looks back. MAC How so? ELISHA Your father saw the UFO in New Mexico. ELISHA Yes.29. MAC Probably got him murdered. Mac looks up.
MAC Yeshua A Meshiac? ELISHA Yeshua the Messiah. Military is working with aliens? ELISHA They have been since 1947. MAC You survived? ELISHA Yeshua A Meshiac was with me. ELISHA Do you have the piece? Mac notices a faded number tattooed on Elisha’s wrist. A Messianic Jew. Mac looks at Uri for verification. MAC I thought you were a Jew.30. As a boy I was interned at Bergen Belsen. MAC I see. MAC The U.S. The aging Elisha leans onto the table. ELISHA Your military has a base in Nevada. We need to get that piece before they do. 5-6-0Closer to the . 2-4-2 MAC What’s that? ELISHA The Holocaust. We believe there is a harvest colony there of cross-breeds. lantern. It’s our only chance of destroying the base. ELISHA A Jew that receives Yeshua as the Messiah of Israel.
Looks back at Elisha. MAC Yes. MAC When? URI Daybreak. MAC Hidden under a floor board in my apartment. MacKenzie. ELISHA Where is it now? Some hesitation. URI I’m going back with you. Standing feebly. ELISHA There is a God. MAC Who exactly are you? ELISHA I have chosen God’s side. Do you still have the piece? A breath. and Yeshua is his son whether you believe it or not. I do. . Uri and Mac head out of the tent. Uri will diagnose it. There are spiritual principalities. Confiding for the first time with anyone. MacKenzie. You cannot serve two masters. Yes. Now you must choose. ELISHA I am strong in the Lord. Mac stops. Goodnight. ELISHA There is important data stored on the piece. But now I am tired. Drawing in. Mac shifts uncomfortably.31.
God will Points at his watch. CAMPSITE . For the first time I am sorry God promised to never send another flood. He finishes and slowly takes his arthritic hands off his head. be with you. MAC For what purpose? ELISHA He will show you in time. that He was sending you. MAC Dr. MAC Why? ELISHA To accomplish His purpose. you really saw a modern day Nephilim? ELISHA Yes. He embraces Mac. MAC I’m no saint.DAWN Elisha wears a worn prayer shawl and a faded yarmulke. Uri honks the horn of the H2. MacKenzie. You ELISHA I will pray for your safety. Wistful smile. He sings a prayer in Hebrew over Mac. MAC I’ll try. EXT. Shaking his head. must pray as well. ELISHA A month ago I had a dream. . BenHassen. I saw you were coming here.32. ELISHA He delights in using the weakest of us to carry out his will. Tears well up in the corners of his eyes.
His sofa has been slit end to end. Tampered door knob. smoke. Mac’s queen-sized bed stands on end. Elisha takes the ancient Jerusalem cross from around his neck. LAX RUNWAY . The old hardwood floor pulled up. INT. The phone. ELISHA You will need this. His TWO FISH bloat from death. Torn upside down. The crusty picture frame is missing. Both men freeze. Heads to the bedroom. BEDROOM . Uri motions to answer it. Shalom. ELISHA God has the final word. Puts it over Mac’s head.33. MAC’S APARTMENT . Mac holds his gaze. Mayhem.DUSK Signs of trouble. You must Nods slowly. Uri follows. RING. The goldfish bowl lies shattered on the desk. revealing an empty secret space.CONTINUOUS It’s ravaged. believe.LATE AFTERNOON An El Al 747 touches down on the runway. stuffing everywhere. MAC’S APARTMENT . Wheels puffing out Sawed out dead bolt. EXT. EXT. The ugly shag rug under the bed has been pulled up.FRONT DOOR . MAC It’s gone. INT. MAC It’s in here. MacKenzie. The bed frame is mangled. Mac jumps through the mess. Stealth-like. .CONTINUOUS Clothes strewn everywhere.
I know. A hard right onto a side street. STREET .BLACK LIMOUSINE . Someone’s . Uri nods to leave.O. MAC They got the piece. MAC’S APARTMENT . Mac and Uri get in. the driver. Dark tinted glass. ABANDONED FACTORY .) Get a hotel. ROSWELL (V. Whoever is gone. ten. Muscular.) It’s Roswell.34. EXT. A BLACK LIMOUSINE pulls up. Mac looks at Uri. Meet me there tomorrow at ten a-m. Another right. STREET . late seventies. MAC Hello? CALLER (V. More speed. The rear window rolls down silently. See you at INT. He opens the rear door. DIEBOL.CONTINUOUS They’re rolling. ROSWELL. He motions them over. Mac downshifts and punches it. wears a military uniform.O. Rearview mirror. More bodyguard than chauffeur.MORNING Mac and Uri cruise in the Jeep. hops out. MAC HOLD ON. A quick left into an alley. Large.INTERCUT Dial tone. EXT. tailing them.LATER Mac and Uri sit in the dark shade of a loading dock. EXT. There’s an old warehouse across from the train station.
ROSWELL And you’re Art MacKenzie. ROSWELL Your father was a good man. You have quite a decorated past in the Israeli Special Forces. URI The alien base. His eyes gaze impassively. Back at Mac and Uri. Uri instinctively salutes.DRIVING . MAC What happened? Looks out the tinted glass. MAC You knew my father? ROSWELL I was with him in New Mexico. They became a rogue element accountable to no one. He waves him off. . Shocked. One shake. He never knew. ROSWELL I’ve been involved with the alien presence since ’47.CONTINUOUS ROSWELL Uri BenHassen. MAC General. Roswell takes a long look. ROSWELL’S LIMOUSINE . INT. You’re bigger than I pictured.35. Extends his hand. Mac shoots him a look. ROSWELL President Truman formed a group of men to study the alien problem.
Puts it together. Pulling out aerial photos of the base. ROSWELL The outer coating of the saucer is a carbon fiber alloy with elastic memory. It turns sunshine into plutonium. The base is solar powered by inorganic plasma. But I believe they are cultivating embryos from alien abductions. MAC Who’s in charge? ROSWELL A man called Abaris. He now interprets his supernatural powers. ROSWELL More than that. URI A harvest colony. It’s alien technology. ROSWELL The White House knows it only as an extraterrestrial research center. ROSWELL The piece your father left you was from the mothership.36. I believe the blueprints for the base are encoded in its memory. . URI Nuclear power. URI Security threat. MAC Why is the debris piece such a threat? He opens his briefcase. MAC That’s why it won’t wrinkle. A dying alien convinced him to host his spirit.
If the core is contaminated the reaction would obliterate the base. They offer technology but they are out to destroy us. You’ll travel incognito. ROSWELL The power core is highly secured. MAC Where do we come in? A pregnant pause. MAC Can’t we just let them keep it? ROSWELL The aliens’ agenda is evil. At the risk of sounding stupid. Points on the map. You’ll pose as new technicians. but I need you to identify it.37. ROSWELL Only you can identify the piece. Outside Palmdale. URI And destroy the harvest colony. ROSWELL But we need the piece to get the blueprints. MAC But they know who I am. . URI So we blow up the base. ROSWELL I know where the piece is. He opens a map. ROSWELL Tomorrow morning at zero-fourhundred you’ll meet me here. Uri’s military mind. We’re going in tomorrow. ROSWELL From here we’ll fly to the base.
INT. sits next to Roswell. Go back to the hotel. pulls out a telescopic pole with a mirror attached at the end. MAC’S JEEP .WESTWOOD . Stands up with a quarter-sized object. Uri looks around. PALMDALE 20 MILES. Gives one to each. Diebol goes to the trunk. Another car pulls onto the road. . Diebol sticks it under an abandoned car in the parking lot. EXT. Stops. No phone calls. Through the window they see a sign: EXT. thirties. INT. Change rooms.MOMENTS LATER Back at Mac’s Jeep. ROSWELL’S LIMOUSINE . Be on time. 4 AM. Tumbleweeds. HOTEL . check their car. They finish dressing quickly.LATER Uri holds a mini-flashlight in his mouth. ROSWELL Diebol. beams. Sharp. Flashes its high Climb in.38. Run to the limo. EXT. SERVICE ROAD .HIGHWAY . The back tires spin.3 AM Mac and Uri walk out of the hotel. They change into their silver jumpsuits without a word. He looks under Mac’s Jeep. Reaches in.LATER The Jeep pulls off the highway onto a dirt service road.CONTINUOUS A VERY ATTRACTIVE WOMAN. Roswell pulls two shiny silver tote bags from the trunk. ROSWELL Zero four-hundred. ROSWELL Tracking device. Reads a map. They’re gone. ABANDONED FACTORY . sporty and sexy.
hands. She extends her hand. She looks back at Mac. ROSWELL And this is Uri BenHassen. this is my daughter. She squirts some liquid in her hands. her beauty. She pats the seat next to her for Mac to come. She opens a tackle box. ROSWELL MacKenzie. MAC I don’t follow.39. MAC “Green eyes”. To Mac. Pleasure. He studies . URI Same for me. LAURA Close your eyes. LAURA Let it dry. It’s a make-up kit. Smiles. I made sure you got to the plane. WOMAN I see you made your flight. She massages Mac’s entire face with the liquid. Then his Faces Mac. LAURA LAURA It’s time for your makeover. Laura. Shakes Uri’s. LAURA At the airport. MAC I could get used to this. Mac sits there. Blond wig? Smiles.
She pulls out a ziplock baggie containing a matching color goatee.40. LAURA Put this on. Then takes his thumb. Affixes the goatee. She presses another button. She hands him a small mirror. Uri leans across and presses his thumb on it. and thumbprints. Another bottle. LAURA Thumbprints. Squeezes it in her hands. She slips it snugly onto his thumb. The lotion on his face dries into wrinkled skin. Sees an old man. parts his hair on the other side. It prints out TWO LAMINATED PHOTO ID’S complete with names. MAC Unbelievable. Puts them on him. presses it on the glass. LAURA Lower it. opens the lid revealing a scanner surface. Uri watches her work quickly. Hits a button on the side. FLASH. photos. She centers him. She hands Mac a synthetic thimble. Massages his hair thoroughly. She grabs a comb. She Laura faces him with a special digital She connects the camera to an external palm device. She pulls out some wire-rim spectacles. Then offers it to Uri. . LAURA Uri. She applies it around his lips and chin. He holds it up. Clear adhesive. FLASH. She pulls a tube out. Mac lowers it. camera. LAURA Take a look. Uri looks over. It quickly turns to an oily grayish white.
Is that clear? Mac makes eye contact with Laura. you can text message.41. Mac shoots her another look. ROSWELL If we are separated. Mac clips it on. She attaches a clip. circumstances. And don’t talk to anyone. ROSWELL You are going to want to ask a lot of questions. You are NOT to make eye contact. She smiles back. Mac notices him wince. ROSWELL You’re not to address you are spoken to you And whatever you see. . Handing them over. I’ll find you. Reads it upside down. You are not to do so. MAC Who’s Dr. anyone. do not least bit surprised. Back to business. Is that clear? MAC Is Laura coming with us? ROSWELL No. ROSWELL The piece is in a special area. You will see aliens. Roswell shifts in his seat. If defer to me. LAURA You’re from New Jersey. Don’t look for me. under any look the Laura hands them each a small flip phone. Back to Roswell. Irving Liebowitz? She smiles at him. LAURA It goes on your left pocket.
staircase. Uri close behind.GIANT HANGAR . LARGE MP NEXT. Mac watches them go by. Time to focus. EXT. Yellow helmets. Then Looks closely at the credential. TARMAC . Roswell passes the guards. talkies. EXT. weapons. METAL STAIRCASE AGAINST THE PLANE . four-story hangar. Uri looks back up the stairs. high hangar doors. MAC A FedEx jet? ROSWELL Part of the deception. Catches himself. ROSWELL (O. TWO MP’S. towering doors are slightly open. A FedEx Cargo jet is parked on the tarmac. EXT.42. Deployed in twos. Mac stares ahead. at Mac. Adjusts his glasses. WalkieThe They get out. Checking ID'S. Sidearms. GIANT HANGAR .CONTINUOUS MP’S everywhere. Automatic . ALIEN BASE .C. GIANT HANGAR .EARLY MORNING The jet pulls up to a ten acre. INT. ROSWELL Stay close. EXT. People load by a Then Mac. A LARGE MP stops Mac.) We’re here. Dobermans on harnesses.CONTINUOUS Top of the staircase.DAWN The limo pulls up outside a fenced area. Walkies.CONTINUOUS Mac hurries up to Roswell and Uri as they enter the huge.
everyone closely. MPs exit. into the control panel. Nods toward the control panel. . Stand guard. Four more MP’s rush into the huge lift as the AIRLOCK DOORS hiss shut. In place of floor 12 are Next to the letters MAJ is a horizontal slot in the panel for a specially constructed key card. Roswell. Inspects He inserts a KEY attached to his belt. They face the crowd. INT. INT. Scientists and other plane passengers avoid the MP’s looks. CLOSE-UP CONTROL PANEL . Under his breath. THE OPERATOR. Certain areas of the hangar are sectioned off with tall black partitions.CONTINUOUS The floor numbers descend 1 to 12. MAC Excuse me. The large. Roswell. the letters MAJ. MPs salute and get back in. LARGE ELEVATOR CHAMBER . Uri and Mac rub shoulders with the rest. ROSWELL This is us. Eleventh floor.CONTINUOUS A hundred scientists and technicians load in. Rifles up and ready. All head toward a large elevator.43. Uri and Mac get off. A TALL BLACK MP. shoots Mac a look. Roswell catches Mac’s eye. Mac studies the panel. The Elevator doors whoosh open. wide doors whoosh shut. next to a sidearm.
Mac whips around. She looks down and away. Motions to look inside. Roswell stops in front of a panel. A GIANT. INT. ELEVENTH FLOOR LOBBY .CONTINUOUS Walls. It opens. It closes. A somber military gray. The MP stares down. Uri steps up to the panel. Mac smiles at an academic blonde. It’s rampant. ADJACENT LAB . He passes through. Mac looks up. Mac quickly backs away. Hate. MAC You go. Eerie looking. Roswell ahead. A deadness. Roswell approaches a blank wall. Light emanates from above.CONTINUOUS A SCIENTIST stands next to A SMALL GRAY BEING. He walks through. A very low frequency oscillates from below. Mac looks to Roswell. It opens. Elongated head. Mac approaches. Slows down. WHAM! INT. ELEVENTH FLOOR CORRIDOR . ceiling and floor are monochromatic. Mac looks ahead. ANOTHER POD OF SCIENTISTS march quickly in his direction. Gone. Faint outlines of panels appear every four feet. Roswell looks away. . BEEEEEEP! SCREEEEECH! A fast moving electric cart carrying more MP’s swerves to avoid Mac. No acknowledgement. They’re examining someone. INT. Whoosh. It slides open quietly to the left.CONTINUOUS Mac plows into the far MP standing guard at the door.CONTINUOUS A small group of men and women with ID credentials pass the other direction. Roswell’s hand behind his back. Panic. Mac and Uri behind. Zombies. Two tall MP’s frame the door. INT. A HUGE FOOT. Clipboards. Credentials. Blank faces swoosh by. He passes. Looks inside. HALLWAY . SIX TOES. Bony arms. Another lab up ahead.44. Mac falls behind Uri.
ROSWELL Later. SMALL SUBWAY STATION . They get waved through. Benches constructed of a seamless material never seen before. Peers down the Their tags Inside the tunnel other tunnels bore through the concrete overhead and to the side. Mac approaches. Uri approaches.CONTINUOUS TWO MP’S salute.45. Roswell reaches out.CONTINUOUS They enter the platform of a small station. Six seats each. tunnel. Roswell walks to the edge by the tracks. . Uri. Mac looks around. did you see it? URI Yes. Disoriented. TWO MORE MP’S talk to those at the door. Roswell and Uri MAC My God. ROSWELL Not good. Quiet. They go through. are checked. A large cylindrical ceiling reaches twenty feet high. are up ahead. ROSWELL There have an entire network of tunnels that crisscross under the planet. A conductor sits in a glass-domed car at the front. An empty train glides out of the dark tunnel from the left. The door slides open. SMALL DETAINING ROOM . A moment. two abreast. Ice. INT. URI The sinkholes. Sets the palm of his hand on a scanning device near the door. Mac does the same. Nauseous. Overwhelmed. They go everywhere. They walk slowly towards another set of doors. INT. Roswell returns the gesture. but did not believe it. Whispering. Four others cars behind. Mac shoots him a look. Mac turns back to the lab where the alien was examining the giant.
Mac is agog. Motionless. A metal scissor-lift ascends next to the craft with a TECHNICIAN in another silver jumpsuit. MAC Yessir. Some MP’s load in the car behind. INT. The doors open. closing the distance to the saucer. He quickly rejoins them. Mac and Uri finally catch up. Roswell continues the same pace. exposing the interior. Pay attention. Mac sees he has fallen a dozen paces behind. Mac and Uri get in the first car. Sternly. ROSWELL Stay close. A short distance away A DISK-SHAPED FLYING SAUCER HOVERS silently above the floor of the cavern.46. Still rubbernecking. BUILT-OUT CAVERN . Roswell clears his throat. A portal is open. Walking forward. The ceiling is a hundred feet high. . Mac freezes in awe. covered with steel-girded catwalks supporting a maze of powerful lights. Then follows his gaze. Used to be an underground reservoir. Twenty feet off the ground. He holds a small palm device.CONTINUOUS They enter an enormous space. and overhead cranes. A glass command post nestles in the center of the catwalks like the body on a daddy-longlegs. The train accelerates quickly. Roswell. Quietly. They’re gone. Two men stand inside. URI Un-be-liev-able. Large luminous orbs imbedded in the ceiling cast a peculiar greenish light. UNIFORMED TECHNICIANS are stationed everywhere. thick cables. Mac glances at Uri. ROSWELL It’s a natural cavern. They diverted the water.
Taller. MAC My God. An AMERICAN FLAG is painted near the hatch door. Turn around and walk away. Roswell stops twenty feet from the disk. keep him moving. Horrible images flash through his mind. Facing him. An invisible force hits Mac in his solar plexus. The sleek exterior is of a dull gray metal-like material similar to the debris piece. A row of windows circles the craft near the top. Roswell and Uri shore Find themselves in Mac turns around and begins to weave. . The creature jerks his head. Walk behind it. TWO LARGE. He reveals another ALIEN. NOW. ROSWELL MOVE. Now. SIX FINGERS on each hand. They reach a partition. They’re alone. Inches from his face. ANGLED BLACK EYES dominate the alien’s face. MAC Sorry. One of the men standing in front of the portal moves from the interior onto the lift. Blurry. next to him. On the bottom are round indentations that appear to conceal lights. Mac and Uri stop The disk is seamless. Immobilizing. Distracted. A disproportionately large head. an area for equipment. MACKENZIE. It floats noiselessly. Blocking his line of sight. ROSWELL MacKenzie. Thin torso. A one-piece jumpsuit matches the color of his skin exactly. Looks right at him. him up. ROSWELL I said no eye contact. Spindly arms.47. Mac can only stare back. Mac is blanking. Bothered by Mac’s very presence.
Mac dives around the back of the pile. Uri nods. LIKE DEBRIS thirty feet high. We may have been compromised. The MP’s approach Roswell who is pointing at the pile and improvs a briefing with Uri. with automatic weapons enter the room. Like he wanted me dead. He walks off briskly. arms crossed. MAC We’ll never find it. it.48. piece? How about any ROSWELL It has to be from that mothership! MAC It’s impossible. Uri and Mac follow. Inspecting random pieces. Uri coughs loudly. only to bounce back in perfect shape after his foot lifts off it. . There’s A MOUNTAIN OF FOIL- ROSWELL My sources tell me the piece was brought back here. What did you do? MAC A force came at me. Time is of the essence. A total sense of evil. STORAGE AREA . Mac circles up the pile. Find Mac clumsily climbs up the debris heap looking for the one. TWO MP’s The heavy door at the room’s entrance slides open. ROSWELL You drew attention to yourself. ROSWELL Let’s move. Each step silently crushes the foil beneath him. ROSWELL You know what it looks like. Looking up at the mountain of scrap. INT.CONTINUOUS They enter a large storage area.
A little bigger They both sift through the arduous task. The doors whoosh open. they spring back. down a long hall. than my hand. the sofa.CONTINUOUS Roswell exits the elevator with his MP escort. BEDROOM SUITE . Opens his palms. They head A circuitlike key card is . OLD VOICE FROM THE BED Come. A shaky voice. the wall covering. Tall curtains drape from the high ceiling. The door closes behind them. INT.49. LOBBY . pentagrams. INT. Is distracted by the resilient foil pieces. squares. Rhomboids. MAC It’s a trapezoid. triangles. the bedding. in the slot for level MAJ 12. Uri looks down at the scraps in the heap. A KNOCK at the door. They’re all geometric shapes. Mac peers around and sees the MP’s talking to Roswell. INT. everything a shade of gray.MOMENTS LATER Roswell stands next to the MP’s. circles. Uri scurries up the debris pile.MAJ 12 .MOMENTS LATER A large room. Gets to Mac. Spellbound. URI What shape is it? Guessing. ellipses. ELEVATOR . He crunches them in both hands. hexagrams. MAC Where’d they take him? URI Some emergency meeting. The carpet. The decor is exquisite. Roswell nods to Uri and leaves with the MP’s.
It has four sides.C. sits in bed in darkness from his chest up. Sees the cross a few feet away. Roswell enters. we got it. Sweat on his brow. Off Mac’s look. it’s a trapezium. ABARIS. blocking his vision. Freezes. no two of which are parallel.) Yes. MAC YOU FIND IT. The door opens revealing Roswell and the MPs. ROSWELL Hello. We will soon be in need of a new host. Inspects it.50. Exploding. Abaris. URI That’s not a trapezoid. MAC Uri. ROSWELL What can I do for you? ABARIS This body is getting weaker. STORAGE AREA . The cross keeps swinging out around his neck. He walks to the foot of the bed. . Uri scrambles over. INT. He lets out a sigh. His jumpsuit is zipped open.CONTINUOUS Mac plows furiously on his hands and knees. Then goes and picks up the debris piece under it. The MP’s close the door behind him. ABARIS Hello old friend. early eighties. OLD VOICE FROM THE BED (O. come in Nathan. Looking heavenly. Throwing the cross off his neck. Takes it from Mac.
BRIGHT AURORA LIGHT PARTICLES fill the air. The restraints spring open magically. Mac’s cell phone. Closes her eyes and touches the top of the cradle. MAC .LATER Mac and Uri sit restlessly on the bench. She picks up the phone receiver.AFTERNOON Lucy lays asleep on a bed. INT. They join him in the car.51. INT. stand by the tracks. Sees Roswell in an empty car. stainless steel guards. A train pulls into the station. The train whooshs off. She sits up. No one is talking. Her eyes are swollen shut. RING. Other technicians INT.LOCKDOWN WING . Roswell. URI He’s in the train. The door unlocks itself. Hello? Roswell gives a slow nod. INT. stands. HALLWAY . ROSWELL’S LIMOUSINE . She walks into the hall. The workers start to load the train. Slides open. Mac and Uri both check the platform entrance. Mac shrugs. No one is there. and walks to the door. SUBWAY PLATFORM . CAMARILLO STATE MENTAL HOSPITAL . Uri looks back. Her hands bound at the wrists to She’s noticeably thinner.CONTINUOUS RING. Her eyes open. Mac finds his phone. Low tones to Mac. Uri and Laura all give Mac a look.CONTINUOUS Lucy walks down the hall towards the orderly’s desk. Lids have a peculiar red color to them. No Roswell. Hair matted in clumps next to her face.
She said “I’m the one”. HALLWAY . LAURA The one what? MAC I don’t know. URI Who was it? MAC It was Lucy.INTERCUT MAC The one what? Dial tone. INT. BUDDY. INT. Taking her away. tatoos. two gold front teeth..LOCKDOWN WING . Gentle spirit.INTERCUT A HEAVY-SET NATIVE-AMERICAN ORDERLY.52.CONTINUOUS Convulsive stammer.LOCKDOWN WING . INT. A hand takes the phone away from her. ROSWELL’S LIMOUSINE . BUDDY Let’s go.you’re the waone. Trance-like. How did you get out anyway? INT. hangs up the phone. Lucy. HALLWAY . . LUCY You’re the wa-one. ROSWELL Where was she calling from? URI Check your call log.. ROSWELL’S LIMOUSINE .INTERCUT ROSWELL No one has that number. Phone time is over. skinhead.
BUDDY Camarillo Care Center.CONTINUOUS RING. Buddy looks at the receiver. Finds the number. lockdown. Winded. A short pencil writes down two “4’s”. It self locks.AFTERNOON A pinkie ring on a chubby finger holds a score card. HALLWAY . ROSWELL’S LIMOUSINE . He reaches for a can of Heineken out of the cup holder. threat. Buddy slides Lucy’s door closed. MAC It’s 8-0-5. CRANSTON I want out. LAURA They’ve transferred her. LAURA Ventura County.GOLF CART . INT. 805-876- Mac hits dial. Takes a swig. PINKIE RINGS It’s too late. GOLF COURSE . Two birds. Call her back. PINKIE RINGS Where’s MacKenzie? . PINKIE RINGS Not bad.53. 9999. Lockdown. Mac shuttles through his phone. He INT. She’s a EXT. Dial tone.INTERCUT MAC Camarillo Care Center. runs back to the phone. Pinkie Rings is next to Jim Cranston. Roswell nods.LOCKDOWN WING .
led by an ORDERLY. CAMARILLO CARE CENTER HOSPITAL . She finishes. Say you have work for him. Mac. Roswell Looks PATRICE How can I help you gentlemen? ROSWELL I have orders to see a patient from the military psych ward in Westwood. Beautifully braided hair.S. and you are? ROSWELL General Black. A small fan blows behind her. is on the phone at the counter.LATER FOUR SEVERELY MENTALLY RETARDED ADULTS. She lifts a long purple fingernail. Are you part of the Conservatorship? ROSWELL I have orders. pass Mac and Roswell at the admittance desk. Do it now. General Black. U. Taps her pen.54. A BLACK WOMAN IN A WHITE UNIFORM. Air Force. around. She stops tapping the pen. Pinkie Rings swigs again on the Heinie. An easy smile. nods. scratches his neck. INT. Just a minute. PATRICE Yessir. . in civilian clothes. CRANSTON Maggie hasn’t heard from him. PINKIE RINGS Call her again. PATRICE Yessir. PATRICE Are you related to the patient? ROSWELL No. PATRICE BURROSS. Cranston reluctantly opens his cell phone.
down the hall.55. Reads Roswell. SHERMAN Is he related to the woman? Jumping in. SHERMAN? Over his glasses. Is she still sedated? DR. Holds a chart. Veers to the He’s coming I can’t help . sir. PATRICE DR. DR. PATRICE Well you’re in luck. I’m not. PATRICE Would you like to speak to her doctor? ROSWELL Yes. you. SHERMAN Yes? PATRICE General Black is requesting to see a patient admitted from the military psych ward in Westwood. Over Roswell. SHERMAN That’s private information. DR. SHERMAN looks over. DR. SHERMAN Is he part of the Conservatorship? PATRICE No. MAC Then she is here? She glances down the hallway. station. ROSWELL No. Impersonal. but it’s important that I see her. DR. PATRICE Then I’m sorry.
He turns and leaves. SHERMAN I’m not at liberty to discuss the case. LAURA Don’t touch it. ROSWELL Fine. MAC What’s he doing? LAURA Finding a link between the executive director and one of our contacts. BLACK LIMOUSINE . ROSWELL Diebol. MAC What next? ROSWELL A phone call. MAC Man this stuff itches. . ROSWELL The military needs to know. Laura stands next to them. next to Diebol. CAMARILLO CARE CENTER .CONTINUOUS Laura and Mac exchange a glance. Mac follows. Catching up. He’s Blue Mac still in disguise. EXT. Notes the name of the executive director of the hospital.CONTINUOUS Mac sees Uri.56. Doctor. He stops in the lobby. Thank you for you time. All climb into the limousine. Diebol types the name into a laptop. also in civilian clothes. the executive director here. Tooth wireless does the rest. Hits return. Carrys on. DR. INT. call Edward Higgins.PARKING LOT .
Pressing. Laura and Uri sit attentively. LAURA How is she a threat? Reading on. ROSWELL Make it happen. URI Lockup? HIGGINS It’s usually reserved for the criminally insane.57. HIGGINS Well. Every room has a keyed entry. Roswell. HIGGIN’S OFFICE . A Major Lewis. Higgins thumbs through a file. it’s not exactly clear why she’s being held in lockup. I came as quickly as I could. sir. Mac. INT. The Major informed me of the situation..high school wrestling team. MAC Contacts? DIEBOL Got it. Well.. ROSWELL Thank you for your cooperation. Even to use the toilet. A tall lanky man with stringy gray hair. no matter.LATER EDWARD HIGGINS. They’re old personal friends. It was requested by the psych unit for security purposes. HIGGINS Lewis and I go back a long way. ROSWELL It’s imperative we see her now. . MR. HIGGINS No particular reason.
she’s still sleeping. A HIGH. Disturbingly amused. The woman lays asleep on the bed. Higgins looks to Roswell. Nods towards Lucy. ROSWELL I need a visual. INT. Buddy opens the door. Those teeth. HIGGINS Well then. A slow smile. WILD WAIL. HIGGINS We’re here to see the woman we received this morning. WOMAN’S DOOR . follow me. Buddy turns to Mac and Laura.MOMENTS LATER Buddy fits his special key into a lock. LOCKUP WING ENTRANCE . Turning to Higgins. nods back “yes”. Mac and Laura exchange a heavy duty look. heads down the hall. Finally gives in. HIGGINS Some of them do that when they get excited. Roswell discreetly looks at Mac. Bad dentistry. Mac . Like a crazed animal. A heavy wire-meshed window in it. He sees Crooked smile. They all go. ANOTHER WILD WAIL.58. BUDDY Oh. BUDDY That’s the Screamer. Opens it.MOMENTS LATER A thick fire door. Feeling the pressure. Her hands bound at the wrists to the stainless steel guards. INT. things we don’t.
LAURA Yessir. ROSWELL Thank you for your assistance. Cutting him off. Stay with her until we transport her. . Now I want her cleaned up and given a change of clothes. and I need your cooperation on this to the fullest. but her chart indicates. ROSWELL Let me assure you it’s important we move this woman to a safe location. Her life may be in danger. the Major said to do whatever you asked. HIGGINS Well. ROSWELL This is a matter of national security. ROSWELL When she wakes up see that she gets some real food to eat. ROSWELL How soon before we can have her moved? Confused. I’ll have to contact the Conservatorship and have it cleared. here. To Laura.59. Incredulous.. HIGGINS Here? ROSWELL Yes. HIGGINS Major Lewis didn’t say anything about having the patient moved.. HIGGINS Well. Shifting uneasily.
Handing it to Uri. you go. Laura ROSWELL That won’t be necessary. Roswell sizes up Buddy. sir. Laura will accompany them when they move the patient. A scanner built into the screen of this laptop will read the piece. HIGGINS The orderly can stay with her in case she needs assistance. DIEBOL (O. Mac shoots Uri a look. ROSWELL’S LIMOUSINE . ROSWELL Thanks again for your cooperation. Roswell pulls a laptop out of his case. ROSWELL The debris piece is hyper dataintensive and the scan could take four hours to decipher it. . make a call for a special transpo unit. INT. Speaking into his high-tech wristwatch. will do fine.THE 101 SOUTH . MAC I can stay. LAURA I got it.DUSK Uri plays with the debris piece. ROSWELL Diebol. Turns to Higgins.60. he nods in agreement with Laura. Mac. We’ll take it from here.) Got it. A few cards short. ROSWELL The software application is called MAJESTIC.S. ROSWELL We have work to do.
back now. Blood is a vital element. MAC Tomorrow? ROSWELL Laura will fly you out. So is the web-feed in the laptop. Roswell reaches into his briefcase. ROSWELL They’re have been cattle mutilations. It’s signal is scrambled. Inspects the screen. Mac looks through the file. Cows are drained of their blood and parts of their anatomy are cut away by a laser.61. ROSWELL Exactly. MAC Hopefully with us not in it. ROSWELL A memory cell from your piece should contain a blueprint of the base. You’ll go out there tomorrow. everything you can find. I don’t how Lucy got you. I’m due Pulls out a file. URI To locate the power core. video. . We contaminate the core. ROSWELL Use your cell phone for everything. ROSWELL There’s a fresh carcass in Arizona with an unusual twist. the base will self-destruct. MAC What does that have to do with the aliens? ROSWELL The harvest colony incubating at the base. Hands it to Mac. Uri opens it. I want photos.
Abaris is in weak health.62. time is of the essence. We must preempt that. ROSWELL Gentlemen. I’m not sure our visit to the base was unnoticed. then back at the debris piece. A look to Mac. Keep to Uri shakes his head. He is looking for a new host to sustain his existence. We need those blueprints to activate the core. yourselves. URI We’ll do our best. To Uri. A large wad of fifties. . Use cash for everything. ROSWELL You won’t need it. Navigation should come quickly. gentlemen. ROSWELL One more thing. ROSWELL That’s it. sir. URI Yes. MAC What about my Jeep. The power door locks give Mac a scare. ROSWELL The software is highly intuitive. Diebol pulls the limousine over to a stop. They could come after the piece again. Uri looks at the General. ROSWELL I’m dropping you near the hotel. Back into the briefcase. sir? It’s not much but it’s all I have. Here’s five thousand dollars in small bills. Mac’s still not cut out for this.
She checks her watch.LATER At a stop light. what’s going on? Diebol slumps over. He’s pulled from Some kind of gas. INT. She yawns. Laura finishes rubbing lotion on her wrists. Looks at the door to the hall. Still no transport. THUMP on the glass.CONTINUOUS A basin and sponge lie next to the bed. Coughing. His door flies open. CRANSTON What about Abaris? PINKIE RINGS The genetic engineers are still searching for a compatible match. A A key into the lock. ROSWELL Diebol. INT. They committed a security breach. PINKIE RINGS General Nathan took those two out to the base. the car. Bends over hungry and tired. now out of the restraints.NIGHT Pinkie Rings and Cranston are being served their main course. HISSING. Roswell is nodding off in the back. INT. The woman has clean clothes. The door opens. Both are hanging up from cell phone calls. 9:00pm.63. combed hair. BUDDY Everythin’ all right? . ROSWELL’S LIMOUSINE . Reaching for his Heineken. Folds her arms. and is still sleeping. Roswell passes out. They’ve taken the piece. COUNTRY CLUB DINING ROOM .SEDATED WOMAN’S ROOM . Buddy enters. LOCKUP WING .
LOCKDOWN WING . You gotta come up to my station. LAURA Okay.. He rocks ever so slightly. I know. We’ll make it INT. things. More gold teeth. Look..64..that we don’t. Cutting him off. Motions Laura to look inside. I really gotta go. BUDDY Oh heck. Faded linoleum floor.. BUDDY I bought you a sodie-pop but regulations say I can’t bring anything down into lockup. LAURA She’ll be fine.CONTINUOUS The iron door slides shut. I know. his chin resting on them. LAURA She’s still out cold. HALLWAY . Buddy peeks through a patient’s wire-meshed window. quick-like. BUDDY That’s the Screamer. LAURA . Bladder bursting. They finally reach then end of the hall. He see Unlocking the bathroom door. A YOUNG THIN man with sunken eyes sits with his knees tucked into his chest. I have to use the bathroom and I could use something to drink. so you’ll have to knock or call when you’re done. Laura follows him up the corridor. Self-locks. she ain’t going nowhere. Yellowed walls. . BUDDY It locks from the outside. just let me in the bathroom first. Buddy looks at the sleeping patient.
turns around. The Screamer uses his hands and feet and propels himself across the floor. Sounds in the dark. Pant zipper. LAURA HELLO???????? Commotion. Laura closes her eyes. INT. He whips his head back. LADIES’ ROOM . HELLO??? LAURA BUDDY???? . Pitch dark. Toilet paper. Stall door unlatches. THE SCREAM. Laura freezes.CONTINUOUS It’s getting closer. Bangs on it. Rocks faster. INT. BLACKOUT. Great. Takes a A power failure.65. The corner of the cell. Unzips her pants. breath.CONTINUOUS THE WAIL. Listens. Eyes bulging. THE SCREAMER’S ROOM . Finds the main door. BUDDY I’ll be right here so you go’head. LADIES’ ROOM .CONTINUOUS ANOTHER WOUNDED WAIL. Yells like a wounded wolf. LAURA Gotcha. LAURA Got it.CONTINUOUS The Screamer scans the room frantically. Toilet flush. Something bad is in there. INT. THE SCREAMER’S ROOM . Practically hopping. Opens them.CONTINUOUS Laura rushes in the stall. He presses his bony body as far as he can against the wall. INT. Laura stumbling in the blackness. Jaw locked open. Laura looks down. INT. LADIES’ ROOM .
LUCY’S ROOM . He opens the door. He reaches for Laura’s hand. she has no choice. Toward the light. I’LL GET YOU OUT OF HERE. EXT. Backs away down the hall. Reluctant. LADIES’ ROOM . Contact. LET ME HAVE YOUR HAND. WILD. BUDDY IT’S LUCY. CHAOTIC CONFUSION. Then it starts. Laura regains her composure. He lets go of Laura’s hand. A LONG. The whole wing. GROANS AND BLINDING LIGHT explodes out of the sedated woman’s room. No key. The key turns the lock. LAURA (O.S. Laura walks toward her room. . LOW NOTE CRESCENDOES IN A HIGH SHRILL IN THE DARKNESS. Then runs. Hands to her ears. LAURA WHAT’S GOING ON? BUDDY ELECTRIC’S OFF. ANOTHER SCREAM. She walks past Buddy timidly into the dark hall. More screams in the darkness. BUDDY I’m tryin’.CONTINUOUS Buddy fumbles in the dark trying to get the key in the door. Locked. SCREAMS. The sound of bodies hurling against the doors. EXT. Freaked. The lock’s here somewheres. He finds it. GOT’EM ALL RILED UP. INSANE LAUGHTER.CONTINUOUS Laura pulls on the door.66. SHRILLS AND SHRIEKS. Tear trails on her cheeks.) HURRY! PLEASE! BUDDY I can’t see it.
DEAD OF NIGHT . She looks to the door. The rush of a freight train. And it’s gone. Mac and Uri stand in the middle of it in awe. terrified stare.67. URI That is monitored by the hotel. Mac reluctantly complies. Lucy’s body In the darkness. Mouthing to Laura. Her body rotates in mid-air so her head faces the opening. She peers through the wire-mesh glass. URI What are you doing? MAC Finding SportsCenter. MAC How long’s that thing gonna take? Suddenly a huge hologram of the alien base engulfs the room. Blinding light and wind pour through the opening. A helpless. Has disappeared back into the laptop. INT. MAC’S HOTEL ROOM . Lucy floats above the bed. Laura screams through the wire-mesh glass. Lucy looks her way. She’s awake. Anxious. They will know we are here. She’s sucked out the window. . Mac turns the TV on with the remote. wide-eyed. quivers. The 3-d blueprint spins slowly on an axis. A small steel-reinforced window placed high in the wall is gone. She can’t be heard. Laura pounds on the little square window and screams. She screams. LUCY HELP ME! Another noise.LATER Uri stares blankly at the laptop lid scanning the debris piece.
68. Uri stares at the laptop. MAC How you gonna print that? RING! The hotel phone. They freeze.
URI Don’t answer it. MAC Maybe it’s Laura. URI Roswell said use only the cell. RING. MAC Maybe she doesn’t have it. URI Don’t answer it. RING. Mac moves to the phone. MAC Maybe she’s in trouble. Uri thinks on it. RING. Mac picks it up. MAC Hello? INT. EXTREME CLOSE-UP OF A MOUTH TO A PHONE - INTERCUT METALLIC VOICE We have Roswell. INT. HOTEL ROOM - INTERCUT MAC Who is this? INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT METALLIC VOICE Give us back the piece and we’ll make sure nothing happens to your wife and kids in Paso Robles.
69. INT. HOTEL ROOM - INTERCUT MAC I don’t know what you’re talking about. INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT Cuts him off. Pissed.
METALLIC VOICE You know exactly what I’m talking about. We’re watching you. INT. HOTEL ROOM - INTERCUT MAC Who are you? Dial tone. Mac stares at the phone. URI What did he say? Slowly putting the phone in the cradle. MAC They want the piece. They got Roswell. They’re going after Maggie and the kids next. URI They’re bluffing. Mac finds the small flip phone. Dials frantically.
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT RING. A deep sleep. Hello? Cellular break up. Extremely choppy. YOUR LIVES COULD Maggie fumbles for the phone. MAGGIE
MAC MAGGIE, IT’S MAC. BE IN DANGER. Groggy.
MAGGIE Who is this? Mac, is that you?
70. Every other syllable. MAC TAKE THE KIDS. LEAVE. Mac?
MAGGIE You’re breaking up.
INT. HOTEL ROOM - DEAD OF NIGHT - INTERCUT KNOCK-KNOCK-KNOCK. The hotel room door. kill the cell phone. Uri motions Mac to
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT Dial tone. Maggie looks at the phone confused.
INT. HOTEL ROOM - CONTINUOUS KNOCK-KNOCK. More urgent this time. Moves quickly to the side of Mac follows the
Uri grabs his gun off the bed. the door. Delta Force.
He waves his barrel towards the bathroom. directive. Backs up. KNOCK-KNOCK-KNOCK. Uri motions at Mac to talk. MAC Who is it?
WOMAN’S MUFFLED VOICE (O.S.) It’s Laura. Uri gives Mac the universal “shhhh” sign. WOMAN’S MUFFLED VOICE (O.S.) MacKenzie, are you there? Let me in. It’s me! Loud whisper to Uri. MAC It’s Laura. Uri shakes his head “no”. KNOCK-KNOCK-KNOCK. WOMAN’S MUFFLED VOICE (O.S.) C’mon, open up!
Uri waits. Instructing in whisper tones. Frazzled. MAC There’s no MacKenzie here. the door. She runs into Mac’s arms. URI It’s a trap. Uri snores loudly in his bed. Uri pulls them both in. I’m Aims his gun at Uri motions “halt”. A long hug. calling hotel security. Mac heads for the door.MUCH LATER Light spills out the partially open bathroom door. He nervously wipes his chin. stares at the wall. URI Open from the side then stand clear. open up! Anxious. MAC You said they we’re bluffing. MAC You can’t just start shooting people. listen to me! It’s Green Eyes.71. Mac lies in his bed. It’s her. WOMAN’S MUFFLED VOICE Mac. Pissed. Sharp whisper. Uri swings around to the middle of the room. . INT. If it’s a trick. Head high. Mac heads for the door. MAC I know it. Closes the door. Mac opens the door. It’s Laura. Listens. Angry whisper. Alone. Laura lies on some makeshift bedding on the floor. somebody is going to start shooting. Checks the hall. Then nods. MAC’S HOTEL ROOM .
Her eyes are still moist. Laura slowly rises. Wraps her other arm over him and pulls him into a long squeeze. Spoons behind him.72. Whispers. She climbs in. She goes Laura slips an arm under Mac. Mac turns over to face her. Mississippi. Mac copilots. Mac pokes his head up. Montana saw one of his cows float upward into the belly of a UFO. to Mac’s bed. LAURA’S PLANE . in Biloxi. Mac holds his finger to her lips. Uri chokes on a snore. Laura pilots. Softly. Over the engine noise. LAURA And? MAC The same day. a farmer sees his prize cow do the same thing. Mac puts his arms around her. Stares blankly ahead. She sniffles. LAURA I’m sorry.AIRBORNE . LAURA I’m still scared. LAURA Okay. LAURA Hold me. Wearing only a hotel bathrobe. INT. They stare a while longer. Looks over. . Referencing the file.MORNING Twelve thousand feet. No need to talk. MAC A week ago a rancher in Billings.
they find the head of the cow from Billings attached to the body of the cow from Biloxi. Do you believe there’s a harvest colony of cross-breeds? LAURA After seeing Lucy’s abduction. Are you religious? MAC The closer I get to this evil.LATER Laura’s plane approaches overhead. LANDING FIELD . the more I believe there’s a good side. Cuts the throttle. the cow’s head had an ID tag on his ear and the body of the other had a brand on it’s flank. MAC A week later on a ranch in Arizona. The wheels touch down lightly. EXT. The plane rocks and glides. MAC Where’s our sheriff? It stops . MAC There’s a darkness to it. MAC That’s what they’re saying. It LAURA I noticed you wear an old cross around your neck. I believe anything is possible. by midfield. INT.CONTINUOUS Checking the file. permeates everything. LAURA From Billings and Biloxi. Flaps up. kick up some dust. LAURA How do they know? MAC According to the sheriff.73. nose slightly up. LAURA’S PLANE .
LAURA Over there. the two-tone brown and white body of a Jersey. Huffman squats down at the cow’s tail. A neat. mini-dv camera rolling. Pointing. Laura walks around slowly. grabbing the tag. About two o’clock. You can see his cherries. LAURA Laser like. Pointing out the front right. HUFFMAN Sex organs have been cored out. SHERIFF HUFFMAN kneels down by its head. Numbers check out all right. It’s been perfectly joined together. precise scar encircles the cow’s neckline at the union. The black head of a Holstein. HILLSIDE RAVINE .LATER The cow lies on its side. HUFFMAN And the brand’s from Mississippi.74.DEAD COW’S BODY . and no blood. Simply surreal. No torn flesh. HUFFMAN No sign of blood anywhere. HUFFMAN Here’s the tag. LAURA Mac. see where the eye should be? MAC Yeah. facing away. A squad car rolls along a dirt road. See the incision? No jagged edges. chases it. Blood vessels have been cauterized. . A big cloud of dust EXT. Motions to the rear flank.
The snake gets blown off his heel. Mac steps back to take a photo. . goats. Julio Mac looks up. ALFREDO CHAPACABRA! MAC What did he say? HUFFMAN Chapacabra. ROBERTO DIABLO! HUFFMAN Says it’s the Devil. but from what I can tell. Goat sucker. just above his shoe. MAC You sure it’s not a hoax? HUFFMAN We’re doing more tests. A huge male. The foreman. Coiled to strike. Smoke floats out of Alfredo’s rifle. JULIO. A supposed animal that sucks the blood out of chickens. crosses himself. HUFFMAN Not a drop. stand twenty feet back on the road next to two Jeeps. LAURA MAC!!!!! The snake’s fangs are open. LAURA You’re sure about the blood? Taking his knife and cutting into the cow’s groin. A RATTLING SOUND. POW! Gunfire. the cow was alive before it was mutilated.75. ALFREDO and ROBERTO PARRAS. crosses himself again. He recoils to strike. the ranch owners. cows. Mac turns around. Mac’s backward momentum is carrying him right into it. Hears something. A RATTLESNAKE. STRIKE! The giant rattler sinks his fangs into Mac’s ankle.
Some black and white. HUFFMAN I can still call Med-Vac as a precaution. Huffman’s private office is spacious. ALFREDO You should be dead. Old. There are two large bite marks from the snake. LAURA Thanks. MAC I’m telling you. HUFFMAN Here ya go. Roberto.LATER A double-wide serves as the station. He pulls it out of his shirt to look at it. Laura puts some anti-biotic ointment on the bite. Like Pablo . A bookcase eats up the other wall. Walls are covered with UFO photos. Sheriff. Shaking his head. MAC I’m telling you. The sheriff enters with small bottles of ice-cold Coca-colas. Alfredo.76. muerta. I’m fine. and the viper. The floor is partitioned. and Julio circle around Mac’s exposed ankle and bare foot. Julio notices the ancient Jerusalem crucifix around Mac’s neck. I feel fine. ROBERTO Si. His skin clearly broken. Some color. New. SHERIFF’S STATION . Pointing from the Jeeps. The men all grab a Coke. INT. JULIO Christo is with you.HUFFMAN’S OFFICE . ROBERTO DIABLO.
MAC So you’re quite a UFO fanatic.S. MAC Can’t say that I have. Mac stands. HUFFMAN De nada. Walks over to the bookcase. the viper leaped from the fire onto his hand. SEMJAZA. UFO .CONTACT FROM THE PLEIADES. but could not kill him. Sheriff. Mac pulls one down. you start to poke around. double-page spread of interest. Handshakes all around. Mac thumbs through it. Edward “Billy” Mier had a major encounter with some aliens from the Pleiades star cluster. Did the cross save him? Takes another gulp of his Coke. HUFFMAN Ever seen that one? Mac reads the cover. Mac shoots Laura a look. The very word Mac is reading as the sheriff says it.) Claims the Pleiades starship commander calls himself Semjaza. The three amigos depart. 1976. God was with him. Julio lets go of it. gentleman. The book slams shut and falls to the ground. Looks closer. Authentic looking photos. MAC The viper? JULIO Si.77. HUFFMAN (O. Gracias. HUFFMAN Switzerland. ALFREDO Vamanos. amigos. Comes to a . Mac bobbles it. HUFFMAN You see as many mutilations as I have. Hasta luego.
INT. HUFFMAN Anyway. A gray puff of smoke.Semjaza.. MAC Thank you for your time. We will. LANDING FIELD . Waves to Huffman through the glass. Huffman goes down. Mac nudges Laura as she checks the gauges and fuel levels. Mac closes his door. HUFFMAN Watch that bite.. A DARK CAR speeds toward the landing field. You ought to check it out. Mac stares at the cover one more time. The car’s tinted window opens. HUFFMAN Hope you got what you needed. Huffman stands by his car. . A gun barrel sticks out. She glances over. Gives a wave. It roars to life. Sheriff. UFO .CONTINUOUS Watching from the plane coasting down the runway. Huffman looks down the road. Shakes his head. MAC Semjaza. THE PLEIADES. LAURA’S PLANE .AFTERNOON Mac and Laura climb in the plane.CONTACT FROM Puts the book back on the shelf. pretty compelling stuff.78. LAURA ‘Bye! Laura turns the engine over. His body spasms violently. LAURA Sound familiar? Sitting on his desk. Laura squats down to get it. EXT. The dark car stops on the road a short distance from the sheriff’s car.
Mac looks back. The dark car fishtails onto the makeshift runway. A man crawls out of it and takes aim at the plane over the roof. The tinted window lowers all the way. Laura pulls back the stick. A STUN GUN. One of its wheels bounces off the car’s windshield. hits the rudder pedals to spin the plane around. Hits ground. LAURA COME ON! Dark car. exploding it inward. Glass showers inside. The plane skims off. BE ALL RIGHT.79. straight for them. It’s Pinkie Rings. And stays there. . Away from harm. Heads A bullet tears into the cockpit close to Mac’s head. MAC WE CAN’T JUST LEAVE HIM! LAURA IT’S A TASER. She banks it to the left. She slams the controls forward. MAC THEY SHOT HIM! Laura slams the throttle. The plane springs into the air. MAC THEY’RE GETTING OUT OF THE CAR! THEY’RE GOING TO SHOOT! POW! GUNFIRE. The plane lurches forward. He fires. MAC WE’RE NOT GOING TO MAKE IT! Pounding the dash. HE’LL She feathers the throttle. The car fast approaches. The plane lifts up. Full throttle again for takeoff. The plane dives. LAURA NOT ENOUGH SPEED! MAC HE’S GOING TO RAM US! At the last second she pulls back the controls.
blew it.AIRBORNE . The cabin quiets down. MAC We better get to Paso Robles.MOMENTS LATER Wind pours through the bullet hole. LAURA THERE’S SOME RAGS UNDER THE SEAT. LAURA You’re a good man. LAURA Sorry about last night. Finally addressing it. Mac finds ‘em. Awkward. get what you want. aren’t you? MAC Like crazy. INT. LAURA You’re still in love with her.80. MAC That guy who shot at us was the guy from LAX. STUFF ‘EM IN THE HOLE. I was an idiot. I hope you I MAC How do you prove to someone you’ve changed? . LAURA Paso Robles? MAC Yeah. LAURA’S PLANE . These guys are definitely not bluffing. Mac. to check on Maggie and the kids. How could he possibly know I was out here? LAURA They could have checked our flight log at the airport. MAC You just needed a hug. Starts stuffing.
LAURA By doing the right thing for a long enough time. CREEK WALK VINEYARD .MAIN HOUSE . No visible sign of life. there a place to land? Is EXT. They descend onto a narrow dirt service road below.81. The left side is a cornfield with healthy headhigh stalks. before sunset. MAC Are you nuts? LAURA It might work. LAURA’S PLANE . A deep drainage ditch runs alongside it on the right. MAC How long before we can get there? LAURA If we’re lucky.PASO ROBLES .DUSK Laura’s plane circles one last approach. No answer. MAC What if the corn’s too high? . INT.CONTINUOUS MAC Straight to voice-mail. She pushes the controls forward. LAURA’S PLANE .CONTINUOUS Through the windshield. He pulls out his cell. EXT. MAC Can I get bars up here? LAURA I’ll take her down. CREEK WALK VINEYARD . LAURA Maybe they moved to a hotel. No ring.CONTINUOUS The front door is ajar. INT.
The plane’s wheels touch down. LAURA I THINK WE’RE GOING TO MAKE IT! MAC THERE’S ONE THING I FORGOT TO TELL YOU. LAURA I guess we’ll find out. THUMP! HISSSSSSS! INT. The right tire bounces along the edge of the deep ditch.82.CONTINUOUS The eight foot chain-link fence stands dead ahead. SERVICE ROAD . LAURA THANKS FOR MENTIONING IT.CONTINUOUS The left wing skims along the top of the tassels. LAURA’S PLANE .CONTINUOUS Bucking the steering. LAURA’S PLANE . Over the loud hissing. SERVICE ROAD .CONTINUOUS Tassels crown the tops of the corn stalks. SERVICE ROAD . LAURA WHAT’S THAT? MAC THERE’S AN EIGHT-FOOT FENCE AT THE END OF THIS ROAD TO KEEP THE DEER OUT.CONTINUOUS MAC WHAT’S THAT? LAURA SO FAR SO GOOD! EXT. EXT. EXT. Mac braces himself while Laura takes it in. INT. THEY LIKE THE GRAPES. .
corn. Returns to Laura. They see the front door slightly ajar. Mac nods his head to investigate.CONTINUOUS Front door threshold. Takes the flashlight. Trimming The WHAM! Full contact! Like a butterfly against a net. LAURA I don’t see any cars. Barely. Flips it again and again. LAURA’S PLANE . MAC SARAH? He slowly enters. Grabs a candle. Laura follows. The plane speeds toward it. They arrive at the steps. Mac walks to the mantelpiece.EARLY EVENING A flashlight. Laura close. FRONT HALL . Nothing. Mac and Laura run up the gravel driveway to the front of the house. Shaken. The house is pitch dark. MAC We don’t know that.83. Catching her breath. Looking around. then bounces back down. plane pivots forward. CREEK WALK VINEYARD .FRONT DOOR . Bumping all the way.CONTINUOUS They rock back into their seats. LAURA Power outage like at Camarillo. Nothing. Riding the ditch. Mac flips it on. Lights it. . MAGGIE? Mac sticks his head in. Flashlight on the light switch. MAC Maybe they were already here. MAC You okay? LAURA I’ve had worse. not stirred. EXT. JEREMY? Flashlight. INT. INT.
Jeremy sits on the love seat next to Laura..then we heard strange noises.. MAIN HOUSE . MAC MAGGIE!? A MUFFLED VOICE comes from the hallway. Mac opens his arms. Sarah. Buries his .then the power went off. closet door open.LIVING ROOM . MAC MAGGIE!? The closet door beneath the stairs creeps open. MAC What happened? MAGGIE I don’t know. Stoops down inside.. SARAH Daddy! MAC Pumpkin! Relieved hugs all around. MUFFLED VOICE Dad? Jeremy? MAC Is that you? Finds the Mac rushes from the living room into the hallway.bright lights. More candles all around... in her arms.MOMENTS LATER Maggie holds Sarah Maggie. The candle reveals a sea of scared faces. JEREMY Dad.84.we saw something in the sky. I’m scared. and Doris sit on the couch. Kneeling in front of Maggie. INT.. head in Mac’s shoulder.. Jeremy jumps off the love seat and rushes to him. Timidly. Doris clutches Jeremy..
SARAH Daddy.something’s coming in here. Fiery eyes. LAURA He’s right. Maggie’s face. Laura looks to Mac. MAC It’s not what you think. Long. It’s been out all day. it was bright and made the whole room light up! To Maggie. Maggie looks at Laura. Mac spins around. A TALL. . The other side of the room. Sees it full on.85. MAGGIE I don’t believe we’ve met. A long tilt up. I’m. Something’s wrong with the phone. Guarded. I’m Laura Nathan. JEREMY D-Dad. A mixture of awe. MAGNIFICENT-LOOKING ANGELIC BEING. Stammering. I’m LAURA I’m a. helping Mac. The room suddenly fills with a brilliant light. MAC Did anyone call you? MAGGIE No. Something weird. shoulder-length blond hair. Maggie fabricates a smile. wonder and fear. Then to Maggie.. Something’s out there. He’s told me a lot about you.. Interrupting. JEREMY Mom’s right.
86. His eyes turn to hate. The children burrow into Maggie. Doris suffers a seizure. Straining to breath. The creature picks Laura up off the floor. do something. MAC GET AWAY FROM HER! It commences to breed. It hurls her against the wall behind her. Hurls it full strength. The creature roars. Staggering against the force. It’s clawlike fingers tear her clothes. She lands in a heap. The being changes shape. glare rage. Weakly. More howling WIND. Light emanates from his very being. Her head bangs against the wall like a rag doll from the gyrations. She covers her head. . CREATURE I AM THE ONE NAMED SEMJAZA! ARE YOU TO ADDRESS ME! WHO It extends one of its arms and points a clawlike finger at Laura. Sheds its benevolent angel-like appearance into its own TALL GRAY BODY with spindly arms. LAURA Mac. tunic-like garment. LEAVE US! MAC NOW! Black slanted oval eyes His head turns large and elongated. SCREAMS from Maggie and Sarah. Scaly skin like a lizard. WIND fills the room. pinning her to the wall. His hair blows. LAURA Mac. presses itself against her. A voice explodes from the creature. Mac grabs a lamp next to the couch. A long. Faints. It vomits something vile at her. It moves towards her.
Wildly throwing punches.4 AM Voices in the distance. But different. One small gray grabs Sarah from Maggie’s arms. Mac’s forehead. Glares at Mac. ..87. Others latch onto Jeremy. At the entrance of the room TEN SMALL GRAY ALIEN BEINGS swarm in. Toward Maggie and the kids. MAC NO!! Before he can hurl it the breeding Semjaza turns and points his finger at Mac. Catapults him with such force his head smashes a hole in the wall. A damp towel on FOGGY VOICE MacKenzie. Debris and paper circle in the wind. Both children now float unconscious above the floor. MAC Uri? He collapses back into a chair. MAGGIE NO!!!! Maggie wrestles with the small gray. Another commotion. Coming toward Mac. It slams into its back. MAC Where’s Maggie? It’s Doris’ living room. Uri holds the damp towel on his He opens his eyes again.LIVING ROOM . More come to her. Fights for consciousness.HOURS LATER . MAIN HOUSE . Walkie-talkies. INT. Out cold.you hear me? Mac slowly opens his eyes. hello. LAURA Mac! Mac picks up a coffee table. It spins around. Weakly. Maggie? He looks around. head. He crumples to the floor.. Coming forward.
CAMOUFLAGE FACE PAINT. Eyes searching for truth. MAC Where’s Maggie? URI With her mother. AUSTIN I’m Colonel Austin.88. .) Mr. Weapons. MAC And Laura? URI Recovering upstairs. Walkies. VOICE (O. Computers. They found you next to the wall. Intruding. MAC Taken where? URI They were abducted. MAC What’s all this? URI A military swat team Roswell’s connected to. MacKenzie? Mac looks up at a new face. Maps. Uri firmly pushes him back down. They have a medical unit here. COLONEL AUSTIN. You’ve suffered a major concussion. Internet. Radios. Bluntly. It’s a make-shift military post.S. The place is teeming with COMMANDOS IN BLACK JUMPSUITS. Still groggy. MAC Where are my kids? He urgently grabs the arms of the chair and lifts himself up. URI They were taken.
He hurries. caressing her hair. Tear-stained cheeks. . We’ve been monitoring it constantly. Maggie faces Mac.89. Mac looks at Uri. AUSTIN Mr. Holding her tightly. Cutting him off. Maggie. AUSTIN The same base where General Nathan is being held. Losing it. No letting go. Then back at Mac. They’re doing everything possible. MAGGIE Oh Mac. MacKenzie. They’re all they’ve got. MAC Maggie. MAC WHERE ARE MY KIDS? Austin glances at Uri. I’m so sorry. Maggie enters the room. She’s bitten through her lip. Broken. Mac struggles to his feet. Dried blood on her chin. we believe your children have been taken to an underground base in the Nevada desert. Lost. AUSTIN We’re doing everything in our power to get your children out of there as soon as possible. Uri and Austin leave discreetly. Huge embrace. Bloodshot eyes. Woozy. MAC They’ve taken the children. She opens her arms. what are we gonna do? She sobs in Mac’s embrace. Mac takes a couple of steps towards her. Drained. She starts to tremble.
A cluster of men gather around one of the choppers with Austin. BenHassen. Disarming. Nods a bow. I’m sorry.S. Uri nods to the window. . He’s told me a lot about you. URI She is sleeping? MAGGIE Yes. URI No. Outside. MAGGIE On who’s side? And who are you? Jumping in. URI (O. URI He is a good soldier. Nice to meet you. The entire area is lit up by worklights powered by generators. Special We are lucky MAGGIE So you got us into all this.) Mac. I am now an archeologist. URI I will check on Cranston in the kitchen.90. Colonel Austin approaches FOUR BLACK BLACK HAWK HELICOPTERS on the front lawn. Frustrated. he is on our side. MAC Maggie. is she all right? MAGGIE They think she suffered a mild stroke. Mac and Maggie look over. this is Uri From Israel. Forces. URI Your mother. Maggie. Diverting the conflict. they gave her something.
ELISHA Shalom. MacKenzie. She finishes the kiss. A sigh. Elisha comes up on screen via webcam. A small smile. She blinks back tears of relief. Laura’s on the stairs. Watches the kiss. They kiss. MacKenzie? There’s an Elisha BenHassen on the webcam asking for you. He punches in a password. MAGGIE I’ve missed you. BLACK JUMPSUIT Mr.91. Looks into her dreamy eyes. MAC Me. . MAGGIE So is this. too. Wipes her face. Mac stops the kiss. MAC Cranston’s here? MAGGIE It’s not what you think. MAGGIE Thank you. Mac turns Maggie back into his arms. Another BLACK JUMPSUIT. He follows the commando back to a work station. Believe Mac leans in closer. Smiles. She watches him go. Like crazy. She cuddles back into him. MAC I gotta go. Their eyes meet. She raises her lips. MAC This is important. me. He takes off. A tap on Mac’s shoulder. Like for the very first time.
MAC It hurled Laura against the wall. ELISHA Uri tells me you encountered Semjaza. ELISHA By faith in He who is greater than you. Uri. MAC Wait.. And when that times comes you must take authority over it! Mac turns around. This is not good. Laura. Maggie. MAC Shalom. A weary smile. What do you mean Elisha pounds his desktop. Colonel Austin. Finds it. Listening to Elisha. wait. ELISHA The next time you encounter him. Only He can defeat Semjaza. Then a pack of small grays came in and took the kids. I had no time. Back to the screen. Sternly.92. ELISHA Did you command it with the cross? Feeling for his necklace. wait. MAC How? Adamant. Elisha. MAC I’m trying. MAC I forgot I had it.. . ELISHA There will be a next time. and the whole room full of commandos are watching. “the next time”? SLAM. Tried to breed with her.
That’s why Sarah and Jeremy were taken. ELISHA You’re not getting it.S. . A new body. Mac turns around. MacKenzie! These aliens are demons disguised to deceive us.93. You must drive them out! MAC How? ELISHA Yeshua A Meshiac is with you now. I want to help you. Use the cross. MAGGIE Oh my God. A COMMANDO interrupts from a work station. CRANSTON The leader of the base is in need of a new host. room. MAC Why didn’t they take me? CRANSTON You were wearing that cross. They are evil. It’s Cranston from the other side of the MAC How do you know? CRANSTON My position on the hospital board made me privy to many things. Passionate. I’m afraid I’ve gotten in deeper than I bargained for. unclean creatures.) He’s right. Mac and Maggie exchange a quick look. He will fight for you! VOICE (O. MAC You knew about the sixth floor? CRANSTON And much more.
94. COMMANDO Colonel, the doors at the end of the tunnel are opening! Colonel Austin crosses quickly to the soldier’s station. flat screen shows a remote feed of the huge doors slowly opening. AUSTIN THIS IS IT! “OPERATION TAKE-DOWN” IS A GO! LET’S MOVE! MOVE OUT! Instant mayhem. Walkies blaring. Choppers wind up. jumpsuits everywhere. Packing. Moving. Mac back to the web feed. ELISHA SHOW THE CROSS. YESHUA IS WITH YOU. BE STRONG IN THE LORD! SHALOM! Elisha’s gone. Mac is pulled away. Black The
Uri grabs THE BLUEPRINTS off a workstation. EXT. FRONT LAWN - DAWN - MOMENTS LATER The choppers churn up wind and leaves. A HIGH-RANKING COMMANDO, WALKER, intercepts Mac, Maggie, Uri and Laura. Over the chopper whine. With force.
WALKER NO WOMEN ON THE MISSION! LAURA MY FATHER’S GENERAL NATHAN. GOT CLEARANCE. To Maggie. WALKER NO CIVILIANS, MA’AM, IT’S TOO DANGEROUS. Indignant. MAGGIE TRY CHILDBIRTH. THAT’S DANGEROUS. MY CHILDREN ARE OVER THERE. I’M GOING. WALKER THAT’S OUR JOB. YOU STAY HERE. I’VE
95. Jabbing a finger in his chest. Taking charge.
MAC LOOK, PAL, THIS IS MY WIFE AND WE’RE GETTING OUR KIDS. SO STAND DOWN AND BACK OFF. They run around him to the chopper. joins them. He shrugs, turns and
EXT. CREEK WALK VINEYARD - ACCESS ROAD - NIGHT - CONTINUOUS Cranston speeds down the long dirt driveway in his BMW. clubs rattle in the back seat. Golf
A spotlight circles his car. He crouches to look out the windshield. The four Black Hawks swoop low over his car and out over the vineyard like a shot. He lets out a sigh. Then another spotlight engulfs the Beamer. But it’s ten times brighter. Cranston tries to look up at it. The golf clubs suddenly slam against the roof of the car. And keep slamming with an loud clanging. A whirlwind kicks up dust from the road. Tumbleweeds and debris swirl around his BMW in the white light. Cranston punches it. Pedal to the metal. The Beamer accelerates. The speedometer reads 100 m.p.h. It lifts off the ground. Cranston looks down at the road as it shrinks beneath him. Bathed in white light. EXT. CALIFORNIA-NEVADA BORDER - EARLY DAWN Four Black Hawks fly in tight formation low over the desert. INT. CHOPPER #1 - CONTINUOUS Colonel Austin rides shotgun with Uri, Laura, Maggie, and Mac and more troops in the back. Maggie sits between Mac’s legs, facing forward, engulfed in his arms. Uri examines an HK-MP5K rifle issued by Austin. He checks the magazine, unloads the clip of ammo, inspects it, pushes it back into place. Lock and load. Lays it across his lap. He notices Mac watching him. He grins and shoots Mac a thumbs up. Delta Force is back. Mac smiles thinly. Returns with a tired thumbs up.
96. Uri opens the blueprints. EXT. CHOPPER #1 - AIRBORNE - SUNRISE - LATER The Black Hawk flies low to the ground. Others follow.
INT. CHOPPER #1 - AIRBORNE - SUNRISE - CONTINUOUS The door slides open. Cold morning air bursts in with the first signs of dawn streaking across the desert sky. Golden light and wind wash over Maggie’s face. in wonder. With trepidation. The chopper sets down. walkies and headsets. All look out
Austin’s voice explodes over the
AUSTIN THIS IS IT! LET’S MOVE OUT! EXT. DESIGNATED LANDING AREA - CONTINUOUS The other choppers touch down. Soldiers spill out like ants, fanning out, crouching defensively. Awaiting orders. Uri and Laura pile out of Chopper #1. Mac and Maggie follow. Colonel Austin pops open the cockpit door. Makes a run for it. Gets to the front line. right. Low and fast. Commando sign language. To the
Forty men and two women run toward a gaping hole in the side of the mountain. Over two hundred feet high in diameter. A monster tunnel. They gather at the mouth of it. WALKIES BLARING MAYDAY! THE DOORS ARE CLOSING! The huge doors rumble together. AUSTIN USE THE THERMITE GRENADES! NOW! White
A half dozen troops run inside the closing doors. smoke pours out. MAC Thermite? AUSTIN They melt metal together. MOVE PEOPLE! LET’S
Uri. INT. WALKER THE SHOOTS ARE UP HERE.CONTINUOUS Walker and his men wait at the top of the shoots. Laura. INT. He pulls out the blueprint map. Okay men. Up ahead. Awestruck by the enormity of it all.97. Into his walkie. in. Four commandos run ahead fifty feet and dive to the ground near the cavern entrance providing coverage. Trotting to keep up. The ants go running MAGGIE Where are we? MAC The back entrance.NEAR CAVERN ENTRANCE . visual. The rest of the troops move in. TOP OF THE SHOOTS . The commandos line up and jump down both shoots single file down the shaft. Austin and the rest catch up. And vanish. ALIEN BASE . arms crossed. Let’s go. INT. We have a He stops. The gigantic doors screech to a stop.MOMENTS LATER Colonel Austin divides the men into two groups. Looking back. SIR.CONTINUOUS Soldiers follow Walker up ahead. WALKER It’s up ahead. . AUSTIN These shoots should take us to Level 11. GIGANTIC TUNNEL . secure the area. No noise. One of them signals. Secure the area. parallel TEFLON COATED SLIDES that go down forever. AUSTIN Roger that. Feet first. We’re going in. Maggie and Mac join the group on the right hand side. Colonel. Walker signals sign language.
CONTINUOUS The troops form a semi-circle around the hovering disk. A tool cart a few yards away. INT. A commando in the grid above. Looking around at his men. MAGGIE Oh my gosh. He stabs the map. next to them. . Sees the U. Mac and Maggie come up Maggie gets her first eyeful of the hovering spacecraft. We’ll enter it here.S. standing in awe. Eyes watery. Walker and the pointmen circle in. Flag on it’s side. URI There is no resistance. SIR. The map illustrates the tiered levels. equally aghast. GRID COMMANDO NOTHING UP HERE. AUSTIN Maj 12 can be reached through the air filtration system or the emergency exit shaft. Lays it down. AUSTIN We’re here. The core is here. Covering her mouth. MAC But why? A yell from above. We believe the General and kids are here. Uri and Laura arrive near the saucer. Finger extended. THE PLACE IS SECURE. He points to MAJ 12.98. GIANT SAUCER CAVERN . Laura takes Maggie by the arm. Austin unfolds A DUPLICATE SET OF BLUEPRINTS from his jacket.
Walker points his flashlight. tunnel walls. Men dive on him. Scanning everywhere. Everyone else jumps down. Walker jumps onto the tracks. The group jogs silently. Oval eyes.CONTINUOUS Pitch dark. AUSTIN Remember you’re briefing. Uri peels off a commando’s night vision. It’s mayhem. Puts it on. AUSTIN LET’S MOVE OUT! INT.CONTINUOUS The giant leaps randomly from side to side squashing soldiers at will. Three more close behind.MOMENTS LATER The entourage files onto the station platform. He screams in pain. Dismembering. INT.TUNNEL . WALKER WE’RE CLEAR. Mac and company near The next station is illuminated five hundred feet ahead. It’s THE GIANT. Walker motions the team with his flashlight along the tunnel walls. Quickly. Don’t use force unless absolutely necessary. Misses. NIGHT VISION . smother the flames. the rear. wails echo down the tunnel. Literally pulls him apart. stealth. His gunfire ricochets off the roof and the Walker’s The giant leaps on him. A slow jog into the dark tunnel. A LARGE SILHOUETTE drops from a hole in the tunnel ceiling.MIDWAY . With precision. . WALKER Don’t fire unless fired upon. Walker fires. Commandos with daggers drawn watch helplessly. But ignites another commando. TRAIN TUNNEL .99. Pointy eyeteeth. TRAIN STATION PLATFORM . Goes A flamethrower guy tries his luck.
Holding Elisha’s ancient cross out in front. Some scream in agony from the strays. He lands twenty feet in front of Mac and company. The giant quickly leapfrogs his way down the tunnel toward Mac. Yelling above the rattle. URI You are strong in the Lord. MAC Nephilim. KA-BOOM! The giant is hit from behind. . Flashlights on him. Uri walks up. Sparks and bullets ricochet all over. He lands in a heap on the ground. Crouches down. Gunshots from behind him skim over Mac and Maggie’s heads.100. is carried over Mac and Maggie. MAC It’s time to be strong in the Lord. BRIGHT AURORA LIGHT PARTICLES suspend him there. MAGGIE Mac. A large burning hole smolders through his head. Still smoking. MAGGIE What can we do? Reaching into his shirt neck. MAC You’re a good shot. Tears rolling down. Looks to Mac. Lit by thirty flashlight beams. URI Seeing is believing. His oval Goes to the slain giant. Mustering faith. They fixate on Mac. He carries a bazooka. from Raphaim. what is it? MAC Nephilim. More outbursts of gunfire. MAC WE ARE STRONG IN THE LORD! The giant springs from the ground high in the air right at Mac. eyes look side to side. He’s enormous.
CONTINUOUS The troops fly through small room after small room. Mole. No MPs. then heads above the platform. AUSTIN Get it open. INT. INT.CONTINUOUS POINTMAN #2 OVER HERE. It opens. MEN! They slowly break up. prepare for descent to Level 12. URI No one is defending.101. EMERGENCY EXIT SHAFT . Each time readying for combat. Commandos encircle the fallen Goliath. lower the ropes. Move down the tunnel.MOMENTS LATER POINTMEN stick their guns. SIR! Two commandos pull out black Makita’s from their packs and unscrew the emergency elevator shaft panel. No resistance. POINTMAN #1 CLEAR! They hop onto the platform. Still no MPs. Anywhere. Whispering to Mac. Each time passing through an air-lock passage chamber. NEXT TRAIN STATION PLATFORM . AUSTIN LET’S MOVE IT. URI Bizarre. Fix their weapons on another AN ADVANCE MAN finds a hand-scanner panel to open the station door. A hissing sound. SERIES OF CORRIDORS . The commandos take aim. INT. MAC They knew we were coming. Scan the station. sliding panel. . He applies his hand.
Ten more HK-MP5Ks lock and load facing the elevator doors. a compact Latino wearing a mountainclimbing harness.) HOLD YOUR FIRE. Everyone adjusts their aim. . Fingers flex over their triggers. Maggie moves closer to Mac for protection. Silence but for the elevator whine as it ascends. AUSTIN HOLD YOUR FIRE UNTIL I GIVE THE ORDER! Uri gives Mac a look. The outer doors open with a loud hiss. MEN. AUSTIN Down the hole! POINTMAN (O. A lone figure steps out. ONE MINI-COMMANDO. He positions himself. LAURA Daddy! Hugs him tightly. Laura runs to him. Eyes through cross-hairs.S. MOLE READY FOR DESCENT. Uri locks and loads.) STAND DOWN! STAND DOWN! ELEVATOR COMING UP! Mole unsnaps. He slips the rope through a caribeaner with a brake bar attached to his harness. It’s General Nathan (Roswell).102. AUSTIN (O.C. climbs into the shaft. MOLE. HOLD YOUR FIRE. The inner doors slowly open. Motions to Laura to fall back. Hops out of the shaft. Ten men kneel with their weapons aimed at the elevator.
Finds Mac. I saw your children a short while ago. AUSTIN We got here as soon as we ROSWELL Good job. your children will be released. Uri shoots a Mac a look. Mac and Maggie listen intently. MacKenzie. but they knew that. He looks around at the commandos. Austin arrives. sweetheart. ROSWELL Colonel Austin is to move his men from this level and go topside. All of us are to go with him. could. ROSWELL You. ROSWELL It’s an exchange. Once you’re there. The kids were not a compatible host. The deal is this. ROSWELL MacKenzie. . He pulls a circuitlike key card with coding on it out of his pocket. snaps to attention with a salute. ROSWELL But I’ve been sent here to make an offer.103. But the truth of the matter is this. Holds it up. General. ROSWELL Hello. He kisses her on the head. Colonel. Maggie squeezes Mac. are then to proceed to MAJ 12 alone. They’re well and no harm has come to them. You for them.
Lucy. ROSWELL Their abduction was a trap to get you here. yessir. So does Austin. get the kids in exchange. . ROSWELL The window to destroy the base is now. MAGGIE That’s insane. URI Send me. If you do host him. he’ll kill you. sir. ROSWELL Is the core accessible? AUSTIN We think so. and commence the core contamination to blow up the base. If Mac agrees. To MacKenzie.104. I’ll go. It’s your DNA and blood type that’s a genetic match. ROSWELL Then this is how it lays out. ROSWELL Uri. MAC I’m the one to host? LAURA You’re the one. you need to be destroyed with the base. MAGGIE What are you saying? ROSWELL It’s time to exterminate this evil. Looks to Uri. If you refuse to share your body with Abaris. Abaris wants you. we send him down. AUSTIN Sir. did you get the blueprints? Uri holds them up.
TOPSIDE . ROSWELL This card will let you access Level 12. Mac’s eyes meet Uri’s. He gently takes massages Maggie’s shoulders. Laura’s. Mac inspects the card. Uri and Laura behind him. One last hug. Losing it. Roswell comes over. The rest of Austin’s commandos watch as everyone files out of the elevator. ELEVATOR . Time to believe it. MAC Elisha said we are strong in the Lord. Maggie. Maggie at his side. puts it away. ROSWELL Only Mac is a compatible host. MAGGIE I’ll never see you again. EXT. Looks up to his face. All eyes on MacKenzie. MAC I love you. The doors . They kiss for the last time. Inserts the card. Watery eyes.MOMENTS LATER Daylight reflects off the smooth hangar floor.105. Mac remains by the elevator door. I’ll go. slowly close. Handing Mac the elevator key. She looks up. Maggie buries her face into his side. Majestic. MAC I’ll do it. He backs into the elevator. MAC God has the final word.
MAC How do I know they’ll reach the hangar? ASIAN MAN You watch there.LOBBY . .CONTINUOUS The doors hiss open like a snake. MAC How are my dear ones? JEREMY I’m scared. Mac stoops down and gives them hugs and kisses. Looks up with contempt. Dad. MAC “Harvesting”.106. Jeremy close behind. Asian man scurries into the open doors. janitor from the LAX men’s room entrance. elevator. ASIAN MAN I go with the children. Mac steps off the It’s the same Sarah and Jeremy stand next to an ASIAN MAN. SARAH Where’s mommy? MAC She’s waiting for you upstairs. ASIAN MAN Abaris wants to assure you they remember nothing of their harvesting. INT. SARAH DADDY!!!!! MAC PUMPKIN! Sarah runs with glee. Back to the kids. Approaching. MAJ 12 .
very. Mac heads to the bank of monitors. No harm. He points to a bank of recessed monitors across the lobby. Mac looks. Then steps out of the elevator. Asian man points to a BLACK DOOR behind him. and this nice man will take you up. MAC I love you very.CONTINUOUS Mac watches the screen. you guys. Now is the appointed time. LARGE BLACK PANEL DOOR . Wipes his mouth. INT.CONTINUOUS Mac approaches. The kids fire it back.CONTINUOUS Commotion on the hangar floor. ASIAN MAN You go there. Assuring. He jerks it back. Mac gets a visual of the door. He reaches his hand up. MAJ 12 . Knowing this is it. He kisses them both on the lips. arms. Still kid level. MAC Hold hands. His hand goes through it. The kids run into Maggie’s Watch and wait. Maggie at the bottom of the screen. . very much. Austin’s men milling about. Choked up. Touches its surface. INT. All are safe. Looks back.ELEVATOR LOBBY . INT. A dual bear hug. MONITOR SCREEN . They’re gone. Reality setting in. Looks over at the large black panel. A video feed of the hangar. No visible means of entrance. Tousles their hair for the last time. Mac gives the thumbs up sign. The doors slowly closing. He takes a deep breath.107. A lone tear. Inspects the damage. very.
I need someone half your size. VOICE (O. GIANT HANGAR .) I’ll go.S. ROSWELL Let me tell it to you straight.) To destroy the base we need to contaminate the power core. I’ve got a kamikaze mission and I need a volunteer. Austin. His arm disappears up to his shoulder. and the rest of the commandos.108. INT. ROSWELL (O. ROSWELL The only way we can get into the power core is down the solar shaft. ROSWELL You’re odds of escape are one in a million. Mac walks squarely into the large black face plate. ROSWELL Colonel Austin? AUSTIN It’s his call. Uri looks down the line. A line of commando faces listen as Roswell continues. He pulls it back out. Roswell lifts up a piece of bronze sheet metal. URI I can go.CONTINUOUS Roswell stands before Uri. Commando Mole has stepped forward. He reaches in farther this time. son.S. ROSWELL You’re too big. And disappears. He fits the job. Are you sure? . Laura comforts Maggie and the kids far behind them. The sun is hyper-intensified by a magnifying glass lens and will burn through anything it touches. Takes a breath. Blueprints of the base lie on the hangar floor. Uri.
The light filtering through the floor.CONTINUOUS Mac stands in front of another black door. All the personnel. RASPY VOICE IN THE DARK Don’t be shy. Mac proceeds with caution.S.MAJ 12 . Pointing to a chair next to him. ceiling. Whispering through his lips. MacKenzie. It’s MacKenzie. everything. MacKenzie.CONTINUOUS RASPY VOICE IN THE DARK (O. well.109. Here. RASPY VOICE IN THE DARK We know everything. have a look. INT. CORRIDOR . Mac slowly sits down. I knew you would come.) Well. do we? MAC All of this was staged for my benefit? Laughing out loud. and Pthe left and right walls. CIRCULAR ROOM . and walls somehow fails to illuminate the man. Art MacKenzie. Mac squints to get a better look. oh yes. RASPY VOICE IN THE DARK Sit here. sir. all those bothersome MPs. Seamless. Mac enters into a circular room. INT. Arthur. That’s why I cleared everyone out. the ceiling. RASPY VOICE IN THE DARK MacKenzie. It suddenly splits into four quadrants receding into the floor. We don’t want anyone hurt now. MOLE I like my chances. . Mac sees the silhouette of a man sitting at a circular table. I want to see you.
Human skeletons stacked in a concentration camp. The second jet plowing into the World Trade Center. Castro. The killing fields of Cambodia. He stares at the pictures. A control panel in the shape of a hand. Hiroshima. The man places his hand in it. Pearl harbor being bombed by Japanese Zeroes. Suicide bombings in Jerusalem. The images stop. Vivid moving images. . The Wailing Wall. Mac jumps up from his chair. table.110. Baghdad under siege. through windows. The oil fields ablaze in Kuwait. Napalm in Vietnam. Molded into the The room explodes with a series of DIFFERENT HOLOGRAPHIC IMAGES. RASPY VOICE IN THE DARK You see. Mussellini. Chinese student protestors march arm in arm against militia wearing riot gear. Atomic bombs in Nagasaki. Saddam Hussein. RFK shot at the Ambassador Hotel. like looking Hitler gesticulates wildly delivering an impassioned speech. The Ayatollah. North Korean leader Kim Jong-il. Yes. JFK’s head exploding in Dallas. MacKenzie. Hundreds of dead bodies in a river in Somalia. I want you to understand what we humans are. Kadafi. it isn’t a pretty picture is it? There is quiet. Osama Bin Laden. Raspy inhale.
111. Mac is silent. RASPY VOICE IN THE DARK All the butchery, the pain, the misery. Mac shifts uncomfortably. RASPY VOICE IN THE DARK All of what you saw will be a thing of the past. There will be peace, security, and a world governed fairly. The aliens will change things. And quite for the better. MAC Why are you telling me this? The man rests his hand again in the indentation on the table. A light begins to illuminate the man’s face, lifting it from the shadows. Humming, not singing. RASPY VOICE IN THE DARK Oh give me a home...where the buffalo roam... Thrown off. MAC I used to sing that song with my... RASPY VOICE IN THE DARK ...your father? His face now illuminates under the light. It is Mac’s father, his dead father, sitting before him. Mac recoils. Leaning in. Too creepy.
RASPY VOICE IN THE DARK I am your father. I am now the one named Abaris. INT. DIMLY LIT CORRIDOR - MOMENTS LATER Mac walks slowly next to Abaris. ABARIS Abaris, after a Greek sage who had the power to heal.
112. You see, it was I who saved the alien who survived the Roswell crash. Mac has trouble looking ahead. ABARIS When his body began to die I allowed him to enter mine. MAC Is he with you now? ABARIS You have been talking to both of us, for now we are one. It has been the most valuable experience of my life. Feeling somehow ripped off. MAC You fake your death so that some alien could share your body over raising your own family? ABARIS Oh you mustn’t be cross. It has been for the good. Yes, and much more. But now my body is beginning to die. That is why I brought you here. Mac strains to process it all. ABARIS You, my son, are the person to carry on. To end the misery on this planet. If you will only allow us to enter. Abaris stops in front of a large panel. into four sections. He gestures for Mac to enter. INT. THEATRE CHAMBER - CONTINUOUS ABARIS The time of the mass revealing is almost at hand. A world of peace, harmony, love, and understanding. The true brotherhood of man realized to its fullest potential. The door splits open
113. The room is suddenly bathed in brilliant white light. A huge heavenly being floats from an entrance off to the side. He is magnificent, powerful, and splendid to behold. HEAVENLY BEING I am the archangel Gabriel. me. The angel hovers above Mac and Abaris. changes his appearance. Trust And gracefully
Ghandi, serene and holy with a white dhoti wrapped around his tiny brown-skinned body. Into Buddha, silent and detached, with a beam of light streaking from the center of his forehead. Into Jesus, hanging on a cross, wrists impaled by bony nails, a crown of thorns jutting into his bloody head. Mac watches breathlessly. The image changes again. A small point of light. Swirling. Into a primordial cloud of spinning galaxies. Into the universe itself. His voice echoes. THE UNIVERSE I AM THE ONE NAMED SEMJAZA! Suddenly it is gone. It has vanished. Complete overload.
Mac stands in total shock. MacKenzie.
ABARIS (O.S.) Mac looks around. His father calls him from an adjacent room. Mac reluctantly follows. INT. SOLAR SHAFT - INTERCUT AN EIGHT FOOT DIAMETER mirrored-paneled SOLAR SHAFT magnifies a concentrated six foot diameter beam of hot desert sun down into the base. A heavily perspiring Mole carefully repels down the shaft, flat against the side to avoid the intense beam. INT. MAJ 12 - THE TIERED ROOM - INTERCUT A large space with a strange reddish glow. of towers with thousands of shelves. Hundreds of rows
The mutilated cow carcass. Mac keels over with dizziness. The rattlesnake on his heel.114. The alien in the saucer staring in hate. Semjaza manifesting in the living room. An entire row of glowing hearts beat as one. Hybrid . Putting it all together. From the topmost tier. MAC’S MIND . Muhammad.SPEED MONTAGE OF IMAGES Lucy’s gaunt face in the psych ward. They are the ones who stimulated the creation of the world’s major religions. All genetically engineered. To replenish their dying race and evolve ours. ABARIS The aliens are here to enlighten us. On the shelves are countless glasslike containers. Divina with her throat slit. MAC Embryonic Nephilim. INT. Jesus. Moses. ABARIS Krishna. And soon their time of dwelling with us will be revealed. The small gray with the doctor inspecting the giant’s foot. Their seed and ours joined together to create a superrace. ABARIS This is the future. And the kingdom of heaven will be on earth. The six-fingered skeleton in the ancient sarcophagus. A glowing hybrid heart beats in a glasslike container. embryos incubate within a thick red liquid. MAC The cow’s blood.
But he’s transfixed. Its twisted face a look of hate. ABARIS YES. Sarah and Jeremy floating in midair. Mac snaps. Mac jerks away. The embryo turns in the jar so that its slanted eyes look out at Mac. my son. Hundreds of embryos spill across the shiny black floor. FOR HE IS YOUR BROTHER.115. EMBRACE HIM. this all might seem strange to you now. but I assure you it is the future of mankind. It scratches the side of the container. They writhe and gasp. MAC IT’S A LIE! YOU’RE A LIE! NOT MY FATHER! YOU’RE . INT. Seemingly in unison. OH YES. The red thick liquid squirms. The jars smash open. Pushes the entire tower over on its side. MAC THEY’RE ALL CROSS- ABARIS WHAT ARE YOU DOING? Pointing at Abaris. Puts his shoulder into it. The tiny creature twists and presses its hideous face against the glass. NEPHILIM! BREEDS. ABARIS You see. The embryo reaches out a clawlike finger. ABARIS It’s time to embrace him. Exploding. Laura slammed like a rag doll against the wall. Mac fights a gag-reflux. It startles Mac.CONTINUOUS Mac looks at a glowing hybrid embryo. MY SON. TIERED ROOM WITH GLASSLIKE CONTAINERS .
MAC IN THE NAME OF YESHUA THE MESSIAH I COMMAND YOU TO RETURN TO THE PIT OF HELL! Semjaza takes a deep breath and blows out a black cloud that envelopes Mac. MAC I need you. ABARIS YOU MUST STOP NOW! Brilliant white light floods the room. Looking up. A warrior with a flaming sword. A desperate prayer. Gray scaly skin. It’s time to believe. HOW DARE YOU INTERFERE WITH OUR COLONY? YOU CANNOT DESTROY THE FUTURE OF MANKIND! Mac back-pedals on the smooth shiny floor. MAC WE ARE STRONG IN THE LORD AND IN HIS MIGHTY POWER! Projectile vomit at Mac. Then his appearance changes. He goes down to the floor. wings spread wide. He pushes over another tower. Holding up the ancient Jerusalem cross hanging around his neck. He outstretches his razor-taloned fingers towards Mac.116. He’s gagging. He’s drenched in foul fluid. Mac grabs for his throat. BRIGHT AURORA LIGHT PARTICLES manifest into a TWENTY-FOOT ANGEL. Booming voice. Choking. Elongated head. Gasping for air. Semjaza comes closer. The angelic being fills the space. They domino. Breaking glass everywhere. SEMJAZA I AM SEMJAZA. More embryos spastically twitch in the shallow thick cow’s blood. . Slanted oval eyes. Outraged. Clawlike hands.
No Abaris. Abaris steps back in bewilderment. choking him. Suddenly tentacles of wind. the angel swings his sword and cleanly cuts off his arm. three large male rattlesnakes wrap themselves around Mac’s throat. The deafening noise subsides. The noise is deafening. Mac’s hair blows wildly. Semjaza shrieks as he is hurled into the pit. Heads for the black door. He scans the room. The warrior angel vanishes. A large ominous black pit descends as far as he can see. He lashes his sword at Mac’s neck. A crackling thunder fills the room. lash out from the abyss and encircle all of the writhing embryos and glass containers on the shelves. He gets . Before he can exhale. The wind sucks down as the pit seals itself off. his disjointed arm following him. A gaping hole rips across the center of the floor between Mac and Semjaza. At last all is calm. Semjaza is now above him. the loud rumble of an earthquake. The angel swirls his sword in the air. A whirling hurricane engulfs the room. to feet. Another sound joins the cacophony of the whirling wind. It’s The floor rumbles as the abyss slowly closes. In the cloud. The angel aims his sword at the floor. A lightning bolt hurls at Semjaza’s feet. Mac scrambles away from the pit. Semjaza takes another deep breath. He hooks his clawlike finger on its edge. It holds against the supernatural force. Mac lies prostrate. The angel’s flaming sword pierces the darkness. like small tornados. His clothes flap violently. Semjaza lets out a tortured scream. They disintegrate as they fall to the ground. severing the snakes into pieces. His face a twisted mask of rage and fear as it tries frantically to move away from the abyss.117. He desperately claws at a load-bearing beam. then his body is torn from the clinging arm. The entire colony is spun into a frenzied helix and drawn into the depths. A larger tentacle comes up and wraps itself around Semjaza. revealing the suffocating Mac.
He turns back to the pulsating plasma. INT. corrupting the energy field. A muted yell for help. HUGE CAVERN . He carefully launches the plane towards the lake of pumping plasma. Sparks erupt as the power core commences a nuclear meltdown. on top of the large prism of refracted sunlight. AN ALARM BLARES. Under his breath. It rotates revealing a row of oval shaped windows. POWER CORE ROOM . The plane circles silently over the energy field. MOLE Crap. A HOVERING SAUCER pulses a deep orange glow. SOLAR SHAFT . And again. Alarms drone and red lights flash.INTERCUT TWO NEPHILIM WITH MASSIVE SIX FOOT SWORDS stand guard near a thick stainless steel door. He sees the guards. . Abaris looks down from one of the portals. The guards spin around.INTERCUT Mac runs into a huge cavern.118. He folds into an airplane.CONTINUOUS Mole pulls himself back up. MOLE C’mon baby. He turns to watch the Nephilim giants charging hard. see Mole and brandish their swords.CONTINUOUS Mole hangs out from the shaft. INT. Three small grays yank him away. POWER CORE ROOM . And slowly lowers himself again upside down. Finds the pulsating lake twenty feet away. Then dives in. Mole drops to the ground and heads to the edge of the plasma lake. As they run toward the shaft. swords drawn. Checks the guards again. Unzips a pocket and pulls out the piece of bronze sheet metal. INT. And finally lands back underneath Mole. Get there. Light pours down the solar shaft behind them and is reflected through a giant prism onto a lake of yellow inorganic pulsating plasma some twenty feet away. INT. In the portal next to him Cranston bangs on the glass. Mole’s face peeks out upside down out of the shaft.
formation. the kids. GIANT HANGAR . Austin. Into his headset. Blackness. KA-BOOM. EXT. Daylight pours through a tunnel at the far end. Sees a small card slot in the panel.CONTINUOUS Roswell. He runs to it. AUSTIN The base is going.CONTINUOUS The four Black Hawks wind up their sagging blades. He inserts the circuitlike key card. Mac looks up as the lights flash and go out. The doors open.CONTINUOUS Chopper One lifts off the tarmac. INT. The saucer whisks towards the tunnel. Mac is thrown to the ground. and some commandos commence to buckle up. The saucer lifts higher and banks toward an opening at the end of the cavern.CONTINUOUS The elevator doors open and Mac runs out into an empty hangar. Reserve power. ROSWELL Take her up. Maggie. Austin gets a visual of the fireball. And is gone. Mac notices an emergency exit shaft against the wall. The giant hangar doors in the background are closing as the fireball pours past them into the daylight. ELEVATOR .119. ALIEN BASE TARMAC . A red panel lights up.CONTINUOUS The elevator roars upward. Alarms continue to echo. A fireball blows the elevator doors out into the hangar floor. INT. ALIEN BASE TARMAC . Uri. sir. INT. The others follow in . EXT. CHOPPER # 1 . Laura.
CONTINUOUS A COMMANDO jumps into the open chopper door. running toward them. Cheers all around. aiming his assault weapon. A sprinting Mac reaches up as Chopper One swings over him. ALIEN BASE TARMAC . and Uri pulls him off the ground into the already ascending Black Hawk. URI IT’S MAC. Sees a lone figure run out a narrow gap in the giant doors. HE’S HOSTING. LOADED COMMANDO HE’S CONTAMINATED. INT. MAGGIE IT’S MAC! EXT.CONTINUOUS Maggie stares out the open chopper door back at the hangar. HE’S CLEAN. land in a heap.CONTINUOUS A charred MacKenzie runs after the choppers. Uri extends his hand and grasps Mac below the wrist. CHOPPER # 1 . CHOPPER # 1 .CONTINUOUS Commandos pull Uri and Mac back into the chopper. ALIEN BASE TARMAC .120. CHOPPER ONE . TAKE HER DOWN! EXT. circles back toward Mac. SIR. They lock. They all . INT. EXT. Lurching at him.CONTINUOUS Another explosion shoots a giant plume of fire through the hangar ceiling. Finds Mac Chopper One Through the binoculars: a close up of Mac’s cross bouncing around his neck as he runs. URI HOLD YOUR FIRE! Uri grabs the binoculars off the loaded commando.
(TO BE CONTINUED. Cranston is gagged with duct tape. MAGGIE Don’t ever leave me. deep orange glow..121. SARAH DADDY! Winded. PACIFIC OCEAN . And is gone. EXT. Abaris looks out the oval window. Mac. In the oval window next to him.. MAC I promise. Dives into the ocean. me you won’t. His bloodshot eyes wide with fear. FADE OUT. MAC Hello pumpkin! Maggie picks him up into a bear hug. FADE TO BLACK.SUNSET TITLE: OFF THE COAST OF PERU It pulsates with a Tears of joy stream her Promise A flying saucer arrives from hyper-space. Hovers over the water. The saucer angles steeply. face.) .