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THE TRUTH IS HERE
Screenplay by D. David Morin
Based on the novel NEPHILIM by L.A. Marzulli
(Part One of a Trilogy)
Lunchbox Entertainment V (310) 200-5252 email@example.com
WGA: # 931080
The Nephilim were on the earth in those days --and also afterward -when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown. Genesis 6:4
FADE IN: TITLE: 1947 BRAZIL RANCH - ROSWELL, NEW MEXICO
EXT: BRAZIL RANCH
- LATE EVENING
A full moon tries to penetrate an eerie high desert fog. Flashlights pierce the darkness. PRIVATE NATHAN (O.S.) CAPTAIN MACKENZIE, OVER HERE SIR! CAPTAIN MATT MACKENZIE, thirties, in uniform, runs through the mist to the voice up ahead. His flashlight scans the ground. Shiny metallic foil-like pieces lay everywhere. MATT Will ya look at all this debris! His flashlight shines on one. closer look. He bends a corner. He stops. Picks it up for a No crease.
It pops back.
MATT What the... PRIVATE NATHAN (O.S.) OVER HERE, SIR, HURRY! He looks up, then back at the piece. EXT. CRASH SITE - CONTINUOUS The remains of a flying saucer cradle against a berm. Winded. MATT Whaddaya got? PRIVATE NATHAN Right there, sir. Matt shines his flashlight on something. An injured SMALL GRAY ALIEN with an elongated head and slanted oval eyes. He moves his oversized head slowly from side to side. A spindly arm raises a hand with SIX FINGERS. eyes from the light. His lids weigh heavy. MATT Shine your flashlight on me. him focus on something. Let He shields his Stuffs it in a pocket.
MATT Nothing. PRIVATE NATHAN But.S. PRIVATE NATHAN (O. Major. RING. Steam rises over a tired shower curtain.. A telepathic connection.. Worn curtains. pulls the curtain open. The new Matt stares him down.2. fifty-something. ART MACKENZIE. His eyes lock in with Matt. I think he’s a goner. The alien responds to Matt.) Doesn’t look too good.PRESENT DAY .BATHROOM . MAC’S APARTMENT . MAC I’m coming. He picks him up and cradles him. MAJOR MacKenzie. And . Tilts his head.S. is gone. PRIVATE NATHAN Nothing. sir. find anything? Slightly altered voice. INT. PRIVATE NATHAN (O. Matt is drawn to the alien. Both Matt and the alien have faces lit. grabs a towel. Sir. sir? The alien burrows his body right through Matt’s chest. APARTMENT .MORNING A PHONE RINGS. A winded MAJOR arrives on the scene. what are you doing. Messy coffee table.) Captain. INT.CONTINUOUS Ugly shag rug.
Hello. CRANSTON’S OFFICE . old school preppy newspaper guy. ARTIE JR. VOICE (O. You’re up. phone. right? CRANSTON I’m on the Board. Sprinkles it in a fishbowl with Lifts a watch on the desk. WESTWOOD MEDICAL CENTER . MAC Crap. the hospital. MAGGIE.MORNING Mac pulls up the emergency brake on his banged-up Jeep. That new wing cost millions. He picks up some fish food. SARAH. Sets the watch down.INTERCUT JIM CRANSTON. MAC You got it. Checks his watch. Sees an old picture of his ex and three children in a crusty frame. Dripping everywhere. EXT.. hospital.) HEY! Turning around. No loonies or fanatics. He jumps out the Jeep with his note pad in hand. Mac punches off speaker mode. Email it tonight. sixties.THE TIMES .C.3. yeah. Hits the speaker MAC CRANSTON You got the assignment? MAC Yeah. MAC Yeah Runs to the . INT. TWO GOLDFISH. JEREMY. MAC Shoot. Mac goes to his desk.
By rote. A BLACK SECURITY GUARD. HARRY If it’s just a hospital. HARRY. Mac arrives. She and Mac walk down a long hall. EVELYN Every floor has the latest equipment. HARRY With The Times.MORNING Fourth floor. Calling out. MAC Thanks. MAC Can we visit the sixth floor? Caught off guard. WESTWOOD MEDICAL CENTER . Blunt cut. More Pepperdine than Harvard. Even the air conditioning has full filtration. EVELYN KENNEDY. Late twenties. Harry reads it. why the military? MAC Military? HARRY Sixth floor.4. A protection against SARS. Handing it over. picks up THE TIMES photo credential with Mac’s picture on it from the pavement. HARRY You dropped something. huh? MAC Yeah. administrator. . The new wing. White floors. Tall windows on the left. INT. Mac runs off. Lots of glass.
Cranston said your story was on the overall construction cost and the special features of this wing. DIVINA I pray for them. name tag DIVINA. Turns the corner. it’s a prison. is squeezing her mop out into a bucket. Muy peligrosa. MAC Maybe the sixth floor is a special feature. A tiny cross on her necklace. She’s gone. Curt. MAC Pray for who? DIVINA The screamers. Mac looks over. Shrugs. Good-day. EVELYN It doesn’t concern you. Her high heels echo down the corridor. Smelling a story. MAC A prison? Si. MAC Can you show me these “screamers”? DIVINA Too dangerous.S. MacKenzie. EVELYN Mr. EVELYN The sixth floor is off limits. . MAC I’ll pay you. Mr. A cleaning woman. MAC Why? She stops walking. FEMALE CARIBBEAN ACCENT (O.5.) You ask me.
She hands Mac a maintenance uniform and hat. They are .10PM . Scans the lobby. A skeptical sigh. Getting dressed. INT. DIVINA I am from Costa Rica. Meet me here before ten. With pride. EXT.THAT NIGHT Mac heads through the double doors. ELEVATOR . not loco. Flippant. Anxious. DIVINA I have two shifts. DIVINA You must believe them. A moment. Bites her bottom lip. Pray God is with us. Fidgets with her cross on the chain.6. WESTWOOD MEDICAL CENTER . Looks down the hall again. MAC You don’t need God when you’re doing the right thing. MAC My story could help them. DIVINA The Lord is telling me no. DIVINA I could lose my job for this. MAC I don’t kiss and tell. Where’s that accent from? Head up.MOMENTS LATER DIVINA Put this on.
INT. Convulsive stammer. DIVINA Keep your hat low. SIXTH FLOOR CORRIDOR . Gazes out at LUCY stands listlessly by the barred windows. the city. right. She was abducted by the aliens. Nervous twitch at the corner of her mouth. She glances at a camera in the corner. Chewed fingernails. He lowers his cap. The entire corridor Divina points to a camera attached to the ceiling. Elevator doors open. Looks at Mac. is lit with dull. Key in the door. towards him. Walks slowly Tape recorder on.CONTINUOUS LUCY turns. Dark rings around her eyes. DIVINA You have when the bathroom is clean. amber lighting. Opens it. She grabs her hospital smock with both hands. huh? Divina unlocks the door. MAC Yeah. LUCY’S ROOM . Mac reaches into his shirt pocket. Mac looks through the wire-mesh window. MAC One of those.MOMENTS LATER The sixth floor. INT. MAC What’s wrong with her? DIVINA Same as the others.7. Disheveled hair. . Mac glances at it. Pushes her cart to the next room.
LUCY Then I’m on a table and they do something to me. Recorder off. She starts to tremble. LUCY Ou-outer space. MAC Where are they from? Whispers. LUCY They come at night. something sesexual.8. Takes a step closer. MAC Tell me what happened. and I can’t stop them. Reaches into his pocket. My husband’s asleep. MAC Who took you? LUCY They’re not from here. LUCY I struggle but I can’t m-move. withdrawing within. Voice trails off. and I cry out to him but he doesn’t hear. Words come faster. Mac rolls his eyes. Her voice dwindles. . and they carry me out of the h-house. LUCY Can you h-help me? I’ll try. Sobbing. MAC Who’s horrible? A tear. They come to my room and take me. They’re horrible. LUCY They took my baby.
CORRIDOR . look. MAC You got all the help you need right here. LUCY Help me! Her bloodshot eyes look insane. DIVINA Ahora! Lucy grabs his hand. there is no story. A hand grabs Mac’s arm.CONTINUOUS Walking down the hallway.. LUCY The Pl-pleiades. INT.. Whispering. Two MP’s head down the hall. DIVINA I pray your story will save her. Eyes wide.9. We go.and it’s not hu-human. She’s another whacko.my baby’s g-gone! She stares through Mac. A hand in Mac’s chest. Then they trick your memory so you think everything is normal. He flinches. Just a little freakier than most.. LUCY Then I’m on the bathroom floor and it’s night and I’m bleeding and my baby. LUCY Then they have my baby and show it to me. MP #1 You got ID? Sidearms on their hip. Haunted. . MAC Divina. Eyes unblinking..
He drinks down the bubbles. He is training. MAC Who is this? . A manila envelope slides under it. Mac and Divina in the elevator. No one. Mac heads for it.) They found you. INT. The first photo: Pulls out some photos. Mac recoils. MAC What? CALLER (V. Fizzzzzzzzzzz.O. Her throat slit open.O. Jumping in. ticket.O. RING. Opens the door. MAC Who is this? CALLER (V. Into the phone. CALLER (V. Looks. The second photo: Mac talking to Lucy. The third photo: Divina lies on the floor of a janitor closet in a pool of blood. Mac looks at them blindly. DIVINA He is with me. He opens the envelope. MAC Yeah. He reads an open newspaper on the table. Bed head.) There’s a packet under your door.) You visited the sixth floor. He plops two Alka-Seltzer in a glass of water on the coffee table. And a plane Grabs an old cordless. Mac looks at the front door. MAC’S APARTMENT .LATE MORNING Mac’s on his couch in a pair of boxers. Latin charm.10.
sharply pulls the bed away and peels back the old shag. . CALLER (V. Wrinkles it.CONTINUOUS Mac enters the bedroom. 8. talks on an old-school phone hanging on the wall. CALLER (V. He pulls something out. Daughter Sarah.O.O. Dial tone. 6. The concourse buzzes with foreign travellers. washes pots at the kitchen sink. Holds a drink.) You have something they want but you’re not to give it to them.INTERCUT International terminal. He puts it INT. back in the sack. He stares at it.SUNSET MAGGIE.FARMHOUSE KICTHEN . SARAH And that’s how David killed the giant Goliath. He lifts a square of the hardwood floor and exposes a little chamber. INT. INT. The UFO debris piece his father found. plays with a GameBoy. You’re not safe here. Opens the plane ticket: TEL AVIV. Finishing up. MAC I don’t know what you’re talking about. MAC WHO IS THIS? CALLER (V. Tosses it. On his cell.O. It pops back. Jeremy. Maggie’s mom.) You’re phone could be tapped. Mac’s ex. Don’t miss that flight.DUSK. Looks at Divina dead in her own blood. He reaches in and takes out an old potato sack. MAC’S BEDROOM . CREEK WALK VINEYARD . clears dirty dishes off a counter. LAX .) The plane ticket is for tonight. Mac sits at a barstool. Their son. DORIS. Mac looks at the phone. a natural beauty.CROWDED AIRPORT BAR . back in the floor.11.
It’s make believe. SARAH MOM! As she drops the phone. MAGGIE You haven’t seen the kids for six weeks. MAC I can’t make it this weekend. MAGGIE Well.INTERCUT Cranston looks at a computer. MAC The Bible is a storybook. maybe you’ll meet another flight attendant.CONTINUOUS . the phone. MAC Like you honestly care.DEN . Tan legs. MAC Can’t we ever get past that? INT.12. Kitchen adjacent. Something’s come up. it isn’t true. sweetheart. MAGGIE I care that you’re lying to them. What’s come up? MAC I have to go to Israel. SARAH But Gramma says its true. MAC It’s just a story. Yelling out. there’s no such things as giants. Lemme talk to your mother. MAC I love you. Maggie wipes her hands on her cutoffs. Pumpkin. MAGGIE’S FARMHOUSE . Comes to .
Mac squeezes the mobile off. cell into his coat. THE BARTENDER throws down a coaster. CRANSTON MAGGIE. MAGGIE Then make your alimony and child support. Slips the SIX A- AN IMPECCABLY DRESSED FAT MAN takes the stool next to Mac. you’re were never good at it. To Mac. MAC Are you dating him? MAGGIE He’s sweet.13. Don’t act jealous. WE GOT OUR TEE TIME. M. Don’t get killed. . Mac. A PINKIE RING fits snugly on the fat little finger of each hand. I want to make it right. Beads of sweat. Dial tone. MAC Look. PINKIE RINGS Gimme a Heineken. Slicked-over hair covers a bald spot. MAC Is that Cranston? MAGGIE What if it was? MAC My boss is cutting my own grass? MAGGIE You didn’t want your own grass. I cheated on you. Goodbye. Gulps his drink. He checks in on me. Mac. when Artie died I lost it. MAC For eighteen holes? MAGGIE Very funny. It was wrong.
MAC One what? PINKIE RINGS A UFO. Mac pulls out his wallet. Either way’s all right with me. it’s War of the Worlds! TV: AN ALIEN SHIP FIRES A DEATH RAY AT FLEEING CIVILIANS. PINKIE RINGS All of a sudden this thing takes off. Home of the suicide bombers. please. PINKIE RINGS Blow ‘em all to kingdom come. Turning to Mac. MAC Israel. . just great. BARTENDER You good? MAC Yeah. The bartender plops down his beer. PINKIE RINGS Hey. MAC Check. Just hovering. Points at Mac’s glass. Without a sound.14. Pointing toward the television tucked up near the ceiling. Not a cloud in the sky then off to my right is this silver disk. Kills his drink. PINKIE RINGS We ran back to camp and told everyone what we’d seen. PINKIE RINGS Where you headed? Stewing over the phone call. PINKIE RINGS I saw one once. straight up into the air. At a Boy Scout camp.
Platinum bobbed hair. Thirties. INT. throws down a twenty.CONTINUOUS An orange safety cone blocks the entrance. Mac grabs his briefcase. He slams Mac against himself. Could be a wig. Choking. PINKIE RINGS You’ve got we want. PINKIE RINGS WHERE IS IT? THWAP! The toe of a shoe kicks Pinkie Rings in the head. Too . Mac enters.CONTINUOUS Mac stands at an empty row of urinals relieving himself. A A TALL FEMALE. She removes her dark sunglasses. Six hours later everybody but me denied we’d seen anything. Bows and moves the cone.15. He sees Mac approaching. She takes Mac by the arm and hurries him out of the men’s room. A chubby hand with a pinkie ring covers his eyes and presses a box-cutter razor against his throat. GREEN EYES We haven’t much time. Mac gets up. and leaves. MAC There’s chat rooms for guys like you. backhand judo chop sends him to the ground out cold. Carefully painted red lips. Could be contacts. MEN’S ROOM . MacKenzie. MEN’S ROOM . green. Mac zips up his fly. EXT. MAC I don’t know what you’re talking about. James Bond sexy. An ASIAN MAINTENANCE MAN mops behind it. and we’re going to get it whether you’re here or not. High cheekbones. Turns around. Intense GREEN EYES.
She turns and goes. MAC Who are you? GREEN EYES I’m here to make sure you make your flight. . Piped in over the airport commotion.16. MAC As in New Mexico? Who is he? GREEN EYES He’s on the inside. It’s not safe for you to be here. GATE 68 . his wind knocked out. INT. GREEN EYES Someone will meet you in Tel Aviv. INT.CONTINUOUS They rush out of the bathroom. Keep to yourself on the flight. Sees the maintenance man crouched against the wall. Overhead. Mac looks back. MEN’S ROOM . They want it back. FOREIGN FEMALE VOICE Final call for El Al Flight Number 783 for Tel Aviv now boarding at Gate 68. EXT.CONTINUOUS She takes him to the boarding agent.CONTINUOUS She races Mac through the crowd to his gate. Mac watches her vanish in the mob. MAC Who was that guy? GREEN EYES Your father left you something when he died. CONCOURSE . MAC Who called me? GREEN EYES His alias is Roswell.
EXT.AFTERNOON A dusty Hummer H2 speeds along a remote two-lane highway. Uzi’s. running for cover. Grabbing Mac’s arm.ISRAEL COUNTRYSIDE . MAC Where are we going? URI The Valley of Raphaim. He extends a thick calloused hand.) Your ticket and passport. KABOOM! A suicide bomber. smiles. please. SMOKE. He rolls his eyes.CONTINUOUS The back is crammed with food and supplies. Mac spies it. MAC I’m MacKenzie. artifacts . Identifying himself. Uzi’s run in all directions. Hands it to her. Mac shakes it. bounce in the back. his bag.INT’L TERMINAL . The crowd scatters.S. URI Welcome to Israel. TEL AVIV AIRPORT . SCREAMS. BENHASSEN. Armed soldiers everywhere. DUSTY HUMMER H2 . Slight accent. Tools. FEMALE FLIGHT AGENT (O. “MAKKENZIE”. Massive crowd. URI She A rugged-looking Israeli man holds it. Uri takes I am BenHassen. HIGHWAY . Mac pulls out his passport and ticket. EXT. Uri takes evasive action. MAC Who? URI Call me Uri.17. She’s gorgeous. A crude cardboard sign held above the masses.MIDDAY A haggard Mac pulls his suitcase into the bright sunshine. INT.
ELISHA Shalom. See you on arrival. MAC I assume you’re on the good side? ELISHA Yes. Welcome to Israel. The screen divides into three vertical panels. GPS screen. Mac looks around to see where his feed is coming from. Bouncing around violently. seeing? MAC Seeing is believing. thank you. I’m quite good. late seventies. I am Doctor Elisha BenHassen. MAC Raphaim? URI The Valley of Death. Time for my nap. On screen.18. Center dashboard. center panel. We are clear. Shalom. Elisha. a small webcam reset above the screen. making sure you are safe. Just checking in. and Mac is screen right. get there? We have Believing is How long to URI Everything here is three hours. ELISHA BENHASSEN. Everything flies. Uri screen left. . Finds ELISHA Good. MAC I guess we’re safe. Same accent as Uri. MacKenzie. uncovered something. URI Shalom. gentlemen. The H2 hits a large bump in the road. yes. Uri’s grandfather.
MOMENTS LATER Uri walks Mac to the massive open pit. A semi-circle of phallic monoliths surround an altar. EXCAVATION PIT . EXT. An ATV with two people on it drive past them. Beneath them lies the ancient temple ruins of a pagan fertility god.MOMENTS LATER Uri stops at the top of the large open pit.19. MAC What’s that? URI A sinkhole. INT. The H2 weaves its way through the camp. Mac gets a visual. EXT. More dust. DIG SITE . EXT. Chickens and a few goats scurry out of the way.AFTERNOON Dirt and dust. and port-o-potties litter the area. Yellow caution tape outlines a large twenty-foot circle off to the right. URI The excavation is over there. Like quicksand.A DIG SITE . . Mac stops alongside. generators. DIRTY H2 . URI It’s bizarre. At the heart of the pit is a small room with workers surrounding a large sarcophagus. The ground starting collapsing the day we found the tomb. VALLEY OF RAPHAIM . Worklights stand strategically. Taking it all in. Exposed catacombs stretch out below them.CONTINUOUS Pointing. MAC Did the excavation cause it? No. Workers with shoulder-sling canteens and hand shovels wave at Uri as they drive by. Tents.
In the center. STONE SARCOPHAGUS. A wizened elderly man. CROSS tied loosely around his neck. . Dr. They turn. White beard. He extends a twisted arthritic hand. Wire-rim trifocals. White hair creeps over and out of his ears. Over twelve feet in length. Elisha BenHassen. URI Go look. A faded cotton shirt hangs loosely around his thin body. DR. MAC Holy cow. INT. Peers into it. Welcome. ELISHA Shalom. OLD VOICE (O. Mac steps forward. The heavy lid lays next to it on a thick block of rocks. Stained khaki pants. URI Here. Completely intact. EXPOSED SMALL ROOM . Six fingers. Stepping next to Mac. A GIANT SKELETON. Rephaim. MAC My God. Stoop shoulders. a large. Enormous size.S. Mac migrates over.20. heavy.) Anakim. URI This is my grandfather. six toes on each hand and foot. the American. MacKenzie. Grasps his hand.MOMENTS LATER A small inner room. it’s a giant. Stupefied. MAC What is it? Nephilim. The workers step back as Uri enters with Mac. There’s an ANCIENT URI This is Art MacKenzie. ELISHA BENHASSEN. Tall walls.
. ELISHA ‘We saw Nephilim there. ELISHA Meet Goliath’s bloodline.and also afterwardwhen the sons of God went into the daughters of men and had children by them. Rephaim. right? ELISHA When my people first entered the Promised Land they reported giants living there. All different words uttered by my ancestors thousands of years ago to describe the same creature. Tender accent. Anakim. and we looked the same to them.” A FEMALE WORKER blasts an air-horn from the top of the pit. MAC What is it? ELISHA Have you ever heard of David and Goliath? MAC Of course. The old man gingerly sits down. Crooked fingers trace the letters etched in the stone lid. We seemed like grasshoppers in our own eyes. He motions for it. Mac jumps.’ MAC “Nephilim”? Elisha turns to Genesis. ELISHA Nephilim. An OLD BIBLE on the heavy lid. Uri pulls up a wooden crate. MAC You’re kidding. ELISHA “The Nephilim were on the earth in those days .21.
By corrupting the human offspring. Points. resulting in unholy union between themselves and earthly women. MAC The toe? URI DNA testing. Uri. The result. Elisha offers Mac a sandwich. Mac notices a toe missing on the skeleton’s left foot. MAC Fallen angels? ELISHA They came to earth and resided here. one of his leaders. The human race became essentially non-human. ELISHA The fallen angels. EXT.DUSK . cheeses. Not tracking. Stops MAC Lucifer and his disgruntled lot? ELISHA Semjaza. ELISHA Let us eat. Mac and Uri sit around a folding table with grapes. Mac can’t resist touching the giant bony foot. MAC Who were the “sons of God”? Leaning back.MOMENTS LATER Elisha. and sandwiches.22. CAMPSITE . . A lab in Jerusalem. They all head out. He takes it. Nephilim. the fallen angels had altered human DNA. FEMALE WORKER FOOD IS READY! Come.
These aliens are again offering technology and are abducting women for intercourse. URI That is your theory.23. the original gene pool of mankind was polluted beyond recognition. ELISHA But God saved those who had not been corrupted. MAC What does that have to with me? ELISHA That woman you talked to at the hospital. if it’s true. ELISHA Now present day. ELISHA It is harsh! And definitely true. The rest of the imperfect inhabitants he destroyed with The Great Flood. and have come only to renew themselves with fresh genetic material? ELISHA Certainly plausible. Cleans his glasses on his gauzy-soft shirt. Perplexed. Lucy? . It says Noah was perfect in all his generations. Uri reaches for more grapes. Not convinced. Noah? MAC As in Noah’s Ark? ELISHA Precisely. MAC How so? ELISHA He had little choice! With Semjaza’s demonic fornicators. a distant planet. MAC A bit harsh. What if they are from a dying race.
COMMUNICATIONS TENT . MAC What about her? ELISHA She’s telling the truth. Fineberg online. DR. MAC You’re saying that these supposed aliens are actually demons? ELISHA Yes.WEBFEED Computers line the walls atop benches and tables.. stands up and offers his chair to Elisha. Trying to connect some far-fetched dots. MOISHE. WORKER Jared has Dr. INT. Once again they are impregnating our women and creating a superrace of hybrids.DR. Elisha sits as Mac and Uri stand close behind. COMPUTER SCREEN . Jared stands Let . stands nearby next to a lightbox. ELISHA Ahhhh. by.Nephilim. Sophisticated equipment everywhere. On a work table a 17” Powerbook with a webcam attached.MOMENTS LATER JARED. us go. God’s spiraling signature of human creation.. DNA.24. URI The DNA results from the giant. His senior assistant. part of an elaborate deception. a young techie. MAC How do you know? ELISHA These aliens are the fallen angels. FINEBERG’S LAB . A WORKER runs up to the table. FINEBERG stands by a bench. Technicians task away.
FINEBERG It doesn’t match up with any of the four known nucleotides. DR. ELISHA Shalom. Jumping back in. But the sarcophagus sample did not. MAC What’s so different? DR. DR. MOISHE The skeleton DNA is not complete. Fineberg. MOISHE The tests show that it is not entirely human. . BenHassen. this is a different life-form. It is something we have never seen before. MOISHE We ran it three times with a sequencing gel. FINEBERG It is fragmented. Difficult accent. FOUR MASKED GUNMEN dressed in black rush the lab.25. DR. FINEBERG Simply put. There is a foreign nucleotide which creates an exotic pair. We have the DNA results. We’ve never seen anything like it. DR. sequenced. Dr. Moishe slips a large piece of film over the lightbox. FINEBERG The control sample. Rapid gunfire strafes the place. but I am afraid Moishe’s English is better. In the background. FINEBERG Shalom. MOISHE Nothing on this planet has a fifth nucleotide. my DNA. Intrigued.
General Roswell is on the webcam. station. GET ROSWELL. MAC And? ELISHA The results were the same as Fineberg’s. Very good. CAMPSITE . JARED.NIGHT . gunmen place charges. Jared nudges him. Uri pulls up the H2 a short distance away. ELISHA We go. KA-BOOM! Elisha’s laptop screen goes blank.LATER Elisha sleeps in an armchair in a corner of the large tent. Uri races out of the tent. Jared jumps to another work The ELISHA We are uncovering the truth. EXT. enemy is not happy. TELL HIM WHAT YOU SAW. MAC What do you mean? Our ELISHA Roswell did secret DNA testing on amniotic fluid from Lucy. URI I’M GOING TO THE LAB. WITH ME. Elisha shakes off his nap. Evacuate. URI MACKENZIE. Waving. ELISHA Jahweh be with us.26. Technicians mowed down.ELISHA’S TENT . JARED Doctor. Fineberg and Moishe killed. . A fifth nucleotide.
NIGHT . INNER ROOM . Something He reaches into the sarcophagus and picks up the skeleton. CAMPSITE . Elisha. still earning his trust. different. . Looks down at the inner room. Roswell is speaking but there is no audio.LATER The camp is asleep. Heads towards the port-o-pottie for a middle of the night pee.27. Heads for the site. Elisha leaves his tent with his lantern. INT. INT.MOMENTS LATER Computer screen. Then video is gone. ROSWELL Shalom. Sorry about Fineberg. We are Interference overtakes the image.CONTINUOUS Elisha stops at the yellow tape. EXT. JARED Should I try him again. God is sovereign even over the internet. ELISHA Shalom. He hears something. Does MacKenzie have the piece? ELISHA We haven’t gotten that far. Digital delay. At the outhouse door he notices the sinkhole. RIPPED. WORK STATION TENT . The twenty-foot sinkhole is now a twenty-foot bottomless pit.CONTINUOUS Elisha arrives at the rim.CONTINUOUS He sees a TWELVE-FOOT GIANT. Things are heating up. sir? ELISHA No. Roswell. LARGE ALMOND EYES. POINTY EYETEETH. EXT. Webcam feed. EXT. EXCAVATION SITE . Holds his lantern out for a better look. SINKHOLE .
URI The skeleton is gone. Lifts the skeleton over high over his head. Slamming the table.28. MAC That’s just too fantastic. Elisha. INT. ELISHA Holy God.NIGHT . our DNA is annihilated. Elisha holds up the ancient Jerusalem cross from around his neck. The sinkhole closes back into quicksand. Sees Elisha at the rim. MAC You really saw a giant? ELISHA As real as you.MUCH LATER A lantern sits on a folding picnic table. EXT. He’s gone. EXCAVATION SITE RIM . ELISHA IN THE NAME OF JEHOVAH EMMANUEL. the Nephilim are back. Superhuman speed. ELISHA STOP IN THE NAME OF YESHUA! The giant freezes. They stare at their tea.CONTINUOUS The giant faces off with Elisha. URI And our skeleton is gone. An old pot of tea sits center. BRIGHT AURORA LIGHT PARTICLES flash around him. All our proof has disappeared. Mac and Uri face . He turns. Is about to throw it at him. I COMMAND YOU TO LEAVE. ELISHA’S TENT . The giant squats. The giant bounds up the ramp. Leaps twenty feet over Elisha and into the sinkhole.
ELISHA Yes. ELISHA Did he talk about an alien? Mac looks at Uri. ELISHA What did he write you? MAC About handling sections of the saucer. He MAC Is that what this is all about? ELISHA Do you still have it? MAC What does it matter? ELISHA Roswell believes that piece has information encoded in it that’s linked to the alien base.29. or whatever it was. God has brought MacKenzie here for a reason. too. MAC Probably got him murdered. MAC No. MAC How so? ELISHA Your father saw the UFO in New Mexico. Mac looks up. Did he leave a piece of the debris with you? Mac looks at Uri. Looks back. wrote a letter saying as much. ELISHA Not all our proof. yes? Unsure what’s next. MAC What alien base? .
5-6-0Closer to the . MAC You survived? ELISHA Yeshua A Meshiac was with me. Mac looks at Uri for verification.30. We believe there is a harvest colony there of cross-breeds. It’s our only chance of destroying the base. lantern. ELISHA Do you have the piece? Mac notices a faded number tattooed on Elisha’s wrist. 2-4-2 MAC What’s that? ELISHA The Holocaust. ELISHA Your military has a base in Nevada. As a boy I was interned at Bergen Belsen. The aging Elisha leans onto the table. Military is working with aliens? ELISHA They have been since 1947. MAC I see. ELISHA A Jew that receives Yeshua as the Messiah of Israel. MAC Yeshua A Meshiac? ELISHA Yeshua the Messiah. A Messianic Jew. MAC I thought you were a Jew. We need to get that piece before they do.S. MAC The U.
Now you must choose. ELISHA I am strong in the Lord. . Goodnight. URI I’m going back with you. Uri and Mac head out of the tent. Uri will diagnose it. MAC When? URI Daybreak. ELISHA There is important data stored on the piece. I do. You cannot serve two masters. ELISHA There is a God. MacKenzie. Do you still have the piece? A breath. and Yeshua is his son whether you believe it or not. Yes.31. There are spiritual principalities. Drawing in. MAC Who exactly are you? ELISHA I have chosen God’s side. MAC Yes. Mac stops. Confiding for the first time with anyone. MAC Hidden under a floor board in my apartment. Mac shifts uncomfortably. ELISHA Where is it now? Some hesitation. Standing feebly. MacKenzie. But now I am tired. Looks back at Elisha.
EXT. be with you. MAC Dr. God will Points at his watch. Wistful smile.32. Tears well up in the corners of his eyes. Shaking his head. MAC Why? ELISHA To accomplish His purpose. MacKenzie. For the first time I am sorry God promised to never send another flood. MAC I’m no saint. Uri honks the horn of the H2. . ELISHA He delights in using the weakest of us to carry out his will. He finishes and slowly takes his arthritic hands off his head. BenHassen. You ELISHA I will pray for your safety.DAWN Elisha wears a worn prayer shawl and a faded yarmulke. that He was sending you. must pray as well. ELISHA A month ago I had a dream. He sings a prayer in Hebrew over Mac. CAMPSITE . He embraces Mac. I saw you were coming here. you really saw a modern day Nephilim? ELISHA Yes. MAC For what purpose? ELISHA He will show you in time. MAC I’ll try.
EXT. revealing an empty secret space. His TWO FISH bloat from death.CONTINUOUS It’s ravaged. Torn upside down. MAC It’s in here. Uri motions to answer it. MAC’S APARTMENT .LATE AFTERNOON An El Al 747 touches down on the runway. ELISHA You will need this. MAC’S APARTMENT . INT. Uri follows. The goldfish bowl lies shattered on the desk. stuffing everywhere.DUSK Signs of trouble. . Puts it over Mac’s head. smoke. EXT. Wheels puffing out Sawed out dead bolt. LAX RUNWAY . The phone. BEDROOM . believe. Both men freeze.CONTINUOUS Clothes strewn everywhere. Stealth-like.FRONT DOOR . Shalom.33. Mac’s queen-sized bed stands on end. You must Nods slowly. The crusty picture frame is missing. His sofa has been slit end to end. The old hardwood floor pulled up. Elisha takes the ancient Jerusalem cross from around his neck. Heads to the bedroom. Mayhem. MAC It’s gone. ELISHA God has the final word. MacKenzie. Mac holds his gaze. Tampered door knob. INT. The bed frame is mangled. The ugly shag rug under the bed has been pulled up. Mac jumps through the mess. RING.
A quick left into an alley. MAC’S APARTMENT . STREET . ten. Rearview mirror. I know. Mac looks at Uri. EXT. Mac downshifts and punches it. Whoever is gone. EXT. Someone’s .O. Large. Mac and Uri get in. A hard right onto a side street. There’s an old warehouse across from the train station.INTERCUT Dial tone. ROSWELL. He motions them over. wears a military uniform. Dark tinted glass. DIEBOL. MAC They got the piece. tailing them.CONTINUOUS They’re rolling. ROSWELL (V.34. A BLACK LIMOUSINE pulls up. Muscular. Uri nods to leave. See you at INT.BLACK LIMOUSINE .) It’s Roswell.LATER Mac and Uri sit in the dark shade of a loading dock. EXT. More speed. ABANDONED FACTORY . The rear window rolls down silently.MORNING Mac and Uri cruise in the Jeep. He opens the rear door. the driver. MAC Hello? CALLER (V. STREET . Another right. late seventies. Meet me there tomorrow at ten a-m. More bodyguard than chauffeur.O. MAC HOLD ON. hops out.) Get a hotel.
He never knew. INT.CONTINUOUS ROSWELL Uri BenHassen. MAC You knew my father? ROSWELL I was with him in New Mexico. He waves him off. Uri instinctively salutes. MAC What happened? Looks out the tinted glass. Shocked. Extends his hand. ROSWELL I’ve been involved with the alien presence since ’47. They became a rogue element accountable to no one. ROSWELL And you’re Art MacKenzie. Roswell takes a long look. ROSWELL Your father was a good man. One shake. ROSWELL President Truman formed a group of men to study the alien problem. Mac shoots him a look. URI The alien base.DRIVING . You’re bigger than I pictured. . MAC General. ROSWELL’S LIMOUSINE .35. Back at Mac and Uri. You have quite a decorated past in the Israeli Special Forces. His eyes gaze impassively.
A dying alien convinced him to host his spirit. It turns sunshine into plutonium. Pulling out aerial photos of the base. ROSWELL The piece your father left you was from the mothership. MAC That’s why it won’t wrinkle. MAC Why is the debris piece such a threat? He opens his briefcase. He now interprets his supernatural powers. ROSWELL The outer coating of the saucer is a carbon fiber alloy with elastic memory. . The base is solar powered by inorganic plasma. It’s alien technology. I believe the blueprints for the base are encoded in its memory. Puts it together. MAC Who’s in charge? ROSWELL A man called Abaris. URI A harvest colony. ROSWELL More than that. URI Security threat. URI Nuclear power.36. ROSWELL The White House knows it only as an extraterrestrial research center. But I believe they are cultivating embryos from alien abductions.
Points on the map. You’ll pose as new technicians. MAC Can’t we just let them keep it? ROSWELL The aliens’ agenda is evil. ROSWELL The power core is highly secured. You’ll travel incognito. Uri’s military mind. MAC Where do we come in? A pregnant pause. URI So we blow up the base. Outside Palmdale. ROSWELL But we need the piece to get the blueprints. ROSWELL Tomorrow morning at zero-fourhundred you’ll meet me here. He opens a map. ROSWELL From here we’ll fly to the base. ROSWELL I know where the piece is. URI And destroy the harvest colony. We’re going in tomorrow. They offer technology but they are out to destroy us. MAC But they know who I am. . ROSWELL Only you can identify the piece. If the core is contaminated the reaction would obliterate the base. but I need you to identify it. At the risk of sounding stupid.37.
EXT. Stops. ROSWELL’S LIMOUSINE . ROSWELL Zero four-hundred. Sharp. thirties. ROSWELL Diebol. HOTEL . Diebol goes to the trunk.WESTWOOD . sits next to Roswell. Reads a map. EXT. sporty and sexy. . Change rooms.HIGHWAY . Gives one to each. MAC’S JEEP . They’re gone. PALMDALE 20 MILES. SERVICE ROAD . Flashes its high Climb in. Through the window they see a sign: EXT. Uri looks around.CONTINUOUS A VERY ATTRACTIVE WOMAN. Another car pulls onto the road.38. 4 AM. beams. They finish dressing quickly. Stands up with a quarter-sized object. INT. pulls out a telescopic pole with a mirror attached at the end. Run to the limo. Diebol sticks it under an abandoned car in the parking lot. Tumbleweeds. check their car.3 AM Mac and Uri walk out of the hotel. No phone calls. Go back to the hotel. He looks under Mac’s Jeep. INT.LATER Uri holds a mini-flashlight in his mouth. Reaches in.LATER The Jeep pulls off the highway onto a dirt service road. ABANDONED FACTORY . ROSWELL Tracking device.MOMENTS LATER Back at Mac’s Jeep. The back tires spin. Be on time. Roswell pulls two shiny silver tote bags from the trunk. They change into their silver jumpsuits without a word.
ROSWELL And this is Uri BenHassen. ROSWELL MacKenzie. her beauty. It’s a make-up kit. Blond wig? Smiles. To Mac. MAC I don’t follow. this is my daughter. She squirts some liquid in her hands. LAURA Let it dry. WOMAN I see you made your flight. URI Same for me. LAURA At the airport. MAC I could get used to this. I made sure you got to the plane. Then his Faces Mac. hands. She looks back at Mac. Mac sits there.39. He studies . She extends her hand. She opens a tackle box. LAURA LAURA It’s time for your makeover. Laura. MAC “Green eyes”. LAURA Close your eyes. Smiles. She massages Mac’s entire face with the liquid. She pats the seat next to her for Mac to come. Pleasure. Shakes Uri’s.
MAC Unbelievable. She hands Mac a synthetic thimble. . presses it on the glass. Sees an old man. It quickly turns to an oily grayish white. LAURA Put this on. She applies it around his lips and chin. Puts them on him. FLASH. Uri looks over. She presses another button. LAURA Lower it. Clear adhesive. Uri watches her work quickly. Affixes the goatee. Uri leans across and presses his thumb on it. LAURA Take a look. and thumbprints. Mac lowers it. He holds it up. Then takes his thumb. Then offers it to Uri. She grabs a comb. Hits a button on the side. parts his hair on the other side. FLASH. Squeezes it in her hands. She pulls a tube out. She centers him. She Laura faces him with a special digital She connects the camera to an external palm device. LAURA Uri. Another bottle. Massages his hair thoroughly. She pulls out some wire-rim spectacles. opens the lid revealing a scanner surface. camera.40. photos. It prints out TWO LAMINATED PHOTO ID’S complete with names. She slips it snugly onto his thumb. The lotion on his face dries into wrinkled skin. She pulls out a ziplock baggie containing a matching color goatee. LAURA Thumbprints. She hands him a small mirror.
ROSWELL You’re not to address you are spoken to you And whatever you see. Mac clips it on. Handing them over. Back to Roswell. anyone. do not least bit surprised. I’ll find you. circumstances. If defer to me. Mac shoots her another look. Is that clear? Mac makes eye contact with Laura. under any look the Laura hands them each a small flip phone. ROSWELL If we are separated. ROSWELL The piece is in a special area.41. Don’t look for me. . And don’t talk to anyone. you can text message. You will see aliens. She attaches a clip. ROSWELL You are going to want to ask a lot of questions. Roswell shifts in his seat. MAC Who’s Dr. LAURA It goes on your left pocket. Reads it upside down. You are NOT to make eye contact. Is that clear? MAC Is Laura coming with us? ROSWELL No. Irving Liebowitz? She smiles at him. LAURA You’re from New Jersey. You are not to do so. Mac notices him wince. She smiles back. Back to business.
CONTINUOUS Top of the staircase. People load by a Then Mac. high hangar doors. TARMAC . Catches himself. WalkieThe They get out. EXT. LARGE MP NEXT. talkies. Dobermans on harnesses.C. Automatic . Then Looks closely at the credential.GIANT HANGAR . towering doors are slightly open. Adjusts his glasses.CONTINUOUS MP’S everywhere. A FedEx Cargo jet is parked on the tarmac. GIANT HANGAR . Sidearms. INT.DAWN The limo pulls up outside a fenced area. Time to focus. Uri close behind. Checking ID'S.CONTINUOUS Mac hurries up to Roswell and Uri as they enter the huge. staircase. GIANT HANGAR .42. METAL STAIRCASE AGAINST THE PLANE . weapons. Uri looks back up the stairs. ROSWELL Stay close.EARLY MORNING The jet pulls up to a ten acre. EXT. four-story hangar. MAC A FedEx jet? ROSWELL Part of the deception. TWO MP’S. A LARGE MP stops Mac. Walkies. EXT.) We’re here. Mac stares ahead. Roswell passes the guards. EXT. Deployed in twos. Mac watches them go by. at Mac. ROSWELL (O. Yellow helmets. ALIEN BASE .
INT. The Elevator doors whoosh open. the letters MAJ. MPs salute and get back in. Stand guard. Certain areas of the hangar are sectioned off with tall black partitions. All head toward a large elevator. The large. Uri and Mac rub shoulders with the rest. CLOSE-UP CONTROL PANEL . Roswell. Roswell catches Mac’s eye. Mac studies the panel. In place of floor 12 are Next to the letters MAJ is a horizontal slot in the panel for a specially constructed key card.CONTINUOUS A hundred scientists and technicians load in. Four more MP’s rush into the huge lift as the AIRLOCK DOORS hiss shut. Eleventh floor. everyone closely. Under his breath. shoots Mac a look. into the control panel. Rifles up and ready. wide doors whoosh shut. ROSWELL This is us.CONTINUOUS The floor numbers descend 1 to 12. Uri and Mac get off. Inspects He inserts a KEY attached to his belt. MPs exit. Scientists and other plane passengers avoid the MP’s looks. THE OPERATOR. INT. A TALL BLACK MP. Nods toward the control panel.43. Roswell. MAC Excuse me. . They face the crowd. next to a sidearm. LARGE ELEVATOR CHAMBER .
The MP stares down. Mac looks up. Mac looks ahead.CONTINUOUS Walls. Mac smiles at an academic blonde.44. HALLWAY . . They’re examining someone. Light emanates from above. Gone. Another lab up ahead. A HUGE FOOT. BEEEEEEP! SCREEEEECH! A fast moving electric cart carrying more MP’s swerves to avoid Mac.CONTINUOUS Mac plows into the far MP standing guard at the door. ceiling and floor are monochromatic. It’s rampant. Roswell stops in front of a panel. Roswell ahead. Hate. Mac quickly backs away. He passes through. It closes. Eerie looking. MAC You go. Roswell looks away. Slows down. Clipboards. Zombies. Elongated head. No acknowledgement.CONTINUOUS A SCIENTIST stands next to A SMALL GRAY BEING. WHAM! INT.CONTINUOUS A small group of men and women with ID credentials pass the other direction. It opens. Roswell approaches a blank wall. A somber military gray. Mac looks to Roswell. A GIANT. Bony arms. INT. Two tall MP’s frame the door. It slides open quietly to the left. A very low frequency oscillates from below. ELEVENTH FLOOR CORRIDOR . A deadness. Mac falls behind Uri. Panic. Mac and Uri behind. INT. ADJACENT LAB . She looks down and away. Whoosh. SIX TOES. He passes. Mac whips around. Roswell’s hand behind his back. Mac approaches. Faint outlines of panels appear every four feet. Motions to look inside. It opens. ANOTHER POD OF SCIENTISTS march quickly in his direction. Looks inside. Uri steps up to the panel. Blank faces swoosh by. INT. He walks through. Credentials. ELEVENTH FLOOR LOBBY .
Peers down the Their tags Inside the tunnel other tunnels bore through the concrete overhead and to the side. Roswell reaches out. They go everywhere. Four others cars behind. Disoriented. Uri approaches. tunnel. Sets the palm of his hand on a scanning device near the door. . Mac turns back to the lab where the alien was examining the giant. The door slides open. A moment. Quiet. Whispering. Overwhelmed. ROSWELL Later. Roswell and Uri MAC My God. TWO MORE MP’S talk to those at the door. Nauseous. are checked. A large cylindrical ceiling reaches twenty feet high. They get waved through. An empty train glides out of the dark tunnel from the left. ROSWELL There have an entire network of tunnels that crisscross under the planet. INT.45. but did not believe it. SMALL SUBWAY STATION . A conductor sits in a glass-domed car at the front. They go through. INT. Mac looks around. ROSWELL Not good. Uri. They walk slowly towards another set of doors.CONTINUOUS TWO MP’S salute. Mac shoots him a look.CONTINUOUS They enter the platform of a small station. Mac does the same. did you see it? URI Yes. are up ahead. Mac approaches. Roswell walks to the edge by the tracks. Roswell returns the gesture. Ice. Six seats each. SMALL DETAINING ROOM . two abreast. URI The sinkholes. Benches constructed of a seamless material never seen before.
46. He quickly rejoins them. They’re gone. Roswell clears his throat. Mac and Uri finally catch up. Pay attention. exposing the interior. The ceiling is a hundred feet high. INT. Twenty feet off the ground. thick cables. Some MP’s load in the car behind. Roswell continues the same pace. and overhead cranes. Used to be an underground reservoir. Mac is agog. MAC Yessir. Still rubbernecking. The doors open.CONTINUOUS They enter an enormous space. Mac glances at Uri. Sternly. UNIFORMED TECHNICIANS are stationed everywhere. They diverted the water. A glass command post nestles in the center of the catwalks like the body on a daddy-longlegs. ROSWELL Stay close. closing the distance to the saucer. URI Un-be-liev-able. . BUILT-OUT CAVERN . A short distance away A DISK-SHAPED FLYING SAUCER HOVERS silently above the floor of the cavern. A metal scissor-lift ascends next to the craft with a TECHNICIAN in another silver jumpsuit. Mac and Uri get in the first car. A portal is open. Motionless. Quietly. covered with steel-girded catwalks supporting a maze of powerful lights. Mac freezes in awe. Large luminous orbs imbedded in the ceiling cast a peculiar greenish light. The train accelerates quickly. Walking forward. ROSWELL It’s a natural cavern. He holds a small palm device. Mac sees he has fallen a dozen paces behind. Then follows his gaze. Roswell. Two men stand inside.
an area for equipment. Looks right at him. Thin torso. An invisible force hits Mac in his solar plexus. A row of windows circles the craft near the top. Now. The sleek exterior is of a dull gray metal-like material similar to the debris piece. ROSWELL MOVE. ANGLED BLACK EYES dominate the alien’s face. him up. . keep him moving. An AMERICAN FLAG is painted near the hatch door. Turn around and walk away. MACKENZIE. A one-piece jumpsuit matches the color of his skin exactly. Mac is blanking. Roswell and Uri shore Find themselves in Mac turns around and begins to weave. Distracted. He reveals another ALIEN. Bothered by Mac’s very presence. The creature jerks his head. Walk behind it. They reach a partition. Immobilizing. Mac and Uri stop The disk is seamless. Horrible images flash through his mind. ROSWELL MacKenzie. NOW. SIX FINGERS on each hand. One of the men standing in front of the portal moves from the interior onto the lift. Spindly arms. MAC My God. Blurry. TWO LARGE. They’re alone. Facing him. MAC Sorry. ROSWELL I said no eye contact. On the bottom are round indentations that appear to conceal lights.47. Inches from his face. It floats noiselessly. Roswell stops twenty feet from the disk. Taller. Mac can only stare back. A disproportionately large head. next to him. Blocking his line of sight.
with automatic weapons enter the room. INT. LIKE DEBRIS thirty feet high. Uri and Mac follow. Uri coughs loudly. Mac circles up the pile. Looking up at the mountain of scrap. Like he wanted me dead. ROSWELL Let’s move. We may have been compromised. He walks off briskly. MAC We’ll never find it. Mac dives around the back of the pile. A total sense of evil. There’s A MOUNTAIN OF FOIL- ROSWELL My sources tell me the piece was brought back here. only to bounce back in perfect shape after his foot lifts off it. The MP’s approach Roswell who is pointing at the pile and improvs a briefing with Uri. Find Mac clumsily climbs up the debris heap looking for the one. Each step silently crushes the foil beneath him. Inspecting random pieces. STORAGE AREA . arms crossed. ROSWELL You drew attention to yourself. ROSWELL You know what it looks like. What did you do? MAC A force came at me. TWO MP’s The heavy door at the room’s entrance slides open. Uri nods. it.48.CONTINUOUS They enter a large storage area. piece? How about any ROSWELL It has to be from that mothership! MAC It’s impossible. . Time is of the essence.
They head A circuitlike key card is . Uri scurries up the debris pile. ellipses. Tall curtains drape from the high ceiling. Mac peers around and sees the MP’s talking to Roswell. everything a shade of gray. INT. MAC It’s a trapezoid. than my hand. the sofa. He crunches them in both hands. A shaky voice. Is distracted by the resilient foil pieces. they spring back. LOBBY . squares. triangles. A KNOCK at the door. INT. Opens his palms. Rhomboids. URI What shape is it? Guessing. down a long hall. Roswell nods to Uri and leaves with the MP’s. The door closes behind them. the bedding. the wall covering.MAJ 12 . A little bigger They both sift through the arduous task.MOMENTS LATER Roswell stands next to the MP’s. Uri looks down at the scraps in the heap. BEDROOM SUITE . The carpet.MOMENTS LATER A large room. in the slot for level MAJ 12. They’re all geometric shapes.49. INT. OLD VOICE FROM THE BED Come. ELEVATOR . Gets to Mac. MAC Where’d they take him? URI Some emergency meeting. The decor is exquisite. Spellbound. The doors whoosh open. hexagrams. circles.CONTINUOUS Roswell exits the elevator with his MP escort. pentagrams.
ABARIS. Sweat on his brow. ROSWELL Hello. ABARIS Hello old friend. Uri scrambles over. Throwing the cross off his neck. ROSWELL What can I do for you? ABARIS This body is getting weaker. Looking heavenly. The door opens revealing Roswell and the MPs. INT.C. blocking his vision. we got it. . It has four sides.50. Sees the cross a few feet away.) Yes. sits in bed in darkness from his chest up. MAC YOU FIND IT. no two of which are parallel.CONTINUOUS Mac plows furiously on his hands and knees. The MP’s close the door behind him. MAC Uri. Takes it from Mac. STORAGE AREA . come in Nathan. He walks to the foot of the bed. We will soon be in need of a new host. He lets out a sigh. His jumpsuit is zipped open. Roswell enters. Exploding. OLD VOICE FROM THE BED (O. Abaris. Then goes and picks up the debris piece under it. The cross keeps swinging out around his neck. early eighties. Inspects it. URI That’s not a trapezoid. it’s a trapezium. Off Mac’s look. Freezes.
She walks into the hall. Hair matted in clumps next to her face. No one is there.AFTERNOON Lucy lays asleep on a bed. Mac shrugs. A train pulls into the station. stands.51. HALLWAY . BRIGHT AURORA LIGHT PARTICLES fill the air. Closes her eyes and touches the top of the cradle. Lids have a peculiar red color to them. Roswell. INT. Slides open. They join him in the car. URI He’s in the train. Her hands bound at the wrists to She’s noticeably thinner. and walks to the door. INT.LATER Mac and Uri sit restlessly on the bench. MAC . Her eyes open. RING. She sits up.LOCKDOWN WING . She picks up the phone receiver. SUBWAY PLATFORM . INT.CONTINUOUS Lucy walks down the hall towards the orderly’s desk. Uri and Laura all give Mac a look. Sees Roswell in an empty car. No Roswell. stand by the tracks. The train whooshs off. Mac and Uri both check the platform entrance. ROSWELL’S LIMOUSINE . No one is talking. Other technicians INT. Her eyes are swollen shut. Mac finds his phone. Low tones to Mac.CONTINUOUS RING. stainless steel guards. The workers start to load the train. Mac’s cell phone. CAMARILLO STATE MENTAL HOSPITAL . The door unlocks itself. The restraints spring open magically. Hello? Roswell gives a slow nod. Uri looks back.
BUDDY Let’s go. Phone time is over. skinhead.CONTINUOUS Convulsive stammer. BUDDY. tatoos.. hangs up the phone.. Taking her away. two gold front teeth. INT. ROSWELL’S LIMOUSINE . LAURA The one what? MAC I don’t know.LOCKDOWN WING .INTERCUT MAC The one what? Dial tone. LUCY You’re the wa-one. ROSWELL’S LIMOUSINE . HALLWAY . INT. URI Who was it? MAC It was Lucy. She said “I’m the one”. How did you get out anyway? INT.you’re the waone.INTERCUT ROSWELL No one has that number. Gentle spirit. Lucy.INTERCUT A HEAVY-SET NATIVE-AMERICAN ORDERLY. HALLWAY . A hand takes the phone away from her. Trance-like. ROSWELL Where was she calling from? URI Check your call log. . INT.LOCKDOWN WING .52.
HALLWAY .LOCKDOWN WING . Two birds. LAURA Ventura County. Lockdown. He reaches for a can of Heineken out of the cup holder.GOLF CART . LAURA They’ve transferred her.CONTINUOUS RING. CRANSTON I want out. He INT.53. Mac shuttles through his phone. lockdown. Pinkie Rings is next to Jim Cranston. Winded. It self locks. threat.AFTERNOON A pinkie ring on a chubby finger holds a score card. PINKIE RINGS Where’s MacKenzie? . Dial tone. INT. Takes a swig. PINKIE RINGS It’s too late. Finds the number. She’s a EXT. Call her back. 9999. Buddy slides Lucy’s door closed. BUDDY Camarillo Care Center. GOLF COURSE . 805-876- Mac hits dial. MAC It’s 8-0-5.INTERCUT MAC Camarillo Care Center. Roswell nods. PINKIE RINGS Not bad. runs back to the phone. A short pencil writes down two “4’s”. Buddy looks at the receiver. ROSWELL’S LIMOUSINE .
54. She lifts a long purple fingernail. Pinkie Rings swigs again on the Heinie. A BLACK WOMAN IN A WHITE UNIFORM. pass Mac and Roswell at the admittance desk. and you are? ROSWELL General Black. General Black. An easy smile. INT. U. Air Force. Mac. . CRANSTON Maggie hasn’t heard from him. PATRICE Yessir. PINKIE RINGS Call her again. Taps her pen. Roswell Looks PATRICE How can I help you gentlemen? ROSWELL I have orders to see a patient from the military psych ward in Westwood. PATRICE BURROSS. PATRICE Are you related to the patient? ROSWELL No. scratches his neck. CAMARILLO CARE CENTER HOSPITAL . Do it now. She stops tapping the pen. Are you part of the Conservatorship? ROSWELL I have orders. nods. Just a minute. Say you have work for him. PATRICE Yessir. is on the phone at the counter. Beautifully braided hair. A small fan blows behind her. She finishes. led by an ORDERLY. around. Cranston reluctantly opens his cell phone. in civilian clothes.S.LATER FOUR SEVERELY MENTALLY RETARDED ADULTS.
you. ROSWELL No. SHERMAN Is he related to the woman? Jumping in. I’m not. SHERMAN Yes? PATRICE General Black is requesting to see a patient admitted from the military psych ward in Westwood. station. but it’s important that I see her. DR. SHERMAN? Over his glasses. MAC Then she is here? She glances down the hallway. DR. PATRICE Would you like to speak to her doctor? ROSWELL Yes. sir. SHERMAN looks over. PATRICE Then I’m sorry. Veers to the He’s coming I can’t help . PATRICE Well you’re in luck. Impersonal. DR. DR. down the hall. Is she still sedated? DR.55. PATRICE DR. Over Roswell. Reads Roswell. SHERMAN Is he part of the Conservatorship? PATRICE No. SHERMAN That’s private information. Holds a chart.
Laura stands next to them. . CAMARILLO CARE CENTER . Diebol types the name into a laptop. He’s Blue Mac still in disguise. the executive director here. also in civilian clothes. Mac follows. MAC What next? ROSWELL A phone call. Notes the name of the executive director of the hospital. Catching up. He turns and leaves.CONTINUOUS Mac sees Uri. MAC What’s he doing? LAURA Finding a link between the executive director and one of our contacts. ROSWELL Diebol. MAC Man this stuff itches. EXT. INT. call Edward Higgins. LAURA Don’t touch it. Hits return. Tooth wireless does the rest. BLACK LIMOUSINE . All climb into the limousine. Carrys on.PARKING LOT . DR. next to Diebol. Doctor.56. Thank you for you time. ROSWELL The military needs to know.CONTINUOUS Laura and Mac exchange a glance. He stops in the lobby. ROSWELL Fine. SHERMAN I’m not at liberty to discuss the case.
MAC Contacts? DIEBOL Got it. URI Lockup? HIGGINS It’s usually reserved for the criminally insane. INT. I came as quickly as I could. Laura and Uri sit attentively. Every room has a keyed entry. ROSWELL Thank you for your cooperation. HIGGINS No particular reason.57. Even to use the toilet. A tall lanky man with stringy gray hair. . it’s not exactly clear why she’s being held in lockup. ROSWELL Make it happen. HIGGINS Lewis and I go back a long way..LATER EDWARD HIGGINS. Pressing. It was requested by the psych unit for security purposes. sir. Roswell. ROSWELL It’s imperative we see her now. A Major Lewis.. Well. HIGGINS Well. HIGGIN’S OFFICE . The Major informed me of the situation.high school wrestling team. Mac. no matter. They’re old personal friends. MR. Higgins thumbs through a file. LAURA How is she a threat? Reading on.
Her hands bound at the wrists to the stainless steel guards. WOMAN’S DOOR . WILD WAIL. A slow smile. Turning to Higgins. Opens it. They all go. ANOTHER WILD WAIL. Disturbingly amused. HIGGINS Some of them do that when they get excited. HIGGINS We’re here to see the woman we received this morning. The woman lays asleep on the bed. Feeling the pressure.MOMENTS LATER Buddy fits his special key into a lock. she’s still sleeping. A heavy wire-meshed window in it. Higgins looks to Roswell. Mac . LOCKUP WING ENTRANCE . Bad dentistry. Nods towards Lucy. INT. follow me. Buddy opens the door. A HIGH.MOMENTS LATER A thick fire door. BUDDY That’s the Screamer. Finally gives in. Those teeth. Roswell discreetly looks at Mac. HIGGINS Well then. ROSWELL I need a visual. nods back “yes”. things we don’t. Mac and Laura exchange a heavy duty look. Buddy turns to Mac and Laura. INT. Like a crazed animal. BUDDY Oh.58. He sees Crooked smile. heads down the hall.
HIGGINS Well. HIGGINS Here? ROSWELL Yes. I’ll have to contact the Conservatorship and have it cleared. ROSWELL Let me assure you it’s important we move this woman to a safe location. HIGGINS Well. the Major said to do whatever you asked. Now I want her cleaned up and given a change of clothes. here.. and I need your cooperation on this to the fullest. Cutting him off. ROSWELL How soon before we can have her moved? Confused. LAURA Yessir. ROSWELL Thank you for your assistance. ROSWELL When she wakes up see that she gets some real food to eat.59. but her chart indicates. Her life may be in danger. . Shifting uneasily. ROSWELL This is a matter of national security. HIGGINS Major Lewis didn’t say anything about having the patient moved. Incredulous.. Stay with her until we transport her. To Laura.
A few cards short.S. ROSWELL The software application is called MAJESTIC. Mac. make a call for a special transpo unit.) Got it. LAURA I got it. MAC I can stay. ROSWELL We have work to do.THE 101 SOUTH . ROSWELL’S LIMOUSINE . you go. will do fine. HIGGINS The orderly can stay with her in case she needs assistance. Roswell sizes up Buddy.60. Roswell pulls a laptop out of his case.DUSK Uri plays with the debris piece. Handing it to Uri. Laura will accompany them when they move the patient. ROSWELL Thanks again for your cooperation. INT. ROSWELL The debris piece is hyper dataintensive and the scan could take four hours to decipher it. . Mac shoots Uri a look. We’ll take it from here. DIEBOL (O. Speaking into his high-tech wristwatch. Laura ROSWELL That won’t be necessary. he nods in agreement with Laura. sir. ROSWELL Diebol. A scanner built into the screen of this laptop will read the piece. Turns to Higgins.
Cows are drained of their blood and parts of their anatomy are cut away by a laser. I’m due Pulls out a file. Uri opens it. URI To locate the power core. I want photos. everything you can find. video. Inspects the screen. Hands it to Mac.61. You’ll go out there tomorrow. ROSWELL Use your cell phone for everything. Roswell reaches into his briefcase. ROSWELL Exactly. ROSWELL They’re have been cattle mutilations. Mac looks through the file. ROSWELL A memory cell from your piece should contain a blueprint of the base. MAC Tomorrow? ROSWELL Laura will fly you out. Blood is a vital element. MAC Hopefully with us not in it. back now. ROSWELL There’s a fresh carcass in Arizona with an unusual twist. We contaminate the core. MAC What does that have to do with the aliens? ROSWELL The harvest colony incubating at the base. So is the web-feed in the laptop. . It’s signal is scrambled. the base will self-destruct. I don’t how Lucy got you.
He is looking for a new host to sustain his existence. We must preempt that. ROSWELL One more thing. time is of the essence. ROSWELL Gentlemen. A look to Mac. ROSWELL You won’t need it. Use cash for everything. Here’s five thousand dollars in small bills. Uri looks at the General. We need those blueprints to activate the core. I’m not sure our visit to the base was unnoticed. URI Yes. Back into the briefcase. sir? It’s not much but it’s all I have. A large wad of fifties. URI We’ll do our best.62. then back at the debris piece. Abaris is in weak health. They could come after the piece again. ROSWELL That’s it. MAC What about my Jeep. Mac’s still not cut out for this. Diebol pulls the limousine over to a stop. To Uri. yourselves. . sir. gentlemen. ROSWELL I’m dropping you near the hotel. Navigation should come quickly. The power door locks give Mac a scare. Keep to Uri shakes his head. ROSWELL The software is highly intuitive.
COUNTRY CLUB DINING ROOM . PINKIE RINGS General Nathan took those two out to the base.SEDATED WOMAN’S ROOM . LOCKUP WING . 9:00pm. Laura finishes rubbing lotion on her wrists. CRANSTON What about Abaris? PINKIE RINGS The genetic engineers are still searching for a compatible match. ROSWELL Diebol. Roswell is nodding off in the back. what’s going on? Diebol slumps over. Still no transport. Folds her arms. Buddy enters. combed hair. BUDDY Everythin’ all right? . She checks her watch. The door opens. Reaching for his Heineken. and is still sleeping. A A key into the lock. the car.LATER At a stop light. Both are hanging up from cell phone calls. She yawns. Coughing. They committed a security breach. HISSING. Roswell passes out. INT. INT. His door flies open. Bends over hungry and tired. now out of the restraints.CONTINUOUS A basin and sponge lie next to the bed. INT. ROSWELL’S LIMOUSINE .NIGHT Pinkie Rings and Cranston are being served their main course. He’s pulled from Some kind of gas. They’ve taken the piece. Looks at the door to the hall. The woman has clean clothes.63. THUMP on the glass.
LAURA Okay. Motions Laura to look inside. Look.. We’ll make it INT. Buddy peeks through a patient’s wire-meshed window. HALLWAY .64. You gotta come up to my station. I have to use the bathroom and I could use something to drink. LAURA She’s still out cold. LAURA ..LOCKDOWN WING . He see Unlocking the bathroom door. BUDDY I bought you a sodie-pop but regulations say I can’t bring anything down into lockup. his chin resting on them. More gold teeth. LAURA She’ll be fine.CONTINUOUS The iron door slides shut. Self-locks. BUDDY That’s the Screamer. Faded linoleum floor.. I really gotta go. so you’ll have to knock or call when you’re done.that we don’t. she ain’t going nowhere. He rocks ever so slightly. BUDDY Oh heck. I know. quick-like. Yellowed walls. just let me in the bathroom first. things. . Bladder bursting. BUDDY It locks from the outside. They finally reach then end of the hall. Laura follows him up the corridor.. Cutting him off. I know. Buddy looks at the sleeping patient. A YOUNG THIN man with sunken eyes sits with his knees tucked into his chest.
Something bad is in there. The corner of the cell.CONTINUOUS THE WAIL. THE SCREAMER’S ROOM . Stall door unlatches. Pant zipper. Rocks faster.65. Unzips her pants.CONTINUOUS Laura rushes in the stall. The Screamer uses his hands and feet and propels himself across the floor. He whips his head back. Listens. Pitch dark.CONTINUOUS The Screamer scans the room frantically. LADIES’ ROOM . Laura freezes.CONTINUOUS It’s getting closer. He presses his bony body as far as he can against the wall. BLACKOUT. Bangs on it. LAURA HELLO???????? Commotion. Great. Finds the main door. THE SCREAM. Laura looks down. THE SCREAMER’S ROOM . turns around. INT. Toilet paper. Toilet flush. INT. LADIES’ ROOM . INT. INT. INT. LADIES’ ROOM . Opens them. Jaw locked open. LAURA Got it. breath. Yells like a wounded wolf. Practically hopping. Laura stumbling in the blackness. Eyes bulging.CONTINUOUS ANOTHER WOUNDED WAIL. LAURA Gotcha. BUDDY I’ll be right here so you go’head. HELLO??? LAURA BUDDY???? . Laura closes her eyes. Takes a A power failure. Sounds in the dark.
Reluctant.66. He lets go of Laura’s hand. Then it starts. INSANE LAUGHTER. she has no choice. Then runs. Contact. Locked. More screams in the darkness. GOT’EM ALL RILED UP. Laura walks toward her room. The sound of bodies hurling against the doors. A LONG. I’LL GET YOU OUT OF HERE. WILD. BUDDY I’m tryin’. He opens the door. GROANS AND BLINDING LIGHT explodes out of the sedated woman’s room. ANOTHER SCREAM. He finds it. . EXT. The whole wing. The lock’s here somewheres. BUDDY IT’S LUCY. Backs away down the hall. LADIES’ ROOM . Toward the light. LAURA (O. He reaches for Laura’s hand. LET ME HAVE YOUR HAND.) HURRY! PLEASE! BUDDY I can’t see it. Tear trails on her cheeks.CONTINUOUS Buddy fumbles in the dark trying to get the key in the door. SHRILLS AND SHRIEKS. No key. She walks past Buddy timidly into the dark hall. LAURA WHAT’S GOING ON? BUDDY ELECTRIC’S OFF. Freaked. CHAOTIC CONFUSION. Hands to her ears. LUCY’S ROOM .CONTINUOUS Laura pulls on the door. LOW NOTE CRESCENDOES IN A HIGH SHRILL IN THE DARKNESS.S. SCREAMS. Laura regains her composure. The key turns the lock. EXT.
wide-eyed.67. Mac turns the TV on with the remote. Her body rotates in mid-air so her head faces the opening.DEAD OF NIGHT . Has disappeared back into the laptop. A small steel-reinforced window placed high in the wall is gone. Mac and Uri stand in the middle of it in awe. Lucy looks her way. A helpless. She looks to the door. LUCY HELP ME! Another noise. She’s awake. She’s sucked out the window. She can’t be heard. Anxious. terrified stare.LATER Uri stares blankly at the laptop lid scanning the debris piece. She screams. Laura screams through the wire-mesh glass. Laura pounds on the little square window and screams. INT. Lucy floats above the bed. And it’s gone. MAC How long’s that thing gonna take? Suddenly a huge hologram of the alien base engulfs the room. Mac reluctantly complies. The rush of a freight train. URI What are you doing? MAC Finding SportsCenter. Lucy’s body In the darkness. Mouthing to Laura. She peers through the wire-mesh glass. MAC’S HOTEL ROOM . quivers. URI That is monitored by the hotel. Blinding light and wind pour through the opening. The 3-d blueprint spins slowly on an axis. They will know we are here. .
68. Uri stares at the laptop. MAC How you gonna print that? RING! The hotel phone. They freeze.
URI Don’t answer it. MAC Maybe it’s Laura. URI Roswell said use only the cell. RING. MAC Maybe she doesn’t have it. URI Don’t answer it. RING. Mac moves to the phone. MAC Maybe she’s in trouble. Uri thinks on it. RING. Mac picks it up. MAC Hello? INT. EXTREME CLOSE-UP OF A MOUTH TO A PHONE - INTERCUT METALLIC VOICE We have Roswell. INT. HOTEL ROOM - INTERCUT MAC Who is this? INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT METALLIC VOICE Give us back the piece and we’ll make sure nothing happens to your wife and kids in Paso Robles.
69. INT. HOTEL ROOM - INTERCUT MAC I don’t know what you’re talking about. INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT Cuts him off. Pissed.
METALLIC VOICE You know exactly what I’m talking about. We’re watching you. INT. HOTEL ROOM - INTERCUT MAC Who are you? Dial tone. Mac stares at the phone. URI What did he say? Slowly putting the phone in the cradle. MAC They want the piece. They got Roswell. They’re going after Maggie and the kids next. URI They’re bluffing. Mac finds the small flip phone. Dials frantically.
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT RING. A deep sleep. Hello? Cellular break up. Extremely choppy. YOUR LIVES COULD Maggie fumbles for the phone. MAGGIE
MAC MAGGIE, IT’S MAC. BE IN DANGER. Groggy.
MAGGIE Who is this? Mac, is that you?
70. Every other syllable. MAC TAKE THE KIDS. LEAVE. Mac?
MAGGIE You’re breaking up.
INT. HOTEL ROOM - DEAD OF NIGHT - INTERCUT KNOCK-KNOCK-KNOCK. The hotel room door. kill the cell phone. Uri motions Mac to
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT Dial tone. Maggie looks at the phone confused.
INT. HOTEL ROOM - CONTINUOUS KNOCK-KNOCK. More urgent this time. Moves quickly to the side of Mac follows the
Uri grabs his gun off the bed. the door. Delta Force.
He waves his barrel towards the bathroom. directive. Backs up. KNOCK-KNOCK-KNOCK. Uri motions at Mac to talk. MAC Who is it?
WOMAN’S MUFFLED VOICE (O.S.) It’s Laura. Uri gives Mac the universal “shhhh” sign. WOMAN’S MUFFLED VOICE (O.S.) MacKenzie, are you there? Let me in. It’s me! Loud whisper to Uri. MAC It’s Laura. Uri shakes his head “no”. KNOCK-KNOCK-KNOCK. WOMAN’S MUFFLED VOICE (O.S.) C’mon, open up!
WOMAN’S MUFFLED VOICE Mac. somebody is going to start shooting. Frazzled. MAC You can’t just start shooting people. Mac heads for the door. . URI It’s a trap. Alone. Uri swings around to the middle of the room. It’s her. It’s Laura. Instructing in whisper tones. Uri snores loudly in his bed. Mac opens the door. Head high. MAC I know it. Checks the hall. Pissed. Sharp whisper. A long hug. calling hotel security. She runs into Mac’s arms. MAC You said they we’re bluffing. Angry whisper.71. open up! Anxious. URI Open from the side then stand clear. Closes the door. Uri pulls them both in. the door. INT. Uri waits. I’m Aims his gun at Uri motions “halt”. He nervously wipes his chin. Mac heads for the door. stares at the wall. MAC’S HOTEL ROOM . Mac lies in his bed. Listens. listen to me! It’s Green Eyes. MAC There’s no MacKenzie here. Laura lies on some makeshift bedding on the floor. Then nods.MUCH LATER Light spills out the partially open bathroom door. If it’s a trick.
INT. Uri chokes on a snore. Mac puts his arms around her. She sniffles. Wearing only a hotel bathrobe. MAC A week ago a rancher in Billings. to Mac’s bed. LAURA I’m sorry. No need to talk. LAURA Okay. Mac pokes his head up. She goes Laura slips an arm under Mac. Referencing the file.72. LAURA Hold me. Mac turns over to face her. LAURA’S PLANE . Laura pilots. Stares blankly ahead. Laura slowly rises. in Biloxi. Mississippi. Her eyes are still moist. Mac copilots. LAURA I’m still scared. Mac holds his finger to her lips. Montana saw one of his cows float upward into the belly of a UFO. LAURA And? MAC The same day. Spoons behind him. Looks over.MORNING Twelve thousand feet. They stare a while longer. She climbs in. Whispers. Wraps her other arm over him and pulls him into a long squeeze.AIRBORNE . Softly. Over the engine noise. a farmer sees his prize cow do the same thing. .
by midfield. permeates everything. The wheels touch down lightly. Cuts the throttle. The plane rocks and glides. MAC A week later on a ranch in Arizona. MAC Where’s our sheriff? It stops . kick up some dust.73. the cow’s head had an ID tag on his ear and the body of the other had a brand on it’s flank.CONTINUOUS Checking the file. I believe anything is possible. LAURA How do they know? MAC According to the sheriff. the more I believe there’s a good side. nose slightly up. LANDING FIELD . Are you religious? MAC The closer I get to this evil. MAC There’s a darkness to it. MAC That’s what they’re saying.LATER Laura’s plane approaches overhead. INT. they find the head of the cow from Billings attached to the body of the cow from Biloxi. EXT. Flaps up. LAURA’S PLANE . It LAURA I noticed you wear an old cross around your neck. LAURA From Billings and Biloxi. Do you believe there’s a harvest colony of cross-breeds? LAURA After seeing Lucy’s abduction.
Blood vessels have been cauterized. . Pointing out the front right. HILLSIDE RAVINE . LAURA Over there. facing away. HUFFMAN No sign of blood anywhere. and no blood. see where the eye should be? MAC Yeah. Laura walks around slowly. Simply surreal. Numbers check out all right. HUFFMAN Sex organs have been cored out.74. the two-tone brown and white body of a Jersey. mini-dv camera rolling. A neat. No torn flesh. About two o’clock. It’s been perfectly joined together.LATER The cow lies on its side. Pointing. grabbing the tag. Huffman squats down at the cow’s tail. You can see his cherries. LAURA Laser like. chases it. HUFFMAN And the brand’s from Mississippi. HUFFMAN Here’s the tag.DEAD COW’S BODY . A big cloud of dust EXT. The black head of a Holstein. SHERIFF HUFFMAN kneels down by its head. Motions to the rear flank. LAURA Mac. A squad car rolls along a dirt road. precise scar encircles the cow’s neckline at the union. See the incision? No jagged edges.
A RATTLESNAKE. . He recoils to strike. The snake gets blown off his heel. the cow was alive before it was mutilated. the ranch owners. ROBERTO DIABLO! HUFFMAN Says it’s the Devil. Hears something. just above his shoe. but from what I can tell. MAC You sure it’s not a hoax? HUFFMAN We’re doing more tests. Julio Mac looks up. stand twenty feet back on the road next to two Jeeps. The foreman. LAURA MAC!!!!! The snake’s fangs are open. ALFREDO and ROBERTO PARRAS. Goat sucker. ALFREDO CHAPACABRA! MAC What did he say? HUFFMAN Chapacabra. Mac steps back to take a photo. cows. HUFFMAN Not a drop. LAURA You’re sure about the blood? Taking his knife and cutting into the cow’s groin. A RATTLING SOUND. Coiled to strike. Mac’s backward momentum is carrying him right into it. POW! Gunfire.75. A supposed animal that sucks the blood out of chickens. crosses himself again. goats. A huge male. crosses himself. JULIO. STRIKE! The giant rattler sinks his fangs into Mac’s ankle. Mac turns around. Smoke floats out of Alfredo’s rifle.
Some black and white. Old. Roberto. Walls are covered with UFO photos. INT. ROBERTO DIABLO.LATER A double-wide serves as the station. Shaking his head. HUFFMAN Here ya go. The floor is partitioned. Alfredo. MAC I’m telling you. I’m fine. Some color.76. The men all grab a Coke. The sheriff enters with small bottles of ice-cold Coca-colas. Pointing from the Jeeps. A bookcase eats up the other wall. muerta. ROBERTO Si.HUFFMAN’S OFFICE . I feel fine. Julio notices the ancient Jerusalem crucifix around Mac’s neck. His skin clearly broken. and Julio circle around Mac’s exposed ankle and bare foot. New. Sheriff. MAC I’m telling you. He pulls it out of his shirt to look at it. ALFREDO You should be dead. SHERIFF’S STATION . HUFFMAN I can still call Med-Vac as a precaution. Huffman’s private office is spacious. and the viper. LAURA Thanks. Like Pablo . There are two large bite marks from the snake. JULIO Christo is with you. Laura puts some anti-biotic ointment on the bite.
Mac pulls one down.) Claims the Pleiades starship commander calls himself Semjaza. God was with him.CONTACT FROM THE PLEIADES. Comes to a . Julio lets go of it.77. Walks over to the bookcase. HUFFMAN You see as many mutilations as I have. Looks closer. SEMJAZA. The very word Mac is reading as the sheriff says it. Sheriff. Mac bobbles it. double-page spread of interest. but could not kill him. Handshakes all around. Mac thumbs through it. HUFFMAN De nada. 1976. Hasta luego. Mac shoots Laura a look. MAC Can’t say that I have. Did the cross save him? Takes another gulp of his Coke. MAC The viper? JULIO Si. Authentic looking photos. Gracias. the viper leaped from the fire onto his hand. HUFFMAN Switzerland. HUFFMAN Ever seen that one? Mac reads the cover. Mac stands. The book slams shut and falls to the ground. HUFFMAN (O. gentleman. ALFREDO Vamanos.S. UFO . Edward “Billy” Mier had a major encounter with some aliens from the Pleiades star cluster. MAC So you’re quite a UFO fanatic. you start to poke around. amigos. The three amigos depart.
. Laura squats down to get it. HUFFMAN Anyway. EXT.78. Sheriff.. MAC Thank you for your time. The dark car stops on the road a short distance from the sheriff’s car. MAC Semjaza. LAURA Sound familiar? Sitting on his desk. Gives a wave. LAURA’S PLANE .CONTINUOUS Watching from the plane coasting down the runway. She glances over. Huffman stands by his car. Mac closes his door. HUFFMAN Hope you got what you needed.. Shakes his head. Waves to Huffman through the glass. THE PLEIADES. LANDING FIELD .Semjaza. HUFFMAN Watch that bite. His body spasms violently. Mac nudges Laura as she checks the gauges and fuel levels.CONTACT FROM Puts the book back on the shelf.AFTERNOON Mac and Laura climb in the plane. It roars to life. pretty compelling stuff. INT. Mac stares at the cover one more time. LAURA ‘Bye! Laura turns the engine over. A gray puff of smoke. A gun barrel sticks out. Huffman looks down the road. Huffman goes down. We will. UFO . You ought to check it out. The car’s tinted window opens. A DARK CAR speeds toward the landing field.
He fires. Laura pulls back the stick. MAC THEY’RE GETTING OUT OF THE CAR! THEY’RE GOING TO SHOOT! POW! GUNFIRE. The dark car fishtails onto the makeshift runway. The plane lurches forward. She banks it to the left. Away from harm. One of its wheels bounces off the car’s windshield. The plane lifts up. MAC WE’RE NOT GOING TO MAKE IT! Pounding the dash. LAURA COME ON! Dark car. Full throttle again for takeoff. exploding it inward. straight for them. She slams the controls forward. Mac looks back. The plane springs into the air. The car fast approaches. LAURA NOT ENOUGH SPEED! MAC HE’S GOING TO RAM US! At the last second she pulls back the controls. The plane dives. BE ALL RIGHT. Heads A bullet tears into the cockpit close to Mac’s head. A man crawls out of it and takes aim at the plane over the roof. . The plane skims off. And stays there. hits the rudder pedals to spin the plane around. MAC WE CAN’T JUST LEAVE HIM! LAURA IT’S A TASER. Glass showers inside.79. Hits ground. MAC THEY SHOT HIM! Laura slams the throttle. A STUN GUN. HE’LL She feathers the throttle. It’s Pinkie Rings. The tinted window lowers all the way.
Mac finds ‘em. LAURA You’re a good man. MAC We better get to Paso Robles. Finally addressing it. Awkward. These guys are definitely not bluffing. MAC You just needed a hug. LAURA’S PLANE . to check on Maggie and the kids. MAC That guy who shot at us was the guy from LAX. Starts stuffing. How could he possibly know I was out here? LAURA They could have checked our flight log at the airport. aren’t you? MAC Like crazy. The cabin quiets down. Mac. I hope you I MAC How do you prove to someone you’ve changed? . INT. I was an idiot.80. blew it. LAURA You’re still in love with her. get what you want. LAURA Sorry about last night.MOMENTS LATER Wind pours through the bullet hole. LAURA THERE’S SOME RAGS UNDER THE SEAT. STUFF ‘EM IN THE HOLE. LAURA Paso Robles? MAC Yeah.AIRBORNE .
there a place to land? Is EXT. INT.CONTINUOUS MAC Straight to voice-mail. LAURA Maybe they moved to a hotel.CONTINUOUS Through the windshield. She pushes the controls forward. LAURA By doing the right thing for a long enough time. No visible sign of life. LAURA’S PLANE . CREEK WALK VINEYARD . EXT. A deep drainage ditch runs alongside it on the right. MAC Are you nuts? LAURA It might work. MAC Can I get bars up here? LAURA I’ll take her down. He pulls out his cell.DUSK Laura’s plane circles one last approach. No answer. The left side is a cornfield with healthy headhigh stalks. MAC What if the corn’s too high? . before sunset.81. INT. No ring.CONTINUOUS The front door is ajar. MAC How long before we can get there? LAURA If we’re lucky.PASO ROBLES .MAIN HOUSE . CREEK WALK VINEYARD . LAURA’S PLANE . They descend onto a narrow dirt service road below.
CONTINUOUS The eight foot chain-link fence stands dead ahead. Over the loud hissing. EXT.CONTINUOUS Bucking the steering. THUMP! HISSSSSSS! INT. SERVICE ROAD . LAURA’S PLANE . SERVICE ROAD .CONTINUOUS Tassels crown the tops of the corn stalks. Mac braces himself while Laura takes it in. SERVICE ROAD . EXT.CONTINUOUS MAC WHAT’S THAT? LAURA SO FAR SO GOOD! EXT. LAURA THANKS FOR MENTIONING IT. LAURA I THINK WE’RE GOING TO MAKE IT! MAC THERE’S ONE THING I FORGOT TO TELL YOU. LAURA I guess we’ll find out. LAURA WHAT’S THAT? MAC THERE’S AN EIGHT-FOOT FENCE AT THE END OF THIS ROAD TO KEEP THE DEER OUT. The plane’s wheels touch down. . THEY LIKE THE GRAPES.82. LAURA’S PLANE . INT. The right tire bounces along the edge of the deep ditch.CONTINUOUS The left wing skims along the top of the tassels.
Mac nods his head to investigate. They see the front door slightly ajar. INT. LAURA Power outage like at Camarillo. Mac and Laura run up the gravel driveway to the front of the house.EARLY EVENING A flashlight. Nothing. FRONT HALL . LAURA’S PLANE . LAURA I don’t see any cars. Flashlight on the light switch. JEREMY? Flashlight. Shaken. Barely.CONTINUOUS They rock back into their seats. INT. Laura close. Looking around. Catching her breath. Lights it.CONTINUOUS Front door threshold. CREEK WALK VINEYARD . MAC SARAH? He slowly enters. plane pivots forward. MAC We don’t know that. Laura follows. Trimming The WHAM! Full contact! Like a butterfly against a net. The house is pitch dark. MAC You okay? LAURA I’ve had worse. not stirred. . Grabs a candle. Mac walks to the mantelpiece. They arrive at the steps. Mac flips it on. then bounces back down. Bumping all the way.FRONT DOOR .83. Flips it again and again. The plane speeds toward it. Riding the ditch. Nothing. corn. MAC Maybe they were already here. Takes the flashlight. EXT. MAGGIE? Mac sticks his head in. Returns to Laura.
. MAC MAGGIE!? The closet door beneath the stairs creeps open.. MAC What happened? MAGGIE I don’t know.84.. Jeremy sits on the love seat next to Laura. head in Mac’s shoulder. I’m scared. JEREMY Dad. Timidly. closet door open.then the power went off..then we heard strange noises. MUFFLED VOICE Dad? Jeremy? MAC Is that you? Finds the Mac rushes from the living room into the hallway.. The candle reveals a sea of scared faces. Sarah. MAIN HOUSE . Mac opens his arms.. MAC MAGGIE!? A MUFFLED VOICE comes from the hallway. in her arms.. INT. SARAH Daddy! MAC Pumpkin! Relieved hugs all around. Kneeling in front of Maggie.bright lights. Buries his .LIVING ROOM ..MOMENTS LATER Maggie holds Sarah Maggie. Jeremy jumps off the love seat and rushes to him. and Doris sit on the couch. Stoops down inside.we saw something in the sky. Doris clutches Jeremy. More candles all around.
wonder and fear. Long. Mac spins around. I’m Laura Nathan. I’m. A TALL. MAC Did anyone call you? MAGGIE No. MAGGIE I don’t believe we’ve met. helping Mac. LAURA He’s right.something’s coming in here. JEREMY D-Dad. A mixture of awe. I’m LAURA I’m a. shoulder-length blond hair. It’s been out all day. Interrupting. it was bright and made the whole room light up! To Maggie. Fiery eyes. MAGNIFICENT-LOOKING ANGELIC BEING. Something’s wrong with the phone. Something’s out there. The room suddenly fills with a brilliant light. Something weird. Guarded. Stammering.. Maggie’s face. Laura looks to Mac. Maggie looks at Laura. JEREMY Mom’s right.. A long tilt up. . He’s told me a lot about you. The other side of the room. MAC It’s not what you think. Sees it full on.85. Maggie fabricates a smile. Then to Maggie. SARAH Daddy.
The being changes shape. Scaly skin like a lizard. Faints.86. glare rage. Doris suffers a seizure. Light emanates from his very being. She covers her head. LAURA Mac. More howling WIND. A long. Sheds its benevolent angel-like appearance into its own TALL GRAY BODY with spindly arms. presses itself against her. WIND fills the room. The children burrow into Maggie. MAC GET AWAY FROM HER! It commences to breed. It hurls her against the wall behind her. Staggering against the force. A voice explodes from the creature. . His hair blows. The creature picks Laura up off the floor. She lands in a heap. LEAVE US! MAC NOW! Black slanted oval eyes His head turns large and elongated. It moves towards her. Hurls it full strength. Straining to breath. do something. tunic-like garment. His eyes turn to hate. Her head bangs against the wall like a rag doll from the gyrations. It vomits something vile at her. Weakly. CREATURE I AM THE ONE NAMED SEMJAZA! ARE YOU TO ADDRESS ME! WHO It extends one of its arms and points a clawlike finger at Laura. Mac grabs a lamp next to the couch. LAURA Mac. SCREAMS from Maggie and Sarah. The creature roars. It’s clawlike fingers tear her clothes. pinning her to the wall.
Others latch onto Jeremy.87. Both children now float unconscious above the floor. Out cold.HOURS LATER . INT. Fights for consciousness. MAGGIE NO!!!! Maggie wrestles with the small gray. At the entrance of the room TEN SMALL GRAY ALIEN BEINGS swarm in. Catapults him with such force his head smashes a hole in the wall. Coming forward. MAIN HOUSE . One small gray grabs Sarah from Maggie’s arms. Walkie-talkies. Uri holds the damp towel on his He opens his eyes again. Toward Maggie and the kids.you hear me? Mac slowly opens his eyes.. Coming toward Mac. hello. A damp towel on FOGGY VOICE MacKenzie. Another commotion. He crumples to the floor. Debris and paper circle in the wind. But different. More come to her. Wildly throwing punches. It slams into its back.LIVING ROOM . . MAC NO!! Before he can hurl it the breeding Semjaza turns and points his finger at Mac. LAURA Mac! Mac picks up a coffee table. Glares at Mac.. Mac’s forehead. MAC Uri? He collapses back into a chair. head.4 AM Voices in the distance. MAC Where’s Maggie? It’s Doris’ living room. It spins around. Maggie? He looks around. Weakly.
They have a medical unit here. MAC What’s all this? URI A military swat team Roswell’s connected to.S. MacKenzie? Mac looks up at a new face. It’s a make-shift military post. Bluntly.) Mr. MAC Where are my kids? He urgently grabs the arms of the chair and lifts himself up. Intruding. Internet. . MAC And Laura? URI Recovering upstairs. Maps. The place is teeming with COMMANDOS IN BLACK JUMPSUITS. Computers. MAC Where’s Maggie? URI With her mother. MAC Taken where? URI They were abducted. Radios. VOICE (O. CAMOUFLAGE FACE PAINT. Eyes searching for truth. Still groggy. Uri firmly pushes him back down. You’ve suffered a major concussion. COLONEL AUSTIN.88. Walkies. They found you next to the wall. URI They were taken. AUSTIN I’m Colonel Austin. Weapons.
Drained. MAGGIE Oh Mac. Tear-stained cheeks. MacKenzie. MAC Maggie. He hurries. Maggie. Then back at Mac. Mac takes a couple of steps towards her. Dried blood on her chin.89. Broken. Lost. No letting go. Huge embrace. She’s bitten through her lip. what are we gonna do? She sobs in Mac’s embrace. Mac struggles to his feet. She starts to tremble. Uri and Austin leave discreetly. caressing her hair. She opens her arms. I’m so sorry. They’re doing everything possible. Maggie enters the room. AUSTIN The same base where General Nathan is being held. MAC WHERE ARE MY KIDS? Austin glances at Uri. MAC They’ve taken the children. Cutting him off. we believe your children have been taken to an underground base in the Nevada desert. Bloodshot eyes. Maggie faces Mac. We’ve been monitoring it constantly. Woozy. AUSTIN We’re doing everything in our power to get your children out of there as soon as possible. Losing it. AUSTIN Mr. Holding her tightly. Mac looks at Uri. They’re all they’ve got. .
Uri nods to the window. he is on our side. I’m sorry. URI He is a good soldier. Nods a bow. this is Uri From Israel.90. they gave her something. Special We are lucky MAGGIE So you got us into all this. MAC Maggie. . URI I will check on Cranston in the kitchen. Nice to meet you. URI (O. BenHassen. He’s told me a lot about you. Frustrated.) Mac. URI No. The entire area is lit up by worklights powered by generators. Forces. Diverting the conflict. Outside. A cluster of men gather around one of the choppers with Austin. is she all right? MAGGIE They think she suffered a mild stroke. Colonel Austin approaches FOUR BLACK BLACK HAWK HELICOPTERS on the front lawn. URI Your mother. Maggie. I am now an archeologist. Disarming.S. MAGGIE On who’s side? And who are you? Jumping in. Mac and Maggie look over. URI She is sleeping? MAGGIE Yes.
MAGGIE So is this. MAC This is important. Mac stops the kiss. MAC I gotta go. They kiss. She watches him go. MacKenzie? There’s an Elisha BenHassen on the webcam asking for you. Smiles. Watches the kiss. A tap on Mac’s shoulder. She blinks back tears of relief. A sigh. ELISHA Shalom. She cuddles back into him. Another BLACK JUMPSUIT. Like for the very first time. Their eyes meet. He follows the commando back to a work station. Believe Mac leans in closer. MAC Cranston’s here? MAGGIE It’s not what you think. BLACK JUMPSUIT Mr. Laura’s on the stairs. A small smile. MAC Me. MAGGIE Thank you. She finishes the kiss. Like crazy. Wipes her face. Mac turns Maggie back into his arms.91. . MacKenzie. He takes off. Looks into her dreamy eyes. Elisha comes up on screen via webcam. me. She raises her lips. MAGGIE I’ve missed you. too. He punches in a password.
MAC I’m trying. Elisha. What do you mean Elisha pounds his desktop.. MAC Wait.92. Finds it. Laura. MAC Shalom. Tried to breed with her. A weary smile. ELISHA Uri tells me you encountered Semjaza. wait.. Listening to Elisha. MAC It hurled Laura against the wall. And when that times comes you must take authority over it! Mac turns around. MAC I forgot I had it. This is not good. ELISHA The next time you encounter him. and the whole room full of commandos are watching. ELISHA Did you command it with the cross? Feeling for his necklace. Colonel Austin. “the next time”? SLAM. Then a pack of small grays came in and took the kids. Uri. wait. ELISHA There will be a next time. Maggie. MAC How? Adamant. I had no time. . Only He can defeat Semjaza. ELISHA By faith in He who is greater than you. Sternly. Back to the screen.
93. MacKenzie! These aliens are demons disguised to deceive us. room. Mac turns around. I want to help you. CRANSTON The leader of the base is in need of a new host. Use the cross. . That’s why Sarah and Jeremy were taken. You must drive them out! MAC How? ELISHA Yeshua A Meshiac is with you now.S. unclean creatures. I’m afraid I’ve gotten in deeper than I bargained for. MAGGIE Oh my God. They are evil. Mac and Maggie exchange a quick look. Passionate. MAC You knew about the sixth floor? CRANSTON And much more.) He’s right. It’s Cranston from the other side of the MAC How do you know? CRANSTON My position on the hospital board made me privy to many things. A COMMANDO interrupts from a work station. MAC Why didn’t they take me? CRANSTON You were wearing that cross. A new body. ELISHA You’re not getting it. He will fight for you! VOICE (O.
94. COMMANDO Colonel, the doors at the end of the tunnel are opening! Colonel Austin crosses quickly to the soldier’s station. flat screen shows a remote feed of the huge doors slowly opening. AUSTIN THIS IS IT! “OPERATION TAKE-DOWN” IS A GO! LET’S MOVE! MOVE OUT! Instant mayhem. Walkies blaring. Choppers wind up. jumpsuits everywhere. Packing. Moving. Mac back to the web feed. ELISHA SHOW THE CROSS. YESHUA IS WITH YOU. BE STRONG IN THE LORD! SHALOM! Elisha’s gone. Mac is pulled away. Black The
Uri grabs THE BLUEPRINTS off a workstation. EXT. FRONT LAWN - DAWN - MOMENTS LATER The choppers churn up wind and leaves. A HIGH-RANKING COMMANDO, WALKER, intercepts Mac, Maggie, Uri and Laura. Over the chopper whine. With force.
WALKER NO WOMEN ON THE MISSION! LAURA MY FATHER’S GENERAL NATHAN. GOT CLEARANCE. To Maggie. WALKER NO CIVILIANS, MA’AM, IT’S TOO DANGEROUS. Indignant. MAGGIE TRY CHILDBIRTH. THAT’S DANGEROUS. MY CHILDREN ARE OVER THERE. I’M GOING. WALKER THAT’S OUR JOB. YOU STAY HERE. I’VE
95. Jabbing a finger in his chest. Taking charge.
MAC LOOK, PAL, THIS IS MY WIFE AND WE’RE GETTING OUR KIDS. SO STAND DOWN AND BACK OFF. They run around him to the chopper. joins them. He shrugs, turns and
EXT. CREEK WALK VINEYARD - ACCESS ROAD - NIGHT - CONTINUOUS Cranston speeds down the long dirt driveway in his BMW. clubs rattle in the back seat. Golf
A spotlight circles his car. He crouches to look out the windshield. The four Black Hawks swoop low over his car and out over the vineyard like a shot. He lets out a sigh. Then another spotlight engulfs the Beamer. But it’s ten times brighter. Cranston tries to look up at it. The golf clubs suddenly slam against the roof of the car. And keep slamming with an loud clanging. A whirlwind kicks up dust from the road. Tumbleweeds and debris swirl around his BMW in the white light. Cranston punches it. Pedal to the metal. The Beamer accelerates. The speedometer reads 100 m.p.h. It lifts off the ground. Cranston looks down at the road as it shrinks beneath him. Bathed in white light. EXT. CALIFORNIA-NEVADA BORDER - EARLY DAWN Four Black Hawks fly in tight formation low over the desert. INT. CHOPPER #1 - CONTINUOUS Colonel Austin rides shotgun with Uri, Laura, Maggie, and Mac and more troops in the back. Maggie sits between Mac’s legs, facing forward, engulfed in his arms. Uri examines an HK-MP5K rifle issued by Austin. He checks the magazine, unloads the clip of ammo, inspects it, pushes it back into place. Lock and load. Lays it across his lap. He notices Mac watching him. He grins and shoots Mac a thumbs up. Delta Force is back. Mac smiles thinly. Returns with a tired thumbs up.
96. Uri opens the blueprints. EXT. CHOPPER #1 - AIRBORNE - SUNRISE - LATER The Black Hawk flies low to the ground. Others follow.
INT. CHOPPER #1 - AIRBORNE - SUNRISE - CONTINUOUS The door slides open. Cold morning air bursts in with the first signs of dawn streaking across the desert sky. Golden light and wind wash over Maggie’s face. in wonder. With trepidation. The chopper sets down. walkies and headsets. All look out
Austin’s voice explodes over the
AUSTIN THIS IS IT! LET’S MOVE OUT! EXT. DESIGNATED LANDING AREA - CONTINUOUS The other choppers touch down. Soldiers spill out like ants, fanning out, crouching defensively. Awaiting orders. Uri and Laura pile out of Chopper #1. Mac and Maggie follow. Colonel Austin pops open the cockpit door. Makes a run for it. Gets to the front line. right. Low and fast. Commando sign language. To the
Forty men and two women run toward a gaping hole in the side of the mountain. Over two hundred feet high in diameter. A monster tunnel. They gather at the mouth of it. WALKIES BLARING MAYDAY! THE DOORS ARE CLOSING! The huge doors rumble together. AUSTIN USE THE THERMITE GRENADES! NOW! White
A half dozen troops run inside the closing doors. smoke pours out. MAC Thermite? AUSTIN They melt metal together. MOVE PEOPLE! LET’S
INT. secure the area. Trotting to keep up.CONTINUOUS Soldiers follow Walker up ahead. Austin and the rest catch up. . We have a He stops. Let’s go. No noise. GIGANTIC TUNNEL . Laura. We’re going in. Colonel. AUSTIN These shoots should take us to Level 11. Feet first. He pulls out the blueprint map.NEAR CAVERN ENTRANCE . Walker signals sign language. Awestruck by the enormity of it all. Uri. Looking back.CONTINUOUS Walker and his men wait at the top of the shoots. Maggie and Mac join the group on the right hand side. SIR. The commandos line up and jump down both shoots single file down the shaft. The rest of the troops move in. Into his walkie. INT. WALKER It’s up ahead. One of them signals. AUSTIN Roger that. INT. ALIEN BASE . parallel TEFLON COATED SLIDES that go down forever.MOMENTS LATER Colonel Austin divides the men into two groups. And vanish. arms crossed. TOP OF THE SHOOTS . The gigantic doors screech to a stop. Secure the area. Okay men. The ants go running MAGGIE Where are we? MAC The back entrance. visual. Up ahead. Four commandos run ahead fifty feet and dive to the ground near the cavern entrance providing coverage. WALKER THE SHOOTS ARE UP HERE. in.97.
THE PLACE IS SECURE. The map illustrates the tiered levels. GIANT SAUCER CAVERN . Covering her mouth. Finger extended. . SIR. GRID COMMANDO NOTHING UP HERE.S. Flag on it’s side. AUSTIN Maj 12 can be reached through the air filtration system or the emergency exit shaft. INT. We’ll enter it here. next to them. We believe the General and kids are here. A commando in the grid above. Looking around at his men. AUSTIN We’re here. Eyes watery. He points to MAJ 12. standing in awe. Sees the U. He stabs the map. Lays it down. MAC But why? A yell from above.98. Walker and the pointmen circle in. MAGGIE Oh my gosh. Austin unfolds A DUPLICATE SET OF BLUEPRINTS from his jacket. A tool cart a few yards away. URI There is no resistance. equally aghast.CONTINUOUS The troops form a semi-circle around the hovering disk. Mac and Maggie come up Maggie gets her first eyeful of the hovering spacecraft. Laura takes Maggie by the arm. Uri and Laura arrive near the saucer. The core is here.
AUSTIN Remember you’re briefing. The group jogs silently. Uri peels off a commando’s night vision. Don’t use force unless absolutely necessary. It’s mayhem.TUNNEL .CONTINUOUS The giant leaps randomly from side to side squashing soldiers at will. Quickly. With precision. WALKER Don’t fire unless fired upon. the rear. Men dive on him. Goes A flamethrower guy tries his luck. AUSTIN LET’S MOVE OUT! INT. WALKER WE’RE CLEAR. INT. Walker jumps onto the tracks. tunnel walls. Walker motions the team with his flashlight along the tunnel walls. He screams in pain. Oval eyes.MOMENTS LATER The entourage files onto the station platform. Walker fires. Everyone else jumps down. Puts it on. Literally pulls him apart.CONTINUOUS Pitch dark. Walker points his flashlight.MIDWAY . Dismembering.99. wails echo down the tunnel. stealth. His gunfire ricochets off the roof and the Walker’s The giant leaps on him. Mac and company near The next station is illuminated five hundred feet ahead. TRAIN STATION PLATFORM . smother the flames. A slow jog into the dark tunnel. A LARGE SILHOUETTE drops from a hole in the tunnel ceiling. TRAIN TUNNEL . Pointy eyeteeth. NIGHT VISION . . Commandos with daggers drawn watch helplessly. But ignites another commando. Three more close behind. It’s THE GIANT. Scanning everywhere. Misses.
MAGGIE What can we do? Reaching into his shirt neck. Crouches down. They fixate on Mac. Yelling above the rattle. He lands in a heap on the ground. Still smoking. He lands twenty feet in front of Mac and company. Looks to Mac. The giant quickly leapfrogs his way down the tunnel toward Mac. is carried over Mac and Maggie. A large burning hole smolders through his head. URI You are strong in the Lord. Mustering faith. Flashlights on him.100. . MAC It’s time to be strong in the Lord. Tears rolling down. His oval Goes to the slain giant. URI Seeing is believing. Sparks and bullets ricochet all over. More outbursts of gunfire. MAC Nephilim. Gunshots from behind him skim over Mac and Maggie’s heads. KA-BOOM! The giant is hit from behind. from Raphaim. BRIGHT AURORA LIGHT PARTICLES suspend him there. Lit by thirty flashlight beams. He’s enormous. MAGGIE Mac. He carries a bazooka. Uri walks up. eyes look side to side. what is it? MAC Nephilim. Some scream in agony from the strays. MAC WE ARE STRONG IN THE LORD! The giant springs from the ground high in the air right at Mac. MAC You’re a good shot. Holding Elisha’s ancient cross out in front.
Scan the station. MAC They knew we were coming. Whispering to Mac. Move down the tunnel. The commandos take aim. URI No one is defending. SERIES OF CORRIDORS . Fix their weapons on another AN ADVANCE MAN finds a hand-scanner panel to open the station door. AUSTIN LET’S MOVE IT. No resistance. Commandos encircle the fallen Goliath. INT. Each time passing through an air-lock passage chamber. MEN! They slowly break up. SIR! Two commandos pull out black Makita’s from their packs and unscrew the emergency elevator shaft panel.CONTINUOUS The troops fly through small room after small room. NEXT TRAIN STATION PLATFORM . prepare for descent to Level 12. Mole. INT. No MPs. Each time readying for combat. Anywhere. A hissing sound. AUSTIN Get it open. It opens. Still no MPs. . POINTMAN #1 CLEAR! They hop onto the platform.CONTINUOUS POINTMAN #2 OVER HERE. INT. sliding panel. URI Bizarre.MOMENTS LATER POINTMEN stick their guns.101. then heads above the platform. lower the ropes. EMERGENCY EXIT SHAFT . He applies his hand.
The inner doors slowly open.102. Fingers flex over their triggers. Uri locks and loads.) HOLD YOUR FIRE. Motions to Laura to fall back. a compact Latino wearing a mountainclimbing harness. AUSTIN Down the hole! POINTMAN (O. Silence but for the elevator whine as it ascends. LAURA Daddy! Hugs him tightly. AUSTIN (O. MEN. Maggie moves closer to Mac for protection.) STAND DOWN! STAND DOWN! ELEVATOR COMING UP! Mole unsnaps. Hops out of the shaft. ONE MINI-COMMANDO. Eyes through cross-hairs. . AUSTIN HOLD YOUR FIRE UNTIL I GIVE THE ORDER! Uri gives Mac a look. climbs into the shaft. MOLE READY FOR DESCENT. It’s General Nathan (Roswell). He slips the rope through a caribeaner with a brake bar attached to his harness. Everyone adjusts their aim.C. The outer doors open with a loud hiss.S. HOLD YOUR FIRE. MOLE. He positions himself. Laura runs to him. Ten more HK-MP5Ks lock and load facing the elevator doors. A lone figure steps out. Ten men kneel with their weapons aimed at the elevator.
ROSWELL But I’ve been sent here to make an offer. sweetheart. AUSTIN We got here as soon as we ROSWELL Good job. He kisses her on the head. ROSWELL Colonel Austin is to move his men from this level and go topside. Maggie squeezes Mac.103. snaps to attention with a salute. Austin arrives. ROSWELL MacKenzie. Mac and Maggie listen intently. All of us are to go with him. Once you’re there. could. Uri shoots a Mac a look. are then to proceed to MAJ 12 alone. Colonel. your children will be released. Finds Mac. Holds it up. but they knew that. They’re well and no harm has come to them. ROSWELL Hello. MacKenzie. The deal is this. But the truth of the matter is this. He looks around at the commandos. I saw your children a short while ago. General. The kids were not a compatible host. ROSWELL It’s an exchange. He pulls a circuitlike key card with coding on it out of his pocket. ROSWELL You. . You for them.
URI Send me. Lucy. we send him down. get the kids in exchange. MAGGIE What are you saying? ROSWELL It’s time to exterminate this evil. yessir. To MacKenzie. MAC I’m the one to host? LAURA You’re the one. did you get the blueprints? Uri holds them up. you need to be destroyed with the base. and commence the core contamination to blow up the base. AUSTIN Sir. It’s your DNA and blood type that’s a genetic match. sir. If you refuse to share your body with Abaris. If you do host him. So does Austin. Abaris wants you. ROSWELL Is the core accessible? AUSTIN We think so. MAGGIE That’s insane. ROSWELL Uri. ROSWELL Then this is how it lays out. ROSWELL The window to destroy the base is now. Looks to Uri.104. I’ll go. . he’ll kill you. If Mac agrees. ROSWELL Their abduction was a trap to get you here.
She looks up. MAC I love you. He gently takes massages Maggie’s shoulders. Maggie buries her face into his side. ROSWELL Only Mac is a compatible host. Mac remains by the elevator door. MAC God has the final word. Looks up to his face. MAC I’ll do it.MOMENTS LATER Daylight reflects off the smooth hangar floor. The doors . Maggie. MAGGIE I’ll never see you again. I’ll go. puts it away. ROSWELL This card will let you access Level 12. slowly close. Maggie at his side. He backs into the elevator. Laura’s. MAC Elisha said we are strong in the Lord. They kiss for the last time. One last hug.105. Uri and Laura behind him. Watery eyes. Handing Mac the elevator key. ELEVATOR . Mac inspects the card. The rest of Austin’s commandos watch as everyone files out of the elevator. Losing it. Roswell comes over. Time to believe it. Majestic.TOPSIDE . Mac’s eyes meet Uri’s. Inserts the card. EXT. All eyes on MacKenzie.
Asian man scurries into the open doors. ASIAN MAN I go with the children. Jeremy close behind. MAJ 12 .106. MAC How do I know they’ll reach the hangar? ASIAN MAN You watch there.LOBBY . elevator. Back to the kids. . Dad. Mac stoops down and gives them hugs and kisses. Mac steps off the It’s the same Sarah and Jeremy stand next to an ASIAN MAN. SARAH DADDY!!!!! MAC PUMPKIN! Sarah runs with glee. MAC “Harvesting”. Looks up with contempt. SARAH Where’s mommy? MAC She’s waiting for you upstairs. janitor from the LAX men’s room entrance.CONTINUOUS The doors hiss open like a snake. INT. ASIAN MAN Abaris wants to assure you they remember nothing of their harvesting. MAC How are my dear ones? JEREMY I’m scared. Approaching.
CONTINUOUS Mac watches the screen. He kisses them both on the lips. Asian man points to a BLACK DOOR behind him. Now is the appointed time. and this nice man will take you up. Mac looks.CONTINUOUS Commotion on the hangar floor. Looks over at the large black panel. you guys. Austin’s men milling about.ELEVATOR LOBBY . No harm.CONTINUOUS Mac approaches. MONITOR SCREEN . Mac gives the thumbs up sign. Reality setting in. MAC I love you very. The kids fire it back. Looks back. Then steps out of the elevator. Mac heads to the bank of monitors. INT. very. very much. He takes a deep breath. Choked up. They’re gone. A video feed of the hangar. He jerks it back. A lone tear. He reaches his hand up. Wipes his mouth. The kids run into Maggie’s Watch and wait. MAJ 12 . ASIAN MAN You go there. INT. The doors slowly closing. Maggie at the bottom of the screen. LARGE BLACK PANEL DOOR . arms. . MAC Hold hands. All are safe. His hand goes through it. Mac gets a visual of the door. No visible means of entrance.107. Knowing this is it. Still kid level. Assuring. Inspects the damage. He points to a bank of recessed monitors across the lobby. INT. Touches its surface. Tousles their hair for the last time. very. A dual bear hug.
Mac walks squarely into the large black face plate. ROSWELL You’re too big. Uri. ROSWELL (O. INT. Commando Mole has stepped forward.) To destroy the base we need to contaminate the power core. He pulls it back out. Takes a breath.) I’ll go. He fits the job. ROSWELL Colonel Austin? AUSTIN It’s his call. And disappears.CONTINUOUS Roswell stands before Uri. Uri looks down the line.108. He reaches in farther this time. ROSWELL You’re odds of escape are one in a million. Blueprints of the base lie on the hangar floor. His arm disappears up to his shoulder. I need someone half your size. The sun is hyper-intensified by a magnifying glass lens and will burn through anything it touches. VOICE (O. ROSWELL The only way we can get into the power core is down the solar shaft. Roswell lifts up a piece of bronze sheet metal. Are you sure? . A line of commando faces listen as Roswell continues. I’ve got a kamikaze mission and I need a volunteer. Laura comforts Maggie and the kids far behind them.S. son. and the rest of the commandos. ROSWELL Let me tell it to you straight. Austin. URI I can go.S. GIANT HANGAR .
Mac enters into a circular room. CORRIDOR . all those bothersome MPs. The light filtering through the floor.CONTINUOUS RASPY VOICE IN THE DARK (O. sir. MacKenzie. It suddenly splits into four quadrants receding into the floor. Mac slowly sits down. CIRCULAR ROOM . INT. and Pthe left and right walls. Mac squints to get a better look. RASPY VOICE IN THE DARK Don’t be shy. RASPY VOICE IN THE DARK MacKenzie.109. I want to see you.CONTINUOUS Mac stands in front of another black door. oh yes. Art MacKenzie. do we? MAC All of this was staged for my benefit? Laughing out loud. the ceiling. . Whispering through his lips. Here. All the personnel. RASPY VOICE IN THE DARK We know everything. ceiling. INT. Mac sees the silhouette of a man sitting at a circular table. Pointing to a chair next to him. Seamless. have a look. well. everything. It’s MacKenzie. I knew you would come. RASPY VOICE IN THE DARK Sit here. MacKenzie. MOLE I like my chances.MAJ 12 . Arthur.) Well. We don’t want anyone hurt now. That’s why I cleared everyone out. and walls somehow fails to illuminate the man. Mac proceeds with caution.S.
North Korean leader Kim Jong-il. I want you to understand what we humans are. table. Kadafi. Baghdad under siege. through windows. Napalm in Vietnam. He stares at the pictures. RFK shot at the Ambassador Hotel. it isn’t a pretty picture is it? There is quiet. . JFK’s head exploding in Dallas. Raspy inhale. Saddam Hussein. A control panel in the shape of a hand. like looking Hitler gesticulates wildly delivering an impassioned speech. Hundreds of dead bodies in a river in Somalia. Molded into the The room explodes with a series of DIFFERENT HOLOGRAPHIC IMAGES. The oil fields ablaze in Kuwait. The man places his hand in it. Chinese student protestors march arm in arm against militia wearing riot gear. Castro. MacKenzie. The killing fields of Cambodia. RASPY VOICE IN THE DARK You see. Hiroshima. Human skeletons stacked in a concentration camp. The Ayatollah. Atomic bombs in Nagasaki. Suicide bombings in Jerusalem. Mussellini.110. The images stop. Mac jumps up from his chair. Vivid moving images. Pearl harbor being bombed by Japanese Zeroes. Yes. The Wailing Wall. Osama Bin Laden. The second jet plowing into the World Trade Center.
111. Mac is silent. RASPY VOICE IN THE DARK All the butchery, the pain, the misery. Mac shifts uncomfortably. RASPY VOICE IN THE DARK All of what you saw will be a thing of the past. There will be peace, security, and a world governed fairly. The aliens will change things. And quite for the better. MAC Why are you telling me this? The man rests his hand again in the indentation on the table. A light begins to illuminate the man’s face, lifting it from the shadows. Humming, not singing. RASPY VOICE IN THE DARK Oh give me a home...where the buffalo roam... Thrown off. MAC I used to sing that song with my... RASPY VOICE IN THE DARK ...your father? His face now illuminates under the light. It is Mac’s father, his dead father, sitting before him. Mac recoils. Leaning in. Too creepy.
RASPY VOICE IN THE DARK I am your father. I am now the one named Abaris. INT. DIMLY LIT CORRIDOR - MOMENTS LATER Mac walks slowly next to Abaris. ABARIS Abaris, after a Greek sage who had the power to heal.
112. You see, it was I who saved the alien who survived the Roswell crash. Mac has trouble looking ahead. ABARIS When his body began to die I allowed him to enter mine. MAC Is he with you now? ABARIS You have been talking to both of us, for now we are one. It has been the most valuable experience of my life. Feeling somehow ripped off. MAC You fake your death so that some alien could share your body over raising your own family? ABARIS Oh you mustn’t be cross. It has been for the good. Yes, and much more. But now my body is beginning to die. That is why I brought you here. Mac strains to process it all. ABARIS You, my son, are the person to carry on. To end the misery on this planet. If you will only allow us to enter. Abaris stops in front of a large panel. into four sections. He gestures for Mac to enter. INT. THEATRE CHAMBER - CONTINUOUS ABARIS The time of the mass revealing is almost at hand. A world of peace, harmony, love, and understanding. The true brotherhood of man realized to its fullest potential. The door splits open
113. The room is suddenly bathed in brilliant white light. A huge heavenly being floats from an entrance off to the side. He is magnificent, powerful, and splendid to behold. HEAVENLY BEING I am the archangel Gabriel. me. The angel hovers above Mac and Abaris. changes his appearance. Trust And gracefully
Ghandi, serene and holy with a white dhoti wrapped around his tiny brown-skinned body. Into Buddha, silent and detached, with a beam of light streaking from the center of his forehead. Into Jesus, hanging on a cross, wrists impaled by bony nails, a crown of thorns jutting into his bloody head. Mac watches breathlessly. The image changes again. A small point of light. Swirling. Into a primordial cloud of spinning galaxies. Into the universe itself. His voice echoes. THE UNIVERSE I AM THE ONE NAMED SEMJAZA! Suddenly it is gone. It has vanished. Complete overload.
Mac stands in total shock. MacKenzie.
ABARIS (O.S.) Mac looks around. His father calls him from an adjacent room. Mac reluctantly follows. INT. SOLAR SHAFT - INTERCUT AN EIGHT FOOT DIAMETER mirrored-paneled SOLAR SHAFT magnifies a concentrated six foot diameter beam of hot desert sun down into the base. A heavily perspiring Mole carefully repels down the shaft, flat against the side to avoid the intense beam. INT. MAJ 12 - THE TIERED ROOM - INTERCUT A large space with a strange reddish glow. of towers with thousands of shelves. Hundreds of rows
Semjaza manifesting in the living room. Moses. From the topmost tier. A glowing hybrid heart beats in a glasslike container. An entire row of glowing hearts beat as one. And the kingdom of heaven will be on earth. ABARIS Krishna. All genetically engineered. On the shelves are countless glasslike containers. The alien in the saucer staring in hate. Jesus.SPEED MONTAGE OF IMAGES Lucy’s gaunt face in the psych ward. To replenish their dying race and evolve ours. MAC The cow’s blood. They are the ones who stimulated the creation of the world’s major religions. Divina with her throat slit.114. Muhammad. ABARIS The aliens are here to enlighten us. And soon their time of dwelling with us will be revealed. Their seed and ours joined together to create a superrace. ABARIS This is the future. The six-fingered skeleton in the ancient sarcophagus. Putting it all together. Hybrid . INT. The rattlesnake on his heel. The small gray with the doctor inspecting the giant’s foot. The mutilated cow carcass. embryos incubate within a thick red liquid. MAC Embryonic Nephilim. MAC’S MIND . Mac keels over with dizziness.
Hundreds of embryos spill across the shiny black floor. but I assure you it is the future of mankind. MAC THEY’RE ALL CROSS- ABARIS WHAT ARE YOU DOING? Pointing at Abaris. The red thick liquid squirms. ABARIS You see. Mac snaps. It scratches the side of the container. FOR HE IS YOUR BROTHER. The embryo reaches out a clawlike finger. ABARIS It’s time to embrace him. Laura slammed like a rag doll against the wall. EMBRACE HIM. OH YES. The jars smash open. Puts his shoulder into it. MY SON. Mac jerks away. Mac fights a gag-reflux. Pushes the entire tower over on its side. The tiny creature twists and presses its hideous face against the glass. MAC IT’S A LIE! YOU’RE A LIE! NOT MY FATHER! YOU’RE . They writhe and gasp. INT.115. It startles Mac. Exploding. The embryo turns in the jar so that its slanted eyes look out at Mac. Seemingly in unison. NEPHILIM! BREEDS. this all might seem strange to you now. my son.CONTINUOUS Mac looks at a glowing hybrid embryo. TIERED ROOM WITH GLASSLIKE CONTAINERS . ABARIS YES. Its twisted face a look of hate. But he’s transfixed. Sarah and Jeremy floating in midair.
He’s drenched in foul fluid. They domino. MAC IN THE NAME OF YESHUA THE MESSIAH I COMMAND YOU TO RETURN TO THE PIT OF HELL! Semjaza takes a deep breath and blows out a black cloud that envelopes Mac. He pushes over another tower. MAC WE ARE STRONG IN THE LORD AND IN HIS MIGHTY POWER! Projectile vomit at Mac. He’s gagging. ABARIS YOU MUST STOP NOW! Brilliant white light floods the room. wings spread wide. Mac grabs for his throat. Looking up. Breaking glass everywhere. MAC I need you. Choking. Then his appearance changes. Elongated head.116. SEMJAZA I AM SEMJAZA. Slanted oval eyes. Semjaza comes closer. A warrior with a flaming sword. It’s time to believe. BRIGHT AURORA LIGHT PARTICLES manifest into a TWENTY-FOOT ANGEL. Outraged. Booming voice. The angelic being fills the space. HOW DARE YOU INTERFERE WITH OUR COLONY? YOU CANNOT DESTROY THE FUTURE OF MANKIND! Mac back-pedals on the smooth shiny floor. . Clawlike hands. He goes down to the floor. Gasping for air. He outstretches his razor-taloned fingers towards Mac. A desperate prayer. More embryos spastically twitch in the shallow thick cow’s blood. Holding up the ancient Jerusalem cross hanging around his neck. Gray scaly skin.
Mac scrambles away from the pit. like small tornados. A large ominous black pit descends as far as he can see. to feet. Semjaza lets out a tortured scream. A lightning bolt hurls at Semjaza’s feet. severing the snakes into pieces. Semjaza takes another deep breath. The deafening noise subsides. The angel aims his sword at the floor. In the cloud. At last all is calm. lash out from the abyss and encircle all of the writhing embryos and glass containers on the shelves. The noise is deafening. The wind sucks down as the pit seals itself off. The warrior angel vanishes. He desperately claws at a load-bearing beam. He gets . A crackling thunder fills the room. Abaris steps back in bewilderment. then his body is torn from the clinging arm. revealing the suffocating Mac. Semjaza shrieks as he is hurled into the pit. No Abaris. It’s The floor rumbles as the abyss slowly closes. the loud rumble of an earthquake. A gaping hole rips across the center of the floor between Mac and Semjaza. the angel swings his sword and cleanly cuts off his arm. His clothes flap violently. A whirling hurricane engulfs the room.117. His face a twisted mask of rage and fear as it tries frantically to move away from the abyss. Mac lies prostrate. It holds against the supernatural force. He scans the room. A larger tentacle comes up and wraps itself around Semjaza. Another sound joins the cacophony of the whirling wind. Suddenly tentacles of wind. Heads for the black door. Mac’s hair blows wildly. They disintegrate as they fall to the ground. The angel’s flaming sword pierces the darkness. Semjaza is now above him. his disjointed arm following him. Before he can exhale. The entire colony is spun into a frenzied helix and drawn into the depths. He lashes his sword at Mac’s neck. The angel swirls his sword in the air. He hooks his clawlike finger on its edge. choking him. three large male rattlesnakes wrap themselves around Mac’s throat.
INT. It rotates revealing a row of oval shaped windows. A HOVERING SAUCER pulses a deep orange glow. And slowly lowers himself again upside down. He folds into an airplane.118. HUGE CAVERN . Three small grays yank him away. Mole drops to the ground and heads to the edge of the plasma lake.INTERCUT TWO NEPHILIM WITH MASSIVE SIX FOOT SWORDS stand guard near a thick stainless steel door. Alarms drone and red lights flash. AN ALARM BLARES. on top of the large prism of refracted sunlight. swords drawn.CONTINUOUS Mole hangs out from the shaft. Abaris looks down from one of the portals. Then dives in. POWER CORE ROOM . Checks the guards again. Unzips a pocket and pulls out the piece of bronze sheet metal. A muted yell for help. POWER CORE ROOM . Sparks erupt as the power core commences a nuclear meltdown. He carefully launches the plane towards the lake of pumping plasma. Light pours down the solar shaft behind them and is reflected through a giant prism onto a lake of yellow inorganic pulsating plasma some twenty feet away. In the portal next to him Cranston bangs on the glass.INTERCUT Mac runs into a huge cavern. Mole’s face peeks out upside down out of the shaft. He turns to watch the Nephilim giants charging hard. As they run toward the shaft. He turns back to the pulsating plasma. INT. MOLE C’mon baby. And finally lands back underneath Mole. Get there. MOLE Crap.CONTINUOUS Mole pulls himself back up. INT. The guards spin around. Under his breath. . The plane circles silently over the energy field. He sees the guards. corrupting the energy field. see Mole and brandish their swords. SOLAR SHAFT . Finds the pulsating lake twenty feet away. INT. And again.
Laura. and some commandos commence to buckle up. Daylight pours through a tunnel at the far end. ELEVATOR . Maggie. KA-BOOM. The saucer whisks towards the tunnel. INT. The giant hangar doors in the background are closing as the fireball pours past them into the daylight. The others follow in . ALIEN BASE TARMAC . The saucer lifts higher and banks toward an opening at the end of the cavern. Mac looks up as the lights flash and go out. INT. ROSWELL Take her up. And is gone. Uri.119. formation. GIANT HANGAR . Sees a small card slot in the panel.CONTINUOUS The elevator doors open and Mac runs out into an empty hangar. sir. the kids. He inserts the circuitlike key card. Austin. Blackness. EXT.CONTINUOUS Roswell. Mac is thrown to the ground. AUSTIN The base is going. The doors open. Mac notices an emergency exit shaft against the wall. ALIEN BASE TARMAC . Into his headset. INT. CHOPPER # 1 . A red panel lights up. Alarms continue to echo.CONTINUOUS Chopper One lifts off the tarmac. EXT.CONTINUOUS The four Black Hawks wind up their sagging blades. Austin gets a visual of the fireball. A fireball blows the elevator doors out into the hangar floor. Reserve power.CONTINUOUS The elevator roars upward. He runs to it.
TAKE HER DOWN! EXT. SIR. Cheers all around. A sprinting Mac reaches up as Chopper One swings over him. ALIEN BASE TARMAC . Sees a lone figure run out a narrow gap in the giant doors. URI HOLD YOUR FIRE! Uri grabs the binoculars off the loaded commando.120. EXT. CHOPPER ONE . INT. ALIEN BASE TARMAC . CHOPPER # 1 . MAGGIE IT’S MAC! EXT. HE’S CLEAN. Lurching at him. URI IT’S MAC. running toward them. Uri extends his hand and grasps Mac below the wrist.CONTINUOUS A charred MacKenzie runs after the choppers.CONTINUOUS A COMMANDO jumps into the open chopper door. CHOPPER # 1 . aiming his assault weapon. INT. They all . Finds Mac Chopper One Through the binoculars: a close up of Mac’s cross bouncing around his neck as he runs. They lock. HE’S HOSTING. and Uri pulls him off the ground into the already ascending Black Hawk. land in a heap. circles back toward Mac.CONTINUOUS Maggie stares out the open chopper door back at the hangar.CONTINUOUS Another explosion shoots a giant plume of fire through the hangar ceiling. LOADED COMMANDO HE’S CONTAMINATED.CONTINUOUS Commandos pull Uri and Mac back into the chopper.
In the oval window next to him. SARAH DADDY! Winded.SUNSET TITLE: OFF THE COAST OF PERU It pulsates with a Tears of joy stream her Promise A flying saucer arrives from hyper-space. (TO BE CONTINUED. PACIFIC OCEAN . deep orange glow. me you won’t. face. MAC I promise. Abaris looks out the oval window. MAGGIE Don’t ever leave me. Hovers over the water. Dives into the ocean. The saucer angles steeply. FADE OUT.. And is gone.) . FADE TO BLACK.. His bloodshot eyes wide with fear. EXT.121. Cranston is gagged with duct tape. Mac. MAC Hello pumpkin! Maggie picks him up into a bear hug.
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