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THE TRUTH IS HERE
Screenplay by D. David Morin
Based on the novel NEPHILIM by L.A. Marzulli
(Part One of a Trilogy)
Lunchbox Entertainment V (310) 200-5252 firstname.lastname@example.org
WGA: # 931080
The Nephilim were on the earth in those days --and also afterward -when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown. Genesis 6:4
FADE IN: TITLE: 1947 BRAZIL RANCH - ROSWELL, NEW MEXICO
EXT: BRAZIL RANCH
- LATE EVENING
A full moon tries to penetrate an eerie high desert fog. Flashlights pierce the darkness. PRIVATE NATHAN (O.S.) CAPTAIN MACKENZIE, OVER HERE SIR! CAPTAIN MATT MACKENZIE, thirties, in uniform, runs through the mist to the voice up ahead. His flashlight scans the ground. Shiny metallic foil-like pieces lay everywhere. MATT Will ya look at all this debris! His flashlight shines on one. closer look. He bends a corner. He stops. Picks it up for a No crease.
It pops back.
MATT What the... PRIVATE NATHAN (O.S.) OVER HERE, SIR, HURRY! He looks up, then back at the piece. EXT. CRASH SITE - CONTINUOUS The remains of a flying saucer cradle against a berm. Winded. MATT Whaddaya got? PRIVATE NATHAN Right there, sir. Matt shines his flashlight on something. An injured SMALL GRAY ALIEN with an elongated head and slanted oval eyes. He moves his oversized head slowly from side to side. A spindly arm raises a hand with SIX FINGERS. eyes from the light. His lids weigh heavy. MATT Shine your flashlight on me. him focus on something. Let He shields his Stuffs it in a pocket.
PRIVATE NATHAN But.BATHROOM . Major.CONTINUOUS Ugly shag rug. ART MACKENZIE. MAC I’m coming.) Captain. Messy coffee table. A winded MAJOR arrives on the scene. Tilts his head.) Doesn’t look too good.S. He picks him up and cradles him. RING. APARTMENT . Sir. The alien responds to Matt.S. I think he’s a goner. find anything? Slightly altered voice. is gone. His eyes lock in with Matt. pulls the curtain open. INT. PRIVATE NATHAN (O.. MATT Nothing.PRESENT DAY . PRIVATE NATHAN (O. Both Matt and the alien have faces lit. And . what are you doing. A telepathic connection.2. PRIVATE NATHAN Nothing. Matt is drawn to the alien. fifty-something. Steam rises over a tired shower curtain. Worn curtains. INT.MORNING A PHONE RINGS.. grabs a towel. sir? The alien burrows his body right through Matt’s chest. MAC’S APARTMENT . The new Matt stares him down. sir. MAJOR MacKenzie.
INT. WESTWOOD MEDICAL CENTER .. MAC Shoot. Mac goes to his desk. Hits the speaker MAC CRANSTON You got the assignment? MAC Yeah. old school preppy newspaper guy. MAC Crap. ARTIE JR.) HEY! Turning around. VOICE (O. That new wing cost millions. phone. Email it tonight. yeah. sixties. Sees an old picture of his ex and three children in a crusty frame. SARAH. Dripping everywhere. You’re up. right? CRANSTON I’m on the Board.3.MORNING Mac pulls up the emergency brake on his banged-up Jeep. No loonies or fanatics. Mac punches off speaker mode. MAC You got it. CRANSTON’S OFFICE . JEREMY. Sprinkles it in a fishbowl with Lifts a watch on the desk. EXT. MAC Yeah Runs to the . Sets the watch down.C. Checks his watch. hospital. Hello.THE TIMES .INTERCUT JIM CRANSTON. He jumps out the Jeep with his note pad in hand. He picks up some fish food. the hospital. TWO GOLDFISH. MAGGIE.
administrator. Tall windows on the left. MAC Thanks. The new wing. HARRY With The Times. HARRY You dropped something. MAC Can we visit the sixth floor? Caught off guard. A protection against SARS. HARRY. picks up THE TIMES photo credential with Mac’s picture on it from the pavement. White floors.4. A BLACK SECURITY GUARD. More Pepperdine than Harvard. Harry reads it. . She and Mac walk down a long hall. INT.MORNING Fourth floor. EVELYN KENNEDY. Blunt cut. WESTWOOD MEDICAL CENTER . Lots of glass. why the military? MAC Military? HARRY Sixth floor. Even the air conditioning has full filtration. HARRY If it’s just a hospital. Late twenties. huh? MAC Yeah. Calling out. EVELYN Every floor has the latest equipment. Handing it over. Mac runs off. By rote. Mac arrives.
Mac looks over. MAC I’ll pay you. Muy peligrosa. Mr. She’s gone. Curt. A tiny cross on her necklace. DIVINA I pray for them. is squeezing her mop out into a bucket. A cleaning woman. MAC Maybe the sixth floor is a special feature. Good-day. Smelling a story.5. MAC Pray for who? DIVINA The screamers.) You ask me. Shrugs. Her high heels echo down the corridor. . FEMALE CARIBBEAN ACCENT (O. name tag DIVINA. EVELYN It doesn’t concern you. Cranston said your story was on the overall construction cost and the special features of this wing. MAC A prison? Si. MacKenzie.S. MAC Can you show me these “screamers”? DIVINA Too dangerous. it’s a prison. EVELYN Mr. MAC Why? She stops walking. EVELYN The sixth floor is off limits. Turns the corner.
Where’s that accent from? Head up.6.MOMENTS LATER DIVINA Put this on. Pray God is with us. DIVINA I could lose my job for this. DIVINA I am from Costa Rica. MAC I don’t kiss and tell. Bites her bottom lip. They are . MAC You don’t need God when you’re doing the right thing. Flippant. Getting dressed. WESTWOOD MEDICAL CENTER . Scans the lobby. not loco. ELEVATOR . INT. Meet me here before ten. MAC My story could help them. A moment. With pride. EXT. DIVINA The Lord is telling me no. Looks down the hall again.10PM . DIVINA You must believe them. She hands Mac a maintenance uniform and hat. DIVINA I have two shifts. A skeptical sigh. Anxious.THAT NIGHT Mac heads through the double doors. Fidgets with her cross on the chain.
INT.7. Pushes her cart to the next room. DIVINA You have when the bathroom is clean. Nervous twitch at the corner of her mouth. Walks slowly Tape recorder on. is lit with dull. Dark rings around her eyes. She glances at a camera in the corner. . Convulsive stammer. Disheveled hair. Looks at Mac.CONTINUOUS LUCY turns. Gazes out at LUCY stands listlessly by the barred windows. She grabs her hospital smock with both hands. Elevator doors open. huh? Divina unlocks the door. Key in the door. He lowers his cap. Mac reaches into his shirt pocket. MAC Yeah. Mac looks through the wire-mesh window. towards him. right. Mac glances at it. amber lighting. LUCY’S ROOM . The entire corridor Divina points to a camera attached to the ceiling. Chewed fingernails. MAC What’s wrong with her? DIVINA Same as the others. MAC One of those.MOMENTS LATER The sixth floor. Opens it. INT. SIXTH FLOOR CORRIDOR . She was abducted by the aliens. DIVINA Keep your hat low. the city.
MAC Tell me what happened. LUCY They come at night.8. MAC Who’s horrible? A tear. Recorder off. something sesexual. LUCY Can you h-help me? I’ll try. withdrawing within. Her voice dwindles. and I can’t stop them. Takes a step closer. Reaches into his pocket. LUCY Ou-outer space. LUCY Then I’m on a table and they do something to me. MAC Where are they from? Whispers. Voice trails off. My husband’s asleep. Sobbing. . They come to my room and take me. LUCY They took my baby. and I cry out to him but he doesn’t hear. Words come faster. She starts to tremble. They’re horrible. MAC Who took you? LUCY They’re not from here. LUCY I struggle but I can’t m-move. Mac rolls his eyes. and they carry me out of the h-house.
look. MP #1 You got ID? Sidearms on their hip. Haunted. LUCY Help me! Her bloodshot eyes look insane. INT.. A hand in Mac’s chest.9. She’s another whacko. Eyes wide. Eyes unblinking.. LUCY The Pl-pleiades. . DIVINA Ahora! Lucy grabs his hand.CONTINUOUS Walking down the hallway. DIVINA I pray your story will save her.. Whispering. LUCY Then they have my baby and show it to me. there is no story. LUCY Then I’m on the bathroom floor and it’s night and I’m bleeding and my baby. MAC You got all the help you need right here.my baby’s g-gone! She stares through Mac. He flinches.and it’s not hu-human. MAC Divina. A hand grabs Mac’s arm. Just a little freakier than most. We go. Two MP’s head down the hall.. CORRIDOR . Then they trick your memory so you think everything is normal.
He reads an open newspaper on the table. MAC Who is this? . Mac looks at them blindly. The third photo: Divina lies on the floor of a janitor closet in a pool of blood. DIVINA He is with me. And a plane Grabs an old cordless. No one. MAC’S APARTMENT . Mac recoils. INT. He opens the envelope. Latin charm. Into the phone.O. Mac heads for it. He is training. MAC What? CALLER (V. Jumping in.10. Mac looks at the front door. ticket. The second photo: Mac talking to Lucy. MAC Who is this? CALLER (V. The first photo: Pulls out some photos. CALLER (V.LATE MORNING Mac’s on his couch in a pair of boxers. He plops two Alka-Seltzer in a glass of water on the coffee table. Looks. Fizzzzzzzzzzz. He drinks down the bubbles. Bed head. RING. MAC Yeah. A manila envelope slides under it. Mac and Divina in the elevator.) They found you.O.O.) You visited the sixth floor.) There’s a packet under your door. Her throat slit open. Opens the door.
FARMHOUSE KICTHEN . He pulls something out. back in the floor.O. Mac looks at the phone. 6. . It pops back.CONTINUOUS Mac enters the bedroom. On his cell. clears dirty dishes off a counter. 8. He lifts a square of the hardwood floor and exposes a little chamber.CROWDED AIRPORT BAR . He puts it INT. Dial tone. back in the sack. CALLER (V. washes pots at the kitchen sink.) You’re phone could be tapped. SARAH And that’s how David killed the giant Goliath. Jeremy. LAX .) You have something they want but you’re not to give it to them. MAC I don’t know what you’re talking about. Mac sits at a barstool.DUSK. CALLER (V. INT. plays with a GameBoy. MAC WHO IS THIS? CALLER (V. talks on an old-school phone hanging on the wall.O. Tosses it. DORIS. You’re not safe here. Finishing up.INTERCUT International terminal.SUNSET MAGGIE. Don’t miss that flight. Their son. a natural beauty. Wrinkles it. CREEK WALK VINEYARD . Daughter Sarah. MAC’S BEDROOM . The UFO debris piece his father found.O.11. Opens the plane ticket: TEL AVIV. Holds a drink. INT.) The plane ticket is for tonight. The concourse buzzes with foreign travellers. Mac’s ex. He stares at it. sharply pulls the bed away and peels back the old shag. He reaches in and takes out an old potato sack. Looks at Divina dead in her own blood. Maggie’s mom.
MAC Like you honestly care. MAC The Bible is a storybook. Tan legs. Pumpkin. MAGGIE You haven’t seen the kids for six weeks. What’s come up? MAC I have to go to Israel. it isn’t true.DEN . MAGGIE’S FARMHOUSE . MAGGIE I care that you’re lying to them. Lemme talk to your mother. Something’s come up. the phone. Maggie wipes her hands on her cutoffs. Comes to . maybe you’ll meet another flight attendant. MAC It’s just a story. there’s no such things as giants. MAC I can’t make it this weekend.CONTINUOUS . MAGGIE Well. Kitchen adjacent. SARAH But Gramma says its true. Yelling out.INTERCUT Cranston looks at a computer. It’s make believe. MAC Can’t we ever get past that? INT. SARAH MOM! As she drops the phone.12. MAC I love you. sweetheart.
MAC For eighteen holes? MAGGIE Very funny. Mac. I want to make it right. MAGGIE Then make your alimony and child support. Don’t act jealous. Don’t get killed. M. CRANSTON MAGGIE. It was wrong. when Artie died I lost it. THE BARTENDER throws down a coaster. Mac. He checks in on me. MAC Is that Cranston? MAGGIE What if it was? MAC My boss is cutting my own grass? MAGGIE You didn’t want your own grass. MAC Look. To Mac. A PINKIE RING fits snugly on the fat little finger of each hand. . Gulps his drink. cell into his coat. Slips the SIX A- AN IMPECCABLY DRESSED FAT MAN takes the stool next to Mac. WE GOT OUR TEE TIME. I cheated on you. Goodbye. Slicked-over hair covers a bald spot. you’re were never good at it. Dial tone. Beads of sweat. PINKIE RINGS Gimme a Heineken.13. Mac squeezes the mobile off. MAC Are you dating him? MAGGIE He’s sweet.
straight up into the air. At a Boy Scout camp. MAC Check. PINKIE RINGS All of a sudden this thing takes off. Pointing toward the television tucked up near the ceiling. Kills his drink. Points at Mac’s glass. PINKIE RINGS We ran back to camp and told everyone what we’d seen. just great. please. . Without a sound. MAC Israel. Turning to Mac. PINKIE RINGS Blow ‘em all to kingdom come. Either way’s all right with me. Not a cloud in the sky then off to my right is this silver disk. BARTENDER You good? MAC Yeah. PINKIE RINGS Hey. The bartender plops down his beer. PINKIE RINGS Where you headed? Stewing over the phone call. PINKIE RINGS I saw one once.14. Mac pulls out his wallet. it’s War of the Worlds! TV: AN ALIEN SHIP FIRES A DEATH RAY AT FLEEING CIVILIANS. MAC One what? PINKIE RINGS A UFO. Home of the suicide bombers. Just hovering.
Too . He sees Mac approaching. Could be a wig. She takes Mac by the arm and hurries him out of the men’s room.15. MacKenzie. She removes her dark sunglasses. backhand judo chop sends him to the ground out cold. Carefully painted red lips. throws down a twenty. High cheekbones. An ASIAN MAINTENANCE MAN mops behind it. MEN’S ROOM . Choking. and we’re going to get it whether you’re here or not. green. Six hours later everybody but me denied we’d seen anything. Mac enters. MAC There’s chat rooms for guys like you. PINKIE RINGS WHERE IS IT? THWAP! The toe of a shoe kicks Pinkie Rings in the head. and leaves. Could be contacts. Bows and moves the cone. PINKIE RINGS You’ve got we want. He slams Mac against himself. Mac gets up. MEN’S ROOM . Turns around. Intense GREEN EYES. Platinum bobbed hair. GREEN EYES We haven’t much time.CONTINUOUS An orange safety cone blocks the entrance.CONTINUOUS Mac stands at an empty row of urinals relieving himself. A A TALL FEMALE. Thirties. Mac grabs his briefcase. Mac zips up his fly. James Bond sexy. MAC I don’t know what you’re talking about. EXT. A chubby hand with a pinkie ring covers his eyes and presses a box-cutter razor against his throat. INT.
his wind knocked out.CONTINUOUS She races Mac through the crowd to his gate. Keep to yourself on the flight. . FOREIGN FEMALE VOICE Final call for El Al Flight Number 783 for Tel Aviv now boarding at Gate 68. Mac watches her vanish in the mob. MAC As in New Mexico? Who is he? GREEN EYES He’s on the inside.CONTINUOUS They rush out of the bathroom. Mac looks back. MAC Who are you? GREEN EYES I’m here to make sure you make your flight.CONTINUOUS She takes him to the boarding agent. INT. It’s not safe for you to be here. Sees the maintenance man crouched against the wall. They want it back. GREEN EYES Someone will meet you in Tel Aviv.16. INT. GATE 68 . MEN’S ROOM . Piped in over the airport commotion. Overhead. MAC Who called me? GREEN EYES His alias is Roswell. CONCOURSE . MAC Who was that guy? GREEN EYES Your father left you something when he died. EXT. She turns and goes.
S. Uri takes I am BenHassen. Armed soldiers everywhere. “MAKKENZIE”.AFTERNOON A dusty Hummer H2 speeds along a remote two-lane highway. DUSTY HUMMER H2 .) Your ticket and passport. SMOKE. Slight accent. bounce in the back. MAC Where are we going? URI The Valley of Raphaim. running for cover. Mac shakes it.ISRAEL COUNTRYSIDE . HIGHWAY . BENHASSEN. artifacts . He rolls his eyes. INT. Identifying himself. Uri takes evasive action. URI Welcome to Israel. MAC I’m MacKenzie. smiles. EXT. TEL AVIV AIRPORT . SCREAMS. The crowd scatters. KABOOM! A suicide bomber. FEMALE FLIGHT AGENT (O. Mac pulls out his passport and ticket. A crude cardboard sign held above the masses. EXT.MIDDAY A haggard Mac pulls his suitcase into the bright sunshine. Massive crowd. MAC Who? URI Call me Uri. Uzi’s run in all directions.INT’L TERMINAL .17. URI She A rugged-looking Israeli man holds it. his bag. Tools. Grabbing Mac’s arm. Hands it to her. She’s gorgeous.CONTINUOUS The back is crammed with food and supplies. Uzi’s. Mac spies it. He extends a thick calloused hand. please.
Bouncing around violently. Same accent as Uri. MAC I guess we’re safe. Uri’s grandfather. . Finds ELISHA Good. making sure you are safe. MAC I assume you’re on the good side? ELISHA Yes. On screen. The H2 hits a large bump in the road. uncovered something. The screen divides into three vertical panels. ELISHA BENHASSEN. Uri screen left. See you on arrival. Center dashboard. I am Doctor Elisha BenHassen. GPS screen. Elisha. Just checking in. Time for my nap. yes. gentlemen. Welcome to Israel. MacKenzie. thank you. Shalom. ELISHA Shalom. MAC Raphaim? URI The Valley of Death. a small webcam reset above the screen. center panel. get there? We have Believing is How long to URI Everything here is three hours. late seventies. URI Shalom. seeing? MAC Seeing is believing.18. We are clear. Mac looks around to see where his feed is coming from. and Mac is screen right. Everything flies. I’m quite good.
INT. More dust. EXT.CONTINUOUS Pointing. DIRTY H2 . Beneath them lies the ancient temple ruins of a pagan fertility god. The ground starting collapsing the day we found the tomb. Taking it all in. EXT. At the heart of the pit is a small room with workers surrounding a large sarcophagus. DIG SITE . MAC What’s that? URI A sinkhole. Workers with shoulder-sling canteens and hand shovels wave at Uri as they drive by.MOMENTS LATER Uri stops at the top of the large open pit. Yellow caution tape outlines a large twenty-foot circle off to the right.MOMENTS LATER Uri walks Mac to the massive open pit. Like quicksand. Mac stops alongside. Mac gets a visual. A semi-circle of phallic monoliths surround an altar.19. VALLEY OF RAPHAIM . URI The excavation is over there. Chickens and a few goats scurry out of the way.AFTERNOON Dirt and dust. generators. Tents. . MAC Did the excavation cause it? No. The H2 weaves its way through the camp. and port-o-potties litter the area. An ATV with two people on it drive past them. Exposed catacombs stretch out below them. URI It’s bizarre. EXT. EXCAVATION PIT . Worklights stand strategically.A DIG SITE .
He extends a twisted arthritic hand. six toes on each hand and foot. There’s an ANCIENT URI This is Art MacKenzie.S. URI This is my grandfather. Rephaim. A GIANT SKELETON. DR. MAC What is it? Nephilim. Grasps his hand. INT. ELISHA BENHASSEN. ELISHA Shalom. STONE SARCOPHAGUS. Tall walls. MAC My God. OLD VOICE (O. White beard. Stepping next to Mac. Stoop shoulders.) Anakim. MAC Holy cow. The workers step back as Uri enters with Mac. Mac migrates over. Six fingers. Completely intact. MacKenzie. White hair creeps over and out of his ears.20. the American. Stained khaki pants. A faded cotton shirt hangs loosely around his thin body. EXPOSED SMALL ROOM . URI Go look. In the center. Dr. Stupefied.MOMENTS LATER A small inner room. a large. heavy. Peers into it. Welcome. Enormous size. The heavy lid lays next to it on a thick block of rocks. CROSS tied loosely around his neck. URI Here. A wizened elderly man. They turn. Wire-rim trifocals. it’s a giant. . Elisha BenHassen. Mac steps forward. Over twelve feet in length.
All different words uttered by my ancestors thousands of years ago to describe the same creature.21. Anakim.’ MAC “Nephilim”? Elisha turns to Genesis. Uri pulls up a wooden crate. The old man gingerly sits down. ELISHA ‘We saw Nephilim there. We seemed like grasshoppers in our own eyes. Tender accent. He motions for it. Rephaim.and also afterwardwhen the sons of God went into the daughters of men and had children by them. and we looked the same to them. MAC You’re kidding. ELISHA Nephilim. Mac jumps. right? ELISHA When my people first entered the Promised Land they reported giants living there. . An OLD BIBLE on the heavy lid.” A FEMALE WORKER blasts an air-horn from the top of the pit. MAC What is it? ELISHA Have you ever heard of David and Goliath? MAC Of course. Crooked fingers trace the letters etched in the stone lid. ELISHA Meet Goliath’s bloodline. ELISHA “The Nephilim were on the earth in those days .
ELISHA Let us eat. FEMALE WORKER FOOD IS READY! Come. resulting in unholy union between themselves and earthly women. Mac can’t resist touching the giant bony foot. . Not tracking. The human race became essentially non-human. the fallen angels had altered human DNA. EXT.MOMENTS LATER Elisha. The result. and sandwiches. ELISHA The fallen angels. He takes it. Mac and Uri sit around a folding table with grapes. Elisha offers Mac a sandwich. Points. Nephilim. Mac notices a toe missing on the skeleton’s left foot. Uri. one of his leaders. MAC Who were the “sons of God”? Leaning back. MAC The toe? URI DNA testing.DUSK . cheeses. By corrupting the human offspring. MAC Fallen angels? ELISHA They came to earth and resided here. CAMPSITE . A lab in Jerusalem. They all head out. Stops MAC Lucifer and his disgruntled lot? ELISHA Semjaza.22.
ELISHA But God saved those who had not been corrupted. the original gene pool of mankind was polluted beyond recognition. Lucy? . URI That is your theory. ELISHA Now present day. Cleans his glasses on his gauzy-soft shirt. Uri reaches for more grapes. and have come only to renew themselves with fresh genetic material? ELISHA Certainly plausible. It says Noah was perfect in all his generations. What if they are from a dying race. Not convinced. These aliens are again offering technology and are abducting women for intercourse.23. MAC What does that have to with me? ELISHA That woman you talked to at the hospital. a distant planet. Noah? MAC As in Noah’s Ark? ELISHA Precisely. Perplexed. if it’s true. ELISHA It is harsh! And definitely true. MAC A bit harsh. MAC How so? ELISHA He had little choice! With Semjaza’s demonic fornicators. The rest of the imperfect inhabitants he destroyed with The Great Flood.
stands up and offers his chair to Elisha. MAC You’re saying that these supposed aliens are actually demons? ELISHA Yes. MAC How do you know? ELISHA These aliens are the fallen angels.24. God’s spiraling signature of human creation. COMMUNICATIONS TENT .DR. stands nearby next to a lightbox.. Technicians task away. A WORKER runs up to the table. Jared stands Let . URI The DNA results from the giant.Nephilim. DR. us go. FINEBERG’S LAB . COMPUTER SCREEN . His senior assistant.MOMENTS LATER JARED. DNA. On a work table a 17” Powerbook with a webcam attached. Elisha sits as Mac and Uri stand close behind. Sophisticated equipment everywhere. by. MOISHE. part of an elaborate deception.. MAC What about her? ELISHA She’s telling the truth. WORKER Jared has Dr. Once again they are impregnating our women and creating a superrace of hybrids. ELISHA Ahhhh. a young techie.WEBFEED Computers line the walls atop benches and tables. INT. FINEBERG stands by a bench. Trying to connect some far-fetched dots. Fineberg online.
ELISHA Shalom. but I am afraid Moishe’s English is better. FINEBERG Simply put. DR. Rapid gunfire strafes the place.25. MAC What’s so different? DR. FINEBERG It doesn’t match up with any of the four known nucleotides. Intrigued. FINEBERG The control sample. my DNA. Difficult accent. DR. FOUR MASKED GUNMEN dressed in black rush the lab. DR. MOISHE The tests show that it is not entirely human. It is something we have never seen before. . But the sarcophagus sample did not. Fineberg. We’ve never seen anything like it. sequenced. In the background. There is a foreign nucleotide which creates an exotic pair. Dr. BenHassen. DR. Jumping back in. FINEBERG It is fragmented. FINEBERG Shalom. MOISHE We ran it three times with a sequencing gel. MOISHE The skeleton DNA is not complete. MOISHE Nothing on this planet has a fifth nucleotide. this is a different life-form. Moishe slips a large piece of film over the lightbox. We have the DNA results.
MAC And? ELISHA The results were the same as Fineberg’s.26. JARED Doctor.LATER Elisha sleeps in an armchair in a corner of the large tent. Evacuate.ELISHA’S TENT . URI MACKENZIE. KA-BOOM! Elisha’s laptop screen goes blank. Waving. ELISHA We go. Technicians mowed down. WITH ME. Fineberg and Moishe killed. Uri races out of the tent. CAMPSITE . Jared jumps to another work The ELISHA We are uncovering the truth. Uri pulls up the H2 a short distance away. station. Very good.NIGHT . GET ROSWELL. Jared nudges him. gunmen place charges. ELISHA Jahweh be with us. Elisha shakes off his nap. EXT. enemy is not happy. A fifth nucleotide. TELL HIM WHAT YOU SAW. URI I’M GOING TO THE LAB. MAC What do you mean? Our ELISHA Roswell did secret DNA testing on amniotic fluid from Lucy. . JARED. General Roswell is on the webcam.
CONTINUOUS He sees a TWELVE-FOOT GIANT. Does MacKenzie have the piece? ELISHA We haven’t gotten that far. Roswell is speaking but there is no audio. still earning his trust. Things are heating up. Heads towards the port-o-pottie for a middle of the night pee. RIPPED. The twenty-foot sinkhole is now a twenty-foot bottomless pit. INT. Sorry about Fineberg. EXT.NIGHT . Heads for the site. God is sovereign even over the internet.27. WORK STATION TENT . JARED Should I try him again. sir? ELISHA No. Looks down at the inner room. He hears something.CONTINUOUS Elisha arrives at the rim. INNER ROOM . Digital delay. Elisha leaves his tent with his lantern. Then video is gone. SINKHOLE . Holds his lantern out for a better look. LARGE ALMOND EYES.LATER The camp is asleep. . Webcam feed. At the outhouse door he notices the sinkhole. EXT. Elisha. EXCAVATION SITE . ROSWELL Shalom. CAMPSITE . We are Interference overtakes the image. INT. Roswell. POINTY EYETEETH. Something He reaches into the sarcophagus and picks up the skeleton. EXT. different.MOMENTS LATER Computer screen.CONTINUOUS Elisha stops at the yellow tape. ELISHA Shalom.
The giant bounds up the ramp. Sees Elisha at the rim. BRIGHT AURORA LIGHT PARTICLES flash around him. MAC You really saw a giant? ELISHA As real as you. URI The skeleton is gone. URI And our skeleton is gone. They stare at their tea. ELISHA IN THE NAME OF JEHOVAH EMMANUEL. He turns. MAC That’s just too fantastic. ELISHA’S TENT . The sinkhole closes back into quicksand. ELISHA STOP IN THE NAME OF YESHUA! The giant freezes. I COMMAND YOU TO LEAVE. the Nephilim are back. INT.28. He’s gone.MUCH LATER A lantern sits on a folding picnic table. Leaps twenty feet over Elisha and into the sinkhole. ELISHA Holy God. EXCAVATION SITE RIM . The giant squats. Elisha holds up the ancient Jerusalem cross from around his neck.NIGHT . Superhuman speed. Lifts the skeleton over high over his head. Mac and Uri face . An old pot of tea sits center. Is about to throw it at him.CONTINUOUS The giant faces off with Elisha. Elisha. our DNA is annihilated. All our proof has disappeared. Slamming the table. EXT.
too. MAC No. Did he leave a piece of the debris with you? Mac looks at Uri. God has brought MacKenzie here for a reason. Mac looks up. Looks back. MAC Probably got him murdered. ELISHA What did he write you? MAC About handling sections of the saucer. wrote a letter saying as much. or whatever it was. ELISHA Not all our proof. MAC What alien base? . He MAC Is that what this is all about? ELISHA Do you still have it? MAC What does it matter? ELISHA Roswell believes that piece has information encoded in it that’s linked to the alien base.29. ELISHA Yes. ELISHA Did he talk about an alien? Mac looks at Uri. yes? Unsure what’s next. MAC How so? ELISHA Your father saw the UFO in New Mexico.
S.30. ELISHA A Jew that receives Yeshua as the Messiah of Israel. ELISHA Do you have the piece? Mac notices a faded number tattooed on Elisha’s wrist. We need to get that piece before they do. MAC Yeshua A Meshiac? ELISHA Yeshua the Messiah. We believe there is a harvest colony there of cross-breeds. 5-6-0Closer to the . lantern. MAC I thought you were a Jew. 2-4-2 MAC What’s that? ELISHA The Holocaust. MAC I see. Military is working with aliens? ELISHA They have been since 1947. ELISHA Your military has a base in Nevada. MAC You survived? ELISHA Yeshua A Meshiac was with me. MAC The U. The aging Elisha leans onto the table. It’s our only chance of destroying the base. As a boy I was interned at Bergen Belsen. Mac looks at Uri for verification. A Messianic Jew.
There are spiritual principalities. Now you must choose. Uri will diagnose it. Mac shifts uncomfortably. . and Yeshua is his son whether you believe it or not. Drawing in. Goodnight. Mac stops. Confiding for the first time with anyone. Looks back at Elisha. Uri and Mac head out of the tent. MAC Who exactly are you? ELISHA I have chosen God’s side. ELISHA Where is it now? Some hesitation. MacKenzie. URI I’m going back with you. But now I am tired. You cannot serve two masters. Standing feebly. MAC When? URI Daybreak. MAC Yes. Do you still have the piece? A breath. ELISHA There is a God. MacKenzie.31. I do. ELISHA There is important data stored on the piece. ELISHA I am strong in the Lord. MAC Hidden under a floor board in my apartment. Yes.
MAC For what purpose? ELISHA He will show you in time. . MAC Why? ELISHA To accomplish His purpose. He finishes and slowly takes his arthritic hands off his head. Shaking his head. that He was sending you. God will Points at his watch. Uri honks the horn of the H2. ELISHA A month ago I had a dream. BenHassen. must pray as well. EXT. ELISHA He delights in using the weakest of us to carry out his will. MacKenzie. MAC I’ll try. I saw you were coming here. MAC I’m no saint. For the first time I am sorry God promised to never send another flood. Tears well up in the corners of his eyes. be with you. He embraces Mac. He sings a prayer in Hebrew over Mac.DAWN Elisha wears a worn prayer shawl and a faded yarmulke.32. CAMPSITE . you really saw a modern day Nephilim? ELISHA Yes. Wistful smile. MAC Dr. You ELISHA I will pray for your safety.
Puts it over Mac’s head. ELISHA God has the final word. Mayhem. EXT.DUSK Signs of trouble. INT. The crusty picture frame is missing. Shalom.33. Wheels puffing out Sawed out dead bolt. EXT. MAC It’s gone. MacKenzie. Both men freeze. Heads to the bedroom. believe. You must Nods slowly. The goldfish bowl lies shattered on the desk.FRONT DOOR . RING. MAC It’s in here. Mac jumps through the mess.CONTINUOUS Clothes strewn everywhere. revealing an empty secret space. . MAC’S APARTMENT . The old hardwood floor pulled up. Mac holds his gaze. smoke. Mac’s queen-sized bed stands on end. LAX RUNWAY . The ugly shag rug under the bed has been pulled up. Torn upside down. Stealth-like. ELISHA You will need this.LATE AFTERNOON An El Al 747 touches down on the runway. His sofa has been slit end to end. His TWO FISH bloat from death. Tampered door knob. BEDROOM . INT. Elisha takes the ancient Jerusalem cross from around his neck. The phone. MAC’S APARTMENT . Uri follows.CONTINUOUS It’s ravaged. The bed frame is mangled. stuffing everywhere. Uri motions to answer it.
EXT. late seventies. Someone’s . Rearview mirror. STREET . A quick left into an alley. There’s an old warehouse across from the train station.O. He opens the rear door. STREET . EXT. ten. ROSWELL. the driver. tailing them. More bodyguard than chauffeur. Mac downshifts and punches it.) It’s Roswell. He motions them over. ROSWELL (V. Uri nods to leave. Dark tinted glass.LATER Mac and Uri sit in the dark shade of a loading dock.34. See you at INT. MAC’S APARTMENT . Mac and Uri get in. A hard right onto a side street. MAC They got the piece. Muscular.MORNING Mac and Uri cruise in the Jeep. Whoever is gone. Another right. ABANDONED FACTORY . MAC Hello? CALLER (V.O.) Get a hotel. DIEBOL.BLACK LIMOUSINE .INTERCUT Dial tone. Meet me there tomorrow at ten a-m. Mac looks at Uri. hops out.CONTINUOUS They’re rolling. More speed. Large. EXT. I know. MAC HOLD ON. The rear window rolls down silently. wears a military uniform. A BLACK LIMOUSINE pulls up.
MAC You knew my father? ROSWELL I was with him in New Mexico. You have quite a decorated past in the Israeli Special Forces. ROSWELL Your father was a good man. MAC What happened? Looks out the tinted glass. ROSWELL President Truman formed a group of men to study the alien problem. One shake. He never knew. INT. ROSWELL’S LIMOUSINE . Roswell takes a long look. He waves him off.CONTINUOUS ROSWELL Uri BenHassen. MAC General. Back at Mac and Uri. Uri instinctively salutes. They became a rogue element accountable to no one. ROSWELL And you’re Art MacKenzie.DRIVING . Mac shoots him a look. URI The alien base. You’re bigger than I pictured.35. Extends his hand. His eyes gaze impassively. ROSWELL I’ve been involved with the alien presence since ’47. Shocked. .
URI Security threat. A dying alien convinced him to host his spirit. ROSWELL The White House knows it only as an extraterrestrial research center. The base is solar powered by inorganic plasma. It turns sunshine into plutonium. Pulling out aerial photos of the base. . MAC Why is the debris piece such a threat? He opens his briefcase. MAC That’s why it won’t wrinkle. He now interprets his supernatural powers. MAC Who’s in charge? ROSWELL A man called Abaris. ROSWELL The outer coating of the saucer is a carbon fiber alloy with elastic memory. ROSWELL More than that. URI Nuclear power. URI A harvest colony. I believe the blueprints for the base are encoded in its memory. It’s alien technology. ROSWELL The piece your father left you was from the mothership. Puts it together.36. But I believe they are cultivating embryos from alien abductions.
ROSWELL Tomorrow morning at zero-fourhundred you’ll meet me here. You’ll travel incognito. ROSWELL But we need the piece to get the blueprints. At the risk of sounding stupid. . ROSWELL I know where the piece is. ROSWELL Only you can identify the piece. Points on the map. Outside Palmdale. MAC But they know who I am. URI And destroy the harvest colony. but I need you to identify it. MAC Can’t we just let them keep it? ROSWELL The aliens’ agenda is evil. You’ll pose as new technicians. ROSWELL From here we’ll fly to the base.37. URI So we blow up the base. If the core is contaminated the reaction would obliterate the base. They offer technology but they are out to destroy us. He opens a map. ROSWELL The power core is highly secured. MAC Where do we come in? A pregnant pause. We’re going in tomorrow. Uri’s military mind.
ABANDONED FACTORY . SERVICE ROAD . Go back to the hotel. thirties. HOTEL . Sharp. beams.MOMENTS LATER Back at Mac’s Jeep. Change rooms. The back tires spin. PALMDALE 20 MILES.HIGHWAY . Another car pulls onto the road. Reaches in. check their car. sporty and sexy. EXT.LATER Uri holds a mini-flashlight in his mouth.LATER The Jeep pulls off the highway onto a dirt service road.CONTINUOUS A VERY ATTRACTIVE WOMAN.3 AM Mac and Uri walk out of the hotel. INT. Roswell pulls two shiny silver tote bags from the trunk. Diebol sticks it under an abandoned car in the parking lot. MAC’S JEEP . sits next to Roswell. Reads a map. Tumbleweeds. Run to the limo. Be on time. ROSWELL Zero four-hundred. Flashes its high Climb in. pulls out a telescopic pole with a mirror attached at the end. 4 AM. They change into their silver jumpsuits without a word.38. Diebol goes to the trunk. ROSWELL Diebol. They’re gone. He looks under Mac’s Jeep. Gives one to each. Through the window they see a sign: EXT. Stops. ROSWELL’S LIMOUSINE . Stands up with a quarter-sized object. . EXT. ROSWELL Tracking device.WESTWOOD . INT. They finish dressing quickly. Uri looks around. No phone calls.
WOMAN I see you made your flight. URI Same for me. ROSWELL MacKenzie. MAC I could get used to this. her beauty. Blond wig? Smiles. He studies . She massages Mac’s entire face with the liquid. She squirts some liquid in her hands. MAC “Green eyes”. Laura. Pleasure. I made sure you got to the plane. this is my daughter. To Mac.39. hands. ROSWELL And this is Uri BenHassen. She extends her hand. LAURA Let it dry. She looks back at Mac. She pats the seat next to her for Mac to come. LAURA Close your eyes. Shakes Uri’s. Mac sits there. MAC I don’t follow. She opens a tackle box. Then his Faces Mac. Smiles. LAURA At the airport. It’s a make-up kit. LAURA LAURA It’s time for your makeover.
She Laura faces him with a special digital She connects the camera to an external palm device. Sees an old man. Mac lowers it. LAURA Thumbprints. It prints out TWO LAMINATED PHOTO ID’S complete with names. opens the lid revealing a scanner surface. She grabs a comb. Then offers it to Uri. Hits a button on the side.40. She hands Mac a synthetic thimble. Uri watches her work quickly. LAURA Lower it. Affixes the goatee. She applies it around his lips and chin. LAURA Put this on. camera. She hands him a small mirror. The lotion on his face dries into wrinkled skin. She pulls out a ziplock baggie containing a matching color goatee. Clear adhesive. She pulls a tube out. Uri looks over. She presses another button. Puts them on him. Squeezes it in her hands. MAC Unbelievable. Massages his hair thoroughly. Another bottle. He holds it up. photos. Then takes his thumb. FLASH. It quickly turns to an oily grayish white. Uri leans across and presses his thumb on it. LAURA Take a look. She slips it snugly onto his thumb. and thumbprints. FLASH. parts his hair on the other side. She pulls out some wire-rim spectacles. LAURA Uri. . presses it on the glass. She centers him.
LAURA You’re from New Jersey. She smiles back. You are not to do so. . Back to Roswell. Roswell shifts in his seat. Mac notices him wince. ROSWELL You are going to want to ask a lot of questions. ROSWELL If we are separated. Irving Liebowitz? She smiles at him. LAURA It goes on your left pocket. Mac shoots her another look. Don’t look for me. Is that clear? Mac makes eye contact with Laura. You will see aliens. I’ll find you. Handing them over. Back to business. under any look the Laura hands them each a small flip phone. MAC Who’s Dr. Is that clear? MAC Is Laura coming with us? ROSWELL No. ROSWELL The piece is in a special area. you can text message. circumstances. You are NOT to make eye contact. And don’t talk to anyone. do not least bit surprised. Mac clips it on. If defer to me. ROSWELL You’re not to address you are spoken to you And whatever you see. anyone. Reads it upside down. She attaches a clip.41.
ROSWELL Stay close.C. Time to focus. A FedEx Cargo jet is parked on the tarmac. Checking ID'S.CONTINUOUS Top of the staircase. Uri looks back up the stairs. Walkies. A LARGE MP stops Mac.CONTINUOUS Mac hurries up to Roswell and Uri as they enter the huge. weapons. Mac stares ahead. People load by a Then Mac. Automatic . EXT.DAWN The limo pulls up outside a fenced area. Deployed in twos.GIANT HANGAR . Catches himself. ROSWELL (O. EXT. INT. four-story hangar. TWO MP’S. Then Looks closely at the credential.CONTINUOUS MP’S everywhere. GIANT HANGAR . Roswell passes the guards. at Mac. WalkieThe They get out. staircase.42.EARLY MORNING The jet pulls up to a ten acre. high hangar doors. Dobermans on harnesses. METAL STAIRCASE AGAINST THE PLANE . MAC A FedEx jet? ROSWELL Part of the deception. GIANT HANGAR . Adjusts his glasses. TARMAC .) We’re here. EXT. ALIEN BASE . Sidearms. EXT. Mac watches them go by. towering doors are slightly open. Yellow helmets. Uri close behind. talkies. LARGE MP NEXT.
next to a sidearm. The Elevator doors whoosh open. Uri and Mac get off. THE OPERATOR. In place of floor 12 are Next to the letters MAJ is a horizontal slot in the panel for a specially constructed key card. MPs exit. A TALL BLACK MP. LARGE ELEVATOR CHAMBER . Stand guard. ROSWELL This is us. MPs salute and get back in. Uri and Mac rub shoulders with the rest. INT. The large. CLOSE-UP CONTROL PANEL . the letters MAJ. Eleventh floor. MAC Excuse me. shoots Mac a look. All head toward a large elevator. into the control panel. Under his breath.CONTINUOUS The floor numbers descend 1 to 12. Mac studies the panel. Certain areas of the hangar are sectioned off with tall black partitions. Nods toward the control panel. Rifles up and ready. wide doors whoosh shut. INT. Roswell. Four more MP’s rush into the huge lift as the AIRLOCK DOORS hiss shut. Roswell.43.CONTINUOUS A hundred scientists and technicians load in. Inspects He inserts a KEY attached to his belt. everyone closely. They face the crowd. Scientists and other plane passengers avoid the MP’s looks. . Roswell catches Mac’s eye.
A very low frequency oscillates from below. He passes through. Roswell approaches a blank wall. Blank faces swoosh by. Light emanates from above. Slows down. He passes. Mac falls behind Uri. MAC You go.CONTINUOUS A SCIENTIST stands next to A SMALL GRAY BEING. ADJACENT LAB . It closes. INT. INT. No acknowledgement. Gone. She looks down and away. A GIANT. HALLWAY . Panic. Uri steps up to the panel. The MP stares down. BEEEEEEP! SCREEEEECH! A fast moving electric cart carrying more MP’s swerves to avoid Mac. Mac whips around. Motions to look inside. Looks inside. Roswell looks away. Mac looks to Roswell. Roswell stops in front of a panel. He walks through. Zombies. They’re examining someone.44. Clipboards. Mac and Uri behind. Whoosh. Faint outlines of panels appear every four feet. It slides open quietly to the left. INT. Mac looks up. ELEVENTH FLOOR LOBBY . Elongated head.CONTINUOUS Mac plows into the far MP standing guard at the door.CONTINUOUS Walls. ELEVENTH FLOOR CORRIDOR . Mac smiles at an academic blonde. It’s rampant. . ANOTHER POD OF SCIENTISTS march quickly in his direction. Eerie looking. Hate.CONTINUOUS A small group of men and women with ID credentials pass the other direction. Roswell ahead. Bony arms. SIX TOES. Mac looks ahead. ceiling and floor are monochromatic. Roswell’s hand behind his back. Mac approaches. A HUGE FOOT. It opens. A somber military gray. A deadness. Mac quickly backs away. WHAM! INT. Two tall MP’s frame the door. It opens. Another lab up ahead. Credentials.
Uri approaches. Mac turns back to the lab where the alien was examining the giant.CONTINUOUS TWO MP’S salute. Four others cars behind. Mac shoots him a look. . Peers down the Their tags Inside the tunnel other tunnels bore through the concrete overhead and to the side. Ice. ROSWELL Later. INT. They get waved through. SMALL DETAINING ROOM . They go through. Whispering. Benches constructed of a seamless material never seen before. A moment. Overwhelmed. SMALL SUBWAY STATION . Roswell returns the gesture. Mac does the same.CONTINUOUS They enter the platform of a small station. Roswell reaches out. Disoriented. A large cylindrical ceiling reaches twenty feet high. They go everywhere. Nauseous. ROSWELL Not good. Quiet. Mac looks around.45. are checked. two abreast. A conductor sits in a glass-domed car at the front. Roswell and Uri MAC My God. Six seats each. ROSWELL There have an entire network of tunnels that crisscross under the planet. Mac approaches. They walk slowly towards another set of doors. are up ahead. but did not believe it. Sets the palm of his hand on a scanning device near the door. Uri. did you see it? URI Yes. tunnel. INT. Roswell walks to the edge by the tracks. TWO MORE MP’S talk to those at the door. An empty train glides out of the dark tunnel from the left. The door slides open. URI The sinkholes.
Mac sees he has fallen a dozen paces behind. and overhead cranes. The ceiling is a hundred feet high. A portal is open. Sternly. Quietly. Twenty feet off the ground. A short distance away A DISK-SHAPED FLYING SAUCER HOVERS silently above the floor of the cavern. INT. The train accelerates quickly. MAC Yessir. Mac and Uri get in the first car. Roswell clears his throat. Large luminous orbs imbedded in the ceiling cast a peculiar greenish light. Motionless. . A glass command post nestles in the center of the catwalks like the body on a daddy-longlegs. Mac glances at Uri. Pay attention. They diverted the water. BUILT-OUT CAVERN . ROSWELL Stay close. He quickly rejoins them. Roswell. UNIFORMED TECHNICIANS are stationed everywhere. thick cables. exposing the interior.CONTINUOUS They enter an enormous space. A metal scissor-lift ascends next to the craft with a TECHNICIAN in another silver jumpsuit. He holds a small palm device. covered with steel-girded catwalks supporting a maze of powerful lights. Still rubbernecking. Used to be an underground reservoir. They’re gone. Mac and Uri finally catch up. Mac is agog. Mac freezes in awe. Roswell continues the same pace. Some MP’s load in the car behind. Then follows his gaze. URI Un-be-liev-able. ROSWELL It’s a natural cavern. closing the distance to the saucer. Walking forward. The doors open. Two men stand inside.46.
MAC Sorry.47. Distracted. SIX FINGERS on each hand. Spindly arms. Blocking his line of sight. ROSWELL I said no eye contact. On the bottom are round indentations that appear to conceal lights. A one-piece jumpsuit matches the color of his skin exactly. Turn around and walk away. Mac and Uri stop The disk is seamless. An invisible force hits Mac in his solar plexus. keep him moving. MACKENZIE. Facing him. Mac is blanking. They reach a partition. him up. An AMERICAN FLAG is painted near the hatch door. MAC My God. A disproportionately large head. One of the men standing in front of the portal moves from the interior onto the lift. Looks right at him. TWO LARGE. NOW. next to him. Immobilizing. Walk behind it. ROSWELL MOVE. . Roswell stops twenty feet from the disk. Roswell and Uri shore Find themselves in Mac turns around and begins to weave. ROSWELL MacKenzie. ANGLED BLACK EYES dominate the alien’s face. Horrible images flash through his mind. Now. A row of windows circles the craft near the top. Bothered by Mac’s very presence. The sleek exterior is of a dull gray metal-like material similar to the debris piece. Mac can only stare back. It floats noiselessly. He reveals another ALIEN. Inches from his face. Blurry. The creature jerks his head. an area for equipment. Thin torso. Taller. They’re alone.
Uri coughs loudly. The MP’s approach Roswell who is pointing at the pile and improvs a briefing with Uri. We may have been compromised. Mac dives around the back of the pile. Mac circles up the pile. ROSWELL You drew attention to yourself. LIKE DEBRIS thirty feet high. STORAGE AREA . ROSWELL You know what it looks like.CONTINUOUS They enter a large storage area. Each step silently crushes the foil beneath him. ROSWELL Let’s move.48. Like he wanted me dead. Find Mac clumsily climbs up the debris heap looking for the one. Time is of the essence. Uri and Mac follow. only to bounce back in perfect shape after his foot lifts off it. . INT. it. Looking up at the mountain of scrap. MAC We’ll never find it. with automatic weapons enter the room. Uri nods. piece? How about any ROSWELL It has to be from that mothership! MAC It’s impossible. What did you do? MAC A force came at me. Inspecting random pieces. TWO MP’s The heavy door at the room’s entrance slides open. There’s A MOUNTAIN OF FOIL- ROSWELL My sources tell me the piece was brought back here. arms crossed. He walks off briskly. A total sense of evil.
Is distracted by the resilient foil pieces. the wall covering. A little bigger They both sift through the arduous task.MAJ 12 . hexagrams. The decor is exquisite. circles. A KNOCK at the door. Uri looks down at the scraps in the heap. Tall curtains drape from the high ceiling. pentagrams. ellipses. He crunches them in both hands. A shaky voice. they spring back. than my hand. The doors whoosh open. ELEVATOR . INT. They head A circuitlike key card is . Spellbound. URI What shape is it? Guessing. LOBBY .MOMENTS LATER A large room. triangles. INT. They’re all geometric shapes. The carpet. INT. MAC It’s a trapezoid. Mac peers around and sees the MP’s talking to Roswell. everything a shade of gray.CONTINUOUS Roswell exits the elevator with his MP escort. in the slot for level MAJ 12. Opens his palms. The door closes behind them. BEDROOM SUITE . the sofa. the bedding.MOMENTS LATER Roswell stands next to the MP’s. down a long hall. Roswell nods to Uri and leaves with the MP’s. MAC Where’d they take him? URI Some emergency meeting. Uri scurries up the debris pile. squares. OLD VOICE FROM THE BED Come.49. Gets to Mac. Rhomboids.
Exploding. MAC YOU FIND IT. OLD VOICE FROM THE BED (O. MAC Uri. it’s a trapezium. no two of which are parallel. Sees the cross a few feet away. Then goes and picks up the debris piece under it. come in Nathan.50. blocking his vision. He lets out a sigh. URI That’s not a trapezoid. early eighties. Off Mac’s look. Freezes. Looking heavenly. STORAGE AREA . ABARIS Hello old friend. . ABARIS.) Yes. sits in bed in darkness from his chest up. ROSWELL What can I do for you? ABARIS This body is getting weaker. We will soon be in need of a new host. His jumpsuit is zipped open. Sweat on his brow. Throwing the cross off his neck. The MP’s close the door behind him. Roswell enters. INT. Abaris. we got it.CONTINUOUS Mac plows furiously on his hands and knees. ROSWELL Hello. He walks to the foot of the bed. The door opens revealing Roswell and the MPs. The cross keeps swinging out around his neck. Takes it from Mac. It has four sides. Inspects it.C. Uri scrambles over.
She sits up. HALLWAY . SUBWAY PLATFORM . Mac and Uri both check the platform entrance. No Roswell. Hello? Roswell gives a slow nod. They join him in the car. stand by the tracks. Closes her eyes and touches the top of the cradle. No one is there. Roswell. Mac’s cell phone.LATER Mac and Uri sit restlessly on the bench. The restraints spring open magically.AFTERNOON Lucy lays asleep on a bed. INT. and walks to the door. Lids have a peculiar red color to them. INT.LOCKDOWN WING . The workers start to load the train. URI He’s in the train. Low tones to Mac. MAC . INT.51. RING. She walks into the hall. She picks up the phone receiver. The door unlocks itself. stainless steel guards. Other technicians INT.CONTINUOUS RING. Mac shrugs. Slides open. CAMARILLO STATE MENTAL HOSPITAL . stands. Sees Roswell in an empty car. ROSWELL’S LIMOUSINE . Her eyes open. The train whooshs off. Mac finds his phone. BRIGHT AURORA LIGHT PARTICLES fill the air.CONTINUOUS Lucy walks down the hall towards the orderly’s desk. Her hands bound at the wrists to She’s noticeably thinner. A train pulls into the station. Her eyes are swollen shut. No one is talking. Uri looks back. Hair matted in clumps next to her face. Uri and Laura all give Mac a look.
LOCKDOWN WING . BUDDY Let’s go.you’re the waone.INTERCUT ROSWELL No one has that number. BUDDY.. ROSWELL Where was she calling from? URI Check your call log. INT. Lucy. . LUCY You’re the wa-one. HALLWAY .INTERCUT MAC The one what? Dial tone.52. She said “I’m the one”. LAURA The one what? MAC I don’t know. Taking her away. HALLWAY . ROSWELL’S LIMOUSINE . hangs up the phone. URI Who was it? MAC It was Lucy. A hand takes the phone away from her. tatoos.. How did you get out anyway? INT. Trance-like.LOCKDOWN WING . ROSWELL’S LIMOUSINE . two gold front teeth.CONTINUOUS Convulsive stammer. skinhead. INT.INTERCUT A HEAVY-SET NATIVE-AMERICAN ORDERLY. INT. Gentle spirit. Phone time is over.
805-876- Mac hits dial. Mac shuttles through his phone. 9999. Two birds. threat. Buddy looks at the receiver. INT. PINKIE RINGS It’s too late. Takes a swig. Finds the number. Dial tone. MAC It’s 8-0-5. He reaches for a can of Heineken out of the cup holder. Call her back. It self locks.CONTINUOUS RING. Roswell nods. She’s a EXT. ROSWELL’S LIMOUSINE . runs back to the phone.LOCKDOWN WING . HALLWAY . Buddy slides Lucy’s door closed. LAURA They’ve transferred her. PINKIE RINGS Not bad.53. He INT. LAURA Ventura County. GOLF COURSE . Pinkie Rings is next to Jim Cranston.INTERCUT MAC Camarillo Care Center. BUDDY Camarillo Care Center. CRANSTON I want out. Winded. lockdown.AFTERNOON A pinkie ring on a chubby finger holds a score card. Lockdown. PINKIE RINGS Where’s MacKenzie? .GOLF CART . A short pencil writes down two “4’s”.
She lifts a long purple fingernail. Do it now. scratches his neck. led by an ORDERLY.54. and you are? ROSWELL General Black. pass Mac and Roswell at the admittance desk. PATRICE Yessir. in civilian clothes. around. An easy smile. Roswell Looks PATRICE How can I help you gentlemen? ROSWELL I have orders to see a patient from the military psych ward in Westwood.S. is on the phone at the counter. Say you have work for him. PINKIE RINGS Call her again. PATRICE Yessir. She finishes. nods. Taps her pen. Pinkie Rings swigs again on the Heinie. She stops tapping the pen. Cranston reluctantly opens his cell phone. INT. PATRICE BURROSS. Mac.LATER FOUR SEVERELY MENTALLY RETARDED ADULTS. U. . PATRICE Are you related to the patient? ROSWELL No. CRANSTON Maggie hasn’t heard from him. CAMARILLO CARE CENTER HOSPITAL . Just a minute. Air Force. Beautifully braided hair. A small fan blows behind her. A BLACK WOMAN IN A WHITE UNIFORM. Are you part of the Conservatorship? ROSWELL I have orders. General Black.
but it’s important that I see her. PATRICE Would you like to speak to her doctor? ROSWELL Yes. Veers to the He’s coming I can’t help .55. you. PATRICE Then I’m sorry. station. SHERMAN Is he part of the Conservatorship? PATRICE No. DR. PATRICE DR. SHERMAN Yes? PATRICE General Black is requesting to see a patient admitted from the military psych ward in Westwood. SHERMAN That’s private information. down the hall. Holds a chart. DR. SHERMAN looks over. SHERMAN Is he related to the woman? Jumping in. DR. Is she still sedated? DR. ROSWELL No. SHERMAN? Over his glasses. sir. I’m not. PATRICE Well you’re in luck. Reads Roswell. MAC Then she is here? She glances down the hallway. Over Roswell. DR. Impersonal.
Laura stands next to them. ROSWELL Fine. Tooth wireless does the rest. Notes the name of the executive director of the hospital. MAC What’s he doing? LAURA Finding a link between the executive director and one of our contacts. MAC What next? ROSWELL A phone call. also in civilian clothes. He stops in the lobby.CONTINUOUS Laura and Mac exchange a glance. SHERMAN I’m not at liberty to discuss the case. ROSWELL The military needs to know. Carrys on. next to Diebol.56.CONTINUOUS Mac sees Uri. the executive director here. DR. INT. CAMARILLO CARE CENTER . BLACK LIMOUSINE . MAC Man this stuff itches. He turns and leaves. ROSWELL Diebol. Catching up. call Edward Higgins. Mac follows.PARKING LOT . EXT. Diebol types the name into a laptop. LAURA Don’t touch it. Doctor. Hits return. He’s Blue Mac still in disguise. Thank you for you time. . All climb into the limousine.
They’re old personal friends. HIGGINS No particular reason.LATER EDWARD HIGGINS.57. . ROSWELL It’s imperative we see her now. Higgins thumbs through a file. Even to use the toilet. Well. HIGGINS Lewis and I go back a long way. INT. Laura and Uri sit attentively. ROSWELL Make it happen. MR. URI Lockup? HIGGINS It’s usually reserved for the criminally insane. A Major Lewis. I came as quickly as I could. it’s not exactly clear why she’s being held in lockup. LAURA How is she a threat? Reading on. MAC Contacts? DIEBOL Got it. Roswell.. A tall lanky man with stringy gray hair. ROSWELL Thank you for your cooperation. The Major informed me of the situation. HIGGIN’S OFFICE . Pressing. HIGGINS Well. It was requested by the psych unit for security purposes.. no matter. Mac. sir.high school wrestling team. Every room has a keyed entry.
A heavy wire-meshed window in it. Finally gives in. ANOTHER WILD WAIL. ROSWELL I need a visual. Turning to Higgins. Disturbingly amused. Like a crazed animal.58. heads down the hall. HIGGINS Some of them do that when they get excited. things we don’t. A slow smile. INT. Feeling the pressure. Mac . she’s still sleeping.MOMENTS LATER Buddy fits his special key into a lock. Roswell discreetly looks at Mac. They all go. A HIGH.MOMENTS LATER A thick fire door. Mac and Laura exchange a heavy duty look. HIGGINS Well then. The woman lays asleep on the bed. BUDDY Oh. Nods towards Lucy. BUDDY That’s the Screamer. Buddy turns to Mac and Laura. WOMAN’S DOOR . He sees Crooked smile. LOCKUP WING ENTRANCE . WILD WAIL. HIGGINS We’re here to see the woman we received this morning. nods back “yes”. follow me. Bad dentistry. Her hands bound at the wrists to the stainless steel guards. Higgins looks to Roswell. Those teeth. Opens it. Buddy opens the door. INT.
.59.. To Laura. Shifting uneasily. but her chart indicates. HIGGINS Well. HIGGINS Well. Now I want her cleaned up and given a change of clothes. Her life may be in danger. ROSWELL Thank you for your assistance. . the Major said to do whatever you asked. HIGGINS Here? ROSWELL Yes. and I need your cooperation on this to the fullest. ROSWELL Let me assure you it’s important we move this woman to a safe location. I’ll have to contact the Conservatorship and have it cleared. ROSWELL How soon before we can have her moved? Confused. Incredulous. Cutting him off. HIGGINS Major Lewis didn’t say anything about having the patient moved. ROSWELL This is a matter of national security. Stay with her until we transport her. ROSWELL When she wakes up see that she gets some real food to eat. LAURA Yessir. here.
MAC I can stay. We’ll take it from here. Laura ROSWELL That won’t be necessary. INT. Mac. sir.60. Turns to Higgins. ROSWELL The debris piece is hyper dataintensive and the scan could take four hours to decipher it. will do fine. Handing it to Uri.DUSK Uri plays with the debris piece. ROSWELL We have work to do.S. ROSWELL Thanks again for your cooperation. ROSWELL Diebol. you go. ROSWELL The software application is called MAJESTIC. HIGGINS The orderly can stay with her in case she needs assistance. LAURA I got it. A few cards short.) Got it. Roswell pulls a laptop out of his case. make a call for a special transpo unit. ROSWELL’S LIMOUSINE . Laura will accompany them when they move the patient. Speaking into his high-tech wristwatch. DIEBOL (O. Mac shoots Uri a look. Roswell sizes up Buddy. A scanner built into the screen of this laptop will read the piece.THE 101 SOUTH . he nods in agreement with Laura. .
Mac looks through the file. the base will self-destruct. I don’t how Lucy got you. Blood is a vital element. MAC Hopefully with us not in it. Cows are drained of their blood and parts of their anatomy are cut away by a laser. So is the web-feed in the laptop. Roswell reaches into his briefcase. MAC Tomorrow? ROSWELL Laura will fly you out. I’m due Pulls out a file. You’ll go out there tomorrow. Inspects the screen. video. Uri opens it. ROSWELL They’re have been cattle mutilations. Hands it to Mac. MAC What does that have to do with the aliens? ROSWELL The harvest colony incubating at the base. We contaminate the core.61. ROSWELL Use your cell phone for everything. ROSWELL Exactly. ROSWELL There’s a fresh carcass in Arizona with an unusual twist. . back now. ROSWELL A memory cell from your piece should contain a blueprint of the base. everything you can find. It’s signal is scrambled. I want photos. URI To locate the power core.
URI We’ll do our best. ROSWELL Gentlemen. I’m not sure our visit to the base was unnoticed. They could come after the piece again. Abaris is in weak health.62. ROSWELL That’s it. MAC What about my Jeep. Keep to Uri shakes his head. ROSWELL I’m dropping you near the hotel. Here’s five thousand dollars in small bills. A large wad of fifties. To Uri. A look to Mac. Mac’s still not cut out for this. ROSWELL The software is highly intuitive. Navigation should come quickly. gentlemen. . Back into the briefcase. ROSWELL You won’t need it. Use cash for everything. We must preempt that. sir? It’s not much but it’s all I have. then back at the debris piece. Uri looks at the General. time is of the essence. ROSWELL One more thing. URI Yes. sir. Diebol pulls the limousine over to a stop. He is looking for a new host to sustain his existence. The power door locks give Mac a scare. yourselves. We need those blueprints to activate the core.
They’ve taken the piece.NIGHT Pinkie Rings and Cranston are being served their main course. INT. She checks her watch.63. HISSING. Bends over hungry and tired. His door flies open. A A key into the lock. INT. PINKIE RINGS General Nathan took those two out to the base. 9:00pm. what’s going on? Diebol slumps over. now out of the restraints. Looks at the door to the hall. ROSWELL’S LIMOUSINE . Coughing. She yawns. The door opens. the car. Roswell is nodding off in the back. COUNTRY CLUB DINING ROOM .SEDATED WOMAN’S ROOM .LATER At a stop light. Both are hanging up from cell phone calls. Laura finishes rubbing lotion on her wrists. Still no transport. LOCKUP WING . They committed a security breach. Reaching for his Heineken. CRANSTON What about Abaris? PINKIE RINGS The genetic engineers are still searching for a compatible match. BUDDY Everythin’ all right? . and is still sleeping. The woman has clean clothes. THUMP on the glass. ROSWELL Diebol. Buddy enters. INT.CONTINUOUS A basin and sponge lie next to the bed. Folds her arms. He’s pulled from Some kind of gas. Roswell passes out. combed hair.
64. Self-locks. LAURA . so you’ll have to knock or call when you’re done.CONTINUOUS The iron door slides shut.. I have to use the bathroom and I could use something to drink. I know. things. she ain’t going nowhere. Faded linoleum floor. A YOUNG THIN man with sunken eyes sits with his knees tucked into his chest. BUDDY That’s the Screamer. More gold teeth. just let me in the bathroom first. I know. BUDDY Oh heck.LOCKDOWN WING . Buddy peeks through a patient’s wire-meshed window..that we don’t.. Yellowed walls. Bladder bursting. BUDDY It locks from the outside. Laura follows him up the corridor. Cutting him off. We’ll make it INT. I really gotta go. LAURA Okay. He rocks ever so slightly. Look. quick-like.. He see Unlocking the bathroom door. . BUDDY I bought you a sodie-pop but regulations say I can’t bring anything down into lockup. You gotta come up to my station. Motions Laura to look inside. LAURA She’s still out cold. HALLWAY . LAURA She’ll be fine. Buddy looks at the sleeping patient. his chin resting on them. They finally reach then end of the hall.
INT. Pant zipper. Finds the main door. LADIES’ ROOM . INT.CONTINUOUS The Screamer scans the room frantically. INT. Rocks faster. He whips his head back. Jaw locked open. LADIES’ ROOM . Toilet flush. The corner of the cell.CONTINUOUS ANOTHER WOUNDED WAIL. Pitch dark. LADIES’ ROOM . He presses his bony body as far as he can against the wall. INT. THE SCREAMER’S ROOM . Something bad is in there. THE SCREAMER’S ROOM . LAURA HELLO???????? Commotion. Takes a A power failure. BUDDY I’ll be right here so you go’head. Toilet paper. Listens. Laura stumbling in the blackness. Sounds in the dark. Eyes bulging. breath. Yells like a wounded wolf. BLACKOUT. LAURA Gotcha. Bangs on it.CONTINUOUS It’s getting closer. Opens them. LAURA Got it. HELLO??? LAURA BUDDY???? .CONTINUOUS THE WAIL.65.CONTINUOUS Laura rushes in the stall. THE SCREAM. Practically hopping. Laura freezes. Stall door unlatches. Laura closes her eyes. turns around. The Screamer uses his hands and feet and propels himself across the floor. INT. Unzips her pants. Great. Laura looks down.
The key turns the lock. He lets go of Laura’s hand. Hands to her ears. Tear trails on her cheeks. INSANE LAUGHTER. SHRILLS AND SHRIEKS. I’LL GET YOU OUT OF HERE. LAURA WHAT’S GOING ON? BUDDY ELECTRIC’S OFF. Backs away down the hall. LAURA (O. Contact. He finds it. LET ME HAVE YOUR HAND. Laura regains her composure. Reluctant. SCREAMS. He opens the door.CONTINUOUS Laura pulls on the door. A LONG. she has no choice. Freaked. Locked. CHAOTIC CONFUSION. Laura walks toward her room.) HURRY! PLEASE! BUDDY I can’t see it. He reaches for Laura’s hand. LADIES’ ROOM . The whole wing.S. The lock’s here somewheres. BUDDY I’m tryin’. ANOTHER SCREAM. EXT. GROANS AND BLINDING LIGHT explodes out of the sedated woman’s room. Then it starts.66. LUCY’S ROOM . . More screams in the darkness. She walks past Buddy timidly into the dark hall. LOW NOTE CRESCENDOES IN A HIGH SHRILL IN THE DARKNESS. The sound of bodies hurling against the doors. EXT. BUDDY IT’S LUCY. WILD. No key. Toward the light. GOT’EM ALL RILED UP.CONTINUOUS Buddy fumbles in the dark trying to get the key in the door. Then runs.
Her body rotates in mid-air so her head faces the opening. Blinding light and wind pour through the opening. INT.67. She’s awake. Lucy’s body In the darkness. Mac turns the TV on with the remote. The rush of a freight train. Lucy floats above the bed. She peers through the wire-mesh glass. She can’t be heard. The 3-d blueprint spins slowly on an axis. She looks to the door. URI That is monitored by the hotel.DEAD OF NIGHT . Mac and Uri stand in the middle of it in awe. Anxious. A helpless. A small steel-reinforced window placed high in the wall is gone. Lucy looks her way. Mac reluctantly complies. LUCY HELP ME! Another noise. And it’s gone. She screams.LATER Uri stares blankly at the laptop lid scanning the debris piece. wide-eyed. quivers. URI What are you doing? MAC Finding SportsCenter. They will know we are here. Mouthing to Laura. terrified stare. MAC’S HOTEL ROOM . Has disappeared back into the laptop. . She’s sucked out the window. Laura screams through the wire-mesh glass. Laura pounds on the little square window and screams. MAC How long’s that thing gonna take? Suddenly a huge hologram of the alien base engulfs the room.
68. Uri stares at the laptop. MAC How you gonna print that? RING! The hotel phone. They freeze.
URI Don’t answer it. MAC Maybe it’s Laura. URI Roswell said use only the cell. RING. MAC Maybe she doesn’t have it. URI Don’t answer it. RING. Mac moves to the phone. MAC Maybe she’s in trouble. Uri thinks on it. RING. Mac picks it up. MAC Hello? INT. EXTREME CLOSE-UP OF A MOUTH TO A PHONE - INTERCUT METALLIC VOICE We have Roswell. INT. HOTEL ROOM - INTERCUT MAC Who is this? INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT METALLIC VOICE Give us back the piece and we’ll make sure nothing happens to your wife and kids in Paso Robles.
69. INT. HOTEL ROOM - INTERCUT MAC I don’t know what you’re talking about. INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT Cuts him off. Pissed.
METALLIC VOICE You know exactly what I’m talking about. We’re watching you. INT. HOTEL ROOM - INTERCUT MAC Who are you? Dial tone. Mac stares at the phone. URI What did he say? Slowly putting the phone in the cradle. MAC They want the piece. They got Roswell. They’re going after Maggie and the kids next. URI They’re bluffing. Mac finds the small flip phone. Dials frantically.
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT RING. A deep sleep. Hello? Cellular break up. Extremely choppy. YOUR LIVES COULD Maggie fumbles for the phone. MAGGIE
MAC MAGGIE, IT’S MAC. BE IN DANGER. Groggy.
MAGGIE Who is this? Mac, is that you?
70. Every other syllable. MAC TAKE THE KIDS. LEAVE. Mac?
MAGGIE You’re breaking up.
INT. HOTEL ROOM - DEAD OF NIGHT - INTERCUT KNOCK-KNOCK-KNOCK. The hotel room door. kill the cell phone. Uri motions Mac to
INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT Dial tone. Maggie looks at the phone confused.
INT. HOTEL ROOM - CONTINUOUS KNOCK-KNOCK. More urgent this time. Moves quickly to the side of Mac follows the
Uri grabs his gun off the bed. the door. Delta Force.
He waves his barrel towards the bathroom. directive. Backs up. KNOCK-KNOCK-KNOCK. Uri motions at Mac to talk. MAC Who is it?
WOMAN’S MUFFLED VOICE (O.S.) It’s Laura. Uri gives Mac the universal “shhhh” sign. WOMAN’S MUFFLED VOICE (O.S.) MacKenzie, are you there? Let me in. It’s me! Loud whisper to Uri. MAC It’s Laura. Uri shakes his head “no”. KNOCK-KNOCK-KNOCK. WOMAN’S MUFFLED VOICE (O.S.) C’mon, open up!
Uri pulls them both in. WOMAN’S MUFFLED VOICE Mac. Alone. the door. . Uri snores loudly in his bed. A long hug. He nervously wipes his chin. Mac opens the door. open up! Anxious. MAC You said they we’re bluffing. Closes the door. Head high. Angry whisper. MAC’S HOTEL ROOM . Listens. Frazzled. If it’s a trick. listen to me! It’s Green Eyes. MAC There’s no MacKenzie here. Sharp whisper. URI Open from the side then stand clear. Laura lies on some makeshift bedding on the floor. Uri waits. Mac heads for the door. Pissed. I’m Aims his gun at Uri motions “halt”. calling hotel security. It’s Laura. MAC I know it. somebody is going to start shooting. Instructing in whisper tones. INT. Mac lies in his bed.MUCH LATER Light spills out the partially open bathroom door. Checks the hall. She runs into Mac’s arms. stares at the wall.71. It’s her. URI It’s a trap. Mac heads for the door. Uri swings around to the middle of the room. MAC You can’t just start shooting people. Then nods.
Laura pilots. Her eyes are still moist. Uri chokes on a snore. LAURA’S PLANE . She goes Laura slips an arm under Mac. a farmer sees his prize cow do the same thing. Looks over. MAC A week ago a rancher in Billings. Mac turns over to face her. Wearing only a hotel bathrobe. LAURA And? MAC The same day. Mississippi. Whispers. LAURA Hold me. to Mac’s bed. She sniffles. Montana saw one of his cows float upward into the belly of a UFO.AIRBORNE . She climbs in.72. LAURA Okay. Softly. Mac holds his finger to her lips. No need to talk. Stares blankly ahead. LAURA I’m still scared. INT. Laura slowly rises. Mac pokes his head up. Spoons behind him. Wraps her other arm over him and pulls him into a long squeeze. LAURA I’m sorry. in Biloxi. Mac puts his arms around her. Over the engine noise. . They stare a while longer. Referencing the file. Mac copilots.MORNING Twelve thousand feet.
MAC There’s a darkness to it. MAC Where’s our sheriff? It stops . the more I believe there’s a good side. The plane rocks and glides. It LAURA I noticed you wear an old cross around your neck. Do you believe there’s a harvest colony of cross-breeds? LAURA After seeing Lucy’s abduction. MAC A week later on a ranch in Arizona. LANDING FIELD . Are you religious? MAC The closer I get to this evil. LAURA’S PLANE . they find the head of the cow from Billings attached to the body of the cow from Biloxi. INT. I believe anything is possible.CONTINUOUS Checking the file. Flaps up. MAC That’s what they’re saying. LAURA From Billings and Biloxi. kick up some dust. nose slightly up.73.LATER Laura’s plane approaches overhead. the cow’s head had an ID tag on his ear and the body of the other had a brand on it’s flank. Cuts the throttle. permeates everything. The wheels touch down lightly. EXT. LAURA How do they know? MAC According to the sheriff. by midfield.
and no blood. facing away. A big cloud of dust EXT. see where the eye should be? MAC Yeah. mini-dv camera rolling. About two o’clock. No torn flesh. Numbers check out all right. A neat. Pointing. A squad car rolls along a dirt road. The black head of a Holstein.74. You can see his cherries. LAURA Over there.DEAD COW’S BODY . the two-tone brown and white body of a Jersey. HILLSIDE RAVINE . Huffman squats down at the cow’s tail. See the incision? No jagged edges. HUFFMAN Here’s the tag. Pointing out the front right. . Motions to the rear flank. SHERIFF HUFFMAN kneels down by its head. precise scar encircles the cow’s neckline at the union. Simply surreal. LAURA Laser like. Laura walks around slowly. chases it. It’s been perfectly joined together. grabbing the tag. HUFFMAN Sex organs have been cored out. HUFFMAN And the brand’s from Mississippi. HUFFMAN No sign of blood anywhere.LATER The cow lies on its side. Blood vessels have been cauterized. LAURA Mac.
ALFREDO and ROBERTO PARRAS. A huge male. Mac turns around. ROBERTO DIABLO! HUFFMAN Says it’s the Devil. goats. stand twenty feet back on the road next to two Jeeps. POW! Gunfire. Coiled to strike. MAC You sure it’s not a hoax? HUFFMAN We’re doing more tests. but from what I can tell. LAURA MAC!!!!! The snake’s fangs are open. A RATTLING SOUND. A supposed animal that sucks the blood out of chickens. Goat sucker. HUFFMAN Not a drop. The snake gets blown off his heel. the ranch owners.75. the cow was alive before it was mutilated. LAURA You’re sure about the blood? Taking his knife and cutting into the cow’s groin. crosses himself again. Julio Mac looks up. Hears something. He recoils to strike. STRIKE! The giant rattler sinks his fangs into Mac’s ankle. just above his shoe. cows. ALFREDO CHAPACABRA! MAC What did he say? HUFFMAN Chapacabra. Mac steps back to take a photo. crosses himself. The foreman. Mac’s backward momentum is carrying him right into it. Smoke floats out of Alfredo’s rifle. A RATTLESNAKE. JULIO. .
ALFREDO You should be dead. Alfredo. Walls are covered with UFO photos. SHERIFF’S STATION . Some color. Roberto. INT. He pulls it out of his shirt to look at it.76. Laura puts some anti-biotic ointment on the bite. His skin clearly broken. Huffman’s private office is spacious. JULIO Christo is with you. MAC I’m telling you. The men all grab a Coke. ROBERTO Si. Shaking his head.LATER A double-wide serves as the station. New. MAC I’m telling you. Sheriff. I’m fine. and Julio circle around Mac’s exposed ankle and bare foot. HUFFMAN I can still call Med-Vac as a precaution. Some black and white. The floor is partitioned. and the viper. I feel fine. The sheriff enters with small bottles of ice-cold Coca-colas. Like Pablo . Pointing from the Jeeps. ROBERTO DIABLO. LAURA Thanks. There are two large bite marks from the snake. Julio notices the ancient Jerusalem crucifix around Mac’s neck. Old. muerta. HUFFMAN Here ya go. A bookcase eats up the other wall.HUFFMAN’S OFFICE .
CONTACT FROM THE PLEIADES. ALFREDO Vamanos. amigos. Looks closer. Mac bobbles it.) Claims the Pleiades starship commander calls himself Semjaza. Handshakes all around. Edward “Billy” Mier had a major encounter with some aliens from the Pleiades star cluster. you start to poke around. The very word Mac is reading as the sheriff says it. Mac shoots Laura a look. HUFFMAN You see as many mutilations as I have. Sheriff.77. double-page spread of interest. The three amigos depart. Mac thumbs through it. The book slams shut and falls to the ground. HUFFMAN De nada. HUFFMAN Ever seen that one? Mac reads the cover. MAC The viper? JULIO Si. Authentic looking photos. Julio lets go of it. 1976. Walks over to the bookcase.S. but could not kill him. Mac pulls one down. Hasta luego. UFO . SEMJAZA. Gracias. gentleman. MAC Can’t say that I have. HUFFMAN (O. MAC So you’re quite a UFO fanatic. HUFFMAN Switzerland. Comes to a . the viper leaped from the fire onto his hand. Did the cross save him? Takes another gulp of his Coke. God was with him. Mac stands.
.. Mac nudges Laura as she checks the gauges and fuel levels. Shakes his head. A DARK CAR speeds toward the landing field.78.Semjaza. HUFFMAN Hope you got what you needed. LAURA ‘Bye! Laura turns the engine over. Mac closes his door. THE PLEIADES. LAURA’S PLANE . Huffman goes down.CONTINUOUS Watching from the plane coasting down the runway. It roars to life. She glances over. You ought to check it out. Waves to Huffman through the glass. Sheriff. A gray puff of smoke. EXT.AFTERNOON Mac and Laura climb in the plane. HUFFMAN Anyway. A gun barrel sticks out.CONTACT FROM Puts the book back on the shelf. Huffman stands by his car. pretty compelling stuff. MAC Thank you for your time. INT. Huffman looks down the road. LAURA Sound familiar? Sitting on his desk. His body spasms violently. UFO . We will. Laura squats down to get it.. Gives a wave. HUFFMAN Watch that bite. Mac stares at the cover one more time. The car’s tinted window opens. LANDING FIELD . The dark car stops on the road a short distance from the sheriff’s car. MAC Semjaza.
He fires. MAC THEY SHOT HIM! Laura slams the throttle. The plane springs into the air. The plane lurches forward. It’s Pinkie Rings. She banks it to the left. Hits ground. And stays there. The tinted window lowers all the way. hits the rudder pedals to spin the plane around. A STUN GUN. HE’LL She feathers the throttle. LAURA NOT ENOUGH SPEED! MAC HE’S GOING TO RAM US! At the last second she pulls back the controls. The car fast approaches. The plane lifts up. MAC WE’RE NOT GOING TO MAKE IT! Pounding the dash. The plane dives. Full throttle again for takeoff. One of its wheels bounces off the car’s windshield.79. The plane skims off. Mac looks back. Away from harm. straight for them. Laura pulls back the stick. BE ALL RIGHT. The dark car fishtails onto the makeshift runway. exploding it inward. LAURA COME ON! Dark car. Glass showers inside. She slams the controls forward. MAC THEY’RE GETTING OUT OF THE CAR! THEY’RE GOING TO SHOOT! POW! GUNFIRE. A man crawls out of it and takes aim at the plane over the roof. MAC WE CAN’T JUST LEAVE HIM! LAURA IT’S A TASER. . Heads A bullet tears into the cockpit close to Mac’s head.
MAC You just needed a hug. LAURA Paso Robles? MAC Yeah. Mac finds ‘em. blew it. STUFF ‘EM IN THE HOLE. MAC We better get to Paso Robles. LAURA Sorry about last night. MAC That guy who shot at us was the guy from LAX.MOMENTS LATER Wind pours through the bullet hole. LAURA You’re still in love with her. Starts stuffing. I hope you I MAC How do you prove to someone you’ve changed? . LAURA You’re a good man. Mac. How could he possibly know I was out here? LAURA They could have checked our flight log at the airport. Awkward. LAURA’S PLANE . get what you want. to check on Maggie and the kids. LAURA THERE’S SOME RAGS UNDER THE SEAT. The cabin quiets down.AIRBORNE . These guys are definitely not bluffing. I was an idiot. aren’t you? MAC Like crazy.80. Finally addressing it. INT.
A deep drainage ditch runs alongside it on the right. He pulls out his cell. MAC Are you nuts? LAURA It might work. CREEK WALK VINEYARD . CREEK WALK VINEYARD . before sunset. She pushes the controls forward. INT.MAIN HOUSE . No ring. EXT. INT.CONTINUOUS MAC Straight to voice-mail.CONTINUOUS The front door is ajar. LAURA’S PLANE . MAC What if the corn’s too high? . They descend onto a narrow dirt service road below. LAURA’S PLANE . The left side is a cornfield with healthy headhigh stalks. MAC How long before we can get there? LAURA If we’re lucky. MAC Can I get bars up here? LAURA I’ll take her down. No answer.81. LAURA By doing the right thing for a long enough time.PASO ROBLES . there a place to land? Is EXT.CONTINUOUS Through the windshield.DUSK Laura’s plane circles one last approach. No visible sign of life. LAURA Maybe they moved to a hotel.
LAURA’S PLANE . The right tire bounces along the edge of the deep ditch.82. EXT. LAURA WHAT’S THAT? MAC THERE’S AN EIGHT-FOOT FENCE AT THE END OF THIS ROAD TO KEEP THE DEER OUT.CONTINUOUS Tassels crown the tops of the corn stalks. The plane’s wheels touch down. THEY LIKE THE GRAPES. SERVICE ROAD . LAURA THANKS FOR MENTIONING IT. LAURA I guess we’ll find out. INT. LAURA’S PLANE .CONTINUOUS The eight foot chain-link fence stands dead ahead. SERVICE ROAD . Mac braces himself while Laura takes it in. Over the loud hissing.CONTINUOUS MAC WHAT’S THAT? LAURA SO FAR SO GOOD! EXT.CONTINUOUS The left wing skims along the top of the tassels. THUMP! HISSSSSSS! INT. LAURA I THINK WE’RE GOING TO MAKE IT! MAC THERE’S ONE THING I FORGOT TO TELL YOU. SERVICE ROAD . . EXT.CONTINUOUS Bucking the steering.
Grabs a candle. INT.CONTINUOUS They rock back into their seats. Nothing. then bounces back down. Bumping all the way. MAC You okay? LAURA I’ve had worse. plane pivots forward. Mac walks to the mantelpiece. Laura follows.CONTINUOUS Front door threshold. Mac nods his head to investigate. MAC SARAH? He slowly enters. Takes the flashlight. The plane speeds toward it. Trimming The WHAM! Full contact! Like a butterfly against a net. LAURA’S PLANE . Lights it. JEREMY? Flashlight. not stirred. Looking around. MAC Maybe they were already here. Mac flips it on. Flips it again and again. EXT. LAURA I don’t see any cars.FRONT DOOR . Laura close.EARLY EVENING A flashlight. Returns to Laura. . INT. Catching her breath. Riding the ditch. The house is pitch dark. MAC We don’t know that. FRONT HALL . Nothing.83. LAURA Power outage like at Camarillo. They arrive at the steps. Mac and Laura run up the gravel driveway to the front of the house. CREEK WALK VINEYARD . Shaken. They see the front door slightly ajar. Barely. Flashlight on the light switch. corn. MAGGIE? Mac sticks his head in.
we saw something in the sky. and Doris sit on the couch. MAC MAGGIE!? The closet door beneath the stairs creeps open. in her arms..bright lights.. Jeremy sits on the love seat next to Laura. MAC MAGGIE!? A MUFFLED VOICE comes from the hallway. closet door open. MAC What happened? MAGGIE I don’t know. Doris clutches Jeremy.. JEREMY Dad. Mac opens his arms. MAIN HOUSE . head in Mac’s shoulder.84..LIVING ROOM ... The candle reveals a sea of scared faces. Buries his . MUFFLED VOICE Dad? Jeremy? MAC Is that you? Finds the Mac rushes from the living room into the hallway. SARAH Daddy! MAC Pumpkin! Relieved hugs all around. INT. Stoops down inside.then the power went off. Kneeling in front of Maggie. Sarah..MOMENTS LATER Maggie holds Sarah Maggie. I’m scared. More candles all around. Jeremy jumps off the love seat and rushes to him. Timidly.then we heard strange noises..
Stammering. It’s been out all day. . Laura looks to Mac. Something’s out there. A mixture of awe. SARAH Daddy. Guarded. Long. I’m LAURA I’m a. A TALL. Sees it full on. Maggie’s face. it was bright and made the whole room light up! To Maggie. MAC It’s not what you think. Something weird. Maggie fabricates a smile. He’s told me a lot about you. Then to Maggie. MAGGIE I don’t believe we’ve met. Mac spins around. I’m Laura Nathan.85. Interrupting. LAURA He’s right. wonder and fear. The other side of the room. The room suddenly fills with a brilliant light..something’s coming in here. Something’s wrong with the phone. helping Mac. MAGNIFICENT-LOOKING ANGELIC BEING. I’m. JEREMY Mom’s right.. MAC Did anyone call you? MAGGIE No. A long tilt up. Maggie looks at Laura. JEREMY D-Dad. shoulder-length blond hair. Fiery eyes.
do something. LAURA Mac. Mac grabs a lamp next to the couch. The creature picks Laura up off the floor. CREATURE I AM THE ONE NAMED SEMJAZA! ARE YOU TO ADDRESS ME! WHO It extends one of its arms and points a clawlike finger at Laura. LAURA Mac. She lands in a heap. It’s clawlike fingers tear her clothes. Staggering against the force. A long. His hair blows. More howling WIND. A voice explodes from the creature. WIND fills the room. The being changes shape. presses itself against her. Sheds its benevolent angel-like appearance into its own TALL GRAY BODY with spindly arms. pinning her to the wall. Straining to breath. The children burrow into Maggie. Light emanates from his very being. LEAVE US! MAC NOW! Black slanted oval eyes His head turns large and elongated.86. tunic-like garment. Doris suffers a seizure. It vomits something vile at her. His eyes turn to hate. SCREAMS from Maggie and Sarah. Hurls it full strength. It moves towards her. Her head bangs against the wall like a rag doll from the gyrations. glare rage. She covers her head. Weakly. . Scaly skin like a lizard. MAC GET AWAY FROM HER! It commences to breed. The creature roars. It hurls her against the wall behind her. Faints.
Mac’s forehead.LIVING ROOM . Uri holds the damp towel on his He opens his eyes again. MAC Where’s Maggie? It’s Doris’ living room. Weakly. MAIN HOUSE .. INT. More come to her.. Another commotion. It slams into its back. Toward Maggie and the kids. It spins around. MAC Uri? He collapses back into a chair. Wildly throwing punches. He crumples to the floor. Debris and paper circle in the wind. head. Maggie? He looks around. MAC NO!! Before he can hurl it the breeding Semjaza turns and points his finger at Mac. MAGGIE NO!!!! Maggie wrestles with the small gray. Coming toward Mac. .87. Glares at Mac. Coming forward. Others latch onto Jeremy. Both children now float unconscious above the floor. One small gray grabs Sarah from Maggie’s arms. At the entrance of the room TEN SMALL GRAY ALIEN BEINGS swarm in. Walkie-talkies. hello. Out cold. Fights for consciousness. Catapults him with such force his head smashes a hole in the wall. LAURA Mac! Mac picks up a coffee table. But different.4 AM Voices in the distance. A damp towel on FOGGY VOICE MacKenzie.HOURS LATER .you hear me? Mac slowly opens his eyes.
The place is teeming with COMMANDOS IN BLACK JUMPSUITS.) Mr. MAC Where’s Maggie? URI With her mother. Still groggy.88. Computers. It’s a make-shift military post. Eyes searching for truth. MAC Taken where? URI They were abducted. Internet. Intruding. They have a medical unit here. MAC What’s all this? URI A military swat team Roswell’s connected to. . URI They were taken. Weapons. They found you next to the wall. CAMOUFLAGE FACE PAINT. VOICE (O. Bluntly. Radios. COLONEL AUSTIN. MAC Where are my kids? He urgently grabs the arms of the chair and lifts himself up. AUSTIN I’m Colonel Austin.S. You’ve suffered a major concussion. MAC And Laura? URI Recovering upstairs. Maps. MacKenzie? Mac looks up at a new face. Walkies. Uri firmly pushes him back down.
MacKenzie. Drained. I’m so sorry. AUSTIN The same base where General Nathan is being held. They’re doing everything possible. MAC Maggie. we believe your children have been taken to an underground base in the Nevada desert. Then back at Mac. Woozy. AUSTIN Mr. Uri and Austin leave discreetly. She opens her arms. Huge embrace. Mac struggles to his feet. Broken. Cutting him off. We’ve been monitoring it constantly. . Maggie faces Mac. Mac takes a couple of steps towards her. She’s bitten through her lip. Maggie. Losing it. He hurries.89. MAC They’ve taken the children. No letting go. They’re all they’ve got. Maggie enters the room. MAGGIE Oh Mac. AUSTIN We’re doing everything in our power to get your children out of there as soon as possible. She starts to tremble. Holding her tightly. Lost. what are we gonna do? She sobs in Mac’s embrace. MAC WHERE ARE MY KIDS? Austin glances at Uri. Mac looks at Uri. Bloodshot eyes. caressing her hair. Dried blood on her chin. Tear-stained cheeks.
MAC Maggie. URI She is sleeping? MAGGIE Yes. I am now an archeologist. Colonel Austin approaches FOUR BLACK BLACK HAWK HELICOPTERS on the front lawn. MAGGIE On who’s side? And who are you? Jumping in. Nods a bow. He’s told me a lot about you. The entire area is lit up by worklights powered by generators. Special We are lucky MAGGIE So you got us into all this. BenHassen. Mac and Maggie look over. Forces. he is on our side. Outside. URI (O. Frustrated. A cluster of men gather around one of the choppers with Austin. this is Uri From Israel.S. URI He is a good soldier. Nice to meet you. they gave her something. Uri nods to the window.90. URI Your mother. URI No. I’m sorry. Maggie. is she all right? MAGGIE They think she suffered a mild stroke. Diverting the conflict. . URI I will check on Cranston in the kitchen. Disarming.) Mac.
Elisha comes up on screen via webcam. Like crazy. Smiles. Looks into her dreamy eyes. She watches him go. Wipes her face. ELISHA Shalom. me. BLACK JUMPSUIT Mr. She cuddles back into him. MacKenzie? There’s an Elisha BenHassen on the webcam asking for you. He follows the commando back to a work station. They kiss. MAGGIE I’ve missed you. She finishes the kiss. too. MAC I gotta go. Believe Mac leans in closer. MAGGIE Thank you. Another BLACK JUMPSUIT. Watches the kiss. MAC Cranston’s here? MAGGIE It’s not what you think. He punches in a password. Mac turns Maggie back into his arms. Laura’s on the stairs. A sigh. MAGGIE So is this. A tap on Mac’s shoulder.91. He takes off. She blinks back tears of relief. MAC Me. A small smile. Their eyes meet. Mac stops the kiss. MacKenzie. . MAC This is important. Like for the very first time. She raises her lips.
Only He can defeat Semjaza. ELISHA There will be a next time. Sternly. A weary smile. wait. MAC Wait. Listening to Elisha.. ELISHA By faith in He who is greater than you. and the whole room full of commandos are watching. MAC I’m trying. Laura. I had no time. . And when that times comes you must take authority over it! Mac turns around. MAC How? Adamant. Tried to breed with her. ELISHA Did you command it with the cross? Feeling for his necklace. ELISHA The next time you encounter him. This is not good. “the next time”? SLAM. MAC Shalom. Then a pack of small grays came in and took the kids. Colonel Austin. MAC I forgot I had it. wait. Elisha.. Finds it. ELISHA Uri tells me you encountered Semjaza.92. Back to the screen. What do you mean Elisha pounds his desktop. MAC It hurled Laura against the wall. Uri. Maggie.
A COMMANDO interrupts from a work station. That’s why Sarah and Jeremy were taken.) He’s right.93. CRANSTON The leader of the base is in need of a new host. unclean creatures. Passionate. MAC Why didn’t they take me? CRANSTON You were wearing that cross. . Use the cross. It’s Cranston from the other side of the MAC How do you know? CRANSTON My position on the hospital board made me privy to many things. Mac and Maggie exchange a quick look. He will fight for you! VOICE (O. A new body. They are evil.S. MacKenzie! These aliens are demons disguised to deceive us. room. Mac turns around. You must drive them out! MAC How? ELISHA Yeshua A Meshiac is with you now. I’m afraid I’ve gotten in deeper than I bargained for. ELISHA You’re not getting it. MAC You knew about the sixth floor? CRANSTON And much more. I want to help you. MAGGIE Oh my God.
94. COMMANDO Colonel, the doors at the end of the tunnel are opening! Colonel Austin crosses quickly to the soldier’s station. flat screen shows a remote feed of the huge doors slowly opening. AUSTIN THIS IS IT! “OPERATION TAKE-DOWN” IS A GO! LET’S MOVE! MOVE OUT! Instant mayhem. Walkies blaring. Choppers wind up. jumpsuits everywhere. Packing. Moving. Mac back to the web feed. ELISHA SHOW THE CROSS. YESHUA IS WITH YOU. BE STRONG IN THE LORD! SHALOM! Elisha’s gone. Mac is pulled away. Black The
Uri grabs THE BLUEPRINTS off a workstation. EXT. FRONT LAWN - DAWN - MOMENTS LATER The choppers churn up wind and leaves. A HIGH-RANKING COMMANDO, WALKER, intercepts Mac, Maggie, Uri and Laura. Over the chopper whine. With force.
WALKER NO WOMEN ON THE MISSION! LAURA MY FATHER’S GENERAL NATHAN. GOT CLEARANCE. To Maggie. WALKER NO CIVILIANS, MA’AM, IT’S TOO DANGEROUS. Indignant. MAGGIE TRY CHILDBIRTH. THAT’S DANGEROUS. MY CHILDREN ARE OVER THERE. I’M GOING. WALKER THAT’S OUR JOB. YOU STAY HERE. I’VE
95. Jabbing a finger in his chest. Taking charge.
MAC LOOK, PAL, THIS IS MY WIFE AND WE’RE GETTING OUR KIDS. SO STAND DOWN AND BACK OFF. They run around him to the chopper. joins them. He shrugs, turns and
EXT. CREEK WALK VINEYARD - ACCESS ROAD - NIGHT - CONTINUOUS Cranston speeds down the long dirt driveway in his BMW. clubs rattle in the back seat. Golf
A spotlight circles his car. He crouches to look out the windshield. The four Black Hawks swoop low over his car and out over the vineyard like a shot. He lets out a sigh. Then another spotlight engulfs the Beamer. But it’s ten times brighter. Cranston tries to look up at it. The golf clubs suddenly slam against the roof of the car. And keep slamming with an loud clanging. A whirlwind kicks up dust from the road. Tumbleweeds and debris swirl around his BMW in the white light. Cranston punches it. Pedal to the metal. The Beamer accelerates. The speedometer reads 100 m.p.h. It lifts off the ground. Cranston looks down at the road as it shrinks beneath him. Bathed in white light. EXT. CALIFORNIA-NEVADA BORDER - EARLY DAWN Four Black Hawks fly in tight formation low over the desert. INT. CHOPPER #1 - CONTINUOUS Colonel Austin rides shotgun with Uri, Laura, Maggie, and Mac and more troops in the back. Maggie sits between Mac’s legs, facing forward, engulfed in his arms. Uri examines an HK-MP5K rifle issued by Austin. He checks the magazine, unloads the clip of ammo, inspects it, pushes it back into place. Lock and load. Lays it across his lap. He notices Mac watching him. He grins and shoots Mac a thumbs up. Delta Force is back. Mac smiles thinly. Returns with a tired thumbs up.
96. Uri opens the blueprints. EXT. CHOPPER #1 - AIRBORNE - SUNRISE - LATER The Black Hawk flies low to the ground. Others follow.
INT. CHOPPER #1 - AIRBORNE - SUNRISE - CONTINUOUS The door slides open. Cold morning air bursts in with the first signs of dawn streaking across the desert sky. Golden light and wind wash over Maggie’s face. in wonder. With trepidation. The chopper sets down. walkies and headsets. All look out
Austin’s voice explodes over the
AUSTIN THIS IS IT! LET’S MOVE OUT! EXT. DESIGNATED LANDING AREA - CONTINUOUS The other choppers touch down. Soldiers spill out like ants, fanning out, crouching defensively. Awaiting orders. Uri and Laura pile out of Chopper #1. Mac and Maggie follow. Colonel Austin pops open the cockpit door. Makes a run for it. Gets to the front line. right. Low and fast. Commando sign language. To the
Forty men and two women run toward a gaping hole in the side of the mountain. Over two hundred feet high in diameter. A monster tunnel. They gather at the mouth of it. WALKIES BLARING MAYDAY! THE DOORS ARE CLOSING! The huge doors rumble together. AUSTIN USE THE THERMITE GRENADES! NOW! White
A half dozen troops run inside the closing doors. smoke pours out. MAC Thermite? AUSTIN They melt metal together. MOVE PEOPLE! LET’S
GIGANTIC TUNNEL . in. INT. secure the area. Colonel. Laura. Into his walkie. WALKER It’s up ahead. Four commandos run ahead fifty feet and dive to the ground near the cavern entrance providing coverage. No noise.NEAR CAVERN ENTRANCE . Feet first. The rest of the troops move in. Secure the area. TOP OF THE SHOOTS . INT. The ants go running MAGGIE Where are we? MAC The back entrance. Let’s go. . parallel TEFLON COATED SLIDES that go down forever.CONTINUOUS Walker and his men wait at the top of the shoots. Up ahead. AUSTIN These shoots should take us to Level 11. Trotting to keep up. We’re going in. SIR. Okay men. Maggie and Mac join the group on the right hand side.MOMENTS LATER Colonel Austin divides the men into two groups. Walker signals sign language. Looking back. We have a He stops. arms crossed. One of them signals. INT. Uri. The gigantic doors screech to a stop.97. WALKER THE SHOOTS ARE UP HERE. AUSTIN Roger that. The commandos line up and jump down both shoots single file down the shaft.CONTINUOUS Soldiers follow Walker up ahead. visual. Awestruck by the enormity of it all. He pulls out the blueprint map. ALIEN BASE . And vanish. Austin and the rest catch up.
Lays it down. SIR. AUSTIN We’re here. Flag on it’s side.98. We believe the General and kids are here. INT. equally aghast. Laura takes Maggie by the arm. Mac and Maggie come up Maggie gets her first eyeful of the hovering spacecraft. Austin unfolds A DUPLICATE SET OF BLUEPRINTS from his jacket. Looking around at his men. AUSTIN Maj 12 can be reached through the air filtration system or the emergency exit shaft. Finger extended. Uri and Laura arrive near the saucer. . We’ll enter it here. MAGGIE Oh my gosh. Eyes watery. Walker and the pointmen circle in. next to them. He points to MAJ 12. URI There is no resistance.S. Sees the U. The core is here.CONTINUOUS The troops form a semi-circle around the hovering disk. He stabs the map. The map illustrates the tiered levels. Covering her mouth. THE PLACE IS SECURE. standing in awe. GRID COMMANDO NOTHING UP HERE. GIANT SAUCER CAVERN . A tool cart a few yards away. MAC But why? A yell from above. A commando in the grid above.
NIGHT VISION . AUSTIN LET’S MOVE OUT! INT. Scanning everywhere. It’s THE GIANT. Quickly. WALKER Don’t fire unless fired upon. Walker motions the team with his flashlight along the tunnel walls.MIDWAY . With precision. It’s mayhem. Goes A flamethrower guy tries his luck.99. TRAIN STATION PLATFORM . smother the flames. Literally pulls him apart.MOMENTS LATER The entourage files onto the station platform. AUSTIN Remember you’re briefing. Three more close behind. tunnel walls. INT. stealth. But ignites another commando. . Men dive on him. TRAIN TUNNEL . He screams in pain. Uri peels off a commando’s night vision. A slow jog into the dark tunnel.TUNNEL . Dismembering. the rear.CONTINUOUS The giant leaps randomly from side to side squashing soldiers at will. Misses. Don’t use force unless absolutely necessary. WALKER WE’RE CLEAR. The group jogs silently. Pointy eyeteeth. A LARGE SILHOUETTE drops from a hole in the tunnel ceiling. Oval eyes.CONTINUOUS Pitch dark. Commandos with daggers drawn watch helplessly. wails echo down the tunnel. Puts it on. Walker jumps onto the tracks. His gunfire ricochets off the roof and the Walker’s The giant leaps on him. Walker points his flashlight. Mac and company near The next station is illuminated five hundred feet ahead. Everyone else jumps down. Walker fires.
eyes look side to side.100. Gunshots from behind him skim over Mac and Maggie’s heads. Yelling above the rattle. what is it? MAC Nephilim. Crouches down. He’s enormous. is carried over Mac and Maggie. MAC WE ARE STRONG IN THE LORD! The giant springs from the ground high in the air right at Mac. They fixate on Mac. from Raphaim. His oval Goes to the slain giant. MAC It’s time to be strong in the Lord. The giant quickly leapfrogs his way down the tunnel toward Mac. MAC Nephilim. Holding Elisha’s ancient cross out in front. URI You are strong in the Lord. He lands twenty feet in front of Mac and company. Some scream in agony from the strays. Tears rolling down. A large burning hole smolders through his head. Flashlights on him. KA-BOOM! The giant is hit from behind. Still smoking. URI Seeing is believing. He lands in a heap on the ground. Uri walks up. More outbursts of gunfire. Mustering faith. Lit by thirty flashlight beams. MAGGIE Mac. MAC You’re a good shot. MAGGIE What can we do? Reaching into his shirt neck. BRIGHT AURORA LIGHT PARTICLES suspend him there. . Looks to Mac. Sparks and bullets ricochet all over. He carries a bazooka.
URI Bizarre.MOMENTS LATER POINTMEN stick their guns. A hissing sound. . Mole. Whispering to Mac. Move down the tunnel. INT. He applies his hand. Anywhere. EMERGENCY EXIT SHAFT . Scan the station. POINTMAN #1 CLEAR! They hop onto the platform. Each time readying for combat. then heads above the platform. No resistance. MEN! They slowly break up. AUSTIN Get it open.CONTINUOUS The troops fly through small room after small room. Fix their weapons on another AN ADVANCE MAN finds a hand-scanner panel to open the station door. INT. INT. NEXT TRAIN STATION PLATFORM .101. prepare for descent to Level 12. It opens. No MPs. sliding panel. lower the ropes.CONTINUOUS POINTMAN #2 OVER HERE. SERIES OF CORRIDORS . The commandos take aim. SIR! Two commandos pull out black Makita’s from their packs and unscrew the emergency elevator shaft panel. MAC They knew we were coming. AUSTIN LET’S MOVE IT. Commandos encircle the fallen Goliath. URI No one is defending. Still no MPs. Each time passing through an air-lock passage chamber.
AUSTIN Down the hole! POINTMAN (O. Silence but for the elevator whine as it ascends.102. Laura runs to him.) HOLD YOUR FIRE. Maggie moves closer to Mac for protection. The inner doors slowly open. Hops out of the shaft. . Ten men kneel with their weapons aimed at the elevator. It’s General Nathan (Roswell). He slips the rope through a caribeaner with a brake bar attached to his harness. Everyone adjusts their aim. The outer doors open with a loud hiss. Fingers flex over their triggers.C. HOLD YOUR FIRE. Motions to Laura to fall back. Uri locks and loads. MOLE. climbs into the shaft. LAURA Daddy! Hugs him tightly. a compact Latino wearing a mountainclimbing harness. MEN. AUSTIN (O.) STAND DOWN! STAND DOWN! ELEVATOR COMING UP! Mole unsnaps. He positions himself. A lone figure steps out.S. AUSTIN HOLD YOUR FIRE UNTIL I GIVE THE ORDER! Uri gives Mac a look. ONE MINI-COMMANDO. MOLE READY FOR DESCENT. Eyes through cross-hairs. Ten more HK-MP5Ks lock and load facing the elevator doors.
Mac and Maggie listen intently. They’re well and no harm has come to them. ROSWELL You. The deal is this. You for them. sweetheart. Finds Mac. Maggie squeezes Mac. He pulls a circuitlike key card with coding on it out of his pocket. ROSWELL But I’ve been sent here to make an offer. . but they knew that. The kids were not a compatible host. are then to proceed to MAJ 12 alone. Austin arrives. could. MacKenzie. Uri shoots a Mac a look. He kisses her on the head. snaps to attention with a salute. General. I saw your children a short while ago. ROSWELL It’s an exchange. But the truth of the matter is this. Holds it up.103. ROSWELL Hello. ROSWELL Colonel Austin is to move his men from this level and go topside. Once you’re there. AUSTIN We got here as soon as we ROSWELL Good job. your children will be released. All of us are to go with him. Colonel. He looks around at the commandos. ROSWELL MacKenzie.
It’s your DNA and blood type that’s a genetic match. ROSWELL Then this is how it lays out. So does Austin. If Mac agrees. AUSTIN Sir. yessir. URI Send me. get the kids in exchange. sir. MAGGIE What are you saying? ROSWELL It’s time to exterminate this evil. we send him down. To MacKenzie. MAC I’m the one to host? LAURA You’re the one.104. ROSWELL Their abduction was a trap to get you here. Looks to Uri. ROSWELL Is the core accessible? AUSTIN We think so. he’ll kill you. ROSWELL Uri. . ROSWELL The window to destroy the base is now. MAGGIE That’s insane. If you refuse to share your body with Abaris. Abaris wants you. you need to be destroyed with the base. Lucy. and commence the core contamination to blow up the base. I’ll go. If you do host him. did you get the blueprints? Uri holds them up.
puts it away. He backs into the elevator. MAC I love you. Maggie at his side. He gently takes massages Maggie’s shoulders. Roswell comes over. Mac inspects the card. Losing it.105. Watery eyes. Handing Mac the elevator key. Mac remains by the elevator door. Uri and Laura behind him. slowly close. They kiss for the last time. ROSWELL This card will let you access Level 12. Inserts the card. ROSWELL Only Mac is a compatible host. Maggie. MAC I’ll do it. EXT. Time to believe it. Mac’s eyes meet Uri’s. MAGGIE I’ll never see you again. MAC God has the final word. The rest of Austin’s commandos watch as everyone files out of the elevator. Looks up to his face. One last hug.MOMENTS LATER Daylight reflects off the smooth hangar floor. She looks up. MAC Elisha said we are strong in the Lord. All eyes on MacKenzie. I’ll go. Majestic. Maggie buries her face into his side. ELEVATOR .TOPSIDE . The doors . Laura’s.
MAC How do I know they’ll reach the hangar? ASIAN MAN You watch there. Jeremy close behind. ASIAN MAN I go with the children. Mac stoops down and gives them hugs and kisses. MAC How are my dear ones? JEREMY I’m scared. ASIAN MAN Abaris wants to assure you they remember nothing of their harvesting. Asian man scurries into the open doors. SARAH Where’s mommy? MAC She’s waiting for you upstairs.CONTINUOUS The doors hiss open like a snake. . Mac steps off the It’s the same Sarah and Jeremy stand next to an ASIAN MAN. Looks up with contempt. MAJ 12 . SARAH DADDY!!!!! MAC PUMPKIN! Sarah runs with glee. janitor from the LAX men’s room entrance. Approaching.LOBBY . elevator.106. Dad. INT. MAC “Harvesting”. Back to the kids.
The doors slowly closing. Austin’s men milling about.CONTINUOUS Mac approaches. MAJ 12 . INT. MAC I love you very. Tousles their hair for the last time. arms. and this nice man will take you up. MONITOR SCREEN .ELEVATOR LOBBY . INT. Asian man points to a BLACK DOOR behind him. MAC Hold hands. Reality setting in. Mac gives the thumbs up sign. He kisses them both on the lips. Mac heads to the bank of monitors. The kids fire it back. He takes a deep breath. Assuring. Mac looks. Touches its surface. LARGE BLACK PANEL DOOR .107. Still kid level. Wipes his mouth. Choked up. Mac gets a visual of the door. He jerks it back. A lone tear. Looks over at the large black panel. Now is the appointed time. A video feed of the hangar. ASIAN MAN You go there.CONTINUOUS Commotion on the hangar floor. very. Knowing this is it. Then steps out of the elevator. No harm. Looks back. He reaches his hand up. The kids run into Maggie’s Watch and wait. very. you guys. INT.CONTINUOUS Mac watches the screen. very much. . Maggie at the bottom of the screen. A dual bear hug. No visible means of entrance. His hand goes through it. All are safe. They’re gone. He points to a bank of recessed monitors across the lobby. Inspects the damage.
A line of commando faces listen as Roswell continues.) To destroy the base we need to contaminate the power core. He reaches in farther this time. ROSWELL The only way we can get into the power core is down the solar shaft. His arm disappears up to his shoulder. Uri. GIANT HANGAR . Roswell lifts up a piece of bronze sheet metal. The sun is hyper-intensified by a magnifying glass lens and will burn through anything it touches. Takes a breath. Commando Mole has stepped forward. Are you sure? . Laura comforts Maggie and the kids far behind them. ROSWELL You’re too big. URI I can go. Mac walks squarely into the large black face plate. He pulls it back out. and the rest of the commandos. Blueprints of the base lie on the hangar floor. ROSWELL You’re odds of escape are one in a million. ROSWELL (O. Uri looks down the line.CONTINUOUS Roswell stands before Uri. And disappears. I need someone half your size. Austin.108.S. He fits the job. ROSWELL Let me tell it to you straight.S. INT. ROSWELL Colonel Austin? AUSTIN It’s his call.) I’ll go. VOICE (O. I’ve got a kamikaze mission and I need a volunteer. son.
Art MacKenzie. do we? MAC All of this was staged for my benefit? Laughing out loud. the ceiling. RASPY VOICE IN THE DARK Sit here. Seamless. It suddenly splits into four quadrants receding into the floor. RASPY VOICE IN THE DARK Don’t be shy. I want to see you.S. Here. INT.) Well. and Pthe left and right walls.CONTINUOUS RASPY VOICE IN THE DARK (O. Arthur. Mac sees the silhouette of a man sitting at a circular table. Pointing to a chair next to him. CIRCULAR ROOM . MacKenzie. Mac squints to get a better look. oh yes.CONTINUOUS Mac stands in front of another black door. I knew you would come. everything.109. Mac proceeds with caution. Whispering through his lips. All the personnel. sir. and walls somehow fails to illuminate the man.MAJ 12 . It’s MacKenzie. RASPY VOICE IN THE DARK MacKenzie. ceiling. That’s why I cleared everyone out. . Mac enters into a circular room. RASPY VOICE IN THE DARK We know everything. MOLE I like my chances. well. Mac slowly sits down. MacKenzie. INT. We don’t want anyone hurt now. CORRIDOR . The light filtering through the floor. all those bothersome MPs. have a look.
The oil fields ablaze in Kuwait. Hiroshima. Human skeletons stacked in a concentration camp. Yes. Mac jumps up from his chair. it isn’t a pretty picture is it? There is quiet. Chinese student protestors march arm in arm against militia wearing riot gear. Molded into the The room explodes with a series of DIFFERENT HOLOGRAPHIC IMAGES. The Wailing Wall. Osama Bin Laden. Suicide bombings in Jerusalem. Baghdad under siege. Pearl harbor being bombed by Japanese Zeroes. Mussellini. The images stop. The Ayatollah. I want you to understand what we humans are. The killing fields of Cambodia. The man places his hand in it. JFK’s head exploding in Dallas. Kadafi. A control panel in the shape of a hand. Raspy inhale. Hundreds of dead bodies in a river in Somalia. table. North Korean leader Kim Jong-il. MacKenzie. Castro. Napalm in Vietnam. through windows. Vivid moving images.110. . The second jet plowing into the World Trade Center. Atomic bombs in Nagasaki. He stares at the pictures. RFK shot at the Ambassador Hotel. like looking Hitler gesticulates wildly delivering an impassioned speech. RASPY VOICE IN THE DARK You see. Saddam Hussein.
111. Mac is silent. RASPY VOICE IN THE DARK All the butchery, the pain, the misery. Mac shifts uncomfortably. RASPY VOICE IN THE DARK All of what you saw will be a thing of the past. There will be peace, security, and a world governed fairly. The aliens will change things. And quite for the better. MAC Why are you telling me this? The man rests his hand again in the indentation on the table. A light begins to illuminate the man’s face, lifting it from the shadows. Humming, not singing. RASPY VOICE IN THE DARK Oh give me a home...where the buffalo roam... Thrown off. MAC I used to sing that song with my... RASPY VOICE IN THE DARK ...your father? His face now illuminates under the light. It is Mac’s father, his dead father, sitting before him. Mac recoils. Leaning in. Too creepy.
RASPY VOICE IN THE DARK I am your father. I am now the one named Abaris. INT. DIMLY LIT CORRIDOR - MOMENTS LATER Mac walks slowly next to Abaris. ABARIS Abaris, after a Greek sage who had the power to heal.
112. You see, it was I who saved the alien who survived the Roswell crash. Mac has trouble looking ahead. ABARIS When his body began to die I allowed him to enter mine. MAC Is he with you now? ABARIS You have been talking to both of us, for now we are one. It has been the most valuable experience of my life. Feeling somehow ripped off. MAC You fake your death so that some alien could share your body over raising your own family? ABARIS Oh you mustn’t be cross. It has been for the good. Yes, and much more. But now my body is beginning to die. That is why I brought you here. Mac strains to process it all. ABARIS You, my son, are the person to carry on. To end the misery on this planet. If you will only allow us to enter. Abaris stops in front of a large panel. into four sections. He gestures for Mac to enter. INT. THEATRE CHAMBER - CONTINUOUS ABARIS The time of the mass revealing is almost at hand. A world of peace, harmony, love, and understanding. The true brotherhood of man realized to its fullest potential. The door splits open
113. The room is suddenly bathed in brilliant white light. A huge heavenly being floats from an entrance off to the side. He is magnificent, powerful, and splendid to behold. HEAVENLY BEING I am the archangel Gabriel. me. The angel hovers above Mac and Abaris. changes his appearance. Trust And gracefully
Ghandi, serene and holy with a white dhoti wrapped around his tiny brown-skinned body. Into Buddha, silent and detached, with a beam of light streaking from the center of his forehead. Into Jesus, hanging on a cross, wrists impaled by bony nails, a crown of thorns jutting into his bloody head. Mac watches breathlessly. The image changes again. A small point of light. Swirling. Into a primordial cloud of spinning galaxies. Into the universe itself. His voice echoes. THE UNIVERSE I AM THE ONE NAMED SEMJAZA! Suddenly it is gone. It has vanished. Complete overload.
Mac stands in total shock. MacKenzie.
ABARIS (O.S.) Mac looks around. His father calls him from an adjacent room. Mac reluctantly follows. INT. SOLAR SHAFT - INTERCUT AN EIGHT FOOT DIAMETER mirrored-paneled SOLAR SHAFT magnifies a concentrated six foot diameter beam of hot desert sun down into the base. A heavily perspiring Mole carefully repels down the shaft, flat against the side to avoid the intense beam. INT. MAJ 12 - THE TIERED ROOM - INTERCUT A large space with a strange reddish glow. of towers with thousands of shelves. Hundreds of rows
ABARIS The aliens are here to enlighten us. embryos incubate within a thick red liquid. Mac keels over with dizziness. And soon their time of dwelling with us will be revealed. The mutilated cow carcass. Semjaza manifesting in the living room. Moses. Hybrid . The six-fingered skeleton in the ancient sarcophagus. Their seed and ours joined together to create a superrace. ABARIS This is the future. All genetically engineered. From the topmost tier. And the kingdom of heaven will be on earth. On the shelves are countless glasslike containers. To replenish their dying race and evolve ours.SPEED MONTAGE OF IMAGES Lucy’s gaunt face in the psych ward. A glowing hybrid heart beats in a glasslike container. MAC’S MIND . Putting it all together. Jesus. MAC Embryonic Nephilim. The small gray with the doctor inspecting the giant’s foot. MAC The cow’s blood. ABARIS Krishna. Muhammad. The rattlesnake on his heel. INT. An entire row of glowing hearts beat as one.114. Divina with her throat slit. They are the ones who stimulated the creation of the world’s major religions. The alien in the saucer staring in hate.
EMBRACE HIM. The tiny creature twists and presses its hideous face against the glass. Laura slammed like a rag doll against the wall. my son. Puts his shoulder into it. ABARIS It’s time to embrace him. They writhe and gasp. The jars smash open. NEPHILIM! BREEDS. but I assure you it is the future of mankind. Exploding. MAC IT’S A LIE! YOU’RE A LIE! NOT MY FATHER! YOU’RE . FOR HE IS YOUR BROTHER. It startles Mac. Seemingly in unison. MY SON. TIERED ROOM WITH GLASSLIKE CONTAINERS . OH YES. ABARIS YES. The embryo reaches out a clawlike finger. It scratches the side of the container. Hundreds of embryos spill across the shiny black floor. Mac snaps. Mac jerks away. Sarah and Jeremy floating in midair. Its twisted face a look of hate. MAC THEY’RE ALL CROSS- ABARIS WHAT ARE YOU DOING? Pointing at Abaris. ABARIS You see. The red thick liquid squirms. But he’s transfixed. this all might seem strange to you now.115. The embryo turns in the jar so that its slanted eyes look out at Mac. Pushes the entire tower over on its side. INT.CONTINUOUS Mac looks at a glowing hybrid embryo. Mac fights a gag-reflux.
116. He pushes over another tower. A desperate prayer. BRIGHT AURORA LIGHT PARTICLES manifest into a TWENTY-FOOT ANGEL. Semjaza comes closer. . He’s drenched in foul fluid. Choking. More embryos spastically twitch in the shallow thick cow’s blood. Elongated head. MAC WE ARE STRONG IN THE LORD AND IN HIS MIGHTY POWER! Projectile vomit at Mac. MAC IN THE NAME OF YESHUA THE MESSIAH I COMMAND YOU TO RETURN TO THE PIT OF HELL! Semjaza takes a deep breath and blows out a black cloud that envelopes Mac. They domino. Mac grabs for his throat. A warrior with a flaming sword. Holding up the ancient Jerusalem cross hanging around his neck. The angelic being fills the space. Outraged. He outstretches his razor-taloned fingers towards Mac. Then his appearance changes. ABARIS YOU MUST STOP NOW! Brilliant white light floods the room. HOW DARE YOU INTERFERE WITH OUR COLONY? YOU CANNOT DESTROY THE FUTURE OF MANKIND! Mac back-pedals on the smooth shiny floor. Gasping for air. SEMJAZA I AM SEMJAZA. wings spread wide. He’s gagging. Gray scaly skin. It’s time to believe. Slanted oval eyes. Booming voice. Looking up. MAC I need you. Clawlike hands. He goes down to the floor. Breaking glass everywhere.
The angel’s flaming sword pierces the darkness. The deafening noise subsides. Another sound joins the cacophony of the whirling wind. Semjaza lets out a tortured scream. to feet. Mac’s hair blows wildly. Semjaza takes another deep breath. revealing the suffocating Mac. His face a twisted mask of rage and fear as it tries frantically to move away from the abyss. A large ominous black pit descends as far as he can see. A gaping hole rips across the center of the floor between Mac and Semjaza. Suddenly tentacles of wind. Heads for the black door. The entire colony is spun into a frenzied helix and drawn into the depths. Abaris steps back in bewilderment. His clothes flap violently. like small tornados. At last all is calm. He scans the room.117. three large male rattlesnakes wrap themselves around Mac’s throat. They disintegrate as they fall to the ground. the loud rumble of an earthquake. Semjaza is now above him. A crackling thunder fills the room. A whirling hurricane engulfs the room. the angel swings his sword and cleanly cuts off his arm. A lightning bolt hurls at Semjaza’s feet. It’s The floor rumbles as the abyss slowly closes. then his body is torn from the clinging arm. The angel aims his sword at the floor. No Abaris. lash out from the abyss and encircle all of the writhing embryos and glass containers on the shelves. He desperately claws at a load-bearing beam. his disjointed arm following him. The warrior angel vanishes. The angel swirls his sword in the air. In the cloud. choking him. He hooks his clawlike finger on its edge. The noise is deafening. A larger tentacle comes up and wraps itself around Semjaza. The wind sucks down as the pit seals itself off. He lashes his sword at Mac’s neck. severing the snakes into pieces. He gets . Mac lies prostrate. Before he can exhale. Mac scrambles away from the pit. It holds against the supernatural force. Semjaza shrieks as he is hurled into the pit.
And finally lands back underneath Mole. HUGE CAVERN . Finds the pulsating lake twenty feet away. . Checks the guards again. AN ALARM BLARES. In the portal next to him Cranston bangs on the glass. Unzips a pocket and pulls out the piece of bronze sheet metal. And again. He folds into an airplane. INT. INT. swords drawn. The plane circles silently over the energy field. He sees the guards. He carefully launches the plane towards the lake of pumping plasma. INT. POWER CORE ROOM . A HOVERING SAUCER pulses a deep orange glow. Then dives in. He turns to watch the Nephilim giants charging hard. MOLE Crap. POWER CORE ROOM .118. A muted yell for help. It rotates revealing a row of oval shaped windows.CONTINUOUS Mole hangs out from the shaft. Three small grays yank him away. Get there. As they run toward the shaft. The guards spin around. Alarms drone and red lights flash. Abaris looks down from one of the portals. see Mole and brandish their swords. And slowly lowers himself again upside down.CONTINUOUS Mole pulls himself back up. INT. Under his breath. Sparks erupt as the power core commences a nuclear meltdown. SOLAR SHAFT . Mole’s face peeks out upside down out of the shaft. corrupting the energy field. He turns back to the pulsating plasma.INTERCUT Mac runs into a huge cavern. on top of the large prism of refracted sunlight.INTERCUT TWO NEPHILIM WITH MASSIVE SIX FOOT SWORDS stand guard near a thick stainless steel door. MOLE C’mon baby. Light pours down the solar shaft behind them and is reflected through a giant prism onto a lake of yellow inorganic pulsating plasma some twenty feet away. Mole drops to the ground and heads to the edge of the plasma lake.
CONTINUOUS Chopper One lifts off the tarmac. The others follow in . The saucer whisks towards the tunnel. The doors open.CONTINUOUS The elevator roars upward. ROSWELL Take her up. formation.CONTINUOUS Roswell. ELEVATOR . Austin gets a visual of the fireball. KA-BOOM. Maggie. Reserve power. AUSTIN The base is going. Alarms continue to echo. CHOPPER # 1 . Into his headset. EXT. and some commandos commence to buckle up. Mac is thrown to the ground. EXT. Austin. Sees a small card slot in the panel. A red panel lights up. And is gone. Blackness.119.CONTINUOUS The four Black Hawks wind up their sagging blades. ALIEN BASE TARMAC . Laura. sir. He runs to it. Mac looks up as the lights flash and go out. INT. He inserts the circuitlike key card. The saucer lifts higher and banks toward an opening at the end of the cavern. A fireball blows the elevator doors out into the hangar floor.CONTINUOUS The elevator doors open and Mac runs out into an empty hangar. The giant hangar doors in the background are closing as the fireball pours past them into the daylight. INT. ALIEN BASE TARMAC . Mac notices an emergency exit shaft against the wall. Daylight pours through a tunnel at the far end. the kids. INT. Uri. GIANT HANGAR .
CONTINUOUS A charred MacKenzie runs after the choppers. EXT. HE’S HOSTING. Uri extends his hand and grasps Mac below the wrist. They all . SIR. Sees a lone figure run out a narrow gap in the giant doors. circles back toward Mac.120.CONTINUOUS Maggie stares out the open chopper door back at the hangar. CHOPPER # 1 . and Uri pulls him off the ground into the already ascending Black Hawk. They lock. HE’S CLEAN. aiming his assault weapon. LOADED COMMANDO HE’S CONTAMINATED. INT. CHOPPER ONE . TAKE HER DOWN! EXT. INT. Lurching at him.CONTINUOUS Commandos pull Uri and Mac back into the chopper. running toward them.CONTINUOUS Another explosion shoots a giant plume of fire through the hangar ceiling. ALIEN BASE TARMAC . CHOPPER # 1 . A sprinting Mac reaches up as Chopper One swings over him. ALIEN BASE TARMAC . Finds Mac Chopper One Through the binoculars: a close up of Mac’s cross bouncing around his neck as he runs.CONTINUOUS A COMMANDO jumps into the open chopper door. land in a heap. MAGGIE IT’S MAC! EXT. Cheers all around. URI IT’S MAC. URI HOLD YOUR FIRE! Uri grabs the binoculars off the loaded commando.
The saucer angles steeply. me you won’t. Hovers over the water. PACIFIC OCEAN . face. And is gone. FADE OUT. Cranston is gagged with duct tape. (TO BE CONTINUED.) . FADE TO BLACK. Abaris looks out the oval window.121. deep orange glow. EXT. SARAH DADDY! Winded... Dives into the ocean. His bloodshot eyes wide with fear. In the oval window next to him. MAC Hello pumpkin! Maggie picks him up into a bear hug. MAGGIE Don’t ever leave me. MAC I promise.SUNSET TITLE: OFF THE COAST OF PERU It pulsates with a Tears of joy stream her Promise A flying saucer arrives from hyper-space. Mac.