NEPHILIM

THE TRUTH IS HERE
Screenplay by D. David Morin

Based on the novel NEPHILIM by L.A. Marzulli

(Part One of a Trilogy)

Lunchbox Entertainment V (310) 200-5252 ddmmalibu@hotmail.com

WGA: # 931080

The Nephilim were on the earth in those days --and also afterward -when the sons of God went to the daughters of men and had children by them. They were the heroes of old, men of renown. Genesis 6:4

FADE IN: TITLE: 1947 BRAZIL RANCH - ROSWELL, NEW MEXICO

EXT: BRAZIL RANCH

- LATE EVENING

A full moon tries to penetrate an eerie high desert fog. Flashlights pierce the darkness. PRIVATE NATHAN (O.S.) CAPTAIN MACKENZIE, OVER HERE SIR! CAPTAIN MATT MACKENZIE, thirties, in uniform, runs through the mist to the voice up ahead. His flashlight scans the ground. Shiny metallic foil-like pieces lay everywhere. MATT Will ya look at all this debris! His flashlight shines on one. closer look. He bends a corner. He stops. Picks it up for a No crease.

It pops back.

No wrinkle.

MATT What the... PRIVATE NATHAN (O.S.) OVER HERE, SIR, HURRY! He looks up, then back at the piece. EXT. CRASH SITE - CONTINUOUS The remains of a flying saucer cradle against a berm. Winded. MATT Whaddaya got? PRIVATE NATHAN Right there, sir. Matt shines his flashlight on something. An injured SMALL GRAY ALIEN with an elongated head and slanted oval eyes. He moves his oversized head slowly from side to side. A spindly arm raises a hand with SIX FINGERS. eyes from the light. His lids weigh heavy. MATT Shine your flashlight on me. him focus on something. Let He shields his Stuffs it in a pocket.

MAC’S APARTMENT . APARTMENT .2. PRIVATE NATHAN Nothing. MAJOR MacKenzie. A winded MAJOR arrives on the scene. He picks him up and cradles him. PRIVATE NATHAN (O.CONTINUOUS Ugly shag rug. The alien responds to Matt..BATHROOM .PRESENT DAY . INT.. The new Matt stares him down. fifty-something. find anything? Slightly altered voice. sir? The alien burrows his body right through Matt’s chest.) Doesn’t look too good. pulls the curtain open. I think he’s a goner.S. Messy coffee table.MORNING A PHONE RINGS. His eyes lock in with Matt. RING. And .S. A telepathic connection. INT. Tilts his head. Steam rises over a tired shower curtain. grabs a towel. Worn curtains. Matt is drawn to the alien.) Captain. sir. ART MACKENZIE. PRIVATE NATHAN (O. MAC I’m coming. Major. is gone. MATT Nothing. Both Matt and the alien have faces lit. Sir. what are you doing. PRIVATE NATHAN But.

THE TIMES . sixties. right? CRANSTON I’m on the Board.INTERCUT JIM CRANSTON. Hello. hospital. MAGGIE. Mac punches off speaker mode. ARTIE JR. No loonies or fanatics. Email it tonight. EXT. Checks his watch. He picks up some fish food. Sets the watch down.) HEY! Turning around. Dripping everywhere. MAC Crap.. old school preppy newspaper guy. SARAH. phone. JEREMY. yeah. Mac goes to his desk. the hospital. WESTWOOD MEDICAL CENTER . Hits the speaker MAC CRANSTON You got the assignment? MAC Yeah.3. MAC You got it.C. Sprinkles it in a fishbowl with Lifts a watch on the desk. CRANSTON’S OFFICE . You’re up. TWO GOLDFISH. MAC Yeah Runs to the . Sees an old picture of his ex and three children in a crusty frame.MORNING Mac pulls up the emergency brake on his banged-up Jeep. INT. That new wing cost millions. VOICE (O. He jumps out the Jeep with his note pad in hand. MAC Shoot.

Even the air conditioning has full filtration. HARRY. MAC Thanks. By rote. administrator. WESTWOOD MEDICAL CENTER . Lots of glass. EVELYN KENNEDY. Blunt cut. INT. Harry reads it. Mac runs off.MORNING Fourth floor. Tall windows on the left. HARRY With The Times. Calling out. HARRY If it’s just a hospital.4. More Pepperdine than Harvard. why the military? MAC Military? HARRY Sixth floor. Mac arrives. . picks up THE TIMES photo credential with Mac’s picture on it from the pavement. White floors. She and Mac walk down a long hall. Late twenties. Handing it over. huh? MAC Yeah. A BLACK SECURITY GUARD. MAC Can we visit the sixth floor? Caught off guard. EVELYN Every floor has the latest equipment. A protection against SARS. The new wing. HARRY You dropped something.

name tag DIVINA. MAC Can you show me these “screamers”? DIVINA Too dangerous. EVELYN Mr.S. is squeezing her mop out into a bucket. MAC Why? She stops walking. Turns the corner. Smelling a story. Cranston said your story was on the overall construction cost and the special features of this wing. MAC Pray for who? DIVINA The screamers. A cleaning woman.5.) You ask me. MAC I’ll pay you. Shrugs. A tiny cross on her necklace. Good-day. MAC Maybe the sixth floor is a special feature. Curt. Muy peligrosa. MacKenzie. FEMALE CARIBBEAN ACCENT (O. DIVINA I pray for them. it’s a prison. Mr. She’s gone. Her high heels echo down the corridor. EVELYN The sixth floor is off limits. MAC A prison? Si. Mac looks over. EVELYN It doesn’t concern you. .

Bites her bottom lip.6. A skeptical sigh. Getting dressed. Scans the lobby. DIVINA The Lord is telling me no. A moment. With pride. Flippant. WESTWOOD MEDICAL CENTER . DIVINA I have two shifts. They are . MAC I don’t kiss and tell. Pray God is with us. ELEVATOR . Anxious.MOMENTS LATER DIVINA Put this on. INT. EXT. MAC You don’t need God when you’re doing the right thing. Fidgets with her cross on the chain.THAT NIGHT Mac heads through the double doors. Looks down the hall again. Where’s that accent from? Head up. DIVINA I could lose my job for this. Meet me here before ten. DIVINA You must believe them.10PM . DIVINA I am from Costa Rica. not loco. She hands Mac a maintenance uniform and hat. MAC My story could help them.

The entire corridor Divina points to a camera attached to the ceiling. Looks at Mac. Mac looks through the wire-mesh window. is lit with dull. . the city. Nervous twitch at the corner of her mouth.MOMENTS LATER The sixth floor. Chewed fingernails.CONTINUOUS LUCY turns. huh? Divina unlocks the door. towards him. Disheveled hair. She was abducted by the aliens. DIVINA Keep your hat low. LUCY’S ROOM . DIVINA You have when the bathroom is clean. Opens it. right.7. Dark rings around her eyes. She grabs her hospital smock with both hands. Pushes her cart to the next room. Mac glances at it. MAC What’s wrong with her? DIVINA Same as the others. Key in the door. Elevator doors open. amber lighting. INT. He lowers his cap. MAC Yeah. SIXTH FLOOR CORRIDOR . INT. She glances at a camera in the corner. Gazes out at LUCY stands listlessly by the barred windows. MAC One of those. Walks slowly Tape recorder on. Convulsive stammer. Mac reaches into his shirt pocket.

something sesexual. They’re horrible. and I can’t stop them. . Words come faster. withdrawing within. Her voice dwindles. MAC Where are they from? Whispers. LUCY They took my baby. MAC Who’s horrible? A tear. MAC Tell me what happened. Voice trails off. LUCY Can you h-help me? I’ll try. Sobbing.8. LUCY Then I’m on a table and they do something to me. MAC Who took you? LUCY They’re not from here. LUCY Ou-outer space. LUCY I struggle but I can’t m-move. Mac rolls his eyes. Takes a step closer. They come to my room and take me. Recorder off. Reaches into his pocket. and I cry out to him but he doesn’t hear. and they carry me out of the h-house. My husband’s asleep. She starts to tremble. LUCY They come at night.

Haunted. LUCY Help me! Her bloodshot eyes look insane. She’s another whacko.9. Two MP’s head down the hall. Just a little freakier than most. there is no story. INT.CONTINUOUS Walking down the hallway. LUCY Then they have my baby and show it to me. MAC Divina.. A hand grabs Mac’s arm... MP #1 You got ID? Sidearms on their hip. A hand in Mac’s chest. Eyes wide. DIVINA Ahora! Lucy grabs his hand. . CORRIDOR . We go.and it’s not hu-human. Whispering. Then they trick your memory so you think everything is normal. He flinches. LUCY The Pl-pleiades. look. Eyes unblinking..my baby’s g-gone! She stares through Mac. MAC You got all the help you need right here. LUCY Then I’m on the bathroom floor and it’s night and I’m bleeding and my baby. DIVINA I pray your story will save her.

He plops two Alka-Seltzer in a glass of water on the coffee table. CALLER (V. Latin charm. Mac looks at the front door. MAC Who is this? CALLER (V.O. The first photo: Pulls out some photos. Looks. Mac recoils. He reads an open newspaper on the table. He opens the envelope. MAC What? CALLER (V. No one. The second photo: Mac talking to Lucy.) There’s a packet under your door. Mac looks at them blindly. ticket.10.) They found you. Jumping in.) You visited the sixth floor. Into the phone. Her throat slit open. The third photo: Divina lies on the floor of a janitor closet in a pool of blood. INT. Mac heads for it. MAC’S APARTMENT . A manila envelope slides under it. RING. And a plane Grabs an old cordless. Opens the door. He drinks down the bubbles. He is training. MAC Who is this? . Mac and Divina in the elevator.O. DIVINA He is with me.LATE MORNING Mac’s on his couch in a pair of boxers. MAC Yeah. Bed head. Fizzzzzzzzzzz.O.

plays with a GameBoy.INTERCUT International terminal.FARMHOUSE KICTHEN . MAC I don’t know what you’re talking about. MAC WHO IS THIS? CALLER (V. clears dirty dishes off a counter.) You’re phone could be tapped. You’re not safe here. talks on an old-school phone hanging on the wall. . CREEK WALK VINEYARD . Mac’s ex. Wrinkles it.) The plane ticket is for tonight. The UFO debris piece his father found. INT.) You have something they want but you’re not to give it to them. He reaches in and takes out an old potato sack. SARAH And that’s how David killed the giant Goliath. Holds a drink. On his cell. Daughter Sarah. back in the sack. It pops back. Finishing up.SUNSET MAGGIE. CALLER (V. Mac looks at the phone. washes pots at the kitchen sink.O.11. Opens the plane ticket: TEL AVIV. CALLER (V. back in the floor. sharply pulls the bed away and peels back the old shag. Tosses it.O. Jeremy. Maggie’s mom. LAX . Their son. 8. MAC’S BEDROOM . He pulls something out. DORIS. a natural beauty. The concourse buzzes with foreign travellers. 6.O.CROWDED AIRPORT BAR . Looks at Divina dead in her own blood. Dial tone. He stares at it. He lifts a square of the hardwood floor and exposes a little chamber. INT.CONTINUOUS Mac enters the bedroom. He puts it INT.DUSK. Don’t miss that flight. Mac sits at a barstool.

MAC Like you honestly care. it isn’t true. there’s no such things as giants.CONTINUOUS . Kitchen adjacent. Something’s come up. MAC I love you.DEN . MAGGIE I care that you’re lying to them. Comes to . MAC It’s just a story. MAGGIE’S FARMHOUSE . SARAH MOM! As she drops the phone.12. What’s come up? MAC I have to go to Israel. maybe you’ll meet another flight attendant. MAGGIE Well. Pumpkin. Lemme talk to your mother. MAC I can’t make it this weekend. It’s make believe. MAC The Bible is a storybook. Yelling out. MAGGIE You haven’t seen the kids for six weeks.INTERCUT Cranston looks at a computer. sweetheart. the phone. Maggie wipes her hands on her cutoffs. SARAH But Gramma says its true. Tan legs. MAC Can’t we ever get past that? INT.

MAGGIE Then make your alimony and child support. when Artie died I lost it. . THE BARTENDER throws down a coaster. MAC Is that Cranston? MAGGIE What if it was? MAC My boss is cutting my own grass? MAGGIE You didn’t want your own grass. He checks in on me. I want to make it right. WE GOT OUR TEE TIME. Mac squeezes the mobile off. To Mac. M. cell into his coat. Mac. Don’t get killed. CRANSTON MAGGIE. Gulps his drink. A PINKIE RING fits snugly on the fat little finger of each hand. I cheated on you. Don’t act jealous. MAC Are you dating him? MAGGIE He’s sweet. you’re were never good at it. MAC For eighteen holes? MAGGIE Very funny. It was wrong. Dial tone.13. Beads of sweat. Goodbye. PINKIE RINGS Gimme a Heineken. MAC Look. Slips the SIX A- AN IMPECCABLY DRESSED FAT MAN takes the stool next to Mac. Slicked-over hair covers a bald spot. Mac.

. straight up into the air. Turning to Mac. PINKIE RINGS We ran back to camp and told everyone what we’d seen. MAC One what? PINKIE RINGS A UFO. Not a cloud in the sky then off to my right is this silver disk. PINKIE RINGS I saw one once. Kills his drink. PINKIE RINGS Where you headed? Stewing over the phone call. At a Boy Scout camp. Just hovering. Mac pulls out his wallet. Pointing toward the television tucked up near the ceiling. The bartender plops down his beer. MAC Check. MAC Israel. Points at Mac’s glass.14. please. BARTENDER You good? MAC Yeah. PINKIE RINGS All of a sudden this thing takes off. Home of the suicide bombers. Either way’s all right with me. PINKIE RINGS Hey. just great. Without a sound. it’s War of the Worlds! TV: AN ALIEN SHIP FIRES A DEATH RAY AT FLEEING CIVILIANS. PINKIE RINGS Blow ‘em all to kingdom come.

and we’re going to get it whether you’re here or not. She takes Mac by the arm and hurries him out of the men’s room. MAC There’s chat rooms for guys like you. Turns around. Thirties. Six hours later everybody but me denied we’d seen anything. An ASIAN MAINTENANCE MAN mops behind it. MacKenzie.15. James Bond sexy. PINKIE RINGS WHERE IS IT? THWAP! The toe of a shoe kicks Pinkie Rings in the head. MEN’S ROOM . Too . He slams Mac against himself. and leaves. PINKIE RINGS You’ve got we want. Mac grabs his briefcase. Mac gets up. EXT. MAC I don’t know what you’re talking about. A A TALL FEMALE. throws down a twenty.CONTINUOUS Mac stands at an empty row of urinals relieving himself. High cheekbones. Intense GREEN EYES. She removes her dark sunglasses. Mac zips up his fly. Could be contacts. Bows and moves the cone. green. MEN’S ROOM . Carefully painted red lips. Could be a wig.CONTINUOUS An orange safety cone blocks the entrance. backhand judo chop sends him to the ground out cold. GREEN EYES We haven’t much time. He sees Mac approaching. INT. Platinum bobbed hair. A chubby hand with a pinkie ring covers his eyes and presses a box-cutter razor against his throat. Mac enters. Choking.

CONCOURSE . It’s not safe for you to be here. Mac looks back.CONTINUOUS She races Mac through the crowd to his gate. FOREIGN FEMALE VOICE Final call for El Al Flight Number 783 for Tel Aviv now boarding at Gate 68. Overhead. MAC Who are you? GREEN EYES I’m here to make sure you make your flight. Piped in over the airport commotion. Sees the maintenance man crouched against the wall. MEN’S ROOM . She turns and goes. MAC As in New Mexico? Who is he? GREEN EYES He’s on the inside. INT. GREEN EYES Someone will meet you in Tel Aviv.CONTINUOUS She takes him to the boarding agent. his wind knocked out.CONTINUOUS They rush out of the bathroom.16. EXT. MAC Who called me? GREEN EYES His alias is Roswell. GATE 68 . They want it back. . MAC Who was that guy? GREEN EYES Your father left you something when he died. Mac watches her vanish in the mob. Keep to yourself on the flight. INT.

FEMALE FLIGHT AGENT (O. KABOOM! A suicide bomber. Uri takes I am BenHassen. TEL AVIV AIRPORT . running for cover. Uzi’s. Grabbing Mac’s arm.ISRAEL COUNTRYSIDE . MAC I’m MacKenzie. He extends a thick calloused hand. DUSTY HUMMER H2 .) Your ticket and passport. Mac shakes it. Hands it to her. EXT. Identifying himself. HIGHWAY . artifacts . Tools. The crowd scatters. smiles. EXT. SCREAMS.AFTERNOON A dusty Hummer H2 speeds along a remote two-lane highway. A crude cardboard sign held above the masses. Mac pulls out his passport and ticket. bounce in the back. his bag.S. “MAKKENZIE”.INT’L TERMINAL . She’s gorgeous.CONTINUOUS The back is crammed with food and supplies. Armed soldiers everywhere. URI Welcome to Israel. Uri takes evasive action. He rolls his eyes. SMOKE. Uzi’s run in all directions. MAC Who? URI Call me Uri. MAC Where are we going? URI The Valley of Raphaim.MIDDAY A haggard Mac pulls his suitcase into the bright sunshine. Massive crowd. Slight accent.17. please. INT. BENHASSEN. URI She A rugged-looking Israeli man holds it. Mac spies it.

Just checking in. Shalom. URI Shalom. GPS screen. Finds ELISHA Good. get there? We have Believing is How long to URI Everything here is three hours.18. Welcome to Israel. MacKenzie. center panel. seeing? MAC Seeing is believing. MAC I guess we’re safe. thank you. Bouncing around violently. Same accent as Uri. making sure you are safe. The screen divides into three vertical panels. Everything flies. MAC Raphaim? URI The Valley of Death. ELISHA BENHASSEN. Uri’s grandfather. Uri screen left. We are clear. ELISHA Shalom. uncovered something. late seventies. gentlemen. Time for my nap. Elisha. I am Doctor Elisha BenHassen. Center dashboard. a small webcam reset above the screen. I’m quite good. Mac looks around to see where his feed is coming from. On screen. MAC I assume you’re on the good side? ELISHA Yes. . The H2 hits a large bump in the road. See you on arrival. and Mac is screen right. yes.

. Worklights stand strategically.19. EXCAVATION PIT . DIG SITE . MAC What’s that? URI A sinkhole.AFTERNOON Dirt and dust. Chickens and a few goats scurry out of the way. Beneath them lies the ancient temple ruins of a pagan fertility god. EXT. The H2 weaves its way through the camp. URI The excavation is over there. At the heart of the pit is a small room with workers surrounding a large sarcophagus. VALLEY OF RAPHAIM . Yellow caution tape outlines a large twenty-foot circle off to the right. URI It’s bizarre. EXT. MAC Did the excavation cause it? No. INT.CONTINUOUS Pointing. The ground starting collapsing the day we found the tomb. Workers with shoulder-sling canteens and hand shovels wave at Uri as they drive by. Mac gets a visual. Taking it all in. Mac stops alongside. generators. More dust. A semi-circle of phallic monoliths surround an altar.MOMENTS LATER Uri walks Mac to the massive open pit. DIRTY H2 . An ATV with two people on it drive past them. and port-o-potties litter the area. EXT.MOMENTS LATER Uri stops at the top of the large open pit.A DIG SITE . Like quicksand. Exposed catacombs stretch out below them. Tents.

Over twelve feet in length. The workers step back as Uri enters with Mac. MacKenzie. ELISHA BENHASSEN. Stupefied. A faded cotton shirt hangs loosely around his thin body. Dr. The heavy lid lays next to it on a thick block of rocks. Six fingers. ELISHA Shalom. . a large. Tall walls. Stepping next to Mac. White beard. Mac migrates over. EXPOSED SMALL ROOM . Elisha BenHassen. Wire-rim trifocals. URI Here. White hair creeps over and out of his ears. Peers into it. He extends a twisted arthritic hand. the American. DR. A wizened elderly man. In the center. They turn. OLD VOICE (O.MOMENTS LATER A small inner room. URI Go look. Completely intact.S. STONE SARCOPHAGUS. URI This is my grandfather. CROSS tied loosely around his neck.) Anakim. MAC Holy cow. Rephaim. Enormous size. heavy.20. A GIANT SKELETON. INT. Grasps his hand. Stoop shoulders. MAC My God. Mac steps forward. Welcome. There’s an ANCIENT URI This is Art MacKenzie. MAC What is it? Nephilim. six toes on each hand and foot. it’s a giant. Stained khaki pants.

Uri pulls up a wooden crate. ELISHA Meet Goliath’s bloodline. All different words uttered by my ancestors thousands of years ago to describe the same creature. right? ELISHA When my people first entered the Promised Land they reported giants living there. MAC You’re kidding. Mac jumps. ELISHA ‘We saw Nephilim there. We seemed like grasshoppers in our own eyes. Tender accent. Crooked fingers trace the letters etched in the stone lid. ELISHA Nephilim.” A FEMALE WORKER blasts an air-horn from the top of the pit. He motions for it. Anakim. The old man gingerly sits down. Rephaim. .’ MAC “Nephilim”? Elisha turns to Genesis. An OLD BIBLE on the heavy lid. ELISHA “The Nephilim were on the earth in those days .and also afterwardwhen the sons of God went into the daughters of men and had children by them. and we looked the same to them.21. MAC What is it? ELISHA Have you ever heard of David and Goliath? MAC Of course.

Mac can’t resist touching the giant bony foot. Elisha offers Mac a sandwich. resulting in unholy union between themselves and earthly women. MAC Fallen angels? ELISHA They came to earth and resided here. EXT. ELISHA The fallen angels. ELISHA Let us eat. and sandwiches. MAC The toe? URI DNA testing. By corrupting the human offspring. FEMALE WORKER FOOD IS READY! Come. Mac notices a toe missing on the skeleton’s left foot.DUSK . He takes it. Nephilim. one of his leaders. Uri. cheeses. Mac and Uri sit around a folding table with grapes.22. Not tracking. the fallen angels had altered human DNA. Stops MAC Lucifer and his disgruntled lot? ELISHA Semjaza. MAC Who were the “sons of God”? Leaning back. They all head out.MOMENTS LATER Elisha. The human race became essentially non-human. . A lab in Jerusalem. The result. Points. CAMPSITE .

ELISHA But God saved those who had not been corrupted. These aliens are again offering technology and are abducting women for intercourse. if it’s true. ELISHA Now present day. Uri reaches for more grapes. the original gene pool of mankind was polluted beyond recognition. Lucy? . MAC A bit harsh. Cleans his glasses on his gauzy-soft shirt. MAC What does that have to with me? ELISHA That woman you talked to at the hospital.23. ELISHA It is harsh! And definitely true. URI That is your theory. Not convinced. What if they are from a dying race. and have come only to renew themselves with fresh genetic material? ELISHA Certainly plausible. Perplexed. It says Noah was perfect in all his generations. The rest of the imperfect inhabitants he destroyed with The Great Flood. a distant planet. MAC How so? ELISHA He had little choice! With Semjaza’s demonic fornicators. Noah? MAC As in Noah’s Ark? ELISHA Precisely.

DR.DR. stands up and offers his chair to Elisha. Technicians task away. FINEBERG’S LAB .Nephilim.WEBFEED Computers line the walls atop benches and tables. MAC What about her? ELISHA She’s telling the truth. WORKER Jared has Dr. Trying to connect some far-fetched dots.24.. Elisha sits as Mac and Uri stand close behind. URI The DNA results from the giant. On a work table a 17” Powerbook with a webcam attached. stands nearby next to a lightbox.MOMENTS LATER JARED. Sophisticated equipment everywhere.. ELISHA Ahhhh. DNA. FINEBERG stands by a bench. a young techie. INT. His senior assistant. COMMUNICATIONS TENT . MAC How do you know? ELISHA These aliens are the fallen angels. COMPUTER SCREEN . part of an elaborate deception. Fineberg online. God’s spiraling signature of human creation. Once again they are impregnating our women and creating a superrace of hybrids. Jared stands Let . by. us go. A WORKER runs up to the table. MOISHE. MAC You’re saying that these supposed aliens are actually demons? ELISHA Yes.

We have the DNA results. ELISHA Shalom. Dr. Difficult accent. Intrigued. but I am afraid Moishe’s English is better. FOUR MASKED GUNMEN dressed in black rush the lab. FINEBERG It is fragmented. There is a foreign nucleotide which creates an exotic pair. MOISHE We ran it three times with a sequencing gel. . FINEBERG Shalom. sequenced. this is a different life-form. FINEBERG Simply put. Fineberg. It is something we have never seen before. MAC What’s so different? DR. DR. Jumping back in. Moishe slips a large piece of film over the lightbox. MOISHE The skeleton DNA is not complete. FINEBERG It doesn’t match up with any of the four known nucleotides. BenHassen. FINEBERG The control sample. DR. DR. We’ve never seen anything like it.25. my DNA. MOISHE The tests show that it is not entirely human. MOISHE Nothing on this planet has a fifth nucleotide. Rapid gunfire strafes the place. DR. In the background. But the sarcophagus sample did not.

. EXT. JARED. URI MACKENZIE. ELISHA We go. Evacuate. gunmen place charges. JARED Doctor. TELL HIM WHAT YOU SAW. KA-BOOM! Elisha’s laptop screen goes blank. WITH ME. URI I’M GOING TO THE LAB. General Roswell is on the webcam. MAC And? ELISHA The results were the same as Fineberg’s. Elisha shakes off his nap. station. Very good. CAMPSITE . GET ROSWELL.ELISHA’S TENT . A fifth nucleotide.LATER Elisha sleeps in an armchair in a corner of the large tent.26. Uri races out of the tent. ELISHA Jahweh be with us. Fineberg and Moishe killed.NIGHT . Jared nudges him. enemy is not happy. Uri pulls up the H2 a short distance away. Jared jumps to another work The ELISHA We are uncovering the truth. Technicians mowed down. MAC What do you mean? Our ELISHA Roswell did secret DNA testing on amniotic fluid from Lucy. Waving.

Webcam feed. Elisha. He hears something. different. Things are heating up. RIPPED. . Holds his lantern out for a better look. Digital delay. INT. God is sovereign even over the internet. JARED Should I try him again. EXT.LATER The camp is asleep. Does MacKenzie have the piece? ELISHA We haven’t gotten that far. EXT.CONTINUOUS Elisha arrives at the rim. INT.CONTINUOUS He sees a TWELVE-FOOT GIANT. Heads for the site. still earning his trust. Elisha leaves his tent with his lantern. Looks down at the inner room. Sorry about Fineberg. Roswell is speaking but there is no audio. LARGE ALMOND EYES. ELISHA Shalom. sir? ELISHA No.CONTINUOUS Elisha stops at the yellow tape. ROSWELL Shalom. EXCAVATION SITE . WORK STATION TENT . EXT.MOMENTS LATER Computer screen.NIGHT . Heads towards the port-o-pottie for a middle of the night pee. At the outhouse door he notices the sinkhole. POINTY EYETEETH. SINKHOLE . We are Interference overtakes the image. Then video is gone. Roswell. The twenty-foot sinkhole is now a twenty-foot bottomless pit. Something He reaches into the sarcophagus and picks up the skeleton.27. CAMPSITE . INNER ROOM .

EXCAVATION SITE RIM .NIGHT . EXT. URI And our skeleton is gone. Lifts the skeleton over high over his head. MAC You really saw a giant? ELISHA As real as you. An old pot of tea sits center. URI The skeleton is gone. BRIGHT AURORA LIGHT PARTICLES flash around him. The sinkhole closes back into quicksand. All our proof has disappeared. Is about to throw it at him. INT. Superhuman speed. ELISHA Holy God. They stare at their tea.28. Leaps twenty feet over Elisha and into the sinkhole. ELISHA IN THE NAME OF JEHOVAH EMMANUEL.CONTINUOUS The giant faces off with Elisha. MAC That’s just too fantastic. The giant bounds up the ramp. I COMMAND YOU TO LEAVE. He turns. ELISHA STOP IN THE NAME OF YESHUA! The giant freezes. The giant squats. our DNA is annihilated. Slamming the table. the Nephilim are back. He’s gone. Mac and Uri face . Elisha holds up the ancient Jerusalem cross from around his neck. Elisha. Sees Elisha at the rim. ELISHA’S TENT .MUCH LATER A lantern sits on a folding picnic table.

Mac looks up. ELISHA Not all our proof. ELISHA What did he write you? MAC About handling sections of the saucer. Did he leave a piece of the debris with you? Mac looks at Uri. yes? Unsure what’s next.29. or whatever it was. He MAC Is that what this is all about? ELISHA Do you still have it? MAC What does it matter? ELISHA Roswell believes that piece has information encoded in it that’s linked to the alien base. Looks back. MAC No. wrote a letter saying as much. ELISHA Yes. God has brought MacKenzie here for a reason. too. MAC Probably got him murdered. MAC What alien base? . MAC How so? ELISHA Your father saw the UFO in New Mexico. ELISHA Did he talk about an alien? Mac looks at Uri.

MAC I thought you were a Jew. Military is working with aliens? ELISHA They have been since 1947.30. ELISHA A Jew that receives Yeshua as the Messiah of Israel. MAC You survived? ELISHA Yeshua A Meshiac was with me. MAC Yeshua A Meshiac? ELISHA Yeshua the Messiah. MAC I see. lantern. MAC The U. ELISHA Do you have the piece? Mac notices a faded number tattooed on Elisha’s wrist. 2-4-2 MAC What’s that? ELISHA The Holocaust. It’s our only chance of destroying the base. ELISHA Your military has a base in Nevada. Mac looks at Uri for verification.S. The aging Elisha leans onto the table. We need to get that piece before they do. A Messianic Jew. As a boy I was interned at Bergen Belsen. 5-6-0Closer to the . We believe there is a harvest colony there of cross-breeds.

ELISHA Where is it now? Some hesitation. MacKenzie. Goodnight. Yes. Mac stops. MAC Hidden under a floor board in my apartment. I do. Uri and Mac head out of the tent. MAC Who exactly are you? ELISHA I have chosen God’s side. Mac shifts uncomfortably. Drawing in. You cannot serve two masters. MAC When? URI Daybreak. ELISHA I am strong in the Lord. Uri will diagnose it. Do you still have the piece? A breath. Now you must choose. There are spiritual principalities.31. But now I am tired. ELISHA There is important data stored on the piece. Confiding for the first time with anyone. MacKenzie. Standing feebly. MAC Yes. Looks back at Elisha. ELISHA There is a God. URI I’m going back with you. and Yeshua is his son whether you believe it or not. .

Uri honks the horn of the H2. ELISHA He delights in using the weakest of us to carry out his will. MAC Dr. He sings a prayer in Hebrew over Mac. . Wistful smile. EXT. must pray as well. you really saw a modern day Nephilim? ELISHA Yes.DAWN Elisha wears a worn prayer shawl and a faded yarmulke. MAC For what purpose? ELISHA He will show you in time. BenHassen. For the first time I am sorry God promised to never send another flood. He finishes and slowly takes his arthritic hands off his head. MAC I’ll try. MAC I’m no saint. God will Points at his watch. be with you. Shaking his head.32. You ELISHA I will pray for your safety. CAMPSITE . He embraces Mac. ELISHA A month ago I had a dream. Tears well up in the corners of his eyes. I saw you were coming here. MacKenzie. MAC Why? ELISHA To accomplish His purpose. that He was sending you.

. Tampered door knob. His TWO FISH bloat from death.33. You must Nods slowly. The phone. MAC It’s gone. Puts it over Mac’s head. Mac jumps through the mess. The bed frame is mangled. MAC’S APARTMENT . Stealth-like. The old hardwood floor pulled up. believe. Elisha takes the ancient Jerusalem cross from around his neck. Both men freeze.CONTINUOUS Clothes strewn everywhere. Shalom. EXT. LAX RUNWAY . INT. His sofa has been slit end to end. Mac’s queen-sized bed stands on end. The ugly shag rug under the bed has been pulled up. Heads to the bedroom. BEDROOM . ELISHA God has the final word. Uri motions to answer it. EXT. Torn upside down.LATE AFTERNOON An El Al 747 touches down on the runway. MAC’S APARTMENT . The goldfish bowl lies shattered on the desk. Wheels puffing out Sawed out dead bolt. stuffing everywhere. smoke. Mac holds his gaze. Mayhem. ELISHA You will need this. RING. Uri follows. revealing an empty secret space. INT. MAC It’s in here. The crusty picture frame is missing.CONTINUOUS It’s ravaged.FRONT DOOR .DUSK Signs of trouble. MacKenzie.

DIEBOL. See you at INT. There’s an old warehouse across from the train station. ten. MAC’S APARTMENT . EXT. MAC HOLD ON.MORNING Mac and Uri cruise in the Jeep.) It’s Roswell. Uri nods to leave. tailing them. A BLACK LIMOUSINE pulls up. More speed. Someone’s .O. MAC They got the piece. Rearview mirror. Mac looks at Uri. The rear window rolls down silently. Another right. I know.INTERCUT Dial tone. hops out.LATER Mac and Uri sit in the dark shade of a loading dock. Mac downshifts and punches it. He opens the rear door. STREET . ROSWELL (V. Whoever is gone.34. More bodyguard than chauffeur. Meet me there tomorrow at ten a-m.O. EXT.BLACK LIMOUSINE . Mac and Uri get in. ABANDONED FACTORY . ROSWELL. STREET . EXT. the driver. wears a military uniform. late seventies. Muscular. Large. MAC Hello? CALLER (V. A quick left into an alley. He motions them over.CONTINUOUS They’re rolling.) Get a hotel. Dark tinted glass. A hard right onto a side street.

Mac shoots him a look. . MAC You knew my father? ROSWELL I was with him in New Mexico. He never knew. They became a rogue element accountable to no one. He waves him off. INT. MAC General. Extends his hand. His eyes gaze impassively.35.DRIVING . Uri instinctively salutes. ROSWELL President Truman formed a group of men to study the alien problem. Roswell takes a long look. Back at Mac and Uri. ROSWELL And you’re Art MacKenzie. ROSWELL Your father was a good man. One shake. ROSWELL I’ve been involved with the alien presence since ’47. Shocked. MAC What happened? Looks out the tinted glass. You have quite a decorated past in the Israeli Special Forces.CONTINUOUS ROSWELL Uri BenHassen. ROSWELL’S LIMOUSINE . You’re bigger than I pictured. URI The alien base.

URI Nuclear power. MAC Why is the debris piece such a threat? He opens his briefcase. . ROSWELL The outer coating of the saucer is a carbon fiber alloy with elastic memory. A dying alien convinced him to host his spirit. MAC Who’s in charge? ROSWELL A man called Abaris. URI A harvest colony. ROSWELL The White House knows it only as an extraterrestrial research center. The base is solar powered by inorganic plasma. But I believe they are cultivating embryos from alien abductions. MAC That’s why it won’t wrinkle. It turns sunshine into plutonium. He now interprets his supernatural powers. ROSWELL More than that. Puts it together.36. ROSWELL The piece your father left you was from the mothership. I believe the blueprints for the base are encoded in its memory. URI Security threat. It’s alien technology. Pulling out aerial photos of the base.

URI And destroy the harvest colony. He opens a map. MAC Where do we come in? A pregnant pause. but I need you to identify it.37. Uri’s military mind. If the core is contaminated the reaction would obliterate the base. ROSWELL But we need the piece to get the blueprints. ROSWELL From here we’ll fly to the base. MAC But they know who I am. MAC Can’t we just let them keep it? ROSWELL The aliens’ agenda is evil. You’ll travel incognito. Points on the map. URI So we blow up the base. ROSWELL Tomorrow morning at zero-fourhundred you’ll meet me here. Outside Palmdale. We’re going in tomorrow. You’ll pose as new technicians. They offer technology but they are out to destroy us. ROSWELL I know where the piece is. ROSWELL Only you can identify the piece. ROSWELL The power core is highly secured. . At the risk of sounding stupid.

PALMDALE 20 MILES. ROSWELL Tracking device. Change rooms. ROSWELL’S LIMOUSINE .LATER The Jeep pulls off the highway onto a dirt service road. sporty and sexy. Tumbleweeds. EXT. thirties. ROSWELL Diebol. Sharp.LATER Uri holds a mini-flashlight in his mouth. They finish dressing quickly. Run to the limo. ROSWELL Zero four-hundred. No phone calls.3 AM Mac and Uri walk out of the hotel. ABANDONED FACTORY . sits next to Roswell. The back tires spin. beams.CONTINUOUS A VERY ATTRACTIVE WOMAN. Gives one to each. 4 AM. pulls out a telescopic pole with a mirror attached at the end.38. SERVICE ROAD .WESTWOOD . Diebol goes to the trunk. Stops. HOTEL .MOMENTS LATER Back at Mac’s Jeep. They change into their silver jumpsuits without a word. check their car.HIGHWAY . Flashes its high Climb in. Another car pulls onto the road. INT. He looks under Mac’s Jeep. Diebol sticks it under an abandoned car in the parking lot. Uri looks around. Through the window they see a sign: EXT. EXT. . Be on time. INT. Stands up with a quarter-sized object. Reaches in. Go back to the hotel. They’re gone. Roswell pulls two shiny silver tote bags from the trunk. Reads a map. MAC’S JEEP .

LAURA LAURA It’s time for your makeover. Then his Faces Mac. Pleasure. ROSWELL MacKenzie. She looks back at Mac. ROSWELL And this is Uri BenHassen. I made sure you got to the plane. It’s a make-up kit. WOMAN I see you made your flight. URI Same for me. She opens a tackle box. LAURA Let it dry. Shakes Uri’s. MAC I don’t follow. She squirts some liquid in her hands. She pats the seat next to her for Mac to come. Smiles. LAURA Close your eyes. To Mac. her beauty. LAURA At the airport. Mac sits there. MAC I could get used to this. He studies . hands. She extends her hand.39. MAC “Green eyes”. Blond wig? Smiles. She massages Mac’s entire face with the liquid. Laura. this is my daughter.

She Laura faces him with a special digital She connects the camera to an external palm device.40. She pulls out some wire-rim spectacles. It prints out TWO LAMINATED PHOTO ID’S complete with names. LAURA Take a look. The lotion on his face dries into wrinkled skin. Then takes his thumb. LAURA Put this on. . He holds it up. She pulls a tube out. She slips it snugly onto his thumb. She centers him. photos. and thumbprints. LAURA Uri. Uri looks over. LAURA Thumbprints. She presses another button. LAURA Lower it. She grabs a comb. Hits a button on the side. Uri leans across and presses his thumb on it. Puts them on him. Clear adhesive. She pulls out a ziplock baggie containing a matching color goatee. opens the lid revealing a scanner surface. presses it on the glass. parts his hair on the other side. She applies it around his lips and chin. Sees an old man. She hands Mac a synthetic thimble. Affixes the goatee. Uri watches her work quickly. FLASH. camera. FLASH. Massages his hair thoroughly. Then offers it to Uri. It quickly turns to an oily grayish white. She hands him a small mirror. Another bottle. Squeezes it in her hands. MAC Unbelievable. Mac lowers it.

Mac shoots her another look. Mac notices him wince. Handing them over. If defer to me. MAC Who’s Dr. Don’t look for me. Is that clear? MAC Is Laura coming with us? ROSWELL No.41. Back to business. Back to Roswell. She attaches a clip. ROSWELL You are going to want to ask a lot of questions. do not least bit surprised. under any look the Laura hands them each a small flip phone. Is that clear? Mac makes eye contact with Laura. I’ll find you. ROSWELL You’re not to address you are spoken to you And whatever you see. you can text message. circumstances. Roswell shifts in his seat. LAURA You’re from New Jersey. She smiles back. You are not to do so. . You are NOT to make eye contact. ROSWELL The piece is in a special area. Mac clips it on. Reads it upside down. You will see aliens. LAURA It goes on your left pocket. anyone. And don’t talk to anyone. ROSWELL If we are separated. Irving Liebowitz? She smiles at him.

ALIEN BASE .CONTINUOUS Mac hurries up to Roswell and Uri as they enter the huge. A LARGE MP stops Mac. Uri looks back up the stairs. Deployed in twos. Roswell passes the guards. TWO MP’S. at Mac. EXT. Time to focus. GIANT HANGAR . four-story hangar.GIANT HANGAR . WalkieThe They get out. A FedEx Cargo jet is parked on the tarmac. Adjusts his glasses. ROSWELL (O. ROSWELL Stay close.) We’re here.CONTINUOUS MP’S everywhere. Then Looks closely at the credential. EXT. Walkies.DAWN The limo pulls up outside a fenced area. Yellow helmets. INT. talkies. MAC A FedEx jet? ROSWELL Part of the deception. Automatic . METAL STAIRCASE AGAINST THE PLANE . high hangar doors. EXT. Checking ID'S.C. TARMAC . Dobermans on harnesses. EXT. Catches himself.CONTINUOUS Top of the staircase. Sidearms. Mac watches them go by. People load by a Then Mac. Mac stares ahead. towering doors are slightly open. GIANT HANGAR . LARGE MP NEXT.EARLY MORNING The jet pulls up to a ten acre. Uri close behind. weapons.42. staircase.

Uri and Mac rub shoulders with the rest. . Eleventh floor. The large. The Elevator doors whoosh open. the letters MAJ. Rifles up and ready. next to a sidearm. Inspects He inserts a KEY attached to his belt. Scientists and other plane passengers avoid the MP’s looks. MPs salute and get back in. They face the crowd. Uri and Mac get off. Four more MP’s rush into the huge lift as the AIRLOCK DOORS hiss shut. into the control panel. INT. Nods toward the control panel. Under his breath.CONTINUOUS A hundred scientists and technicians load in.43. wide doors whoosh shut. Stand guard. Roswell. All head toward a large elevator. shoots Mac a look. ROSWELL This is us. Mac studies the panel. INT. Roswell. CLOSE-UP CONTROL PANEL . THE OPERATOR. MAC Excuse me. A TALL BLACK MP.CONTINUOUS The floor numbers descend 1 to 12. MPs exit. Certain areas of the hangar are sectioned off with tall black partitions. LARGE ELEVATOR CHAMBER . In place of floor 12 are Next to the letters MAJ is a horizontal slot in the panel for a specially constructed key card. everyone closely. Roswell catches Mac’s eye.

WHAM! INT.CONTINUOUS A SCIENTIST stands next to A SMALL GRAY BEING. Whoosh. It opens. He walks through. Roswell looks away.CONTINUOUS Walls.44. Eerie looking. Mac looks ahead. INT. No acknowledgement. HALLWAY . Two tall MP’s frame the door. Mac looks to Roswell. Another lab up ahead. Zombies. Uri steps up to the panel. Mac falls behind Uri. ceiling and floor are monochromatic. SIX TOES. INT. ANOTHER POD OF SCIENTISTS march quickly in his direction. A somber military gray. . She looks down and away. It opens. BEEEEEEP! SCREEEEECH! A fast moving electric cart carrying more MP’s swerves to avoid Mac. He passes. Blank faces swoosh by. Roswell stops in front of a panel. It’s rampant. Mac whips around. Faint outlines of panels appear every four feet. Roswell approaches a blank wall. Credentials. Mac looks up. They’re examining someone. A HUGE FOOT. Roswell’s hand behind his back. Roswell ahead. ADJACENT LAB . INT. ELEVENTH FLOOR LOBBY .CONTINUOUS Mac plows into the far MP standing guard at the door. He passes through. A deadness. ELEVENTH FLOOR CORRIDOR . Panic. Mac smiles at an academic blonde. Hate. Gone. Slows down. A GIANT. It closes. The MP stares down. Mac quickly backs away. It slides open quietly to the left. Elongated head. Mac approaches. Mac and Uri behind. Looks inside. Bony arms.CONTINUOUS A small group of men and women with ID credentials pass the other direction. Motions to look inside. Clipboards. A very low frequency oscillates from below. Light emanates from above. MAC You go.

A moment. Uri approaches. Mac does the same. tunnel. Whispering. Benches constructed of a seamless material never seen before. URI The sinkholes. Overwhelmed. SMALL SUBWAY STATION . Four others cars behind. . did you see it? URI Yes. Mac shoots him a look. Roswell and Uri MAC My God. A conductor sits in a glass-domed car at the front. The door slides open. Uri. Mac approaches. Mac looks around. but did not believe it.CONTINUOUS TWO MP’S salute. Six seats each. They walk slowly towards another set of doors. INT. A large cylindrical ceiling reaches twenty feet high. TWO MORE MP’S talk to those at the door. ROSWELL There have an entire network of tunnels that crisscross under the planet. Roswell returns the gesture.45. Roswell walks to the edge by the tracks. Mac turns back to the lab where the alien was examining the giant. Sets the palm of his hand on a scanning device near the door. They get waved through. Nauseous. are up ahead. Peers down the Their tags Inside the tunnel other tunnels bore through the concrete overhead and to the side. ROSWELL Later. Disoriented. They go everywhere. Ice.CONTINUOUS They enter the platform of a small station. ROSWELL Not good. are checked. An empty train glides out of the dark tunnel from the left. SMALL DETAINING ROOM . They go through. Roswell reaches out. Quiet. INT. two abreast.

Pay attention. Used to be an underground reservoir. Two men stand inside. Walking forward. They’re gone. thick cables. A short distance away A DISK-SHAPED FLYING SAUCER HOVERS silently above the floor of the cavern. They diverted the water.CONTINUOUS They enter an enormous space. Large luminous orbs imbedded in the ceiling cast a peculiar greenish light. Mac is agog. Still rubbernecking. Mac and Uri get in the first car. Twenty feet off the ground. The doors open. URI Un-be-liev-able. Then follows his gaze. The ceiling is a hundred feet high. Sternly. Mac glances at Uri. covered with steel-girded catwalks supporting a maze of powerful lights. Roswell. ROSWELL It’s a natural cavern. He holds a small palm device. Motionless. ROSWELL Stay close. Roswell clears his throat. closing the distance to the saucer. Quietly. INT. and overhead cranes.46. MAC Yessir. A glass command post nestles in the center of the catwalks like the body on a daddy-longlegs. Mac freezes in awe. exposing the interior. A metal scissor-lift ascends next to the craft with a TECHNICIAN in another silver jumpsuit. A portal is open. BUILT-OUT CAVERN . Mac and Uri finally catch up. Mac sees he has fallen a dozen paces behind. Some MP’s load in the car behind. Roswell continues the same pace. UNIFORMED TECHNICIANS are stationed everywhere. . The train accelerates quickly. He quickly rejoins them.

Roswell stops twenty feet from the disk. ANGLED BLACK EYES dominate the alien’s face. MACKENZIE. A one-piece jumpsuit matches the color of his skin exactly. Facing him. It floats noiselessly. He reveals another ALIEN. Walk behind it. Bothered by Mac’s very presence. ROSWELL MOVE. TWO LARGE. Spindly arms. Mac and Uri stop The disk is seamless. Horrible images flash through his mind. . Taller. keep him moving. Distracted. ROSWELL MacKenzie. MAC Sorry. Roswell and Uri shore Find themselves in Mac turns around and begins to weave. An invisible force hits Mac in his solar plexus. Blocking his line of sight. Mac can only stare back. A row of windows circles the craft near the top. Inches from his face. Now. The sleek exterior is of a dull gray metal-like material similar to the debris piece. Immobilizing. Thin torso. One of the men standing in front of the portal moves from the interior onto the lift. Turn around and walk away. Looks right at him. SIX FINGERS on each hand. MAC My God. On the bottom are round indentations that appear to conceal lights. Blurry. The creature jerks his head. next to him.47. They’re alone. A disproportionately large head. They reach a partition. an area for equipment. ROSWELL I said no eye contact. An AMERICAN FLAG is painted near the hatch door. him up. Mac is blanking. NOW.

Mac circles up the pile. TWO MP’s The heavy door at the room’s entrance slides open. LIKE DEBRIS thirty feet high. Find Mac clumsily climbs up the debris heap looking for the one. What did you do? MAC A force came at me. it.48. Time is of the essence. ROSWELL You drew attention to yourself. piece? How about any ROSWELL It has to be from that mothership! MAC It’s impossible. with automatic weapons enter the room. ROSWELL Let’s move. Uri nods. arms crossed. A total sense of evil. The MP’s approach Roswell who is pointing at the pile and improvs a briefing with Uri. Inspecting random pieces. only to bounce back in perfect shape after his foot lifts off it. ROSWELL You know what it looks like. STORAGE AREA . Uri and Mac follow. INT. Uri coughs loudly. Looking up at the mountain of scrap. . We may have been compromised. MAC We’ll never find it.CONTINUOUS They enter a large storage area. Like he wanted me dead. Each step silently crushes the foil beneath him. There’s A MOUNTAIN OF FOIL- ROSWELL My sources tell me the piece was brought back here. Mac dives around the back of the pile. He walks off briskly.

pentagrams. INT. A shaky voice. ellipses. squares. INT.49. the bedding. They head A circuitlike key card is . Uri scurries up the debris pile. in the slot for level MAJ 12. The carpet. Is distracted by the resilient foil pieces. They’re all geometric shapes. The door closes behind them.MOMENTS LATER A large room. triangles. Mac peers around and sees the MP’s talking to Roswell. the wall covering. A KNOCK at the door.MOMENTS LATER Roswell stands next to the MP’s. MAC Where’d they take him? URI Some emergency meeting. Spellbound. Opens his palms. LOBBY . they spring back. The doors whoosh open.MAJ 12 . Gets to Mac. hexagrams. Rhomboids. BEDROOM SUITE . INT. everything a shade of gray. MAC It’s a trapezoid. than my hand. the sofa. URI What shape is it? Guessing. Tall curtains drape from the high ceiling.CONTINUOUS Roswell exits the elevator with his MP escort. Roswell nods to Uri and leaves with the MP’s. ELEVATOR . OLD VOICE FROM THE BED Come. down a long hall. circles. A little bigger They both sift through the arduous task. The decor is exquisite. He crunches them in both hands. Uri looks down at the scraps in the heap.

Exploding. INT. sits in bed in darkness from his chest up. His jumpsuit is zipped open.50.C. Looking heavenly. Sees the cross a few feet away. Abaris. it’s a trapezium. . The door opens revealing Roswell and the MPs. URI That’s not a trapezoid. MAC YOU FIND IT. no two of which are parallel. Then goes and picks up the debris piece under it. ROSWELL What can I do for you? ABARIS This body is getting weaker. come in Nathan. He walks to the foot of the bed. We will soon be in need of a new host. ROSWELL Hello. MAC Uri. It has four sides. The MP’s close the door behind him. Roswell enters. Throwing the cross off his neck. blocking his vision.CONTINUOUS Mac plows furiously on his hands and knees. He lets out a sigh. ABARIS Hello old friend. ABARIS. The cross keeps swinging out around his neck. early eighties. Sweat on his brow.) Yes. Freezes. OLD VOICE FROM THE BED (O. STORAGE AREA . Off Mac’s look. Uri scrambles over. Inspects it. we got it. Takes it from Mac.

She walks into the hall. The door unlocks itself. Other technicians INT. A train pulls into the station. Mac shrugs. BRIGHT AURORA LIGHT PARTICLES fill the air. Roswell. The restraints spring open magically. Her eyes open.LOCKDOWN WING . The workers start to load the train. RING. Uri and Laura all give Mac a look.LATER Mac and Uri sit restlessly on the bench. They join him in the car. stand by the tracks. Uri looks back. URI He’s in the train. Hello? Roswell gives a slow nod. Sees Roswell in an empty car.CONTINUOUS RING.AFTERNOON Lucy lays asleep on a bed. and walks to the door. Her hands bound at the wrists to She’s noticeably thinner. INT. No one is there. ROSWELL’S LIMOUSINE . Slides open. INT. The train whooshs off. HALLWAY . Mac finds his phone. MAC .CONTINUOUS Lucy walks down the hall towards the orderly’s desk. Mac and Uri both check the platform entrance. stands. CAMARILLO STATE MENTAL HOSPITAL . Lids have a peculiar red color to them. Low tones to Mac. No one is talking. INT. She sits up. SUBWAY PLATFORM . Mac’s cell phone. Closes her eyes and touches the top of the cradle. Hair matted in clumps next to her face. stainless steel guards. She picks up the phone receiver. No Roswell. Her eyes are swollen shut.51.

you’re the waone. LAURA The one what? MAC I don’t know. INT.LOCKDOWN WING . Trance-like. HALLWAY . INT. ROSWELL’S LIMOUSINE . Phone time is over. HALLWAY .INTERCUT ROSWELL No one has that number.CONTINUOUS Convulsive stammer. Lucy. INT. ROSWELL’S LIMOUSINE . two gold front teeth. How did you get out anyway? INT. skinhead. tatoos.. BUDDY Let’s go.52. URI Who was it? MAC It was Lucy. Taking her away. LUCY You’re the wa-one.LOCKDOWN WING . She said “I’m the one”. A hand takes the phone away from her. .INTERCUT A HEAVY-SET NATIVE-AMERICAN ORDERLY. Gentle spirit. ROSWELL Where was she calling from? URI Check your call log.. BUDDY.INTERCUT MAC The one what? Dial tone. hangs up the phone.

ROSWELL’S LIMOUSINE . 9999. He INT. She’s a EXT. runs back to the phone. INT. Call her back.GOLF CART . LAURA They’ve transferred her. Roswell nods. Dial tone.53. CRANSTON I want out. Pinkie Rings is next to Jim Cranston. threat. Buddy slides Lucy’s door closed. 805-876- Mac hits dial.LOCKDOWN WING . He reaches for a can of Heineken out of the cup holder. A short pencil writes down two “4’s”. HALLWAY . GOLF COURSE .AFTERNOON A pinkie ring on a chubby finger holds a score card.INTERCUT MAC Camarillo Care Center. Lockdown. PINKIE RINGS Where’s MacKenzie? . Mac shuttles through his phone. LAURA Ventura County. Finds the number. PINKIE RINGS It’s too late. PINKIE RINGS Not bad. lockdown. Takes a swig. MAC It’s 8-0-5. BUDDY Camarillo Care Center. Two birds. Buddy looks at the receiver. It self locks.CONTINUOUS RING. Winded.

PATRICE BURROSS. Roswell Looks PATRICE How can I help you gentlemen? ROSWELL I have orders to see a patient from the military psych ward in Westwood. Do it now.LATER FOUR SEVERELY MENTALLY RETARDED ADULTS. PATRICE Are you related to the patient? ROSWELL No. A BLACK WOMAN IN A WHITE UNIFORM. She stops tapping the pen. Air Force. Beautifully braided hair. A small fan blows behind her. Are you part of the Conservatorship? ROSWELL I have orders.54. pass Mac and Roswell at the admittance desk. and you are? ROSWELL General Black. Taps her pen. Pinkie Rings swigs again on the Heinie. CAMARILLO CARE CENTER HOSPITAL . U. . CRANSTON Maggie hasn’t heard from him. She finishes. Cranston reluctantly opens his cell phone. around. PINKIE RINGS Call her again. PATRICE Yessir. Say you have work for him. Just a minute. led by an ORDERLY. An easy smile. General Black. PATRICE Yessir. She lifts a long purple fingernail.S. scratches his neck. nods. INT. Mac. in civilian clothes. is on the phone at the counter.

SHERMAN Is he part of the Conservatorship? PATRICE No. but it’s important that I see her. SHERMAN That’s private information. SHERMAN looks over. SHERMAN? Over his glasses. Over Roswell. Is she still sedated? DR. SHERMAN Yes? PATRICE General Black is requesting to see a patient admitted from the military psych ward in Westwood. Reads Roswell. you. I’m not. DR. PATRICE DR. PATRICE Well you’re in luck. PATRICE Then I’m sorry. sir. DR. DR. DR. SHERMAN Is he related to the woman? Jumping in. station. Impersonal. down the hall. PATRICE Would you like to speak to her doctor? ROSWELL Yes. MAC Then she is here? She glances down the hallway. Holds a chart. ROSWELL No. Veers to the He’s coming I can’t help .55.

Thank you for you time. Diebol types the name into a laptop. MAC Man this stuff itches. Doctor. Notes the name of the executive director of the hospital. MAC What next? ROSWELL A phone call.56. DR. LAURA Don’t touch it.CONTINUOUS Laura and Mac exchange a glance. Mac follows. CAMARILLO CARE CENTER . All climb into the limousine. Laura stands next to them. INT. He’s Blue Mac still in disguise. Carrys on. Catching up. He turns and leaves. the executive director here. EXT. ROSWELL Diebol. MAC What’s he doing? LAURA Finding a link between the executive director and one of our contacts. He stops in the lobby.CONTINUOUS Mac sees Uri. call Edward Higgins. .PARKING LOT . ROSWELL The military needs to know. also in civilian clothes. Tooth wireless does the rest. next to Diebol. ROSWELL Fine. BLACK LIMOUSINE . Hits return. SHERMAN I’m not at liberty to discuss the case.

Higgins thumbs through a file. MR. I came as quickly as I could.. Roswell.. Even to use the toilet. A Major Lewis. A tall lanky man with stringy gray hair. ROSWELL Thank you for your cooperation. ROSWELL It’s imperative we see her now. Laura and Uri sit attentively. HIGGINS Well. it’s not exactly clear why she’s being held in lockup. MAC Contacts? DIEBOL Got it. Pressing. . URI Lockup? HIGGINS It’s usually reserved for the criminally insane. Every room has a keyed entry.57. no matter. Mac. HIGGINS Lewis and I go back a long way. It was requested by the psych unit for security purposes. HIGGINS No particular reason. LAURA How is she a threat? Reading on. HIGGIN’S OFFICE . The Major informed me of the situation. sir. Well.high school wrestling team.LATER EDWARD HIGGINS. INT. ROSWELL Make it happen. They’re old personal friends.

Those teeth. Like a crazed animal. A slow smile. things we don’t. HIGGINS Some of them do that when they get excited. LOCKUP WING ENTRANCE . Opens it.58. Mac and Laura exchange a heavy duty look. They all go. ROSWELL I need a visual. BUDDY Oh. Higgins looks to Roswell. Bad dentistry. Buddy opens the door.MOMENTS LATER Buddy fits his special key into a lock. A heavy wire-meshed window in it.MOMENTS LATER A thick fire door. HIGGINS Well then. Feeling the pressure. He sees Crooked smile. Disturbingly amused. she’s still sleeping. Finally gives in. Buddy turns to Mac and Laura. Roswell discreetly looks at Mac. ANOTHER WILD WAIL. heads down the hall. The woman lays asleep on the bed. Mac . INT. WILD WAIL. BUDDY That’s the Screamer. WOMAN’S DOOR . HIGGINS We’re here to see the woman we received this morning. Turning to Higgins. Her hands bound at the wrists to the stainless steel guards. nods back “yes”. Nods towards Lucy. INT. A HIGH. follow me.

the Major said to do whatever you asked. ROSWELL Let me assure you it’s important we move this woman to a safe location. here. I’ll have to contact the Conservatorship and have it cleared. but her chart indicates. Stay with her until we transport her. ROSWELL How soon before we can have her moved? Confused. Her life may be in danger. .. HIGGINS Well. ROSWELL This is a matter of national security. Now I want her cleaned up and given a change of clothes. HIGGINS Here? ROSWELL Yes. Shifting uneasily. ROSWELL When she wakes up see that she gets some real food to eat. Incredulous. LAURA Yessir.. To Laura. Cutting him off.59. HIGGINS Major Lewis didn’t say anything about having the patient moved. HIGGINS Well. ROSWELL Thank you for your assistance. and I need your cooperation on this to the fullest.

Laura ROSWELL That won’t be necessary.) Got it. DIEBOL (O. HIGGINS The orderly can stay with her in case she needs assistance.60. ROSWELL We have work to do. will do fine. make a call for a special transpo unit. A few cards short. A scanner built into the screen of this laptop will read the piece. We’ll take it from here. you go. ROSWELL The debris piece is hyper dataintensive and the scan could take four hours to decipher it. Speaking into his high-tech wristwatch. Laura will accompany them when they move the patient.THE 101 SOUTH . ROSWELL Thanks again for your cooperation. ROSWELL Diebol. . Roswell sizes up Buddy. he nods in agreement with Laura. LAURA I got it. Roswell pulls a laptop out of his case. Handing it to Uri. MAC I can stay.S.DUSK Uri plays with the debris piece. INT. Mac. Mac shoots Uri a look. sir. Turns to Higgins. ROSWELL’S LIMOUSINE . ROSWELL The software application is called MAJESTIC.

Roswell reaches into his briefcase. ROSWELL They’re have been cattle mutilations. I don’t how Lucy got you. Inspects the screen. MAC What does that have to do with the aliens? ROSWELL The harvest colony incubating at the base. Uri opens it. ROSWELL Use your cell phone for everything. the base will self-destruct. Mac looks through the file. It’s signal is scrambled. URI To locate the power core. back now. So is the web-feed in the laptop. ROSWELL Exactly. Blood is a vital element. Cows are drained of their blood and parts of their anatomy are cut away by a laser. We contaminate the core. MAC Hopefully with us not in it. Hands it to Mac. I’m due Pulls out a file. everything you can find. You’ll go out there tomorrow. ROSWELL There’s a fresh carcass in Arizona with an unusual twist. I want photos. . MAC Tomorrow? ROSWELL Laura will fly you out. video. ROSWELL A memory cell from your piece should contain a blueprint of the base.61.

MAC What about my Jeep. I’m not sure our visit to the base was unnoticed. time is of the essence. ROSWELL Gentlemen. ROSWELL I’m dropping you near the hotel. Diebol pulls the limousine over to a stop. The power door locks give Mac a scare. We must preempt that. ROSWELL The software is highly intuitive. then back at the debris piece. ROSWELL That’s it. URI We’ll do our best. . To Uri. ROSWELL You won’t need it. Here’s five thousand dollars in small bills. We need those blueprints to activate the core. They could come after the piece again. gentlemen. Navigation should come quickly. Abaris is in weak health.62. A look to Mac. yourselves. Back into the briefcase. ROSWELL One more thing. Keep to Uri shakes his head. sir? It’s not much but it’s all I have. Uri looks at the General. A large wad of fifties. Use cash for everything. Mac’s still not cut out for this. URI Yes. He is looking for a new host to sustain his existence. sir.

ROSWELL Diebol. A A key into the lock. Coughing. INT. the car. now out of the restraints. They’ve taken the piece. BUDDY Everythin’ all right? . INT. Buddy enters. Roswell is nodding off in the back. The woman has clean clothes.CONTINUOUS A basin and sponge lie next to the bed. Still no transport. Folds her arms. ROSWELL’S LIMOUSINE . They committed a security breach. She checks her watch. Laura finishes rubbing lotion on her wrists. THUMP on the glass. what’s going on? Diebol slumps over. Both are hanging up from cell phone calls. CRANSTON What about Abaris? PINKIE RINGS The genetic engineers are still searching for a compatible match. COUNTRY CLUB DINING ROOM . INT. HISSING. Bends over hungry and tired. LOCKUP WING .SEDATED WOMAN’S ROOM . 9:00pm. The door opens. His door flies open. He’s pulled from Some kind of gas.NIGHT Pinkie Rings and Cranston are being served their main course. and is still sleeping. Looks at the door to the hall. Roswell passes out. combed hair. PINKIE RINGS General Nathan took those two out to the base.LATER At a stop light. Reaching for his Heineken.63. She yawns.

Buddy looks at the sleeping patient. You gotta come up to my station. Faded linoleum floor.CONTINUOUS The iron door slides shut. A YOUNG THIN man with sunken eyes sits with his knees tucked into his chest. More gold teeth. Self-locks. BUDDY I bought you a sodie-pop but regulations say I can’t bring anything down into lockup. I have to use the bathroom and I could use something to drink. quick-like. He rocks ever so slightly.that we don’t. just let me in the bathroom first.64. LAURA She’ll be fine.. Bladder bursting. They finally reach then end of the hall. things. I know.LOCKDOWN WING . so you’ll have to knock or call when you’re done.. . He see Unlocking the bathroom door. Buddy peeks through a patient’s wire-meshed window. LAURA . she ain’t going nowhere. Look.. We’ll make it INT. Motions Laura to look inside. BUDDY Oh heck. HALLWAY . Cutting him off. Laura follows him up the corridor. BUDDY That’s the Screamer. I know. LAURA Okay. LAURA She’s still out cold. I really gotta go. his chin resting on them. BUDDY It locks from the outside. Yellowed walls..

THE SCREAMER’S ROOM . INT. The Screamer uses his hands and feet and propels himself across the floor. LAURA Got it. BUDDY I’ll be right here so you go’head. Great. turns around. The corner of the cell. HELLO??? LAURA BUDDY???? . Something bad is in there. Practically hopping. Laura freezes. INT. THE SCREAMER’S ROOM . He whips his head back.CONTINUOUS Laura rushes in the stall. Sounds in the dark. Opens them.CONTINUOUS ANOTHER WOUNDED WAIL. LADIES’ ROOM . Stall door unlatches. INT. Toilet paper. Yells like a wounded wolf. LAURA Gotcha. THE SCREAM. Laura stumbling in the blackness. Laura closes her eyes. INT. INT. Listens. LAURA HELLO???????? Commotion. LADIES’ ROOM .CONTINUOUS The Screamer scans the room frantically. Eyes bulging. BLACKOUT. Unzips her pants. Laura looks down.CONTINUOUS It’s getting closer. Finds the main door. breath.65. Bangs on it. He presses his bony body as far as he can against the wall. Toilet flush. Takes a A power failure. Pant zipper.CONTINUOUS THE WAIL. Rocks faster. LADIES’ ROOM . Pitch dark. Jaw locked open.

Reluctant. A LONG. LADIES’ ROOM . she has no choice. Then it starts. No key. More screams in the darkness. He finds it.CONTINUOUS Laura pulls on the door. GOT’EM ALL RILED UP. Backs away down the hall. She walks past Buddy timidly into the dark hall. LAURA WHAT’S GOING ON? BUDDY ELECTRIC’S OFF. LAURA (O. Locked. LOW NOTE CRESCENDOES IN A HIGH SHRILL IN THE DARKNESS. Freaked. BUDDY IT’S LUCY. SHRILLS AND SHRIEKS. Laura walks toward her room. . The sound of bodies hurling against the doors. Hands to her ears.S. Toward the light. Laura regains her composure. INSANE LAUGHTER. EXT. WILD. The whole wing. The key turns the lock. He reaches for Laura’s hand. BUDDY I’m tryin’. SCREAMS. The lock’s here somewheres. I’LL GET YOU OUT OF HERE. LET ME HAVE YOUR HAND. Then runs. CHAOTIC CONFUSION. ANOTHER SCREAM.) HURRY! PLEASE! BUDDY I can’t see it.66. He lets go of Laura’s hand.CONTINUOUS Buddy fumbles in the dark trying to get the key in the door. Tear trails on her cheeks. He opens the door. Contact. EXT. LUCY’S ROOM . GROANS AND BLINDING LIGHT explodes out of the sedated woman’s room.

Blinding light and wind pour through the opening. She peers through the wire-mesh glass. Lucy looks her way. And it’s gone.LATER Uri stares blankly at the laptop lid scanning the debris piece. A helpless. LUCY HELP ME! Another noise. Her body rotates in mid-air so her head faces the opening. MAC How long’s that thing gonna take? Suddenly a huge hologram of the alien base engulfs the room. URI That is monitored by the hotel. She looks to the door. Laura screams through the wire-mesh glass. A small steel-reinforced window placed high in the wall is gone.67. Anxious. terrified stare. Mac reluctantly complies. The rush of a freight train. They will know we are here. She can’t be heard. Has disappeared back into the laptop. Mac and Uri stand in the middle of it in awe. quivers. Lucy floats above the bed. Mac turns the TV on with the remote. Mouthing to Laura. . Laura pounds on the little square window and screams. She screams. wide-eyed. She’s awake. She’s sucked out the window. MAC’S HOTEL ROOM . INT. The 3-d blueprint spins slowly on an axis.DEAD OF NIGHT . URI What are you doing? MAC Finding SportsCenter. Lucy’s body In the darkness.

68. Uri stares at the laptop. MAC How you gonna print that? RING! The hotel phone. They freeze.

URI Don’t answer it. MAC Maybe it’s Laura. URI Roswell said use only the cell. RING. MAC Maybe she doesn’t have it. URI Don’t answer it. RING. Mac moves to the phone. MAC Maybe she’s in trouble. Uri thinks on it. RING. Mac picks it up. MAC Hello? INT. EXTREME CLOSE-UP OF A MOUTH TO A PHONE - INTERCUT METALLIC VOICE We have Roswell. INT. HOTEL ROOM - INTERCUT MAC Who is this? INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT METALLIC VOICE Give us back the piece and we’ll make sure nothing happens to your wife and kids in Paso Robles.

69. INT. HOTEL ROOM - INTERCUT MAC I don’t know what you’re talking about. INT. EXTREME CLOSE-UP OF A MOUTH INTO A PHONE - INTERCUT Cuts him off. Pissed.

METALLIC VOICE You know exactly what I’m talking about. We’re watching you. INT. HOTEL ROOM - INTERCUT MAC Who are you? Dial tone. Mac stares at the phone. URI What did he say? Slowly putting the phone in the cradle. MAC They want the piece. They got Roswell. They’re going after Maggie and the kids next. URI They’re bluffing. Mac finds the small flip phone. Dials frantically.

INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT RING. A deep sleep. Hello? Cellular break up. Extremely choppy. YOUR LIVES COULD Maggie fumbles for the phone. MAGGIE

MAC MAGGIE, IT’S MAC. BE IN DANGER. Groggy.

MAGGIE Who is this? Mac, is that you?

70. Every other syllable. MAC TAKE THE KIDS. LEAVE. Mac?

MAGGIE You’re breaking up.

INT. HOTEL ROOM - DEAD OF NIGHT - INTERCUT KNOCK-KNOCK-KNOCK. The hotel room door. kill the cell phone. Uri motions Mac to

INT. CREEK WALK VINEYARD - MAGGIE’S ROOM - INTERCUT Dial tone. Maggie looks at the phone confused.

INT. HOTEL ROOM - CONTINUOUS KNOCK-KNOCK. More urgent this time. Moves quickly to the side of Mac follows the

Uri grabs his gun off the bed. the door. Delta Force.

He waves his barrel towards the bathroom. directive. Backs up. KNOCK-KNOCK-KNOCK. Uri motions at Mac to talk. MAC Who is it?

WOMAN’S MUFFLED VOICE (O.S.) It’s Laura. Uri gives Mac the universal “shhhh” sign. WOMAN’S MUFFLED VOICE (O.S.) MacKenzie, are you there? Let me in. It’s me! Loud whisper to Uri. MAC It’s Laura. Uri shakes his head “no”. KNOCK-KNOCK-KNOCK. WOMAN’S MUFFLED VOICE (O.S.) C’mon, open up!

Head high. She runs into Mac’s arms. WOMAN’S MUFFLED VOICE Mac. Angry whisper. . listen to me! It’s Green Eyes. Alone. Uri snores loudly in his bed. Instructing in whisper tones. Uri swings around to the middle of the room. stares at the wall. I’m Aims his gun at Uri motions “halt”. Pissed. MAC You said they we’re bluffing. Listens. MAC’S HOTEL ROOM .MUCH LATER Light spills out the partially open bathroom door. He nervously wipes his chin. the door. MAC I know it. Mac opens the door. If it’s a trick. somebody is going to start shooting. Frazzled. Closes the door. Mac heads for the door. URI It’s a trap. MAC There’s no MacKenzie here. Mac heads for the door. MAC You can’t just start shooting people. Mac lies in his bed. A long hug. Checks the hall. Laura lies on some makeshift bedding on the floor. Uri pulls them both in. It’s Laura. Uri waits. Sharp whisper. Then nods. INT. It’s her. URI Open from the side then stand clear.71. open up! Anxious. calling hotel security.

LAURA I’m sorry. INT. in Biloxi. MAC A week ago a rancher in Billings. Mac puts his arms around her. Referencing the file. No need to talk. LAURA Okay. Uri chokes on a snore. LAURA I’m still scared. Softly. Laura slowly rises. Laura pilots. They stare a while longer. Mac turns over to face her. Mississippi.72. Montana saw one of his cows float upward into the belly of a UFO. Her eyes are still moist. Wraps her other arm over him and pulls him into a long squeeze. Stares blankly ahead. Over the engine noise. Wearing only a hotel bathrobe. LAURA Hold me. to Mac’s bed. Whispers. She climbs in. Mac copilots. She sniffles. She goes Laura slips an arm under Mac. . a farmer sees his prize cow do the same thing.MORNING Twelve thousand feet. Spoons behind him. Looks over. Mac holds his finger to her lips. Mac pokes his head up. LAURA’S PLANE . LAURA And? MAC The same day.AIRBORNE .

LAURA From Billings and Biloxi.LATER Laura’s plane approaches overhead. Do you believe there’s a harvest colony of cross-breeds? LAURA After seeing Lucy’s abduction. INT. Flaps up. Cuts the throttle. permeates everything. I believe anything is possible. LANDING FIELD . they find the head of the cow from Billings attached to the body of the cow from Biloxi. MAC A week later on a ranch in Arizona. MAC Where’s our sheriff? It stops . MAC There’s a darkness to it. by midfield. EXT. The plane rocks and glides. LAURA’S PLANE . Are you religious? MAC The closer I get to this evil. nose slightly up.CONTINUOUS Checking the file. The wheels touch down lightly. It LAURA I noticed you wear an old cross around your neck. the cow’s head had an ID tag on his ear and the body of the other had a brand on it’s flank. MAC That’s what they’re saying. kick up some dust.73. LAURA How do they know? MAC According to the sheriff. the more I believe there’s a good side.

and no blood. Huffman squats down at the cow’s tail. HUFFMAN And the brand’s from Mississippi. LAURA Laser like.74. About two o’clock. No torn flesh. Motions to the rear flank. chases it. See the incision? No jagged edges. LAURA Mac. HUFFMAN Sex organs have been cored out. You can see his cherries. It’s been perfectly joined together. HILLSIDE RAVINE . A neat.LATER The cow lies on its side. HUFFMAN Here’s the tag. Numbers check out all right. Pointing out the front right. Pointing. Laura walks around slowly. The black head of a Holstein. A squad car rolls along a dirt road. Blood vessels have been cauterized. . see where the eye should be? MAC Yeah. facing away. LAURA Over there. mini-dv camera rolling. Simply surreal.DEAD COW’S BODY . A big cloud of dust EXT. grabbing the tag. SHERIFF HUFFMAN kneels down by its head. precise scar encircles the cow’s neckline at the union. the two-tone brown and white body of a Jersey. HUFFMAN No sign of blood anywhere.

A supposed animal that sucks the blood out of chickens. JULIO. LAURA You’re sure about the blood? Taking his knife and cutting into the cow’s groin. cows. the cow was alive before it was mutilated. HUFFMAN Not a drop. just above his shoe. crosses himself again. Hears something. LAURA MAC!!!!! The snake’s fangs are open. A RATTLESNAKE. Goat sucker. Mac steps back to take a photo. ROBERTO DIABLO! HUFFMAN Says it’s the Devil. goats. ALFREDO CHAPACABRA! MAC What did he say? HUFFMAN Chapacabra. ALFREDO and ROBERTO PARRAS. STRIKE! The giant rattler sinks his fangs into Mac’s ankle. Mac’s backward momentum is carrying him right into it. The snake gets blown off his heel. but from what I can tell. Coiled to strike. He recoils to strike. Mac turns around. . A RATTLING SOUND. Julio Mac looks up. stand twenty feet back on the road next to two Jeeps. MAC You sure it’s not a hoax? HUFFMAN We’re doing more tests.75. the ranch owners. crosses himself. A huge male. POW! Gunfire. The foreman. Smoke floats out of Alfredo’s rifle.

Julio notices the ancient Jerusalem crucifix around Mac’s neck. The men all grab a Coke. Walls are covered with UFO photos. HUFFMAN I can still call Med-Vac as a precaution. HUFFMAN Here ya go. ROBERTO Si. Shaking his head.LATER A double-wide serves as the station. Roberto. Huffman’s private office is spacious. LAURA Thanks. and the viper. Some color. muerta. ROBERTO DIABLO. INT. SHERIFF’S STATION . Sheriff. MAC I’m telling you. Pointing from the Jeeps. Like Pablo . He pulls it out of his shirt to look at it. Old. The sheriff enters with small bottles of ice-cold Coca-colas. I feel fine.HUFFMAN’S OFFICE . JULIO Christo is with you. The floor is partitioned. Alfredo. Laura puts some anti-biotic ointment on the bite.76. His skin clearly broken. A bookcase eats up the other wall. MAC I’m telling you. ALFREDO You should be dead. There are two large bite marks from the snake. Some black and white. New. I’m fine. and Julio circle around Mac’s exposed ankle and bare foot.

Hasta luego. Comes to a . gentleman. Mac thumbs through it. HUFFMAN (O. HUFFMAN Ever seen that one? Mac reads the cover. Walks over to the bookcase. amigos. Mac shoots Laura a look.77. God was with him. MAC The viper? JULIO Si. UFO . Julio lets go of it. 1976. Gracias. Handshakes all around. Authentic looking photos. Did the cross save him? Takes another gulp of his Coke. Mac stands. HUFFMAN You see as many mutilations as I have. MAC So you’re quite a UFO fanatic.CONTACT FROM THE PLEIADES. Mac pulls one down. The three amigos depart. the viper leaped from the fire onto his hand. MAC Can’t say that I have.S. The very word Mac is reading as the sheriff says it. but could not kill him. ALFREDO Vamanos. you start to poke around. The book slams shut and falls to the ground. HUFFMAN Switzerland. Edward “Billy” Mier had a major encounter with some aliens from the Pleiades star cluster. Sheriff. HUFFMAN De nada. Looks closer. SEMJAZA. double-page spread of interest. Mac bobbles it.) Claims the Pleiades starship commander calls himself Semjaza.

CONTINUOUS Watching from the plane coasting down the runway. HUFFMAN Anyway. The dark car stops on the road a short distance from the sheriff’s car.. MAC Thank you for your time. HUFFMAN Watch that bite. LAURA’S PLANE . LAURA ‘Bye! Laura turns the engine over. Huffman looks down the road. LANDING FIELD . HUFFMAN Hope you got what you needed. THE PLEIADES. LAURA Sound familiar? Sitting on his desk.78.CONTACT FROM Puts the book back on the shelf.. A DARK CAR speeds toward the landing field. Gives a wave. We will. EXT. Huffman stands by his car. Huffman goes down. Waves to Huffman through the glass. A gray puff of smoke. Laura squats down to get it. Mac closes his door. . A gun barrel sticks out. pretty compelling stuff. His body spasms violently. INT.AFTERNOON Mac and Laura climb in the plane. She glances over. The car’s tinted window opens. You ought to check it out. UFO . It roars to life.Semjaza. Mac stares at the cover one more time. MAC Semjaza. Mac nudges Laura as she checks the gauges and fuel levels. Sheriff. Shakes his head.

MAC THEY’RE GETTING OUT OF THE CAR! THEY’RE GOING TO SHOOT! POW! GUNFIRE. The plane dives. Mac looks back. And stays there. The tinted window lowers all the way. MAC THEY SHOT HIM! Laura slams the throttle. It’s Pinkie Rings. The plane lurches forward. BE ALL RIGHT. She banks it to the left. A man crawls out of it and takes aim at the plane over the roof. LAURA NOT ENOUGH SPEED! MAC HE’S GOING TO RAM US! At the last second she pulls back the controls.79. Glass showers inside. Away from harm. hits the rudder pedals to spin the plane around. LAURA COME ON! Dark car. MAC WE CAN’T JUST LEAVE HIM! LAURA IT’S A TASER. Laura pulls back the stick. Full throttle again for takeoff. Heads A bullet tears into the cockpit close to Mac’s head. A STUN GUN. She slams the controls forward. The plane skims off. The dark car fishtails onto the makeshift runway. One of its wheels bounces off the car’s windshield. MAC WE’RE NOT GOING TO MAKE IT! Pounding the dash. . The plane springs into the air. Hits ground. The car fast approaches. He fires. straight for them. The plane lifts up. HE’LL She feathers the throttle. exploding it inward.

How could he possibly know I was out here? LAURA They could have checked our flight log at the airport. Mac. Awkward. LAURA Sorry about last night. I hope you I MAC How do you prove to someone you’ve changed? .MOMENTS LATER Wind pours through the bullet hole. STUFF ‘EM IN THE HOLE. Starts stuffing. I was an idiot. LAURA’S PLANE . blew it. MAC We better get to Paso Robles. LAURA You’re a good man. The cabin quiets down. to check on Maggie and the kids. MAC That guy who shot at us was the guy from LAX. aren’t you? MAC Like crazy. MAC You just needed a hug. INT. LAURA THERE’S SOME RAGS UNDER THE SEAT. Mac finds ‘em. get what you want.AIRBORNE . LAURA You’re still in love with her.80. LAURA Paso Robles? MAC Yeah. These guys are definitely not bluffing. Finally addressing it.

PASO ROBLES . MAC Are you nuts? LAURA It might work. EXT. The left side is a cornfield with healthy headhigh stalks. LAURA Maybe they moved to a hotel.81. A deep drainage ditch runs alongside it on the right. MAC What if the corn’s too high? . MAC Can I get bars up here? LAURA I’ll take her down.CONTINUOUS MAC Straight to voice-mail. MAC How long before we can get there? LAURA If we’re lucky. there a place to land? Is EXT. INT. No visible sign of life. LAURA’S PLANE . They descend onto a narrow dirt service road below.CONTINUOUS Through the windshield. INT. LAURA’S PLANE .DUSK Laura’s plane circles one last approach. No answer.CONTINUOUS The front door is ajar. CREEK WALK VINEYARD . before sunset. CREEK WALK VINEYARD . LAURA By doing the right thing for a long enough time. He pulls out his cell. She pushes the controls forward.MAIN HOUSE . No ring.

SERVICE ROAD . . LAURA I guess we’ll find out. The plane’s wheels touch down.CONTINUOUS Tassels crown the tops of the corn stalks. LAURA THANKS FOR MENTIONING IT.CONTINUOUS MAC WHAT’S THAT? LAURA SO FAR SO GOOD! EXT. THEY LIKE THE GRAPES. SERVICE ROAD . EXT.CONTINUOUS The eight foot chain-link fence stands dead ahead. SERVICE ROAD . LAURA’S PLANE .CONTINUOUS The left wing skims along the top of the tassels. Over the loud hissing. LAURA I THINK WE’RE GOING TO MAKE IT! MAC THERE’S ONE THING I FORGOT TO TELL YOU. LAURA’S PLANE .CONTINUOUS Bucking the steering. LAURA WHAT’S THAT? MAC THERE’S AN EIGHT-FOOT FENCE AT THE END OF THIS ROAD TO KEEP THE DEER OUT. EXT. Mac braces himself while Laura takes it in. INT. THUMP! HISSSSSSS! INT. The right tire bounces along the edge of the deep ditch.82.

CREEK WALK VINEYARD . Nothing. The plane speeds toward it. MAGGIE? Mac sticks his head in. plane pivots forward. They see the front door slightly ajar. They arrive at the steps. not stirred. Nothing.83. Mac flips it on. MAC You okay? LAURA I’ve had worse. LAURA I don’t see any cars. FRONT HALL . LAURA Power outage like at Camarillo. Flips it again and again. INT. Trimming The WHAM! Full contact! Like a butterfly against a net. Shaken.EARLY EVENING A flashlight.CONTINUOUS Front door threshold. Flashlight on the light switch. Bumping all the way.FRONT DOOR . corn. Lights it. Mac nods his head to investigate. Returns to Laura. EXT.CONTINUOUS They rock back into their seats. then bounces back down. The house is pitch dark. Laura follows. Catching her breath. Mac walks to the mantelpiece. Barely. MAC Maybe they were already here. MAC We don’t know that. MAC SARAH? He slowly enters. Mac and Laura run up the gravel driveway to the front of the house. Grabs a candle. INT. Looking around. JEREMY? Flashlight. Riding the ditch. LAURA’S PLANE . Takes the flashlight. Laura close. .

. Buries his . The candle reveals a sea of scared faces. closet door open. Stoops down inside.we saw something in the sky..LIVING ROOM . head in Mac’s shoulder.. MAC MAGGIE!? A MUFFLED VOICE comes from the hallway.. MAC MAGGIE!? The closet door beneath the stairs creeps open. MAC What happened? MAGGIE I don’t know.MOMENTS LATER Maggie holds Sarah Maggie.. I’m scared. MUFFLED VOICE Dad? Jeremy? MAC Is that you? Finds the Mac rushes from the living room into the hallway. Sarah.then the power went off. Jeremy jumps off the love seat and rushes to him. JEREMY Dad. Timidly.. Kneeling in front of Maggie. Jeremy sits on the love seat next to Laura. More candles all around. and Doris sit on the couch.bright lights. in her arms. INT.. Mac opens his arms. MAIN HOUSE .. Doris clutches Jeremy.then we heard strange noises. SARAH Daddy! MAC Pumpkin! Relieved hugs all around.84.

A mixture of awe. MAGGIE I don’t believe we’ve met.something’s coming in here. helping Mac. Fiery eyes. Laura looks to Mac. SARAH Daddy. The other side of the room. It’s been out all day. it was bright and made the whole room light up! To Maggie. JEREMY D-Dad. A TALL. I’m LAURA I’m a. Mac spins around. LAURA He’s right. wonder and fear.. Something’s wrong with the phone.. Interrupting. Long. . Maggie looks at Laura. I’m. Something’s out there. Stammering. Maggie fabricates a smile. Then to Maggie. MAGNIFICENT-LOOKING ANGELIC BEING.85. Sees it full on. The room suddenly fills with a brilliant light. A long tilt up. MAC Did anyone call you? MAGGIE No. I’m Laura Nathan. Guarded. He’s told me a lot about you. Something weird. shoulder-length blond hair. Maggie’s face. MAC It’s not what you think. JEREMY Mom’s right.

do something. LEAVE US! MAC NOW! Black slanted oval eyes His head turns large and elongated.86. Her head bangs against the wall like a rag doll from the gyrations. Doris suffers a seizure. The creature picks Laura up off the floor. A long. CREATURE I AM THE ONE NAMED SEMJAZA! ARE YOU TO ADDRESS ME! WHO It extends one of its arms and points a clawlike finger at Laura. The children burrow into Maggie. Mac grabs a lamp next to the couch. Light emanates from his very being. His hair blows. presses itself against her. LAURA Mac. Hurls it full strength. It vomits something vile at her. She lands in a heap. She covers her head. The creature roars. pinning her to the wall. LAURA Mac. WIND fills the room. Scaly skin like a lizard. The being changes shape. Staggering against the force. tunic-like garment. It’s clawlike fingers tear her clothes. . MAC GET AWAY FROM HER! It commences to breed. SCREAMS from Maggie and Sarah. His eyes turn to hate. Faints. It moves towards her. It hurls her against the wall behind her. Weakly. A voice explodes from the creature. Straining to breath. Sheds its benevolent angel-like appearance into its own TALL GRAY BODY with spindly arms. glare rage. More howling WIND.

Maggie? He looks around. It spins around. At the entrance of the room TEN SMALL GRAY ALIEN BEINGS swarm in. Glares at Mac. Others latch onto Jeremy. Catapults him with such force his head smashes a hole in the wall. hello.LIVING ROOM . LAURA Mac! Mac picks up a coffee table. Coming toward Mac.. Both children now float unconscious above the floor. MAGGIE NO!!!! Maggie wrestles with the small gray. Fights for consciousness. Out cold. One small gray grabs Sarah from Maggie’s arms. He crumples to the floor. Mac’s forehead.4 AM Voices in the distance. Debris and paper circle in the wind. Uri holds the damp towel on his He opens his eyes again. Coming forward. It slams into its back. Wildly throwing punches. More come to her. head. MAIN HOUSE .. A damp towel on FOGGY VOICE MacKenzie. Another commotion. But different. . Walkie-talkies. MAC Uri? He collapses back into a chair. MAC Where’s Maggie? It’s Doris’ living room.you hear me? Mac slowly opens his eyes. MAC NO!! Before he can hurl it the breeding Semjaza turns and points his finger at Mac. Toward Maggie and the kids.HOURS LATER . Weakly.87. INT.

Intruding. Maps. Internet. URI They were taken. MAC Where’s Maggie? URI With her mother. Eyes searching for truth. You’ve suffered a major concussion. MAC Where are my kids? He urgently grabs the arms of the chair and lifts himself up.) Mr. COLONEL AUSTIN. Walkies. MAC Taken where? URI They were abducted. Uri firmly pushes him back down. AUSTIN I’m Colonel Austin. Still groggy. VOICE (O. MacKenzie? Mac looks up at a new face. It’s a make-shift military post. Radios. They found you next to the wall. They have a medical unit here. Bluntly. MAC And Laura? URI Recovering upstairs. Computers. The place is teeming with COMMANDOS IN BLACK JUMPSUITS. MAC What’s all this? URI A military swat team Roswell’s connected to. . Weapons.S.88. CAMOUFLAGE FACE PAINT.

Cutting him off. They’re doing everything possible. Then back at Mac. Uri and Austin leave discreetly. Maggie. Losing it. Mac takes a couple of steps towards her. Dried blood on her chin. MAC Maggie. Maggie enters the room. No letting go. Broken. Bloodshot eyes. MAGGIE Oh Mac. MAC WHERE ARE MY KIDS? Austin glances at Uri. Huge embrace. Mac looks at Uri. She starts to tremble. Mac struggles to his feet. Holding her tightly. Lost. AUSTIN We’re doing everything in our power to get your children out of there as soon as possible. They’re all they’ve got. AUSTIN The same base where General Nathan is being held. . what are we gonna do? She sobs in Mac’s embrace. She opens her arms. Woozy. MAC They’ve taken the children.89. we believe your children have been taken to an underground base in the Nevada desert. caressing her hair. We’ve been monitoring it constantly. I’m so sorry. Drained. Tear-stained cheeks. Maggie faces Mac. AUSTIN Mr. She’s bitten through her lip. He hurries. MacKenzie.

URI Your mother. they gave her something. URI I will check on Cranston in the kitchen. Outside. I’m sorry. MAC Maggie. Colonel Austin approaches FOUR BLACK BLACK HAWK HELICOPTERS on the front lawn. is she all right? MAGGIE They think she suffered a mild stroke. A cluster of men gather around one of the choppers with Austin.) Mac. URI No. Frustrated. Forces. Disarming. Nods a bow. URI (O. Diverting the conflict. URI He is a good soldier. Mac and Maggie look over. He’s told me a lot about you. Maggie. Uri nods to the window. BenHassen. MAGGIE On who’s side? And who are you? Jumping in. this is Uri From Israel. he is on our side. Special We are lucky MAGGIE So you got us into all this.90. . I am now an archeologist. Nice to meet you. The entire area is lit up by worklights powered by generators.S. URI She is sleeping? MAGGIE Yes.

Mac stops the kiss. MAC This is important. MAC Me. Another BLACK JUMPSUIT. MAC Cranston’s here? MAGGIE It’s not what you think. MAC I gotta go. She raises her lips. MAGGIE Thank you. .91. Wipes her face. They kiss. me. Like for the very first time. Mac turns Maggie back into his arms. Elisha comes up on screen via webcam. Laura’s on the stairs. A tap on Mac’s shoulder. Looks into her dreamy eyes. She watches him go. A sigh. Like crazy. Their eyes meet. MacKenzie? There’s an Elisha BenHassen on the webcam asking for you. MAGGIE I’ve missed you. He takes off. Smiles. She cuddles back into him. She blinks back tears of relief. She finishes the kiss. MacKenzie. MAGGIE So is this. Believe Mac leans in closer. ELISHA Shalom. A small smile. He punches in a password. Watches the kiss. BLACK JUMPSUIT Mr. He follows the commando back to a work station. too.

. Only He can defeat Semjaza.. ELISHA By faith in He who is greater than you. Elisha. MAC Shalom. Tried to breed with her. I had no time. This is not good. ELISHA Did you command it with the cross? Feeling for his necklace.92. MAC I’m trying. ELISHA There will be a next time. Sternly. And when that times comes you must take authority over it! Mac turns around. MAC Wait.. ELISHA Uri tells me you encountered Semjaza. What do you mean Elisha pounds his desktop. Uri. Back to the screen. wait. MAC I forgot I had it. Finds it. wait. Then a pack of small grays came in and took the kids. ELISHA The next time you encounter him. Maggie. MAC It hurled Laura against the wall. MAC How? Adamant. A weary smile. and the whole room full of commandos are watching. Laura. Colonel Austin. “the next time”? SLAM. Listening to Elisha.

That’s why Sarah and Jeremy were taken.) He’s right. Use the cross. MAGGIE Oh my God. I’m afraid I’ve gotten in deeper than I bargained for. A new body. Passionate. MacKenzie! These aliens are demons disguised to deceive us. .S. I want to help you. They are evil. room. unclean creatures. A COMMANDO interrupts from a work station. MAC You knew about the sixth floor? CRANSTON And much more. He will fight for you! VOICE (O. MAC Why didn’t they take me? CRANSTON You were wearing that cross. ELISHA You’re not getting it. Mac turns around. CRANSTON The leader of the base is in need of a new host. You must drive them out! MAC How? ELISHA Yeshua A Meshiac is with you now.93. Mac and Maggie exchange a quick look. It’s Cranston from the other side of the MAC How do you know? CRANSTON My position on the hospital board made me privy to many things.

94. COMMANDO Colonel, the doors at the end of the tunnel are opening! Colonel Austin crosses quickly to the soldier’s station. flat screen shows a remote feed of the huge doors slowly opening. AUSTIN THIS IS IT! “OPERATION TAKE-DOWN” IS A GO! LET’S MOVE! MOVE OUT! Instant mayhem. Walkies blaring. Choppers wind up. jumpsuits everywhere. Packing. Moving. Mac back to the web feed. ELISHA SHOW THE CROSS. YESHUA IS WITH YOU. BE STRONG IN THE LORD! SHALOM! Elisha’s gone. Mac is pulled away. Black The

Uri grabs THE BLUEPRINTS off a workstation. EXT. FRONT LAWN - DAWN - MOMENTS LATER The choppers churn up wind and leaves. A HIGH-RANKING COMMANDO, WALKER, intercepts Mac, Maggie, Uri and Laura. Over the chopper whine. With force.

WALKER NO WOMEN ON THE MISSION! LAURA MY FATHER’S GENERAL NATHAN. GOT CLEARANCE. To Maggie. WALKER NO CIVILIANS, MA’AM, IT’S TOO DANGEROUS. Indignant. MAGGIE TRY CHILDBIRTH. THAT’S DANGEROUS. MY CHILDREN ARE OVER THERE. I’M GOING. WALKER THAT’S OUR JOB. YOU STAY HERE. I’VE

95. Jabbing a finger in his chest. Taking charge.

MAC LOOK, PAL, THIS IS MY WIFE AND WE’RE GETTING OUR KIDS. SO STAND DOWN AND BACK OFF. They run around him to the chopper. joins them. He shrugs, turns and

EXT. CREEK WALK VINEYARD - ACCESS ROAD - NIGHT - CONTINUOUS Cranston speeds down the long dirt driveway in his BMW. clubs rattle in the back seat. Golf

A spotlight circles his car. He crouches to look out the windshield. The four Black Hawks swoop low over his car and out over the vineyard like a shot. He lets out a sigh. Then another spotlight engulfs the Beamer. But it’s ten times brighter. Cranston tries to look up at it. The golf clubs suddenly slam against the roof of the car. And keep slamming with an loud clanging. A whirlwind kicks up dust from the road. Tumbleweeds and debris swirl around his BMW in the white light. Cranston punches it. Pedal to the metal. The Beamer accelerates. The speedometer reads 100 m.p.h. It lifts off the ground. Cranston looks down at the road as it shrinks beneath him. Bathed in white light. EXT. CALIFORNIA-NEVADA BORDER - EARLY DAWN Four Black Hawks fly in tight formation low over the desert. INT. CHOPPER #1 - CONTINUOUS Colonel Austin rides shotgun with Uri, Laura, Maggie, and Mac and more troops in the back. Maggie sits between Mac’s legs, facing forward, engulfed in his arms. Uri examines an HK-MP5K rifle issued by Austin. He checks the magazine, unloads the clip of ammo, inspects it, pushes it back into place. Lock and load. Lays it across his lap. He notices Mac watching him. He grins and shoots Mac a thumbs up. Delta Force is back. Mac smiles thinly. Returns with a tired thumbs up.

96. Uri opens the blueprints. EXT. CHOPPER #1 - AIRBORNE - SUNRISE - LATER The Black Hawk flies low to the ground. Others follow.

INT. CHOPPER #1 - AIRBORNE - SUNRISE - CONTINUOUS The door slides open. Cold morning air bursts in with the first signs of dawn streaking across the desert sky. Golden light and wind wash over Maggie’s face. in wonder. With trepidation. The chopper sets down. walkies and headsets. All look out

Austin’s voice explodes over the

AUSTIN THIS IS IT! LET’S MOVE OUT! EXT. DESIGNATED LANDING AREA - CONTINUOUS The other choppers touch down. Soldiers spill out like ants, fanning out, crouching defensively. Awaiting orders. Uri and Laura pile out of Chopper #1. Mac and Maggie follow. Colonel Austin pops open the cockpit door. Makes a run for it. Gets to the front line. right. Low and fast. Commando sign language. To the

Forty men and two women run toward a gaping hole in the side of the mountain. Over two hundred feet high in diameter. A monster tunnel. They gather at the mouth of it. WALKIES BLARING MAYDAY! THE DOORS ARE CLOSING! The huge doors rumble together. AUSTIN USE THE THERMITE GRENADES! NOW! White

A half dozen troops run inside the closing doors. smoke pours out. MAC Thermite? AUSTIN They melt metal together. MOVE PEOPLE! LET’S

TOP OF THE SHOOTS . Austin and the rest catch up. Four commandos run ahead fifty feet and dive to the ground near the cavern entrance providing coverage. . AUSTIN Roger that. in. The gigantic doors screech to a stop. Secure the area. SIR. Feet first. INT. Trotting to keep up.97. Walker signals sign language. Colonel. We’re going in. AUSTIN These shoots should take us to Level 11. Looking back. ALIEN BASE . arms crossed.MOMENTS LATER Colonel Austin divides the men into two groups. WALKER It’s up ahead. The rest of the troops move in. Okay men. Awestruck by the enormity of it all. Let’s go. No noise. Laura. One of them signals. The commandos line up and jump down both shoots single file down the shaft. He pulls out the blueprint map. INT. GIGANTIC TUNNEL .CONTINUOUS Soldiers follow Walker up ahead. The ants go running MAGGIE Where are we? MAC The back entrance. Uri. Into his walkie. visual. WALKER THE SHOOTS ARE UP HERE. We have a He stops. parallel TEFLON COATED SLIDES that go down forever.CONTINUOUS Walker and his men wait at the top of the shoots. secure the area. INT. Up ahead. And vanish.NEAR CAVERN ENTRANCE . Maggie and Mac join the group on the right hand side.

98. standing in awe. Uri and Laura arrive near the saucer. A tool cart a few yards away. The core is here. A commando in the grid above. . Lays it down.S. INT. We believe the General and kids are here. AUSTIN We’re here. equally aghast. Flag on it’s side. AUSTIN Maj 12 can be reached through the air filtration system or the emergency exit shaft. The map illustrates the tiered levels. Laura takes Maggie by the arm. SIR. Looking around at his men. GIANT SAUCER CAVERN . URI There is no resistance. We’ll enter it here. Eyes watery. MAC But why? A yell from above. He points to MAJ 12. GRID COMMANDO NOTHING UP HERE. Mac and Maggie come up Maggie gets her first eyeful of the hovering spacecraft. Covering her mouth.CONTINUOUS The troops form a semi-circle around the hovering disk. Austin unfolds A DUPLICATE SET OF BLUEPRINTS from his jacket. next to them. MAGGIE Oh my gosh. Finger extended. Walker and the pointmen circle in. THE PLACE IS SECURE. He stabs the map. Sees the U.

Literally pulls him apart. With precision. Quickly.MOMENTS LATER The entourage files onto the station platform. stealth. Don’t use force unless absolutely necessary. AUSTIN LET’S MOVE OUT! INT. Pointy eyeteeth. The group jogs silently.TUNNEL . Walker motions the team with his flashlight along the tunnel walls. . Mac and company near The next station is illuminated five hundred feet ahead. Oval eyes.CONTINUOUS Pitch dark. It’s mayhem. But ignites another commando. WALKER WE’RE CLEAR. Uri peels off a commando’s night vision. smother the flames. TRAIN TUNNEL . Walker points his flashlight.CONTINUOUS The giant leaps randomly from side to side squashing soldiers at will. Walker fires. Goes A flamethrower guy tries his luck. Commandos with daggers drawn watch helplessly. A LARGE SILHOUETTE drops from a hole in the tunnel ceiling. Three more close behind. Walker jumps onto the tracks. His gunfire ricochets off the roof and the Walker’s The giant leaps on him. NIGHT VISION . TRAIN STATION PLATFORM . Scanning everywhere. Everyone else jumps down. INT. A slow jog into the dark tunnel. Men dive on him. tunnel walls.99. He screams in pain. Misses. wails echo down the tunnel. It’s THE GIANT. AUSTIN Remember you’re briefing. Dismembering. WALKER Don’t fire unless fired upon.MIDWAY . the rear. Puts it on.

URI You are strong in the Lord. . Sparks and bullets ricochet all over. what is it? MAC Nephilim. Tears rolling down. MAC You’re a good shot. He lands twenty feet in front of Mac and company. Crouches down. KA-BOOM! The giant is hit from behind. is carried over Mac and Maggie. MAGGIE What can we do? Reaching into his shirt neck. BRIGHT AURORA LIGHT PARTICLES suspend him there. Looks to Mac. eyes look side to side. Mustering faith. Holding Elisha’s ancient cross out in front. He carries a bazooka. Yelling above the rattle. Gunshots from behind him skim over Mac and Maggie’s heads. Uri walks up. Still smoking. MAC WE ARE STRONG IN THE LORD! The giant springs from the ground high in the air right at Mac. He’s enormous. More outbursts of gunfire. A large burning hole smolders through his head. from Raphaim. Flashlights on him. MAC Nephilim. MAC It’s time to be strong in the Lord. MAGGIE Mac. He lands in a heap on the ground. The giant quickly leapfrogs his way down the tunnel toward Mac.100. His oval Goes to the slain giant. They fixate on Mac. Some scream in agony from the strays. URI Seeing is believing. Lit by thirty flashlight beams.

MAC They knew we were coming. prepare for descent to Level 12. Move down the tunnel. Fix their weapons on another AN ADVANCE MAN finds a hand-scanner panel to open the station door.CONTINUOUS POINTMAN #2 OVER HERE. Commandos encircle the fallen Goliath. Each time passing through an air-lock passage chamber. Scan the station. No resistance.MOMENTS LATER POINTMEN stick their guns. It opens. INT. POINTMAN #1 CLEAR! They hop onto the platform. SERIES OF CORRIDORS . Anywhere. Still no MPs. then heads above the platform. Mole. AUSTIN Get it open. AUSTIN LET’S MOVE IT.101. A hissing sound. He applies his hand. lower the ropes. EMERGENCY EXIT SHAFT . MEN! They slowly break up. Whispering to Mac. INT. sliding panel. . NEXT TRAIN STATION PLATFORM . Each time readying for combat. URI Bizarre. No MPs.CONTINUOUS The troops fly through small room after small room. INT. URI No one is defending. SIR! Two commandos pull out black Makita’s from their packs and unscrew the emergency elevator shaft panel. The commandos take aim.

C. AUSTIN Down the hole! POINTMAN (O. Hops out of the shaft. Eyes through cross-hairs. . climbs into the shaft. Laura runs to him. Everyone adjusts their aim. a compact Latino wearing a mountainclimbing harness. He slips the rope through a caribeaner with a brake bar attached to his harness. A lone figure steps out. MOLE. Ten men kneel with their weapons aimed at the elevator. MOLE READY FOR DESCENT. Ten more HK-MP5Ks lock and load facing the elevator doors. LAURA Daddy! Hugs him tightly. AUSTIN HOLD YOUR FIRE UNTIL I GIVE THE ORDER! Uri gives Mac a look. It’s General Nathan (Roswell). AUSTIN (O. The outer doors open with a loud hiss. Motions to Laura to fall back.S. Maggie moves closer to Mac for protection. Silence but for the elevator whine as it ascends. He positions himself.) HOLD YOUR FIRE. MEN. HOLD YOUR FIRE.102. Uri locks and loads. Fingers flex over their triggers. The inner doors slowly open. ONE MINI-COMMANDO.) STAND DOWN! STAND DOWN! ELEVATOR COMING UP! Mole unsnaps.

but they knew that. The deal is this. Finds Mac. Once you’re there. Maggie squeezes Mac. You for them. He looks around at the commandos. He pulls a circuitlike key card with coding on it out of his pocket. Mac and Maggie listen intently. your children will be released.103. AUSTIN We got here as soon as we ROSWELL Good job. MacKenzie. ROSWELL You. ROSWELL But I’ve been sent here to make an offer. ROSWELL Colonel Austin is to move his men from this level and go topside. But the truth of the matter is this. ROSWELL Hello. snaps to attention with a salute. ROSWELL It’s an exchange. The kids were not a compatible host. could. All of us are to go with him. General. are then to proceed to MAJ 12 alone. I saw your children a short while ago. Colonel. . sweetheart. Holds it up. ROSWELL MacKenzie. Austin arrives. They’re well and no harm has come to them. Uri shoots a Mac a look. He kisses her on the head.

. It’s your DNA and blood type that’s a genetic match. I’ll go. ROSWELL Then this is how it lays out. he’ll kill you. we send him down. ROSWELL Is the core accessible? AUSTIN We think so. AUSTIN Sir. URI Send me. If you refuse to share your body with Abaris. get the kids in exchange. So does Austin. ROSWELL The window to destroy the base is now. did you get the blueprints? Uri holds them up. Abaris wants you. To MacKenzie. sir. MAC I’m the one to host? LAURA You’re the one. you need to be destroyed with the base. yessir. If Mac agrees. If you do host him. and commence the core contamination to blow up the base. MAGGIE That’s insane. ROSWELL Their abduction was a trap to get you here. Looks to Uri. Lucy. MAGGIE What are you saying? ROSWELL It’s time to exterminate this evil. ROSWELL Uri.104.

Mac inspects the card. All eyes on MacKenzie. The rest of Austin’s commandos watch as everyone files out of the elevator. They kiss for the last time. MAC I’ll do it. Inserts the card. He gently takes massages Maggie’s shoulders. Watery eyes. I’ll go. ROSWELL This card will let you access Level 12. MAC I love you. Maggie buries her face into his side. Handing Mac the elevator key. ROSWELL Only Mac is a compatible host. MAGGIE I’ll never see you again. Time to believe it. Maggie at his side. One last hug. puts it away. ELEVATOR . Roswell comes over. slowly close. Maggie. Laura’s. Losing it. Majestic.105. She looks up. MAC God has the final word. Uri and Laura behind him. MAC Elisha said we are strong in the Lord. Mac’s eyes meet Uri’s.MOMENTS LATER Daylight reflects off the smooth hangar floor. EXT. He backs into the elevator. Mac remains by the elevator door. Looks up to his face. The doors .TOPSIDE .

ASIAN MAN I go with the children. MAJ 12 . Looks up with contempt. MAC How do I know they’ll reach the hangar? ASIAN MAN You watch there. Asian man scurries into the open doors. Mac stoops down and gives them hugs and kisses. MAC “Harvesting”. Jeremy close behind. Mac steps off the It’s the same Sarah and Jeremy stand next to an ASIAN MAN. janitor from the LAX men’s room entrance. . MAC How are my dear ones? JEREMY I’m scared.106. elevator. SARAH DADDY!!!!! MAC PUMPKIN! Sarah runs with glee. SARAH Where’s mommy? MAC She’s waiting for you upstairs.CONTINUOUS The doors hiss open like a snake. Dad. ASIAN MAN Abaris wants to assure you they remember nothing of their harvesting. Approaching. Back to the kids. INT.LOBBY .

CONTINUOUS Mac watches the screen. His hand goes through it. very. Knowing this is it. Maggie at the bottom of the screen. very. They’re gone. MAC Hold hands. ASIAN MAN You go there. INT. Mac heads to the bank of monitors. No visible means of entrance. MAC I love you very. He kisses them both on the lips. Assuring. He takes a deep breath. INT. Inspects the damage. INT. The kids run into Maggie’s Watch and wait. Wipes his mouth. He reaches his hand up. Looks back. Then steps out of the elevator. Touches its surface. He points to a bank of recessed monitors across the lobby. Mac looks. and this nice man will take you up. A lone tear. The doors slowly closing. Austin’s men milling about. A dual bear hug. Asian man points to a BLACK DOOR behind him. Now is the appointed time. He jerks it back. arms. Mac gets a visual of the door. Tousles their hair for the last time.ELEVATOR LOBBY . LARGE BLACK PANEL DOOR . . MONITOR SCREEN .CONTINUOUS Commotion on the hangar floor. No harm. Mac gives the thumbs up sign. The kids fire it back. Choked up. Still kid level.107. you guys.CONTINUOUS Mac approaches. All are safe. MAJ 12 . Looks over at the large black panel. Reality setting in. A video feed of the hangar. very much.

Commando Mole has stepped forward. VOICE (O. ROSWELL (O. Uri. I need someone half your size. His arm disappears up to his shoulder. He reaches in farther this time.S.CONTINUOUS Roswell stands before Uri. URI I can go. ROSWELL The only way we can get into the power core is down the solar shaft. Are you sure? . I’ve got a kamikaze mission and I need a volunteer. ROSWELL You’re odds of escape are one in a million.108.) To destroy the base we need to contaminate the power core. son. Laura comforts Maggie and the kids far behind them. Austin. He fits the job.S. A line of commando faces listen as Roswell continues. GIANT HANGAR . Mac walks squarely into the large black face plate. Blueprints of the base lie on the hangar floor. He pulls it back out. Takes a breath. ROSWELL Let me tell it to you straight.) I’ll go. The sun is hyper-intensified by a magnifying glass lens and will burn through anything it touches. INT. Uri looks down the line. ROSWELL You’re too big. Roswell lifts up a piece of bronze sheet metal. ROSWELL Colonel Austin? AUSTIN It’s his call. and the rest of the commandos. And disappears.

Pointing to a chair next to him. have a look. MacKenzie. . Mac sees the silhouette of a man sitting at a circular table. RASPY VOICE IN THE DARK Sit here.CONTINUOUS RASPY VOICE IN THE DARK (O.MAJ 12 . Art MacKenzie. MacKenzie. RASPY VOICE IN THE DARK We know everything. All the personnel. sir. It suddenly splits into four quadrants receding into the floor. RASPY VOICE IN THE DARK MacKenzie.) Well.S. and Pthe left and right walls. It’s MacKenzie. Arthur. Mac squints to get a better look. We don’t want anyone hurt now. RASPY VOICE IN THE DARK Don’t be shy. Here. INT. Seamless. MOLE I like my chances. That’s why I cleared everyone out. the ceiling. CORRIDOR . Mac slowly sits down. Whispering through his lips. The light filtering through the floor.CONTINUOUS Mac stands in front of another black door. CIRCULAR ROOM . ceiling. Mac proceeds with caution. I want to see you. Mac enters into a circular room. all those bothersome MPs. and walls somehow fails to illuminate the man. everything. I knew you would come. well. do we? MAC All of this was staged for my benefit? Laughing out loud. oh yes.109. INT.

Molded into the The room explodes with a series of DIFFERENT HOLOGRAPHIC IMAGES. The second jet plowing into the World Trade Center. . Castro. Saddam Hussein. RASPY VOICE IN THE DARK You see. Chinese student protestors march arm in arm against militia wearing riot gear. Napalm in Vietnam. Hiroshima. through windows. Vivid moving images. The images stop. The killing fields of Cambodia. like looking Hitler gesticulates wildly delivering an impassioned speech. The man places his hand in it. Hundreds of dead bodies in a river in Somalia. Mussellini. Mac jumps up from his chair. RFK shot at the Ambassador Hotel. JFK’s head exploding in Dallas. A control panel in the shape of a hand. Human skeletons stacked in a concentration camp. Raspy inhale. Osama Bin Laden. it isn’t a pretty picture is it? There is quiet. Suicide bombings in Jerusalem. Baghdad under siege. The Wailing Wall. He stares at the pictures. The Ayatollah. North Korean leader Kim Jong-il. Yes. I want you to understand what we humans are. Atomic bombs in Nagasaki.110. table. Kadafi. MacKenzie. The oil fields ablaze in Kuwait. Pearl harbor being bombed by Japanese Zeroes.

111. Mac is silent. RASPY VOICE IN THE DARK All the butchery, the pain, the misery. Mac shifts uncomfortably. RASPY VOICE IN THE DARK All of what you saw will be a thing of the past. There will be peace, security, and a world governed fairly. The aliens will change things. And quite for the better. MAC Why are you telling me this? The man rests his hand again in the indentation on the table. A light begins to illuminate the man’s face, lifting it from the shadows. Humming, not singing. RASPY VOICE IN THE DARK Oh give me a home...where the buffalo roam... Thrown off. MAC I used to sing that song with my... RASPY VOICE IN THE DARK ...your father? His face now illuminates under the light. It is Mac’s father, his dead father, sitting before him. Mac recoils. Leaning in. Too creepy.

RASPY VOICE IN THE DARK I am your father. I am now the one named Abaris. INT. DIMLY LIT CORRIDOR - MOMENTS LATER Mac walks slowly next to Abaris. ABARIS Abaris, after a Greek sage who had the power to heal.

112. You see, it was I who saved the alien who survived the Roswell crash. Mac has trouble looking ahead. ABARIS When his body began to die I allowed him to enter mine. MAC Is he with you now? ABARIS You have been talking to both of us, for now we are one. It has been the most valuable experience of my life. Feeling somehow ripped off. MAC You fake your death so that some alien could share your body over raising your own family? ABARIS Oh you mustn’t be cross. It has been for the good. Yes, and much more. But now my body is beginning to die. That is why I brought you here. Mac strains to process it all. ABARIS You, my son, are the person to carry on. To end the misery on this planet. If you will only allow us to enter. Abaris stops in front of a large panel. into four sections. He gestures for Mac to enter. INT. THEATRE CHAMBER - CONTINUOUS ABARIS The time of the mass revealing is almost at hand. A world of peace, harmony, love, and understanding. The true brotherhood of man realized to its fullest potential. The door splits open

113. The room is suddenly bathed in brilliant white light. A huge heavenly being floats from an entrance off to the side. He is magnificent, powerful, and splendid to behold. HEAVENLY BEING I am the archangel Gabriel. me. The angel hovers above Mac and Abaris. changes his appearance. Trust And gracefully

Ghandi, serene and holy with a white dhoti wrapped around his tiny brown-skinned body. Into Buddha, silent and detached, with a beam of light streaking from the center of his forehead. Into Jesus, hanging on a cross, wrists impaled by bony nails, a crown of thorns jutting into his bloody head. Mac watches breathlessly. The image changes again. A small point of light. Swirling. Into a primordial cloud of spinning galaxies. Into the universe itself. His voice echoes. THE UNIVERSE I AM THE ONE NAMED SEMJAZA! Suddenly it is gone. It has vanished. Complete overload.

Mac stands in total shock. MacKenzie.

ABARIS (O.S.) Mac looks around. His father calls him from an adjacent room. Mac reluctantly follows. INT. SOLAR SHAFT - INTERCUT AN EIGHT FOOT DIAMETER mirrored-paneled SOLAR SHAFT magnifies a concentrated six foot diameter beam of hot desert sun down into the base. A heavily perspiring Mole carefully repels down the shaft, flat against the side to avoid the intense beam. INT. MAJ 12 - THE TIERED ROOM - INTERCUT A large space with a strange reddish glow. of towers with thousands of shelves. Hundreds of rows

An entire row of glowing hearts beat as one.SPEED MONTAGE OF IMAGES Lucy’s gaunt face in the psych ward. From the topmost tier. The small gray with the doctor inspecting the giant’s foot. Divina with her throat slit. embryos incubate within a thick red liquid. ABARIS This is the future. Muhammad.114. And the kingdom of heaven will be on earth. All genetically engineered. ABARIS Krishna. The mutilated cow carcass. To replenish their dying race and evolve ours. Semjaza manifesting in the living room. Hybrid . INT. The rattlesnake on his heel. A glowing hybrid heart beats in a glasslike container. Putting it all together. And soon their time of dwelling with us will be revealed. MAC’S MIND . Mac keels over with dizziness. The six-fingered skeleton in the ancient sarcophagus. They are the ones who stimulated the creation of the world’s major religions. Their seed and ours joined together to create a superrace. On the shelves are countless glasslike containers. MAC Embryonic Nephilim. Moses. The alien in the saucer staring in hate. MAC The cow’s blood. ABARIS The aliens are here to enlighten us. Jesus.

But he’s transfixed. TIERED ROOM WITH GLASSLIKE CONTAINERS . Its twisted face a look of hate. It scratches the side of the container. OH YES. this all might seem strange to you now. MY SON. ABARIS You see.CONTINUOUS Mac looks at a glowing hybrid embryo. Exploding. EMBRACE HIM. Puts his shoulder into it. Seemingly in unison. Mac snaps. ABARIS It’s time to embrace him. my son. The red thick liquid squirms. MAC IT’S A LIE! YOU’RE A LIE! NOT MY FATHER! YOU’RE . Laura slammed like a rag doll against the wall. They writhe and gasp. It startles Mac. ABARIS YES. Hundreds of embryos spill across the shiny black floor. Sarah and Jeremy floating in midair.115. NEPHILIM! BREEDS. The jars smash open. Mac fights a gag-reflux. The tiny creature twists and presses its hideous face against the glass. MAC THEY’RE ALL CROSS- ABARIS WHAT ARE YOU DOING? Pointing at Abaris. FOR HE IS YOUR BROTHER. INT. Mac jerks away. but I assure you it is the future of mankind. Pushes the entire tower over on its side. The embryo reaches out a clawlike finger. The embryo turns in the jar so that its slanted eyes look out at Mac.

Gray scaly skin. Elongated head. Clawlike hands. MAC I need you. HOW DARE YOU INTERFERE WITH OUR COLONY? YOU CANNOT DESTROY THE FUTURE OF MANKIND! Mac back-pedals on the smooth shiny floor. SEMJAZA I AM SEMJAZA. Choking. He pushes over another tower. They domino. It’s time to believe. . Mac grabs for his throat. The angelic being fills the space. Booming voice. He’s drenched in foul fluid. wings spread wide. Slanted oval eyes.116. Gasping for air. MAC IN THE NAME OF YESHUA THE MESSIAH I COMMAND YOU TO RETURN TO THE PIT OF HELL! Semjaza takes a deep breath and blows out a black cloud that envelopes Mac. Then his appearance changes. BRIGHT AURORA LIGHT PARTICLES manifest into a TWENTY-FOOT ANGEL. Outraged. More embryos spastically twitch in the shallow thick cow’s blood. A desperate prayer. He goes down to the floor. MAC WE ARE STRONG IN THE LORD AND IN HIS MIGHTY POWER! Projectile vomit at Mac. A warrior with a flaming sword. Semjaza comes closer. ABARIS YOU MUST STOP NOW! Brilliant white light floods the room. He’s gagging. Breaking glass everywhere. Looking up. He outstretches his razor-taloned fingers towards Mac. Holding up the ancient Jerusalem cross hanging around his neck.

Semjaza shrieks as he is hurled into the pit. like small tornados. He hooks his clawlike finger on its edge. the angel swings his sword and cleanly cuts off his arm. He lashes his sword at Mac’s neck. revealing the suffocating Mac. The angel swirls his sword in the air. The angel’s flaming sword pierces the darkness. Semjaza lets out a tortured scream. to feet. Semjaza is now above him. At last all is calm.117. They disintegrate as they fall to the ground. The entire colony is spun into a frenzied helix and drawn into the depths. His clothes flap violently. Mac lies prostrate. His face a twisted mask of rage and fear as it tries frantically to move away from the abyss. No Abaris. In the cloud. The noise is deafening. The warrior angel vanishes. The deafening noise subsides. his disjointed arm following him. then his body is torn from the clinging arm. Before he can exhale. A larger tentacle comes up and wraps itself around Semjaza. A gaping hole rips across the center of the floor between Mac and Semjaza. He gets . A large ominous black pit descends as far as he can see. A crackling thunder fills the room. He desperately claws at a load-bearing beam. Mac scrambles away from the pit. He scans the room. Abaris steps back in bewilderment. The wind sucks down as the pit seals itself off. It holds against the supernatural force. choking him. Another sound joins the cacophony of the whirling wind. A lightning bolt hurls at Semjaza’s feet. severing the snakes into pieces. A whirling hurricane engulfs the room. Mac’s hair blows wildly. Suddenly tentacles of wind. It’s The floor rumbles as the abyss slowly closes. Semjaza takes another deep breath. The angel aims his sword at the floor. the loud rumble of an earthquake. three large male rattlesnakes wrap themselves around Mac’s throat. lash out from the abyss and encircle all of the writhing embryos and glass containers on the shelves. Heads for the black door.

And finally lands back underneath Mole. He sees the guards. He folds into an airplane. Get there. And slowly lowers himself again upside down.INTERCUT Mac runs into a huge cavern. INT. Unzips a pocket and pulls out the piece of bronze sheet metal. Alarms drone and red lights flash. AN ALARM BLARES. HUGE CAVERN . A muted yell for help. Sparks erupt as the power core commences a nuclear meltdown. As they run toward the shaft. on top of the large prism of refracted sunlight. MOLE C’mon baby. POWER CORE ROOM . Three small grays yank him away. POWER CORE ROOM . In the portal next to him Cranston bangs on the glass. SOLAR SHAFT .INTERCUT TWO NEPHILIM WITH MASSIVE SIX FOOT SWORDS stand guard near a thick stainless steel door. see Mole and brandish their swords. Mole drops to the ground and heads to the edge of the plasma lake. INT. He turns to watch the Nephilim giants charging hard. A HOVERING SAUCER pulses a deep orange glow. And again. Then dives in. . MOLE Crap. The plane circles silently over the energy field. Finds the pulsating lake twenty feet away. INT. swords drawn. He turns back to the pulsating plasma.CONTINUOUS Mole hangs out from the shaft. It rotates revealing a row of oval shaped windows. Abaris looks down from one of the portals. Mole’s face peeks out upside down out of the shaft. Under his breath. He carefully launches the plane towards the lake of pumping plasma. INT.CONTINUOUS Mole pulls himself back up. The guards spin around.118. Light pours down the solar shaft behind them and is reflected through a giant prism onto a lake of yellow inorganic pulsating plasma some twenty feet away. corrupting the energy field. Checks the guards again.

ALIEN BASE TARMAC . Uri. EXT. ALIEN BASE TARMAC . GIANT HANGAR . The doors open. Blackness. AUSTIN The base is going. ELEVATOR . He runs to it. sir.CONTINUOUS The elevator roars upward. Maggie. Laura. Daylight pours through a tunnel at the far end. Mac notices an emergency exit shaft against the wall.CONTINUOUS Roswell. and some commandos commence to buckle up. A red panel lights up. INT. The others follow in . Alarms continue to echo. A fireball blows the elevator doors out into the hangar floor.CONTINUOUS Chopper One lifts off the tarmac. The saucer whisks towards the tunnel. EXT. And is gone. Austin. INT. formation. CHOPPER # 1 .CONTINUOUS The four Black Hawks wind up their sagging blades. Into his headset. He inserts the circuitlike key card. The saucer lifts higher and banks toward an opening at the end of the cavern. Mac is thrown to the ground. ROSWELL Take her up. Mac looks up as the lights flash and go out. Sees a small card slot in the panel.119. The giant hangar doors in the background are closing as the fireball pours past them into the daylight. the kids. INT. KA-BOOM. Austin gets a visual of the fireball.CONTINUOUS The elevator doors open and Mac runs out into an empty hangar. Reserve power.

INT. HE’S HOSTING. They lock. MAGGIE IT’S MAC! EXT. Sees a lone figure run out a narrow gap in the giant doors. URI HOLD YOUR FIRE! Uri grabs the binoculars off the loaded commando. CHOPPER # 1 .120. Uri extends his hand and grasps Mac below the wrist. Cheers all around. CHOPPER ONE . Lurching at him.CONTINUOUS A charred MacKenzie runs after the choppers. CHOPPER # 1 .CONTINUOUS Commandos pull Uri and Mac back into the chopper. EXT. INT. Finds Mac Chopper One Through the binoculars: a close up of Mac’s cross bouncing around his neck as he runs. LOADED COMMANDO HE’S CONTAMINATED. running toward them. and Uri pulls him off the ground into the already ascending Black Hawk. A sprinting Mac reaches up as Chopper One swings over him. ALIEN BASE TARMAC . TAKE HER DOWN! EXT. HE’S CLEAN. They all . ALIEN BASE TARMAC . land in a heap. URI IT’S MAC.CONTINUOUS Another explosion shoots a giant plume of fire through the hangar ceiling.CONTINUOUS A COMMANDO jumps into the open chopper door. SIR. aiming his assault weapon. circles back toward Mac.CONTINUOUS Maggie stares out the open chopper door back at the hangar.

. PACIFIC OCEAN . face. SARAH DADDY! Winded. MAGGIE Don’t ever leave me. FADE TO BLACK.121.SUNSET TITLE: OFF THE COAST OF PERU It pulsates with a Tears of joy stream her Promise A flying saucer arrives from hyper-space. Dives into the ocean.) . Hovers over the water. EXT. deep orange glow. FADE OUT. MAC I promise. Cranston is gagged with duct tape. me you won’t. MAC Hello pumpkin! Maggie picks him up into a bear hug. His bloodshot eyes wide with fear.. (TO BE CONTINUED. The saucer angles steeply. Mac. And is gone. Abaris looks out the oval window. In the oval window next to him.

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