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Collection

from The Phantom Of The Opera (Act I)


Andrew Lloyd Webber
Arranged by Warplaner
Lento ( = 55) Prologue

          
A E /A D /A A

                    

 
  
 
       
  

  
  

Piano 

     
rall.

  


    
Allegro ( = 136)


4

      
 
   
  

          
Larghetto ( = 60) Overture

                           


        
B♭m A A♭ G G♭ G A♭ A

  
7

  
               

         

                                        


B♭m A A♭ G

     
9

            
         


                       


       
G♭ G A♭ A

                
10

  
             

   
                                 
3

 
11 B♭m

   


                    
 
12

 
    
    

        

       
                

13 E♭m A♭

          
      

 


                      
  
B♭m

   
14

       
     


                         

    
 
15 E♭m A♭

         
         


                      
  
B♭m

   
16

       
    


 
           
4


G♭maj7 E♭m/G♭ A♭

 
17


          
         

            

  
18 B♭m


    
    

            

  
19


        
       


  

         
    
Adim

               
20

 
  
        
      
                
                  
21 B♭m

 
 

                       
   
                       
Bm Am7/B C /B Am7/B C /B

    
22

                             
         


 
  


      
  
         
5

 
Bm Am7/B C /B Am7/B C /B

         
24

                                                 


    
    
Bm Gmaj7 Em/G A

               
           

 
26

                                                 
   
 
Bm

          

                 
28



                     


              

                   

         


29 A♯dim

   
       
            

    

                           
        
    
Bm B♭ A A♭


31

 
    
    
 
                           
G A♭ A B♭

              
32

 
    
    
                             
        
6

    
Bm B♭ A A♭


33

       
    

                    
                 
34 G

 

 A7                
                 
35

  

rall.

   
Moderato ( = 112) Think Of Me

        
36

C.

Think of me, think of me fond ly

  D
                     
A /D

           
    
sim.

con pedale  

   
         
40

C.
  
when we've said good bye. Re mem ber me once in a while, please

 G/D
                
A /D D A /D


             
   
  
    
7

           
44

C.
  
prom ise me you'll try. When you find that once a gain you long to take your

 G/D    
                 
A /D Bm F♯7/B

 
        
      

     
        
48

C.

heart back and be free. If you ev er find a mo ment,

        
                        
Bm7 E D /A Bm7

   
     
 

 
     
   
52

 
C.

    


spare a thought for me.

     
       
          
Em F♯m Gmaj7 A7 D E♭B♭ /E♭

       
 
 
     
 
   
  
         

     
    
 
   B♭/E♭      
                        
     
A♭ /E♭ E♭ B♭ /E♭

       
56

            
   
   
       
     
    
  
  
8

            
60

C.

  
We nev er said our love was ev er green or as un

           
                
A♭ B♭ Cm G7/C

               
      
  
       

   
      
 
       
         
64

C.

chang ing as the sea, but if you can still re mem ber,

      
             
Cm7 F E♭ /B♭

       
Cm7

        
      
      
   
       
        
68

C.

stop and think of me. Think of all the things we

        
Fm Gm A♭ B♭7 E♭ E♭7 A♭ B♭ /A♭

                        
       
             
       

   



             
72

C.

shared and seen, don't think a bout the way things

 
     
D♭ /A♭


  
E♭ /B♭ Cm

  
     
             
     

9

           
76

 

C.

  
might have been. Think of me, think of me wa king

           
   
Fm B♭ E♭ B♭ /E♭

  

      
  



  
 
           
80

C.

   E♭   
si lent and re signed. I ma gine me, try ing too hard to

              
               
A♭ /E♭ B♭ /E♭ B♭ /E♭

 
   
    
sim.



     
                    
84

C.

 
put you from my mind Re call those days, look back on all those times, think of the

                 
      
G7/C

   
A♭ /E♭ B♭ Cm

 

     
    
   
   

      
      
88

C.

things we'll nev er do. There will nev er be a day when

  
  
Cm7

       
      
Cm7 F E♭ /B♭

   
 
       

   
   
10

   
92

C.

I won't think of you!

            


 
Fm Gm A♭ B♭7 E♭ B♭ /E♭

     

       
       

   
     
96

R.

 B♭/E♭
Can it be, can it be Chris tine?

             


A♭ /E♭ E♭ B♭ /E♭

                   


    
       
      
        

 
          
100

R.


Bra vo! Long a go, it seems so

        
                      
A♭ B♭ Cm

  
 
         
                
 

                   
      
  
        
 
103

R.

long a go, how young and inn o cent we were. She may not re mem ber

 
             
G7/C Cm7 F E♭ /B♭

       




         
       
    
     
11

       
           
107

C.

 
    
Flow ers fade, the fruits of sum mer fade, they have their

R.     
me but I re mem ber her!

 
                    
   
Cm7 Fm Gm A♭ B♭ Cm G7/C

   
 
                       

       

    
          
112

C.

sea sons so do we. But please pro mise me that some times

   
          
Cm7 F E♭ /B♭ Cm7


      
 
  
 
                  
 
 
        


                       
116

C.

you will think Ah Ah Ah

         
  
Fm Gm A♭

   

       
 
 
                
12


120


C.

 
Ah of me!

  
 
    
      
B♭7 E♭

 
    
          
  

  


         
      
Moderato (  = 48) Angel Of Music

     
124

 

M.

Where in the world have you been hid ing? Real ly, you were per fect.

          


     
B♭ F /B♭ E♭ /B♭ F /B♭ B♭ F /B♭ B♭ B♭sus4

      


 
  



     



           

      
          
  
128

M.
 
I on ly wish I knew your se cret; who is this new tu tor?

     
           
 
B♭ F /B♭ E♭ /B♭ F /B♭ B♭ F /B♭ B♭

 











          
      


        
         
B♭ /F F7 E♭ /F F B♭ /F F7 B♭

             
132



                
 

rall.

13

               
136  meno mosso

C.

Fa ther once spoke of an an gel, I used to dream he'd ap pear.

    
     
              
Gm E♭ Cm D7/C

    
       
         
meno mosso

  

     
        
140

C.

Now as I sing I can sense him and I know he's

     
          
Gm E♭ Cm7 A♭sus4


     
       

     
      


   
        
Tempo Primo (  = 48)


143


C.

here. Here in this room he calls me soft ly,

    
     
F /A B♭ F /B♭ E♭ /B♭ F /B♭

                          
     





       


      

    






   
    
      
146

C.

some where in side hid ing. Some how I know he's

        
   
B♭ F /B♭ B♭ B♭sus4 B♭ F /B♭

               
    




           
 


  
sim.





14


        
   
149

C.
 
al ways with me; he, the un seen gen ius.

            
E♭ /B♭ F /B♭ B♭ F /B♭ B♭

                         

   





    
  
 
    
  


   







  
             
152  pìu mosso

M.
 
Christ ine, you must have been dream ing, stor ies like this can't come

 
     
  
Gm E♭ Cm

                   
pìu mosso

  
        
155

M.
  
true. Christ ine, you're talk ing in rid dles, and it's

           
             
D7 Gm E♭

             


        
 
      
  


     
15


Tempo Primo (  = 48)

 
158



C.

   
   
An gel of Mu sic,

M.

not like you.

  
                                   
Cm7 A♭sus4 F D♭ A♭ /D♭

   
  
        
rall. 

            
      
       
   
  
   
  
161


rall. a tempo

C.

    
  
guide and guar dian, grant to me your glo ry! Ang el of Mu sic,

         
 rall. a tempo

M.

   A♭/D♭ 
Who is this an gel, this Ang el of Mus ic,

             
     
G♭ /D♭ A♭ /D♭ D♭ A♭ /D♭ D♭ D♭sus4 D♭

                
    
                         

rall. a tempo

                       

              
          
165
 rit.

C.

 
       
hide no long er, se cret and strange an gel. He's with me ev en now,

           
 
rit. 


M.

 A♭/D♭     A♭/D♭


hide no long er, se cret and strange an gel. Your

       
              
G♭ /D♭ D♭ D♭

         


                     
        
 rit.

        
    
16

               
  
169

C.

      
         
all a round me, it fright ens me.

   
      

M.

hands are cold; your face, Chris tine, it's white; don't be fright ened.


                      
  
  
    
   
   


     
Tempo Primo (  = 48) Little Lotte

                     
173

R.

Lit tle Lot te let her mind wan der. Lit tle Lot te thought, "Am I fon der of


       

   
     
Am/E Bm/F♯ Gm/D Fm/C Am/E Bm/F♯ Gm/D Fm/C

             


   
      
        
      
    

    
            
177

C.

   
         
or of gob lins or shoes, or of rid dles or frocks,

R.         
dolls or of gob lins or shoes, or of choco lates?

     
          
           
Fm/C Gm/D D♯m/A♯ C♯m/G♯ Bm/F♯ Am7/E 



        
           
       

 

       
17

       
  
181

C.

"No, what I love best," Lot te said, "is

                  
 B /F♯ C♯ /G♯ A♯m/E♯ G♯m/D♯

        

 
           
                 
 

     
                
185

    
C.

  
      
when I'm a sleep in my bed and the An gel of Mu sic sings songs in my head, the

R.  
"The

                


B /F♯ C♯ /G♯ A♯m/E♯ G♯m/D♯ A♯m/E♯ F♯m/C♯ Em/B F♯m/C♯

             


  

  
                     
           
 

  
      
     
189

   
C.

        
    
An gel of Mu sic sings songs in my head."

R.       
An gel of Mu sic sings songs in my head."

                 
            
    
G♯m/D A♯m/E♯ F♯m/C♯ Em/B A /E E7 D /E E A /E E7

   
           
             

  
      
            

18

           
Larghetto ( = 78)

   
194 A

        
     
      




    

      
          
Moderato (  = 48)The Mirror (Angel Of Music)

   
200

 

P.

In so lent boy, this slave of fash ion, bask ing in your glo ry!

  
    
B♭

  
    

   

           
          
204

P.
 

  
Ig no rant fool, this brave young suit or, shar ing in my tri umph!

              

F /B♭ E♭ /B♭ F /B♭ B♭ F /B♭ B♭

      
 
   

    
           
208



C.

An gel, I hear you. Speak, I lis ten. Stay by my side,

            


B F♯ /B E /B F♯ /B B F♯ /B

                        
              





    


          




   
 sim.








19

   
            

211


C.

guide me! An gel, my soul was weak; for give me.

     
           
B Bsus4 B F♯ /B E /B F♯ /B

       
   




           

 
    






         
  
214

C.

     
    
En ter at last, mas ter!

 
 

P.

Flat ter ing child, you shall know me,

               


         
B F♯ /B B G♯m Emaj7

                  
        




           




       

  





      
       
218

P.
   
see why in sha dow I hide. Look at your face in the mirr or! I am

                   


         
C♯m7 D♯ /C♯ G♯m Emaj7


             
 

         
             
 
20

           
    
222  meno mosso


C.

    
  
An gel of Mu sic, guide and guar dian,

P. 
there in side!

                   /D 


     
       
 
 
 
 
 
     
                   
C♯m7 Asus4 F♯ D A /D G /D A

               
         
                
rall. meno mosso

           

       
        
    
226


rall. a tempo

C.

grant to me your glo ry! An gel of Mus ic, hide no long er!

 
            
                    

   
                  
D A /D D Dsus4 D A /D G /D A /D

                    
sim. rall. a tempo

                  

        
   
230

C.

Come to me, strange an gel!

 
               
     
D A /D


D

    

        
                 
 
 
21


Andantino ( = 60)

    
 
232

   

P.

 
I am your An gel of Mu sic;

     
  

  
  

                       

 
         
234

P.
  

      
come to me An gel of Mu sic!

   
  
 

    
                       

   
          
236


R.

Whose is that voice; who is that in there?

       

   
                       

 
 
     
 
238

P.
  
I am your An gel of Mu sic;

     

 

   

                       
22

     
    
240

P.
   

 
come to me An gel of Mu sic!

  
  
  

 
Allegro Vivace ( = 120) The Phantom Of The Opera


             
Dm C♯m Cm B

  
        
242

 
  

                   

        
            
B♭ Dm C♯m Cm B

 
        
245

   

       
                            

    
249

  

C.

In sleep he

         
                   
B♭ A♭ B♭ B C C♯m Dm

         
      
                    
23

     
253

         
C.

sang to me, in dreams he came. That voice which

   
  
Gm C Dm

 
  


               
  

    
257

  

      
C.

calls to me and speaks my name. And do I

     
Gsus4 Gm C Dm

     
     
  
             

  
          
261

C.

dream a gain? For now I find the

  
       
B♭Maj7 Gm/B♭ C Dm

 
    

           

      
    
265

   
C.


Phan tom of the O per a is there in side my

   
  
  

 
C♯dim

 
                  

            
  
24

 
269

 
C.

mind.

                          
  
Dm C♯m Cm B B♭ A♭ B♭ D♭dim

       
            
     
        
                              
         

  
                 
     
    

  
273



P.

Sing once a gain with me our strange du

 
   
Gm

   
Csus4 Cm F

  
  
          

              
        
    

277


P.

et. My pow er o ver you grows strong er

      
Gm Csus4 Cm F

  
 
    
                
                

     
      
281

  

P.

yet. And though you turn from me to glance be


     
Gm E♭Maj7 Cm/E♭ F

    
        
              
         
      
   
25

   
285

P.

    
hind the Phan tom of the O per a is


   
   
     

Gm

 
           
               
    
 
      
289

P.
  

    F♯m
there in side your mind.

       


             
 
F♯dim Gm Fm E

 
                    

            
          
 

    
   
293


C.

Those who have

     
         
E♭ D D7 Em

 

                           
                  
 
  
 
  
297

C.
       
seen your face draw back in fear. I am the

 Asus4
   
   
Am D Em


                           
           

         
 
26

     

301

   


C.

   
   
Your spi rit

  
mask you wear



P.

it's me they hear. My spi rit

 Asus4
   
     
Am D Em

 
                      
                      

        

   
          
305

C.

   
     
and my voice in one com bined. The

P.     
and your voice in one com bined. The

        
           
Am/C D Em

         


  
                                
           

  
     
309

C.
   
   
Phan tom of the O per a is there in side my

        
P.

Phan tom of the O per a is there in side your


    
D♯dim

              


   
                                
   
27

   

313

 
C.

   

mind.

 
P.

  


mind.

             
        
Em C


 
 
                                        

    

             


             
317 Em C

 
      
          
                         
       
   

            
321



P.

In all your fan ta sies you al ways

       


                 
Fm E♭ Fm D♭ E♭

         
 
                                    
   
 

     
   
28

  

325

 
C.


           
were both in

P.

 
knew. That man and mys te ry

     
  
                              
Fm D♭ E♭

                                           


       

         
 
329


 
C.

        
you. And in this lab y rinth where night is

 
 

 
P.


And in this lab y rinth where night is

    
     
Fm D♭Maj7 B♭m/D♭ E♭

        


             
                
  

      
        
333

C.

      
     
blind the Phan tom of the O per a is

P.   

       


blind the Phan tom of the O per a is

 
  
  

 
    
Fm


                        
                     
    

29

     

337

C.
    
 
    
there in side my mind.

P.      

        
there in side your mind.

         


        
D♭dim Fm

 
                                  
      
   
           
341

C.

  


He's there, the Phan tom of the

     
                 

D♭

                     


          


    
        
        
345

C.
3
Op era. Ah!

    
                  
      
D♭ Fm



          

       
                  
  
 

        
     
349

C.
3

  Gm

Ah!


                                
D♭

    
           
     
   
       
   
  
  

      
 
 

 
         
    

          

30

   
353

C.
3

         
Ah!

 
                         
E♭ Gm


 
        
                               
   
        

     
   
357

C.

 
3

  
Ah!


                             
E♭ Am

     
   
     
            
         
 
     

      
   
360

C.

  
 
                       
F


          
             

          
sim.

    

   

363

C.

Ah! Ah!

            


       
Am F

                  


                
             
       
   


31


367

C.

Ah! Ah!

     


                   
Am

            
    

 
         

        

             
Adagio (  = 60) Intro To The Music Of The Night


371



P.

I have brought you to the seat of sweet mu sic's throne,

           


        
B Gm B Gm Fm

          


Am ____ ____ Fm Am ____ ____ ____

   
Gm Fm Gm Fm E♭m

   
 
      
           
         

             
             
375
dim. rall.

P.

to this king dom where all must pay ho mage to mu sic, mu sic.

      


          
       
 
   
Fm/C Gm/D D♯m/A♯ C♯m/G♯ Bm/F♯ Am/E



                       
dim. 

    
rall.


  a tempo
      
     
  
379

P.

You have come here for one pur pose and one a lone.

     


         
     
 
B /F♯ C♯ /G♯ A♯m/E♯ G♯m/D♯ B /F♯ C♯ /G♯ A♯ /E♯ G♯m/D♯

     
               

            
a tempo


             
32

       
383
dim.
P.

Since the mo ment I first heard you sing I have nee ded you with me to

      


       
  
       
G♯m/D♯ A♯m/E♯ F♯m/C♯ Em/B F♯m/C♯ G♯m/D♯ A♯m/E♯

   
              
  
          
dim.


 (dim.)       
                   
386
 rall. 
P.

 Em/B
serve me, to sing for my mu sic, my mu sic.

       
  
   
            
    
F♯m/C♯ Dm/A Cm/G

      

                 


(dim.)

         

   
rall.

  

 
    
Andante ( = 55) The Music Of The Night

       
389

   
P.


Night time shar pens, height ens each sen sa tion. Dark ness stirs and

       


      
D♭ A♭ /D♭ D♭ A♭ /D♭ D♭ A♭ /D♭

   
  

  
     

 con pedale
             
        
392

P.

 
wakes i ma gi na tion. Si lent ly the sen ses, a ban don their de fen ces.


       


   

  
G♭ /D♭ A♭ /D♭ G♭ D♭ G♭ D♭




      
       
       
33

  
G♭ C♭ G♭ D♭ /A♭ E♭m/A♭ Fm/A♭


        
    
395

 
      
   
rall.



    
       
398
a tempo

   
P.

Slow ly, gent ly, night un furls its splen dour. Grasp it, sense it,

         

D♭ A♭ /D♭ D♭ A♭ /D♭ D♭ A♭ /D♭

         


             
     
   a tempo
   
  

                
     
401

P.

trem u lous and ten der. Turn your face a way, from the gar ish light of day, turn your

     
  
             
G♭ A♭ G♭ D♭ G♭ D♭

       
 
               
        


          
             
404

P.

thoughts a way from cold un feel ing light and list en to the mu sic of the

             
  
G♭ C♭ G♭ D♭ /A♭ G♭ A♭7/G♭

    
   
  
 
   
  
 

      
34

           
407
accel.  pìu mosso

P.

 
night. Close your eyes and sur ren der to your dark est dreams! Purge your

     
           
   
 
D♭ B E

  
 pìu mosso
  
    
accel.

     
            

        
      
               rall.
    

410

P.

thoughts of the life you knew be fore! Close your eyes let your spi rit start to

     


           
A E♭ E♭7 A♭ A♭7

  
                 
   
      
    
rall.


           
   
413
 rit.

P.


soar and you'll live as you've nev er lived be fore.

        


 
D♭ Fm C7 F









       rit.   


  


  
 

   
Tempo Primo ( = 55)

   
416

 
P.

Soft ly, deft ly, mu sic shall ca ress you.

     
  
     
 
D♭ A♭ /D♭ D♭ A♭ /D♭

  

                    
            

 


35

          
418

 
P.

Hear it, feel it, se cret ly po ssess you.

  
         
D♭ A♭ /D♭ G♭ A♭

        
                
                
   

            
    
420

P.

O pen up your mind, let your fan ta sies un wind, in this

        


G♭ D♭ G♭ D♭

           


        
      
     
 

     
      
422

P.

  
   
G♭ C♭ G♭



dark ness that you know you can not

   
  
    
     

      
               
423


rall. accel. 
P.

  
fight. The dark ness of the mu sic of the night. Let your

     
     
D♭ /A♭ G♭ /A♭ A♭7 D♭

  
             
  
rall. accel.

 
  pìu mosso

36

        
  
426

P.

mind start a jour ney through a strange new world; leave all

  
   
B E

        

       

          

 
 pìu mosso

   

  
      
428

P.

    
A
thoughts of the world you knew be

   

    
     
 

    
             
5
429
rall. 
P.

fore. Let your soul take you where you long to be! On ly

  
         
E♭ A♭ A♭7 D♭

            
         
7

     
    
              
     
rall.


 rit. 
7

           
432
Tempo Primo ( = 55)

 
P.

then can you be long to me.


Float ing, fall ing,


        
  
Fm C7 F D♭ A♭ /D♭

 
 
           
      
 rit.

  

37

                
435

 
P.

 
sweet in tox i ca tion. Touch me, trust me, sa vour each sen sa tion.

      
    
D♭ A♭ /D♭ D♭ A♭ /D♭ G♭ /D♭ A♭ /D♭

  
     
   
     
                
   

     

                       
 
438

P.

Let the dream be gin, let your dar ker side give in, to the pow er of the mu sic that I

                          


G♭ D♭ G♭ D♭ G♭ C♭ G♭


                                 
   
               



   

    

   
               
441


rall. a tempo

P.

write. The pow er of the mu sic of the night.


      
D♭ /A♭ G♭ /A♭ A♭7 D♭ A♭ /D♭

  
           
 
      
   
rall.


 a tempo

  

             



D♭ A♭ /D♭ D♭ A♭ /D♭ G♭ A♭

                      


   
                     
444


     
        
       
           
38

 
447
 poco rit.
P.

 D♭  D♭ 


You a lone can make my song take

           


                       
G♭ G♭ G♭ C♭ G♭

 
 
            
 
 poco rit.

    
 

      
  
    
        
450
rall.

P.

flight, help me make the mu sic of the night.


         
  
D♭ /A♭ G♭ /A♭ A♭7 G♭ E♭m Dm C D♭

     
     

     

         
        
 

 
rall.


    
Lento ( = 55)

              


 
A E /A D /A

        
455 

  
    
                 
     

 
Lento ( = 58) I Remember

                
460

C.

I re mem ber there was mist. Swirl ing mist up on a vast glas sy

    


                                    


    
39

        
   
464
rit.

C.

lake. There were can dles all a round and on the lake there was a boat.

   

                        
rit.

    

Moderato (  = 48)

          
467

C.

And in the boat there was a man...


            
D /A A7 G /A A

     
      
   
  
 

         
    
471

C.

Who was that shape in the sha dows?

      
D /A A7 D Bm Gmaj7

              
                  
      
            
     


        
475

C.


Whose is the face in the mask?

   
                   
Em7 F♯7

             

    
accel.

          
        
    
    
40

 
Bm Gmaj7

   
477

  
              
              
 pìu mosso

      

  
( = )

      
Em7 Csus4 Em7/D

 
479

                         
                   

                                

481

                


                

                                         Dm7  
      
483


 
                     
  


         
Leggiero ( = 90) Stranger Than You Dreamt It

      
486

   

P.

Strang er than you dreamt it can you

  C♯
       
          
B Gm E♭maj7 Gm/D D7/F♯

     




             

         
                
41

    
492

P.

e ven dare to look, or bear to think of me. This loath some

     

                    
Gm D7/A Gm/B♭ F G Cm E♭ Cm Gm/B♭ F G

          

    
             


     
           
496

P.
      
gar goyle who burns in hell but se cret ly yearns for hea ven,

 
                
Cm E♭ Cm Gm/B♭ D F G Cm E♭

      


        
          
         

  

     
500

P.
        


se cret ly, se cret ly, but Chris tine... Fear can turn to


         
Gm/D D7 Gm E♭

                 


          
  
      


    

         
 

        
504

P.

love, you'll learn to see, to find the man be hind the mon ster, this


  

                
Gm/D D7/F♯ Gm D7/A Gm/B♭ F G Cm E♭ Cm

             

         

         

       
42

        
508

P.
      
re pul sive car cass who seems a beast but se cret ly

         

           
F G Cm E♭ Cm Gm/B♭ D

     
        
           
        

 
      
512

P.
            
dreams of beau ty, se cret ly, se cret ly, oh Chris tine...

 
      


Gm/D D D7

      


           
 

    

   

       
        
516 Am7/G D13 Em

 
    
      
    

       
           
Am7 D /A Em

  
520

         
        
      
Agitato ( = 250)

                       
D♯m D♯m/B

                      
525 

        
  

    
                   
D♯m/G♯


43

                     
528 

    
    
     
D♯m

                                

            
531


           
    
   
   

44
Agitato ( = 136) Why Have You Brought Us Here

  
     
534

C.

     
    
Don't take me back there.

    


R.

Why have you brought us here? We must re

       
        
D5

     
 
                        

      

   
                
537


C.


            
He'll kill me. His eyes will find me there, those eyes that

R.

 
turn. Chris tine don't say that,

                 
       
   
                      
     

       
         
540

C.
 
   
       
burn and if he has to kill a thou sand men, the

R.        
don't e ven think it. For get this wa king night mare.

 
             
Gm/D C /D Dm

  
 
                        

     
         
45


543

C.
 
 a 
        
         
Phan tom of the O per a will kill and kill gain.

R.
  
   

 
This Phan tom is a fa ble. Be lieve me there is no Phan tom of the

 
  
B♭dim Dm

       

         
        

  

       
      
546


C.

      
 
My God, who is this man

R.
     

 D♯m
    
Op era. My God, who

         

G♯m/D♯

 


                          

    
 
      
549

C.

    
who hunts to kill? I can't es

R.         
is this man? This mask of death.

          


          
C♯m/D♯ D♯m C♯m/D♯ D♯m

            
 
 
                      
 
        

    
46

        
552


C.

     
cape from him, I nev er will.

R.           
Whose is this voice you hear with ev ery

           C♯m/D♯


          
 
G♯m/D♯ C♯m/D♯ D♯m

  
 
   
                            

     
        
555

C.
 
    
  
And in this lab y rinth where night is

       

R.

     


breath? And in this lab y rinth where night is

     
                 
D♯m G♯m/D♯ C♯ /D♯

 
             
 

    
    
558

C.

    
blind the Phan tom of the O per a is

R.     

  

                 

blind the Phan tom of the O per a is

                    
D♯m

         
               
 
  
47

    
561

   
C.

     
   
here in side my mind.

     
   
 
R.

here in side my mind. There is no Phan tom of the

                                  
                                   
Bm/F♯ D♯m


       
    

             
Andante (  = 70) Raoul, I've Been There

    
565

C.

      
Raoul, I've been there, to his world of un

R.     

   
Op era.

                 
F♯ F♯

         


____ Dm
____ ____

 
Em Cm Em


Dm Cm Dm

  

     
         
     

  

     

 
           
     
569

  
rall.
C.

end ing night. To a world where the day light dis solves in to dark ness,

               


     
   
Dm

   
____

   
Cm Cm/G Dm/A A♯m/E♯ G♯m/D♯ F♯m/C♯


Cm

       
          

rall.

          



   a tempo
        
48

    
573

  
C.

dark ness. Raoul, I've seen him! Can I e ver for

      


       
 

 
   
Em/B F♯ /C♯ G♯ /D♯ E♯m/B♯ D♯m/A♯ F♯ /C♯ G♯ /D♯

   

           
        
a tempo


     
  
          
       
577


C.

get that sight? Can I e ver es cape from that face, so dis

                
        
E♯m/B♯ D♯m/A♯ E♯m/B♯ C♯m/G♯ Bm/F♯ C♯m/G♯

 
   
                           
       
     
              
580

  
rall.
C.

 
tor ted, de formed it was hard ly a face in that dark ness, dark ness.

              


   

           

D♯m/A♯ E♯m/B♯ C♯m/G♯ Bm/F♯ Am Gm

 
 
                

  
rall.

            


 
         
           
Dolce ( = 60)

   
584

C.

  B                E               
But his voice filled my spi rit with a strange, sweet sound. In that


              

         
      

                  
49

 
587
rall.

C.

         E♭    
night there was mu sic in my mind. And through mu sic my soul be gan to

                          
        
A A♭ A♭7

  
       
          
       
rall.

    


             
590
 rit.

C.

            
soar! And I heard as I'd nev er heard be fore.



R.

What you heard was a dream and no thing



   
D♭ Fm C7/F F C7/F

       


     
  




             

     

          
Largo ( = 35)

         
593

 
C.

 
      
Yet in his eyes, all the sad ness in the world. Those plead ing

R.

  
 
more.

      
          
F Am7/G D13 Em7

  
        




 


   
 
50

   
Moderato ( = 105)

         
596

C.


eyes, that both threa ten and a dore.

          

Am7 D G Gm7/C C7 C6 F /C

                 
      
          
      



        
         
Gm7/C C7 F Dm7 E♭


600

 
          
           
  

     
        
D♭ G♭ E♭m Dm C


604






      
    
rit. 



   
Andante ( = 58) All I Ask Of You

                
607


R.


No more talk of dark ness, for get these wide eyed fears; I'm


    
D♭

     
   
 
          
          

con pedale
51

     

                     
610


R.

here, no thing can harm you, my words will warm and calm you. Let me be your free dom, let

    
                          
D♭maj7 G♭6/D♭ C♭ A♭ /C D♭

        
      
     
         
 

 
              
613

R.
 
 
day light dry your tears; I'm here, with you be side you, to

  
              
D♭maj7 G♭6

        
   
    
         
  

        
    
615

 

C.


  
Say you love me ev ery wak ing mo ment,

R.        


guard you and to guide you.



                       
C♭ A♭ /C D♭ B♭m7 E♭m7 A♭

            
    

              
 
   
  
52

    
            
 

618

C.
 
turn my head with talk of sum mer time. Say you need me with you

      

            
D♭ /F B♭m7 E♭m7 E♭m7/A♭ D♭ B♭m7

        
 
 
           
   
 

   

            
621

   
rit.


C.

      
now and al ways; pro mise me that all you say is true,


                   
D♭ /F G♭ D♭ /A♭

 
E♭m7 A♭

       

    
    

   
rit.



     
          
624
a tempo

C.

        
that's all I ask of you.

            


R.

Let me be your shel ter, let me be your light; you're

                              


  
E♭m/A♭ A♭6 E♭m7

            
D♭

 

                
a tempo

       
 
53

  
               
627

R.

 
safe, no one will find you, your fears are far be hind you.

 

              

   

D♭maj7 C♭ G♭6 A♭

                      
 
     
      


    
           
629

 
C.

All I want is free dom, a world with no more night; and


              
      
D♭

 

         
     

   
                
631

C.

  
      
you, al ways be side me, to hold me and to hide me.

R.

Then

                             
D♭maj7 G♭6 C♭ A♭ /C

    
     
   
   
54

        
    
   
 
633

  
R.

say you'll share with me one love, one life time; let me lead you from your

      
        
               
D♭ B♭m7 E♭m7 A♭ /F D♭ B♭m7

  
  
  
         

  
  

   
        
  
   
636

 
rit. a tempo

R.

sol i tude. Say you need me with you, here be side you.

  
             
E♭m7 A♭ A♭6 A♭7 D♭ B♭m7 E♭m7 A♭

                   
     
       
    
a tempo

    
rit.


 
             
  

   

639
rit. rall.

R.

     G♭  
An y where you go, let me go too, Chris tine, that's all I ask of

 
                   

D♭ /F D♭ /A♭ E♭m7/A♭ A♭6 E♭m7/A♭

rit.      

     
   
 

 
rall.



     
55

  
Tempo Primo ( = 58)

     
   
 
642

  
C.

   
     
Say you'll share with me one love, one life time; say the word and I will

R.

you.

      
    
                 
D♭ B♭m7 E♭m7 A♭ D♭ /F B♭m7

           
   
       
              
     
a tempo

 

   
           
   
645

 
C.

   
       
fol low you. Share each day with me, each night, each morn ing.

R.
    
Share each day with me ,each night, each morn ing.

    
                 
E♭m7 E♭m7/A♭ D♭ B♭m7 E♭m7 A♭


            
      
           
     
  


        
  
 

    
648
 rit. rall.

C.

       
       
Say you love me! Love me, that's all I ask of

      
 rall.

R.

You know I do. Love me, that's all I ask of

    
  
             
D♭ /F G♭ D♭ /A♭ E♭m7/A♭ A♭6

    
      
   
 rit.

    
rall.

   



  
56
Tempo Primo ( = 58)

    
651

C.

  
    
you.

R.

you.

      
    
                  
D♭ B♭m7 E♭m7 A♭ D♭ /F B♭m7

     
        
          
   
 a tempo

 
 
          
          
E♭m7 E♭m7/A♭ D♭ B♭m7 E♭m7 A♭

     
654


 rit.
                    
rit. a tempo

     

               
 
         
657
 rall.
C.

           
    
 
An y where you go let me go too. Love me, that's all I ask of you.

        
 rall.
R.

An y where you go let me go too. Love me, that's all I ask of you.


       
D♭ /F G♭ D♭ /A♭ E♭m7/A♭ A♭6 E♭m7/A♭ D♭

        
       
      
  
   
  

   
 rall.

 

        
Tempo Primo ( = 58)

 
                   
A♭ E♭ /A♭ D♭ /A♭ A♭

    
661



        
        
   
57

              
  
664



C.

  
I must go, they'll won der where I am.

                       
E♭ /A♭ D♭ /A♭

    
  
     

  

   
   
665

C.
   

  
        
Wait for me, Raoul.

 

R.

Chris tine, I love you!

  
          
                    
A♭ /E♭ E♭

 
     
     

    
         
667

C.
  
     
Or der your fine hor ses, be with them at the door.



R.

And


                     
D

         
             
           

58

    
            

669
rall.

C.

    

 
You'll guard me and you'll guide me.

       
rall.
R.

soon, you'll be be side me.

 Dmaj7   
                               
  
G6 C A /C♯

     
                      
         
rall.

    
Andante ( = 58) All I Ask Of You (Reprise)

  
          
672

P.


I gave you my mu sic, made your song take wing. And

    
 
C

    
      

     

        
               
676

P.

now how you've re paid me, de nied me and be trayed me. He was bound to love you

  
     
B♭ G /B C

     
Cmaj7 F6

  
        
   
 
59

     
    
679

P.


when he heard you sing. Chris tine... Chris tine...

  
                    
Cmaj7 F6


B♭ G /B

  
    
    


   
  
       
 
682

 
C.


        
Say you'll share with me one love, one life time; say the word and I will

  
    

 
R.

Say you'll share with me one love, one life time; say the word and I will

             
C Am7 Dm7 G C /E Am7

   
   
   
    

  
   

   
         
  
685


C.

   
 
fol low you. Share each day with me, each night, each morn ing.

       
  

R.

fol low you. Share each day with me, each night, each morn ing.

                
Dm7 Dm7/G C Am7 Dm7 G

      
 
        
  
             
   
60

  
688
 rit. allargando

P.

You will curse the day you did not do, all that the Phan tom asked of

    
  
         
C /E F C /G Dm/G G6 Dm/G

     

    
allargando

 
 rit.

 

 
Larghetto ( = 60)

 
691

P.

you!


             
Cm B /C B♭ /C A /C

        
                 

               


  
692

P.

    
        
A♭ /C A /C B♭ /C Bm/C

     
                 

               


           
       
Cm B /C B♭ /C A /C


693

      
                 

               

61

               
694 A♭ /C A /C B♭ /C Bm/C

      
     
 
                
               

 
   
                
Cm B /C B♭ /C A /C

    
695

      

                

               

                 
 
A♭ /C

         
696

  
    
                     
                 
          
         
       
  
698

      



            
    
        
699

      
  

 
 
700

            
      
3

 