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Introduction
In the last two decades, the Israel Defense Forces (IDF) have been deployed
in a series of very diverse operational settings and circumstances: the First
Intifada in the early 1990s; the Oslo redeployment in the mid-1990s; the
south Lebanon occupation and pullback in the late 1990s; the Second Inti-
fada of the early 2000s; the disengagement operation from Gaza in 2005;
the Second Lebanon War in 2006; and the Gaza operation of 2008–2009. As
Israel Studies Review, Volume 26, Issue 2, Winter 2011: 54–72 © Association for Israel Studies
doi: 10.3167/isr.2011.260204
The Sociology of Military Knowledge in the IDF | 55
social science researchers working within the IDF, and from a participant-
observer point of view, we could discern a comparable diversity and fluid-
ity in the field of military knowledge production. The disciplines, theories,
and concepts that were imported into the military field and translated by
different agents and institutions multiplied and diversified, dominating
the field, while other knowledge structures were rejected.
In the present article we try to make sense of this, using a sociology of
knowledge lens to look at the military turbulence of the last two decades.
We do so by suggesting and following a link between the cultural rep-
resentation of war and the structures and paradigms of knowledge that
have been imported and translated into the military field. By ‘cultural
representation of war’, we mean the ways in which the concepts ‘war’,
‘battle’, and ‘battlefield’ are commonly constructed and imagined. In this
we generally follow Philip Smith’s (2005) analysis of the cultural logic of
war and how cultural frames and narratives give meaning to both war
and anti-war imperatives. Specifically, Smith identified a limited set of
binary codes and narrative genres that are constructed and mobilized
by actors in order to reinforce or undermine war imperatives. Extending
these ideas to the field of military knowledge, we follow transitions in
the representation of war using three main binary signifiers in different
operational settings and link these changing constellations of signifiers to
the shifts in knowledge production.
The link between how war is represented and signified in different cir-
cumstances and the sort of knowledge that is translated into the military
field lies in the conceptualization of military knowledge as a ‘Bourdieuian’
field (Bourdieu [1984] 1993), defined as a social arena of struggle over the
appropriation of specific types of ‘capital’. Different groups of actors and
institutions are viewed as competing for influence and dominance within
the field. Capital is gained by the production of knowledge that is valued
as efficient and critical to military needs. In Israel, the military field is
wide and very active, structured around collaboration among strong inter-
nal behavioral science units, military academies, doctrinal bodies, a wide
array of security research institutions, and academics from various social
science disciplines.
Looking at this Bourdieuian field and its links with the cultural repre-
sentation of war, it is suggested that different representations allow for
different types of capital. More specifically, we would like to point out a
shift in the last two decades from capital gained by what can be termed
as ‘order-forging knowledge’ to capital gained from ‘order-deciphering
knowledge’. We suggest that these changes in capital structures are linked
to a crisis in the classic representation of war and to the constant blurring
and reshuffling of its main binary signifiers:, enemy, arena, and violence.
56 | Zeev Lerer and Sarit Amram-Katz
The core image of the old and familiar classic representation of war is
that of a catastrophic clash between two sides, each of which attempts
to demolish the other. This classic representation of war can be histor-
ically traced to the emergence of the modern nation-state and its vast
citizen-soldier military (Tilly 1985), the Industrial Revolution, the rise of
rationalization and bureaucratization (Weber 1978), and the industrialized
battlefields of the modern era. The basic representation of the modern
battlefield is the imagery of Carl von Clausewitz (1968: 61), who described
it as the “province of uncertainty,” an arena of all-out apocalyptic violent
encounter. The Clausewitzian imagery of friction evokes a dramatic clash
between two sides who direct maximum physical force in an attempt to
dismantle, disorganize, and destroy each other’s internal order (Leonard
1967). Indeed, the main horror at the heart of the classic representation
of war is the fear of disintegration of the internal order and structure of
human society. As John Keegan (1976) put it: “[A]bove all, it is always a
study of solidarity and usually also of disintegration—for it is toward the
disintegration of human groups that battle is directed.”
Looking closely at this system of imagery, three binary signifiers can be
identified as the basis of the imagery of war and battle (see fig. 1):
In the classic representation, these signifiers and core images are translated
into a series of well-established practices, structures, and internal orders,
all revolving around the fear of disintegration and the establishment of
durable and resistant internal cohesion, which will endure the destructive
The Sociology of Military Knowledge in the IDF | 57
and is losing its status as a reflection of the natural order of things. More
over, what is deconstructed is not just the classic ontology of war but, pri-
marily, the epistemology of war. That is, what is dismissed and disputed
is not only the reality and practice of war-making but also, and sometimes
mainly, the very perception of order and reality on which the representa-
tion is based. Much of the ‘new knowledge’ displaces the old perceptions
of reality as linear, rational, hierarchical, and categorical (i.e., ‘modern’)—
notions on which the classic regime rests. Rather, it favors other concep-
tions of reality, such as complexity, hybridization, systems, or chaos.
This deconstruction of the classic representation is based upon a collec-
tive blurring of the three main binary signifiers of war (see fig. 2) under
discussion here, that is, enemy, arena, and violence. The new war knowl-
edge obscures the representation of these familiar binaries and mixes them
up. Thus, the enemy ceases to be represented as a marked and physically
identifiable object but is instead invisible. It is no longer located in a clear,
delimited arena, defined by a border line. The total and all-out kinetic vio-
lence that is to be practiced in this defined arena against a defined enemy
becomes intermittent, unexpected, multi-localized, and multifaceted.
Indeed, the mere notion of violence is sometimes tabooed. Thus, the basic
triangle of signifiers that outline the apocalyptic space in which the inte-
grating and disintegrating forces collide disappears in favor of a dynamic
Israelashvily 1978; Kalay 1983; Ronen 1989; Rosenberg and Ziv 1968)—are
all social integration concepts that promise solutions to the objective of
preventing disintegration. These have been imported, translated, and insti-
tutionalized into organizational structures and practices since the establish-
ment of the IDF. Researchers who had worked on the ‘American Soldier’
project during World War II obtained from it integrational social-psycholog-
ical theories and concepts, such as motivation, morale, cohesion, and trust,
while others modeled personnel selection practices on those of various
Western militaries and the academic field (Ostfeld 1995). Both strains were
incorporated into IDF organizational structures in the form of the Military
Psychology Unit, later to become the Department of Behavioral Science.
This focus was the result of the rigid categories of the classic knowledge
regime, which leaves very little room for the importation and utilization
of social science knowledge other than that which fits its narrow problem
areas. These spaces form ‘selection gates’ that allow the incorporation of
knowledge, theories, and concepts that are justified by their promise to
maintain and support the established internal military order and prepare
it for battle. This also makes order-forging knowledge the main capital-
yielding option in the Bourdieuian field of knowledge production within
the frame of the classic representation of war.
However, when the reality of war itself is problematized or deconstructed
into a paradigmatic uncertainty—or what we termed earlier a ‘crisis in
the representation of war’—new capital is created in the field by what we
describe as order-deciphering knowledge. This may be defined as knowl-
edge that gains its capital from the promise of revealing or deciphering an
alternative order of war and the battlefield—one that is not yet fully under-
stood. In other words, this knowledge gains its capital by both creating and
reducing uncertainty regarding the understanding of the reality of war itself.
We suggest that this is descriptive of much of the above-mentioned flow
of ‘new battlefield’ theories, concepts, and essays of the last two decades.
This new war knowledge often starts with a debunking or deconstruction
of the classic representation of war by representing the three binaries as
blurred, mixed up, or downright non-existent. The mixed and blurred
binaries leave wide-open gaps for translations of knowledge by agents
and institutions, affording them greater leeway to decipher and recipher
the new epistemology of the reality of war itself.
structures and practice following social and economic changes that reshuf-
fled the old military orders, were imported.7 This ‘social turn’ in mili-
tary knowledge was also a result of the inversion of the binaries and the
uncertainty regarding the motivational and social mobilization that this
blurring entailed.8 Finally, the inversion also allowed in a flurry of private
sector and business management knowledge, based on the reciphering of
reality as a competitive market society and a reframing of the military and
its commanders as organizational managers and actors.9 Perhaps the most
blatant examples were the formal adoption of ‘total quality management’
as the military’s management policy10 and the major structural reforms at
the end of the 1990s that were formally rooted in centralization-decentral-
ization management practices (Zeevi-Farkash 1998).
The era following the murder of Yitzhak Rabin, the reappearance of
organized terror, and the Second Intifada further blurred and complicated
the binaries. They converged locally and momentarily, materializing in the
wake of terror attacks, in violent clashes with Palestinian Authority secu-
rity personnel, or in grand military campaigns, such as Operation Defen-
sive Shield in 2002, and then returned to their inverted situation of unseen
enemy, undefined arena, and limited use of violence in between these orga-
nized operations. This fluctuating, transient, and constellational state of the
binaries capitalized both the knowledge structures involved and the agents
deciphering this flux and transience in terms of systems, complexity, chaos,
and hybridization.
Thus, deciphering knowledge gained prominence over classic knowl-
edge and was allowed back into the mainstream of military planning and
thinking in the form of the Center for Systems Research. Moreover, it was
designated as the official operation planning methodology at area com-
mand and general staff levels (Shelach and Limor 2007: 197). It was trans-
lated into tactical operational practices in some cases and by some actors,
yielding new operational concepts, such as ‘swarming’, ‘imprinting’, and
‘snailing’, as well as wider concepts of decentralized warfare (Assa and
Yaari 2005), and also inspired the official operational doctrine (Shelach
and Limor 2007). Other brands of knowledge, capitalized to a more lim-
ited extent, were operational classification systems such as ‘high-intensity
conflict/low-intensity conflict’, ‘symmetric and asymmetric’, and ‘full-
war spectrum’, which made sense of the flux in binaries by attempting to
classify their main possible configurations.
In 2005, an even more extreme inversion of the binaries was evident
in the disengagement operation from Gaza. The enemy was replaced by
Israel’s own flesh and blood. The arena was not a war zone but the private
sphere of the state’s citizens. Violence was not only inhibited but com-
pletely taboo. This was also an inversion of the core image of war—the
66 | Zeev Lerer and Sarit Amram-Katz
Conclusion
phenomena? We think that they might. Smith’s (2005) work, which theo-
retically inspired much of our analysis, applies this sort of examination
of the social construction and deconstruction of binary codes to the cases
of mobilization in the Suez, Gulf, and Iraq wars. Topel (2009) shows how
the inclusion and exclusion of women in the IDF’s operations follow
those patterns of binaries, demonstrating how women’s exclusion, as
part and parcel of the classic representation, is automatically reactivated
in circumstances where binaries converge, as opposed to different sorts
of inclusion practices that occur when they are dispersed. Ben-Ari et al.
(2010), following IDF companies at the outbreak of the Second Intifada,
show how models of ‘textbook war’ and ‘textbook companies’ still frame
the reactions and interpretations of soldiers and commanders alike in
operational situations that do not at all conform to those models. This
suggests the need for further examination of the tensions between these
representations and the study of locally created and devised operational
practices in different contexts.
Notes
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