a Gustavo Moreno

SoLnatina
para piano

Sonia Megías
Murcia, Abril'02
Rev. Mayo'10

I. Allegro

        3    3                         3 


 
q = 100

  


3

3

p



   

mf

p

3



3


      
 

subp

f





       3    










                    
  mf
 
f
p
f
mf
           
      






   

     
 

6

11

3

3

                   
 
 
p
f
mf
 
          
   
 

16

 










  
mf

molto legato

p








 
 

   
  
 

   
    

  



  
 

 
www.soniamegias.es



 
    

SoLnatina. Sonia Megías. 2002 rev. 2010

2

21

marcato

 




  molto legato
        


  

p

    



mf

 

         





26

f


             



     
p

 
 
            






 

 
   




1.

       

f


3
3
  
 2.






 
                           


 

31



mf

f

cresc.




                        
 

   

                       

 

36

3



40

 

f



 

 

3

 



     
         
 
   

  

 
3

 


3

 

  
   
3

p

  


 

3

  


     
 







   

mf
f 

   
     

    
 

SoLnatina. Sonia Megías. 2002 rev. 2010


 

45

        
        
p

               

50


 

 

rit.

 


3

 
 


    

 
 

 
   

mf


  
   

      3   3                
  


3

sfz

p

3

3

 

 
    
 


       3    3           3    


 

       



3



 

 

f

     

   

mf

 

p

 

    

subp

f

mf

f

 



     


molto legato

        
 
      

p

mf

p

    


     
  

 
   




 
mf




             



65

p

3

 

3

55

60

 

 

 

   

mf





      

 

marcato

      

       



  

SoLnatina. Sonia Megías. 2002 rev. 2010

4

       molto legato     


    
  

70



75

p



 
marcato

   
f

 

80

 


84



mf

 



     

    

 

p



  





 
 
 






3

   



         





 

 



  
    

     

f

3

   
   

molto legato

    
  


 



 

p








  



mf



p



       






3








     
 
 

3
3
3
         












 





88

 

  



 

 




 
 

sfz

 





SoLnatina. Sonia Megías. 2002 rev. 2010

II. Adagio
Solemne, q = 60


 



     


mf
   


1


  

 

6

5




 

   


  

 







   

1.
 


          

 


 

  





 






   


  

  
 
2.

 
  






 
   


                    



      
  

   
  











         
  

10




 









      








  
   

   
        
p

 


  

 





14

  

          

mf
  
    

18

               



 
 
 

    



   


   
  











    
  
                  

22

f

  


  



mp



SoLnatina. Sonia Megías. 2002 rev. 2010

6

26

 

mf

  


     

       





  

 








 
 
    
    

30

p

 

34

a tempo

    


p

 

  

 


 


    
  
 

  

  

 


 


  

 

molto rit


      
  





   

     

  

 
 



    

mf

ritard.

39

 

  




  
  

 
       
 
  

 



   
 

    


   





 



SoLnatina. Sonia Megías. 2002 rev. 2010

7

III. Rondó


  

 
       

Airoso, q = 132

1

  


f


  





  

     





  



           

       
    


6

  

              



mf

        



 

1.

p

 

2. saltarín



p




     









  

  
  

      



3


   
   


 
      
  




  

      

11

16

 

 

  

 
  
 
   

 

         

3





   


 
      mf


      
       


 

22

 

 

cresc.



   


 










 



   



    




   

 




   


    





     




   

   
   
 





SoLnatina. Sonia Megías. 2002 rev. 2010

8

 
 

airoso

27


       

 
              

     




      
   
   
        















f

mf


         

       
      


32



1.

p

  
 
2.



  
















 

      

3




lento cantabile


 

37




 

 


 

    

mp
  







 




 









 

  

42

    

ten


    

a tempo

rit.

  




 


   


  
  



  
   
  


 

  

















   


   

          

47

 







       

mf


 
  


    

  
 
    




 


SoLnatina. Sonia Megías. 2002 rev. 2010

airoso, denso


 
      

f
      



53

  
 





                    
 

  



           1.
       
     






mf

       
 




58



   

2.

p

p


  
     














 


 

3


 
 
      

63

       

       
 






               

cresc.

           



   
      


 









  



   

fff

 


 

 

 









 
 
     









 

67





fin de revisión:
Bruselas, 19 de Mayo de 2010
para el estreno en Alcalá de Henares el 26 de Junio de 2010
por Gustavo Moreno



9

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