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COMPUTER ARTS PROJECTS


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PRINTED IN ENGLAND
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ETts
FEAIURES,
Tips and guides to hetp you creare a vadety of naturat media effects...

62 Top tips for 3D


nalural media effects
Advice on ho,/ to get naturat-Lookir\g
.esuLts o'n of your 3D rendedng packas€

68 DQitat comlc art


?000 Db Frazer lrvirE shows you how to
create dEmatLc comic an in 27 steps

88 Take to the tablets


We review and mle ftve W:com tabtets.
Ihe€b one to suit svery need and budsetl

90 Naturat media plug-i.ns


€gln of the best natuiat medii litters
available. from ink effects to ltood damEge 3Dluld !^ 5y SIJron D'n.h.i

CONTENTS
PROFILES ,
lhree anists as nature intended...

76 Judith Barath
As happy workirq widt oit pailts and
photogiaptry as digitat art Judi$l
speciaLrses in ponraits, animals and plants

80 Young-Min Yoon
Ihe distinctive airbrush styte of younrMin
Yoon has srown out of his mastery of
traditionat colouirg media

84 Sterre Campbetl
An ani$ who often @s four or more
appLicat-ons to cr€aG hG mive,
drPam-tike. textrrred digiral an

Ris}r lubodm* !'Judin BMi.


FULL PROJECT
Six differcn t ways to creale natural media effects ln /ll, stratat Photoshop and Paints..

DIGITAL PAI NTI NG TUTORIALS


l0 Paint a CubLst 34 Turn a photo-cotlage
work of art i.nto a woodcut pri.nt
ln the first of two Photoshop tutodals, Jason Jeremy Sunon lses Pai&rto qive a stylish
Cook turns a Poser fkure into a Cubist model tEditioEt treamern lo a series o, photos

18 Recreate some 42 Brush up yourtool skills


retro comic art /lLsratorexpert Domaric lishares a few
dawing and painting toot serets
Jason Cook oses PnotoslDpto recreate tie
exptosive cornic effects of yesteryear SECION S X

52 Create a colourful
26 Producing an llnocut image
lmpressionistic palnting Using the brush tips ,mm S*rion Frve,
Pairtel guru Jeremy Sutton trans{orms a Doronic li creates a vivid image in /iiirstraior
photo into a paiming with moody tigtt effectr

RRING If
oN !!!

Ja$n Cook stridss ydu rhrcqh rh6 prd


LL

Paint a Cubist
work of art
ln the first of two Photoshop tutorials, we take
our inspiration from Picasso and delve into the
natural media world of Cubism...

hobsbop Zis a rruty Emarkabto oi imagsry. We wonl actuatly use the new
piee ot sottwaE. lt! not jusl an dynamic Brushes paGtte much inthistuloriat
aFinrDiing pholo-editi4 and - insread, mo$ ot rhe ettects wilt be done by
ptFleiLtustEion bdl. it s also a lsiig some of $e tihers inteltigendy and with
g@t pairning p€ckage, nearly on. parwth $e hetp of blending moles.
re l@k at usirE
Pai,Drer ln this luto.ial. A good degee of experietue with

%w
P/posrop laye6 liteE 1o sinulate a
and Phoioshop is requiEd lo generaie this image,
Cubisr paee ot.i, c@ing rhe linds ol and we tt also use Pdserat ihe beginning ol
brtuB m wortd a$ciate sirh rhis type rhe rutoriat. :'

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Patt 1: Buildingthe background
Start by creating a number of angular shapes and then apply a few
filters to replicate the background of a Cubist painting...

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Part 2: Adding more depth


Further enhance the background to give rt more depth, and add key stroles to simulate paint marks..

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Part 3: Prcparing renderc
It s time to create a few 3D renders using Poser-. -

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rcnder it, then*w tho lisureai cube wanrn2.lir Mdtrltand save iL lo your had ddveas bu b1tif.

Paft 4: Combining rcnders and background


Open the render elements and apply them to the background you've already created...

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Paft 5: Adding anotherfigure


Now we show you how to introduce the second figure to the illustration...

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Adding another figure continued...

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Fart 6: Lighting up your image


Bring the light bulbs into the environment and add a few sketches to improve the Cubist style...

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Part 7: Finishing touches
Add a plant and window to give the impression that the figure is actually in a room.

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SECTION TWO

Recreate some
retro comic art
Use Photoshop to create a double-page illustration with
a yellowish look io give it the feel of old comics.
he natud( prcsression ot dignat ad fom pen and-inkropirech,sbeenju$mEtevantto
$eerldoicomicadasirh3sbeeninotherareasofthecEarivewortd.Forthistuioriat.
wetak€rhecGarionolcomi.anoracompuleronesreptunheiandgivetheitlustaiiona
,eel of otd.omic pages. Also. ue show the pbsEssioh fom pretiminary ink outtin,"s to a
cohplered iltusr6Iion 1o give you a proper idea ot wh.r\ iivolved. FamiLiari9 wilh Protosh,p and 3D
software is b€n€licial if you wani b achieve an itlusrnlion similarlo lhe one picio€d hee
ALsoseeDaqess-721o{indouthowanisllmzerlrvingcrearesdigibtcomicartfor2000AD i
Part 1: Setting the scene
Start building up the background with simple elements and applied filters....

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Part 2: Generating 3D rendert


ln this part, we generate 3D renders using Poser. These will be used as a base
layer over which to d raw and paint...

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Part 3: Start working in Photoshop
With the 3D elements rendered, bring them into Photoshop.

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Part 4: lntloducing natural effects
Add the gun to the image and give our heroine some hair.
Then start to apply some natural media effects. .

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d,;rlri h.',ipDl,rbr m(l1 rRur i{,1!rrnrr,oN 1 r rftd.n01rnIn!

ll ranq ' rr"n ,nr

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.Ly.rnlrovc rhc gtr and +6r. { cd on.nound

.oodrdsl prpcmdippyth.
th.

b
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spa(o r, e, sd r.nr.,.nound h{hcid 1i..
6gu!!. rorus
hc rcasirdoi rr.bL r\ qrlar rrq rh(
Jid}[sePib.{.n'{!l.lii.c

5 +i,-.1 t c.p! r p"r" r^ u,e

Then go to Ed
""rcra
bratrfom>F p H.':. al J.. g :::i: i:i':y"'sJ1'li'JJ,l';il'Jfi""t"J
g :i,"i"iff ff;it"r"siif
rhen tdibT,annom)nJ.to<a. th! gm to a ro!nd+54 Le3ve L3hti4sir05! "'f:iix-
rhe srn !
it sun 1 Dr;w: Brharcundlhe bufi otihe sun so morsatlr edaid ha!a radd.hcnlloiL rhen
mo'e the gln nto cosiL!n ro 1 ook rke srr. s r imks r,k rs red i9oi h.rlhoudr and lhen t!m
hod ieft Yo!nayr:il.6eFdt> ioirom>
Rotat to r.pDs uon the gu'! gfty dliel:rn'dth.oPad/sllioloop{.e oll ieind rpplythe spathrlilhr :r

""-,"."""". ""....'.'".',....'".. ;
lntrcducing natural effects continued...

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ilur":i;t ntu r I nh ru \l .nLlthc d
@ iiii,ilii,llrii:r:i1i:ifii :'#:1,"., n rrAlh.d rr i,L( ,\tloiddI r,,wb trr.ut n.s
p.nir i- whrrrrjh rinr dnurqm.io, 11'rr r [!ms n,md rnd$N,wh r,
th'r!L i y ur r!(r
s.rv, tn r[)yd] iiltrvf
^pp nfl. o\' nr \d,rlr.cDfo c rr{nl

Part 5: Highlights and lowlights


ln this section, add the black-and-white preliminary draw effects and give
Lhe illustration a half-completed Feel

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w thinorrp Mne ar you dor i.rrrorr,lho
ryd ltiy ig r/ rh ||tr(up crd Jlp4 go to r rD
kr3c s iipr . ry to 1
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s ;riiri'iiir ;,illri[ Jllllllit]fllt#,i:ll,
n,tlrrcr x$rrod !'@ loircurd rr Tli .+oud
oK rhe lrt thcb.nd ig rrre f!.lh srrv.'ro q !e!o!i n( ba.r rid wr lt D.n ind r ool
r,, .ryo;',hdard wr'Le

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trr.n pren Deete on yor keyh.ard 50 thrt thc al-.wwhilehoruoiul ia! i Lhe bri.k arca of rhe
.eht haidiide aow$owsrharalprr,enerh iod r da+ee You .rn a so idd ; rew b a.l h rh ghrj
rhere5a50trsn d br.nd b.Nyeei ea.h!rrhc aD!nd htrbooLandat.wwh re rri:rh ehrs rrcurd
the100r !!a|E .a$orootaidihe &u\h loo tor
moreofthe lsutr sh.ri! throrsh

l
L
Part 6: Dramatic fi nishing touches
ln this final section, the focus is on the fire coming out of the gun and the text. You'll also
add the crain filter to give the illustration the feel of an old page from a comic...

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fl a"+ ds-ruih. r". nr,,"da, *h,i"pss"a
cre eaptrthihtrp..omiqoulol lh. nsht
tool to !b+. i. isilnusif,dlhe
thd middle oa lhe lne
hnd wcapon oo.ayou ve done lhat,$L.lan l6e!@l on.eyou vedorcIhal.cre.leanoih.r
o6ige .olour a. the rorogbund .olod ind lhc.
ol quec lool iimrar
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tml toh.l. is,aaionli.lh.selo.lon Maketu'e ro 'eddoButhrhesrr'prG'rM
rhoe abovc and lhen rum Iho bleidmg mode wlh lhe taso Iro imund lheB!n indl lhrm
wrth a rcd.olour sel thc bend nB mode Lo oveday

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o
'K
iffJ,r,"iff 1"i".?::,"'i*'fii,'"11'":'::,1,
anddo the$me n rhe Parhl parerte rhen ur.
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seledthc cddenlteland.rcateaSraddntnom
the Psn loo lod,trwlhekrr€,K on.€vouvcdone you havc . nldbs ol byc6 that loecther spcll oul rshr t?rt as:inLsertngiheoradeilloo sorhar
thnt,llii the Dalh
'iloisele.toi
dddl with it 3o5 fbm yc dwbr,ansparent.Thenle.tthc
'l ncr3c .1rr rhc hr16 roaclhcr s rhcrc s of,ly oie whoc olihewod and oeate a red store abund t
erre.tJ on iid nrte, you've der.hctcd, pa'nl arcund rayer lP€1ring rh,a Md KAPoM Ren:me sctthe*rckeoptionloo!lsdcandthep xclwidth
thc hycr KAPowwww as wcll.

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Nowopenthe coour saran.e diarog boi and €r
s iY"sit i):'J:t'r,";"# :#$::i::"
Typc ro son Thts shourd ne give ihe .omn
done that. you .an add the cra n I re, to the aye,
aswel You may ako want to:nd othe, elemen]l or
rhictedpadsoltheo!l nesarcmdlhe.ha,ade,to
g ve it morc sreigrh. @
SI'CTION THREE

Produce an
lmpressionistic
painting
We shov,r yoL how lo use Pairlt'r to crcillc an
oil painl rr..,, lrr llr-. lrad tion otthc lnrpn:ssionist
pill lLcrs, Lr5iril a plrotoeraph forvisual
!oirtce nrat--li,,r

d'dl
;d
, l","tLJ
:,, '
j1*rfilrF
r.t: at-iifi rri.r
1, .r .. n- .1,',.riifr rilir,, , !. Il,irrl J t-_l.Nr,r w rir.r ..m+l
L.r l,rr. r," Llr, r. !- urrEirler.t3irrdli
.:{r :r.- Lr\.r.r]| ! al- fi|.!r.r.r/trLLLle.rv.j lahLcrj.n
llr " .. L L.L,r
l!,1,;,,, L..r /)\iLi.\tr,LrL!rlq:(1.(roptrlrein{!.r
' a r'r I "u . r, Lllr :r;r.,: nrr. ri:, 1 |i.n) rrJu..rnrand.allvpLt*n-.1
r,r ..,r.,r :, _,r. Lc.. dL.rurL r. pl,1.itrr. w.'k Wr.nlrr youdo
r !r,,r.,rt Li-.rdv€n1!i.!eann |
'vetu

! i, )ri trxrr,i6 !1 rtrr advr lk ai twl ! Emrsunonco'n


Part 1: Getting organised
Organise your files, folders and naming conventions

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E l:l:li:lri:"ii:,'i ffi ;":iiiii i:"1,x11ltii" P' rrf,ron urlmoou pip.r nnlrrrl ourtinr
) dryou w,,nrr p,r r b{, iqh . ll.,r ()
ry i'r3. l.nv 5oicd.'nyb.r biu+ rl()rr rh,i r1lA.rr rrd I Li ,,Nis llI.r mard p itor
n r.r iov trrr n) D. y.u irllb, dl lrt i
'
E Hlll,lli:i:;11 ill;irl1iil*lifi ,,

1-t/
'cm
\ 2Jc^ = ' il,. q 4 ? A
t6.\ < t0./3
200 //)tell p ncL
:e\nx Jt& yix
o ill,'Ji'"[iiiJ[i:1]#;$.',T::;il;,.
oe e.m,rrdr forrdoubrc.pix. sp,.id i.r
O ffi ,T#lffi i:liJ'li;:l iil i:lii :,? i;ii"'
47,dud' by 2km h shtrtrr.souton oi r0o Arc you hord,rs y. nyh5sihlro5dcolyor

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w.*s rre id myqpr.'oonrp.a,Lrrnis6 Erd dr u, M;k, i,rc.'or ind {d ro I

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wMM DD{ubt.d 01 btudrsed rf.r!,bre.i.ol
o lirtri"ll, ;,:,[ :ii:fi:f ilJ::l''
eian'pe, pore.l
bdshd.d rif))Marearealiiicd:brorhe etr oi
iheveri.niunbs rm.isih.qm.tora rhe I e. smal illl:il1,9J&T'f,ili:fi Lti.
by daleorsubl..t) rop 6lo. t ng the cmp 1..,1 ":ni

ll
t
Part 2: Setting up yourcanvirs
Make a master f ile in Photoshop and prepare a canvas in Painter.. .

ftE
o
idjusihmt!
rE
::liHrfi Pt.iil:r:::*
to yotr,
li"Y*"
wh.isalntcd,qv.
a iltti,lffi?Jll:i:"":!i;i'##; n:;:
rtrF r,r.wih., n.rme sim,kf b r"qd ni rd<1d i r
Lr y.u qvc, rff with}(li!(ment tiye6snd rhen
".,
thcfrl-a 'n{.
iTrFForrr.r.tnDlorm (wthrh. op€i i ,n Pirre., th. /just'idits ife nor lpptied
Adiustitrdttry..t yourmaterlirr atrrn You necd ro.rcalc a rlanei.d vedion ol lhe i'l-"
som.th ng ke subrctdiancrl)nl lhe
i tho ar..r,re
riRr !nnr.yo mane' ,,lc tr rr leet the!:colihe
g ilfJffiiifiiiix,fli?"i ff :f,il]i ,i"
^{rlunmmtr.rys{rtrss

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un'h I'om p r.k ro on {d,.dtr\) 5p( Jyyour
dcird Lmrponi n,e aolrBo rr or Reloulroi r
rypri t r 30 ro 30o pixcr\ per fth. dep"tur rs on
i./ ny[ or ad{ik rl 'ndoubl, rhe.r
g opcnyou,soLro phot s,aprr (fiarrrtF.r
yod rPdir

Neq rib w ndow Y 'rf,ow$cabriircnvr


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*'." ** - *

Palt 3: Getting the best out of your stylus


It's time to get stuck into the creative process.

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(you an arwaysieilwh.h !the
m:ge by ook 'crive
is aLwh.h maseiamehasa
presure You.ai rh5onyou|nn8ea.d jun
do [,ili l:ti;,';1?;l;'t:,]i;;::i.Tl#** .hadmmlby 1at the botton oi the windos
cmd/crr.z mmcdtrt y aftefradr y.u rhourd be rra.k,ns Makcajf,grerishr .keiirhesrush npnu)thei.ho6hf SseecbA (cmd/cr-r0
ab e to set smoolh t,ans lion tom small to ra,xe raopy (cnd/cr c) lo rowed by
1o owed by td
brsh{roked aneierasyou pant, by adiuning ih€ 'ra.ki4gal.hpadclkkoK3nd,yyofbfosh
prdes rill youre ilisfien wnh $e s1y us rcspois?
F
-Coselcmd/C W) Crce|raoreina nase
Getting the best out of your stylus continued...

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p3.11! p.p1rp ncnr Tr opr.i an x,r..lrsfd
(cnnrctr v) rh.prd..y()u,ori .r nr{c.n.r [11..$oic|'aini'f[(,rl,ralomlh!.oiv.nt soud bi.krrfA. n hr
1o !rtsrr!('n Dr lh. rlrr,orl on r.
hvLf,s Da
hy., H.ld dos rh4 sh'fi rfyird dril i lrp po) up nr,wh.hipprtrwh.ny.!c c(on r
LiyrJaonmands ..n r. I Ilrr md or Lrc ! r .ois
L..pdfth.ilpfl nlo(rdlh ro ran)olr, n ir rr, bolror or th. L,ryolpa.l.)

Edlt canva5 LaveB Select


New,,, ltN
Op€n... t3O

Close *w

Crohe5o0r<.
5av. ,€S
Save Ar... OAS

o li;:!$lii !?lff:i.:5,::'ii1u::1iliil""
(r!+.nt r n A.qul.e
r/ rr , f r( t[.n ]
,s Drcf: add
Erpo.t >
siv.d nro rh! s.ine roder o..non w []oi!n," r
f e nn'e5nnd.otr..d eev.6.i oumbo5 ooof
th spn5ure5you hiv..rya(as tri yun orrri g ".yllli!;:i$t#1x",lijjl;"- Gl Iff i lr["':r';y:'i'":":!1i:!1ilil"+,',
wrrr ro..d iue work,ns!n rhcprored
"*fi
drccroyordcskloptrisuf durleredi!oo$ be
wod,n t.eei M!d.wh.ncvtrpos te
feitesidtrp rate m:3.lhal h.s c oncol :Ihe

lll,."r" i.,."t" "r ,r+r*rc,"1g-


dac! a! c.ne sourc.and w
s .-.d e.h-rh" or""d.,aca;ry.o y
g lhir,'llr#'""i'"[ii$il:ir:i]i,
brun'er (bi!+ varmh noir th! crofd. atscoa
b'*h", tl,r r** !i.cr.*c.r"*"; ' vinad nsiid b.nd
- $,e Mover ened ng i nP,rd[
reJleded Lhe Btush scrcdor w rh
'larmovhg whereyor tde ed ih€ t.u5h.rkgory ( oft
rele o, thereaturcs ror trdii.e u,hen paitis hrld pop !p) lo owcd byihaindvidurlvirait
rike6ns rhe Rubbssbnp l@ i pnob$op ga<. 4e b(5h nrok6 ihai ro r.w ihe sr6 +.ms wfth i ihn.ale8ory(i8hr hand pop up).when
w{h shiubbery and reav.s. ue dab! rhe idei I ro youttrtoppi the Bru+ seedor pop !pr, dras
tlnalnon ybru$rharaddr.o.u, to rhe ceat a fu.kup lideFpi ninsoi vJh.r'youcn ihr ow*r€hr.one6dDwnstaasihey l
canvas nt.i.on{bn+ stmply by adral islhe ek.ivc!bn.r b:.k deri . ind add.oDraid 50yor.ai see the wh.re.onrenrs of rc
3o
usearoneaor.ri.on i rhe cotour pa efre
s
!ndc(iimd
i:'Ji 3l1n[*"jJ5i1i'i*1':.lJ
lrie hera(hy or tilt.r'r bru+c!
t ll| b-,h- -" -"-h"h-a "i
d"
6euisior.yyou.handsonlhc li8hl
r,,i
b.us r
a-*
drh!
kshr rine ro ai," i ..niii dcs ied elG.l cn re
vp .at'on lo d4 wh.h.odi n5 th.dcraulr bturh @ li:,i.'1',]:Iii:"; J:'i,l:i:Jfi tYtlit'
hnry |l nle, srshn wnh n ths b,a'y toldo an p,o(s us.a$d,o.oiyodq.lt nc m.actul.rl lr{kol i th-4b15rv a syo!v.us.ddunc,
rh,.h,u!h (de8ory foLd.6 .rd, i..o'nprnid bya otrrrBhnrcrerlyorhrvcrp {o' cv. 5 oJ !^do P,rrPr<?(o rutlr .l or iny ftdvtradto
ro !L ..i n,rc wlh o *rh brunr. esory f .{i r ufioih.rrcy trrrndc (.innorbc
'30p rh. nd
fordtratu vn!r b,u+ !rritrr f $

II ll !r'r!
n,6
L n,,,. s,,-h.-
"

an{csE cob^

ac.rq-r 6S \ *""fl'll:"-,

lll rc-,ro r ft,!.,+(^n- l"^,. l! rc,r".n;.$"*( ;^,by.""rl',


rhr r nfr, nrrtr!h(frd,dvc6ryin{l
L
v4^il'lt! thrj lrtrec tibbfr 5.donj th€ va.an Dsave vani nr ,r y.u hivalhe erh cdlor
Raidom v, wridr rr ddi n,r [n]+ buh.vou,
thcT(ispog wh.h t,anip.s (n

srmke Dcsgmr urw{: yor t,M (oik riid adrLl+


xd on. b trh
.hc6e sivc
n.iukftr
v.n aor l.on, rh. 3, ! $ sgl,"dor po! u p
oilhcrmarrer'd bra.r 1 arAc I rr,A
i Pl
i*pr ^*11":-
.rr rrr. brunr bphivkrurp a ,eiprlctr,i{\ h lhc uplk, ighl c.hc. or lhe &unr scdo pr clt)
..r. +.wn h.nr youre rhrTnfflA{ ri i is ltr Reri r iou' odom duit'i thc9rvcVarinl
wetspons. to.(.nc.r rarnit'n8ory$onsy
w od.w yor ncw y J,N,id oslon varrnl a
appcili rhe.une.r bnn I ra{eBory. ithb!{r 1hc
o
Rrnorc
]:,ifi ? iJii'r:':1ir;ir::Jl1r,l li:i;..
Ddirr v i konr lrrc u ush nr!.Ltr
((nuy rdryc vin.rnr wi nor hivc rh.iaod

Part 4: Refining your image


It's time to introduce detailing, texturing and colourising effects.

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,i,i re"p,^t . s -,
rhis.xmprc, used
"r.. "Faver>F.eny\
g r,':::i:[i:Jff ii#iilJ::ti"
:if,T,"'JlI::;:T:'1". iff l::['J* "
r
isPaptr.n rhc
.ommand tosgcs rra. ind orf)
supempossa50pt..entopa.tyim:8eof diqdhnlieeorr,a.ns Pipr,trrhai tsde.eFtv!
ih-"
benearhlhe.oourvrhr.ron rhe coouE parelrp o4qiiir (c one souKe) rmarc rrth a 90 p- @ni you d. i.ee \ihilyour maFer.t!trly ooklik.
The !!econe colou,i.on ook k the Proton,., opa.ily inaBe or the .ureni wD* ns 1 r and yorbtulh 5tok6atp.arnL50 per.enr
Rubbflstanp con when rhe uc aronecorotrr trdvaniase or na.ing Papd ( lhar n B'macr
vr yo! a opa.iqi ot what thay rcrly 4 u*rn..e Papcr
.on r adivabd, rhe.o.!r p.rs be.omes vsuar Elercn.e ol rhe oiiSinar iniee show n3
rhrcugh,v/hrhyou.af oserhen paiLiS iid advel es oteradyth.emopx! dm.ns.ir 'i
Refi ning your image continued.,,

Canvar tayeri S€le.t th


lnca€ase Slz€
Undo Rectang u lar s.le.tlo n *Z
Cin\ R.dt De€rease Siae
l:dr-.. 4*r
Save Varlant
Ctt t8x
Sct Defellt Veriant
ac
Rastorc Delault Varianr

Pisi. h Nrw has! Auto Van Cogh


tl somerms you m,Ahr lu'.onra(nRPaF'
y' lmDresslonlst
U anJrhnr wow I w6h r.ourd h,va lhit a!
my aduar l aal ima8.The.e s a wiy clkl on rlur
orsina (cLoiolource) frage ch@s s.ld.r>All Sargentspongey Erus
(cmd/ct-A) lorrNed by td Ecopy{cnd/cr'l,c).
Now clicl on your wodins imag€ !o beom6 the
'r
active imas€ choose EdibPa5re in Pra.e (shifi il Yd dn &rn! s, hts rrrr @dtur
g ljJff
Cmd/Cli v) rn the Laye6 Daletle, rdiun the htsr ! Fp.up Hord dorn rh.cLi r.y (M& or pc)
'hduAh "::H."lTi::,il.iii,l:lil."
cmd/shift.Arcl T mn. ck ind dragaidyou
op& ly I der ro $it c i.r on ihc cy€ i.on to tuln md di.( rru' idiBe This Eveals a pop !p enu qc a. rc|. indcrting lhe idjusted brushdiamcter
th. ayn vlib iryoftrndon c.kontheanvatin w{h '.
465 to iftremental btush size adlusrmcnr Thsshortcuteiabes you io hpid y make blg
lh€ laye6 paienc h .ont nuc rodinB on you, vaaanr *rlinasard lhe.K..r.atcgory v r.dkt .hangesin brush s r.Thrb€clctkey5otfera sma
wo*hA nue in the br.rrrcund.'nva. idemei1? brush ste adluslmcn j

o [tR!:"*'iJi"*'J,*",rj
dickiig oic€ on you
'nage
ro...r'. it, chre
cmd/crd-M rodounryouimaSeir(!notyet
js,'3l,fi
"
mouiled aid use rh.cmd/ct -o (,.rc) ro rcsi,e
your mase rd I r rhe (epn
y.ur.ohpur.4rt,ckhindratear@karyoor
Nowslep bark r,om g ffi,i:ff t"fi:rHt :it":f iffi ::
mis. owo€w Bart.roeyou,eys clore prlct€ b lu.i ofl
Look at the
to iee the todal vrlu.s and a$s what need5
adiu* ng io mprovc the imase
cbft
colour i.on in lhe colou6
colou. and add yow osn .ololr lron the s$adowstoaddaenssof
i:ff *l:iii:tJtffi"Jilit :J['iJi^.,"
wamth
lothe mage

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g *:.r#ffff lT:ijfifi ,[i":;' -.,,
olour whPD
.ncb {or one of rhe €ieat aound tha image to draw rhe eye inlo the
.ente Dr
g :i: advanlaeB ol the .oldr *lreel rcpre*italioi of Jo.us and to buiid up the des red almosphere and
@ f["i#3*$:],9ff Hlr;Ylt*' ol!r, as u*d in P,,rr€ls standrd colo! r picke4 s amb'en.e chmse lo,exampe, aof e&sneary
n this (&, r u*d rhe r€cmy Fa6Den! oir rhe @nventsl a6r to hamonlous.olour cadel codtrlo,add is.oouraidbiture lo rhe
ba.kAound eas.

lr
Palt 5: Adding'punch'
Cast a critical eye over your image and adjust detail, contrast and colour...

g yif ir":i h"'J:""flflf, :i ri:i;;:""


maeeloidd ke.Lvedd, dnd.oodr y.! m:y
findrht themcAe/s elme;.r'tr n Drn.h Herc
lKostu0dthat iceded io generale morconltul
aid morc qturatcd .o oun so I d.t minod r. ,rar
hy c oie so!rcs acodinsly Fiul ss el your
g ;':ffi;,'Silli,5x'1tr*'"m,'" -,.,"
oiSinal haSd ldm th8 boltom of lhe W ndow
menu aid (hoose f(ecleToi. conto >tqua s
You a rle E ClDne aolod io blcnd i. dabs of (cmd/ci.lo Th s &eno€ts sto8ram of lhe
a h
@lour txpdimdnl wjth the €t' d oa iuxbtoi.g dirtrbut oi of ufrrnance nyor mrge. r'ijusl the

E Choo$ A'r ir5>sarscnr ro idd lighr orl tush .omploftnury .oLuu lrcm oppGite sides ol Ihe shcr and Wh te Po trls and the & Shtnes s der unlil
you reslsfedwiththeprcvlew nage. C ckoK.

3 "{lss$!--i

a!!) (q.iD €E

6 choo5? eou' worl'oz macelmmrh€bou.m


U orih.wnddwn-; ch;;* Fir-E,r-i
conto >tquals (cmd/Ct f) Thsw
iuiohati.d y Scncdte a histoeGm dfrhe
n*bulonorruminaiceinyoliwo ig ma8€and
o i::,il ilii:;lff i:ilx?i:liii":ii*' adJu5t thc B a.k and wh te Po ni5 io noe e
colour Adlusr
Benchle n
rh€HueandsatuErb.slde6ro
Dt.renine colou! (hede in the inage
g IHJJ:n:"Hff f r"',*::,:"'iln',Ji
cotrta+inyour m:ge Adlusl the
Points aid rhe Ddehtne$ s deruil
Bla.kandwhL
youlesarsled
wrth lhe prev ew hagc cli.k oK

g i:xJff ift':*:l'*','11tr1P:i::"."*'",
a :lf il lili":l:i",r,:i$;s:'#ffi* srh*! ffi l",if;fa,::f"1"["$:u:"il hishlishtto!chesa€needed Don t lorSefto add
abolt20per.enr oeitly bMh in rre ot thc :1;" yourdisfta isnarm radded minewth asna
new y adiusred odgmar lma€e app€ared @[ ctonel
ol lring the soft Jereny FaverBiswei LK ous E6

*",."*.,,,.",",,,"..i"",",,.,^",
rl"
'it
FOUR

Turn a photo-collage
into a woodcut print
Painter to rcproduce an ancient printing art form:
traditional woodcut...

ptaniorrhis picrure
he orisinaL Bnse olcolous rnd tsheavy btack tine-
taslocEatea colLa3e ponraii work.MssomuchmoreDowerlutand
olJanSuns iheownerotELiza\ b€auritutrhan the garish. comDtex, inlricare,
Resa!€i! in San F€ncisco. a multi cotouBd. triutti-tayered photo{oLhte
gr€alplace ior delicious Hunanand he evenrua Lly crealed Heexptaiis, lkept
Mandarincuisine Usingadisibl camem.a rerurni^g ro the beaury oi lhe woodcut 3rage
seriesof phorog€phsof rheownerand oi untit the tisht bulb final(y sent oli in my head:
'. scenesfrom rhe ideriorandexlerioroilhe
restauranr weie caprued Ourexpefi . FirtLow Jeremy! steps lo this roalisation
J€remySu on.wasd.awnlolherestaurant\ overlhenexrsixtages.. :
muoi ancient Chineseanitacrswilh its
modern. bright, d€mric. MatGse-like back-
lit kll pa.dls and un!suatltuorescent

.. Ihe wod cd stage ot rhi! p. dra it was


.:. iniGllyrniodedasanidrermedidevarialion
rn(6{y rm4ded as an $rermedEie varFlor
t lomwhichbctones.mevanedlexluresand
: ;.<010!6.leremywassuorisedthatlhestaft.
_
;i ..hdsh,llar. qEplic woodcur. wirh iG limired
;
Palt 1: Creatinga collage
Assemble a photo-collage and build up layersinPaintet...

g iJ;lii:,if [,:a""x'-'.';fl:ilii -*-


o l}:fii:i:ir ll:'i;li:lr[:i,:ilif"" d meiri.n dl\ n .n p xoh Ld (n in.hc,
'n iid r$o!ron
sDc.ryyou d.s rcd r D p,ir.,c
My I ! yz:, driffm ncd by rhc rcqln mo ns ror r r !
a dFi ,n Pnxrr.,. edo\ci^y.1h.r m rses
:dtrc, w3!r7.n wd.r27.n heh ita r-{o rtoa

Canvas Layr6 sele<


Undo Re<lanqular 5€l.ctio. Apply tufac. Texi!r.,.. ,3/
LnrlU)do i\:.2
ll.ilL l RL,li. :4Y
. a1t: r':r.I
C0r
,'n \
I rJir { ,ifii

Parte ln Place Oetv


Paste ln New lmage

o t::1,r:ii.l','il1ri:: n!: iJ"*lr," - g fff :T"ili:j:,'ffilriili:T Jirli",:[:


chooscsc(c^ (cnrd/ck
EdLc.riy (. tr/crr()
A) ro ow.d by
f{) .wcd bi r r>clrr
g ii'fi lTJ:ir,';1i:;Jrif:rii"il:1"'il*
ayerb
iiddRE'n
i nrr.Ei.c ay-4 tsr ddoni rhe s r k.y
thc.ori Endrcs to rcs,c rlr iye,
(Cmd/1r 'W) aosc thcorEnr mrgcrytrhout wilrroddnodioi iha n wh !kelpnglrie,qJdd
nto(wdlhlohcshl).onn:nr

g ru: #;P;':'trJ:;ilfl :t:i:,l,, g


ron lfie deraull rayer i. layer 2 and soon To
rci,msa hre4 jund.ubl. dar dn$e ayerin the
i,"lil,ii: il:"|[:il;f +?:'f"'j,.Ti
lhou d bc pa+ed as an.wray.r whth willbe

z and daswlh the Laye,Adiunerlm


hy.r]nJndd]aniyFihede(piiveiahenlhe
Layer atrdbutes u,idow ihai 3pp€ai!
above lhe foundalion mase ayelRcnametrenew
LL

ryG ";;;-ct_ q
gl r.i$FFs*siaFiE;

-t

@ i,f iJlii':J;jlf ;r,l:'ffi [i?;".^.


* s fillfififi :rf :tf"":];l] ilt"itrli
g :liiiif"i'i: tfJi:liil,lllf :i]iffi i,:"
raisfonn (trLA.l\>o,cntaton>F.. rriid( 1,
.rP( eDlw Lh rln, iye opi. tys drr o(LLdrrn
ibololr! iyonrisl r llr iyfrpr.f.

Paft 2: Restoringthe head


Here, we show you how to bring back a portion of a layer which became obscured when we
changed Composite Method from Default to Magic Combine...

Canvas Layers Se
Undo Delete *Z
i.r rl i.i, ..i. rift
i.:ali: a* i
J,lxic6''bit'|qn6..
(rr if X

Copy
Paste
8tC
gtv ::j*. i?'t"", n
Paste ln New lmag€
g l].;i"J#:':i,:il*;:i iili *,r;ff
o ::5i:ii"xH:,i'iiiY:;"#i:*:i?ii.,
s iltrii:ltrti'*i.:*::i i-:':i;," r
re.r ir ihc cnd hrihesrLeconposr.mcrhod
rh€.rg ia rayr
illi
m rh s.ase M.re.conb nc.

E f.::ff #rh:H:tt3t:"i:ru:.,",,,,
war you nor onry dup lne the or 3 na comp.! e
Mell'odbulalglhctypcolhyglwh'lhelarcg|al
or'Bdar rnys lvd a fciercn.e Lyer {Free rrin*omJ
g Hlli l[irili:i:""ie i]i:,i;:[i]:: [i-:.
YoUGnb'ndbyhe5ymbolmnbih€ayg ihe.r-"ale ayerMasr .Di thersht hind ol.trrc
oane n rh. ray.6 p:refl,A rhe cfean.c rrycr s : ro'sd{hebollom olrhe LayeEpaeile whnh
syrib.l n a Brey etun wth.oitorha.d es whers

o 5iiliijiii fi tL? i li:'*;llff


Defari Thed!p.are
,"
rhe rcgura ituae taytrrmb.t R dr@ taves dtr Led
up on one:eihi lhe n xt sbp rivo v.! Fliilhs n
Ma*, wh.h s €prscnred byrhe
senertrres a Layer
.amerynbolasth! cre3b Layer M6( .on Ihs
ayernor.omperely rh. by.. nak. shnh do anty br dom on a fg! syrnb. ;ppeiE n rhe aycE trt berween rhe m{.
obduB th. orsina uide.y ns rayer ' r:ye,1mho ind the iycrname :r
Pail 3: Editing layervisibility
You can change the visibility of a layer by painting on the Layer Mask...

! rttl sd t611! it i!
.!i::1!}!j "111
,a ;;"";;.t;;N
'a !iia: lr;r

ll ,r.,. -i- -a r..or p, -.a r


mh c Ih.consastor
F.re fr.ded rol,sh!. rh! ry.r n,dd rrs, oikr
d!pli.trte aye.intheliye6pietiekkronr[e
.ydjb.l,fn.cd!!d) fthp l1y4 Ma+ lynliorr
h,qhliaht.d rhm lou won tb.rb.lor(as lh.

conto>Equi sc(cmd/ck
brHhlnc$i(od nB to lirc
l)
^d
un t[r g g rr ih. cooutr prL.r., ma(c1re rhar bLa.k

El i.,S
E P*ra-" r'a'<oaru"tv
6 ek* us uno", tvrro coto,

if J.i irb

o,l,iliiii,lll,r,,:rli,l["t]
t! h Bhright.d (othcN3.
riri*i
rou pi tL
iitir
{r
$' g ftill :l.;Hli lt*',rjilli"'*,iili i:i":- g llir""T:',liri i:iriii"lfl i:i :[irill''
"ehr v'b'ty.v.rpolalc.uyoupa'n1

Paft 4: Finishing the head and making selections


Find out about two convenient ways in which you can select specific regions of your
source images to integrate into your collage project...

o fi the.oiou,lmm
:i:iiffi "i"i:""H"1;lin*.h"
chin8e
tad the
rto wh't brn
ayervrb tywheeippropitrte runas'n
and pa'ni g #::l"rii':i"il:$::i" :", *$j-'
Fh.iorhor, when pantngiilo the Laye, Mark if,
r,ned (c, rmorhry.!rved) ourer.onrou6
g choo*the Pei roo
'n
ihe r.o s Pa dte

l
L

Lnru*ro ponr or ue ronrour .t.*,n* rr,"


g $l",i.",ffi illilii:f ffi 'i:1;11"1A',#"
sty6 ron lhe lrblet imn.dirtery atu'
rh€ di€lnal.ontol poinr
dkk
{he
G ntr a ridy ohite sqla€
.qu ara .d dtdl po nl appeaE Avord drassing unks and rhe mat @nl.oillol poinr k a 5mall elid red
you wish to h.vo a ctrMd .oniour the P.n l@l L i {ur,€ Yd'llee a lhin blue I'ne joiiins lhe two
3€,e,ddw ig tool {hKh .rarei .dm3 w hen you parh .onr,or p.in b rhh biue r,ne rerrssnG a
vcdo4 or marhemarior, parh
g cootliue..k igaong lhe.dnlorat

qfl
qs'l
hlh r

g *llfl r*.'l"f; J;:l'ft iT,if ri?."Jfill'


(olou( Don1Mny. b{ausrhtssluirrhcddt utt
o
po
:[:Jrii: ;iilli?iT.riifnH,tr
Alrho!3hdrft (u[rosee, rh€.uEor.hrnEpe
enin8 ror ,hat h4pcns shen you .ro4 , p.rh
ro.hrnserhs*tr'ns.choecdei pa,ire, a/
lrom a rrre r ror lman , wrhrsnan o tdiDPnla€n.6>5ha!€s rn tho shaps Prefercic$
attadad when you rc about !o dosd tho path wint rw, undEr fte Oi Draw and oo cto$
When(osed,lhe path be.oneash.p.,
.€prusent€d ri lhe Laye6 lisi by a symbol ehwin,
DrawinS opriffi r @nmend .hekina rhe 8ip
H dl6 oprid, t6. ro mak€ manrpurarii8
E i,itr"'i,',11f,f iill,lXii,': iXlii; Iil!",,",
You .e now .opy :nd p6re the se ectioi rnro you.
alShltlaigeovsa5hadedode wo lisrmine, usiathe*epsoullined lrr or

Part 5: Makinga Lasso selection


For selecting complex elements, use the Lasso tool...

g i:rfri5ffi ii*;if,ii:*-' "


o ;itrtr :T*ilr*"j"ff ::,ti;,Tf.:". ek ron r.or
oprids non rooh
lhar pop up &e E,:3Xf J,XTi',#;,::J!:1":i!"iiii.*#,"
with cuned, .onp ex or ilr deiined bou.dariei par€tre. Eorherrwo beina Retansutar dov, *le.toi. This exampre +ow5 one of rhe
o pen ihe imase elenent surce phd in Paat i ruores@irce nskrlpturcs )

rtr
Making a Lasso selection continued...

fl *t.L - *a v. rt ,,r r,.er,r*"ito

s ;:i|'i:fiT;x;iiliri'il:': lil i:rir'' s ilJiirii::iui:i:,i,i#il: ;fiii:l,.


e.ofdnoDlh..llilllk[ol]uf ollhechiinos
nr.r. h ih.5i!! rr{ or w ndow, s v.r rhc
yrtr iL.f lh, dy L\ lroo, rhr hb.t ).sav.drsi.hirn.r i rh.ch,i.! 0i i11,:

@i
leq) €n
o i,xilr:#:$
trie.r'r ,. nrqtr.'lnd
ln'l:.i:l#::J",
Yo0.an thrinro th.
oi: r.!,y r ,. i lf. rL,ror. by.hoo: ir
$r er t
r'r.LLo.rd5ekd.i(5rrft cirr 6/5hft cr .cl
g :r,:i:,:ilff 'i::it:il:lilirli":il1':i, g Li"'j'l'iii'l'1i1fl i'lli:;::Ti:til"i'
*
or by. .kngof [r. !i.k]clr.tr i,r u1,doR .on d(dcwhcrh.( ur spr.d,oi rD.r.!, dro s.hd'oi.hoDs.5.r{r.Rr.rrrrnrdlrri!lrrrrhcr
trrpxer h.ca{rhch.rih.rroroo 20p!r!oi

Paft 6: Flattening, cloning and blending


An alternative to flattening your image is to make a clone copy. With a flattened image, you can
start blending and smearing areas using blenders and similar brushes...

g li:#i::i$ ii;:[.1ii,:1"::lr]ru"
o H:il i'.i'i::rf."irff ';!ix.i:;'L:t,,,," :..idPibrlynovedoriltercdon..yDdveworkad
rhaty.!.a rvewa you, aye5aton.. rh.
50!toD stopx.et&ulnoverlheorvotpx.rs
on ihem ro poie.r r.ye6 jun di.k on rhe rishr cnd
otrhcray.rf iheL:)en pi elle Yo! seeato.l g ii:[il"ri1[:!:fi "":ri:i;l,riitfi
-"
aong|rcborom.r|re aye6 i\l (jLd.bove thr ilesnreinrorhe.ncntwo* nsinaSa ch.ole
rcwo15\ Liy spacretons) Y.udi lherexFnd Fil.>c oie sourceand manra y r.sct the a one
the L.rss paett.bydrasgr:do'.yom.uE., so!tr-A to be ihe ilened are veuion
L

€dit Canvas
N€w,.. g€N

Open-.. lto
Pbce...
Close 3tw

g Hr:Hruii:"F:lr;'"':nh'i;1fi ,"
cr<u,e rh.,nhg. rlir,orheM\"{he.iicd w
6
otrry b. apdd ro rh. *r4lcd tiycrorJuslblr.
badsrcUndoN6 As yol hr[ fd' rc de
rw. wiyr ro pcp.r.er ir rmisc cirhsdfopi
o ;i:r;: ff .'l'Tii;:::1,:l.i:"I :ti"i:iilt lrycu olnrke r donc.opy hll8.ini,*cd g lli lihc !1..n.d
IlldennJa.c ConroLwood.!r

Ttrlrltls
ltrtrr
'ir'r) gl
g lli5,l"ii;iriLlli,,*J*:'l li:i',li ;ffi 5} g lliili[:;[i:iiJ]tili;:il:':i:il
*'
o
6ul
If 8ff :l:ii yi:il5ili":'f""i ff i'
n slrory bla.l n$ atrd /omx nr:cd in w rh
w hrinibnpabhcor.oouu wh rd dr r lkp
n rhe lil8-A ri& on r$ sn oi thc
dckdorrvcrir!
n rte(r dcotu
Thdr ldirr,i J
pro h.conr
was rhe brr.k sourcc) Wrr th. trtpfr
poners.d o.url Drigyoor.u&r n th. prcview rnd rLo rhc va'rcus ohpdr ob{u ina 1rF
wndow$ lhatyou{.adr.arp.vi.rrrvd'r*e '6i4..
womn3 b.e ihe bh.r ni*5 ii rhc t'a.c Jud
d sp ayed Ad ud rhc1d.6wh h ook nsrr drn
effe.l n the pr.vl.w w ndow When yor h eridi,"d yorr hi8e.l,anslomthoe lo wDod.ui aid s,A
*rcdrery donp [,ar inro rh,A ri.e rB,on

19

fir
a
.oftan h

done.opy
sr,aa on, to

wetLu(our uld
rhe

\!
hi ev.. . r"t

thsebru5hesboih
bn lsrcund r.gonsand i the lkin add rr.. aca.
*
wr.ng pra.,4 too naicht ed36

.lone.opyolyor.ur.rt mag. wo*


h biuJhe! eAdtrbsrEenr

de. ded ar th t p.ht ro n.(e rhe wood.trt thc


v.uon, evei though rhal hadn I beeo ny
orsnal nt nron To ta.irihre the fduion or ny
btu$wod n the finalv.^ion. ihenmad€a
w.od.!lve6ionoflhr bntrh.d image Lliih b.rh
*-,rr r-
nto rhe

n rh.
nisn

g
I
E
ffii:"x'J:,':rJ,1T:,s:#;ii,"il:"
@od.ul effed, this timc widr .olou. oily (rn.h..k
g ::1,'l: ::!"::"rlr #lii:i:;$f lfi
rhe iace EEion, mal ngthc bla.k art lart
,"
dr5appeaf
the odtpur slel oplior ii lhe w@d.ot w ndov, Fhr r.€i uPoiherare6olthe masc r
SECTION FIVE

Brush up
on your
tool skills
Learn everything you
need to know about
using and editing brushes
in lllustrator...

he.ontents ol //rrl..lo, k Srushes


paletie .n.l the proArants brudr
modilyr'ts.ttonr rn. gir.it 1or
treat nR nitura media ellecls
qu.k y aDd ea5ly We nrow you how to get
the ben naturalefie.ts outofth€ callgraphy
(atter and art )ushes before explan ng how
benb manage your brunresand set up
brunr lbrares When you ve manered these
bntrh skilE you can lol ow our n ne nep
n
rurdiil b ( nrrling J v{a!i{m .J rhis r-
layered haDd! i lunrat otr.
11 "--,-"-'---*
Palt 1: Using the Pencil and Smooth tools
First, we show you how to sketch with the Pencil tool, smooth out your
lines and alter the tools' preferences-..

t-tii

E ;rf #fffi il'"1'iil",ilr,: i:.ili?f'.i g


cmat oi ot iarudlmed'rdrtrw nsi Ih. rtenerror li:i&"1:,','*::?li: i H }llr':il#il[ g l'J::lilii,#iiiY,iT;1;'"'5i,,# :xt",
onibrcs you to draw rftnrh p hson{'ennr ir\ {ir de.ldl, rtu .an .cdr& ov., p,d dl r i. inlh.Pcn. tooher ArenaLvey lyoud havc
mu.h ldn( rnd nrorccxpr$N.uy tlla wlh ro m'ncdirr.t ldd ir MirrlurcrDlyousbdoi th.Pei. tooradve ho d down opton Lo.hanse
th. P4n ltul d r! f.ir ro' c.it tr( qud, pri onhor,n.dyounahrdawi ncwpith rmnrrP,4r r&rio lresmooihtmt Dnw DV-q
d.p.nd'ns oi rhePca. (dropron! a pad or i ei ectcd prlh Llroolh il otrt

rI
;,!
ill

4l .,
;t tf,

g l,$i;1,$ili".lji,i:5[i:T:?lX
*
,erevaor r.oi toor$r rhc fidc Iy vr ue
in rhe o lH:ril:1i:il::i'tif i:ti"Jt,l:,.-",
g Jiuift'f:"fl;:i :'i,j:ii,xliilrilriil,y
.otuok how (roery rhc p.rh wil rcircd ihe a.lua
tnc yd dnw row€' *tin$ prodlcc morc po irs
.etllisi podu.c
rcsuli
rcush?rpaihsr
nrntutherpith Ihercarc
h ghorseLl nss
a so oDr ons 10
rhc !mooth rooL, undrJwo,erlhop.ldorrhcErrh rlonBrhepilhaidwirrlolls! yourd,awnarore kcrplhepiih seedcd o& fsdhwn and you Gn
.ro*rrwhirshiShsq ,nerw pbdurennoorhe .hiiac howdoscyor neediobd ne yi prtlto bc
toor to e,nou€ panlofbtuicd parhs

Paft 2: Worftingwith brushes


Choose lrom lllustrator3 preset brushes or find out how to create your own.

9 flffi y]ri:-iir'::: lr,yff


wni.h aE uslrr for cpsbig n.luril ned i etfeds
,f"l[",
o lii,n:;Hi ::::ti,i5 I il5H;i1: calliSraphy bru$es
d.o&6 aller
.ftab
.:llig€phi. type
bturhes pla.e rop,es d arrwo*
s ::ilfl :ia;"fi :,::,11!:':*'Js";,,
qiLhsimpLerincsandappydifrerenl brushesrosee
crealepalhswh.h are painred wthabrurhskcred alons ihe p h aid 6n be used b rcata splashes howthey.an.hanscthe ookoryorarLwork
t n lheBruies paletie The opton aie ald6l and painr rikp na*r: an btushB srret.h doll npdly se e.t the paths to whrrr youwaitto
deninai to tho.e or the Penor roor. wlh ihe added .roi8 the rcnsih .r rie parh and c B€at lor app y brurhesaid then. .l on a bru+ i the
feaiuE of behS ab e lo r
newbtush nmk6

t
!i
:i
i:l
;jj

g :1,:Ri;l:':l:fl i:iiJ3f,"i;"[:i:9",
E ffllfflt iil"'ff59H:lr?11,,
:?:T:' -'
dealebr6heswh.h arc madeupolpa d.lrllod or
o l:.:r'i#:i ?:li,;fi l'',;1',,:1
patiein lhse.an be used ro apply an to *h.r.d
dat2 beoru eiar.d
s,rh file rho
mmkcnJll,plcbtushg'non.rllelo.o,npllc
c!rcn! Vou srokcd.hrp€! (although tansparcnq $tl nes an
bcippliedt@) Lr you try io aeate brushe! non
pathsin youwo* You .an u$ or nodit lh€ ribn'i6 oi brushes - lor cximpr., yor orld .crtc rftwon( 1.. ud nEecmcntswhich can tbctumsd
pcsetbrusheso,youQneaily.rcateyou,.wn . library I'L q'rh va.iM ink l'ko hr!shca iilo brulh.s aiercrdia ogw appear

Part 3: Calligraphy brushes


Learn how to adjust, create and delete calligraphy brushes...

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Bd,h rhe CalliCraphic 36h Optionr dialog
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ca rraph.srush oot ons d'aloE rcuidi.$ aid d ameler seiliigs

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you 6n * htu you varialiois affe.l your.dwo,k. s rhes paletteoptoN 1

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Part 4: Scatter brushes
Experiment wjth paint drips and brush marks...

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Palt 5: Aft brushes


Use these versatile tools for creating a wide range of natural media effects.,.

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Part 6: Modifying and editing brushes


There are plenty of options to give you exactly the effect you're after...

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ihe brush scltin8r. rt' " ihe modifed brush aoie, butw applythe
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Modifying and editing brushes continued...

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Patt 7: Managing brushes and brush libraries


Organise your brushes rnto easy-access libranes..

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Fart 8: Creating an illustration


To finish this section, we show you how to use your newly acquired
brush skills to create an illustration...

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SECTION SIX

Create a
coloufful
linocut image
Use lllustratofs drawing and painting
tools to make a fake linocut image...
!e, the ren nr Fqes weLLgiveyou a srcp by 3rep
q!Ldpr..,e3nnqlhis lLnorut Like rLtu(rarion crincly
in rlt,siraror u!i,r!..! b0raro', ol rh-" pmqram s
looL:. r,.l.dr.ri. rp.hiLquee usinqlh,a brush skills
DUr.ii,"d ii Seaior5 wp showyou howro uscatokes..ubaid
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Part 1: lnitial prcparations
Start your illustration by creating a brush library and a template layer...

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brush6don t look ioo uniron late. on

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riring by un.€ Me$Hide PaseT ns renplate layei makiig t eas er to draw ovei
Palt 2: Laying down the foundations
Draw around yourshape and surround jtwith a border ..

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Part 3: Creatingthe 1st'cut'
Trace around areas of the drawing utensils to define the highlights and shadows

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Faft 4: Addingthe detail cuts
Draw some rough cut marl<s in the composition...

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Part 5: Additional detail
Add more strokes to your image and tweak the cut marks.

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Part 6: Finishing touches
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Add colour, gradients and textures to finish oft your illustration...

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adwol{ withandwilhoLn Lnkourtines.lnisisagood yo!r model roughty. p4ing ctose attention to rhe
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/o..' J

rcnder ing facitiiy. the€ rrc a numberoitricksyou


,,".?,!o,1 can rselo crearerhem.Ihceasiesone isto render
oul yourobledwirhi 100 perc-"nl tummous material.
When usin3 loon renderin! and subsequenr Sel lhe maift iat:; lunrinosily orambience or
ProLslroppost prccessL.!, ir\ oire^ adva^raseous 1o incandesc.nce to lutt bishrness dGable alLscene
renderolrrhe inkand painrassep de pa$es Ge€ Lishtins and rende oura pass(incid,"ntaLly youcould
rip 3) !!irhthecolourand ink passes asseparare rlsol!d renderanalpha mask insread) Openrhis in
layersin Pho..shop you h.ve duch s'earerconvoL PhoroslDp !oro ctunnelsand Load oneofrhe RGB
overthe tookotlho imageyou recreari.! For channelsar a sclecrion hrhe Setectiof menu.
enmple ydu caichanqethecolourolrhe ink chooseModify>Bode and selrhewidth oayour
indepen,lenrly oi rhe painr {and vrce v.6a) yoD oulLineinpixels saveasa ewclrdnnel lhiswitlgive
coutd:Goapplysome diilerenttLhe^ro e.ch Layer youa workabteolrLim rorr yobiecl,whichcanthen
Usinq some oi Pho.oshori Disronron and AnGric belileEdinanywayyooseeln
filte6 6asood way ro Lmpada moreskerchy Lookto

.t. zcnt/rt ta,*ttt


ln 3D aienderpast Garenderol yolrscene
:Sr .ontaining only cenain colours or ittumLiarion
componenls (iorexanpLe. rallecron only. dilluse
shadini only sp{uLarhighLrghrs ontn and so on)
Ihdsimplesr kind ol passeswouLd be rcnd€riigrhe
colour RCB componenr and mask (aLpha) compone
sepaEtely How.ver.you can usuaLty Golale individ!aL
su acepropeniesaswelL.su.hasrhuluminosiry.
difiuse and€wcotourcompDnenteol a 3Dscene rna
re.derpas For po -p.ocessing.this canarea of
imfr ense experimenral possibility cEde $ ditirno tor my 3D obi6d Blig rh6 s.lscPBordsr

r "./2,. . / /,,',/-,.,,'
Fornatu€tmedi" animaliom or il you want a bil mor-a
3Dlun,youcanrryrheodtirc shadowkick Adda
spotlishr ro your 3D s.ene and group il ro your
cameE Position the spor exa.tty at the same Leation
and pointing inlhe same direction aslhe camera
Make su€rhar DepihMaDShadowsaE€nabted.
Ihe next sl€p is ro phceaverticalplane behindyour
objecr. racing the cameB - thG is lo caich the
shados on Do a ten rendar you ttseethdyour3D
obrect has a btack qlow around it. you can iosG
pbcess using Levelsroachieveattmannerof outtine
r4u[i{Esrcid€nngkhniqa.ssabLgyoutooxlftl
efiecb (Norerhatilyour3Dprosram suppdfrs
shadow-casring ambient lilhrsthen thiswittwork
evenbetter)
:D pmsEm ?hL.h.".r.a:u?t nedE oron
,'Ltlh/t/r/./ llpre 1rc r ru,rber.:1 le..i3d:E ar:Lt3b.e i.r
/ri! io-eramr.p fhi.h aTrL.ia harchmS3.d
lyorwanrr.qeta har.hiiq .tyte hag. rlr.n ro! srrt 3ir.(r !l,Li:D ortpui ri 3D scEr.s 1lr.:d
..!l.l.r,"atea hat.hlerrne h P/iotoi/,op r ruptc J e als. ti:i irn:rr !h..le,s !h:.1.-.agc.d
ve snnic.trihp m.dp by morior blLrnnq.. r iri:,1 p.iitl3 r lherd-dr-c.imerr ale.i c!:
:rrrti.rE f

Appty rhis rorlure i,r rhelilfuse.h:iner.1 y.!r Jslr*t rL!rt l3l.rn i.ri 9o.d ti:r.1
rnierLt!il rppty irt,yourolrccr uarq ptam
maprrq afqLpd t.q,.trrF bpllt U' r n rtr l,(l,t
sportill so rhJr rlre i[Lifi,rJL-Adn p3rblii.itr
Rc llr rlrnrppty urgd'Anj rr +i.{-. i? n tr, ,,,,,7,' ,t/i"1,,,
ProL,sr.p lh{r cnnlrh.lkr b.:
lir rl'r! hnrrt()l( b-..r!FrhFL L!mi' e.li,. L1Ltt l..ia rf( rJ ptulte n *1h 3 L.r.i 3D D,.r . ns rsrhd
ln:lrrwh L-awrii-.rh-.h:i l, rwLtlh:.dnrviidnri, 1l,ir.o)t:i-- the l .d trl Low Le!e.a..,"!sr..r.dtr1
rriiuilowr!1r lirprr.rer rLrilrn .r (s.rpri rnr rdrri{r:1. s.p.Ese.r ro Jp r...i!, .r
:ir r.!t riftrtrsrwL lt,',.v,Jn1rr hr!.ir,! rtur ',::.. ! r.ir. ! lo{cr! /'lrr.1
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!l1r),,r'rrL,'y,r rl r iML llLtu i ]r. ,? r /1r, r,i. ) r -, r1ri, i l) r..1 ..rrl1. !.lrn]f !, r:h
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! Lln,r,{n,.,i,!rL.,v!, ,,,tr. :i li(ilir!.,r'.tyr
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.l,Llt rtr , ,,,'rrLot,./4rrrrr.l[ rr,]ib'n
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') l/,-, t.'',,,',/ '/-,1 '.' mfrL * rui'r,. r , \i:!cri', drr,Jrirr (litrF
.t.1. iitLi,,id.irf:.i.e
Lnu!. l!!crrd Dtl: rill! L.iw.'1h,hr.kiF.i , r l'jlr !,,,i., .,rrLrf]t".!llPprd *L,LrLl
rr, i. n!{ tln trryr1!nr.'il!, !1n rtLnln, i, y.l 1! 'r1 rr lriri rL rnr{r.ock
the linat inage isto tookand howmuchpast render
work yau iniend lo do. The ease with which t\
possrbls to render irom diiferent camem angles G a
greatadvanbgeoverjbtpainlingthescen€ in Prifier
or Prdoslop Odpdring such a scene and then posG
proce.sing in Phdrdshor ro qet a naluml media took
usirElechniques m€ntioned here b a qood wayto
pmducea totolnalumlmedia tand3capeimagesvery
quickly. yo! colld even sel up an acrion in Phora3hop
lo appLy the iitters ro a fotder futt of rendeE. oran
animation (ilrender€d as a slitl iraqe sequence).

t6 anu//tlz t la,u lt
/,<//
li you srreth the lerm natura t med ia a littte then
you ttsee 3D! porenti!tro achieve phator6atimages.
yo! maynothavethe backinqro beabteto qooutand
porrseveraLlonsof concEte intorhe iisideof a

#ffi
wilre
I' you
as a
callywanl loexperimentwnh 3D s poienti2i
naluEl media simularion toot rhen you wolld
do w€lt ro chock od Zarurh by PUolotric
(lwl ww.pixologic.con) Zarush lakes !he con.epr
and rechnolo$ ot 2D and 30anwork and blendsihe
house, bul anything is possible in 3D and withoutthe
costs relalingtoscate PertuDsvoud tikebdosome
virtual*ulpture.orsawacow in hafand ftoar it in a
lank, orarmnge bricks into a pite on rhe f loorol a
buildins Because3Dpmgramscan simutatereatity
io r high degree ol accuracy, att you need to do ij

trilft two t€erher lhe resulr is sooothing altogelher


ditlerenl By pbvid{E paini riih real deprh io ii, you
canlirebllypaid in30,b'nyoucanalsousesDi6ls
tdhelDwilhrhop@cossolcrealinga 2Dimasewhich
supplyrhe ide. and itcrn be realced. At l,"ast inrhe

has good pebp€cliveandolherrealasli.prope ies.


At fte same limo, you.an choo* io sive iextuE ro
krluE yourpainierhar ir looks likerEdirion6LmedG,slch Animationdoosnlimmedblelysprinsb hindwhen
ro you r.ln.lLdr ro
rhinking about nalurat media. but usins a 3D progmm
opens upihe possibilily oicGarine animaled naruEl
medi, imagery This righr be fora moliongmphica
,/.t l.L!.', /av.?".t sequence. in which case Adobe ,4/ier rte.ts is a
superb comDanion, enabtine you ro pertorm
&oushyouc.nachievesomecoolnaluralmedE Phddlop-Lik-"posl render€diling of imag6 solhat
ourput lrom a 30Drcgram,anornerwayro use 3D is in they look more convincingty narurat.
a suppoiriverole lorinslance,younighlwamtopainl
a figu G b(n achiev ing c ored peBpecrive a nd
proponiois may nor be yoursrotBest skitL Wnh a
programsu.has Pdseratyourdispoel.youcanvery
quickly rryour ditterent lrguresaid poses. setling up
^/,ir/,it*
fmakinguseoltherawRGBdara trom a 30 rendor
differenl came€ vieE and lsnser in order ro ger the (as you m'sht with a Dhotosraphic image) and
perlect image. Render rhis o!.t very simpty and use ir thei posGptu.essins it in Photosfrop, ir! imporlani to
as a guide |ryer m Phoroshdp, painling overthe top of pay cbse ateilion ro the trghting ol rhe 3D scene.
il using Phoroshop3 nalud( nedia brusies Whattendsrogiveawaya3Dimagearethehard btack
edge you ger in rhe shadow areas ol objects. ln reatiiy

.8frw.Fr l'!rbn. ir.der i!


n "In."r "r o/-a and the€fo€ in a nallml media renditon ol reatiiy
(such as a stitt lire). when objects are ctose to each
olher rhe tilhi bounces between them causing subtle
Whenther€m natu6{modia is used.lhe tirsr rhing coLour and shading ehiris as one objed ittuminates lhe
th.t t€n& to spnng to mini is lradirional artGi media orher Untess the brttftness is very tow, obre.rs c{ose
li.le watercotouroroals and images ot bowLs of truil or logerherlike rh6 a€ atrnosr neyertoratty black but
ligures in larcuid repo*. Howevei absrEd an is have $me amount ol bounc€d ittumination Makins
anolherareawhere 3D can be Ged. Forin$:nce use of litt lighb wirh taLt-oif enabted can hetp you 10
Iiactal shadeE can 5e usetut rorc€arins orsanic rereare thts itLuninarion in 3D and therefor€ make
lookinq surla.es, blr ,bo torcr@1inc abstnct lorms yb!rnaturat media rendilion look like it was painted
lonhe subj€ct or a ot atuo* Iry appLying
ri*e
l6cEl noise as a delormorot an objer. or use ir as a
shaderin a dGpl?cement€hannel.
./9. 2a
fi L,,/"r*/*" Fotlowing on lmm lhe pEvirus rip, il your 3D program
supports it. then making use of radiosily renderins
3D is a pert€ct choice lor crearing land*apes ]lre 3D techniques witl heb to achieve naruratistic tishtins
mode( an be c€at€d quiie buqhtV, dependiry how withod $e arduous set-lp time required by the use of
manylilttights On.-"3gaLn.rayinq.renrioi rodr. therLghr you n3y reed i.LruLlrirh.f lrir :r!!1 Jidlr
nalur.trcssof rhe rendere! ima?€willpaydivd.nds bo jd:or:,n;rilpiiircr Lls,iqihL::.clrnrque y.!
wh,anyou..met conv,arllherender mtoa iarurat .ri l.!.1. lritte.reren qua.lrrpt. rh: LLie rhi.kL"ei
nedia image in Photo$op lhiiisespeciatlyrue if y.u ofr FnCp Fd o!11r. the.o!1trtr]!:rmrorLtLose
wanrtosimulat-Aaime.rl p!mrincslyl. ior.i rple s.Ee debiL ., lh3 .c,.r.:L! f I

2t| a a,,k!/.t/ i. l//,tJ/


')'t ']/l'4
Aprogram su.l'is flaresiby nlorm:rir ollF'!.n Llrilgi).C.r,,RLprLelLLt,. LnPh.ro!]i!/, r.r.ar
alronared sotution ro rcnd€rins,,1Lns nat,,, me.lLa r.jr!rvrrielrof skerrhr sl!lee ron.L.:. 3D
.ficcrs Pidncai.rni'npo 30mod-.LrLnm.n rridotud ourti,res A r... ri.l I rc.rede rh. ouriL rc
populrrfom.a. nr [dins 3DS OBJ an.l DXI Oi,]e tr, ldf eI Lin]J!!::i:L] i.ll
rLeiCi.! r..C.lir
youve buihyolr30model youcaf erport rt otrrtine;yp.rnd:prL! i!u....li.pFt.t,rtr!rr
Pta,csilorreM,"ri'rtc ina numbe'.t:,ri.ii. {ytFr th! r..t is r. rr1 r e Li:-"..try a.n s.31".t,,,..
stye!!uptorrpdii.t'rdop. Litskct.h penrrdtr,k 3nnLcnL.r ii|r.l.Lr.,r. rlitJ,! din. r.r !.,.! rr
ourtin-" wo.ddn.warFrinoiin,l'nlnl LLnP !P 3ryntrh..a!..s
'r

tt tttt/rttt uttr/ 2/ ,.t ht2t. t .//t)t/.


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t
hp!:
byusmqrwo rcrdnpJ:s!: Thclid L,iI.!rti F l:rri.trrLr nL r'{n l}r.rLo.b:.413 rL rid!1]
n,nncr oflhe keyet m.rr!olyd' rr,(Non dir ip{rr! rlrrdLlhrvt r,, r.p-.,Llio!n? ,::n! Li !
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rrcrr6ned herc lorc r.tnr!' outti'n:wonlw.rL $,rrrilirlL r, " rIi p.r.rlr. !
,r.dty wh.tr obl(r.rs.ve' hri .r.i:h.lrb ) lri,l
r':.fd .ndrrprss ii tj$ trLt. ft..ldL ri.jri
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ehi]In.) whiLhtrLk,rj rni"!or.id(i!irD22ntr Ilrtrrlrri i,Irti,trIli|iL r Lri: :.,,,Jh,!.t,rrl
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I u,!1tr{ l,Dk h iravs llicroLd,rLryutr,M,,h Dty
r.le tlrii I't'tr Ll!rrM!rrrt.olourpissrndrpply lirr, u,r,l:.r ir hLrl.LLqhr.rir rr r.r
the Ct!it fitr,J bo tl'|uoftrnririltb[n$q the'nor.] hkLr 9 u L()rk. J )r in,l.rr rr A llLr Ii:r, i,.r, b.
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!
i'r lror.sr.r buiy Trc-"!.Lr*r!Ld ri L,!r trr
.,rmr.Ltpl,.!rhtrrr3r
'lrff.o frho
thi.k-"rlin-" rhan you' 3D app produ.c Rerd-ar.!t yorl trr.inlDr!:i!li:,q:tt..: tr 1o rhe r3r-- : !h!ml .::- rl::rl
o lin,"pa.sa open NP/).rdrop Io .hr lrdi 5rr Jr. L,ux p i
J.ptr ai,j FndeLAidLr!
you.anbur 'Jk-arLrri.k-ar:
(rii,rsLevetsrob.oirh,"
itthcidarker re.onLl bui,!,ni! or J :Jr*,rr-"xr,'p.i.r.l.r1r
b.ckrciit UothGlry novtri!rlE biJck inpuldnlerto l06hrl,.srLrcr.rior rJrrrs GJ

Ir]isIa3D€ndqdahnPr!c9L!:iry
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ktur D b n, rui;r, eq,


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]:
Part 1: lnitial steps
Create a set of documents and start d rawin g in Ph otashop...

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":l'i.;;,il.il];llill;iliJlll ?i;t:11,.

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*
a i;i:l#11"il':ij:1:i;5'ff;,;,,,,",,,"
I

toth.posit.i.,thepacer np.r,ra
!n re vr.r. ,p{ vr,.h id abtotpun.h Not.ihe.pei
sF.a!oi rr,e li8eThep rr hrrcwxtooearei
Prorosh.p hav.tD tr y oi $renLn gofthe g :r.",1iiJ,'.Ti:J1?:"Jjt:, ti:;i: ::;"
d.pih b.rvia.n llt arin a.l on a
of the mrn I
rd rhc ba.krE o!nd
sL rcs ind
ea,n3th. p: ntto.rara he ren, ve efre.r vely
dnwaenesxtodd anse55u.h is trr son. J!r::<.:i l€ ere.'rd!. rh.rs.
t
Part 2: Introducing colour
Choose a background wash and build up the layers...

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+lr:,fl'ri]:.I;'.:,1:*i:iii;T1 i$ : iilr",'
rore!rcLnd.oori rhr nycr is ir to co our io s,v. orhs I LM m'w.rk lhirLrndiLoni nicdii
th,A L"\ ior hJmioiy w th the br.lxrcmd

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sele.tnnewbruir, .d doud thei be:lii
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paii( n thewh[earound theman imas. Aga'n,
st .nu at,a tad tiontrrmethods u/hereis t
rh s
wou d ba easiar to lnpry ,, rhenrnwilhwh re, s
s ihc
irfi: ::;:ilfma;n:il[iu:tii*t;
mrk o,lhe
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whnh.aib€p?ry
le.hnques m ittcmpt ns ro n, m . ,oushihaor,r.rh!abuide..of
'dues thtrkout ia!
lfuiugDeiiL.lL!'l

Part 3: Painting light areas


Use white to add atmospher,c light and fine details..

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dn{rln nwh.h
ro

rh. rii sluppor.d ro b. r.nhr!


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lii,lili;,'.iiiil ii
r,)nlo Ii,]r[.b rt r\ ol) tr rk,,ni!I

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sublpI,sn,rrft 5'r th, l,a.r(ro!nd3h.pB pifu r ud r lh. rlor lh. pae., ind ,y.A
inird. ! d{dcd , on.d iF nca,orc th svrilon. tnlM.n.,
rdc. d.d Lrniyw irrtr-oirni pan

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Lh!liie5 ndvdraLlrThenn
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winlrheri
o li:r:.r;l*:'ii i:ii;iii,iti'".i::::e" and
n ro
thef prepr-A
tun
r.iprht rhJenra s renov ns

CMYK rcdu. e he Eio uron lormdp (pr n


ler1u. to s.n. as rhe nidr.ie A r .4 ry need is . trsD !tDi):id savnei.rr FF arloGrreaton.
resvcuDn in Rc! forem:irifs pJevetr rhs si
rop nyer
depth i.
a !o enib s
m. to add af!frhsreve
the nase byd,aw nss,rs ps ns i
.f e fi
".1
i,ll'lil|i;iil'r*ll ilIliifi: rhen
o,ark
*nrby f_TProth.s.Mf ande* .added n
by 200o/D! 3retrtr (thsnrpwas erercd
.ra:te\n.vaj i{ici ntherorotrrby rrcai rs srey byihem ve orE eDev er Eld

ll
.l *"*''*"
Take to the tablets
When you want to get creative, 'AtrTl any digna{ adisu lonq ror. qraDhL.s bbGt However compariqq a professionaL graphics tablet
tllll/ I ouuu.arrne."q tr
it's helpful to have the versatility
of traditional art tools. Enterthe Iil
*:*';;:n'l*: *;;':t"",
common gard6o mousel Wel{, that may be rrue il
to amo6e is tike compari\g a ta€eboard maft€r
peiroanytine rnrool.ApEssure s€nsitivebbLel
gives you complete conrol over any sp€ciatisr pen dr
brush you choose. so using one G lust tike drawins wirh
graphics tablets! yo! € la[<aig about the mosr basic tuncrion: movins €alpencils chalksorbrushes.youcan ofienbuya
yolr cursor.round lhe screen to d€w lines and specialisl stytus alierwards aswett. repticarinsboG
dvisate And ilrhar\al!yo! reed,youcanpickupa such asairbrush,tEdirional pen. ink pen and strcke
basic gaphi.s rabLet, such at Wacom! Craphire2 46. pen lor eMmple. givinr you even more croarive
lor nol nuch moie rha. tne cost ot a sood mouse. optiDns to Eproduce the eftects ol diffeEnr med h

The graphics tablet market isdominated byWacom,which offers a wide range of devices. Here we've tested
a representative sampLe from the compact AS lntuos2 to the aLl-singing cintiq lsxwith integraLTFT dispLay.

WACOM INTUOS2A5
(PLATINUM EDITION)
ftice!3oo(incvAo companyw&om Websiteww.Mcom.com
PrcductintomatonCompul€BUntimit€d Ietephore02083539548

hs Wacom lntuot A5 i! tho a pressu r€-sensilive tip and a n eEser


a s

smaltest,nd cheaposl tablel on ontheotherend,th€ pend&leaturesa


lestthis month. lts l6 2 x20.3cm usable doubte-sided swnch thar can be
area makes it idsal6r lhGe with a prcgEmmed ro ex{ut€ mou*-c{i.ks or
limiied workspace oronLyoccrsional foranyotherGeyoueelit.Ihok ako
n€€d lor a tabtet. Ihe basic kit comprbes i^ctudoslhe 20 mouse,which is ls€tuI
the tabtel,slandard grip pen and 20 for navisarion lhen sFnirs wirh a tablet
mouse,andcomes bundl€d wirh Corel or simply if you have to do sohe ge.e€l
Paoter Classic lo gel you sraired. work sincerablersdolaiealtrl6g€nin3
The tabtot is tutly proc6mmabt€. hn used ro. As a complere bundle, rhi3
lh€ defauh seitings hake n easy to open bblet suppt€s ev€rything you ll @d to
close, copy. pasre and 3ave with a raD ol g€r 3t ded alrhough ( will prove a tinle WACOM INTUOS244
your pen *hateve r the app tic ation you re
lsing.Ihewo area,althoughsmatt,Ga
smatt lormore ambitiousands.
Perleci lor ancts on the road or sho
(PLATINUM EDITION)
sroatimprovemenioverusinsa mouse. h of space, wirh alt ft e fl€xililityof
altows control ovor quit€ line deiaiL, !ilh ftice!158(imvAT) Companywbcorn Websileww.Mcon.com
theadded bonusolbeingabtetoapply Product information Computors Unlirnired Tetephoie 020 8353 9548
Dressore-sensilivs eftecis to the rdals
youte usirA. thereby varying tine
VERD]CT 3,5/5
thickness as you go.The grip penswere tevels or line gEdlation, so it should suir
oveiEuted a coupte ol yeaE ag6 and are
comloitablein$ehand,akhoughyou tl
ill
wiri
l:l:T;"'i:$:',ff"l:;TtX,
a laEer24 x 3o.4.fr rorl area io Like the A5. the lnruos2 44 is iulty
notice the dilleren.e beiween thG and a 3uit everyday use in the cEarive fLeld. pblmmmab{e, so you can customGe it
nouse airer a lew houE oi Ge. As we{t Ine bllers* 6rea qives vou moE foratlyourapplicarions This makesa
corrDl fo! intricaie wo*. and rhe 4D Eai difference lo worklloq as you switch
dou$ that\ inctuded toot
is a hnrastic belween 2D image appticarions (such as
then 3D
it comes to working wilh Phoroshop)and 3D sotrwaE, where you
noneb. giyi4 you 360-negree conroL need lhat tittte exva controt lo work in an
wilh a seu-. edrir€ tinger whe€ t w irh exim ptarc we tesred $e 4D mouse
viih CiDena 4D and Body tuint.and
ft ener lntuos2bbLer models have lound that it real(y simptilies navigarion
mny ihptuved features. incLuding up to arcund yourworkspace,allrwing yoo to
eighl oplional inpur pen devices. One of easityshinobj€isand paintyourmadet.
lhese is rhe deital airbrush. which is This bbLet G tantastic for evervAay use
pi*slE and titt *nsitive, bringing il anywhere in th€ creaiive fietd
close io dre reaL rhins.The airbrush s
ringervheeLenablesyouroiine tunerhe
eitect otrhe brush in use, wilh 1,024
VERDICT 4/5
ll
WACOM INTUOS2 A4 OVERSIZE
(DTP CONFIGURATION)
Price i4Z fuc VAD Companywscorn Website wl,v*.s6m.coir
Producr infomaiionCompn6rs Llnlimited Ietephone 020 8353 954a

he nlros2 A4 overeize has becomes an indispeNabte r@l tor


rhal!
become an indu$ry srandard dratring and orherGciJB reedstle
*idelyused by proie$ionab inthe30 tabtet is capable of 1.024 ptesue
a nd illxstation wb rld where ifs useldt tevels, so you can co.lbl elemenls
Ior tons sweepihg arn hovenents within yourimagepe ec{yq$lne
simpty not posslbla with moGe srsems. 3upplied giip pen rnd 40 muse.
Th. 30 x 30.m m& ar.a off6n thd ft6 44 Ov6ciz6 is perlecr iorm6t
precious sxtra spaco when laying oul ccalivo us€s. and lhe exln lengn is
wo*orworkingon hrge prctecls. Like handyrorworki.g in 3Denvio.ne s.
its s lter sibtincs the A4 Ove6i:e is
ma t comes bundted w$ CoDL Pri.rer
efre supporl
tutty progr.mmable, €nabting you to
quickly ser up shortcuts forlrequ€nrly-
Cl$si..nd
iora varietv
ancLdes the
ot Dre$uc-seBitive Dens
WACOMINTUOS2A3
lsed tunciiois and applications.
fte buidte includes Nik r4uttim€d€!
and 3ubsequentrool additioN. (DTP CONFIGURATION)
Pen rools ,nd a s€r ol Wa.oms own
P/Elosiop ptug-ins. Thb lablel G Inmly
VERDlCT 415 Flice 1705 (imv D
Companyw@m Website $vww.com.corn
atmod ar prciossionaL usoB and ftod€t inf omaiion Cohput6B Unlinhod Tetephone 020 8953 95€

ItrJ rA3 su..rhisbbt t b. monrr€r progEmnabLe, with shoncuB l6t a


in u{h r 31.6 \ 45.7cm wo*.rea lt quick pen tap away at the rop of thg work
should. rheeto€, be blg eiowh tor aEa,Ihe packa9 incbdEsiho standard
even rhe m6t advanced !ssr, as long as grip pon, 40 mous6 and Co@t PainrBr
rhoy havo 6nolgh space ro house ths
rhiig.Ih. r.btot G d*rgnod lor h(qh- A tabtot lhls size does te6t tlke more
€nd sEphi.s *orlctatilns, so lnbss ol a c@iiv€ lool. enabting you lo d6w
yo! hav€ a 2l-inch monitorgr tho vsry bry swssplng lLnss and oxp6rL6nc6 E
lea.l. yo! U be @$inq the rotentiaL of tredom wLlh yourdmwLngs and anwork
Ming.t b{er ot $i.3ize. Like th. A4 thal m.k.s irfe.la. rhoush youlo
Ov€Bi:., lhe A3 cooes bundted wi$ wo*ing on r .Env6s. An ercellent choic6
Nik Mutimedia! Pbn loob and bo8t! torthe mGt ambitioG prof$sionals
a transpaoit ove,h, lo.tEcing, lno M*iig on la4E-$ale prcjecc - and
wo*.rca also ihcludes !!ick poim
Evig.liod, rhirh b*oms ertehely
uslutwh.n uting PhotBhop or Qur*.
like $s orhertabteG ho6, n s tulty
VERDICT 4.5,fJ5

WACOMCINTIQlsx
Flice !1,527(inc VAI) CompanyWhcm Website ww,ra.mcom
Prciuct inf ormation ConpqtoE UnLinited Ielephone 020 9353 9644

ntlk. olhoreraphics tabbts.lh€ Cinr( 15x .mbt€s t*erhe olherrabtec n ourtest, rh. Ciitiq is tuty
,!u ro woft di@ctty oito yoor tnage - il spons a pogxahnabLe. $ you @n $t up yarfawu.ne
'IFT *reen on which yo! work jusr as ii you were d reing shortcurs. Win a hrl( a@ nnibrtorheA4!,rh.Es
on a shoel of paper nuse.thGfeels a toi more natuEl enoulh rcom ro totyourcrealire thowhts lto*
than lhe way wevo become accustomod to rc*i\!: able 1o *e the 6ults ofyNrstrote r(qh
moving a mouse orstyhs on a tabtetop white lookirE pende leet much closro workhg sfth
elsewhere. With rhe imase directly dnder yourpen. papei b'n lhe nefry pric€ oflfiis tabGr uiu
lo6hing up photog€phs and olher images can be dore mny DeoDles @ch. Sti[, it yon en alford ir,
dtEmety accmatety lhe cirltiq s ph)€rcal arcle.an be is without queton rhe ctG*t rhiiq ro Gii|q @L
adiGred io suit vou.woftiE pGilion, so thar 6inq it G
j6t tike 6ins a dEwing bcrd. h leels so much more
naru€tthar it can onty hetp lo increa* yourpoductiviv
VERDICT 5f5

--"""."",." 11"
1l *"-^*".*'

Natural rnedi ap ug-


Pen and paint effects don't normally spring to mind osr people use plug-ins for
NS
stkht image
adjustm€nl lnract.manyplug-insare seen
when thinking of Pholoshop plug-ins, but naiural as a bir of a gimmi.k. producing absrractions

Pf,otoshop effects do exist... of image and coldlrand leaving you


wonlering wh€ihertheB\ actualLy a practical use lor
them NatlEtmediapug-insraGelhG quesrionmore
oftenthannost,becausetheirlunctionis acrualty
imagequaliryimprovemenlbuladdingexra efiedsto
the piclure youte working on. Here. we 6ok ar a lew of
the moreunusuatpllg ins

HALFTONE
Company Richad R.s€nman
websirew\rywrbh.dDs6nman.con .Price,fre

hG fantastic lree pLuq-in enabtes vou to.rcare cotour h!(ron€s Iho


i^iedaceg(v€syousimplecontrotoverdorsi2e.nd a t.w
oxpansions overthe internal PrororDpveEion. s!.h as changiog th€
backsround cotourand contrctoverth€ RoA. Haft ono is a iilre hars good
fun ro Be and produces inreresling €3!(s when enkt3ins images.

Yo! courd @tnlitun


'rm.r.
{o*!,{ik rh.e ot inii'r
Gsrg.r s.!Ei lnrh r.4or,
VERDICT 4/5 n*. cor.lr ii'lonq tn@r

BUZZ.PRO2.O
Co-pal, h2pir wFb . e ww.lio2Dd.com q -il057a .}
!l
uuzhasbeenaroundloralewyears onabtinsyouro.onvedyour ii,: i
photoghphs and imag€s into re.listi. pairtins ett{ts. Buz Po 2 O enabts
you lo conlrct the simplific.rion of your imaees, reducing cdLolrand delait to make
4):l- '

yourpiclure look tike a watercololr or v'Lbmnt digibl imase. Great lun, and excellent
torconveningyourphotogEphstowatercotour- yleimages
i$i];
* ' | .!9-,
VERDICT 4/5 , t: r"."
l!!l r!
lm
,fT:r: ,::

INDIA INK
Company R itE Pear Website wJlaningpsarcon ftice $15

ifJl J'ql-t\ dfteFnr ra."o-rhA Dop-b' l-alhon-pl.r I h o d h, 9.,e )o'


iH qer. ne oe"rdowno-cotou' 5/.4 adLrolonoirnetmd.
".p.o"er
eltcl lhe interface giyes yo! massive conrot overrhe efiecls you appty. wherher
you B convefting an image to bbck and whte or using cotouretteds An;xcettenr
plu9ln lor creating rhumbnait ittusimlions or absimcr inasery quickly.

VERDiCT
DEEP PAINT 1.1
Company Right HemiipheE Wehiie w.deppairncom Price $249

vaihbG as a sla n da lone prod ud or as a Ptoroshop ptus in. O€€p Paim is


p.dbabtv one ol rhe mo$ powerful tutudl media pL{-ins on the marl€t Us€d
in cambinarion with alabler il ofie6 a futt setection ol u*l!t adcr brGhes lirh
simihr pDperlies to the Eatthirus.This titt.r is also tutty supporlive ol the Wacom
4Dmouseand airbrush. f you wanho paint on your compdei this is a great cioice

VERDICT 5/5
GEL
Companv Ano FX Webtte wrutoh.com Prhe $99

tln plug-in !o creaie 6n as$frmefr ol get eftecls. ALthough it souids pretty


limited.GelisbasedonAulo FX! tons running Dreamsuteengine,whah
gives you aLn6r endless efiecc possibiLirGs. There are live vlsuat €tfects h,.re]
Crysiat Prinlei Cel, Gel Mixei Get tuin|erand L'rquid Crystal. ll us€d with a lftrb
cre,rivity,altotihesepoduceexcetle esutrs.Verymuch aiun ptls in,buryou
.outd trobabq find some praclicat uses for it ont lhore.

VERDICT 515

ETCHTONE
CompanyAndrmoda Websitew*.ndFm€da.com fti.e $a9

efiecbl you ve come to lne isnr


ooking lor a ptus-in to creare old world etch
place.Ihisli[ereplicatesacontinuous tonesceei 6erebysofteninsthe
hanhness of solid bla.kandshire ftE3soyau g€r thefeetolatradition3teel
etched image Depondingontheofl€cryou rcafter youcaneitheroverbyorbtend

VERDIOT 3ls
FLOOD
Company nmits Po Website rw.flamilEp6arcm Pdce $20

tsa he JscqdndDossrb'hne\orilrsDl-e-i.a?endlelcwh.n r,otre!rodddiT


| *'"r" ""i.s*.,.""y"--,.*"'n-a"*.*--".'*-"-*
dpplesrndpeBperivesoroucancreateyouridoalttood€d scono.Atthoughyou
can use this litierlor droMiry triends. rnimals and ciries atike. the potentiatior
pmclicat use is excellent. lts fLddLy nakiru a sel€tion to appty it, blt as a spec'btisl
plug-in its hari to lautt lor the contoi you hrve overetemenls wilhin a scene.

VERDICT 515

XENOFEX2
Company Ation Skir Website swsltienskin.em fti.e il29

hG sel ol 14litlers enabtes you 1o creaie everr,lhing tbm crumpled paper lo


etectric sparks t may sound a bit tach'y, bLn t pbduces th*e ettecb ro
specbcubr eilect. And the end esutts are iar beyond whal you couG hope 10 create
manualLy in a reasonabte amounr of lime. Each f itt€ris cofi 6lled rhbugha *riesof
sliders and picker menus lorcobur attowing camptere llexibitiry over rhe resuks.
The clouds filtei in pafiicLLr, is excelGnr lorprcducins resuks that woutd look
impressive in any landscape shob. And if you ser€ ro cofrbine rhese with a good
tiEhrinqfitreitheeffe*wouldbesperacular

VFRDET 4/5
*l ".-"--'-
BOOK REVIEWS
THE PAINTERZWOW!BOOK
Author Cher lhreinen-Pendarvrs fubtisher Peachpit Pr6s
Flice f3299 ISBN 0-201-77362-7 Web www.peachpir.com

ainrerZ Wowl is an excetlem ttte Although $e eany chapted pllport


packedf ultotte.hniques uwd by lo deal with P, trter b.sic t, they E aar
$orkingdkilatartist.Ihe 3heernunber lrcmbasic in rheirappbach, asumlq
ofebmptes means $al rulorials a€ rhe reader has a g@d gmsp ol lhe basics
Etativety bliet makine thc one lortho atrcady. Later sections move sreadily
inteimodi.r.ro advanced ft hteruser away lbm Pariler3 core tunctionaliv in
Each chapter b.gins wilh a gan€El rhediErion of !sins rhe prog6m ro
explodtion of a pan€utar action - ior ceat€ etements torvide ,nd the Web.
eenpte, makins sel{lionsand masks PaolorZ wol iuumina!6 a vasi
These aB fotlow.d by moi6Ls baled on anay oa &inr€.t€chniques and Dovid€s
tho work ol praclisins ariisrs ttE an excel|nt resource rot Gets of the
rutoriab have iourto six slag.s so they E pa.kage. How€vei you wil( ne€d a good
larircm nep-by-$ep. corce'tnting tevet oJ.ompetenc€ to get lhe mosr our
imt€ad on an6iic tehnique
VERDICT 4,5/5

DIGITAL CHARACTER DESIGN PAI NTER 8 CREATIVITY: DI GITAL


AND PAINTING ARTIST'S HANDBOOK
Author Don Soegmitter ISBN l-58450-232-0 ftice i33.50 Author Joromy Sutton Publisher Focat ftoss Price 92208
Arbtsher Chartos River Media Web wuw.charbsrivercom rsBN G24G80511-9 Web wwwfocatpross.com

hb is a grear book althoush its !'temedite stud€nB wisning ro bdh ocmy SLtton has poduced a ctear studoni\ undeEtanding ol artbtic
audience may be Lihil.d. The up on.ha€cr€rdeskn and lhe a relCmannered inrrcduction b lochn(u*.suchascotourusaso white
alnhorcanbition is to h.tp those who Paiar€rA Each sedion introduces nsw aLso introducing Pairter specitic tools
'fset $e ne6d lo sive lh. creatur€r and Ih€ tinat 3eclion h.s a series o, iF proeEm te.luB and uses tllorials to and lechn ques, The s p titting ol tutoria I

characte6 oiihelr imagination a more d epih tooria ls €ac h dov€ lopirg a d€ibt help you build uD.onr'dence. Ih6 book roxl and imasesin|oseDamte blocks
sotidlorm. Retevanrroaltcofrp€tence cha€cter paintins.Ihes ar€ desisred to mlld be su abto loranls$ ol any tevel
tevels. lh€ book k a mutuE of {€n€El siv€ you th6 tools to ccare vourown rbhr€ b add an undeFranding of Flotera Creariviry has a classrooh
adGtic advi.e and rd.ri:l wol( Erherrhan simpty enabting yo! io lo€1. which hakes settlng to grips wiih
complgmenred and brought !p 10 dars Epticale the a6hor! rcsu{s. Eacncnapterconrains, cLear fn er bss inlimidating than it masht
by using coEl'3 digital paintug packag.. Ih6 is a rholahttut b@k. reil wo.rh intoduction ro the *t-up and lse ol otherwiso be. This 6nt a cohpendious
Iie lhree sections of th€ book deat .omidering for anyore wftilB in Pai,re'! va nous mod utes rrc m biushes lirte. but t prcvides a good srounding in
bosety, with inspiration, anGic .ha€.ler design orwaniinr ro devetop andrieir delinition to aninding lhe use or Corel! Dainl app and
pinciples and Pairter-specilic rheir P,inrerrechniques in $ar direcrion. transitions iorvideo. The l@us is on mailnaim a lriendty, readabte pace
techniques. E,ch stase G cGarly po(Eituc, wilh orriihos phob guides,
devobp€d and wett explained. makiig and this gives the book cohesion
itsuii.bLe Eadins lorbeeinnerc and VERDICT 4/5 ldorials are desicned lo develop the
VFRDIC T 4/5

NW
#:*r
$$'\\s

ffi , tifi|:za
DIGITAL IEXTURI NG & PAI NTI NG PHOTOSHOBPAINTER&
Author Owen Demers Pubtisher New Riders ftice f4299 I LLUSTRATOR SI D E-BY.SI DE
ISBN 0-7357-0918-1 Web www.newriders.com Author W€ndy Crumplgr Pubtisher Sybex ftice: !36.99
ISBN 0-7821-2923-4 Web wwwsybex.com
F
3D
iii.i""ff :ffi :;i::::"FJl';:
iniitm letevision web.
and the
haffofrhe book wheerhe author is
mainly concerred with rheory and
apprccialion.IhelurodaLsrharloltow lll wonhwhite coNidering this as Ihe ParticuhF secrion oontains
Dlgital teNrqing & P.intins 6 an at\- coverthe es*ntial etemenb6t €le€nce texr ii you re usine a
a the mear ofthe book, considering the
encompassing touroilhe f ire adol .rearing and apptying texru.e m.ps. combinarldn o, Pro rot op. Paoiera nd appLaalions bycommonfunctionatity
rexture creation fofr
cotour theory !o maniput6ting !Vs and genearing {lGbrdr Horever rhe book is in need suchas hyers.cobuipalhsand
pEctEal application.A grear read ior of an updab to bke accourt of ie* brushes Side by side lables list
anyo# tackirg lormat aftisric hining. The cenrdtpurpose ol rhis b@k is veuions of each p.ckage and is nor eaclr asDect of ihe nodlte und,"r
Aimed squarety at those with an to help the reader devetop an eye lor Ecomnenden forbeinneB. consideration ard give page tinks to
inteEst in 30, thG litte stans by lerucs 6lherthan follovins ll! splil inlo lhGe sections: Basics. rhe more in deprh, ittGtmiod
encouraging rhe developme^r oi an step-by*rep rutoriaG.Ihis ir an ideat tudicul,a6 and Anbb.Ihe opeiilE
ani$ic eye lordebiG. moves on ro primerloranyonenewro3Dwhois Reading th6 book fbh cover to
cotourlheory and, alter examining the baftled by how to go about gereGling rhe ihlerraces ol the lhree appticaiions coverwould make anyone! head spin,
wo*sotthema$ere.€n&wilh a and ini6duceslne.oLourcodingand bulasa souEeotreferenceiorsomeone
practicattexruring prqeci nunbering syriom which ti*toge$er famitiarwithonepackase lhiscould bo
Iheres a vaguety acrdemicione to \/ERDICT $e informdion.Ihe final
rhirritb whi.hworks w.lL in rh. lirsr
3.5/5 rhe resr of
sadion.onr.ins a gallery ol wo*s
cBalsd using two or moE packages
*irh brie, notes irom the adist
VERDIC'T 3/5

SECRETS OF AWARD-WINNING DIGITAL ARTISTS


Authors Jeremy Sutton & Daryt Wrse fubtisher W"dey
FYice $9.99 ISBN 0-764536915 Web www.witeycom
f:l !l r.o.ih. h. *.rk Comp[ementing rhe practi..Liipsand
lfl 'no
-a.*-,.-. a hardwar. lislings are sections d€aling
nearty ".r,i.,i."
50 tdp digtal anks, this tft te wirh the crcarive prms and lhe ideas
conlains a wealth of inspnatun wh6h infom lhe image unde.
Atlhough rhe rlroriat elemenr oi rhe lexl consideEtion. Each anist also explains
G lairty senerat. the artists advice G a
greai resource lor anyone wondering This book G a Ere opporlunily to
how10getrhemo our ot a project compare lhe slyles, motivniom and
The book is sptit inro rwo sections, rhe bchniques of. dive6e 6nge of anisb
lirst comemptal€s more ittustativ€ White nor every image ho{ds up lnder
pieces, while the imas€s in the second scininy rhis in ilsetl conlains valuabte
haLfalt"have a basis in phoiography".ln lsssdns for anyore invoLved in
ea.h ofthe 47 chapters, dkiraL anisrs
fid intbduce rhemselves and their
work befo@ detving irto the specitics
oi1*hnhue.nd applicarion
VERDICT 4.5/5
-'""..-","". l;
|'TLL PLIGIN

buZZSimptifier 1.0
Remove unwanted detailfrom your images without blurring,
using buZZ Simplifier, a full plug-in wofth e35!
ntt ou ve een it haoDen doz€ns ol rim*, a bict(E to remov.unMd€d deraiLlom an inage *ithet buZZ SimpUier us€s a systdn calted tho Stack,
ru rhat seemed [k; a p*t6cr comDosiiion comes b[ning. di{ofiion, or lose ot a@c,.otourand €ns6s. similar in concspr to P/'oroJhopl' Layer Stytes, which
out tooking che@d and busy.Th€ lacr 6. ihe homan Ihre€ €(€crs.re incLuded. Singtifter Ons rcrkr on onablsr you to oxpsrim€nr with ettech in an, order
eyo i5 iar moc sel€cltvs than th. cam@ t€ns, and a 12196$ste ovenhe whola in.ge. SihpliIi.rlrc andanycombination and prevFw th6 resuhs in $6
photogEptu otr6n cap(E iar nore d6!ail than you enablss you ro resloEor.djd foer deraiL Sinptiflsr pFview pare, you can savs Stacks io use on other
wanl. you can s.t 3luck in with masks and blur orfade Ihi@ aulonaicaily anatses tha objets in an inago im.s* or ev.n email to other poopts. With the other
paris ol th€ imas€... Oryou crn $y anotheraoDrcach. and lhen macicallv 6mwos detail.mss thBa buZZ ptug-ins, ptus PhoiaA,r4'asrer(atso on th€ CD),
buZZ sinplifler i5 a uniquo filt€rsp.cilicalty deised cgionsoli eBsi (lnEr, Middle and Oulerl it s r pow6.ful toolkit lor cBatin! dazztins arrwork!

Getting stated with buZZ Simplifier 1.0


Eliminate the clutter without blurring or blending...

lnsalling and
upSrading
Io itutatl this plus-ln simptyctic&on
ths lnsblL hfton on rh€ CD interfa@
and s€l€ct your Phorosrop Ptuglns
fold€r as th6 locarlon ro i*raltro.
Cth6 plug-in at o works w$ oth6r
hosl solrwarc - lor deraib. and nd€
infomation on using the pt€-in,
E i:""'i;'J:l": [1"13$1',# :ffi i,'lii:"
downtoad ihe complete POF
manual available free lbn
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windM Lft show pptew
numeraldisplay lefr.ts !on aloaarthmi.
nae,
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dyou can rnelunethe efe.tbic c[nq
The on thc a ot
Iwl wwjo2pix.com under'F€e d'ermaBe 11'e ohdow d the dsht lhls the lhe + and - buttonr ne{ ro th I fkpd ment w tli
Downtoads' )To unlck ihe JuL( sh.[ and dp avairabre eff*rr. To bdan, .]itk on lhe t ShvDark/Both bor to alrecl d ffereit ispech
Simpliff.r one in dre lis!. ths .li(l /.dd.
veftion oi rh€ sofrware, you lt need
to €mait l.l slDpdr@lo2rlx @m
wilh th€ subject RegGr6lion
@queqircm ComEnerAns inorder
to obtain the Futl Lidrco k€y.
Wa ro upgade io tho Lat4r
vereion oi any oi tn€ blZZ ptug-in
ftnge Asarcadetal C npltetAns
A_oleds,rou.anclaim ala aric
25 p€r cent ofi rhe nomat pricesl tor
detaits, veit M ww.io2pi{6nr/
tuluEpub/b@ (you can ctick on the -
tiik i@fr the CO imerface simp{y g f iT,ttl";ft :,11:iri[1l#j Y;
ste.t buZZ Simptif ierlO'fromlhe
dbp-down tisr otrhe CD @ntents,
ipp€& prcvi4
b€neath rhe Pane You
nor efia:a too- attfie botron ol Lhe sta.l by
an add o
efie.t
*3['[."'l;,",f 1i'":Ift f; ,,:li:f r"':;
curcnt tia.k window
in the add dras t up or
then click on the Upg6de .ftkinB on dd, at dr top or die 9lack by cltcktis dowdthe st. To rcmove an effed, high ehr I md
m h*d, e abore any omnt efd b, d(r ,n3 on clrck Removc to remove them arL .ri.kce;it:.k
lnlormation button atthe bottom left To save a sli
kto app y e sewhere . ckon Save
sb.k To f nirh .mpyc cli oK
DIMOS

Plug-lns, Layer Styles and Brushes


Six efieds, coni(quabte using ihe same Stack syst€m A.ot{.crion ot flD.orr9p btush€ lrn Video Tutorial
as Simplili€r ALso includes th@€ p@-sa Stacks: Oil gnphi.xrEs.con, includingrhirly cudo lines, puGins
Walercolourand Cotour Pbtches. Futty tuncrionat bd tin€r, thin {ie bturhB, sra6, 30 btusn slloftes, An ercllsave FaL-time video utoriat
.ontour,in$landou inebrohos,ILw€6,starbuErs. lb6 PSXtEs, 3howing you step by
doG, bLob,3glanea and mo@l ltrst llation steDhowlocEato.n ev Look
irstructions.r€ irclud€d in rho R.6.lt4e f(le. itbslEtion iEm a ponr.Lr phoro
Tei eft€cts, with lrc preset Stack, Watarcolour.nd and sonetextu6s, lnctudes
suppontE til4 so you can rry
A.oll*r'6n ol n6dicalih€nad Photosrop brushes

19 €ff.cts, wilh 13 pF-ser Stack Bigl'l Cotour


Wa!h,ColouredEdges CotoulPatch4,GlosLay€n
lnk,NelnElColourWash,Oll PatefieKnii€ PuE A ser ol fiesed Phobrnopbtush6 ton
ColourWash Skerhl,Skerch2,Solt CotourWa3h

Fhming P€.r 3 ptug-in titt€rtor painr prcgBns, lt


coivorte cotouroreEysc.l€ imag$ into seve6t
unusuat srylss of black-and-white hr(tore3.
Cli r sd tn[.r..n od ol
Phor6hop L.r. Styh! Oual) you bnlnl 0u.rcbdve
IhE€ collslioN ol oxcitlng LaFr $ylos froh PSXtras
vldFub.lfiMyouhfl
- 55 Uniquo Paltarns, l0 B€etl€ Back 6a!€d on the
patterns to be found on reat b€€lt€ canp.c*), and
Marbte styles.Io toad a tlbftry ot pEs€t by.r Sryl€s
ctick th6 triarul€ ln Pholbshop's srybs patett€, Lav€r
Styte diaLog bor or Lay€r Styb pop-up pal€te in fl6
options bar, th€n choose Load Sryt*.

Trial software
PGor4 rfu3 Pr6 F!.k{ou{)
Atutly-Ihctionat,30 daytry-outotthe A 30-naytry{ur of$e astoni$ing 3C!.haFcier
cunent verelon ol Adobe!' veror dmwing animalion looLlorrne.carion ot inag6, ndi6 and
proshm. lts Dowerlul tools and c€arive modelstorWeb, sEphics, vid@ and 30 prcjed. )6u en
options make il ideattor prcducing vecior aGo hmtoim sbric pDps and ihported pops irro tut9
a rtwork lor p r n, Web or anywhere. Produce posabte and a.imabble PosrllqlB.ll isrrial i.cGdes
superb Web gmphics using symbots and the fto Packadd{n noduG and con6 wiifi ona P,ser
innovative sticing optionsr expbre cr€ativo .haEcbi lwo hansels. and a smpG Setup Room 9bp.
options using tive disrorrion tools: and pubGh fti3 is a 3o-daytriaun€ €ontinuoc d.y coufr sbtu
in reord ime with dynamic data driven when rhe drl is insblled. Y.u a
gEp h i* and other pbd uctivily leatu €s. $enes and 6nnor impon or dpon arry 2D or3D dab.

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PhotoArdq.nerClassic 1.5

PhotoArtMaster Classic 1.5


Seffi I numb€rl03(}fi MaF-TH5I-t[B
R4uteswLnd r33,/2000/M.?,xt
500MH, ptudMi 25€t1B RlM.600MA Transform any photograph into an illustration with this
powerful complete program.,.

EJ hotoAdJvlasrenies vd a €nee ol rools and kindsof pen -toriNtance,youcanconvertyour


Itrl "r*" *" -"." ""a.,"r'i..,""",n images to charc@t style drawings oi it you prefer you
intinile v.riety ot tako pannn€s fom ordinary cana[erthethickne,sof yourtinesand gofora pen-
lhoioqdehs.Iudinq diqtat photos inlo ,au rnd-ink styLe ins|ead you can €ven combin. th6
lalor.olouB isdt. n.w concepr. Just.bo!t ahy slyles. lhon dEp on a watercobur later- withthe
ephisticared gmphics aprlicarion h* th.6biLiry ro eftecr that you ve sk€rch.d ourlheimaqe,then buitt
lako an imag€ ani apply blilt-in eflecls.Ihe r-.suh!
can b6 crodibl€, bur noi oveny iFpEs.iye. Photo-
,4zr1as!erkdesis@d$telyt rthistultoseand,
wilhpEcrice,thebsutt .anbosrlnning, Lryora ot colour
On rhe ta.€ol ir, yo! c.n oake r o kindsof Usins Phoronrr-t1'slerertectivet req!ires an €leheft
compositioo in Pnob,4r,,rlasro. warercotours and lin6 of skill and judgementi you canljusl setect an oprion
dEwings. Limd€wi.$c.nbodE*ns hseveEl for line dEwing orwatorcotouE,thon chooc6tha
contrast and tin€ style. Painrings ar€ created in slag€s
Fitsr, you odit the image usinq rudimentarv rools such
as crop, rotat€. and skeu Ihen you $art dropping

Cotoldul in,g8 of rofu6 c.n b. m!d. (o eitects onto th€ canvas, iixing those you tike,
Lok rrko hind-plirnad *lr.aoten i
discading lhGe you don Eventualty the imago G
buitl itum r series of.otoured hyers, jusl liks ths
eat lhing. fto trick 6 knowing which tayers to elain

Phoro,4dvl,stercan produco excett€ntresutc. but


il can tako tim€ and enort to mimi. the quattry of rh€
supplGd examptes. lf you enjoy experimentire with
new software. and you have a seteclion of Eady and

il:ii *itling photographs, give it a spin - you coltd ceare


your own tino ot greeiings cards wirh ir and you dight
evon get a hangabte paining o$ of il! For more
tu rdrd(r.l r\dolhphs itu FFmd-i't th. d*iJE3 tr infomatior and a saLtory ol images creared with $e
pbaram. visir lwl ww.to2pix com,

Upgrade and save 25 per cent


Co Gold and get a wealth of new features...

mr'Etions ot you. base pictuE. you can updBde to


ilH",::"'.:ffi ffJl#:ifli,',Ji;il.1, PhotoAftr4aster CoLdlot a spe.aity dGcounted price
herebyourchak b lpgadeb the Gotd veEion. Inis by vsirins lyl *wwjo2pn.comltuturepub. He€ you tL
V6h d. Ardlorritr,*reusry ar
Iwlwwlo2pk cdm b vid. *6oL nw €6ion oflne pr6g€d iebdes a host ol additionaL beabletobuythesoilwaretorjustlT5 ahugesaving
options, and adomaiicaq gereEres mo€ than 30O ot 25 per cenr oli the usuat setting price of t99.99!
Getting stafied with PhotoArtMaster Classic
Follow our steps to making your photos look like hand-painted artworks...

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seecl.n eff:cl then seledveypant th.overihe inei Fii Ad\'o,l F., b-4t r,4!Lt, idju+ihe
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