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© 2018

Cognitive Theory and Documentary Film


Editors: Brylla, Catalin, Kramer, Mette (Eds.)

Foreword by documentary scholar Bill Nichols


Explores a wide range of documentary formats, such as first-person, wildlife, animated and slow TV
documentary, as well as docudrama and web videos
Constitutes the first book-length study of cognitive theory and documentary film
Includes a diverse range of contributors, who are both academics and practitioners operating in
various fields, such as film studies, neuroscience, cultural studies, social psychology and philosophy
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About this book
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About this book
This groundbreaking edited collection is the first major study to explore the intersection between
cognitive theory and documentary film studies, focusing on a variety of formats, such as first-person,
wildlife, animated and slow TV documentary, as well as docudrama and web videos. Documentaries
play an increasingly significant role in informing our cognitive and emotional understanding of today’s
mass-mediated society, and this collection seeks to illuminate their production, exhibition, and
reception. Taking an interdisciplinary approach, the essays draw on the latest research in film studies,
the neurosciences, cultural studies, cognitive psychology, social psychology, and the philosophy of
mind. With a foreword by documentary studies pioneer Bill Nichols and contributions from both
theorists and practitioners, this volume firmly demonstrates that cognitive theory represents a
valuable tool not only for film scholars but also for filmmakers and practice-led researchers.
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Table of contents
(17 chapters)
Introduction: Intersecting Cognitive Theory and Documentary Film

Brylla, Catalin (et al.)


Pages 1-17
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£23.94
A Documentary of the Mind: Self, Cognition and Imagination in Anders Østergaard’s Films
Bondebjerg, Ib
Pages 21-37
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£23.94
Little Voices and Big Spaces: Animated Documentary and Conceptual Blending Theory

Conde Aldana, Juan Alberto

Pages 39-57
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£23.94
Documentary Spectatorship and the Navigation of “Difficulty”

Corner, John

Pages 59-73
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£23.94
Docudrama and the Cognitive Evaluation of Realism

Grodal, Torben

Pages 75-91
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£23.94
The Duties of Documentary in a Post-Truth Society

Eitzen, Dirk

Pages 93-111
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Characterization and Character Engagement in the Documentary
Plantinga, Carl
Pages 115-134
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The Difficulty of Eliciting Empathy in Documentary
Nåls, Jan

Pages 135-148
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Fake Pictures, Real Emotions: A Case Study of Art and Craft

Tang, Aubrey
Pages 149-162
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Engaging Animals in Wildlife Documentaries: From Anthropomorphism to Trans-species Empathy
Weik von Mossner, Alexa

Pages 163-179
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£23.94
Collateral Emotions: Political Web Videos and Divergent Audience Responses

Eder, Jens
Pages 183-203
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Slow TV: The Experiential and Multisensory Documentary
Antunes, Luis Rocha

Pages 205-221
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Toward a Cognitive Definition of First-Person Documentary

Ros, Veerle (et al.)


Pages 223-242
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The Communication of Relational Knowledge in the First-Person Documentary
Kramer, Mette
Pages 243-260
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A Social Cognition Approach to Stereotyping in Documentary Practice
Brylla, Catalin

Pages 263-279
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A Cognitive Approach to Producing the Documentary Interview

Grabowski, Michael
Pages 281-301
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£23.94
Documentary Editing and Distributed Cognition
Pearlman, Karen

Pages 303-319
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£23.94

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Bibliographic Information
Bibliographic Information
Bibliographic Information
Book Title
Cognitive Theory and Documentary Film
Editors
Catalin Brylla
Mette Kramer
Copyright
2018
Publisher
Palgrave Macmillan
Copyright Holder
The Editor(s) (if applicable) and The Author(s)
eBook ISBN
978-3-319-90332-3
DOI
10.1007/978-3-319-90332-3
Hardcover ISBN
978-3-319-90331-6
Edition Number
1
Number of Pages
XXI, 343
Number of Illustrations and Tables
6 b/w illustrations, 3 illustrations in colour
Topics
Film Theory (/gb/product-search/discipline?facet=type__book&topic=413090)

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