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The Potbelly Hill

for violin, cello, bass clarinet in Bb and prepared piano

Onur Dülger
2017

© 2017 by ONUR DÜLGER
All rights reserved

2 How to Play the Multiphonics
PERFORMANCE NOTES Auxiliary Objects
1) A light and small object (a node-obstacle) such as a plectrum is put on a mono- chord
PIANO string, to rest on a slot of the copper winding. (kept in the right hand)
Book A4 size
This symbol is used to show the location of the hand 2) The corresponding key is hit quite loudly and held pressed. (left hand)
movement inside the piano.
Bike Tube
3) The plectrum is soon released upwards away from the string (right hand)
Staffs: 4 or 5 staffs are used where the top staf stands for Glass Bottle
voice of the player. Each hand has two ordinary staff 4) The key is released at latest after the sound has faded completely, or earlier (left hand).
and one additional staf for the actions inside the Also, the pedal can used, in which case the decay can be regulated more.
Super Ball
piano. Most of the time the extra stuff for the left
hand is not there since the left hand usually plays on
the keyboard. Plectrum
For more information about playing the multiphonics
Visualisation: There are three different kind of on the piano visit the following page to download the
visualisations on the score, which are action, thesis regarding the multiphonics:
location and results. Book dampened:

Multiphonics: A Book (on the top staff) with the size of A4 http://ethesis.siba.fi/files/vesikkala_thesis_2016_fulltext.pdf
The right hand finger touches the node paper is placed on the given strings (middle
which lies at the given procent of the staff). Then a clusters or notes are played on the
string(top staff), then lifts after playing keyboard (bottom staff) with cross note-heads.
the given note in the left hand(bottom
staff) so that overtones occurs(middle
staff).This technique should be
perfomered like a gutiar harmonic
playing technique.

Superball Rubing:
A superball (top staff) is played on
Pluck on the string: the given strings (bottom staff).
The right hand holds the plectrum and plucks
the string (top staff) on the given string (middle
staff). At the bottom staff the note is an
orninary note which s played on the keyboard.
Cluster:
A chromatic cluster is played on the
keyboard.

Plectrum granulation:
The right hand holds the plectrum
and makes a horizontal glissando Horizontal Glissando
(top staff) on the given string All chromatic tones should be played
(bottom staff) which causes between the given notes with a
granulation (bottom staff). plectrum inside the piano towards the
given direction.

Tube Rubing:
Rub the given strings (bottom staff)
inside the piano (top bottom).

List of piano multiphonics
Plectrum granulation:
The right hand holds the plectrum
and makes a glissando (top staff) on
the treble bridge string.

Glass glissando & dampened:
A glass or a glass bottle, which should be
so long to cover a tritone intervall, which
should be placed on the given strings
(bottom staff). The glass should be moved
then horizontally. Occationally the glass
can be moved also vertically as it can be
seen on the left ( bottom staff). While
right hand is acting inside the piano, the
left hand playes the given notes (bottom
staff) with cross note-heads.

these playing. three quarter tone higher three quarter tone lower notably more pronounced on the lower strings. -Contact points very close to the bridge produce a ‘purer’ sound and favour high components.cellomap. but one of them make trill multiphonic and find yourself playing a single harmonic. colour/loudness and reliability of multiphonics is difficult to achieve. In general. and can restrict high harmonics. Several different pitches might be possible..  In general they are easier to produce when factors control the loudness and noisiness of a multiphonic. The multiphonic effect is bow is applied. It Two different harmonics are played on different components. High It is played with the winding metal (top staff) of Double stop tremolo bow pressure favours the lower harmonics. The most multiphonic. If the Artificial Multiphonic Glissando : under pressure middle part of the bow is used. eventually It is played on the wrapped part of strings visit the following page: cutting our higher harmonic components. The mid-high particular left hand makes also large glissando while one quarter tone higher one quarter tone lower harmonics are weak. Therefore. I play with light left-hand finger pressure and a Double Stopped Multiphonics Seagul effect medium-slow. making rotation motions. -Increasing bow speed increases loudness and encourages higher harmonics. Wrapped Strings' Sound For more information about playing techniques for -Decreasing bow speed decreases loudness and encourages lower harmonics. it is quite problematic to play The effect is performed so that the left hand further from the bridge than for normal multiphonics simultaneously on two strings. glissando. A balance between flexibility of with another harmonic of the same string. 13th harmonics) than for multiphonics with only mid-range Sub Harmonics Double stop glissado harmonics. but reliability improves with practice. one finger or each string while making a ord : ordinario bb : behind the bridge multiphonics.  which harmonics take part in a multiphonic and can block high/low components. fine tuning screws. In general. the highest harmonic that contributes to the them to ‘break up’ into single harmonics. In general.com -Contact points quite close to the bridge encourage noisiness and favour low components. : over pressure multiphonic effect. the sound quality : ordinary pressure The same artificial multiphonics are played with will be bright.cellomap. Undertones (or subharmonics) are pitches below the Two different harmonics on the neighbour strings fundamental frequency of a string.g.  Undertones require high bow pressure and a very The scope for varying bow pressure.html 3 STRINGS Bowing Directions and Pressure Pizzicato Multiphonics Quarter tones The open string is much more present in the sound The bow moves vertially on the string and in this than for bowed multiphonics. to perform a multiphonic. bow speed and point of contact in multiphonics is limited consistent bow speed at the lower end of ‘normal’ compared to normal playing. However. strings one after another with the given bow change. This is interval should be kept fix between the stopped and harmonic playing. and even compared to performing harmonics. halfway between "ordinary" and "over pressure" glissandi. higher and brighter. making them loudest in the mix of harmonic the bow on the given (bottom staff) open string. so they vary from multiphonic reliable way of double stopping multiphonics is to Double stop harmonics to multiphonic: the bow stroke will be chose two multiphonics that are in parallel positions Two different harmonics on the neighbour strings lighter. Trill with growing interval : noise symbol for over pressure Trilling finger goes further away from the lower List of cello multiphonics used in this piece Pure Multiphonics finger while the overalls glissando. sometimes restricting low harmonics. Two different harmonics on the neighbour strings when trying to change the loudness or colour of a multiphonic.com/index/the-string/multiphonics-and-other-multiple-sounds/further-examples-of-multiphonics. In summary: Winding Granulation -Increasing bow pressure increases loudness and encourages a distortion-like sound. -Decreasing bow pressure makes a multiphonic sound quieter and ‘purer’. . The principe is the same. It is difficult to sustain a consistent be darker. eventually cutting out lower harmonic components. harmonics above the 10th partially over pressure to full over pressure of the semi tone higher semi tone lower seem to be inaudible. It also encourages the open string (‘first harmonic’) to contribute to the sound causes rattling sound. http://www.  The pitch is http://www. If the frog part used. they also influence Double stop trill the point of contact is not very close to the bridge. multiphonic contains high components to sustain consistently. it is very easy to ‘break up’ the are played simultanously.com/index/the-string/multiphonics-and-other-multiple-sounds. As a relative to the ‘usual’ playing technique for in the case of multiphonics. usually a minor seventh below the fundamental but Controling Loudness and Overtone Content can vary.cellomap. (e. the string behind the bridge. fairly heavy bow stroke. slight alterations cause result broken upwards glissandi are heard. These conditions are because the bow position and speed are very specific harmonic fingers while making the glisssando. Cello Positions Violin Positions tp : tail piece mst : molto sul tasto ws : wrapped strings st : sul tasto bb : behind the bridge Artificial Multiphonics Pizzicato on Two Strings ord : ordinario msp: molto sul ponticello sp : sul ponticello These function in a same way as pure Pizzicati are applied on the given strings by using two sp : sul ponticello msp: molto sul ponticello multiphonics but they are produced as stop fingers. the sound will : partially over pressure. If you move the bow vertically towards the http://www. The sound is distorted and difficult are played simultanously. There should be rattling sound. Bow the back Bow pressure levels plate of the instrument and pressing down on the hair of the bow. st : sul tasto ws : wrapped strings Chewing the Bow Hair mst : molto sul tasto tp : tail piece Turn the backside of the instrument. the sound gets sometimes restricting high harmonics and allowing the open string to sound. 12th.html make glissando simultanously. Low bow pressure can restrict the lower harmonics in a multiphonic. faster and closer to the bridge if the on two strings.

visit: https://heatherroche. Theses are basically the overtone series of the instrument. please do not hesitate to write me. you get a chord. The interval of the trill is an minor 2nd. etc. 110 108 dyad-multiphonics-for-bass-clarinet/ 113 112 112 111 Overblown Spectral Multiphonics For more information about the techniques please see the These sounds are produced on the book called "The Techniques of Singing" by Nicholas lowest register of the instrument. creating a suction. These can be combined with on the given beat it begins to open. For more information and how to produce them and also see the video of it. It can be number below them!!! combined with glissando or trill. so having a few different thicknesses to try is probably not a bad idea. visit: https://heatherroche. bubble through slowly with a popping or rattling sound of 112 280 108 110 a very low frequency. if you slap tongue on a multiphonic fingering. This snapping back to the mouthpiece creates that fantastic slap sound. Isherwood. that mouth should be closed. For more information and how to produce them and also see the video of it. flutter tongue and overblown spectral multiphonics. https://heatherroche. For open. Black circle on the top of the more information and how to produce them visit: note goes yo open circle means it gets open. moving the reed back from the mouthpiece facing and then releasing our tongue. producing short articulated pizz-style sounds. Mouth Closed to Open When you make a crescendo on the lowest note "C" at some point The given note should be sang while mouth is closed the it begins to make a clattering noise.net . The quality of the whistle should be airy. 65 79 List of clarinet dyads Vocal Fry Granulation Please find these dyads on the Heather Roche's webpage with the numbers below them!!! Vocal Fry is the lowest vocal register and is produced through a loose glottal closure which will permit air to https://heatherroche.net/2016/09/26/ spectral-multiphonics-bb-and- bass/ Slap tongue & Multiphonic The slap tongue sounds emanates from a vacuum created between the reed and the mouthpiece.edu https://heatherroche. When it becomes fully singing. These effect can be combined with other effects If you have question. It’s actually not so easy to find the right balance of the carton. flutter tongue. The quality of the whistle should be airy.net/2014/03/24/ on-bass-clarinet-preparations/ List of clarinet multiphonics Airly Whistle Please find these multiphonics on the Harry Don't be too loud and be carefull not dominate the other Sparnaay's book called the bass clarinet with the sounds.net/2014/04/04/ https://heatherroche. a vowel is indicated. It's fixed to the bass clarinet's The given note should be sang while mouth is closed by bell opening with a bulldog clip (the bass clarinet can be protected saying "hmm".4 BASS CLARINET VOICE Carton Preparation Closed Mouth This preparation is a sheet of card. For e-mail adres is more information and how to produce them visit: dulger@bu.net/2017/01/08/ reed-tapping-articulation/ For more information about playing techniques for strings visit the following page: https://heatherroche.net/2014/08/25/ on-clarinet-articulation/ how-to-slap-tongue/ Reed Tapping Granulation This technique involves flicking or tapping the reed with the right hand while holding down different keys with the left hand. Changing Vowels 03 06 08 The vowels are changing rapidly when the moth becomes 30 40 66 open. Black circle on the top of the note indicates by gluing felt to the metal edges of the clip or by using bluetack). 88 Beginning with the page of PDF is 104 Whistle Trill 02 41 13 08 06 06 Don't be too loud and be carefull not dominate the other 86 87 sounds. We create and release this vacuum by pressing the tongue to the read.net/2014/08/08/on-close. My like singing.

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n 66.H. “”>. > B>ee. ¢ . b6] [g#6. >. a6] 3 5 4 3 ‰™ Ó 3 ∑ 6 7 ‰™ 4 5 Vln. 4 #>œ ? Œ ≈ µ> M B>O. ? Ó™ ‰™ 66 43 ‰™ Ó 5 4∑ ‰ ™™ 4 Ó™ 3 4 ∑ 3 8 Oœ. Cl. ¢ 4 4 4 4 8 4 6 8 E 4 œ 4 œ™ E e™ s pppp ° 3 5 4 3 3 6 flutter ææ ææ ææ ææ 7 4 æ flutter ææ ææ ææ 5 Voice & 4 œ ‰™ Ó 4 ∑ 4 #œ 4 ‰™ Ó 8 ∑ 4 œ ææ 8 æ ‰™ Ó ‰ 4 œæ 4 œ œ œ œ æ œ f hm p ppp fff ã ãããã ã ãã ãã ãã ã ã ã ã ã reed tapping granulation: imitate the violin clattering noise ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ‰™ œ ã ãããã B. ‰ ™ Ó 8 ∑ 4 8 4 4 Œ ‰ f ppp ff ppp fff pp mp EEE EEE III (sul G) ? 3 5 4 3 ‰™ Ó 3 ∑ 6 7 G≈ 6 4 G ≈ ‰™ Œ ‰ 5 Vc. . a6] #n ee ™™ # %% ™™ n# ee [a#6. >6. œ 4 & nœO ™™ 3 4 4 4 8 4 ~ ™™ 3 8 µnn OœO Ó ‰ 4 ∑ 4 µb œO ™™ 1 2 µb ww 1 ~ ™™ 2 nœ 1 1 e sub harmonic: slow bow 3 ™ 5 4 3 3 6 7 4 5 4 4 4 4 ‰™ Ó 8 ∑ 4 8 ‰™ Ó ‰ 4 ∑ 4 ¢ ff p f pppp ppp s Gs . > > M E§ +55¢ 666 #>œ. >.H.1 %18. 46 > Œ ∑ 7 8 666 ‰ Ó ≈ œ 44 Ó 5 4 R. & 6 ff > ◊Ÿ> > mp mp ◊Ÿ fff p ° ° ° .. ¢& 3 4 ‰™ Ó 5 4Ó e 4 4 #e e #e e 43 Ó 3 8 ∑ 6 µe 4 œ 7 8 ‰™ Ó ‰ 4 æ æ ã æã ã æ 45 4 pppp ææ ææ ææ ææ ææ ææ æ prepared æ æ æ æ ppp with carton \ f fff p s Gs . > ™ 4 4 4 >. Bb +47¢> ™ Pno. >.8 f pppp ppp fff Pno. pppp f ° 3 5 #œo 4 3 3 6 7 4 5 Voice & ∑ 4 ∑ 4 Ó 4 4 ‰™ Ó 8 ∑ 4 œ 8 #œ ‰™ Ó ‰ 4 ∑ 4 pppp hm e slow bow on wrapped strings sub harmonic: slow bow ™ ‰™ 3 5 4 3 3 6 7 4 5 4 >.2 38" 42" 46" 51" 56" 59" 1'01" 1'08" 1'12" s Gs . ã ããã ã ããã ãã ããã ã ã L. 15 airy whistling °8 9 o 10 o b˙œo 11 o #œo œo #œo 12 o 13 14 pppp f 16 3 nœ 5 #œ 4 œ 3 œ 3 6 7 4 5 Voice & ∑ 4 4 4 4 ‰™ Ó 8 ∑ 4 #œ 8 œ ‰™ Ó ‰ 4 ∑ 4 pppp hm i [g#6. [9+13+4] [6+11+5] ∏∏∏ ãã ã ã ãã ãã ã 3 66 ã ∏∏∏ (location) & ‰ 4 Ó 5 4Ó Ó 4 4 ∑ 3 4 ∑ ?3 Œ ≈ e 6 8 4 b6 7 8 G≈ ‰™ Ó & ≈ µee 4 4 Ó™ ? 5 4 ff p ◊Ÿ n e. ° o airy whistling 3 #œ œo œo 5 œo #œo œo œo œo o 4 #œ œo œo œo œo œo œo œo o 3 #œ 3 6 pppp 7 f 4 5 Voice & ∑ 4 4 4 4 ‰™ Ó 8 ∑ 4 œ 8 ‰™ Ó ‰ 4 ∑ 4 pppp hm a hold both plectrum plectrum granulation on the treble bridge and bike tube in ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã granulation touch the node the hand! ‰ 3 4 ÍÍÍÍÍÍ Ó 5 4Ó ÍÍÍÍ Ó 4 4 3 4 ‰™ Ó 3 8Œ ≈ 6 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 ~~~~~~~~~~~~~~~~~~~8~~~~~~~~~~~~~ ‰™ Ó ≈ 4 4 Ó™ 5 4 %23. >.

>. 3 4 . >. Cl. pp mp M ° mf ff > ° ° ° . 666 6 ™™™™ >> #™nœœ.1 mp f mp f mf ff ppp p ppp p ppp ã ããã ã ã ããã ã ã ãã ã e e [9+13+4] ã ãã ã ã ã ããã ã ã ãã ã ã ããã ã ã ã ã ã ã ã B>ee. Pno. > . ™™ ‰ ™™ 66666 44 66 ‰ Ó™ F# +55¢ Pno. ◊Ÿ >. 6. >. . & 4 æ ¢ ææ æ ææ 6 4 æ æ ææ ææ 4 æ ‰ ™ Ó™ 4 ∑ ∑ ∑ ∑ 2 œ 4 9 8 3 4 Œ #eœ 5 8 æ æ æ æ ppp pp f mp f mp ff s ppp ° 5 ∑ 6 Ó Ó ˙ ˙ 4 ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ 2 9 3 ‰™ Ó 5 Voice & 4 4 4 4 8 4 8 3 3 3 3 3 3 hm granulation touch the node ~~~~~~~~~~~~~~~~6 5 4 Œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~ ~~ ~~~~~~~~~~ ~~~~~~ 4 4~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~4~~~~~ ‰ ™ Ó™ ∑ ∑ 2 4 ‰™ Œ 9∑ 8 ® ™ 3 4 Ó 5 8 ~~~ %23. 4 œ 4 œ œ 4 & 4 8 4 6 8 e e e e ## œO bow speed: increase decrease sub harmonic: slow bow granulation: very slow bow ~~~~~~~~~~~~ 5 6 4 ‰ ™ Ó™ 2 ‰™ Œ 9 3 ~~~~~ ~~~~~~~~~ 5 4 4 4 ∑ 4 8 ∑ 4 8 ¢ ppp ppp p mp f mp f mf ff s ppp ° 5 ∑ 6 ∑ 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 2 9 3 ‰™ Ó 5 Voice & 4 4 4 4 #œ 8 4 8 hm 5 6 4 ‰ ™ Ó™ 2 9 3 5 4 4 4 ∑ 4 8 ∑ 4 8 ™ ‰™ Œ f ™ ppp pp mp mp f mp f mf ff ãã ã ãã ã ã ã # 㜠eo B[5+9+13+4] ee ã ã ã ã bœ ã ããã IV (sul C) ã b㜠ã ã ã ã ã ã ã II (sul D) ã ã ã ã Vc. ‰ ‰ ™™ Ó™ &‰ Ó ∑ Ó™ ‰ ™™ 4 Œ 9∑ 8 ?® ˜œ O . 666 “p‘ > > > > ° “‘ >66. 1'17" 1'23" 1'29" 1'34" 1'39" 1'43" 1'48" 1'53" 1'55" 2'00" s 3 17 18 ppp 19 20 21 22 23 24 25 26 ° 5 ∑ 6 Ó™ œ 4 œ #œ œ œ #œ 2 œ 9 3 ‰™ Ó 5 Voice & 4 4 4 4 8 4 8 hm o 5 œ 6 4 ‰ ™ Ó™ ∑ #e 2 ‰™ Œ 9 ∑ 3 ã ãããã ããã ã ããã 5 Vc. >. > ™ # œœœ 2 > 666 >66.H. . >. ?5 ™ ¢ 4 Ó ‰ ™™ 666 666 6 4 Œ ‰ ™™ 666 >. R. ? 45 Œ n6 nb66 6 ã #n66 ã nb66 4 G ≈ ‰ ™ Ó™ ∑ ∑ 6 6 2 ‰™ Œ 9∑ ® 3 Ó 5 4 4 & 4 8 e 4 8 L. Ó 5 8 ◊Ÿ >. ?5 6 㜠™ œ 4 ‰ ™ Ó™ ∑ B Oœ 2 ‰™ Œ 9 ∑ 3 #ee 5 ¢ 4 4 œ™ œ 4 4 8 &4 8 M ˜ O II (sul D) F# +55 ¢ ° 5 æ ææ ææ æ ææ 6 ææ ææ æ ææ 4 æ ‰ ™ Ó™ 2 9 3 5 Voice & 4 œæ œæ 4 æ #œæ œæ æ #œæ 4 œ ∑ ∑ ∑ ∑ 4 ∑ 8 ∑ 4 ∑ 8 f mp f mp ff ã ã ã ã ã ã ã ã ããã ã ã ãã ã ã ã ããã ã ã ã ã ã ã ã ã ã ãã ã ã ãã ã ã ã ãã ããã ã Œ œ ‰™ µœ 5 B. >.H. .

>œ™ M Bb +47¢ œœ #œ>œ. . mp > >. 5 & 8 n66 4 4 ‰ ™ bb666 ‰™ Ó ‰ ™ µe 46 ∑ Œ 4 4 ∑ Ó Œ? ‰ ™™ e 87 Ó & ‰ 43 #b666 6 4 L. Pno.H.1 ppp p ppp pp mp pp mp pp mp pp p plectrum granulation ee eee on the treble bridge [9+13+4] >. &8 4 6 6 6 4 6 4 e e 6 e e 8 G ‰™ Ó ∑ & 4 E e e e e e e e e increase ~~ 5 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~4~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~6~~~~~~~~~ 4 7 ‰™ Ó ‰ 43 6 8 4 4 4 8 ∑ 4 ™ ¢ ppp p ppp p mp p f Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ ° 5 ∑ 4 #œ 6 ™ ‰ Œ ∑ 4 7 ‰™ Ó ‰ 43 ∑ 6 Voice & 8 4 4 4 8 4 pp p pp p pp ppp mp 5 4 6 ‰ Œ 4 7 3 ‰ Ó 6 8 ‰ Œ™ 4 ∑ ∑ 4 4 ∑ ∑ 8 4 4 pp p mf p mp f mp “”µ[6+11+5] B ee e e [5+9+13+4] n ee Vc. Cl. >. mf œ µ O p mp pp . n ee. >> >. #œ>œ. >. b >œ. mf ° “‘ °“>‘ > . 2'04" 2'06" 2'11" 2'16" 2'23" 2'27" 2'32" 2'36" 4 s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ppp # œo °27 5 ∑ 28 4 œ 29 30 6 ‰™ Œ ∑ 31 4 32 33 7 ‰™ Ó 34 ‰ 43 ∑ 6 Voice & 8 4 4 4 8 4 ppp mp hm ee eee eee eee eee eee ã ã ã ã ã ã ã ã ã ã 4 ã ã ã ã ã ã ã ã ã6 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã EEE eee eee eee e eee eee eee 5 6 6 G ã≈ 46 6 6 7 ≈ ‰ 43 6 Vln. b œ>œœ. . ¢ &≈ 4 ∑ & 4 Œ Ó Ó Œ Ó 4 . nbœ>œ. M E§ +55¢ ? 58 4 Ó™ Ó™ ‰ ™ BœO 46 ‰™ 4 ‰ ™™ 87 ‰ 43 Ó 6 & ‰™ Pno. b œ>œ. eee [6+11+5] B>ee.8 %23. 5 ‰ Œ™ 4 ∑ ∑ ? 6 en ‰ Œ 4 ∑ ∑ 7 3 ‰ Ó 6 ¢& 8 4 4 BO 4 8 4 4 M III (sul G) Bb +47¢ M µ O IV (sul C) E§ +55¢ Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s œ ppp ° 5 ∑ 4 Œ 6 ‰™ Œ ∑ 4 Œ bœ 7 ‰ ™ ‰ #œ 3 6 Voice & 8 4 4 4 8 4 4 pp p pp p pp hm p mf flutter # œe œ 5 4 ‰ Ó™ 6 µee 4 7 ‰ µe 3 6 B. & 8 ¢ 4 ∑ 4 Ó™ 4 ‰ Ó™ ∑ 8 Œ œ 4 4 œ ææ mp pp ææ ææ ææ mp f p mf p s s ppp ppp ° 5 ∑ 4 bœ 6 ‰™ Œ ∑ 4 œ 7 ‰™ Ó ‰ 43 ∑ 6 Voice & 8 4 4 4 8 4 hm hm ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 5 8 4 4 ‰™ ‰™ Ó ‰™ 6 4 Œ 4 4 ‰™ Ó™ Ó™ ‰ ™™ 87 Ó ‰ 43 6 4 %18. b >œ. Ó ? ? R.H.

(location) ã ã ã ã ã ã ã ã ã ã ã ã ã≈ strings! ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 6 ã #6 6 ‰™ Œ ?4 # G ‰™ 5 Œ œœ Ó™ ?6 3 5 ã 3 Pno. f7] #n %% ™™ #O # Oœ 3 6 #B#OœO 3 #µnOœO nB# OœO 4 #B#OœO 5 3 ‰™ ∑ 6 3 ™ 5 #O 3 Vln. e7] o #n ee o ee o nn ee nbeeo [g7. f ff ◊Ÿ mf f >. œ pppp 3 f ° 6 4 5 ‰™ ∑ 6 3 3 3 bœJ 5 3 nœ ‰ ™ ∑ œ #œ #œ nœ œ Voice & 4 4 4 4 4 #œ 4 4 p f hm a slow bow on wrapped strings ‰™ 6 4 5 ‰™ ∑ 6 3 5 3 4 ∑ 4 Œ 4 4 4 4 ∑ 4 p f ppp f #µB eee eee e eee [7+10+13+3] eee eee eee ee eee Vc. &4 #œ 2 1 µnœœO nœ 4 #œ 4 nBOœ 1 2 1 4 ~ ™™ 3 4 n˜#nœOœO ™™™ # O™ µnœœO ™™™ 4 #B#œOœ ‰ ™ ∑ 4 II 1 #œ II µb ww 1 ~ ™™ 2 III III 1 6 4 5 ‰™ ∑ 6 3 5 ‰™ ∑ 3 4 4 4 4 4 4 4 ¢ p f ppp f Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s Gs . eb7] bn ee ™™ [c7. 66 66 666 666 6 Œ ? 6666 ‰ Ó™ 4 M Eb +37¢Ó™ Ó™ 5 6666 ‰ Ó™ >6.gb7] o nn ee bn eeo [d#7. Cl. ° 6 4 5 ‰™ ∑ 6 pppp œ œ 3 #œ #œ 5 f nœ ‰ ™ ∑ 3 Voice & 4 4 4 4 œ 4 4 4 2 2 p f hm i granulation granulation 6 ‰™ Œ ∑ 4 ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰™ 5 Ó™ 6 3 ~~~~~~~~~~ ~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ 5 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~4 ‰™ Œ ™ 3 4 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ 4 Œ 4 ~~~~~~~~~~ ~~~~~~~~ ~~ ~~~~~~ ~~ ~~4~~~~~~~ ~~~~~~ j 4 %30. f7] [e7. >6. >. L. BO 66 “‘ > mp œ . >. 666 ‰ ™ 3 666 5 666 ‰ ™ Œ ™ 3 &‰ ™ Pno.8 mf p ff place the glass ppp f [10+13+3] between given ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã µ>ee. ? 46 4 ne 5 6 3 5 ≈ 3 ¢ ∑ &4 Œ B O 4 ‰™ ∑ 4 6 6 4 e 6 e 4 G ‰™ ∑ 4 M I (sul A) Eb +37¢ e e e e e flutter flutter 3 ææ æ ° æ æ æ bœæ nœæ œæ œ 3œ œ 3 6 4 ææ ææ ææ ææ 5 6 æ ææ ææ ææ ææ ææ 3 5 3 Voice & 4 ‰ Œ ∑ 4 œ 4 œ ‰™ ∑ 4 #œæ 4 œ œ œ æ æ æ 4 œ ‰™ ∑ 4 p p f ppp f æ æ ææ æ ææ æ # æœ œæ # æœ ‰ ™ æ ææ œæ b œæ flutter overblow œæ 6 µ˜eœe 4 5 6 Œ 3 5 3 B. ◊Ÿ 666 >. 5 35 œ 36 37 38 39 pppp 41 f ° 6 4 5 ‰™ ∑ 6 40 3 bœ 5 3 œ ‰™ ∑ œ œ œ Voice & 4 4 4 4 #œ 4 nœ 4 4 p f hm e [f7.H. ab7] [g#6. & 4 ¢ ‰ Œ µœ 4 4 æ ‰™ ∑ 4 4 4 ∑ 4 ææ ææ ææ ææ æ ‰™ œ mp p f ææ ææ ææ ææ ææ ææ ææ ææ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # œo s Gs . &4 ∑ 4 6 &4 4 b6 n6 4 #6 4 G ≈ ‰™ Œ ™ &œ œ 4 e ◊Ÿ >6. pp mf p ° > f ° “‘ ° ° .H. 2'39" 2'46" 2'51" 2'55" 3'01" SACRAMENT 3'08" 3'12" Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s Gs . >6. ? ‰™ 666 4 ‰™ Ó™ ‰ ™™ Ó ‰ ™™ ¿¿ R. 6 >. db7] bn ee ™™ nn ee [e7. b œ>œœ 6 666 >6. ¢& 4 4 4 6 4 64 666 & 4 . a6] [d7.gb7] [f7.

3'17" 3'21" 3'27" 3'34" 3'40" 3'44" 6 °42 3 ∑ 43 5 ∑ 44 6 ∑ 45 ∑ 46 3 ∑ 47 4 ∑ 6 Voice & 4 4 4 4 4 4 ã ã ã ã ã ã ã #µ eeo pizz. B Bnn œµ œœœœ #˜n˙EE ˜œ œ # œe n# ˙E 3 Ó œ 5 6 Œ 3 # n ee 4 ‰™ Ó ‰ ™™ 6 B.H. Cl. µe nB ee [5+9+13+4] [6+11+5] e n ee Vc. 3 ? ne 5 e n 6 œ œ 3 ‰™ 4 ‰™ Œ 6 ¢ 4 µ eO Ó 4 BO ∑ 4 œ œ œ 4 4 4 III (sul G) Bb +47¢ e e e e µ OIV (sul C) E§ +55 M IV (sul C) E§ +55 f ¢ f M e M ¢ ° 3 ∑ 5 ∑ 6 ∑ ∑ 3 ∑ 4 ∑ 6 Voice & 4 4 4 4 4 4 overblow >œ. >. 3 n¿ 5 6 4 Ó™ 6 Pno. & 4 4 4 4 µœ 4 4 ¢ œ n˙ µ˙ ppp ææ ææ ææ ææ ææ mp p ff p f \ ° 3 ∑ 5 ∑ 6 ∑ ∑ 3 ∑ 4 ∑ 6 Voice & 4 4 4 4 4 4 granulation ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ 3 4 GÓ 5 4 G∑ 6 4 Ó™ ~~~~~~~~~~~~~~~~ ™™ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ ™™ ~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ ~~ 3 ~~~~~~~~~~~~4~~~~~~~~ ‰™ Ó 4 4 ∑ 6 4 ~ pp mf p f mp ff place the book ã ã ã ã ã between given ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã G‰ strings! ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 ?5 œ 6 ã ã 3 ã 4 6 Pno. mf pp mf > >. >. 3 >¿. > ◊Ÿ pp ° mf ff mp f mp f mp f mf ff ° ° ° ° ° ° . L.H. &4 Bbœ 4 #œ ‰ ™ Ó™ nœ 4 œ ™ œ 4 2 1 4 #œ œ œ™ œ # œ 4 1 mp mf mp mf p ™ ™ 3 5 ‰™ Ó™ 6 3 ‰™ Ó 4 ∑ 6 4 4 4 4 4 4 ¢ mp f mp f mp f mf ff ° 3 ∑ 5 ∑ 6 ∑ ∑ 3 ∑ 4 ∑ 6 Voice & 4 4 4 4 4 4 sub harmonic: slow bow 3 5 6 3 4 6 4 4 4 4 ‰™ 4 ‰™ Œ 4 Ó ∑ mp f mp f mf ff p “” [5+9+13+4] B ee pizz. &4 œœ œœ 4 œ G∑ 4 Ó™ b6 n6 6 4 G≈ ‰™ Ó 4 ∑ &4 ◊Ÿ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >¿. arco III (sul G) ã ã ã ã œ ã ã ã IV (sul C) ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã II (sul D) #œ ™ 3 5 6 bœ 3 ‰ Œ # # BOOœ 44 6 Vln. R. ¢& 4 ¿ n¿ #¿ # ¿ 4 ¿¿ ‰ ™ Ó & ‰ ™™ ¿¿¿ ‰ ™ 4 ‰™ Œ ? ¿ b¿ #¿ n¿ n¿ n¿ n¿ #¿ b¿ ¿ ™™ ¿¿¿ 4 ¿¿¿ ‰ Ó 4 ≈ ™‹#œœ ∫œ #nœœœ nœœœœ bœœœœœ œœœœœ 4 n¿ ¿.

¿ # ¿ ¿ ¿ # ¿ 4 4 Œ 4 Ó Ó 8 G œ f¿ ¿ # ¿ # ¿ mp mf mp mp Ÿ~~~~~~~~~~~~~~~~~~~~ Pno. ∑ 7 8 b œ>œ.H. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >6 >6 4 >6 ™ #œ 6 ‰™ Œ 3 6 Ó™ ‰ ™™ 7 &‰ ™ Pno. & 4 G œ. . ‰ ™™ ∑ ? R. G mf s Gs . œ>œ. s f p ° 6 œ œ bœ ‰ ™ Œ ∑ 3 ∑ 6 ∑ 4 ∑ ∑ 7 Voice & 4 œ 4 4 4 8 2 i hm pluck > ∑ 4 > Ó™ 6 4 ‰™ Œ ∑ 3 4 ∑ 6 4 Œ . 4 Ó 4 œ Ó #œ ‰ Ó 4 ∑ ‰ Ó 68 > n¿ #¿ n¿ n¿ > mf > mp #œ >. f “‘ mp ° ° mf ° ° ° . a7] n# ee n# ee[f#7. # œ>œ. G. bO ™ ™ O #O n O n O ## œO G n. nb ee . b6] nb %% ™™ G be ## ee . 1 2 1 4 µœ Œ 4 ∑ œ8 #œ µœ 2 2 p mf mp 6 3 6 ‰™ Ó 4 7 4 4 4 Œ 4 ∑ 8 ¢ p f mp f s Gs . ? 6 ‰ ™ Ó™ 3 6 4 666 7 b ∫#∫œœœœœœ &‰ ™™ œ.O pizz. >œ.. eb7] [e#7. 7 p mp f 48 49 50 51 52 53 ° 6 bœ 3 œ 6 4 7 nœ ‰ ™ Œ ∑ œ œ œ œ ∑ ∑ Voice & 4 nœ #œ œ œ 4 #œ 4 4 8 e hm e ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [d7. s p f p 3 ° 6 nœ #œ #œ nœ 3 nœ bœ 3 bœ bœ 3 3 6 œ ‰™ Œ ∑ 4 ∑ ∑ 7 Voice & 4 nœ nœ 4 4 4 8 hm a hm slow bow on wrapped strings ™ 6 3 6 4 7 4 4 4 ‰™ Ó ® ™™ 4 ∑ 8 p mp p mp p f mp f eee e eee eee eee eee eee eee eee II (sul D) B ee #µB eee [7+10+13+3] eee eee e eee ee eee ee eee eee I (sul A) nœ #œ eee œ pizz. nb œ>œ. ∑ ∑ L. b O ™™ bµnœœO 3 & 4 B#n~w bB bœœO 6 3 6 4 7 ~w ™™™ G µn nœœO µ n œO 4 B#nOœOœ ‰ ™ Ó nO 4 Vln. n O ™™ Vc. g7] bn eŸe G be [a7. f#7] [g#7.H. G. Cl. 6 6 6 3 6 6 ™ #ee [5+9+13+4] ? ® µœ b O ™™ 4 ne ˜œ 7 ¢ 4 6 6 & 4 & 4 ‰ Ó & œ O ™™ 4 ∑ & B O ?® µœ 8 e e e e e e e e e e œ e e e e e e œ #O ™™ I (sul A) Eb +37 ¢ e M ˜O M mp p mf f flutter mp 3 3 ° 6 œ œ bœ bœæ nœæ nœæ œæ œæ æ œ œ œ # œ ææ ææ ææ ææ ææ æ ™ 3 6 4 7 Voice & 4 æ æ æ #œ æ æ æ ææ æ nœ ‰ 4 ∑ 4 ∑ 4 ∑ ∑ 8 3 3 p mf ææ ææ ææ œ ææ ææ ææ BBµ œœœœœ ææ ææ æ ‰™ ˙ Ó™ µ ˙ # ˙˙ #˙ #˙ 6 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ãã 3 ∑ 6 4 ˙# ˙ n 7 B. bb7] [a#6. ¢ 4 ‹œ. 3'49" 3'55" 4'02" 4'06" 4'13" 4'17" . & 4 4 4 4 8 ¢ pp mp pp mp \ ™ ææ ææ ææ ææ ææ ææ ææ ææ æ‰ Ó f p . 4 .

1 4 1 1 œ G BO 4 1 2 4 1 œ œ œ 4 1 G BO 2 #œ 4 1 8 II. 4 ¿ nœ nœœ œœ œœ nœœ L. e e e e .H. 8 ppp mp ee eee eeee eeeee >. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿs ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ pp p Gs mp p Gs . # œœ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Pno. Cl. & 8 ‰™ Ó ‰ 4 ‰™ ∑ Ó Œ œ œ ‰™ ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ¢ µœ nœ nœ ppp p œ bœ œ p f œ pp mp ææ ææ ææ ææ ææ mf s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿs ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ . mf mp ° 7 6 Ó™ 7 Voice & 8 ∑ 4 ∑ bœ œ #œ ‰ ™ Ó™ Ó™ œ nœ bœ #œ 8 hm a hm uouoaii a uouoai ≥ ≤ ≥ ≤ ≥ ≤ ≥ 7 6 7 8 ‰™ Ó ‰ 4 ™ ™ ‰™ ∑ Œ ‰™ Œ 8 ppp p pp mf mp f mf B ee [5+9+13+4] B ee ™™ nµ ee ™™ “”[6+11+5] e [7+10+13+3] µe n µ ee nµ ee # ee ™™ e Vc. œœ ¿ #¿ n¿ #¿ ¿ #¿ ¿ #¿ n¿ #¿ n¿ #¿ 87 L.H. mp °54 7 ∑ 55 6 ppp 56 pp ‰™ Œ ∑ 57 Ó™ 58 œ 59 60 bœ œ 7 Voice & 8 4 bœ œ #œ œ #œ 8 hm hm a hm uouoaii a uouoai ≥ ≤ ≥ ≤ e≥ ≤≤ ≤ ≤ # e≥ n e≤ ≤ ≤ ≤ n e≥ # e≤ ≥ ≤ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~# e n% n e≥ ≤ ≥ ≤ # e≤ ≥ ≤ ≥ ≥ ≥ ≥ e b e≥ ≥ # e≥ # e ≥ b e e # e G ne e #e e e e e Ge e n e≥ n e≥ e e b% e be arco be e .H. mp p Gs . 7 ‰ ™ Ó ‰ & 46 ‹#œœ bœ bœ ‰ ∑ ∑ ∑ Ó™ R. &8 nœ .H. >. arco # ee # ee ™™ ee # ee M ˜ e # e ? 7 nœ ™ ¢ 8 ‰ Ó‰ 6 4 ˜O ˜Oœ ™™ ‰™ ∑ Œ #µ Oœ nµ Oœ ‰ ™ Œ µ#eO µ# Oœ 7 8 œ ˜Oœ ™™ IV(sul C) # œ same on f M same on IV III (sul G) B +47¢ IV (sul C) F# +55¢ III III M G +37¢ IIIth string IIIth string IV III III III IV IV IV IV s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ flutter pp mp mp ° 7 6 æ ææ ææ æ 7 Voice & 8 ∑ 4 Ó bœ #œ ‰ ™ Ó ∑ #œ ‰ ™ œæ bœ œæ nœ 8 hm œ œ pp mf æ æ æ æ overblow ææ œææ B œææ ææ œ B œæ œæ #œ #˜nœee n œe œ œ œ #˜œe #œe nœ Œ µœ 7 œ 6 œ œ œ œ µee bBœee œe e ‰™ #œ ã ã ã 87 B. ° pp mp p mp Gs 7 ∑ 6 ‰™ ∑ ∑ œ œ 7 Voice & 8 4 bœ œ #œ œ bœ #œ #œ 8 hm hm a uouoai 8 Ó™ Ó™ 7 ‰ 6 ™ ® ™ ® ‰ ∑ ∑ ∑ 7 4 L. œ GG œ ¿ ¿ # ¿ ¿ # ¿ ¿ G G f mp … 7 8 ∑ 6 4 ∑ Œ ™™ ™™ ™™ ‰ ™ Ó™ ∑ Ó ‰ 7 8 pp mp 666 ‰ Ó ≈ ™ ¿¿¿ 6 ¿¿¿ ‰ ∑ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 Pno.H. ◊ Ÿ > >. ¢ 8 6 ¿.III II I f 7 ‰™ 6 7 8 Ó‰ 4 8 ¢ ppp p pp mp p mf p mf p mf mp f mf ff f s Ÿ. ? 7 Ó™ ∑ Ó ‰ ¿ b¿ n¿ b¿ n¿ n¿ b¿ 8 R. 4'22" 4'26" 4'33" 4'40" 4'47" 4'54" 5'01" 8 s Ÿs ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s pp Gs . # OOœ b O nb Oœ #O nO n OOœ ##Oœ ## Oœ bb OOœ n O #n Oœ 7 6 bOOœœ bOOœœ n OOœ bOOœœ bn~w 3 nn Oœœ # bœO 3 nnOœ œ bœ # O b œ 7 & 8 µœ ‰™ Ó ‰ 4 bbbOœOœ #OOœ #n OœO n OOœ nœ 3 3 3 œ #œ #~w 1 1 1 Vln. ° ° ° ° ◊Ÿ f p° mf ° .

. II-III p mf II-III mp mf p mf ff ° 7 #œ ‰™ Ó ‰ 3 ∑ 6 ∑ 4 ∑ 6 Voice & 8 4 4 4 4 slap bœ >. . . . . . . . . ? 87<Ÿ>~~~~~~~¿¿¿ ‰™ Ó ‰ 43 ∑ 6 4 ∑ 4 4 ¿#¿ ¿ ¿#¿#¿ ¿n¿#¿ ¿#¿ ¿n¿#¿ n¿#¿ ¿ ¿#¿ ® ‰ ‰ ® n¿#¿ n¿ 46 R. ™ II-III µœ. . . Vc.. . . . . . 4 µ n œœ µœ. . . . . Bœ 4 bœ. µœ. >. . . . ‰™ Œ µœ. SACRIFICE 5'08" 5'12" 5'15" 5'22" <Ÿ>~~~~~~~~~~~ 9 f 62 63 64 °61 7 #œ ‰™ Ó ‰ 3 ∑ 6 ∑ 4 ∑ 6 Voice & 8 4 4 4 4 # e≤ b e≥ ™ bµ œœ ™ #n Oœ pizz. . . . . . . . . µœ #œœ ‰ œ. ne ? 87 B O BnOœ ™™ ™™ 3 6 pizz. . . . . . . n œ. . . . ¢ ¿ p :◊. . . . 4 nnœœ Vln. . . 7 nœ ‰ Ó ‰ 43 ∑ 6 bœ ™ ‰™ Bœ. . µœ. ® nœ ˜œ. 6 4 4 ‰™ œ. . . . . IV II-III p mf p mf mp . . . . . . & 8 n¿ ‰ ™ Ó ‰ 43 ∑ 4 Ó Ó 4 Œ 4 ® ¿#¿n¿b¿ n¿#¿ ¿ ¿n¿ n¿#¿ ¿b¿n¿b¿n¿ #¿ ¿b¿ n¿ b¿ ¿ ¿ 46 fff mp p mf f … 7 8 ‰™ Ó ‰ 43 ∑ 6 4 ∑ 4 4 6 4 Pno. . . . . .H. . . . . µ™ ˜eœe 6 µ˜eœe ™™™ ˜# ee 7 ã ‰™ Ó ‰ 43 Ó ‰ µœ 4 ‰™ Œ ≈ µœ ™ ≈ ˜œ 4 Ó 6 B.H. ° ◊Ÿ mf mp fff ° ° ° ° . . µœ. . . n œ. . . . p 7 ‰™ Ó ‰ 43 6 ‰™ 4 ‰™ Œ 6 8 ∑ 4 4 4 ¢ fff <Ÿ>~~~~~~~~~~~~~~~~~ ° 7 ffœ ‰ ™ Ó ‰ 3 ∑ 6 ∑ 4 ∑ 6 Voice & 8 4 4 4 4 7 3 6 4 6 8 ™ ™ 4 4 ‰™ ‰ ® ™ 4 ‰™ Ó 4 fff p #Bµ eee ™™™ ™™ nBµ eee ™ ne ™ ™ . . . œ. 4#˜œœ ‰ ™ Ó ˜œ 4 ¢ nœ IV . L. Ó ÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍ Ó 4 Œ 4 6 4 <Ÿ>~~~~~~~~~~~~ “” b 666 ∏∏∏ ∏∏∏ 7 66 b66 Pno. Cl. O µbœœ . . 46 &8 4œ µœ. ¢& 8 4 ‰™ 4 ™ ‰™ sfz sfz p mf p mf fff p <Ÿ>~~~~~~~~~~~~~ ° 7 œ ff ‰™ Ó ‰ 3 ∑ 6 ∑ 4 ∑ 6 Voice & 8 4 4 4 4 7 8 ‰™ Ó ‰ 43 ∑ 6 4. . . . .

.µœ . . 46 . . . #O III-IV f . >. µœ ‰ ™ Œ 4 6 ‰ & B neO ‰™ Œ ∑ 3 ¢ Bœ. . ° ° ° ° ° ° ° ° . . . . . Œ ∑ Ó 3 4 :◊. . . . . . . . µœ. n O ™ Œ ‰ n O nOO ‰ 98 bnOO ‰ Ó™™ 6 4 ∑ ∑ ∑ 3 4 . . 4 µ O 4 III-IV µ œ. . . p f fff ™ ≈‰ ‰ Ó™™ 6 4 Œ ‰ ‰ 98 6 3 4 4 4 ∑ ∑ ∑ 4 ¢ ° 6 ∑ 4 ∑ 9 ∑ 6 ∑ ∑ ∑ 3 Voice & 4 4 8 4 4 6 4 9 ™™ 6 3 4 ‰™ Œ 4 ‰ ™™ 8 ‰Ó 4 ‰ ‰™ Œ ∑ 4 p f p p f B ee #µB eee B O bB OO arco Vc. . #OO ™™ nO b Vln. . 4 ˜œ. 4 . . . # O ‰ 8˜ O ‰ Ó . . . . . µO IV (sul C) E§ +55¢ M I (sul A) Eb +37¢ f p fff ° 6 4 9 œ‰ ™ Ó™™ 6 æ æ æ æ æ ææ ææ ææ æ ææ æ ‰ ™ 3 Voice & 4 œ #œ ‰™ Œ 4 nœ 8 4 ∑ ≈ nœ ™ æ æ æ æ ˜œ Œ 4 pp mf mf pp pp mf æ ææ ææ ææ ææ æ æ overblow æ æ ææ ææ B œææ œæ B œ ™ æ æ ææ æ æ æ #Bn#eœee µ˜ œe ˜œ æ Œ µ œæ œ B œ œ B### œœœœ ™™™™ æ 扙 Œ 6 Bœ ‰™ 4 µœ µ e 9 6 3 B. . .1 Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ B>ee. . . . . . . . . . ? 6 #¿¿n¿#¿ ¿ ¿ ¿ ‰™ b¿ ¿b¿ n¿ ¿b¿n¿b¿ Ÿ~~~~~~~~~~~~~~~~~~~~ 4 ¿¿¿ >E§>+55¢> M Eb +37¢ R. . . . . . . L. . . . . . n#OO ™™ n OO 9 n OO ™™ n ee ? 46 . . >. . . . [10+13+3] >. .H. µœ. . .˜ œ. . f mp B œO nœ nn œœ nb œœ ff mf fff ◊Ÿ >. Cl. & 4 Œ 4 œ 8 ‰ ™ Ó™™ 4 ããã ã ããã ã ãã ã ãã ã ã 4 ¢ æ æ æ æ ææ p mf œ #æœ ™ p f ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ p f ° 6 ∑ 4 ∑ 9 ∑ 6 ∑ ∑ ∑ 3 Voice & 4 4 8 4 4 6 4 ‰™ Œ 4 4 ‰ Ó™ 9 ∑ 8 ≈ 6 4 Œ ∑ Œ ∑ ∑ 3 4 %30. . µœ. . .10 5'27" 5'34" 5'38" 5'43" 5'50" 5'57" °65 6 ∑ 66 4 ∑ 67 9 ∑ 68 6 ∑ 69 ∑ 70 ∑ 3 Voice & 4 4 8 4 4 µ>O ™ > B>O Bb OO µ>OO . . . . 6 #µ ee Pno. . . & 4 n¿ ‰ ™ Œ ®n¿#¿¿#¿ ¿ ®n¿#¿n¿#¿ ¿™ ¿ ®n¿#¿n¿b¿ n¿b¿ 44 b¿ ‰ Ó™ 9 ∑ 8 ?≈ e 6 4 Œ ∑ Œ ∑ ∑ 3 4 fff e f mf ™™ ™™ 6 4 4 4 ‰™ Ó™ 9 8 ∑ 6 4 ∑ Ó™ 3 4 M pp mp p mf mp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Pno. . . . ≈ ‰ µœ 4 œ .H. . 6 &4 . . . ¢ 4 ‰™ n¿¿b¿ 4 ¿ ‰™ Ó™ 9 ∑ 8 ≈ µOœ. . . µœ. . . . . . µ . . . . .8 %23. .

H. s . ° ° ° ° ° . 77 pp mp p mf mp f 71 72 74 mf pp 76 p mf 78 79 ° 3 ∑ 4 pp œ 5 mp ‰™ ∑ 4 ≈ 6 ‰™ Œ ∑ œ ™ œ ® #œ ™ #œ ® nœ ™ œ® Voice & 4 4 4 4 4 œ ™ #œ œ hmm hmm hmm a hmm hmm arco 3 4 5 bœ œ Bb œ #œ œ 4 µœ ‰ ™ Ó ™ 6 ™ œ ® #œ Vln. Cl. f bœ ∏∏ ∑ 4 ∑ 4 ∑ 4 ‹œ nœ bœ ∏∏∏∏ L. 4 666 ‰ nb œœ #n œœ œœ f > 6 #œ œœ “‘ >. & 4 ¢ ∑ 4 ∑ 4 ∑ 4 ∑ ∑ 4 #œ ‰ ™ Œ ® ® ® ® p mf ™ pp mp mp p p æ‰ Ó p mf f f p s s s s s . ¢ 4 4 G 4 4 6. pp mp p mf mp f p mf pp p mf ° 3 4 pp 5 mp ‰™ ∑ 4 6 Voice & 4 ∑ 4 bœ 4 4 œ ™ ≈ œ 4 #œ ‰ ™ Ó Œ œ ™ #œ ® nœ ™ œ® #œ ™ #œ ® nœ hmm hmm hmm hmm hmm a hmm a 3 4 5 4 6 ™ ® ™ ® ™ ® 4 ∑ 4 ∑ 4 4 ‰ ™ Ó™ ∑ 4 ‰™ Ó Œ pp mf p mf pp mp p mf mp f p œ ™ œ bœ Vc.H. 3 4 5arco µœ nœ #œ 4 µœ ‰ ™ Ó ™ 6 œ œ ™ œ ® #œ ™#œ ® nœ ¢& 4 ∑ 4 ∑ 4 nœ bœ 4 ? ∑ 4 ‰™ Ó Œ ® s s pp mf ° 3 4 pp 5 mp ‰™ ∑ 4 6 Voice & 4 ∑ 4 œ 4 4 œ ™ ≈ œ 4 nœ ‰ ™ Œ œ ™ œ® #œ ™ #œ ® œ ™ #œ ® #œ ™ #œ ® œ hmm hmm p mf mp pp mp p mf f p f p bœ ™œ nœ ™# œ œ ™ œ #œ ™œ œ 3 4 5 4 œ 6 B. 6'04" 6'08" 6'12" 6'18" 6'23" 6'27" 6'32" 6'39" 6'46" 11 75 s s s s . s pp mp p mf mp f p f p f pp mp mf pp ° 3 ∑ 4 5 ‰™ ∑ 4 bœ ™ ≈ ∑ 6 ™™ ® #œ ™™ ® œ ™™ ® #œ ™™ ® œ ™™ ® Voice & 4 4 #œ 4 4 4 œ hmm hmm hmm hmm hmm a hmm a hmm a 3 4 ™ 5 4 ™ 6 ™ ™ ® ™ ® ™ ® 4 ∑ 4 ~~~~~ Ó 4 ~~~~~ ∑ 4 ~~~~~ Œ Ó ∑ ~~~ Ó 4 ® ™ ® pp mp p mf mp f p f p f >66 f e ee eee eeee eeeee ∏∏∏∏ > 66 4mp > 5mf b666 4p b 6 ∏∏∏∏ ? 43 6 & 4 b66 Ó™ Ó™ 666 Ó™ Pno. #œ p p p> ™ 3 4 4 4 ‰ ™ Ó™ 5 4 ∑ 4 4 ∑ ∑ ∑ 6 4 ∑ ™ ® ® ™ ® ™ ® f p f p f p f p f p Pno. s . &4 ∑ 4 ∑ 4 4 ∑ bœ 4 œ ‰™ Œ ∑ œ ™ œ® nœ ™ bœ ® 3 4 ∑ 4 4 ∑ 5 4 4 4 ‰ ™ Ó™ ∑ 6 4 ‰™ Œ ∑ ™ ® ™ ® ™ ® ¢ pp pp mf p mf mp p mf mp f s s s s s . ?3 4 ≈ ‰ ™ Ó™ 5 ∑ 4 ∑ ∑ Ó™ ‰ ™™666 6 ™ Œ ∑ R. s s . s 73 s s . s .

nbœ>œ. Cl. > . >. b œ>œ. ‰™ 4 5 µee ‰ ™ e 43 µ B.12 6'53" 6'59" 7'06" 7'11" 7'17" . ¢ ? ‰™ Ó Œ &‰ ™ ‰™ ® ®Œ ® ®® 4 4 ∑ ∑ ? 4 mp f ° ff . b >œ. > . “” nœ bœnœ bœnœ bœ œ # œ œ œœ #œœ nbœœ #œ>œ.H. >. >. >. b œ>œ. >œ. nb œ>œ. #n œ>œ. nœ bœnœnœ bœnœ nœnœ bœnœ bœ œ nœ #œ n œ nœœ 4 ‰™ Œ Ó 5 3 Pno. ? ™ œ ® nœ ‰™ Œ ∑ 4 ∑ 5 ne ‰™ ∑ ? 3 ¢ 4 4BO 4 M III (sul G) Bb +47¢ ° 4 5 3 Voice & ™ #œ ® #œ ™ œ® œ #œ ‰ ™ Œ ∑ 4 ∑ 4 ∑ ∑ 4 f mp ff mf fff slap ™ œ #œ ™œ œ œ # œe >œ. >. b œn œ œn >. >. ∫œ ‰™ Ó ≈ nnœœ bœœ bnœœ bœœ #nœœ œ # œ 4 ‰ ™ Ó™ 5 ∑ ∑ 3 L. mp ff mf fff °80 82 4 83 5 84 3 Voice & #œ ™ #œ ® nœ nœ ‰ ™ Œ ∑ 4 ∑ 4 ∑ ∑ 4 hmm a uouoaii #e ™™ arco arco #n ee e ™™ [g#6. a6] 4 5 # OOœ ™™™™ Vln. œœ œ>œ. & 4 4 & 4 mp ff plectrum granulation on the treble bridge ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ‰™ Œ ∑ ∑ 4 4 ∑ 5 4 3 4 p mp p mp p f b œ>œ. p f ° œ œ ‰™ Ó™ ∑ 4 ∑ 5 ∑ ∑ 3 Voice & 4 4 4 hmm a ‰™ Ó™ ∑ 4 4 ∑ 5 4 ∑ ∑ 3 4 p f eeeee “” >. > .III 1 ™ ® ‰™ Œ Ó 4 5 ‰™ Ó™ ™™ ® 43 4 4 ¢ mp mp mf p mf ff mf fff s . n >œ. œœ b œœ #n œœ œ # œ Pno. #n œ>œ. >. # œ>œ.H. & nœ ™ œ® bœ bœ ‰ ™ Œ Ó & n Oœ 1 3 4 4 ‰™ Ó™ œ 3 1 4 ™™™™ ® 43 µb œO 2 1 II. f mf fff ° ® mp œ #œ ff ™ #œ ® nœ œ ‰™ Œ ∑ 4 ∑ 5 ∑ ∑ 3 Voice & ™ 4 4 4 hmm a uouoaii ™ ® 4 5 3 ™ ® ‰™ Œ ∑ 4 ∑ 4 ‰™ ∑ 4 f mp ff mf fff p mf “µ”e ™# œ ® n œ œ e Vc. b >œ. >. . œœ œ>œ. b œ>œ. >. >. >œ. >. œœ œ>œ. n œ>œ. b >œ. >. #n œ>œ. œœ e > . n œœ œ>œ. >. 81 s . ¢& ® ® Œ ∑ 4 ∑ 4 Ó™ ‰™ œ œ f mp ff mf fff p mf sfz s . >œ. R.

>. 4 . œ . &4 4 4 66 ‰ 4 6 ã 3 4 ‰™ Ó ≈ ™ ÍÍÍÍ Ó 5 4 ‰ ∑ ÍÍÍÍÍÍÍÍ 3 4 ∑ ∑ 4 4 mp ” “”66 #b“6666 ™™™ ∏∏∏∏ ∏∏∏∏ 5 b ‹6666 # ?3 4 ‰ n 6 Ó™ ? ‰™ 3 4 Pno.H. R. #œ. 3 b666 5 3 e ™ Ó ∑ 4 L. >. ‰ ™ Ó Ó ‰ ‹œ. f ° ° . & 4 ¢ ‰™ Œ ≈ nœ ‰ 4 ‰™ Ó & bE 4 #e nE 4 œ ææ ææ ææ æ p mp p mp 3 3 p mf f ff ° 3 ∑ ∑ 5 ∑ 3 ∑ ∑ 4 Voice & 4 4 4 4 plectrum granulation on the treble bridge ã ã ã ã ã ã ã ã 3 4 5 4 3 4 ‰™ Ó Œ 4 4 ppp mf fff p eeee eee Pno. œ œœœ œœœœ 4 ff fff ◊>Ÿ> > ◊Ÿ > > >. &4 6 6 4 6 4 ≈ ‰™ Œ 4 granulation: very slow bow G winding granulation ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~5~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~43~~~ ‰ ™ 4 4 Œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 ¢ p mf fff mp p vocal fry granulation: imitate the violin ° 3 ã ã ã ã ã ã ã ã 5 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 4 Voice & 4 ∑ Œ 4 4 4 e mp p mp p mp p winding granulation 3 5 3 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 4 ∑ ∑ 4 ∑ 4 ∑ “”B e [5+9+13+4] #µB eee mp p pizz. reed tapping granulation: imitate the violin 3 µœe # œe 5 ã ã ã ã ã ã ã ã 3 nãE ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 4 B. 7'23" 7'26" 7'29" 7'35" 7'39" 13 vocal fry granulation: imitate the violin °85 3 ∑ 86 ∑ 87 5 ∑ 88 3 ∑ 89 Ó ã ã ã ã 4 Voice & 4 4 4 4 e pp 3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 5 ã ã ã ã ã ã ã ã ã ã ã ã ã6 ã ã ã ã ã ã ã 3 ã ã6 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 4 Vln. >. e µe [6+11+5] nB ee arco Vc. ? 43 nnee n ee [5+9+13+4] #ee 5 [7+10+13+3] ne 3 ã6 ã ã ã ã ã ã ã ã ã ã ã 4 ¢ Ó BO Œ ‰ & 4 ‰™ Ó™ ‰ ™™ BO 4 Ó & 4 µ O M IV (sul C) E§ +55 ¢ M III (sul G) Bb +47¢ ® ˜O II (sul D)F# +55¢ f M fff M I (sul A) Eb +37¢ f ff ° 3 ∑ ∑ 5 ∑ 3 ∑ ∑ 4 Voice & 4 4 4 4 slap >.H. >. ¢ 4 ∑ & ≈ Ó bnbœœ. Cl.

¢ 4 #‹bœœœ. ¢ 4 #E & nE E bE E bE ˙ ˙ 4 p mp p mp p mp p mp vocal fry granulation: imitate the violin ° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 Voice & 4 Œ 4 e p p p mp mp mp ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 4 2 4 4 mp p mp p mp p mp p Pno. Cl. ?4 ™ 2 R. 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 ¢& 4 4 vocal fry granulation: imitate the violin ° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 Voice & 4 e 4 p mp p mp p mp p mp 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 B.H. 7'42" 7'47" 7'51" 7'56" 14 91 92 93 90 ° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 Voice & 4 4 mp p mf p mf p mf p 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 Vln. &4 4 4~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 4 4 ¢ mp p mp p mp p mp p ° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 Voice & 4 4 mp p mp p mp p mp p 4~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~4 mp p mp p mp p mp p Vc. > .œœ ‰ Œ Ó ∑ ∑ ∑ 4 :◊.

H. >œ Ó Ó ? ‰™ 4 Œ ∑ 4 666 ‰ Ó™ Ó™ ‰ ™™ BœO 44 M mf ‘> .H. Cl.. >. >. >. > fff >. & 4 4 4 4 œ 4 ææ ææ ææ ææ ææ ææ ææ 4 ¢ b˙ ææ ææ ææ ææ ææ ææ pp mf p mp pp fff œ™ p mf s Gs . 2 ã ãã ããããã 3 ãããã ã ããããããã ã ™ 3 ? ‰™ Ó 6 4 G ≈ ‰ ™ Ó™ 4 ¢ & 4 4 G≈ ‰ Ó 4 ∑ BO ∑ 4 6 4 ∑ 4 M III (sul G) Bb +47¢ E ° 2 ã ã ã ã ã ã ã ã 3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 ã ‰™ 6 flutter ææ ææ ææ ææ 4 æ æ æ 4 Ó ∑ ∑ ∑ œ æ æ æ æ æ nœæ æ #œæ #œæ Voice & 4 4 4 4 æ ææ 4 œ œæ™ æ æ æ #œæ 4 p mp p mp p ppp fff p mf flutter Œ ææ ææ ææ ææ ææ ‰™ #œ ™™ ® œ æ ææ ãããã ã ãããã ãããã ããããããã 2 ã ãã ããããã 3 ã Ó ∑ 3 ∑ ∑ ææ ææ ææ ææ ææ æ ™™ œ 6 #e 4 4 B. a6] # %% ™™ n# ee [a#6. ee Ÿ n ee. pppp f ° 2 ã ã ã ã ã ã ã ã 3 ã ‰™ 3 6 4 4 Voice & 4 4 Ó ∑ 4 ∑ ∑ ∑ ∑ 4 œ 4 #œ ‰ ™ Ó™ ∑ 4 hm e mp p slow bow on wrapped strings 2 3 Ó 3 ‰™ Ó 6 4 ‰ ™ Ó™ 4 4 4 ‰™ 4 ∑ ∑ 4 4 ∑ 4 ppp mf ppp fff mp p mp “µ”e [6+11+5] n ee EEE Vc. b6] 2 ã 3 3 ã ããããããããããã ã 6 4 n O ‰ ™ Ó™ 4 Vln. ã ãããããããããããããã [6+11+5] (location) ããããããããã ã Pno.1 %18. ° 2 ã ã ã ã ã ã ã ã 3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 ã 6 pppp 4 f 4 Voice & 4 4 4 ‰™ Ó ∑ ∑ ∑ 4 œ 4 ‰ ™ Ó™ ∑ 4 mp p mp p mp hm a ã ãã ããããã ã ããã ã ããããããã ã ãã ããããããããã ã pluck granulation ~~~~~~~~~~~~~~~~~~~~~~~~ 2 3 3 ‰™ Œ ‰ ® Ó ‰ -Ó Ó ‰™ 6 ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ‰ ™ Ó™ Ó™ ‰ ™™ 4 4 4 4 ™ 4 ~~~~~~~~4 ~~~~~~~~~~~~~~ 4 %18. > > µ œO 66 p >. ¢ 4 ∑ 4 ∑ ∑ 4Ó ‰ ® BœO Œ & ‰ ™™ œ.8 mp p mp p mp ppp fff [6+11+5] B>ee. . “ >> mp mf . > mp ◊ > Bb +47¢ M E§ +55¢ M Bb +47¢ Pno. 2 &4 ∑ 3 4 ∑ ∑ 3 4Ó ‰ ® µe Ó ‰ 6Ó Ó ? ‰ ™ e 46 n6 4 4 G ≈ ‰ ™ Ó™ Ó™ & ‰ ™™ µe 44 L.8 %23. “‘ ° ° “‘ > > ° ° . & 4 G ≈ ‰™ Œ 4 ∑ ∑ 4 ∑ 6 G ≈ ‰™ Ó ∑ 4 ~ ™™ µb ww 1 ~ ™™ 3 4 µn œO nœ ∑ 4 2 1 granulation: very slow bow ~~~~~~~~~~~~~~~~~~~~~~ 2 3 3 ~~~~~~~~~~~~~~~~ ‰ ™ Ó 6 4 4 4~~~~~~~~ ‰ ™ Œ 4 ∑ ∑ 4 ∑ ∑ 4 4 ‰ ™ Ó™ ∑ 4 ¢ ppp ff mp mf ppp s Gs . COVENANT 8'01" 8'03" 8'06" 8'10" 8'13" 8'17" 8'20" 8'24" 8'31" 8'35" 15 95 96 97 s Gs . >. ? 2 3 3 6 4 666 R. 94 98 99 100 101 pppp 102 f 103 ° 2 ã ã ã ã ã ã ã ã 3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 ã 6 4 4 Voice & 4 4 4 ‰™ Ó ∑ ∑ ∑ 4 #œ 4 œ ‰ ™ Ó™ ∑ 4 hm i mf p mf p mp [g#6..

H. >.™ Œ 2 ¢ M III (sul G)Bb +47¢ µœB e flutter 3 3 ° 4 æ æ ææ œ œ bœ bœænœænœæ œæ œæ#œæ œ œ œ #œ ææ Voice & 4 œ ‰ ™ Ó™ ∑ ≈ œæ™ ææ ææ œ ‰™ œ bœ œ nœ nœ ‰ ™ Œ 6 4 2 4 #œ ‰ ™ Œ p æ æ æ æ æ æ ææ æ p mf œ p f 3 3 p mf p mp µ˜ œe ˜ œ ã µ#eœe ããããããã ã ãã ãããã ãããã ããããã ã ã ã ãããããã ãããã µ e #˜œe #œe #˜œe n œe nœ #œ 4 ™ ™ ne 6 2 B. >. >. Cl. & 4 æ ‰ Ó ¢ µœ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ‰ ™ µœ œ ‰™ œ œ µœ nœ 4 4 nœ ‰™ Œ p p f mf p 朙p f mp mf p mf Ÿs ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ° 4 6 2 Voice & 4 ∑ ∑ ∑ ∑ bœ œ œ™ œ ‰™ Ó™ 4 ∑ 4 ∑ p mf p mf ã ãã ãããã ãããã ããããã ã ã ã ãããããã ãããã ããã ã ™ 4 4 ‰™ Ó ‰ ™™ ‰™ Ó ‰ ™™ ‰ ™ Ó™ ‰ ™ Ó™ ™ ® 6 4 ® ™ ® 2 4 ‰™ Œ %30. > mp >. 6 4 4 ‰. [10+13+3] mf f p f p f p f [9+13+4] Pno. 4 &4 ‰™ Ó ‰ ™™ #µee ‰ ™ Ó ? ‰ ™™ ne ‰ ™ Ó™ ∑ ∑ ∑ 6 4 2 4 G ≈ ‰™ Œ L. f ff ° ° ° ° ° .1 p mp p p B>ee.16 8'40" 8'44" 8'49" 8'54" 8'58" 9'03" 9'08" 9'12" 9'19" 110 108 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ °104 4 ∑ 105 ∑ 106 ∑ 107 ∑ s 109 bœ œ ™ œ ‰™ Ó™ 111 6 ∑ 112 2 ∑ Voice & 4 œ 4 4 p mf p mf #µ eeo arco seagull effect O 4 ‰ ™ Ó™ 6 2 Vln. #œ œœ nb œœ #n œœ > e >. ? 44 Bn eO ‰ ™ Ó™ ∑ ∑ ∑ ∑ . but slowly and equally 4 4 ∑ ∑ ∑ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ™ Ó™ Ó™ 6 4 ∑ 2 4 ∑ ÍÍÍÍÍÍÍÍÍÍÍÍÍ p mp p mf M Eb +37¢ M ã ãããããããããããããã E§ +55¢ (location) ã ã ã ã ãããããã ãããã ããã ã 6))66 G ≈ ‰ ™ Ó™ ∏∏∏∏∏∏∏∏ Pno. &4 ∑ ### BOOœœ 2 1 4 ∑ ∑ ∑ ##œO 4 4 œ ‰™ Œ 1 press & rotate bow hair mid bright 4 ‰™ back 6 2 ‰™ Œ 4 ∑ plate ‰™ 4 4 ¢ mp p frog dark p p f p mf ff Ÿs ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ° 4 ∑ ∑ ∑ ∑ ‰™ Ó™ 6 ∑ 2 ∑ Voice & 4 œ œ œ™ œ 4 4 p mf p mf press & rotate bow hair mid bright 4 ‰™ 6 2 4 back 4 4 ‰™ Œ ‰ ™ Ó™ plate frog dark mp pp p f p mf p ff [6+11+5] “” µ e e Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~nœB e Vc. ¢ 4 ‰™ Ó ‰ ™™ B œO ‰™ Ó ‰ ™™ ‰ ™ Ó™ b6 ))))6666 Ó™ 4 ∑ 4 ∑ :“. ~~~~~~granulation ~~~~~~~~~~~~~~~~~~~~~~~~ Brutally.8 %23. mf µ œO ◊Ÿ 6))6 )6 >. ? 4  6 2 R. >.H.