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  • Mise en Scene Keynote

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    Robin Jones
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    Mise-en-scene is an expression used to describe the design aspects of a theatre or film production. It essentially means "visual theme" or "telling a story" It is the combination of elements that create a strong sense of miseen-scene.

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    Mise-en-scene is an expression used to describe the design aspects of a theatre or film production. It essentially means "visual theme" or "telling a story" It is the combination of elements that create a strong sense of miseen-scene.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    96 views20 pages

    Mise en Scene Keynote

    Uploaded by

    Robin Jones
    Mise-en-scene is an expression used to describe the design aspects of a theatre or film production. It essentially means "visual theme" or "telling a story" It is the combination of elements that create a strong sense of miseen-scene.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 20

    Mise-en-Scène

    Wednesday, 29 September 2010


    Mise-en-Scène

    Mise-en-scène is a French term and originated in


    the theatre. It means, literally, "put in the scene."

    http://www.filmreference.com/encyclopedia/Independent-Film-Road-Movies/Mise-en-sc-ne.html

    Wednesday, 29 September 2010


    Mise-en-Scène
    Mise-en-scène is an expression used to describe the
    design aspects of a theatre or film production, which
    essentially means "visual theme" or "telling a story"
    —both in visually artful ways through storyboarding,
    cinematography and stage design, and in poetically
    artful ways through direction.

    http://en.wikipedia.org/wiki/Mise_en_scène

    Wednesday, 29 September 2010


    Elements of Mise-en-Scène
    • Framing

    • Characters

    • Lighting

    • Production Design

    • Film Stock

    • Camera Movement

    • Sound & Music

    Wednesday, 29 September 2010


    Framing
    • Aspect Ratio (proportion of the screen)

    Wednesday, 29 September 2010


    Framing
    • Camera Placement

    location, height, angle, depth of field and the


    placement of objects/subjects and the distance
    between other objects/subjects

    The Good, the Bad and the Ugly (1966)


    Directed by Sergio Leone

    Wednesday, 29 September 2010


    Wednesday, 29 September 2010
    Actors Performance
    • Casting

    • Make Up

    • Blocking (character movement)

    Wednesday, 29 September 2010


    Lighting
    • Light or Dark

    • Use of Shadows

    • Position of Key Light/Source Light

    Splinter Cell: Conviction (2010)

    Wednesday, 29 September 2010


    Wednesday, 29 September 2010
    Production Design
    • Sets

    • Props

    • Costume

    Psycho (1960)

    Wednesday, 29 September 2010


    Wednesday, 29 September 2010
    Film Stock
    • Black & White or Colour

    • Film Grain

    • Saturation

    Three Kings (1999) Directed by David O, Russell

    Wednesday, 29 September 2010


    Wednesday, 29 September 2010
    Camera Movement
    • Tracks

    • Pans

    • Tilts

    • Zooms

    Wednesday, 29 September 2010


    Sound & Music
    Some film theorists argue that sound
    and music are not elements of mise-
    en-scène because they are not visual
    elements contained within the frame
    Other theorists insist that sound and
    music can enhance the visual and
    narrative construction of the
    composition

    Goodfellas (1990) Directed by Martin Scorsese

    Wednesday, 29 September 2010


    Wednesday, 29 September 2010
    Mise-en-Scène

    It is the combination of elements


    that create a strong sense of mise-
    en-scène

    Stanley Kubrick: A Life In Pictures (2001) Directed by Jan Harlan

    Wednesday, 29 September 2010


    Wednesday, 29 September 2010
    Conclusion

    The carefully constructed and successful use


    mise-en-scène can enrich the narrative and
    visual aspects of the work as well as enhance
    the emotional tone of the piece

    Wednesday, 29 September 2010

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