Trombone 1

Piano Concerto in A minor Opus 16

1st movement - Allegro molto moderato E. Grieg

Allegro 
           


 
 

                    
molto cresc.

      
            
9
A

                 
 dolce 
 
                              21

            
15

      cresc.  

                 
25 28 29


22

        
  cresc.

    
         
Animato


31
              
   
        
      
 
 
 

43 45

     
         
39

   
 
              
    
50

          
rit. Lento

  sostenuto
  
molto rit.


46

cresc. 
dim.   più tranquillo

          55          sostenuto
  meno tranquillo
59

            
53

    
  animato      66poco rit. più vivo  
  sosten.63 più
       
                     
61

 
cresc.

    

69 Animato

     
      
68 75
 
a tempo


 
6 6

©
      
Piano Concerto in A minor Opus 16
       
2
 
                     
     
76

 
6

6

     
    rit.   
             
83 rit.

 

91
                       Solo              
tranquillo 95
  
  
3 3 3 3 3 3 3 3  
   sosten.                                          

Solo

  
96

3 
3 3 3 3 3 3 3

   rit.
      
  
  
  
    

   a  
         
101 103
tempo
poco

         
  

cresc. cresc.

                               
   
109
        112
   
    



 117     
      
             
      
116 119

 
sempre 
 dim.
     rit.  
          poco            
127

         


124 suivez,

 cresc.  
                 
    
131

                  
    
      
                       
139 143

     
   cresc.

       
                       
149

  
146
   molto
     
rit.
   
 dim.   più tranquillo 
 Piano Concerto in A minor Opus 16 3

         
sostenuto

    
153 157

     
 sostenuto
  
        
 
                          
161 164 168

  
più animato poco rit. vivo

cresc. 
173
                        

   
   
169


3 3 3 3 3 3 3 3

                          178

        
175

3 3 3 3 3 3 3 3


            
182

196

            
194

214

              
205

 

             
215

     
       
       
229

  
   
226


   3

                                   
233

          
 

    
    
   
237

 dim.
         
4 Piano Concerto in A minor Opus 16
242
 
                       
 