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Dollhouse

by

MELANIE MARTINEZ, JEREMY DUSSOLLIET


and TIM SOMMERS

Published Under License From

Alfred Publishing Co., Inc.

© 2014 WARNER-TAMERLANE PUBLISHING CORP., GAP CITY MUSIC, WB MUSIC CORP., KINETICS & ONE LOVE and TIM SOMMERS MUSIC
All Rights on behalf of itself and GAP CITY MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights on behalf of itself, KINETICS & ONE LOVE and TIM SOMMERS MUSIC Administered by WB MUSIC CORP.
Used by Permission of ALFRED MUSIC
All Rights Reserved

Authorized for use by Fred Douglas Perkins Jr.

NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment.
However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written
consent of the copyright owner(s) and of Alfred Publishing Co., Inc.. Unauthorized uses are infringements of the
copyright laws of the United States and other countries and may subject the user to civil and/or criminal penalties.

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DOLLHOUSE
Words and Music by
JEREMY DUSSOLLIET, MELANIE MARTINEZ
and TIM SOMMERS
3
Moderately slow, in 2 = 64 – 66 ( = )
Cm A Cm A Cm A B

*À la toy piano for all staccato sections.

Cm A Cm A Cm A B

Hey

Cm A Cm A Cm A

girl, o - pen the walls, play with your dolls. We’ll

B Cm A Cm A

be a per - fect fam - i - ly. When you walk a - way is when we real - ly

© 2014 WARNER-TAMERLANE PUBLISHING CORP., GAP CITY MUSIC, WB MUSIC CORP., KINETICS & ONE LOVE and TIM SOMMERS MUSIC
All Rights on behalf of itself and GAP CITY MUSIC Administered by WARNER- TAMERLANE PUBLISHING CORP.
All Rights on behalf of itself, KINETICS & ONE LOVE and TIM SOMMERS MUSIC Administered by WB MUSIC CORP.
Used by Permission of ALFRED MUSIC
All Rights Reserved
Authorized for use by Fred Douglas Perkins Jr.
2
Cm A B Cm A

play. You don’t hear me when I say, “Mom, please wake

Cm A Cm A B

up. Dad’s with a slut, and your son is smok - ing can - na - bis.”

Cm A Cm A Cm A

No one ev - er lis - tens; this wall - pa - per glis - tens. Don’t let them see what goes

B Fm7 A sus2

down in the kitch - en. Plac - es, plac - es, get in your plac - es. Throw on your dress and put

Authorized for use by Fred Douglas Perkins Jr.


3
Cm B Fm7

on your doll fac - es. Ev - ’ry - one thinks that we’re per - fect. Please don’t let them look

through the cur - tains. Pic - ture, pic - ture, smile for the pic - ture.

A sus2 Cm

Pose with your broth - er; won’t you be a good sis - ter. Ev - ’ry - one thinks

B Fm7 N.C.

that we’re per - fect. Please don’t let them look through the cur - tains. D - O - L - L - H -
(Hand claps)

(Bass drum)

Authorized for use by Fred Douglas Perkins Jr.


4
To Coda II

- O - U - S - E. I see things that no - bod - y else sees. D - O - L - L - H -

To Coda I

- O - U - S - E. I see things that no - bod - y else sees.


Hey

Cm A Cm A Cm A

girl, look at my mom; she’s got it go - ing on. Ha! You’re

B Cm A Cm A

blind - ed by her jew - el - ry. When you turn your back, she pulls out a

Authorized for use by Fred Douglas Perkins Jr.


5
Cm A B N.C. A

flask and for - gets his in - fi - del - i - ty. Uh - oh, she’s

Cm A Cm A B

com - ing to the at - tic. Plas - tic, go back to be - ing plas - tic.

Cm A Cm A Cm A

No one ev - er lis - tens; this wall - pa - per glis - tens. One day they’ll see what goes

D.S. al Coda I Coda I


B Cm

down in the kitch - en. - bod - y else sees.

Authorized for use by Fred Douglas Perkins Jr.


6
Gm/ B Fm Cm

Hey girl *(hey girl, hey

*Echo repeats, gradually


becoming softer.

Gm/ B Fm Cm

girl, hey girl, hey girl, hey girl, hey girl, hey girl). Hey girl, o - pen your

D.S. al Coda II
Gm/ B Fm

walls, play with your dolls. We’ll be a per - fect fam - i - ly.

Coda II

D - O - L - L-H - O - U - S - E. I see things that no - bod - y else sees.

Authorized for use by Fred Douglas Perkins Jr.