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Keep Moving Solos

Ole Børud
Transcription by Lucas Bastos

High Time
"High Time" solo part's key is Dm.
There are two "II, V" progression (over C and D respectively).
He apllies "Dm pentatonic" over the first two chords,
"Em pentatonic" over Em7 and "A Altered Scale" over A7.
Repeats the same idea on next four measures.
= 106

Dmin7 G

full

44
6
full
15 15 13
15 13 12
14 10 12 12
15 12 10 12 14 12 14
12 14

Emin7 A7

3 full

6
full
15 17 15 13 15 20 15
12 15 17 14 13 16 15
14 12 12 14 14 16 15 14 14 17
14

Dmin7 G

5 1/4 full full 1/2

1/4 full 1/2


17 20 17 19 19 19 17 15 17
18 18 20
19 19
Emin7

17 15 15
17 17 15
14 12 11 12 11 14 17 14
14 12 14 16 17

A7

8 full

6 6 6 6
full
15 18 15 17 15 17 18 20
14 18 14 16 14 14 16 18 18
15 14 14 15 17 17
17

Broken People
Basically, this solo idea is to create a melody using the
chord's notes and approach notes most of the time.
Over B6(9) he apllies "E Melodic Minor" scale.
The chords notes are painted red.

F♯maj7(9)
= 73 Emin7(9) A7(♭13)
10 full 1/2

full 1/2
9
9 9 11 9 7 6 7 8 10 10 10
8 6 6 8 9 11
7 11

Dmaj7(9) A / C♯ B♭/ D F♯maj7(9)


13

5 6 7 9 14 11 9 9 7
6 7 10 11 10 11 10
7 8 11

2
B7(9) B6(9)
15

9 10 9 7 9 7 6 7 8
8 6 6 7 9
7 6 5 7 9

Emin7(9) A7(♭13)

16 full full

full full
7 9 10 12 12 12 10
10 10 11 10 10 8

Amin7 D7(♭9)
17

6 6

li ss. li ss.
12g 14 14g 16 16 14 13 14 16 20
7 10 8 12 10 10 12 13

Make a Change
This part's key is Cm.
The harmony is organized in a four measures sequence.
First measure is a "II, V" progression over Bb and he applies "C dorian scale" and "Cm pentatonic".
Second measure is another "II, V" sequence over Ab this time. "Bb dorian" is used now.
Third measure repeats the first misure idea.
Fourth measure is a "II, V" over Cm. Over the first chord he applies "C dorian" and
"C Harmonic Minor" over the second one.
Cmin7 F7(9)
Swing Feel = 90
19

11 13 16 15 13 11
12 15 12 15 14
13 15 13

3
B♭min7 E♭7(9) D♭7(9) Cmin7 F7(9)
21 1/2

1/2

13 12 10
13 11 10 13 10 13 12 13 12 10 10
13 11 10 13 12 10 8 10

G7(♭9) Cmin7 F7(9)


A♭maj7
23 1/2

6 1/2
13 16 15 13 13
11 11 12 12 16 15 13 16 13 11
8 12 12 10 1110 8
10 10 8
11

B♭7 E♭7(9) D♭7(9)


25

6 6 6
6

8 11 10 8 9 11 8
9 9 7 8 11 8 11 10 9 8
10 10 8 8
11 10

Cmin7 F7(9)
26 full full 1/4 1/2

full full 1/4 1/2


8 8 11
8 8 11 15
10 8 10

G7(♭9)
A♭maj7

27 1/2 full full

6
1/2 full full
15 16 18 18 15 15 15 20
15 13 15 16 18 1820 1820
15 17

4
Heaven is on My Side

The key is Am on this section.


Basically he applies "Am pentatonic" scale with the addition of
major 6 over all the sequence featuring the Dorian mode.

Amin7 G C D
= 165
29 full 1/4
full full full

full 1/4
full full full
12
13 15 13 15 15 15 13 15 13
12 14 12 14 14 12 11 5
14

Amin7 G C
34 full 1/2

full 1/2
5
5 5 8 7 6 5
5 7 7 7 9 12 12 12 14 14 14 17 17
7 12 14 17

Amin7
D
37

22 17 20 17 17 22 17 20 17 17 22 17
20 20 20
17 19 21 19 21
19

5
G C Amin7
D

39 1/4 1/4

1/4 1/4
20 17 20 17
20 17 17 20 17 18 17 20 15
19 19 17 17 17 12 16
19 5 7 14

D
G C

43 full 1/2 full

3
full 1/2 full
17 17 17 15 19 17 19 20 22 22
15

Souls in Chains
Here we have another solo played with the "improvisation over chords" idea.
But at this time, he applies this idea over all the solo.
The chord notes are painted red again.

(1st Sax Solo 2'59" - 3'15")


= 108
C7(13) D♭9(♯11)
46

43 44

8
8 10 11 11 10 8 11 8 9 11 9 8
10 10

E♭9(13) A♭7(9/13)
48

44 43 44

9 8
8 10 9 11
10 10 8 10 11 8 11
10 11 11 10

6
D♭maj7(9) G7alt
50

44 43 44

6 6 8
6 9
8 8
10 8 8 8 6 8
11 8

(2nd Sax Solo 3'45" - 4'03")


A♭maj7 D7alt C7(13)
52

44 43 44 43

18 20 10
8 8 16 20 18 20 20 11 13 13 8
15 17 10 9 10
17 12 10

D♭9(♯11) E♭9(13)
56

43 44 43

12 11
11 8 10 13
8 10
10
10 8 12
8

A♭7(9/13)
D♭maj7(9)
58

43 44 43

11
11 10 8
13 11 10 8
11 9 8 8 8 11
11 9 11

G7alt
60 Dmin7

43 44 43

9
11 12 11 9 11 9 12 11 9
12 10
10
12 8

7
E7(♯9)
62

43 44

8 9 8 6 8 6
5
6 5
8
8 6 5

Resting Days
"Improvisation over chords" idea again. But this time we have a more static harmony.
We have two "II, V" cadences (over C and Bb, respectively) and another one (over Dmin)
to return to the first chords.
He applies a "B Altered Scale" over B7(# 5) chord and then two more "II, V" cadences
(over Bb and D, respectively) with "A Altered Scale" over the last chord.

= 100 Cmin7(9)
Dmin7(9) G7(13) Dmin7(9) G7(13)
64

10
8 8 11
7 9 7 9 7 12
5 7 10 131210 12 13
7 8 7 10 10 8 7
8 7

F7(♭9/13) Emin7 E♭7(9)


B♭maj7
69 /

10 14
10 10 13 15 14 1213 12 13
11 12 1012 12 14 16 14 15 14 15 14 12
12 16 14

Dmin7(9) G7(13) Dmin7(9) G7(13)

72

10 5 3
8 12 13 10 13 17
1412 10 12 9 12
15 14 10 9 9 12

8
Cmin7(9)

76

15 11 13
15 11 13 10 11
10 12 8

B7(♯5) Bmin7(9) F7(9/♯11)

77

6 6 6
3

10 13 10 11 10 12 10 15 13
10 12 13 13 12 10 10 12 13
10 10 12 12
12 8 10 12 13

Emin7(9/11) A7(♯9/♭13)

79

17 15 17 18 17 15
18 16 15
17 15 14