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Social Mobility

Written by: Jonathan Talavera


Dariela Ramirez
Eduardo Luevano
Esteban Valdez

RWS 1301
Paul J vierra
The University of Texas at El Paso
11/28/2018
DRAFT 1
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1 THE WORDS WHAT IS SOCIAL MOBILITY Narrator: what is social mobility
0:06 IS PRESENTED ON SCRREN

2 THE WORDS SOCIAL MOBILITY IS AN Narrator: Social mobility is the


0:12 INCREASE IN SOCIAL STATUS BY increase in social status by
EITHER EDUCATION OR WEALTH IS either education or by wealth
PRESENTED

3 THE WORDS SOCIAL MOBILITY IN Narrator: Social mobility in


0:18 MEXICO IS PRESENTED ON SCREEN Mexico

4 LOW INCOME AND EDUCATION ARE Narrator: The economic status in


0:24 BEING PRESENTED VERY EXPENSIVE Mexico is low because education
does not provide the same
benefits.

5 A CHART THAT SHOWCASES SOCIAL Narrator: The Espinosa Yglesias


0:30 MOBILITY IN RATES study Center conducted a report,
depicting Mexico as a low economic
country

6 IMAGE SHOWS 48 OUT OF 100 Narrator: Among, 48 of every 100


0:36 MEXICANS THAT DON’T ACHIEVE Mexicans who come from the lowest
HIGHER INCOME, LETTERS PRESENT economic level remain there.
48 OUT EVERY 100 OF MEXICANS

7 COMPARISON OF SOCIAL MOBILITY IN Narrator: How does this compare to


0:42 THE UNITED STATES, HOW DOES THIS social mobility in the United
COMPARE TO SOCIAL MOBILITY IN THE States?
UNITED STATES?

8 TWO IMAGES ARE PRESENTED OF TWO Narrator: children born in 1984 in


0:48 FAMILIES, WITH THE WORDS “BETTER the United States make better
INCOME THEN” IN BETWEEN THE TWO income than their parents.
FAMILIES

9 STUDENTS ARE PRESENTED IN FRONT Narrator: The reason for this


0:54 OF THE SCHOOL because in the U.S more
opportunities are given.

10 AN IMAGE WITH A LAPTOP Narrator: Interact with your


1:00 INTERACTING WITH A PROFESSOR professor, reach out for help.
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11 WEBSITE PROVIDED WITH INFORMATION Narrator: Social mobility
1:06 FOR SOCIAL MOBILITY foundation

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Film Nomenclature
Here are some scriptwriting terms you can use. You need to use at least
one term in every scene.

ANGLE: Directs the camera to focus on a person or thing.


AD LIB: Instructs actors to make up and fill in dialogue in the scene.
CUT TO: To go from one scene, or element in a scene, to another very
quickly.
DISSOLVE: A film editing technique where one scene "melts" or fades
into another scene.
ESTABLISHING SHOT: Use to be used to give an overall perspective of a
scene.
EXT. Short for exterior, or outside.
FADE IN: This is the start of the screenplay.
FADE OUT: This is the end.
Fg: Stands for Foreground. Used to place an object or person in front
of the scene.
FREEZE FRAME: The image freezes on the screen and becomes a still shot.
INT.: Short for interior, or indoors.
INTERCUT: To go back and forth between to locations, scenes, or
elements in a scene.
INSERT: An item that is inserted into the camera view. Usually a note,
or picture is inserted so the audience can either read what is on the
note, or see the picture.
Master scene heading: Begins each new scene. It consists of three
parts: The LOCATION, PLACE, and TIME of the scene. For example:
* EXT. PLAYGROUND - NIGHT or
* INT. BEDROOM - DAY
MONTAGE or SERIES OF SHOTS: A number of different scenes shown one
after the other. Used to show a number of events passing in a short
period of time.
OS or OC: OFF SCREEN or OFF CAMERA. A character talks, or something
happens out of view of the camera.
OVER THE SHOULDER: A camera shot over the shoulder of a character.
PAN: A camera shot that pivots up and down, or side to side.
PLOT POINT: A turning point, or transition in the screenplay that
propels the screenplay forward.
POV: POINT OF VIEW. The perspective view of one character as they look
at another character or thing in the scene.
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REVERSE SHOT: When two characters are talking to each other and the
camera shifts for one character to the other.
SLOW MOTION: Self-explanatory.
SPLIT SCREEN: The location of the scene is divided in to two, or more
sections.
SUBLIM: A shot lasting less than a second. (The brief flashbacks scenes
usually done when a character is dying and their live flash before
their eyes)
SUPER: A SUPERIMPOSITION. One image merged into another image.
VO: VOICE OVER. Usually used by a narrator of a scene. The character
doing the VO is usually not in the same location as the scene.
ZOOM: A camera focus upon something in the scene.